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A brain, an athlete, a basket case, a princess, and a criminal are all joining the Criterion Collection in 2018. “The Breakfast Club” is getting the Criterion treatment next January, as are a new edition of “Young Mr. Lincoln,” “I, Daniel Blake,” “Westfront 1918,” “Kameradschaft,” and four films by Claude Autant-Lara.
More information — and, as always, cover art — below.
Read More:Criterion Collection Announces December Titles, Including ‘Election’ and ‘Monterey Pop’
“What happens when you put five strangers in Saturday detention? Badass posturing, gleeful misbehavior, and a potent dose of angst. With this exuberant film, writer-director John Hughes established himself as the bard of American youth, vividly and empathetically capturing how teenagers hang out, act up, and goof off. ‘The Breakfast Club’ brings together an assortment of adolescent archetypes — the uptight prom queen (Molly Ringwald), the stoic jock (Emilio Estevez), the foul-mouthed rebel (Judd Nelson), the virginal bookworm (Anthony Michael Hall »
- Michael Nordine
In the latest instalment of Flickering Myth’s film class, Tom Jolliffe looks at how to pull off an ensemble film…
The art in pulling off the ensemble film. It’s a tricking balance. In the vast majority of cinema you may be limited to one or two clearly defined protagonists with a cast of supporting artists. On occasions though, a writer wants to create an ensemble piece. It may have one particular character who dominates the screen a little more than the others, but you could have four or more characters who share screen near equally.
How do you do it right? Well firstly, whether you have four characters, six, ten, or whatever, the most important element is to have clearly definable characters. You could call them archetypes certainly, but it is important to ensure that ‘character one’ is different from the rest. If you craft one character who »
- Tom Jolliffe
Tony Sokol Sep 18, 2017
Harry Dean Stanton has died at the age of 91, it was confirmed over the weekend.
Stanton, who made his breakthrough in Wim Wenders’ Paris, Texas, submerged himself in over 250 movies since he began acting in the 1950s. That didn’t make him any less unforgettable, putting his subtle stamp on such films as Cool Hand Luke (1967), Two-Lane Blacktop (1971), Godfather II (1974), Ridley Scott’s Alien (1979) and John Carpenter’s Escape From New York (1981). Plus he taught Emilio Estevez how to boost cars in the cult classic Repo Man.
In today’s film news roundup, Annette Bening has joined Christoph Waltz and Vanessa Redgrave in “Georgetown,” Lionsgate has acquired U.S. rights to Roland Emmerich’s World War II movie “Midway,” and Film Movement has bought three documentaries.
The project, based on the New York Times Magazine article by Franklin Foer, centers on Albrecht Muth (played by Waltz), an eccentric social climber who seduced and married a wealthy older widow, Viola Drath, portrayed by Redgrave. Muth and Drath entered the top political circles as they threw lavish events, with Muth lying extensively about his background — which came to light after Drath was found murdered in 2011 at their home in Georgetown.
Muth was 26 when he married the 71-year-old Drath in 1990. He was convicted of first-degree murder and sentenced to 50 years »
- Dave McNary
Berman died early Friday morning due to complications from Alzheimer’s Disease at his home in Bell Canyon, Calif., his publicist confirmed to Variety.
The Grammy winner and Emmy-nominated actor was one of the most successful stand-up comedians of the 1950s and ’60s. His 1959 live record, “Inside Shelley Berman,” was the first comedy album to be certified gold (with more than 500,000 sales) and was the first non-musical recording to win a Grammy Award. Two other albums, “Outside Shelley Berman” and “The Edge of Shelley Berman,” also went gold.
Berman was the first stand-up comic to perform at Carnegie Hall. He appeared on “The Ed Sullivan Show” more than 20 times and was a guest on shows hosted by Steve Allen, Jack Paar, Dinah Shore, Perry Como, Andy Williams, and Dean Martin.
- Maane Khatchatourian and Dave McNary
In his latest movie, “Marjorie Prime,” Jon Hamm plays a hologram who gives tender therapeutic advice to the aging lady he was once married to (it’s complicated), and if that doesn’t strike you as exciting, you’re not alone. The movie is a precious indie bauble that has already whiffed at the specialty box office. Hamm is crafty and spry in it; you might say — as some have — that it’s an adventurous role for him, in the same way that playing a violent sociopath with choppy shaved hair in “Baby Driver” was an adventurous role for him. These characters aren’t what we “expect” from Jon Hamm, so they make it look like he’s in there, trying on audacious things and working it. The question is: Why does Jon Hamm now look like he’s trying so hard?
I think what I’m asking is: Why isn’t Jon Hamm a movie star »
- Owen Gleiberman
Cinema Retro proudly presents this year's Movie Classics 80-page special issue: "World War II Movies of the Sixties", showcasing films that only Cinema Retro would cover in-depth. Some are true classics, others are simply vastly entertaining- and all are celebrated through rare production photos, international marketing campaigns, then-and-now location photos and little-known facts.
Films covered in this issue:
The Guns of Navarone - Gregory Peck, Anthony Quinn, David Niven Battle of the Bulge- Henry Fonda, Robert Shaw, Robert Ryan Anzio- Robert Mitchum, Peter Falk The Victors- George Peppard, Eli Wallach, George Hamilton The Train- Burt Lancaster, Jeanne Moreau Tobruk-Rock Hudson, George Peppard, Nigel Davenport Hannibal Brooks- Oliver Reed, Michael J. Pollard The Devil's Brigade- William Holden, Cliff Robertson, Vince Edwards Von Ryan's Express- Frank Sinatra, Trevor Howard Operation Crossbow- George Peppard, Sophia Loren, Richard Johnson Is Paris Burning?- Orson Welles, »
- firstname.lastname@example.org (Cinema Retro)
By David Kozlowski | 4 August 2017
Welcome to Issue #7 of The Lrm Weekend, a weekly column offering strong opinions about film, TV, comics, Star Wars, Marvel, DC, animation, and anime. We also want to hear from you, our awesome Lrm community! Share your feedback or ideas for future columns: @LRM_Weekend and we'll post your Tweets below!
Previous Issues: 7.28.17 | 7.21.17 | 7.14.17 | 7.7.17 | 6.30.17 | 6.23.17
Hey Lrm Weekenders, you might notice a few changes to the column this week. As summer draws to a close we're moving some stuff around and tweaking our content to be a little more opinionated and provocative.
Each of our Lrm writers have super-strong opinions about film, TV, comics, and all of the big franchises and universes. So, going forward Lrm Weekend is going to amp-up our voices a bit more -- and we invite our readers to punch back whenever and wherever you disagree!
Audiences Are Tired Of Spectacle And Hollywood Doesn't Care. »
- David Kozlowski
Chicago – It was show time for two-time Oscar winner Jane Fonda, as she accepted a Career Achievement Award from Cinema/Chicago at the Radisson Blue Aqua Hotel, and participated in a tribute night – moderated by Chicago Sun-Times Film Critic Richard Roeper – on Saturday, July 29th, 2017.
Jane Fonda is part of Hollywood royalty, the daughter of Henry Fonda and the sister of Peter Fonda. She studied at Vassar College and was a member of the Actors Studio in New York City, before making her film debut in “Tall Story” (1959). The 1960s were an ingenue era for her, as she appeared in “Sunday in New York” (1963), “Cat Ballou” (1965) and “Barefoot in the Park” (1967). She changed her image to sex symbol with the cult film “Barbarella” (1968), before embarking on a run of great character roles which included her Oscar Best Actress wins for “Klute” (1971) and “Coming Home” (1978). She took 15 years off – from 1990 to »
- email@example.com (Adam Fendelman)
Fritz Lang continues his take-no-prisoners indictment of America’s curious relationship with crime; this time he presents the thesis that an innocent man can be a pawn in cosmic game of injustice. Three-time loser Henry Fonda, the glummest actor in ’30s films, doesn’t mean to rob or kill, but gosh darn it, They Made Him a Criminal. Those considerations aside, it’s a wonderful cinematic achievement, made all the better by a decent digital restoration.
You Only Live Once
1937 / B&W / 1:37 Academy / 86 min. / Street Date July 25, 2017 / 29.98
Cinematography: Leon Shamroy
Art Direction: Alexander Toluboff
Film Editor: Daniel Mandell
Original Music: Hugo Friedhofer
Produced by Walter Wanger
Directed by Fritz Lang »
- Glenn Erickson
By David Kozlowski | 28 July 2017
Welcome to Issue #6 of The Lrm Weekend, a weekly column highlighting cool and unique videos about film, TV, comics, Star Wars, Marvel, DC, animation, and anime. We also want to hear from you, our awesome Lrm community! Share your favorite videos to: @LRM_Weekend and we'll post your Tweets below!
Previous Issues: 7.21.17 | 7.14.17 | 7.7.17 | 6.30.17 | 6.23.17
Hey Lrm Weekenders, we survived San Diego Comic-Con 2017 -- did you have a favorite moment? Thor: Ragnarok's latest trailer was a big hit at Lrm (Hulk speaks!). As July comes to a close, we're ramping up for the big movies and TV shows of the late summer through the holiday season.
This week our emphasis is on Akira Kurosawa, the legendary Japanese filmmaker who's works have inspired generations of directors, screenwriters, and actors. Kurosawa's films have been adpapted and remade dozens of times, and we hope that this week's column gives you »
- David Kozlowski
Each month, the fine folks at FilmStruck and the Criterion Collection spend countless hours crafting their channels to highlight the many different types of films that they have in their streaming library. This August will feature an exciting assortment of films, as noted below.
To sign up for a free two-week trial here.
Tuesday, August 1
Tuesday’s Short + Feature: These Boots and Mystery Train
Music is at the heart of this program, which pairs a zany music video by Finnish master Aki Kaurismäki with a tune-filled career highlight from American independent-film pioneer Jim Jarmusch. In the 1993 These Boots, Kaurismäki’s band of pompadoured “Finnish Elvis” rockers, the Leningrad Cowboys, cover a Nancy Sinatra classic in their signature deadpan style. It’s the perfect prelude to Jarmusch’s 1989 Mystery Train, a homage to the King of Rock ‘n’ Roll and the musical legacy of Memphis, featuring appearances by Screamin’ Jay Hawkins and Joe Strummer. »
- Ryan Gallagher
Chicago – Two time Oscar winner Jane Fonda will grace the Windy City, as she accepts a Career Achievement Award from Cinema/Chicago, and will participate in a tribute night on Saturday, July 29th, 2017. The event will take place at the Radisson Blu Aqua Hotel, and will feature an on-stage conversation with Fonda, moderated by Richard Roeper of the Chicago Sun-Times. The evening is sponsored by Sage Private Wealth Group, and includes partners American Airlines, Sound Investment Av, Chloe Wine Collection and Wansas Tequila.
Jane Fonda is part of Hollywood royalty, the daughter of Henry Fonda and the sister of Peter Fonda. She studied at Vassar College and was a member of the Actors Studio in New York City, before making her film debut in “Tall Story” (1959). The 1960s were an ingenue era for her, as she appeared in “Sunday in New York” (1963), “Cat Ballou” (1965) and “Barefoot in the Park” (1967). She »
- firstname.lastname@example.org (Adam Fendelman)
Henry Fonda, actor (1905-82) Grammy: Best Spoken Word Album, “Great Documents” (1977) Oscar: Best Actor, “On Golden Pond” (1981) Tony: Best Actor, “Mister Roberts” (1948); Best Actor, “Clarence Darrow” (1975) Oscar Hammerstein II, lyricist and producer (1895-1960) Grammy: Best Original Cast Album, “The Sound of Music” (1960) Oscar: Best Original Song, “The Last Time I Saw Paris” from “Lady Be Good” (1941); “It Might As Well Be Spring” from “State Fair” (1945) Tony: Three awards for “South Pacific” (1950); Best Musical, “The King and I” (1952); Best Musical, “The Sound of Music” (1960) Elton John Grammy: Best Pop Performance by a Duo or Group, “That’s What Friends »
- Thom Geier
Turner Classic Movies' 2017 Gay Pride film series comes to a close this evening and tomorrow morning, Thursday–Friday, June 29–30, with the presentation of seven movies, hosted by TV interviewer Dave Karger and author William J. Mann, whose books include Wisecracker: The Life and Times of William Haines and Behind the Screen: How Gays and Lesbians Shaped Hollywood, 1910-1969. Among tonight's movies' Lgbt connections: Edward Albee, Tony Richardson, Evelyn Waugh, Tab Hunter, John Gielgud, Roddy McDowall, Linda Hunt, Harvey Fierstein, Rudolf Nureyev, Christopher Isherwood, Joel Grey, and Tommy Kirk. Update: Coincidentally, TCM's final 2017 Gay Pride celebration turned out to be held the evening before a couple of international events – and one non-event – demonstrated that despite noticeable progress in the last three decades, gay rights, even in the so-called “West,” still have a long way to go. In Texas, the state's – all-Republican – Supreme Court decided that married gays should be treated as separate and unequal. In »
- Andre Soares
Don’t look to this noir for hardboiled cynicism – for his first feature Nicholas Ray instead gives us a dose of fatalist romance. Transposed from the previous decade, a pair of fugitives takes what happiness they can find, always aware that a grim fate waits ahead. The show is a career-making triumph and a real classic from Rko — which shelved it for more than a year.
The Criterion Collection 880
1948 / B&W / 1:37 flat Academy / 95 min. / available through The Criterion Collection / Street Date June 13, 2017 / 39.95
Cinematography: George E. Diskant
Film Editor: Sherman Todd
Original Music: Leigh Harline
Produced by John Houseman
Directed by Nicholas Ray »
- Glenn Erickson
Cars! Cars! Cars! What climate accord, when we’re celebrating the internal combustion engine! One of the best of the breezy ’70s action comedies, this cross-country road race picture gave us early looks at Gary Busey and Raul Julia in the midst of an always-amusing ensemble of car crazies, out to go from Manhattan to the Pacific in less than two days, at speeds up 175 mph! No 55 speed limit, no catalytic converters!
1976 / Color / 2:40 widescreen / 107 min. / Street Date June 13, 2017 / available through the WBshop / 21.99
Cinematography: Richard C. Glouner
Original Music: Dominic Frontiere
Written by Chuck Bail, »
- Glenn Erickson
For those with a sudden interest in new German cinema thanks to last year’s Toni Erdmann, the Cannes Film Festival has again selected another powerful, deeply human and intricately political drama in Valeska Grisebach’s terrific Western. Like Maren Ade, with whom she has collaborated, Grisebach has made two films—the lovely graduation short feature Be My Star (2001) and Longing (2006), a small town tale of a fireman’s love life—with long pauses in between. Western comes more than a decade after her first proper feature, and it confirms that the director is as talented as ever.The setting is a German worker camp in the modern day Bulgarian countryside, and, as as the title daringly states, this is indeed a "western." The isolated Germans are the encroaching (economic) colonizers—“we come here to work,” they say, flush with money and a reputation dating from the Second World War »
To mark the release of The Battle of the Bulge on 5th June, we’ve been given 2 copies to give away on Blu-ray.
Five months after D-Day, most American soldiers think the German army is broken. The Germans think otherwise. In order to buy time to fill the skies with their invincible new jets, they launch one furious offensive.
For this epic recreation of one of World War II’s most crucial confrontations, director Ken Annakin (The Longest Day) captures the explosive action of massive forces squaring off and the individual ingenuity of weary GIs trying to survive a cruel winter. The cast is a starry juggernaut: Henry Fonda, Robert Shaw, Robert Ryan, Charles Bronson, Telly Savalas and more.
Experience the vast panorama of war in all its intensity — and all its heroism.
Please note: This competition is open to UK residents only
a Rafflecopter giveaway
The Small »
Author: Zehra Phelan
Cannes Film Festival yesterday saw another unveiling. Independence Day director, Roland Emmerich, has officially been confirmed to take the helm of the World War II project, Midway, which he will also co-produce.
The Battle of Midway in the South Pacific was a decisive naval battle in June 1942, six months after Japan’s attack on Pearl Harbor. The U.S. Navy defeated an attacking fleet of the Imperial Japanese Navy near Midway Atoll after U.S. codebreakers were able to pinpoint the time and place of the attack. The damage to the Japanese fleet was so extensive that it never recovered and military historians regard the battle as a turning point in the war.
This won’t be the first time The Battle of Midway has been covered on film, back in 1976, Universal’s epic “Midway,” starring Charlton Heston, Henry Fonda, James Coburn, Glenn Ford, Hal Holbrook, Toshiro Mifune, »
- Zehra Phelan
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