Burt Lancaster - News Poster


‘Three Billboards’ would be first to win Best Picture, two acting and writing Oscars without a directing nomination

‘Three Billboards’ would be first to win Best Picture, two acting and writing Oscars without a directing nomination
With Best Actress and Best Supporting Actor signed, sealed and almost delivered to Frances McDormand and Sam Rockwell, and Best Original Screenplay and Best Picture very real possibilities, “Three Billboards Outside of Ebbing, Missouri” is positioned to do something at the Oscars that hasn’t been done before: win two acting awards, a screenplay award and Best Picture without a directing nomination.

That kind of above-the-line dominance usually comes with a corresponding nomination for Best Director, which historically has been linked with Best Picture. “Elmer Gantry” (1960) nearly pulled this off with wins for Best Actor Burt Lancaster, Best Supporting Actress Shirley Jones and Best Adapted Screenplay for writer-director Richard Brooks. But like “Three Billboards” writer-director Martin McDonagh, Brooks received Golden Globe and Directors Guild Awards nominations before getting snubbed by Oscar. Nominated for five Oscars, “Elmer Gantry” lost Best Picture to “The Apartment” and Best Original Score to “Exodus.”

See full article at Gold Derby »

Henri-Georges Clouzot’s Inferno

A cinematic puzzle and a filmic detective piece, Serge Bromberg’s examination of a world-class filmmaker’s catastrophic, never-finished production fascinates and dazzles. If the particulars of H.G. Clouzot’s experimental epic of internal torment remain clouded, the astonishing visuals he created are a total knockout. Working with hours of uncut dailies and precise collaborator memories, Bromberg gives us the most interesting filmic autopsy on record. Incredible stuff!


(L’enfer d’Henri-Georges Clouzot)


Arrow Academy

2009 / Color & B&W / 1:78 widescreen / 100 min. / L’enfer d’Henri-Georges Clouzot / Street Date February 6, 2018 / Available from Arrow Video 34.95

Starring: Romy Schneider, Serge Reggiani, Bérénice Bejo, Jacques Gamblin, Dany Carrel, Jean-Claude Bercq, Mario David, Catherine Allégret, Henri-Georges Clouzot, Gilbert Amy, Jacques Douy, Jean-Louis Ducarme, Costa-Gavras, William Lubtchansky, Thi Lan Nguyen, Joël Stein, Bernard Stora, Jean-Paul Belmondo, Bernard Blier, Inès Clouzot, Yves Montand, Simone Signoret, Lino Ventura, Burt Lancaster.

Cinematography: Jérôme Krumenacker, Irina Lubtchansky
See full article at Trailers from Hell »

‘7 Days in Entebbe’ Film Review: Docudrama Revisits a Legendary Israeli Rescue

‘7 Days in Entebbe’ Film Review: Docudrama Revisits a Legendary Israeli Rescue
The 1976 hijacking of an Air France flight full of French and Israeli nationals and the one-shot-in-a-million rescue that then ensued has already inspired a documentary, two made-for-tv movies and one Golan-Globus opus. (I particularly recommend the outrageously cast “Victory at Entebbe” — starring Kirk Douglas, Elizabeth Taylor, Burt Lancaster, Richard Dreyfuss and Anthony Hopkins, among many others — but each telling has its own unique appeal). So with “7 Days in Entebbe,” director José Padilha’s task was simple: find something new to say about the 1970s most famous air rescue. To that end, he ably succeeds at his goal,...
See full article at The Wrap »

The 21 Most Overlooked Directors in Oscar History, From Ingmar Bergman to Alexander Payne

  • Indiewire
It’s not easy to land a Best Director Oscar nomination — even for a white man. Of the hundreds of filmmakers recognized by the Academy of Motion Picture Arts and Sciences in nine decades, just 10 have been African American or women — which is why 2018 nominees Jordan Peele and Greta Gerwig are so rare. Not one black Best Director has won since John Singleton became the first nominee with “Boyz in the Hood” in 1991. Kathryn Bigelow is the only woman to ever take home a gold statue, for 2009’s “The Hurt Locker.” The only Asian director asked to accept top honors is Ang Lee, who prevailed for both “Brokeback Mountain” and “Life of Pi.”

Many great filmmakers have been nominated for their work outside of directing, including Tim Burton, Terry Gilliam, Sam Peckinpah, and Rob Reiner, but have never been invited to the Best Director party at all. Still more picked
See full article at Indiewire »

26 days til Oscar. (From Here to the 26th Annual Oscars Eternity)

by Nathaniel R

With but 26 days left until Hollywood's High Holy Night, it's time to get cracking on film year wrap-up everything so expect a few more Oscar chart revisions very soon plus the Film Bitch Awards and such. But until then, let your minds drift back to the dirty sexy 26th annual Oscars when Burt Lancaster, Deborah Kerr, and Monty Clift all got filthy for From Here to Eternity (1953) which took Best Picture and seven other Oscars but none for the three leading actors.

The Best Picture nominees were...
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Meryl Streep in ‘The French Lieutenant’s Woman’: A look back at her third Oscar nomination, the competition and the outcome

Meryl Streep in ‘The French Lieutenant’s Woman’: A look back at her third Oscar nomination, the competition and the outcome
This article marks Part 3 of the 21-part Gold Derby series Meryl Streep at the Oscars. Join us as we look back at Meryl Streep’s nominations, the performances that competed with her, the results of each race and the overall rankings of the contenders.

After a remarkable year in film in 1979, including her Academy Awards win for “Kramer vs. Kramer,” Meryl Streep took 1980 off from the big screen, instead focusing her energies on a stage musical of “Alice in Wonderland” that premiered at New York’s Public Theater in December 1980. While the production garnered middling notices, Streep received raves.

The following year, Streep not only returned to the screen but took on her first leading role in a screen adaptation of John Fowles‘ acclaimed 1969 novel “The French Lieutenant’s Woman.” Playwright Harold Pinter adapted the book for the screen and British filmmaker Karel Reisz, who worked wonders with Vanessa Redgrave
See full article at Gold Derby »

Oscars: What Should Have Won – Judgment at Nuremberg over West Side Story for Best Picture of 1961

Graeme Robertson on why Judgement at Nuremberg should have won over West Side Story at the Academy Awards…

It’s Oscar season again, so it’s time to take a look at Oscar ceremonies of the past and spotlight the films that I feel should have won the coveted Best Picture trophy over those that ultimately did.

Before I argue my case about this particular Oscar decision, I must make a confession dear readers. I really don’t like musicals.

While I will admit that a few manage to escape my disdain by being decent films outside of the musical segments (I was pleasantly surprised by La La Land for instance) or they have so much charm gushing from every frame that I can’t bring myself to hate it (I have a fondness for Singin’ in the Rain), I tend to steer clear of any films concerning matters of singing and dancing.
See full article at Flickeringmyth »

SAG Life Achievement Honoree Morgan Freeman Proves Life Can Begin at 50

SAG Life Achievement Honoree Morgan Freeman Proves Life Can Begin at 50
When Morgan Freeman receives the Screen Actors Guild’s Life Achievement Award on Jan. 21, the honor will feel triumphantly inevitable. At 80 years old, his impressive resume includes 84 films, two Golden Globes, and an Oscar. But there’s a difference between Freeman and past winners, including Elizabeth Taylor and Gene Kelly. Freeman didn’t get his Hollywood break until he was 50. He’s earned his statue in half the time.

Freeman was born to act. The first night he walked onstage, the then-third grader felt so at ease, he claims he could have fallen asleep. “I was a show-off,” he admitted. His mother, Mayme, joked she was going to take him to Hollywood, but with four kids and no money, he just kicked back and forth between relatives in Mississippi and Chicago. At 13, Freeman won his first acting award when his performance as a World War II soldier took top place in a statewide school drama competition. He spent
See full article at Variety - Film News »

From ‘Citizen Kane’ to ‘The Post,’ a History of Newspaper Movie Scores

From ‘Citizen Kane’ to ‘The Post,’ a History of Newspaper Movie Scores
When Steven Spielberg’s “The Post” opens on Friday, John Williams will join an exclusive club: that handful of composers who have successfully tackled one of the most difficult genres to score: the newspaper movie.

The Post” is Williams’ 28th film for the director and could, when the Oscar nominations are announced a month from now, become his 51st. He already has five Academy Awards and is the most-nominated living person.

In general, composers say, newspaper movies are tough assignments. First, they tend to be verbose and expository; and second, they are often as objective as the journalists they depict, and manipulative music may seem out of place. Yet, over the years, some have produced compelling music to complement powerful dialogue.

Orson Welles’ “Citizen Kane” (1941) was the first film score to composed by the legendary Bernard Herrmann, who had spent much of the previous decade working with Welles in radio. Here, the Boston Pops
See full article at Variety - Film News »

Film Review: ‘Hangman’

Film Review: ‘Hangman’
If “Hangman” were just a tad less formulaic, and settled for a slightly smaller body count, it might pass muster as the pilot movie for a basic cable police procedural. Mind you, that’s not to say it actually would be picked up to series, even with the marquee names of Al Pacino and Karl Urban attached. But it almost certainly would be marginally more appealing as a modestly diverting time-killer designed to fill the gaps between reruns.

Working from a by-the-numbers screenplay credited to Michael Caissie and Charles Huttinger, who obviously watched and studied “Seven” and dozens of other serial-killer melodramas before cranking up their scriptwriting software, director Johnny Martin (“Vengeance: A Love Story”) follows three major characters through a multiple-murder investigation with all the suspense-generating gusto of a store clerk checking off items on an inventory list.

Ruiney (Urban), a homicide detective barely recovered from the unsolved murder of his wife, treats his latest
See full article at Variety - Film News »

Focus Features Releases First Trailer For 7 Days In Entebbe

Credit : Liam Daniel / Focus Features

Daniel Brühl stars as “Wilfred Brose” and Rosamond Pike stars as “Brigitte Kuhlman” in this first trailer for José Padilha’s 7 Days In Entebbe.

Focus Features will release the film in select theaters on March 16, 2018.

A gripping thriller inspired by the true events of the 1976 hijacking of an Air France flight en route from Tel Aviv to Paris, the film depicts the most daring rescue mission ever attempted.

There have been two TV movies about the rescue.

Raid On Entebbe (1976) starred Peter Finch, Charles Bronson, Yaphet Kotto and was directed by Irvin Kershner (The Empire Strikes Back). It won the Golden Globe for “Best Motion Picture Made for Television.” Victory At Entebbe was helmed by Marvin J. Chomsky (Tank) and starred Elizabeth Taylor, Linda Blair, Helen Hayes, Richard Dreyfuss and Burt Lancaster.

The 2017 film is from director José Padilha (“Narcos,” “Elite Squad”) and written
See full article at WeAreMovieGeeks.com »

Ulzana’s Raid

Blu-ray fans are now well aware that many great movies unavailable in the U.S., can be easily found in Europe. One of the best westerns of the ’70s is this jarringly realistic cavalry vs. Apaches drama from Robert Aldrich and Burt Lancaster, which used the ‘R’ rating to show savage details that Hollywood had once avoided. In this case it works — the genuinely scary movie is also a serious meditation on violent America.

Ulzana’s Raid

(Keine Gnade für Ulzana)

All-region Blu-ray + Pal DVD

Explosive Media

1972 / Color / 1:85 widescreen / 103 min. / Street Date November 9, 2017 / available through the Amazon Germany website / Eur 17,99

Starring: Burt Lancaster, Richard Jaeckel, Bruce Davison, Jorge Luke, Joaquín Martínez, Lloyd Bochner, Karl Swenson, Douglass Watson, Dran Hamilton, Gladys Holland, Aimee Eccles, Tony Epper, Nick Cravat, Richard Farnsworth, Dean Smith.

Cinematography: Joseph Biroc

Film Editor: Michael Luciano

Original Music: Frank De Vol

Written by Alan Sharp

Produced by
See full article at Trailers from Hell »

Burt’s Got the Mad Hits: An Appreciation of Burt Lancaster

By Jacob Oller

The actor ran the show for six decades. ne of the greatest Hollywood stars of all time, Burt Lancaster was a success story in both acting and maintaining relevancy. Turning his brusque physicality into roles did well, but then almost too well as he began to be typecast. Breaking free from these roles, flexing his […]

The article Burt’s Got the Mad Hits: An Appreciation of Burt Lancaster appeared first on Film School Rejects.
See full article at FilmSchoolRejects »

The Pirates of Blood River

Can a pirate be a substitute monster? Hammer Films gives yet another genre a spin with this box-office winner that launched a sideline in costume adventures. The Hammer crew makes it work: Christopher Lee, Marla Landi, Marie Devereaux, Michael Ripper, Oliver Reed and Andrew Keir, plus yank assistance from Kerwin Mathews and Glenn Corbett.

The Pirates of Blood River


Twilight Time

1962 / Color / 2:35 widescreen / 87 min. / Street Date October 17, 2017 / Available from the Twilight Time Movies Store / 29.95

Starring: Kerwin Mathews, Christopher Lee, Andrew Keir, Glenn Corbett, Marla Landi, Michael Ripper, Peter Arne, Oliver Reed, Marie Devereux.

Cinematography: Arthur Grant

Production Design: Bernard Robinson

Art Direction: Don Mingaye

Film Editor: Eric Boyd-Perkins

Original Music: Gary Hughes

Written by John Hunter, John Gilling, Jimmy Sangster

Produced by Michael Carreras, Anthony Nelson-Keys

Directed by John Gilling

Hammer Films didn’t start out as a horror studio, but after their big Technicolor successes in 1957-
See full article at Trailers from Hell »

'Only the Brave' Review: Josh Brolin & Co. Bring Heat, Humanity to Firefighter Drama

'Only the Brave' Review: Josh Brolin & Co. Bring Heat, Humanity to Firefighter Drama
If you've been to the movies any time over the last century, you're familiar with men like Eric Marsh. They're hard-ass guys, often stoic but capable of being sensitive and, in rare cases, prone to sentimentality. Their flaws and temper-flares are balanced out by their virtues: staunch professionalism, a salt-of-the-earth nobility, an almost stubborn loyalty to their men. The kind of dudes who treat their enemies – in this case, the massive forest fires that annually scorch acres of Arizona landscape – with something close to respect. ("What are you up to?
See full article at Rolling Stone »

Down in the Flood: Close-Up on "Housekeeping"

  • MUBI
Close-Up is a feature that spotlights films now playing on Mubi. Bill Forsyth's Housekeeping (1987) is playing October 18 - November 17, 2017 in the United Kingdom. On first viewing Bill Forsyth’s film Housekeeping (1987) I was somewhat unimpressed by its low-key television-movie feel; a small town family drama lacking cinematic spectacle, featuring relatively unknown actors. It seemed thrifty, in keeping with the unfussiness of the story’s central character, Sylvie. By contrast, Marilynne Robinson’s novel, on which the film is based, describes moments of fantastical prophecy, strengthened by the author’s knowledge of Scripture, in images of dead souls recovered from a deep lake resonant of the Bible’s account of the Flood and Apocalypse. Forsyth’s better-known Local Hero (1983), a comedy set in a remote Scottish village, gives viewers a meteor shower, the Northern Lights and Burt Lancaster descending from the sky, so the director’s use of Robinson’s
See full article at MUBI »

12 Movies with the Best Color Cinematography of All-Time

12 Movies with the Best Color Cinematography of All-Time
These days, major cinematographers like Emmanuel Lubezki and Ed Lachman are as much of a draw to serious moviegoers as the directors they work with. Currently, Roger Deakins’ masterful work in the visually stunning “Blade Runner 2049” has led to one recurring question above all: Will Roger finally win the Oscar? Among the more striking aspects of Deakins’ accomplishment is the use of color: Virtually every shot has a different palette.

It feels like something we’ve never seen before, but have we? How does today’s best cinematography stack up against the great color films of the past?

Since the early 20th century, there have always been experimentations with color cinematography, but it wasn’t until the late ’30s, with the massive success of “The Wizard of Oz” and “Gone with the Wind,” that color films became a staple of international cinema. With films stretching from 1947 to 2011, from masters like Jack Cardiff to Lubezki,
See full article at Indiewire »

'Dancing With the Stars' Will 'Light Up the Night' With New Winter Tour -- Get the Details!

'Dancing With the Stars' Will 'Light Up the Night' With New Winter Tour -- Get the Details!
Dancing With the Stars is hitting the road again!

The ABC reality-competition show recently announced the Dancing With the Stars: Live! -- Light Up the Night Tour, to kick off on Dec. 30 in Charlotte, North Carolina.

Several DWTS favorites will take part in the road show, including Lindsay Arnold, Alan Bersten, Sharna Burgess, Witney

Carson, Artem Chigvintsev, Keo Motsepe, Gleb Savchenko, Emma Slater and Sasha Farber -- with more surprise guests to be announced.

More: 'Dancing With the Stars' Season 25, Week 3: Best Lifts, Kicks, Tricks and Flips!

Artem Chigvintsev and Gleb Savchenko

Photo: ABC

Following the success of the Hot Summer Nights tour, DWTS has added more dates to the winter tour, which will run from the end of the year through March 18 in Los Angeles. Tickets are available now at dwtstour.com.

Read on for all the scheduled dates.

More: Maksim Chmerkovskiy Breaks Silence After Skipping 'DWTS' Performance

Dec 30: Charlotte, Nc (Owens
See full article at Entertainment Tonight »

‘Suburbicon’ Review: George Clooney Carves a Deliciously Cruel and Acerbically Funny Comedy

Like a peanut butter and jelly sandwich laced with too many prescription drugs, Suburbicon might look, sound, and perhaps even taste a little like a Joel and Ethan Coen picture because, in a sense, it is. The Minnesota brothers penned the script for this deliciously cruel and acerbically funny 1960s suburban nightmare years ago — something of a surprise given the story’s fixation on building walls and having other people pay for them — before being picked up and brought to life, in all its glory, by George Clooney.

In a turn of events worth noting, the film’s publicity (surely amongst the year’s most misleading) hinted that Suburbicon would be something derivative of those brothers’ more slapstick-leaning ensemble outings (Burn After Reading, Hail, Caesar!, etc.) but — much to the director’s credit, it must be said — it is, in both content and tone, a far more somber beast.

Based in the titular,
See full article at The Film Stage »
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