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We really shouldn't be having this conversation. It's just too soon. Isn't it? When Meryl Streep won her third Academy Award for "The Iron Lady," the collective media mindset was that the acting icon had finally joined the three-timer club and any other nominations from that point on would be icing on the cake. A fourth Oscar win? Considering how many times she'd been overlooked since winning no. 2 for "Sophie's Choice" in 1982, it just didn't seem realistic that it would happen anytime soon or at all. Even after landing another Best Actress nod for "August: Osage County," the concept of Streep conceivably winning another statue just didn't register. That is, until now. To say that Streep is the standout in Rob Marshall's "Into the Woods" is somewhat of an understatement. Chris Pine does steal almost every scene he's in as the Prince (more on that in a moment), but »
- Gregory Ellwood
Mrs. Delafield wants to die. The TV movie opens on an ambulance rushing the society widow to the hospital after an unnamed relapse. Obscured by a breathing apparatus and various medical paraphernalia, Mrs. Delafield lies comatose as her children begin to mourn and divvy up her estate. Her neighbor waxes elegiac on the imminent elegancy of her death. Then, a handsome doctor puts a hand on her shoulder and--miracle of miracles! Mrs. Delafield opens her eyes! And then, out of nowhere, it becomes a marriage comedy.
After last week’s morbid misfire of a movie, the opening of Mrs. Delafield Wants to Marry feels a little like purposeful trolling. Grace Quigley extolled the virtues of death for the elderly with an ailing Hepburn at its center, but Mrs. Delafield Wants to Marry celebrates »
- Anne Marie
Dissolve the Russo brothers who did such a great job with Captain America Winter Soldier may be staying with Marvel unto infinity. And Infinity Wars
BadAss Digest kind of a dick move that DC announced a Flash movie shortly after The Flash series opened to great numbers but with a different actor. The star of CW's Arrow objects
Coming Soon Interstellar prequel comic
/Film 30 movies coming to TV from worst to best ideas
Mnpp Lmao! Which is hotter, Andrew Garfield or...?
Film School Rejects shares 7 movie scenes where actors imitated other actors. Amusing but why no ladies? »
- NATHANIEL R
First Best Actor Oscar winner Emil Jannings and first Best Actress Oscar winner Janet Gaynor on TCM (photo: Emil Jannings in 'The Last Command') First Best Actor Academy Award winner Emil Jannings in The Last Command, first Best Actress Academy Award winner Janet Gaynor in Sunrise, and sisters Norma Talmadge and Constance Talmadge are a few of the silent era performers featured this evening on Turner Classic Movies, as TCM continues with its Silent Monday presentations. Starting at 5 p.m. Pt / 8 p.m. Et on November 17, 2014, get ready to check out several of the biggest movie stars of the 1920s. Following the Jean Negulesco-directed 1943 musical short Hit Parade of the Gay Nineties — believe me, even the most rabid anti-gay bigot will be able to enjoy this one — TCM will be showing Josef von Sternberg's The Last Command (1928) one of the two movies that earned the Swiss-born »
- Andre Soares
By Anjelica Oswald
Originally planned to screen as a 30-minute preview at AFI Fest, Ava DuVernay’s Selma, centered on Dr. Martin Luther King Jr. and the Civil Rights marches from Selma to Montgomery, premiered in its entirety and stirred up more Oscar buzz ahead of its Christmas Day release.
The Hollywood Reporter’s Stephen Farber says the film is “intelligently written, vividly shot, tightly edited and sharply acted,” and that it “represents a rare example of craftsmanship working to produce a deeply moving piece of history.” Meanwhile, Paul Webb’s screenplay and David Oyelowo’s portrayal of Dr. King have been praised. The Wrap’s James Rocchi says, “Oyelowo’s performance would be impressive enough if it merely recreated the icon we now revere as perfectly as he does through a variety of methods… But Oyelowo, and Webb’s screenplay, also give us a rich, rewarding portrait of King as a man, »
- Anjelica Oswald
"If I like the film, then I know at least one person likes that film," said Brad Pitt quoting a famous line from Katherine Hepburn to underline why he has a responsibility to push smaller, more complex films. Pitt landed in Seoul on Wednesday to promote Fury, which opens here on Nov. 13 and he sees David Ayer's WWII tank actioner in a similar vein to the Oscar-winning 12 Years a Slave, in that both are small but challenging films that often get overlooked in Hollywood. "In Hollywood, big, more commercial films are being made and the smaller, more complex difficult subject matters where directors are reaching out for
- Lee Hyo-won
The truth about a career that spans seven decades, is that for the majority of that career, you'll be what’s traditionally thought of as “old.” Hollywood does not like “old.” The magnificent part of watching Katharine Hepburn age has been watching her flip old age (and Hollywood) the bird. True, her head wobbles, her hair is gray, and her voice is reedy. Still, she leaps after hot air balloons, bicycles, hauls wood, and even wins Academy Awards at an age far past what would traditionally be considered “her prime.” For the past few years, Kate has looked old, sounded old, and even talked about being old, but the stubbornly energetic woman has never felt old. Which is why Grace Quigley is more than a little scary. »
- Anne Marie
Lucy arrived in cinemas this summer to much curiosity. With the exception of Michael Bay’s dystopic sci-fi action thriller The Island, Scarlett Johansson’s acting profile had risen mainly on the basis of her roles in the drama genre, with Lost in Translation and The Girl with the Pearl Earring, and collaborations with Woody Allen such as Match Point and Vicky Christina Barcelona being among the most significant (until, of course, she donned the black catsuit and spoke Russian as Natasha Romanoff in Iron Man 2, at which point she could been known for nothing but being a crazy person who wore a toilet seat around her neck and still would have been received as if she was Katherine Hepburn reborn).
So, her sudden shift to more hardcore science fiction, first in Under the Skin (a movie about which some raved, while others had about as much grasp on »
- Rachel North
Howard Hughes movies (photo: Leonardo DiCaprio as Howard Hughes in 'The Aviator') Turner Classic Movies will be showing the Howard Hughes-produced, John Farrow-directed, Baja California-set gangster drama His Kind of Woman, starring Robert Mitchum, Hughes discovery Jane Russell, and Vincent Price, at 3 a.m. Pt / 6 a.m. Et on Saturday, November 8, 2014. Hughes produced a couple of dozen movies. (More on that below.) But what about "Howard Hughes movies"? Or rather, movies — whether big-screen or made-for-television efforts — featuring the visionary, eccentric, hypochondriac, compulsive-obsessive, all-American billionaire as a character? Besides Leonardo DiCaprio, who plays a dashing if somewhat unbalanced Hughes in Martin Scorsese's 2004 Best Picture Academy Award-nominated The Aviator, other actors who have played Howard Hughes on film include the following: Tommy Lee Jones in William A. Graham's television movie The Amazing Howard Hughes (1977), with Lee Purcell as silent film star Billie Dove, Tovah Feldshuh as Katharine Hepburn, »
- Andre Soares
Episode 45 of 52: In which Katharine Hepburn makes Oscars history by asserting that old people are interesting.
I’ll be honest: I’ve been really nervous to write about this movie. For the past few weeks, a storm has been brewing in the comments section regarding Kate’s final Oscar win. I’m not one to (intentionally) court controversy, so I’ve been debating all week how to best give a safe space to the righteous fury of the Oscars experts while also celebrating an important moment in Oscars history. Because whether you believe Kate deserved to win or not, this was a record-breaking win at the Academy Awards, and that shouldn’t go unappreciated.
Here’s my plan: we’ll speculate wildly for a bit on why Kate took home her fourth Academy Award (by “took home” I mean “still refused to accept in person”). Then you tell me »
- Anne Marie
Who’s up for another catfight? Way back near the beginning of this series, I manufactured a rivalry between young Kate Hepburn and Miss Bette Davis, both sporting ear-splitting accents in two movies from 1934. This time, I don’t have to fake a competition. Katharine Hepburn’s 1979 TV movie happens to be a remake of a 1945 Bette Davis film.
The Corn Is Green (based on the play by by Emlyn Williams) is the story of Miss Moffat, who gets off her tuffet to teach the Welsh miners to read. The role of a strong-willed woman who changes the lives of her impoverished pupils would be catnip for either of our great actresses, so it’s no surprise that Bette and Kate both played Miss Moffat 34 years apart. What is surprising is how different »
- Anne Marie
Since the development of the moving picture camera in the late 19th century, the world, especially Americans, has been fascinated by the silver screen. For a time, people shut out the cold reality of the Great Depression with Shirley Temple's iconic curls, and legends such as Errol Flynn, Gregory Peck, and Katherine Hepburn roamed Hollywood lots and ordered Cobb salads at the Brown Derby. For awhile it seemed that our infatuation with Hollywood would never end, but the most recent decade has seen both its revenue and cultural significance decline, and many industry experts are scrambling to understand how movies have slipped from the spotlight. Internal changes show that studios have reinvested quite a bit of their resources into television production, and although Hollywood has been a television oriented town since the late -1950s, it had never stepped on film profits until fairly recently.
Since the true golden »
- Brandon Engel
Ivor Novello last film: 'Autumn Crocus' (photo: Ivor Novello and Fay Compton in 'Autumn Crocus') Can a plain looking, naive spinster school teacher ever find real love in faraway places? This was a question asked by Shirley Booth in Arthur Laurents' 1952 stage play The Time of the Cuckoo; Katharine Hepburn in the 1955 David Lean-directed film version, Summertime (1955); and Elizabeth Allen in the 1965 Richard Rodgers-Steven Sondheim musical adaptation, Do I Hear a Waltz? Can such a woman's yearning for romance ever be satisfied? "Yes" and "No," according to Basil Dean's fine 1934 British film Autumn Crocus, which marked the last film appearance of British stage and screen superstar Ivor Novello (Alfred Hitchcok's The Lodger). Autumn Crocus starts out during the holiday season, when two British schoolteachers decide to spend their vacation together on the Continent. Soft-hearted Jenny Grey (Fay Compton) longs to see the Austrian Alps, »
- Danny Fortune
Episode 43 of 52: In which Katharine Hepburn proves she's not afraid of heights or bad scripts.
Look, I’ll be honest with you. There is exactly one reason to see this movie. It happens around the last third of the film. No, it’s not another moth gown. (Remember the moth gown? I miss the moth gown.) Instead, it’s the sight of a sexagenarian, award-winning, legendary actress dangling from a hot air balloon over a cliff. I’m in my 20s, and I wouldn’t do that without at least a net and a shot of whiskey first. Anyway, if you want to know what it looks like, I’ve made a gif that you can skip to at the end of the post. I suggest you stick around for the rest of this article, though, because we have some strange stuff to address (and also some puns).
- Anne Marie
I was all prepared to list the most Oscar winning Actors for a quickie top ten list. Until I remembered there were only six with 3 or more Oscars (for acting)
Four Leading Oscars
Three Leading Oscars
Three Oscars (Lead/Supporting Mix)
03 Meryl Streep
Three Oscars (Supporting)
Your Task: Make it a top ten by filling slots seven through ten. Name the four actors who most deserve to join them as three-timers or the ones who seem most likely? »
- NATHANIEL R
Sidney And The Sixties: Real-time 1957-1966
Throughout the 1950s, Hollywood’s relationship with television was fraught: TV was a hated rival but also a source of cheap talent and material, as in the case of the small-scale Marty (1955), which won the Best Picture Oscar. These contradictions were well represented by the apparently “televisual” 12 Angry Men (1957), which began life as a teleplay concerning a jury with a lone holdout who must, and eventually does, convince his fellow jurors of the defendant’s innocence. Its writer, Reginald Rose, persuaded one of Hollywood’s biggest stars, Henry Fonda, to become a first-time producer of the film version. Fonda and Rose took basement-low salaries in favor of future points, and hired a TV director, Sidney Lumet, for next to nothing because Lumet wanted a first feature credit. Technically, there’s an opening bit on the courtroom steps that keeps this from being a true real-time film, »
- Daniel Smith-Rowsey
Growing old in Hollywood sucks. To borrow a line from Goldie Hawn, “There are only three ages for women in Hollywood: babe, district attorney, and Driving Miss Daisy.” And while Hollywood’s ageism is well-documented and well-criticized, for some aging actors, an equally tricky problem can arise: the trouble with becoming a Legend in your own time. What happens when the legend eclipses the actor?
In 1975, Hepburn was arguably more popular than she’d ever been. This was due in no small part to her friend Garson Kanin’s unauthorized, best-selling 1972 “tell all” entitled Tracy And Hepburn: An Intimate Memoir. Though shocked by the invasion of her privacy, Kate used the public interest that the book generated to fuel her career, appearing on talk shows and even the 1974 Academy Awards (in pants, »
- Anne Marie
Christopher Reeve: 'Superman' and his movies (photo: Christopher Reeve in 'Superman' 1978) Christopher Reeve, Superman in four movies from 1978 to 1987, died ten years ago today. In 1995, while taking part in a cross-country horse race in Culpeper, Virginia, Reeve was thrown off his horse, hitting his head on the top rail of a jump; the near-fatal accident left him paralyzed from the neck down. He ultimately succumbed to heart failure at age 52 on October 10, 2004. Long before he was cast as Superman aka Clark Kent, the Manhattan-born (as Christopher D'Olier Reeve on September 25, 1952), Cornell University and Juillard School for Drama alumnus was an ambitious young actor whose theatrical apprenticeship included, while still a teenager, some time as an observer at London's Old Vic and Paris' Comédie Française. At age 23, he landed his first Broadway role in a production of Enid Bagnold's A Matter of Gravity, starring Katharine Hepburn. »
- Andre Soares
Director and star Mathieu Amalric in The Blue Room: "I thought a lot of the usual suspects. A man sitting and looking, and he is not listening."
Mathieu Amalric's The Blue Room (La Chambre Bleue) is based on Georges Simenon's novel. Amalric stars with Stéphanie Cléau, Léa Drucker with Serge Bozon, Mona Jaffart, Laurent Poitrenaux and Blutch in his whodunnit with a question mark for each molded part - the who, the done and especially the it.
David Lynch's Lost Highway - William Holden's death - Gene Hackman and Kevin Costner in Roger Donaldson's No Way Out form a thread. Katharine Hepburn on a ladder climbing up to Cary Grant in Howard Hawks' Bringing Up Baby, editing with François Gédigier and Bozon's voice are heard in part 2 of our conversation.
Anne-Katrin Titze: You mentioned how quickly Simenon wrote the book and you also said »
- Anne-Katrin Titze
Whew! What a nice change of pace this breezy little comedy is after so many dramas. Don't get me wrong, I love Great Actresses performing Great Roles in Great Films, but sometimes you just want to curl up on the couch with a glass of wine and laugh with your friend Katie, y'know? It's been 2 months since our last comedy (or less, depending on whether you laugh as hard as I do during The Lion in Winter), and I for one was cautiously excited to see Kate return to comedic form in Love Among The Ruins.
I say "cautiously excited" because even though so many of you pointed out how good this movie is, its existence a TV movie (albeit an Emmy Award-winning one) depressed me. »
- Anne Marie
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