The reason is self evident: What Tarantino can do is otherwise missing from American filmmaking. He only directs his own scripts and has never made a sequel, but his films are global events. Tarantino remains one of the only directors whose original films can rake in two-to-one foreign-to-domestic box office returns.
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Still, the studios’ dog-and-pony shows are odd. So many people associated with Harvey Weinstein were victims of his abuse, tainted by their association with the apparent serial rapist, or left in the wreckage at 99 Hudson Street.