|Date of Birth||27 March 1963, Knoxville, Tennessee, USA|
|Birth Name||Quentin Jerome Tarantino|
|Height||6' 1" (1.85 m)|
Mini Bio (1)
Quentin Jerome Tarantino was born in Knoxville, Tennessee, to Connie (McHugh), a nurse, and Tony Tarantino, an Italian-American actor and musician from New York. Quentin moved with his mother to Torrance, California, when he was four years old.
In January of 1992, first-time writer-director Tarantino's Reservoir Dogs (1992) appeared at the Sundance Film Festival. The film garnered critical acclaim and the director became a legend immediately. Two years later, he followed up Dogs success with Pulp Fiction (1994) which premiered at the Cannes film festival, winning the coveted Palme D'Or Award. At the 1995 Academy Awards, it was nominated for the best picture, best director and best original screenplay. Tarantino and writing partner Roger Avary came away with the award only for best original screenplay. In 1995, Tarantino directed one fourth of the anthology Four Rooms (1995) with friends and fellow auteurs Alexandre Rockwell, Robert Rodriguez and Allison Anders. The film opened December 25 in the United States to very weak reviews. Tarantino's next film was From Dusk Till Dawn (1996), a vampire/crime story which he wrote and co-starred with George Clooney. The film did fairly well theatrically.
Since then, Tarantino has helmed many critically and financially successful films, including Jackie Brown (1997), Kill Bill: Vol. 1 (2003), Kill Bill: Vol. 2 (2004), Inglourious Basterds (2009), and Django Unchained (2012).
- IMDb Mini Biography By: Kale Whorton <firstname.lastname@example.org>
Trade Mark (48)
Personal Quotes (64)
And, yes it would have been easy to make him a cringing coward and it would have been more rah, rah, rah in the audience. It would be like watching "Rocky." But you know, that's too easy for what I'm trying to do.
It was just what made sense for the characters to do at that time. Yes they're strapping bombs on themselves.
... And they're walking into a theater crowded with evil civilians and they are prepared to blow it up.
... Even the character, Landa, the Jew hunter, the Nazi character in the film - he even makes a reference to it. He goes your mission - some would call it a terrorist plot - is kaput.
... It was funny. Again, I wasn't trying to necessarily make a political point in there. It literally was just the next step in the story as far as I was concerned.
However, once I did it, the irony was not lost on me at all. But you know, that was one of the things that I actually thought that - it was one of the things that when I was all done. Because I think there are a lot of things like that - not about that issue, but there's a lot of things in this movie that are not used to seeing in other World War II movies.
I thought that was one of the aspects that would actually make the movie not just seem like a World War II movie that it's like here and you're looking at it in the eyes of the past.
I wanted the film sort of the way "Bonnie and Clyde" worked when it came out. It was an old genre took place in the '30s, but it was actually telling you something about the time today. And that was what I was trying to do with this in this genre.
And that was one of the things - one of the reasons I wanted to do something like that, other than for all the other reasons you said before about - it's a revenge fantasy and this and that. We've never seen it before. I was trying to do like a spaghetti western but using World War II iconography.
So in my re-imagining of this whole thing, I kind of placed the Jews as the Indians in this scenario. And that is part of the whole thing. You know, when they say they ambush a German patrol of six guys and then they scalp them, maybe even take their shoes off, so when they are found there is even less dignity in the death - all these little things that they do.
They were fun and thrilling and exciting and, most amazingly, they had a lot of comedy in them, which really made an impact on me. I mean, for every movie with a sadistic Nazi, there's one with a Nazi who's more of a buffoon or a figure of ridicule.