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The actress, who plays Isobel Crawley in Julian Fellowes' period drama, said it is good to end the show on a high.
"I'm not upset about it," she said in an interview with Radio Times.
"When something has run its course, it's good to end on a high note."
ITV confirmed the news that series six would be Downton Abbey's last, prompting star Hugh Bonnerville to assure fans the conclusion will be "extraordinary".
Wilton added: "And we have to move on from 1926, and if we moved on much further I'd be dead."
Longmire: TCM, 8pm
Sheriff Walt Longmire (Taylor) deals with the repercussions from Henry's (Phillips) arrest and Branch's (Bailey Chase) shooting. However, complications arise when Branch reveals the identity of his assailant.
The period drama starring Aidan Turner as the titular hero continues.
Jim's (Alexander Arnold) health is at risk when a fever breaks out in the jail. Meanwhile Demelza (Eleanor Tomlinson) is thrilled to attend a grand ball hosted by George. Unfortunately, the scorned banker has other plans for Poldark and his newly-founded smelting company.
Tatau: BBC Three, 10pm
Following the critical success of In the Flesh, BBC Three's latest foray into supernatural drama is one to watch.
No matter how you feel about “Gone Girl,” there’s no denying that Gillian Flynn’s second bigscreen adaptation is a relative disappointment. While the raw ingredients — thick with serial killings, satanic cults, true-crime obsessives and twisted family secrets — certainly make “Dark Places” deserving of its title, the mystery itself can’t hold a candle to the much higher-profile David Fincher pic that sparked the town’s wave of Flynn-terest (though rights were sold as far back as 2010, the greenlight waited till “Girl” went). On the bright side, with Charlize Theron as its damaged-goods heroine, this more routine Kansas-set chiller should still rake in some decent cash for the U.S. distrib duo of A24 and DirecTV, which still haven’t dated the release.
Despite whatever forces have delayed “Dark Places” on the domestic front, where such “gritty” R-rated offerings once earned between $60 million and $120 million starring the likes of »
- Peter Debruge
Beastie Boy Adam Horovitz, Amanda Seyfried and Ben Stiller with While We're Young director Noah Baumbach, also starring Naomi Watts and Adam Driver with Charles Grodin, Maria Dizzia and Dree Hemingway Photo: Anne-Katrin Titze
Noah Baumbach says Academy Award Best Costume Design winner Ann Roth "has a way of dressing people - that you can't put your finger on." Roth won for Anthony Minghella's The English Patient, starring Ralph Fiennes, Juliette Binoche, Willem Dafoe and Kristin Scott Thomas and is a BAFTA honoree for John Schlesinger's The Day Of The Locust, which starred Donald Sutherland, Karen Black and Burgess Meredith. Roth also received Oscar nominations for her work on Robert Benton's Places In The Heart and again with Minghella for The Talented Mr. Ripley.
- Anne-Katrin Titze
The 1996 film Mission: Impossible brought the television series, which ran from 1966 to 1973, to the big screen in a major way, as the film ultimately spawned a franchise, with a revolving door of supporting performers that, over the years, have included Kristin Scott Thomas, Thandie Newton, Philip Seymour Hoffman, and Tom Wilkinson. A fifth entry was soon announced after the fourth’s premiere in theatres, with the film’s release date getting pushed up by five months earlier this year.
Now the film has a title. The feature, which wrapped product just two weeks ago, will be called Mission: Impossible — Rogue Nation, and sees franchise stalwart Tom Cruise returning in the role of Ethan Hunt. Cruise will be joined onscreen by returning castmembers Ving Rhames, Simon Pegg, and Jeremy Renner, with Rhames being the other connecting factor between all five features. The film’s synopsis is as follows:
Ethan and team »
- Deepayan Sengupta
"The power of love is the only indestructible thing in the world. Hate is not going to get you anywhere, violence is not going to get you anywhere, cynicism is not going to get you anywhere, love will get you there. Love makes life worth living and that is it. Period," Matthias Schoenaerts told Rte Ten. This is a sentiment that powers the upcoming "Suite Francaise," and today a couple of clips from the wartime drama have landed. Co-starring Michelle Williams, Kristin Scott Thomas, Margot Robbie. Ruth Wilson ("The Affair"), and Sam Riley, and based on the novel by Irene Nemirovsky, the story is set during World War II, in the early years of Germany’s occupation of France, and follows a French villager who falls for a Nazi soldier stationed to look over her township. But horrors of war aren't hidden, and these clips (one via The Telegraph) show »
- Kevin Jagernauth
Kristin Scott Thomas came face-to-face with her next subject when she was made a Dame by Queen Elizabeth II on Thursday. The actress, 54, is set to play the queen, 88, in the play The Audience which opens next month in London's West End. She is replacing another Dame, Helen Mirren, who originated the role when the play first premiered in London in 2013. "[The queen] asked me what I was doing next, so I had to tell her and she said it would be quite a challenge," the star told reporters as she beamed with delight while showing off her medal at Buckingham Palace. »
- Simon Perry, @SPerryPeoplemag
Suite Française, 2015.
Directed by Saul Dibb.
During the early years of German occupation of France in World War II, romance blooms between Lucile Angellier, a French villager and Bruno von Falk, a German soldier.
We’ve seen romantic movies, we’ve seen war movies, and we’ve seen romantic movies set during a war so from the off Suite Française faces the unenviable task of setting itself aside from the rest. Thankfully director Saul Dibb’s keeps his film aimed squarely at the relationships between and evenly balances both love and war to ensure the film never runs flats or becomes to cliché ridden – something it could very easily have been.
France has become occupied by the Nazis and when a troop of German soldiers move in to the small town of Bussy a »
- Gary Collinson
Based on an unfinished novel by Irène Némirovsky, who wrote it shortly prior to her death in Auschwitz, Suite Française transforms an extraordinary story into a profoundly ordinary period drama. Tasking its potent performers with a stiff script and by-rote characterisations, the film feels endlessly in search of a dramatic thread worth paying off.
Lucile (Michelle Williams) is a lonely young woman living with her repressive and chilly mother-in-law (Kristin Scott Thomas) in the French village of Bussy during World War II. We learn through heavy-handed voiceover that her husband is away fighting, leaving her scarcely more emotionally neglected than she was in his company. When the village is occupied by German forces, Lucile is drawn to a sensitive Nazi soldier (Matthias Schoenaerts) who comes to stay in her too-empty home. »
An immediate and intimate tale of forbidden romance and other complex emotions and contradictory obligations. This ain’t history but a very human now. I’m “biast” (pro): I’m desperate for stories about women; I’m a sucker for movies about WWII
I’m “biast” (con): nothing
I have not read the source material
(what is this about? see my critic’s minifesto)
The story of how Irène Némirovsky’s novel Suite Française became known to the world is amazing. She wrote it as contemporary fiction inspired by the events she was living through — the defeat of France by the Nazis in 1940, and the subsequent German occupation — but then it was lost, packed away unread, until the 1990s, and finally published only in 2004. Némirovsky died before the end of the war, in Auschwitz in 1942, so she never knew how it would all end, and indeed her writing »
- MaryAnn Johanson
Lambert Wilson - returning to the Croisette as master of ceremonies
That most elegant and refined of French actors, Lambert Wilson, will be back at the Cannes Film Festival in May to host both the opening and closing ceremonies in the presence of jury presidents Joel and Ethan Coen.
The organisers of the Festival made no apologies for inviting him back for duty on the 13 May and for the closing awards on 24 May.
“Lambert Wilson left a distinct mark on the 67th Festival de Cannes ceremonies with his elegance, poise and lyrical eloquence while evoking his love of cinema,” organisers said.
Outside of France the versatile Wilson is best known for his roles in The Matrix Reloaded and The Matrix Revolutions. Currently he is to be seen in Suite Française with Kristin Scott Thomas and Michelle Williams.
He first came to the Croisette in 1985 when he appeared alongside Juliette Binoche »
- Richard Mowe
But there’s no such pathos in the film, or adequate frisson. As an account of the Occupation, this has more in keeping with the soporific "Charlotte Gray" than, say, "The Army of Shadows." British director Saul Dibb and co-writer Matt Charman have fused the novellas, focussing on the slow-burning, forbidden love affair between a Frenchwoman in an occupied town outside Paris, and the German officer billeted in her home. It opens in 1940, in the fictional Bussy. Lucille Angellier (Michelle Williams) is a timid young woman whose husband is a prisoner of war, and in whose absence she lives under the thumb of her domineering mother-in-law. A joyless widow and uncompromising landowner, Madame Angellier (Kristin Scott Thomas) forces Lucile to accompany her as she drives around the countryside squeezing every last centime of rent from her struggling tenants. The arrival in town of a convoy of refugees from Paris, followed by a regiment of Germans, »
- Demetrios Matheou
The title is the most authentically French thing about “Suite francaise,” a fusty but enjoyably old-fashioned WWII soap that, notwithstanding its Gallic locale, is otherwise characterized by a distinctly British brand of plumminess. Based on the bestselling unfinished novel by Irene Nemirovsky, this lightly perfumed tale of the tentative romance between a married Frenchwoman and an urbane Nazi soldier during the 1940 German occupation covers no new ground historically or stylistically, and is hampered by gauche narration that undermines the expressive delicacy of Michelle Williams’s headlining performance. Still, attractive mounting and casting — with the inspired choice of Matthias Schoenaerts as Williams’s co-lead paying off handsomely — could see this Weinstein Co. property make moderately “Suite” music in limited release.
In Blighty, where Entertainment One releases the pic on March 13, “Suite francaise” is likely to entice the older audience that failed to turn out for the comparable but superior wartime weepie »
- Guy Lodge
Sometimes ideas that are good on paper just don't work out in execution. Case in point: "Suite Française." A World War II drama/romance starring Michelle Williams and Matthias Schoenaerts sounds awesome, but the movie from director Saul Dibb ("The Duchess") quietly premiered for industry types at the American Film Market and is now being released internationally while it still awaits a stateside date from The Weinstein Company. Call it what you like, but it looks like the studio is feeling less hopeful about the film's prospects. A new dubbed, French trailer (via Michelle Williams Online) has arrived for the film, offering a glimpse at some new scenes along with UK TV spot. Co-starring Kristin Scott Thomas, Sam Riley, Ruth Wilson, Margot Robbie ("The Wolf of Wall Street"), Alexandra Maria Lara, Tom Schilling, Eileen Atkins, Lambert Wilson, and featuring a score by Alexandre »
- Kevin Jagernauth
The Weinstein Company's World War II film The Imitation Game managed to pick up an Oscar for adapted screenplay at last night's ceremony. This year, they have Woman in Gold coming out in May, which has WW2 elements, and Suite Fran?aise coming out at some point later this year. My guess is they are going to vying for a late release, hoping to be apart of next year's award season. For those in the UK, the film opens on March 13th. I am not terribly excited to see yet another World War II-set film, but when a cast includes Michelle Williams, Kristin Scott Thomas, Matthias Schoenaerts, Margot Robbie, and Ruth Wilson, it is hard not to get my expectations high. The film is directed by Saul Dibb, whose last film was The Duchess. I know a lot of people thought it was just a rote costume drama, but I enjoyed it quite a lot, »
- Mike Shutt
From D Films, Sneak Peek footage from director Israel Horovitz' dramatic feature "My Old Lady", starring Kevin Kline, Maggie Smith, Kristin Scott Thomas and Dominique Pinon, now available on Blu-ray and DVD:
"...'Mathias Gold' (Kline), a down-and-out New Yorker, travels to Paris to liquidate a huge and valuable apartment he has inherited from his estranged father.
"When he reaches his apartment he finds 'Mathilde Girard' (Smith), a refined old lady living in the apartment with her daughter, 'Chloe' (Thomas).
"He then discovers the romantic history between Mathilde and his father, a romance that lasted over half a century..."
Click the images to enlarge and Sneak Peek "My Old Lady"...
- Michael Stevens
Professor Stephen Hawking and the surprisingly good British weather were amongst the stars of the show at the 68th BAFTA Awards ceremony.Click here for full list of winners
At London’s Royal Opera House, Host Stephen Fry introduced the 68th Ee BAFTAs by making a reference to the night’s weather, which for the first time in many years, didn’t involve rain.
Making his entrance to “Uptown Funk”, Fry described the BAFTAs as “that most glorious of occasions when the heavens open and the great and the good of the industry rain down upon us,” adding: “It may be dry outside but in here it’s simply pissing down with stars.”
Those stars included David Beckham, Reese Witherspoon, Mark Ruffalo, Ethan Hawke, Julie Walters, Kristin Scott Thomas, Noomi Rapace, Jesse Eisenberg, Ralph Fiennes and surprise guest Tom Cruise, who handed out the Best Film prize.
Despite winning the top prizes for Boyhood, director »
- email@example.com (Sarah Cooper)
Meanwhile, David Beckham has been confirmed as one of the presenters of this year's prizes.
Catherine Deneuve: César Award Besst Actress Record-Tier (photo: Catherine Deneuve in 'In the Courtyard / Dans la cour') (See previous post: "Kristen Stewart and Catherine Deneuve Make César Award History.") Catherine Deneuve has received 12 Best Actress César nominations to date. Deneuve's nods were for the following movies (year of film's release): Pierre Salvadori's In the Courtyard / Dans la Cour (2014). Emmanuelle Bercot's On My Way / Elle s'en va (2013). François Ozon's Potiche (2010). Nicole Garcia's Place Vendôme (1998). André Téchiné's Thieves / Les voleurs (1996). André Téchiné's My Favorite Season / Ma saison préférée (1993). Régis Wargnier's Indochine (1992). François Dupeyron's Strange Place for an Encounter / Drôle d'endroit pour une rencontre (1988). Jean-Pierre Mocky's Agent trouble (1987). André Téchiné's Hotel America / Hôtel des Amériques (1981). François Truffaut's The Last Metro / Le dernier métro (1980). Jean-Paul Rappeneau's Le sauvage (1975). Additionally, Catherine Deneuve was nominated in the Best Supporting Actress category »
- Steve Montgomery
Paris– Underscoring producers’ appetite for tried-and-test material, the French film industry has warmed up to literary adaptations.
Today, one out of five Gallic movies is based on a book, and nearly 40% of the films that sell over 500,000 admission in France are based on books, according to Unifrance, the promo org which hosted a roundtable with author David Foenkinos (“Delicacy”), producer Anne-Dominique Toussaint (“French Kissers”), literary agent Francois Samuelson and editor Paul Otchakovski-Laurens during its annual Rendez-Vous market in Paris.
The spike in popularity for literary adaptations has led many French producers to launch divisions dedicated to scouting for book rights, as it’s done in the U.S., pointed out Samuelson, who added that U.S. execs are more and more inclined to acquire rights to novels before they even get published.
“Deals are done differently in France, however, due to the fact that authors here have a bigger status than American ones, »
- Elsa Keslassy
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