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2015 | 2014 | 2013 | 2012 | 2011 | 2010 | 2009 | 2008 | 2007

1-20 of 35 items from 2015   « Prev | Next »

Cannes: New Movies From Pixar, Woody Allen Expected at 68th Film Festival

26 March 2015 11:55 AM, PDT | Variety - Film News | See recent Variety - Film News news »

There are still three weeks to go before the Cannes Film Festival unveils its official-selection lineup, but so far, the latest Pixar 3D animated extravaganza and new films from Woody Allen, Todd Haynes, Jeff Nichols, Denis Villeneuve and Arnaud Desplechin appear to be securing their positions in the event’s 68th annual edition (May 13-24).

In keeping with his longtime habit of avoiding festival accolades, Allen will likely receive an out-of-competition berth for his 45th feature, “Irrational Man,” starring Joaquin Phoenix and Emma Stone (who starred in the director’s “Magic in the Moonlight”). Among other U.S. fare, Cannes will get an early start on the summer blockbuster season with Disney/Pixar’s feature toon “Inside Out,” marking a second trip to the Croisette for director Pete Docter (who co-helmed with Ronaldo Del Carmen) after his “Up” opened the festival in 2009. As already announced, George Miller’s “Mad Max: Fury Road, »

- Justin Chang and Elsa Keslassy

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New on Video: ‘The Soft Skin’

24 March 2015 6:53 PM, PDT | SoundOnSight | See recent SoundOnSight news »

The Soft Skin

Written by François Truffaut and Jean-Louis Richard

Directed by François Truffaut

France, 1964

Riding high on the critical reputation of the French New Wave (if not its consistent box office success), and with The 400 Blows (1959), Shoot the Piano Player (1960), and Jules and Jim (1962) behind him, François Truffaut’s fourth feature is something rather different. There is still the same cinematic playfulness, a combination of genuine skill, pervasive influence, and a rampant passion for the medium itself, but with The Soft Skin (1964), Truffaut slows things down somewhat, takes a breath, matures. That’s not to say there weren’t adult themes in his earlier films (most certainly there were in Jules and Jim), but here, the entire tone of the film feels more aged, more serious, as if Truffaut was for the first time making a film explicitly for grown-ups, not just featuring them.

Nominated for the Palme »

- Jeremy Carr

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Breathless Screens at The Tivoli This Tuesday Night

22 March 2015 7:33 PM, PDT | WeAreMovieGeeks.com | See recent WeAreMovieGeeks.com news »

Breathless is not playing at this year’s Classic French Film Festival, but St. Louis classic French film fans get to see it on the big screen anyway! It’s part of the Mildred Lane Kemper Museum’s series A Critical Eye: Avant-Garde Cinema of the 1960s and is screening this Tuesday night (March 24th) at the Tivoli (6350 Delmar Blvd. University City, Mo). The show starts at 7pm. Admission is Free!

Breathless was remade in 1983 with Richard Gere and Valerie Kaprisky (remember her? Me neither). The remake, directed by Jim McBride, is excellent but has been hard to see in recent years. It will be available on Blu-ray on April 7th, which means this is a perfect time to take in the original to compare and contrast.

The part that Jean Luc-Godard played in The French New Wave was tremendous. Breathless (1960), with its innovative jump-cuts, catapulted Godard into international fame. »

- Tom Stockman

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Daily | Rosenbaum, Scorsese, Glawogger

21 March 2015 10:12 AM, PDT | Keyframe | See recent Keyframe news »

Jonathan Rosenbaum's posted the introduction to his 2004 book, Essential Cinema: On the Necessity of Film Canons as well as his list of 1,000 Favorites. Also in today's roundup of news and views: The new Film Quarterly features a dossier on Richard Linklater, Cahiers du Cinéma on Martin Scorsese in the 80s, Peter Cowie's memories of François Truffaut, Chris Cagle on Michael Glawogger's Workingman's Death, Jake Cole on Eric Rohmer's The Marquise of O, J. Hoberman on Jean Renoir’s A Day in the Country and Billy Wilder's Kiss Me, Stupid, Artforum and the New York Times on Shirley Yamaguchi and Setsuko Hara—and more. » - David Hudson »

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Daily | Rosenbaum, Scorsese, Glawogger

21 March 2015 10:12 AM, PDT | Keyframe | See recent Keyframe news »

Jonathan Rosenbaum's posted the introduction to his 2004 book, Essential Cinema: On the Necessity of Film Canons as well as his list of 1,000 Favorites. Also in today's roundup of news and views: The new Film Quarterly features a dossier on Richard Linklater, Cahiers du Cinéma on Martin Scorsese in the 80s, Peter Cowie's memories of François Truffaut, Chris Cagle on Michael Glawogger's Workingman's Death, Jake Cole on Eric Rohmer's The Marquise of O, J. Hoberman on Jean Renoir’s A Day in the Country and Billy Wilder's Kiss Me, Stupid, Artforum and the New York Times on Shirley Yamaguchi and Setsuko Hara—and more. » - David Hudson »

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The Noteworthy: 18 March 2015

17 March 2015 6:59 PM, PDT | MUBI | See recent MUBI news »

We're proud to be partnering up with the Human Rights Watch Film Festival again this year. It opens tonight in London and to celebrate we're currently showing Sara Ishaq's The Mulberry House (pictured above) in the UK—watch it now! the 74th issue of Senses of Cinema is online now, and will keep you busy with a dozen feature articles, not counting festival reports. Start with the Editor's Note and work your way to their focus on Michelangelo Antonioni and Paul Thomas Anderson.Another online journal we're very fond of, desistfilm, has a new issue as well. Among the highlights, Adrian Martin writes on "The Post-Photographic in 1951: A Secret History." The lineup for Hot Docs, the Canadian documentary film festival taking place between April 23rd and May 5th, has been announced and the details can be found here, and trailers for the films (over 80!) can be found here. »

- Notebook

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Francois Truffaut's 15 Greatest Films

17 March 2015 11:02 AM, PDT | The Playlist | See recent The Playlist news »

Any day bringing a new Francois Truffaut film to the Criterion Collection is a good one, so it follows that today is a good day. Though every cinephile’s favorite label already includes a smattering from the French New Wave legend, most notably “Jules Et Jim” and the Antoine Doinel series, today sees the release of a new edition of “The Soft Skin,” an early, often-undervalued film by the filmmaker. So even though we ran an Essentials feature last year to celebrate the Blu-Ray re-release of "Jules et Jim," we tend to jump at any chance to write about Truffaut. We've expanded that feature herein to 15 titles, listed chronologically (yes, we are shaping up for a full retrospective at some point). Truffaut went from runaway schoolboy to bad-boy Cahiers du Cinema critic to wildly acclaimed filmmaker before the age of 27, and passed away of a brain tumor aged only 52 —consequently, »

- The Playlist Staff

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2015 First Time Fest – Harvey Weinstein Interview

16 March 2015 5:22 AM, PDT | Blogomatic3000 | See recent Blogomatic3000 news »

Johanna Bennett’s and Mandy Ward’s third annual celebration of first time filmmakers concluded on March 9 with a tribute to no one other than Harvey Weinstein. The festival, one that puts forth newly formed filmmakers with the audience they deserve, makes sure that all aspects of filmmaking are met and that the aspiring filmmakers know what to do with their next film. Weinstein, of the famed The Weinstein Company, along with his brother Bob, has shown himself over the years to have supported first time filmmakers when no one else would. And his trust in these filmmakers have only proven themselves to be some of today’s best directors, writers, actors, and more.

In many ways, Weinstein’s support of such filmmakers has created them. Quentin Tarantino would not be a household name had Weinstein not decided to produce Reservoir Dogs, the same goes for Steven Soderbergh’s Sex, »

- Catherina Gioino

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Parallel lines by Anne-Katrin Titze

14 March 2015 7:19 AM, PDT | eyeforfilm.co.uk | See recent eyeforfilm.co.uk news »

Adèle Haenel and Guillaume Canet in André Téchiné's In The Name Of My Daughter

Next Time I’ll Aim For The Heart (La Prochaine Fois Je Viserai Le Coeur) director Cédric Anger was the co-screenwriter for André Téchiné's casino family thriller In The Name Of My Daughter, aka French Riviera (L’Homme Qu’on Aimait Trop). In both films he returns to the Seventies and to real-life murder cases with Guillaume Canet as the male lead and in both, possibly aided by the costumes he is wearing and the period haircuts, Canet looks strikingly like François Truffaut, which makes for an interesting obstacle to overcome in performance. And overcome it he does.

A dignified Catherine Deneuve as Renée Le Roux runs a casino in Nice that the criminal element has its eyes on in In The Name Of My Daughter. Guillaume Canet is the hieroglyphic lawyer Maurice Agnelet »

- Anne-Katrin Titze

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Baye and the Beast by Anne-Katrin Titze

13 March 2015 11:30 AM, PDT | eyeforfilm.co.uk | See recent eyeforfilm.co.uk news »

Frédéric Tellier’s SK1 (L’affaire SK1) star Nathalie Baye having a Boyhood moment Photo: Anne-Katrin Titze

Having worked with some of the best directors on both sides of the Atlantic - starting with Robert Wise and including François Truffaut, Jean-Luc Godard, Maurice Pialat, Claude Chabrol, Bertrand Tavernier, Steven Spielberg and even Guillaume Canet - Nathalie Baye comes to the 20th Anniversary of Rendez-Vous with French Cinema in New York with Frédéric Tellier’s intense thriller SK1 (L’Affaire SK1), co-starring Raphaël Personnaz and Olivier Gourmet.

Convicted murderer Guy Georges (Adama Niane), known as the "Beast of Bastille" due to his 11th arrondissement hunting ground, brutally raped and killed seven women over a period of years in the 1990s before a complicated investigation led to his arrest.

Baye is Maître Frédérique Pons, the lawyer who agreed to represent the man nobody wanted to defend. She "doesn't believe in the Devil, »

- Anne-Katrin Titze

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A Lesson in The Auteur Theory

10 March 2015 9:54 PM, PDT | Rope of Silicon | See recent Rope Of Silicon news »

The folks at FilmmakerIQ have put together another worthwhile lesson on film history, this time addressing the "Auteur Theory" accompanied with the following introduction: Auteur - it's a favorite term of cinephiles around the world. But what exactly is Auteur Theoryc In this Filmmaker Iq course we peel back pages of time and explore the origins of Auteur Theory from the economically tumultuous adolescence of French Cinema to the culture war waged in the columns of competing American movie critics. Obviously Francois Truffaut, Andrew Sarris and Pauline Kael are discussed heavily in the piece and it's a video that offers up interesting ideas on how we judge films. Do we judge a film by the filmmaker or judge a film on its own meritsc How often do we give credit to a film more for its director than for the actual film itselfc In terms of today's films I know »

- Brad Brevet

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Harvey Weinstein honoured at First Time Fest by Anne-Katrin Titze

10 March 2015 12:21 PM, PDT | eyeforfilm.co.uk | See recent eyeforfilm.co.uk news »

First Time Fest co-founders Mandy Ward and Johanna Bennett with Harvey Weinstein as Gay Talese looks on Photo: Anne-Katrin Titze

At the closing night awards ceremony, First Time Fest co-founders Johanna Bennett and Mandy Ward honoured Harvey Weinstein for his distinguished career and support of first-time filmmakers. The 400 Blows by François Truffaut and Kurt Vonnegut's book Cat's Cradle influenced him when he went on to distribute Cinema Paradiso. Federico Fellini and Philippe de Broca's Jean-Paul Belmondo movies That Man From Rio and Cartouche were a part of his cinema education growing up in Queens, New York, which may have equipped him for his relationship with Quentin Tarantino.

Previously fêted for their commitment to cinema were Darren Aronofsky, by Martin Scorsese, and Julie Taymor. While waiting for Harvey's arrival, I joined Gay Talese and Tony Bennett for a lively conversation on movies, the demise of burlesque and tennis »

- Anne-Katrin Titze

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What I Watched, What You Watched #287

8 March 2015 8:00 AM, PDT | Rope of Silicon | See recent Rope Of Silicon news »

Only two movies this week, one you already know about, that being Chappie (read my review here), and the other is this coming Tuesday's new Criterion Blu-ray release, Francois Truffaut's The Soft Skin and I'm going to tell you what, this is an excellent movie. I am going to write up a full review once I get through all the special features, but this is French New Wave by way of Alfred Hitchcock with a whiff of Gone Girl. Seriously, I loved the hell out of this movie and can't wait to dig into everything the new release features. Otherwise, I was going to see '71 on Friday, but the 10 Am screening was something I just couldn't make, which was quite upsetting since I really wanted to see that one. Hopefully I can find some time to fit it in the schedule once it hits Seattle theaters. Hopefully your »

- Brad Brevet

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Criterion Collection: The Soft Skin | Blu-ray Review

3 March 2015 10:15 AM, PST | ioncinema | See recent ioncinema news »

This month, Criterion marches out a little know title from Francois Truffaut, 1964’s The Soft Skin. Technically his fifth feature, and following behind the monolithic success of Jules and Jim and the 1962 short “Antoine and Colette,” (which served as the second segment in what would flourish into his Antoine Doinel series), the feature did not receive a celebrated reception. Playing in competition at the 1964 Cannes Film Festival (marking the second and last time Truffaut would compete at the festival), the title has since lapsed into a sort of oblivion, which is not surprising considering the winner of the Palme d’Or that year was Jacques Demy’s musical confection, The Umbrellas of Cherbourg (launching Catherine Deneuve in stardom, younger sister of Truffuat’s headlining actress, Françoise Dorleac, already a celebrity). Described by its creator as ‘an autopsy of adultery,’ it’s a cold, bitter film about a rather unappealing affair. »

- Nicholas Bell

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Remembering Cat People Star Simon on 10th Anniversary of Her Death (Fully Revised/Updated Part I)

19 February 2015 7:53 PM, PST | Alt Film Guide | See recent Alt Film Guide news »

Simone Simon: Remembering the 'Cat People' and 'La Bête Humaine' star (photo: Simone Simon 'Cat People' publicity) Pert, pretty, pouty, and fiery-tempered Simone Simon – who died at age 94 ten years ago, on Feb. 22, 2005 – is best known for her starring role in Jacques Tourneur's cult horror movie classic Cat People (1942). Those aware of the existence of film industries outside Hollywood will also remember Simon for her button-nosed femme fatale in Jean Renoir's French film noir La Bête Humaine (1938).[1] In fact, long before Brigitte Bardot, Annette Stroyberg, Mamie Van Doren, Tuesday Weld, Ann-Margret, and Barbarella's Jane Fonda became known as cinema's Sex Kittens, Simone Simon exuded feline charm – with a tad of puppy dog wistfulness – in a film career that spanned two continents and a quarter of a century. From the early '30s to the mid-'50s, she seduced men young and old on both »

- Andre Soares

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Colcoa Unveils Focus on Michel Hazanavicius, Classics Lineup

19 February 2015 3:23 AM, PST | Variety - Film News | See recent Variety - Film News news »

Paris — The L.A.-based French film festival Colcoa (City of Light, City of Angels) is set to fete Michel Hazanavicious, the Oscar-winning helmer of “The Artist,” during its upcoming 19th edition.

As part of Colcoa’s Focus on Filmmakers’ series, Hazanavicius – who currently has a couple projects in the U.S. — will present his latest film, the Cannes-competition player “The Search,” as well as his 2006 hit comedy “Oss 117, Cairo Nest of Spies” starring Jean Dujardin.  “The Search” starred Berenice Bejo as a Ngo worker who forms a special bond with a young boy in war-torn Chechnya.

Previous Colcoa honorees include Cedric Klapisch, Bertrand Blier, Costa Gavras, Florent Siri, Julie Delpy and Alain Resnais.

Headed by Francois Truffart, Colcoa will also screen the restored version of Wim Wenders’s “Paris Texas,” which celebrates this year its 30th anniversary. The Palme d’Or winning movie will be presented in association with Argos Films and Janus Films. »

- Elsa Keslassy

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Colcoa to honour Michel Hazanavicius

17 February 2015 7:38 PM, PST | ScreenDaily | See recent ScreenDaily news »

Festival to honour The Artist director with encore presentation of Oss 117: Cairo, Nest Of Spies.

Hazanavicius is the subject of Focus On A Filmmaker on April 23, which sees an encore presentation of Oss 117: Cairo, Nest Of Spies, the Los Angeles premiere of The Search and a Happy Hour Talk panel.

A digitally restored version of Paris Texas (1984) will get its West Coast premiere, while there are North American premieres of digitally restored versions of Jean Renoir’s La Chienne (1931) and Francois Truffaut’s The Last Metro (1980).

Screenings include world premieres of digitally restored versions of Sandrine Veysset’s Will It Snow For Christmas (1966) and José Giovanni’s Two Men In Town (1973), as well as the first American presentation since 1961 of Philippe de Broca’s Five Day Lover.

Top brass will unveil the competition films on March 31. Colcoa runs from  April 20-28. »

- jeremykay67@gmail.com (Jeremy Kay)

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The Bride Wore Black | Blu-Ray Review

17 February 2015 5:00 PM, PST | ioncinema | See recent ioncinema news »

Nearly two decades into a career that has since spanned nearly seven, Jeanne Moreau had already worked under the direction of Godard, Malle, Welles, Antonioni, Demy, Ophüls, Frankenheimer and Buñuel, among others, by the time she collaborated again with François Truffaut, who had previously helped make her a star with Jules and Jim. Their third collaboration (the first being 400 Blows), The Bride Wore Black, a psycho-thriller inspired by the work of his hero Alfred Hitchcock again put her in the spotlight, this time as a vengeful seductress to which Quentin Tarantino and Uma Thurman’s Bride of Kill Bill is much indebted to (though the homage crazed auteur claims to have never seen the film). With incredible bipolar turns, Moreau plays Julie Kohler, a widow on a mission to take revenge on the five men (including Claude Rich, Michel Bouquet, Michael Lonsdale, Daniel Boulanger and Charles Denner) responsible for the death of her husband. »

- Jordan M. Smith

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Twilight Time Brings One of the Best American Films of the ’70s to Blu-ray

15 February 2015 9:21 PM, PST | FilmSchoolRejects.com | See recent FilmSchoolRejects news »

Specialty Blu-ray label Twilight Time continues to show their deep love for film with a continually growing and constantly eclectic selection of releases. The next few months will see Blu-ray titles as varied as To Sir With Love, U-Turn, The Night of the Generals and Zardoz. There were five titles on last month’s slate (released on 1/20) including a great American underdog tale in Breaking Away, an Indian biopic of uprising and war with Bandit Queen, Francois Truffaut’s female-driven revenge film The Bride Wore Black, Woody Allen’s surreal ode to the cinema in The Purple Rose of Cairo and a 30th Anniversary release of Fright Night. That last title — the only one not covered below — was actually released by the label once before with a far slimmer selection of special features. It immediately became a collector’s item, and now, barely three weeks after its re-release, this anniversary edition is already fetching ridiculous sums from »

- Rob Hunter

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Walter Mirisch Looks Back on His First Producing Credit

3 February 2015 10:00 AM, PST | Variety - Film News | See recent Variety - Film News news »

Producer Walter Mirisch is on a first- and second-name basis with Oscar, having a Thalberg, a Hersholt and a best picture statue for producing “In the Heat of the Night.” His career also includes cinematic highwater marks such as “Some Like It Hot” and “West Side Story.” But it all started on Hollywood’s so-called Poverty Row at Monogram Pictures where a 25-year-old Mirisch was high on “Cocaine,” a crime yarn by Cornell Woolrich, which in 1947 was turned into “The Fall Guy,” Mirisch’s first producing credit.

Cornell Woolrich is best-known today as the legendary writer behind classics like Alfred Hitchcock’s “Rear Window” and Francois Truffaut’s “The Bride Wore Black.” Did you get to know him?

My second picture was also based upon a Woolrich story: “I Wouldn’t Be in Your Shoes.” But he was very private and I only spoke to him through his agents.

“The »

- Steven Gaydos

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2015 | 2014 | 2013 | 2012 | 2011 | 2010 | 2009 | 2008 | 2007

1-20 of 35 items from 2015   « Prev | Next »

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