|Date of Birth||18 January 1904, Horfield, Bristol, England, UK|
|Date of Death||29 November 1986, Davenport, Iowa, USA (cerebral hemorrhage)|
|Birth Name||Archibald Alexander Leach|
|Height||6' 1½" (1.87 m)|
Mini Bio (2)
Once told by an interviewer, "Everybody would like to be Cary Grant", Grant is said to have replied, "So would I."
Cary Grant was born Archibald Alexander Leach in Horfield, Bristol, England, to Elsie Maria (Kingdon) and Elias James Leach, who worked in a factory. His early years in Bristol would have been an ordinary lower-middle-class childhood, except for one extraordinary event. At age nine, he came home from school one day and was told his mother had gone off to a seaside resort. The real truth, however, was that she had been placed in a mental institution, where she would remain for years, and he was never told about it (he wouldn't see his mother again until he was in his late 20s). He left school at fourteen, lying about his age and forging his father's signature on a letter to join Bob Pender's troupe of knockabout comedians. He learned pantomime as well as acrobatics as he toured with the Pender troupe in the English provinces, picked up a Cockney accent in the music halls in London, and then in July 1920, was one of the eight Pender boys selected to go to the US. Their show on Broadway, "Good Times," ran for 456 performances, giving Grant time to acclimatize. He would stay in America. Mae West wanted Grant for She Done Him Wrong (1933) because she saw his combination of virility, sexuality and the aura and bearing of a gentleman. Grant was young enough to begin the new career of fatherhood when he stopped making movies at age 62. One biographer said Grant was alienated by the new realism in the film industry. In the 1950s and early 1960s, he had invented a man-of-the-world persona and a style--"high comedy with polished words." In To Catch a Thief (1955), he and Grace Kelly were allowed to improvise some of the dialogue. They knew what the director, Alfred Hitchcock, wanted to do with a scene, they rehearsed it, put in some clever double entendres that got past the censors, and then the scene was filmed. His biggest box-office success was another Hitchcock 1950s film, North by Northwest (1959) made with Eva Marie Saint since Kelly was by that time Princess of Monaco.
- IMDb Mini Biography By: Dale O'Connor <email@example.com>
Cary Grant was an English actor who became an American citizen in 1942. Known for his transatlantic accent, debonair demeanor, and "dashing good looks", Grant is considered one of classic Hollywood's definitive leading men.
In 1999, the American Film Institute named Grant the second greatest male star of Golden Age Hollywood cinema (after Humphrey Bogart). Grant was known for comedic and dramatic roles; his best-known films include Bringing Up Baby (1938), The Philadelphia Story (1940), His Girl Friday (1940), Arsenic and Old Lace (1944), Notorious (1946), An Affair to Remember (1957), North by Northwest (1959), and Charade (1963).
He was nominated twice for the Academy Award for Best Actor (Penny Serenade (1941) and None but the Lonely Heart (1944)) and five times for a Golden Globe Award for Best Actor. After his retirement from film in 1966, Grant was presented with an Honorary Oscar by Frank Sinatra at the 42nd Academy Awards in 1970.
Grant retired from the screen at 62, when his daughter Jennifer was born, to focus on bringing her up and to provide a sense of permanency and stability in her life. While raising his daughter, he archived artifacts of her childhood and adolescence in a bank-quality, room-sized vault he had installed in the house. His daughter attributed this meticulous collection to the fact that artifacts of his own childhood had been destroyed during the Luftwaffe's bombing of Bristol in the Second World War (an event that also claimed the lives of his uncle, aunt, cousin, and the cousin's husband and grandson), and he may have wanted to prevent her from experiencing a similar loss.
Although Grant had retired from the screen, he remained active. He accepted a position on the board of directors at Fabergé. By all accounts this position was not honorary, as some had assumed; Grant regularly attended meetings and traveled internationally to support them. The position also permitted use of a private plane, which Grant could use to fly to see his daughter wherever her mother, Dyan Cannon, was working. He later joined the boards of Hollywood Park, the Academy of Magical Arts (The Magic Castle, Hollywood, California), Western Airlines (acquired by Delta Air Lines in 1987), and MGM.
Grant expressed no interest in making a career comeback. He was in good health until almost the end of his life, when he suffered a mild stroke in October 1984. In the last few years of his life, Grant undertook tours of the United States in a one-man show, A Conversation with Cary Grant, in which he would show clips from his films and answer audience questions.
- IMDb Mini Biography By: Pedro Borges
|Barbara Harris||(11 April 1981 - 29 November 1986) (his death)|
|Dyan Cannon||(22 July 1965 - 21 March 1968) (divorced) (1 child)|
|Betsy Drake||(25 December 1949 - 13 August 1962) (divorced)|
|Barbara Hutton||(8 July 1942 - 30 August 1945) (divorced)|
|Virginia Cherrill||(9 February 1934 - 26 March 1935) (divorced)|
Trade Mark (5)
Personal Quotes (51)
|This Is the Night (1932)||$450 /week|
|Sinners in the Sun (1932)||$450 /week|
|Singapore Sue (1932)||$150|
|Singapore Sue (1932)||$450 /week|
|Merrily We Go to Hell (1932)||$450 /week|
|Devil and the Deep (1932)||$450 /week|
|Blonde Venus (1932)||$450 /week|
|Hot Saturday (1932)||$450 /week|
|Madame Butterfly (1932)||$450 /week|
|She Done Him Wrong (1933)||$750 /week|
|The Woman Accused (1933)||$750 /week|
|The Eagle and the Hawk (1933)||$750 /week|
|Gambling Ship (1933)||$750 /week|
|I'm No Angel (1933)||$750 /week|
|Alice in Wonderland (1933)||$750 /week|
|Enter Madame! (1935)||$2,500 /week|
|Wings in the Dark (1935)||$2,500 /week|
|The Last Outpost (1935)||$2,500 /week|
|Sylvia Scarlett (1936)||$2,500 /week + $15,000 bonus|
|Big Brown Eyes (1936)||$3,500 /week|
|Suzy (1936)||$3,500 /week|
|The Amazing Quest of Ernest Bliss (1936)||$3,500 /week|
|Wedding Present (1936)||$3,500 /week|
|When You're in Love (1937)||$50,000|
|Topper (1937)||% of Gross|
|The Toast of New York (1937)||$50,000|
|The Awful Truth (1937)||$50,000 + 10% of gross ($500,000 in back end earnings)|
|Bringing Up Baby (1938)||$75,000 + 11% gross ($139,150)|
|Gunga Din (1939)||$125,000|
|In Name Only (1939)||$100,000|
|The Philadelphia Story (1940)||$150,000|
|The Philadelphia Story (1940)||$137,500 (donated to British War Relief Fund)|
|Arsenic and Old Lace (1944)||$100,000|
|Arsenic and Old Lace (1944)||$160,000 (donated to British War Relief, USO, and Red Cross)|
|None But the Lonely Heart (1944)||$150,000 + 10% of the Profits|
|Night and Day (1946)||$150,000|
|The Bishop's Wife (1947)||$500,000|
|I Was a Male War Bride (1949)||$100,000 (plus 10% of the gross receipts if they reached $1m.)|
|People Will Talk (1951)||$300,000|
|To Catch a Thief (1955)||$750,000 + 10% of grosses over $8,000,000|
|Indiscreet (1958)||$300,000 + Rolls Royce|
|North by Northwest (1959)||$450,000 (plus $315,000 overtime and percentage of gross profit)|
|Operation Petticoat (1959)||$3,000,000 (including his percentage of the gross profits.)|
|That Touch of Mink (1962)||$4,000,000 (including his percentage of the gross profits.)|