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The modern movie landscape can make some people feel like the best days of film are behind us. With remakes, reboots and adaptations very abundant, and original movies seemingly not raking it in at the box office, that is an understandable sentiment. But the BBC felt like there are a lot of recent movies worth celebrating, and that is why they set out to make a list of the 100 greatest movies of the 21st century. The list they came up with is nothing if not interesting, and it is definitely a reminder that there are a lot of great movies that have been made in the last 16 years.
BBC published the list on Tuesday morning, after taking months to put it all together. In order to come up with this list, they used nearly 200 critics from both print and online publications, as well as academics and curators. The contributors that were used spanned the globe, »
Outside of audience members determined to catalogue Quentin Tarantino’s kitschy extra textual references (he utilizes the film’s them in Kill Bill: Vol.2), the iconic trajectory of Meiko Kaji’s wronged heroine, Nami Matsushima (aka Prisoner #701, aka Matsu the Scorpion, aka Sasori) and her slinky, silent swath of vengeance against various tormentors across four distinctive films from 1972 and 1973, has been largely relegated to the recesses of avid genre aficionados.
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- Nicholas Bell
After a few delays, Frank Ocean‘s Channel Orange follow-up, Blond, has now arrived and, with it, not only an additional visual album, but Boys Don’t Cry, a magazine that only a select few were able to get their hands on. (Although, if you believe the artist’s mom, we can expect a wider release soon.) In between a personal statement about his new work and a Kanye West poem about McDonalds, Ocean also listed his favorite films of all-time and we have the full list today.
Clocking at 207.23 hours, as Ocean notes, his list includes classics from Andrei Tarkovsky, David Lynch, Ingmar Bergman, Stanley Kubrick, Martin Scorsese, Orson Welles, Rainer Werner Fassbinder, Jean Cocteau, Alfred Hitchcock, Francis Ford Coppola, Fritz Lang, Werner Herzog, Akira Kurosawa, Ridley Scott, Bernardo Bertolucci, Sergei Eisenstein, F. W. Murnau, Luis Buñuel, and more.
As for some more recent titles, it looks like The Royal Tenenbaums »
- Jordan Raup
Last year, the BBC polled a bunch of critics to determine the 100 greatest American films of all time and only six films released after 2000 placed at all. This year, the BBC decided to determine the “new classics,” films from the past 16 years that will likely stand the test of time, so they polled critics from around the globe for their picks of the 100 greatest films of the 21st Century so far. David Lynch’s “Mulholland Dr.” tops the list, Wong Kar-Wai’s “In The Mood For Love” places second, and Paul Thomas Anderson and the Coen Brothers both have 2 films in the top 25. See the full results below.
Read More: The Best Movies of the 21st Century, According to IndieWire’s Film Critics
Though the list itself is fascinating, what’s also compelling are the statistics about the actual list. According to the the BBC, they polled 177 film critics from every continent except Antarctica. »
- Vikram Murthi
“Sausage Party” may be a film about a hotdog that wants to have sex with a bun, but it still represents a watershed moment for Hollywood. The raunchy comedy that’s grossed $65 million after two weeks in theaters is the first R-rated CG animated movie. Co-written by Seth Rogen and Evan Goldberg, “Sausage Party” has sex, violence and curse words in a format that has always been reserved for family-friendly fare.
The movie features the voices of comedic stars like Rogen, Jonah Hill, Kristen Wiig, James Franco and Paul Rudd playing anthropomorphized food items who discover their only reason for existing is to be eaten by humans. Directors Conrad Vernon (“Monsters vs. Aliens”) and Greg Tiernan (TV’s “Thomas & Friends”) have backgrounds in traditional animation aimed at children, but there’s nothing traditional about this deranged dark comedy. »
- Graham Winfrey
Ranbir Kapoor, who will be next seen in Karan Johar's Ae Dil Hai Mushkil, recently opened up about several aspects of his life in an exclusive interview with Rajeev Masand. The actor spoke about his failures, his break-up and the time he was ignored by big names in Hollywood.
During the conversation, Ranbir Kapoor opened up about being star struck seeing certain Hollywood stars and being ignored by them. He spoke about the time he ran behind Natalie Portman in Tribeca in New York where she was on the phone and he didn't realize if she was crying. He quickly went behind and said 'I love your...' and before he could say 'work', Natalie turned to him and said 'Get lost' and walked away.
- Bollywood Hungama News Network
Ryan Lambie Aug 23, 2016
A critics' survey puts Mullholland Drive at the top of the list of the best films since 2000. Did yours make the cut?
Movie critics love Linklater, Studio Ghibli, the Coens and the surrealist stylings of David Lynch. At least, that's if a newly-published list of the 100 greatest films of the 21st century is anything to go by.
BBC Culture commissioned the poll, which took in responses from 177 film critics from all over the world. As a result, the top 100 includes an eclectic mix of the mainstream to independent movies, from dramas to sci-fi and off-beat comedies. Feew would be surprised to see things like Paolo Sorrentino's handsome Italian confection The Great Beauty propping up the lower end of the list, or that such acclaimed directors as Wes Anderson or the aforementioned Coens feature heavily.
What is pleasing to see, though, is how much good genre stuff has made the cut, »
Although we’re only about 16% into the 21st century thus far, the thousands of films that have been released have provided a worthy selection to reflect on the cinematic offerings as they stand. We’ve chimed in with our favorite animations, comedies, sci-fi films, and have more to come, and now a new critics’ poll that we’ve taken part in has tallied up the 21st century’s 100 greatest films overall.
The BBC has polled 177 critics from around the world, resulting in a variety of selections, led by David Lynch‘s Mulholland Drive. Also in the top 10 was Wong Kar-wai‘s In the Mood For Love and Terrence Malick‘s The Tree of Life, which made my personal ballot (seen at the bottom of the page).
- Jordan Raup
If you’re constantly getting abuse from your friends about your taste in films, Neil Calloway says help may be at hand from a recent study…
In what appears to be the cinematic equivalent of those studies that receive an inordinate amount of publicity when they trumpet the fact that gorging yourself on chocolate and red wine makes your healthier,“Enjoying trash films: Underlying features, viewing stances, and experiential response dimensions” from the Max Planck Society argues that more intelligent people enjoy bad films. Now you have an excuse for your collection of Uwe Boll and WWE movies; you watch them because you’re intelligent.
Of course, correlation does not mean causation (the more films Nicolas Cage appears in in a given year, the more people drown in swimming pools); watching Roger Corman and Troma Movies doesn’t make you smarter, it’s just more intelligent people are more like to enjoy trashier films. »
- Neil Calloway
Having just received the prestigious Vision Award at the Locarno Film Festival, Howard Shore has amassed a body of work that requires him to be mentioned among those fellow composing legends. From the ominous underbelly he gave “Seven,” to the magical rhythms that drive “Hugo,” to the dour tones encapsulating the reporters’ struggle in “Spotlight,” to the music that brought Tolkien’s Middle Earth to life, Shore has been behind some of the very best film scores of the last 40 years.
Read More: Legendary Composer Ennio Morricone Is Releasing A Greatest Hits Album
Yet what’s remarkable about Shore’s body of work, and what separates him from the other scoring legends, is that there’s nothing instantly recognizable binding together his diverse scores.
Growing up in Toronto, the »
- Chris O'Falt
Many know Michael Biehn from his iconic roles in James Cameron’s Aliens, The Terminator, and The Abyss, but in recent years he and his wife and business partner Jennifer Blanc-Biehn have been a tremendous force on the indie scene with their production company, Blanc-Biehn Productions, which provides a platform for indie filmmakers—including themselves—to tell new stories and interact with their dedicated fan base.
Michael and Jennifer were recently at San Diego Comic-Con to celebrate the 30th anniversary of Aliens, and I had a chance to sit down with the duo to discuss their grassroots approach to indie filmmaking, Michael’s desire to play Hicks once again in a new Alien movie, and much more.
Jennifer talked about the key to being a grassroots production company by interacting with fans and getting involved with talented actors, writers, and female filmmakers.
Jennifer Blanc-Biehn: There are a lot of people like this. »
- Jonathan James
Clip It: Each day, Jon Davis looks at the world of trailers, featurettes and clips and puts it all in perspective. Christian Slater has always been cool. As a kid, I totally looked up to him. I first saw him in Heathers, where he blew me away as a teenage Jack Nicholson. Everyone had a Jack Nicholson imitation back then, but only Christian Slater embodied his rebellious spirit (and, yes, mimicking his nasally, wise ass voice). He was the smarmiest teenager in school cafeteria history. When Pump Up the Volume came out, I was a high school student, and I didn't buy any of what the movie was selling. Even then, I could hear Hollywood execs saying, "This is what the kids, like, right? Cool disc jockeys!" But Christian Slater was charismatic enough to make it work. But then came one of the coolest movies ever made, True Romance, solidifying »
- Jon Davis
Look out world, The Love Witch is about to be unleashed upon an unexacting male populace. And they'll be none the wiser of her wicked ways! This tantalizing thriller is set to hit Los Angeles on Friday, November 11 before arriving in New York on November 18. We have the sexy new red band trailer, which stars Samantha Robinson in a star-making turn as an alluring witch who gets more than she bargained for.
On behalf of Oscilloscope Laboratories, Anna Biller writes, produces and directs The Love Witch. This astonishingly lush, entrancing marvel debuted at the Rotterdam Film Festival earlier this year. It also recently screened at BAMcinemaFest and Fantasia. Oscilloscope Laboratories will release the film in 35mm this fall, with additional screenings at select theaters across the country to be announced at a later date.
Quentin Tarantino’s sprawling, two-film revenge saga Kill Bill is told, like many of this director’s stories, out of chronological order. That means that the first big fight sequence of Vol. 1 is the one between Vernita Green (Vivica A. Fox), a.k.a. Copperhead, and Beatrix “The Bride” Kiddo (Uma Thurman), a.k.a. Black Mamba. Once members of the Deadly Viper Assassination Squad, the two had something of a falling-out when Green took part in a deadly raid on Black Mamba’s wedding rehearsal. So when the latter shows up at the former’s suburban doorstep in Pasadena four years later, the two waste no time with pleasantries before becoming engaged in deadly combat. The epic, house-trashing fight scene that follows has been faithfully if cheaply recreated by the team behind the webseries Homemade Movies. The results are surprisingly visceral, helped in no small measure by the »
- Joe Blevins
November tends to be the biggest month of the year for the Criterion Collection, the boutique home video company releasing some of their most exciting releases in time for the holiday shopping season. And, lucky for us, that trend continues in 2016, as Criterion has just revealed this year’s batch of November titles, and the slate includes some absolutely major must-owns. From Paul Thomas Anderson finally joining the Collection (and bringing Adam Sandler along with him!) to a series of samurai films that have never gotten their proper due, these are movies that are worth stampeding for on Black Friday.
Check out Criterion’s full November 2016 slate below, listed in rough order of our excitement for each title. And be sure to visit Criterion’s website for full release info.
It was only a matter of time before Paul Thomas Anderson finally joined the Criterion Collection, »
- David Ehrlich
I don’t think that Jonah Hill quite gets the appreciation that he deserves within the industry. Yes, he’s been cited by Oscar twice with Academy Award nominations in Best Supporting Actor (the first for Moneyball and the second for The Wolf of Wall Street) and has anchored a hugely successful comedy franchise, but still, he comes off as under-appreciated. Perhaps when he makes his directorial debut in a year or so that will change, but for now, he’s still underrated in my book. This week, he has a new film out in War Dogs, which could be another hit on his resume. He also has last week’s successful Sausage Party, an animated movie in which he is one of the voices. He certainly keeps busy, right? For those of you who are curious, War Dogs is dramedy about two young men who became unlikely gun runners. »
- Joey Magidson
Eric Bay-Andersen on trends and the lack of originality in Hollywood…
At the beginning of this year I went to the cinema and saw a preview of all the big films coming out in 2016, and it really depressed me because almost every upcoming ‘event’ film was a sequel, a re-boot, or a prequel to the re-imagined spin-off of a TV show adaptation! It’s gotten to the point where I even get disheartened by book adaptations, which is silly I know because there are so many great published stories out there that are worthy of being adapted for the big-screen. I guess I just find it sad that most film-makers these days seem to look to the best-sellers list for their inspiration, rather than their own imagination. I mean, if a new book comes out and is a big success, then of course someone will make it into a film at some point, »
- Amie Cranswick
Quentin Tarantino has never been one to shy away from lauding his filmmaking heroes for their work or heaping on the homages to other cinema classics in his own works, and fans of the “Inglourious Basterds” and “Pulp Fiction” director’s films often find much to explore and discover within his frames. One such example are some of the (very sexy) parallels between Tarantino’s still-maligned “Death Proof” and Brian De Palma’s similarly overlooked “Femme Fatale,” especially when it comes to a pair of tantalizing dance scenes.
Candice Drouet, an actress who also routinely crafts some stunning video essays, has now made a quick hit looking at the similarities between “Femme Fatale” and “Death Proof,” and how Tarantino pays homage to De Palma with his bar-set dance scene involving a gruff Kurt Russell and Vanessa Ferlito as the, »
- Kate Erbland
“Is this a game?” Pitt asks in the 60-second teaser, released by Paramount Pictures on Friday. “A test,” he’s told.
Pitt stars as a U.S. intelligence officer Max Vatan who encounters French Resistance fighter Marianne Beausejour (Cotillard) during a mission behind enemy lines in Casablanca in 1942 to kill a German ambassador. They’re forced into a pretend marriage that develops into a real love eventually tested, when they reunite in London, by the pressures of war and the secrets of their past.
Pitt returns to WWII after his recent turn as American tank commander Sgt. Don “Wardaddy” Collier in David Ayer’s drama “Fury” and Lt. Aldo Raine in Quentin Tarantino’s 2009 alternate history movie “Inglourious Basterds.”
Academy Award winner Zemeckis, who last teamed with »
- Maane Khatchatourian
“How are you not a big damn star?” This was the question I most itching to ask German actress Diane Kruger when we sat down to discuss her curious career and her latest lauded film, Alice Winocour’s surreal thriller “Disorder.”
A striking beauty with regal cheekbones, the tri-lingual Kruger has been awing audiences for years, thanks to turns in French prestige pictures like Benoît Jacquot’s “Farewell, My Queen” and bold American movies like Quentin Tarantino’s “Inglourious Basterds.” Yet somehow, Kruger’s path has not led her to A-list status. Retracing her steps from ballerina to model to internationally acclaimed thespian, we explored the whys and why bother of it all.
Kruger’s earliest artistic ambition was ballet, which she studied at the Royal Academy in London. “I didn’t know it then,” she told IndieWire, »
- Kristy Puchko
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