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Interview: Alexandra Dean of ‘Bombshell: The Hedy Lamarr Story’

Chicago – Hedy Lamarr was tagged as “the world’s most beautiful woman” in movies during her brief run as matinee idol during the 1940s. While taking that on, she was also co-inventing a wireless guidance system during World War II. Director Alexandra Dean contrasts that double life in “Bombshell: The Hedy Lamarr Story.”

The documentary film – an impressive look at a somewhat famous woman both in her time and ahead of it – explores how an extraordinarily beautiful immigrant from Vienna became an American movie star, and in her spare time co-invented a wireless “frequency hopping” system that was the root of Gps, wi-fi and other technological marvels of our age. Dismissed in her era, and finally recognized when she well past her prime, Hedy Lamarr is a fascinating both as a film star and as an innovator. The documentary opens Friday, January 19th, 2018, at the Music Box Theatre in Chicago.
See full article at HollywoodChicago.com »

Review: ‘My Art’ Presents a Pleasant Personal Reckoning

Laurie Simmons may be new to feature filmmaking, but she is a veteran of the arts scene. A graduate of the Tyler School of Art at Temple University, she moved to SoHo in 1973 and soon thereafter commenced the phase of her photography career for which she would be most well-known: the shooting of dolls that have been lit and arranged within a miniature domestic space in a manner that resembled actual images of people within their homes. From the 1980s onward, she expanded on her interest in dolls in various ways, from a series on male ventriloquist dummies to works featuring “walking objects”—large props worn by her friend Jimmy de Sana—to the 1997 Music of Regret series where Simmons commissioned sort-of self-portraits starring a female doll whose face had been made to resemble her own.

The last project is the one that is most widely referenced in My Art,
See full article at The Film Stage »

Will Smith’s Career Rollercoaster: A Bright Future in Politics?

Will Smith’s Career Rollercoaster: A Bright Future in Politics?
Twenty years ago, Will Smith announced he’d love to become president. And why not? He’d won at everything else. At 12, he formed a rap duo that made him a teenage millionaire. By 23, he was a sitcom star. Now, he was 26 and his stunning hit streak of Bad Boys, Independence Day and Men in Black had made him the most likable movie star in the world. The U.S. Presidency would simply be his fourth career—or maybe fifth. “Give me 10 years and I’ll make it,” said Smith, “provided I can squeeze in an NBA championship before that.”

He was kidding, and he wasn’t. Since then, Smith has floated running for president every few years. (He dropped his basketball dreams pretty quick.) In 1999, the Clintons invited him to sleep in the Lincoln bedroom. “I told Bill that he should keep my room warm,” said Smith. “That might sound foolish to some,” he later told
See full article at Variety - Film News »

With a ‘Film Stars’ Song in Contention, Rock Star Elvis Costello Reflects on Moonlighting for the Movies

With a ‘Film Stars’ Song in Contention, Rock Star Elvis Costello Reflects on Moonlighting for the Movies
Elvis Costello wrote the closing song for the new movie “Film Stars Don’t Die in Liverpool,” but it’s a classic from his own canon that director Paul McGuigan planted as an Easter egg for music buffs. Costello’s “Pump It Up” is heard early on in the film to establish the late ’70s time frame, right before a scene that has the American actress Gloria Grahame (played by Annette Bening) meeting her younger Liverpudlian boyfriend (Jamie Bell) for the first time. Just after “Pump It Up” is heard on the soundtrack, the two lovers-to-be dance to “Boogie Oogie Oogie” — a cheeky nod to one of the silliest awards upsets of all time, when the ephemeral disco group A Taste of Honey famously beat Costello for the best new artist Grammy.

“You know what? It didn’t register,” admits Costello, who didn’t get the embedded joke when he first saw the film, and whom the
See full article at Variety - Film News »

Seriously Screwy: The History and Impact of the Screwball Comedy

By Jacob Oller

It Happened One Night welcomed a new subgenre to the screen. n 1934, the grand tradition of genre added a slightly mad augmentation to one of its standbys. Existing at the beautiful intersection of the rom-com, the farce, and the satire is the screwball comedy, put into place on screen by Frank Capra’s Clark Gable […]

The article Seriously Screwy: The History and Impact of the Screwball Comedy appeared first on Film School Rejects.
See full article at FilmSchoolRejects »

Operation Petticoat

Tony Curtis grew up idolizing the suave and funny Cary Grant, emulated his romantic moves as an actor and then performed a brilliant impersonation of Grant for Billy Wilder. The next step had to be co-starring with the great man himself. Blake Edwards’ amiable, relaxed submarine movie allows Grant to play with ladies’ under-things, while Curtis wrestles with a pig.

Operation Petticoat

Blu-ray

Olive Signature Edition

1959 / Color / 1:78 widescreen / 120 min. / Street Date July 1, 2014 / available through the Olive Films website / 39.95

Starring: Cary Grant, Tony Curtis, Joan O’Brien, Dina Merrill, Gene Evans, Dick Sargent, Virginia Gregg, Gavin MacLeod, Madlyn Rhue, Marion Ross, Arthur O’Connell.

Cinematography: Russell Harlan

Original Music: David Rose

Written by Paul King, Joseph Stone, Stanley Shapiro, Maurice Richlin

Produced by Robert Arthur

Directed by Blake Edwards

The latest in Olive Films’ Signature Selection special editions is Operation Petticoat, a light comedy war movie noted for teaming Cary Grant with Tony Curtis.
See full article at Trailers from Hell »

Hangover Square

No, it’s not a the-day-after sequel to The Lost Weekend, but a class-act mystery-horror from 20th-Fox, at a time when the studio wasn’t keen on scare shows. John Brahm directs the ill-fated Laird Cregar as a mad musician . . . or, at least a musician driven mad by a perfidious femme fatale, Darryl Zanuck’s top glamour girl Linda Darnell.

Hangover Square

Blu-ray

Kl Studio Classics

1945 /B&W / 1:37 Academy / 77 min. / Street Date November 21, 2017 / available through Kino Lorber / 29.95

Starring: Laird Cregar, Linda Darnell, George Sanders, Faye Marlowe, Glenn Langan, Alan Napier.

Cinematography: Joseph Lashelle

Film Editor: Harry Reynolds

Original Music: Bernard Herrmann

Written by Barré Lyndon

Produced by Robert Bassler

Directed by John Brahm

Here’s a serious quality upgrade for horror fans. Although technically a period murder thriller, as a horror film John Brahm’s tense Hangover Square betters its precursor The Lodger in almost every department. We don
See full article at Trailers from Hell »

Emmy-Winning TV Director Peter Baldwin Dies at 86

Emmy-Winning TV Director Peter Baldwin Dies at 86
Peter Baldwin, who started as an actor and went on to become a prolific TV director throughout the ’60s, ’70s and ’80s, died Nov. 19 in Pebble Beach, Calif. He was 86.

Baldwin won a Primetime Emmy Award for directing “The Wonder Years” and a Cable Ace Award for “Dream On.”

Born in Winnetka, Ill., he was discovered by a Hollywood talent scout in his senior year at Stanford. He became one of Paramount’s “Golden Circle of Newcomers” and appeared in films including “Stalag 17,” “Little Boy Lost” and Cecil B. DeMille’s “The Ten Commandments.”

He served three years in the Navy and returned to Paramount, where he appeared in “The Tin Star” and “Teacher’s Pet” with Clark Gable and Doris Day.

After touring with Julie Harris in “The Warm Peninsula” play, Baldwin moved to Italy, where he appeared in films by Robert Rossellini, Dino Risi and Francesco Rosi. There he started
See full article at Variety - Film News »

DC’s Legends of Tomorrow Season 3 Episode 6 Review – ‘Helen Hunt’

Jessie Robertson reviews the sixth episode of DC’s Legends of Tomorrow season 3…

The opening scene tonight is indicative of what Legends does so well: they perpetuate and use the myth of history to give them their story; now, one could argue, these anachronisms wouldn’t always be the most well-known historical figures and events being mixed up; surely small changes out of their element would be out there, but that wouldn’t make for very good TV. Instead, we get Helen of Troy invading Hollywood and turning every single man’s head and causing wars just like in Troy. One great scene later on, when the gang go to a legit Hollywood 30’s party, all the boys become drawn into her looks and Rory decks Haircut. Again, Rory’s use this week, simple, effective, hilarious.

The mission is seemingly not that difficult; Sara even remarks something like ‘let’s
See full article at Flickeringmyth »

Glam Actress Hedy Lamarr Was a Secret Inventor for the Military Before Her Tragic Final Years

Glam Actress Hedy Lamarr Was a Secret Inventor for the Military Before Her Tragic Final Years
Hedy Lamarr lived the glamorous life of a Golden Age Hollywood actress, starring alongside legends like Clark Gable and Judy Garland in over 18 films during the 1940s. But the Austrian star — widely hailed during her time as the most beautiful woman alive — also had a secret second life as a successful wartime inventor.

Lamarr’s intriguing life — and her tragic end as a recluse — is the subject of the new documentary Bombshell: The Hedy Lamarr Story. Co-executive-produced by Susan Sarandon and directed by Alexandra Dean, the documentary takes a deep dive into the unknown story behind one of Hollywood’s most alluring stars.
See full article at PEOPLE.com »

'Only the Brave' Review: Josh Brolin & Co. Bring Heat, Humanity to Firefighter Drama

'Only the Brave' Review: Josh Brolin & Co. Bring Heat, Humanity to Firefighter Drama
If you've been to the movies any time over the last century, you're familiar with men like Eric Marsh. They're hard-ass guys, often stoic but capable of being sensitive and, in rare cases, prone to sentimentality. Their flaws and temper-flares are balanced out by their virtues: staunch professionalism, a salt-of-the-earth nobility, an almost stubborn loyalty to their men. The kind of dudes who treat their enemies – in this case, the massive forest fires that annually scorch acres of Arizona landscape – with something close to respect. ("What are you up to?
See full article at Rolling Stone »

Inside The Process by Anne-Katrin Titze

Rebecca Miller‬ on Tony Kushner and Mike Nichols: "Then I started thinking, well, I want some interviews that are a little bit about the work and to try and get as deep, as far, inside the process as you can." Photo: Anne-Katrin Titze

"I can't think in abstract terms too much," Arthur Miller says while working on a piece of wood in Rebecca Miller's very personal, marvelously alive and warm and informative documentary that emerged from the discrepancy she sensed between the father she knew and the public persona.

Marilyn Monroe's great attraction, Arthur Miller recalls, was "her honesty," that she was "utterly without guile." Here the flame is her fame. Photos and clips from behind the scenes of The Misfits show an exhausted John Huston and we hear Clark Gable say the same lines to Marilyn that Arthur Miller had said to her in real life.
See full article at eyeforfilm.co.uk »

Better Than Wages: Chloé Zhao Discusses "The Rider"

  • MUBI
Midway through The Rider, Lakota cowboy Brady Blackburn (Brady Jandreau) takes a job at a local grocery store. Forbidden by his doctors from ever riding again and with few prospects near his home on the Pine Ridge Indian Reservation, he’s humiliated to find himself wearing a name tag and waving a barcode scanner. Brady, the actor, later told Chloé Zhao that filming those scenes was one of the hardest things he’d ever done. Like the character he plays, Jandreau had recently survived a near-fatal skull fracture during a rodeo, and the painful prospect of giving up his cowboy life was still fresh. The Rider is the second feature film Zhao has made at Pine Ridge, following Songs My Brothers Taught Me in 2015. “I wanted to make a movie about the cowboys I met there,” she told me, “but I didn’t have a story until Brady’s accident.
See full article at MUBI »

Gun Fury 3-D

Rock Hudson and Donna Reed star in a kidnapping-vengeance-pursuit western filmed in large part in gorgeous Sedona, Arizona, in 3-D and (originally) Technicolor. It’s another 3-D treasure from the 1950s boom years. The trailer is in 3-D too.

Gun Fury 3-D

3-D Blu-ray

Twilight Time

1953 / Color / 1:85 widescreen / 82 min. / Street Date September 19, 2017 / Available from the Twilight Time Movies Store 29.95

Starring: Rock Hudson, Donna Reed, Phil Carey, Roberta Haynes, Leo Gordon, Lee Marvin, Neville Brand.

Cinematography: Lester WhiteMusical Director (Stock Music): Mischa Bakaleinikoff

Written by Irving Wallace, Roy Huggins

Produced by Lewis Rachmil

Directed by Raoul Walsh

I have a new theory for why the 1950s 3-D craze only lasted about 2.5 years: they couldn’t find any more one-eyed directors to make them.

Gun Fury arrived at the end of 1953, in the thick of what would be called the ‘fad’ of 3-D. Columbia Pictures jumped into ‘depth pictures’ as if it were a gimmick,
See full article at Trailers from Hell »

All-time classic Gone with the Wind is back in Cineplex theatres as part of the Classic Film Series!

  • Cineplex
All-time classic Gone with the Wind is back in Cineplex theatres as part of the Classic Film Series!All-time classic Gone with the Wind is back in Cineplex theatres as part of the Classic Film Series!Ingrid Randoja - Cineplex Magazine9/13/2017 1:03:00 Pm

It took three directors, seven writers, 1,500 extras and one obsessed producer named David O. Selznick to make the 1939 classic Gone with the Wind.

Selznick bought the rights to author Margaret Mitchell’s 1,037-page epic Civil War romance that finds spoiled Southern belle Scarlett O’Hara (Vivien Leigh) pining for the melancholy Ashley (Leslie Howard) while falling into a tempestuous relationship with the arrogant Rhett Butler (Clark Gable).

Selznick wanted only Gable for the role and waited two years until he became available. However, finding the perfect Scarlett was a chore as he screen-tested 33 actors before signing Leigh, a relatively unknown British beauty. He hired screenwriters only to fire them,
See full article at Cineplex »

‘Scotty and the Secret History of Hollywood’ Review: Sex Abounded in Hollywood’s Golden Age

  • The Wrap
‘Scotty and the Secret History of Hollywood’ Review: Sex Abounded in Hollywood’s Golden Age
Golden-age Hollywood had a fake-news apparatus that Russia (Soviet or modern-day, take your pick) could envy: homosexuality, infidelity, alcoholism, drug addiction and anything else that might ruffle feathers in Peoria was smoothed out, hidden and swept under the rug. The movie stars of the mid-20th century were presented as such paragons that we’re currently still chipping away at that façade to find the truth. Unmarried male stars and directors, we now know, weren’t necessarily just bachelors who hadn’t met the right girl. Loretta Young’s “adopted” daughter was actually the child she had with Clark Gable,
See full article at The Wrap »

Film Review: ‘Home Again’

Film Review: ‘Home Again’
Home Again,” a lifestyle comedy with a soupçon of pain, stars Reese Witherspoon as a perky Los Angeles mother of two coping with a perky divorce and perky career problems (let’s pause and take a breath before we get to her perky love life). It’s the first feature written and directed by Hallie Meyers-Shyer, whose last name alone sounds like the opening credits of two dozen comedies: Her mother is Nancy Meyers, director of “The Parent Trap,” “Something’s Gotta Give,” “It’s Complicated” and “The Intern,” and her father is Charles Shyer, director of “Baby Boom,” “Father of the Bride” and “Father of the Bride II.” (The couple, who divorced in 1999, collaborated as writers and/or producers on a number of other features, including “Private Benjamin.”)

Depending on your point of view, that pedigree will mean one of two things: Hallie Meyers-Shyer was put on earth to make contemporary Hollywood screwball comedies — or she
See full article at Variety - Film News »

Richard Anderson, ‘Six Million Dollar Man’ and ‘Bionic Woman’ Actor, Dies at 91

Richard Anderson, ‘Six Million Dollar Man’ and ‘Bionic Woman’ Actor, Dies at 91
Richard Anderson, who simultaneously played Oscar Goldman, leader of secret government agent the Osi, on both “The Six Million Dollar Man” and “The Bionic Woman” after a long career as a supporting actor in film and TV, died on Thursday in his Beverly Hills home. He was 91.

Anderson famously intoned the words heard in voiceover in the opening credits of “The Six Million Dollar Man”: “Gentlemen, we can rebuild him. We have the technology. We have the capability to make the world’s first bionic man. Steve Austin will be that man. Better than he was before. Better … stronger … faster.”

Anderson was one of a handful of actors who’ve played the same character simultaneously on more than one series on an ongoing basis; some actors in the “Law & Order” franchise made occasional or special appearances on another “Law & Order” series, but were not seen regularly on more than one series.

Related
See full article at Variety - Film News »

Annual Gone with the Wind Screening Canceled for Being Racially Insensitive

Annual Gone with the Wind Screening Canceled for Being Racially Insensitive
There is no denying that Gone With the Wind is a certified classic, and considered one of the greatest movies ever made. But its head is firmly on the chopping block in the wake of racial tension and protests around the country. The events of Charlottesville have left a bad taste in everyone's mouth. And now this 1939 drama is being shown the exit door at one theater in Memphis, Tennessee before it screens for the 34th year in a row. The reason? It's too racially insensitive.

As it stand, fans in Memphis have wildly mixed feelings about it. As one would imagine. You probably have mixed feelings about it as well, if you remember the movie. Most millennials don't, though, and that's the problem. Though the movie has been around for nearly 80 years, some newcomers are finding it beyond shocking. Though, for its time, it isn't shocking at all.

Gone with the Wind
See full article at MovieWeb »
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