The Works of Director Ron Howard
Note: Howard received sole credit for Solo while original directors Lord & Miller obtained EP credits
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- DirectorRon HowardStarsRon HowardNancy MorganElizabeth RogersA rich girl steals her dad's Rolls Royce and heads off to Las Vegas to get married. However, her angry parents, a jealous suitor, and a bunch of reward seekers are determined to stop her.Writer: Ron Howard
Cinematographer: Gary Graver
Film Editor: Joe Dante
Composer: Peter Ivers
Associate Producer & Writer: Rance Howard
Executive Producer: Roger Corman ACE
Producer: Jon Davidson
Cameras: Arriflex 2C, 35 BL, 35 IIA & Mitchell BNCR (35mm)
AR: 1.85:1 (4-Perf 35mm Spherical)
Budget: 602 Thousand USD
Budget AFI (2022): 2.9 Million USD - DirectorRon HowardStarsHenry WinklerMichael KeatonShelley LongA mild-mannered morgue attendant is assigned to the night shift, and his new coworker, along with his prostitute neighbor, convince him of running a prostitution ring out of the morgue.Executive Producer: Don Kranze
Writers: Lowell Ganz, Babaloo Mandel
Composer - Original Music: Burt Bacharach
Songwriter - Original Lyrics: Carole Bayer Sager
Producer: Brian Grazer
Film Editors: Robert J. Kern Jr, Dan Hanley ACE, Mike Hill ACE
Cinematographer: James Crabe ASC
Filming Dates: 26 December 1981 - April 1982
Camera: Panaflex X (35mm Eastman 125T 5247)
Lenses: Panavision Ultra Speed MKII SL Primes & Cooke PanaZooms
AR: 1.85:1 (4-Perf 35mm Spherical)
Budget: 8.1 Million USD
Budget AFI (2022): 24.5 Million USD - DirectorRon HowardStarsTom HanksDaryl HannahEugene LevyA young man is reunited with a mermaid he briefly encountered as a boy and falls in love with her without knowing her secret.Producer & Story Writer: Brian Grazer
Executive Producer: John Thomas Lenox
Composer: Lee Holdridge
Song Performer: Rita Coolidge
Film Editors: Daniel P. Hanley ACE, Mike Hill ACE
Screenwriters: Lowell Ganz, Babaloo Mandel
Co-Writer: Bruce Jay Friedman
Mermaid Tail Designer: Robert Short
Disney Head of Production: Ron W. Miller
Filming Dates: 1 March 1983 - 30 June 1983
Camera: Panaflex Gold (35mm Eastman 125T 5247 & 400T 5294)
Lenses: Panavision Ultra Speed MKII SL Primes & Cooke PanaZooms
AR: 1.85:1 (4-Perf 35mm Spherical)
Budget: 11 Million USD
Budget AFI (2022): 30.9 Million USD
Distributed by: Walt Disney Studios Motion Pictures - DirectorRon HowardStarsDon AmecheWilford BrimleyHume CronynWhen a group of trespassing seniors swim in a pool containing alien cocoons, they find themselves energized with youthful vigor.Composer & Score Conductor: James Horner
Film Editors: Daniel P. Hanley ACE, Mike Hill ACE
Cinematographer: Donald Peterman ASC
Screenwriter: Tom Beneday
Story Writer: David Saperstein
Producers: Rich Zanuck, Dave Brown, Lili Zanuck
Casting Director: Beverly McDermott
Filming Dates: 20 August 1984 - 1 November 1984
Cameras: Arriflex 35 III, ILM Empireflex &
Panaflex Gold (35mm Eastman 125T 5247-400T 5294)
Lenses: Panavision Ultra Speed MKII SL Primes
AR: 1.85:1 (4-Perf 35mm SL)(8-Perf VV: VFX)
Budget: 17.5 Million USD
Budget AFI (2022): 47.5 Million USD
Printed on: Eastman 5384
Distributed by: Walt Disney Studios Motion Pictures - DirectorRon HowardStarsMichael KeatonGedde WatanabeGeorge WendtWhen a Japanese automobile company buys an American plant, the American liaison must mediate the clash of work attitudes between the foreign management and native labor.Executive Producer: Ron Howard
Composer (Score): Thomas Newman
Film Editors: Daniel P. Hanley ACE, Mike Hill ACE
Cinematographer: Donald Peterman ASC
Co-Writers: Lowell Ganz, Babaloo Mandel
Story Writer: Edwin Blum
Producers: Tony Ganz, Deborah Blum
Filming Dates: 18 July 1985 - October 1985
Camera: Panaflex Gold (35mm Eastman 125T 5247 & 400T 5294)
Lenses: Panavision C-Series Anamorphic Primes
AR: 2.39:1 (Anamorphic)
Budget: 13-18 Million USD
Budget AFI (2022): 34.6-48 Million USD
Attribute: Filmed in Panavision - DirectorRon HowardStarsVal KilmerJoanne WhalleyWarwick DavisA young farmer is chosen to undertake a perilous journey in order to protect a special baby from an evil queen.Co-Producer: Ron Howard
Director (ILM Matte Photography): Craig Barron ASC
Special Appearance: Billy Barty
Production Designer: Allan Cameron
ILM Senior VFX Designers: Dennis Muren ASC, Michael McAlister, Phil Tippett
Production Special FX Supervisor: John Richardson
Costume Designer: Barbara Lane
Cinematographer: Adrian Biddle BSC
VFX Cinematographers (ILM): Kim Marks, Harry Walton
Film Editors: Daniel P. Hanley ACE, Mike Hill ACE
Associate Producer: Joe Johnston
Exec Producer-Story Writer: George Lucas
Composer: James Horner
Screenwriter: Bob Dolman
Producer: Nigel Wooll
2nd Unit Director: Michael D. Moore
Production Accountant: Jack King
1st Assistant Director: Ken Baker
Production Manager: Vicki Manning
Production Co-ordinator: Kathy Sykes
Make-Up/Creature Designer: Nick Dudman
Snow Unit Co-ordinator: Stefan Zürcher
Fight Arranger: Bill Hobbs
Stunt Co-ordinator: Gerry Crampton
Horse Master: Greg Powell
Loc. Manager (England): Jill Gutteridge
Location Manager (NZ): John Bernard
Location Manager (Wales): Rachel Neale
Production Choreographer: Eleanor Fazan
A Camera Operator: Shaun O'Dell
B Camera Operator: Martin Hume
A Camera Focus Puller: Martin Kenzie BSC
B Camera Focus Puller: Shane O'Neill
Video Co-ordinator: Chris Warren
Gaffer: Kevin Day
A Camera Grip: John Flemming
B Camera Grip: Chunky Huse
Supervising Prop Master: John Allenby
SPFX Workshop Supervisor: Ken Morris
Production SPFX Buyer: Stephen Lloyd
Location Accountant: Kevin Freemantle
Animatronic Technician: Monique Brown
Magic Consultant: David Berglas
2nd Film Editor: Richard Hiscott
1st Assistant Editor: Jeremy Gibbs
2nd Assistant Editor: Andrew MacRitchie
Music Editor: Jim Henrikson
Score Recording & Sound Re-Record Mixer: Shawn Murphy
Production Executive (USA): Ian Bryce
Sound Designer & Re-Recording Mixer: Ben Burtt
Re-Recording Mixer: Gary Summers
Foley Artist: Gary Rydstrom
Foley & ADR Recordist: Tom Johnson
2nd Unit DoP: Paul Beeson BSC
2nd Unit 1st Assist Dir.: Michael Zimbrich
2nd Unit C Camera Operator: Wally Byatt
2nd Unit C Cam Focus Puller: Keith Blake
2nd Unit C Camera Grip: Jim Kane
2nd Unit 2nd Assistant Director: Lee Cleary
2nd Unit Sr SFX Technician: Joss Williams
3rd Unit DoP: Paul Wilson BSC
3rd Unit 1st Assist Director: Gareth Tandy
3rd Unit D Cam Op: Jonathan Taylor ASC
3rd Unit D Cam Focus Puller: Keith Thomas
3rd Unit D Camera Grip: Mark Ellis
3rd Unit Gaffer: Brian Kemp
NZ Unit Prod. Manager: Murray Newey
NZ Unit Prod Co-ordinator: Cathy Madigan
NZ Unit Art Director: Kim Sinclair
NZ Unit Ass't Art Director: Kirsten Shouler
NZ Unit A Cam Op: John Mahaffie NZCS
NZ Unit B Camera Operator: Mike Fuller
NZ Unit C Camera Operator: Rick Allender
NZ Unit A Camera Focus Puller: Neil Cervin
NZ Unit B Cam Focus Puller: Mark Sullivan
NZ Unit C Cam Focus Puller: Mark Olsen
NZ Unit A Camera Grip: Geoff Jamieson
NZ Unit B Camera Grip: John Wheeler
NZ Unit SFX Co-ordinator: Kevin Chisnall
NZ Unit Horse Co-ordinator: Russell Olds
ILM Opt. Supervisors: Kenneth Smith, John Ellis, Bruce Nicholson
ILM Matte Painting Sup: Christopher Evans
ILM VFX Art Director: Dave Carson
ILM Animation Supervisor: Wes Takahashi
ILM Animation A Camera Op: John Knoll
ILM Animation B Cam Op: Bruce Walters
ILM Animation C Camera Op: Sandy Ford
ILM Animation D Camera Operator: Charles Clavadetscher
ILM Rotoscope Supervisor: Tom Bertino
ILM Chief VFX Editor: Michael Gleason
ILM Unit Prod. Supervisor: Janet Mohler
ILM Post Prod Supervisor: Patricia Blau
ILM VFX Coordinators: Kim Bromley, Ned Gorman
ILM Stage Manager: Ed Hirsh
ILM Sup. Stage Tech: Patrick Fitzsimmons
ILM Special Creature Sup.: David Allen
ILM Stop Motion Animator: Tom St. Amand
ILM VFX Unit A Camera Op: Pete Kozachik
ILM VFX Unit B Camera Op: Terry Chostner
ILM VFX Unit C Camera Op: Peter Daulton
ILM VFX Unit D Camera Op: Pat Sweeney
ILM VFX Unit E Cam Op: Scott Farrar ASC
ILM VFX Unit F Cam Op: Marty Rosenberg
ILM Unit A Camera Assistant: Pat McArdle
ILM Unit B Camera Assistant: Robert Hill
ILM Unit C Camera Assistant: Dave Hanks
ILM Unit D Camera Assistant: Jo Carson
ILM Unit E Camera Ass't: David Hardberger
ILM Opt. A Camera Operator: Donald Clark
ILM Opt. B Camera Operator: James Lim
ILM Optical C Camera Op.: Jon Alexander
ILM Opt. D Cam Operator: Selwyn Eddy III
ILM Opt. E Camera Operator: Pat Repola
ILM Optical F Camera Op.: Keith Johnson
ILM Opt. Line-Up Leads: Brad Kuehn, Lori Nelson, Bruce Vecchitto
ILM MPP Lead: Wade Childress
ILM Matte Artist: Michael Pangrazio
ILM Model Shop Supervisor: Jeffrey Mann
ILM CG Supervisors: Douglas Scott Kay, George Joblove
ILM Storyboard Artist: Dave Lowery
ILM Animation Coordinator: Paul Lucas
ILM Optical Coordinator: Jennifer Walters
Filming Dates: 2 April 1987 - October 1987
Cameras: Panaflex GII & VistaVision (35mm Eastman 400T 5294)
Lenses: Panavision C-Series Anamorphic Primes & Cooke Zooms
AR: 2.20:1 (70mm Prints), 2.39:1 (Anamorphic)(8-Perf VistaVision: Visual Effects)
Budget: 35 Million USD
Budget AFI (2022): 85.5 Million USD
Printed on: Eastman 5384
Visual Effects Produced at: Industrial Light & Magic
Music Score Performed by: The London Symphony Orchestra
Music Score Recorded at: EMI Abbey Road Studios
Produced & Distributed on: Eastman Kodak Film
Distributed by: Walt Disney Studios Motion Pictures
Attribute: Filmed in Panavision - DirectorRon HowardStarsSteve MartinMary SteenburgenDianne WiestFour Buckman siblings attempt to raise their children - each in their own different style - and deal with the joys and sorrows that the process brings.Story Writer: Ron Howard
Producer: Brian Grazer
Composer: Randy Newman
Costume Designer: Ruth Morley
Film Editors: Michael Hill ACE, Daniel Hanley ACE
Production Designer: Todd Hallowell
Cinematographer: Donald McAlpine ASC ACS
Executive Producer: Joseph M. Caracciolo
Co-Writers: Lowell Ganz, Babaloo Mandel
Filming Dates: 30 January 1989 - 14 April 1989
Cameras: Panaflex GII & Platinum (35mm Eastman 125T 5247 & 400T 5294)
Lenses: Panavision Primo Spherical Primes
AR: 1.85:1 (4-Perf 35mm Spherical)
Budget: 20 Million USD
Budget AFI (2022): 47.1 Million USD - DirectorRon HowardStarsKurt RussellWilliam BaldwinRobert De NiroTwo feuding siblings carrying on a heroic family tradition as Chicago firefighters. But when a puzzling series of arson attacks is reported, they are forced to set aside their differences to solve the mystery surrounding these crimes.Executive Producer: Brian Grazer
Composer: Hans Zimmer
Music Supervisors: Becky Mancuso, Tim Sexton
Associate Producer: Todd Hallowell
Co-Producer: Larry DeWaay
Film Editors: Daniel Hanley ACE, Michael Hill ACE
Production Designer: Albert Brenner
Cinematographer: Mikael Salomon ASC DFF
Writer: Gregory Widen
Producers: Richard B. Lewis, John Watson
Filming Dates: 23 July 1990 - 8 December 1990
Cameras: Arriflex 35 BL4 & 35-III (35mm Kodak EXR 50D 5245-500T 5296-Eastman 250D 5297)
Lenses: Zeiss Super Speed Primes
AR: 2.20:1 (70mm Prints), 2.39:1 (4-Perf C-Top S35mm)
Budget: 40 Million USD
Budget AFI (2022): 85.8 Million USD
Printed on: Eastman 5384 - DirectorRon HowardStarsTom CruiseNicole KidmanThomas GibsonA young Irish couple flee to the States, but subsequently struggle to obtain land and prosper freely.Producer & Story Writer: Ron Howard
Producer: Brian Grazer
Composer & Score Conductor: John Williams
Costume Designer: Joanna Johnston
Co-Producer: Larry DeWaay
Co-Producer, Screenplay & Story Writer: Bob Dolman
Film Editors: Daniel Hanley ACE, Michael Hill ACE
Production Designers: Jack Collis, Allan Cameron
Director of Photography: Mikael Salomon ASC DFF
Executive Producer: Todd Hallowell
A Camera/Steadicam Operator: Greg Lundsgaard
A First Assistant Camera: Ian Fox SOC, Josh Bleibtreu ASC
B First Assistant Camera: Steve Hiller
B Second Assistant Camera: David Luckenbach SOC, Danny Teaze
Sound Designer: Chick Ciccolini
Supervising Effects Editor: Richard King
Sound Effects Editor: Lou Cerberino
Mixer: Lee Dichter
ADR Editor: Michael Jacobi
Staff Foley Artist: Elisha Birnbaum
Special Effects Senior Technician, Ireland: Chris Corbould
Deluxe Laboratories Color Consultant: Dash Morrison
Panavision Technician, Montana: Don Earl
Filming Dates: 28 May 1991 - 26 September 1991
Shooting Formats: Panavision Super 70, Arri 765, 4-Perf Anamorphic 35mm & 8-Perf VistaVision 35mm
Cameras: Arriflex 765, B+H Eyemo, VistaVision, Panaflex Platinum & System 65 Studio (35mm & 65mm Kodak EXR 50D 5245, 100T 5248, 500T 5296, Eastman 250D 5297)
Lenses: Panavision® Primo AL Primes, C-, E-Series AL Primes, System 65 Primes, Zeiss 765 Primes & Canon Zoom
AR: 2.20:1 (70mm Prints), 2.28:1 (Negative Ratio), 2.39:1 (35mm Prints & Home Video Releases)
Budget: 60 Million USD
Budget AFI (2022): 125 Million USD
Printed on: Eastman 5384
Attribute: Filmed in Panavision® (as Panavision Super 70) - DirectorRon HowardStarsMichael KeatonGlenn CloseRobert DuvallNew York City tabloid editor Henry's faced with tough decisions while he faces several serious life challenges, and a tempting job offer.
- DirectorRon HowardStarsTom HanksBill PaxtonKevin BaconNASA must devise a strategy to return Apollo 13 to Earth safely after the spacecraft undergoes massive internal damage putting the lives of the three astronauts on board in jeopardy.Producer: Brian Grazer
Casting Directors: Jane Jenkins CSA, Janet Hirshenson CSA
Composer/Orchestrator: James Horner
Vocal Performance: Annie Lennox
Costume Designer: Rita Ryack
Associate Producer/First Assistant Director: Aldric La'Auli Porter
Associate Producer: Michael Bostick
Film Editors: Michael Hill, Daniel P. Hanley ACE
Production Designer: Michael Corenblith
Director of Photography: Dean Cundey ASC
Director of Photography, Visual Effects - Digital Domain: Erik Nash
Director of Photography, Additional Photography - Digital Domain/Digital Domain Senior Visual Effects Supervisor: Robert Legato ASC
Director of Photography, Animation Rephotography - Digital Domain: Chris Dawson SOC
Director of Photography, KC-135 Weightless Unit: David Nowell ASC
Executive Producer/"Noisy Civilian"/Second Unit Director: Todd Hallowell
Technical Consultants: Jim Lovell, Jeffrey Kluger
Screenplay Writers: William Broyles Jr, Al Reinert, John Sayles
Stunt Coordinators: Mickey Gilbert, Jim Halty
Associate Producer: Louisa Velis
Unit Production Manager: Carl Clifford
Second Assistant Director: Jane Paul
Production Associate/Research Supervisor: Julie Donatt
Art Directors: David J. Bomba, Bruce Alan Miller
Set Decorator: Meredith Boswell
Associate Costume Designer: Daniel Orlandi
Technical Consultants: Dave Scott, Jerry Bostick, Gerald Griffin, Max L. Ary
"A" Camera Operator/Second Unit Director of Photography: Raymond Stella SOC
"A" 1st Assistant Camera: Clyde E. Bryan
"A" 2nd Assistant Camera: Jolanda Wipfli
"B" Camera Operator: Casey Hotchkiss SOC
1st Assistant "B" Camera: Larry B. Davis
2nd Assistant "B" Camera: Stephen Sfetku
Panaflex Loader: Trevor Loomis
Stills Photographer: Ron Batzdorff
Video Assistant: Roger Johnson
Video Playback: David Katz
Camera Scenic: A.J. Leonardi
Sound Mixer: David MacMillan
First Assistant Editor: Roger Tweten
Score Orchestrations: Steve Bramson
Music Contractor: Sandy De Crescent
Production Special Effects Coordinator: Matt Sweeney
Computer Display Supervisor: John Monsour
Second Unit 1st Assistant Director/KC-135 Weightless Unit 1st Assistant Director: Bruce G. Moriarty
Second Unit 2nd Assistant Director/KC-135 Weightless Unit 2nd Assistant Director: Susan Pickett
Second Unit Helicopter Pilots: Robert M. ("Bobby Z") Zajonc, Alan D. Purwin, Michael Tamburro
Digital Domain Visual Effects Producer: Jenny Fulle
Digital Domain Visual Effects Line Producer: Cari Thomas
Digital Domain Visual Effects Assistant: Craig Caton-Largent
Digital Domain Model Supervisor: Patrick McClung
Digital Domain Digital Effects Supervisor: Karen E. Goulekas
Digital Domain Digital Effects Art Director: Kevin Mack
Digital Domain Night Compositing Supervisor: Gray Marshall ASC
Digital Domain Visual Effects Supervising Editor: Allen Cappuccilli
Digital Domain Mechanical Engineer: Scott Salsa
Digital Domain 1st Assistant Camera: Michole Bergstrom
Digital Domain MC Camera Operator: Michael Karp SOC
Digital Domain Gaffer: Tony Anderson
Digital Domain Best Boy Electrician: Rick Petretti
Digital Domain Pyrotechnics Supervisor: Joe Viskocil
Digital Domain Pyro Technician: Robert Hutchins
Digital Domain Production Coordinator: Kelly L'Estrange
Digital Domain Model Crew Chief: Leslie Ekker
Digital Domain Lead Digital Compositors: Mark O. Forker, Steven J. Scott ASC, Adam Stark, Gary L. Walker II
Digital Domain Digital Compositors: Bryan Grill, Pablo Helman
Digital Domain Digital Artist: Kelly Port
Digital Domain Digital Matte Artist: Martha Snow Mack
Digital Domain Scanning & Recording Supervisor: Jeffrey Kalmus
Digital Domain Scanning & Recording Manager: Joseph Goldstone
Digital Domain Visual Effects Editor: Debra Wolff
Digital Domain Technical Assistant: Rocco Passionino
Digital Domain Image Data Coordinator: Matthew Butler
KC-135 Weightless Unit Production Coordinators: Virginia Diaz, Brooke R. MacDonald
KC-135 Weightless Unit Camera Operator: Josh Bleibtreu ASC
KC-135 Weightless Unit "A" 1st Assistant Camera: Scott Smith
KC-135 Weightless Unit "B" 1st Assistant Camera: Scott Fuller
KC-135 Weightless Unit "C" 1st Assistant Camera: Chris Duskin SOC
KC-135 Weightless Unit Chief Lighting Technician: Andy Ryan
KC-135 Weightless Unit Production Assistant: Jimmy Lindsey ASC
Cape Canaveral Unit Production Coordinator: Wendy Haas-Hammond
Cape Canaveral Unit Assistant Cameraman: David Campbell
Cape Canaveral Unit Add'l 1st Assistant Camera: Steve Latham
Cape Canaveral Unit Add'l 2nd Assistant Camera: Chip Byrd
Cape Canaveral Unit Loader: John Hynes
Cape Canaveral Unit Assistant Prop Master: Bobby Amor
Cape Canaveral Unit Wescam Operator: David Norris
Cape Canaveral Unit Wescam Technician: Scott Johnson
Negative Cutter: Gary Burritt
Color Timer: Bill Pine
Special Thanks: Walter Cronkite
==================================
Cameras: Arriflex 35 III, Panaflex GII & Platinum (35mm Kodak EXR 200T 5293, 500T 5298
Lenses: Panavision® Primo Spherical Primes & SLZ11 24-275mm Zooms
AR: 1.66:1 (IMAX DMR Version), 1.78:1 (IMAX Version: 10th Anniversary DVD), 2.39:1 (4-Perf Common-Top Super 35mm)(VistaVision/8-Perf 35mm: Digital Domain Special Effects)
Budget: 52 Million USD
Budget AFI (2024):
Special Visual Effects Provided by: Digital Domain
Cape Canaveral Unit Wescam Provided by: CRM Group
Titles & Opticals Provided by: Pacific Title
Color by: Deluxe®
Shot on: Eastman Color Film
Attribute: Filmed with Panavision® Cameras & Lenses - DirectorRon HowardStarsMel GibsonGary SiniseRene RussoMulti-millionaire Tom Mullen's son is kidnapped, but after initially agreeing to pay the ransom Mullen then decides to use the ransom money as a bounty.Director of Photography: Piotr Sobocinski
Production Designer: Michael Corenblith
A Camera Operator: Bruce MacCallum
Steadicam Operator: Larry McConkey SOC
Second Unit Aerial Director of Photography: David Nowell ASC
Cameras: Panaflex GII, Lightweight & Platinum (35mm Kodak EXR 500T 5298 & 200T 5293)
Lenses: Panavision Primo Spherical Primes
AR: 1.85:1 (4-Perf 35mm)
Budget: 80 Million USD
Budget AFI (2024):
Distributed by: Walt Disney Studios Motion Pictures - DirectorRon HowardStarsMatthew McConaugheyJenna ElfmanGeoffrey BlakeA video store clerk agrees to have his life filmed by a camera crew for a television show.Director of Photography: John Schwartzman ASC
Production Designer: Michael Corenblith - DirectorRon HowardStarsJim CarreyTaylor MomsenKelleyOn the outskirts of Whoville lives a green, revenge-seeking Grinch who plans to ruin Christmas for all of the citizens of the town.Producers: Ron Howard, Brian Grazer
Co-Producers: Jim Carrey, Audrey Geisel
Narrator: Anthony Hopkins
Composer-Song Writer-Orchestra Conductor: James Horner
Music Supervisor:: Bonnie Greenberg
Special Makeup Effects Designer: Rick Baker
Costume Designer: Rita Ryack
Associate Producer & Key 1st AD: Aldric La'Auli Porter
Associate Producer: Louisa Velis
Associate Producer & Unit Prod Manager: David Womark
Film Editors: Daniel P. Hanley ACE, Mike Hill ACE
Production Designer: Michael Corenblith
Cinematographer: Donald Peterman ASC
Executive Producer & 2nd Unit Director: Todd Hallowell
Screenwriters: Jeffrey Price, Peter Seaman
Dedicated to: Jean Speegle Howard
2nd Assistant Director: David Hyman
Production Visual Effects Supervisor: Kevin Mack
Production VFX Producer & Add'l Supervisor: Kurt Williams
Co-Associate Producer: Linda Fields-Hill
Song Writers: Will Jennings, Mariah Carey
Song Producer: Byron Gallimore
Song Performer & Producer: Haith Hill
Voice Actor (Max the Dog): Frank Welker
Stunt Coordinator: Charles Croughwell
Stunts: Gregg Smrz
2nd Unit Director of Photography: Keith Peterman
Supervising Art Director: Dan Webster
2nd Art Director: Lauren Polizzi
Set Designers: Kevin Cross, Al Hobbs, Andrea Dopaso, Susan Wexler, Will Hawkins
Graphic Designer: Martin Charles
Storyboard Artists: Peter Ramsey, Dave Lowery, Tom McGrath
Set Decorator: Meredith Boswell
Art Dept. Coordinator: Latifa Ouaou
Associate Costume Designer: Daniel Orlandi
Costume Supervisor: Dan Bronson
Costumer (Grinch): David Page
Makeup Applier (Jim Carrey): Kazuhiro Tsuji
Makeup Artist: Ve Neill
A Camera Operator: Ray De La Motte
B Camera/Steadicam Operator: Greg Smith
C Camera Operator: Richard Walden
A Camera 1st Assistant: Brad Peterman
A Camera 2nd Assistant: Eric K. Jones
B Camera/Steadicam Assistant: Paul Plannette
B Camera 2nd Assistant: Paul Gonsoulin
C Camera Assistants: Steve Mann, Dave Schreiber
Loader: Stacy De La Motte
1st Assistant Editor: Robert Komatsu
1st Apprentice Film Editor: Jeremy Slade
Chief Lighting Technician/Add'l DoP: Gary Palmer
Asst. Chief Lighting Techs: Lou Ramos, Montey Menapace
Dimmer Board Operator: David Slodki
Lighting Console Dimmer Board Operator: Scott Barnes
Key Grip: Mike Anderson
Supervising Prop Master: Emily Ferry
Assistant Prop Master: Joy Taylor
CIN ST Sculpture/Design Lead: Aaron Sims
Key Production Supervisors: Bill Sturgeon, Bart Mixon
Production VFX Coordinators: Garv Thorp, R. Scott Shields, David Sanger
Visual Effects Asst. Coordinator: Paul V. Pablo Molles
Digital Domain Visual Effects Producer: Julian Levi
Digital Domain Digital FX CG Supervisor: Matthew Butler
Digital Domain Compositing Supervisor: Bryan Grill
Digital Domain Character Animation Sup.: Randall J. Rosa
Digital Domain Digital Set Ext. Sup.: Vernon R. Wilbert Jr
Digital Domain Digital Production Manager: Suzanne Buirgy
Digital Domain 3D FX Animators: Sean Andrew Faden, Swen Gillberg, Nikos Kalaitzidis, Danielle Plantec, Ryo Sakaguchi
Digital Domain Digital Sleigh Sequence Lead: Markus Kurtz
Digital Domain Character Animator: Bernd Angerer
Digital Domain 3D Integration Lead: Robert AD Frick
Digital Domain Technical Development Lead: Dan Lemmon
Digital Domain Digital Shader Lead: Johnny Gibson
Digital Domain Technical Developer
Digital Domain Digital Compositors: Betsy Cox, Lou Pecora, Kelly Port, Brennan Prevatt, Marc Dominic Rienzo
Digital Domain Digital Paint Lead: Shannan Burkley
Digital Domain Creative Paint Lead: Martha Snow Mack
Digital Domain Digital Rotoscope/Paint Lead: Byron Werner
Digital Domain Digital Roto/Paint Artist: Michael Maloney
Digital Domain Digital Imaging Supervisor: Jeffrey Kalmus
Digital Domain VFX Prod. Coordinator: Mary Loibl-Sobel
Digital Domain Digital FX 2D Coordinator: Michelle Reiner
Digital Domain Digital FX 3D Coordinator: Karen N. Sickles
Digital Domain Digital FX Coordinators: Tom Clary, Siouxsie Stewart
Digital Domain Walkthrough Coordinator: Bernardo Jauregui
Digital Domain VFX Editor: Debra Wolff
Digital Domain VFX Avid Editor: Rob Doolittle
Digital Domain 1st Assistant VFX Editor: Cindy LeJeune
Digital Domain VFX Executive Producer: Nancy Bernstein
R&H Digital Supervisor: Edwin Rivera
R&H VFX Producer: Joyce Cox-Weisiger
R&H Production Managers: Sharon Holly, Dan Foster
R&H Production Coordinator: Carla Muschara
R&H Digital Coordinator: Ally Conley
R&H Executive Producer: Lee Berger
CEFX Executive Producer: Mark Franco
CEFX Head of Production: Aaron Kim
CEFX Digital Effects Supervisor: Conny Fauser
CEFX Visual Effects Producer: Chris Del Conte
CEFX Avid Editor: Kosta Saric
CEFX Visual Effects Coordinator: Mandy Tankenson
CEFX Production Assistant: Mandy Sekelsky
Prod Sup., 2nd 2nd AD & Loc Manager: Michael Malone
Production Coordinator: Jason McGatlin
2nd 2nd Assistant Director: Kristin Ploucha
Additional 2nd Assistant Director: Sonia Bhalla
Production Special Effects Coordinator: Allen Hall
SFX Asst. Coordinator: Joe Montenegro
Shop Foreman (Special Effects): Gary Karas
Production Foreman (Special Effects): Richard Lea
Welding Foreman & 2nd Unit Tech (SFX): Garth Majors
SFX Gang Boss/2nd Unit Special Effects Foreman: Matt Hall
Model Maker & Supervisor: Dave Cohen
Re-Recording Mixers: Chris Jenkins, Frank A. Montano
Supervising ADR Editor: Kimberly Harris
Music Scoring Mixer & Recordist: Simon Rhodes
Music Contractor: Sandy DeCrescent
Production Color Timer: Terry Hagger
2nd Unit Production Supervisor: Michelle Morrissey
2nd Unit Production Coordinator: Mika Saito
2nd Unit 1st Assistant Director: Douglas S. Ornstein
2nd Unit 2nd Assistant Director: Andrew Bernstein
2nd Unit 2nd 2nd Assistant Director: Jack G. Steinberg
2nd Unit Add'l 2nd 2nd Assistant Director: Emily McGovern
2nd Unit A Camera Operator: Michael Chaves
2nd Unit Steadicam Operator: Henry Tirl
2nd Unit A Camera 1st Assistant: Scott Rathner
2nd Unit A Camera 2nd Assistant: Mary Funsten
2nd Unit Chief Lighting Technician: Jeffrey Murrell
2nd Unit Asst. Chief Lighting Technician: Steve Reinhardt
2nd Unit Assistant Prop Master: Angela Whiting
Panavision VP of Marketing: Larry Hezzelwood
CFI Color Timer: Ron Scott
Filming Dates: September 1999 - January 2000
Cameras: Panaflex Platinum & LII (35mm Eastman Kodak EXR 200T 5293, SFX 200T & Vision 500T 5279)
Lenses: Panavision Primo SL Primes & Primo Close Focus Primes (6mm, 10mm, 14mm, 21mm, 27mm & 35mm)
AR: 1.85:1 (4-Perf 35mm Spherical)
Budget: 123 Million USD
Budget AFI (2022): 206.5 Million USD
Printed on: Kodak Vision 2383
Special Visual Effects & Digital Animation Provided by: Digital Domain, Rhythm & Hues + Centropolis Effects
Grinch's Heart & Map Animation Provided by: Virtual Magic & Spaff Animation
Color Provided by: Consolidated Film Industries
Shot on: Kodak Motion Picture Film
Attribute: Filmed with Panavision Cameras & Lenses - DirectorRon HowardStarsRussell CroweEd HarrisJennifer ConnellyA mathematical genius, John Nash made an astonishing discovery early in his career and stood on the brink of international acclaim. But the handsome and arrogant Nash soon found himself on a harrowing journey of self-discovery.
- DirectorRon HowardStarsTommy Lee JonesCate BlanchettEvan Rachel WoodIn 1885 New Mexico, a frontier medicine woman forms an uneasy alliance with her estranged father when her daughter is kidnapped by an Apache brujo.Composer, Score Producer, Conductor & Orchestrator: James Horner
Cinematographer: Salvatore Totino ASC AIC
Film Editors: Daniel P. Hanley ACE, Mike Hill ACE
Art Director: Guy Barnes
Set Decorator: Wendy Ozols-Barnes
Costume Designer: Julie Weiss
Associate Producer/Unit Production Manager: Kathleen McGill
Executive in Charge of Production: Charles Newirth
Executive Producer/2nd Unit Director: Todd Hallowell
Senior SFX Supervisor: James L. Roberts
Key Sculptor: Robert Clark
Senior VFX Supervisor: Joel Hynek
VFX Plate Supervisor: Kelly Port
Senior VFX Producer: Julian Levi
Digital Domain VFX Producer: Todd Isroelit
Digital Domain VFX Executive Producer: Nancy Bernstein
Stunt Coordinator: Walter Scott
A Camera/Steadicam Operator: Will Arnot
A Camera Operator/Additional DP: Jesse Green
2nd Unit DP: Keith Peterman
2nd Unit 1st Ass't B-Camera: Chuck Whelan
2nd Unit Gaffer/Chief Lighting Technician: Jeffrey Murrell
Aerial Unit SpaceCam Operator: Steve Koster
Orchestra Contractor: Sandy DeCrescent
Filming Dates: 10 February 2003 - June 2003
Cameras: Arricam LT & ST (35mm Eastman EXR 100T 5248/Kodak Vision 250D 5246/Vision2 500T 5218)
Lenses: Cooke S4 Primes
AR: 2.39:1 (Super 35mm)
Budget: 60 Million USD
Budget AFI (2021): 88.59 Million USD
Printed on: Kodak Vision 2383
Special Visual Effects & Digital Animation Provided by: Digital Domain
Attribute: Camera Equipment Provided by Arri Rental - DirectorRon HowardStarsRussell CroweRenée ZellwegerCraig BierkoThe true story of James J. Braddock, a supposedly washed-up boxer, who returned to the spotlight to win the heavyweight championship of the world.
- DirectorRon HowardStarsTom HanksAudrey TautouJean RenoA murder inside the Louvre, and clues in Da Vinci paintings, lead to the discovery of a religious mystery protected by a secret society for two thousand years, which could shake the foundations of Christianity.
- DirectorRon HowardStarsFrank LangellaMichael SheenKevin BaconA dramatic retelling of the post-Watergate television interviews between British talk-show host David Frost and former president Richard Nixon.
- DirectorRon HowardStarsTom HanksEwan McGregorAyelet ZurerHarvard symbologist Robert Langdon works with a nuclear physicist to solve a murder and prevent a terrorist act against the Vatican during one of the significant events within the church.
- DirectorRon HowardStarsVince VaughnKevin JamesWinona RyderA man discovers that his best friend's wife is having an affair.
- DirectorRon HowardStarsDaniel BrühlChris HemsworthOlivia WildeThe merciless 1970s rivalry between Formula One rivals James Hunt and Niki Lauda.
- DirectorRon HowardStarsChris HemsworthCillian MurphyBrendan GleesonA recounting of a New England whaling ship's sinking by a giant whale in 1820, an experience that later inspired the great novel Moby-Dick.
- DirectorRon HowardStarsTom HanksFelicity JonesIrrfan KhanWhen Robert Langdon wakes up in an Italian hospital with amnesia, he teams up with Dr. Sienna Brooks and they race across Europe together against the clock to foil a deadly global plot.
- DirectorRon HowardStarsAlden EhrenreichWoody HarrelsonEmilia ClarkeDuring an adventure in the criminal underworld, Han Solo meets his future co-pilot Chewbacca and Lando Calrissian years before joining the Rebel Alliance.Co-Directors & EPs: Phil Lord, Christopher Miller
Writer & Co-Producer: Jonathan Kasdan
Writer & Executive Producer: Lawrence Kasdan
Producer: Allison Shearmur
Producer & Unit Prod Manager: Simon Emanuel
Executive Producer: Jason McGatlin
Cinematographer: Bradford Young ASC
Cinematographer (Add'l VFX): Mark Weingartner ASC
Production Designer: Neil Lamont
Film Editors: Pietro Scalia ACE, Chris Dickens ACE
Production VFX Supervisor & Co-Producer: Rob Bredow
Composer (Han Solo Theme & Original Star Wars Music): John Williams
Composer-Arranger (Original Score): John Powell
Composers & Arrangers (Add'l Music): Anthony Willis, Batu Sener, Paul Mounsey
Costume Designers: David Crossman, Glyn Dillon
Co-Producer & Unit Prod Manager: Susan Towner
Additional 2nd Unit Director (Splinter Unit) & Co-Producer: John Swartz
Special Creature FX Supervisor: Neal Scanlan
Production VFX Producers: Janet Lewin, TJ Falls, Erin Dusseault O'Connor
Key 1st AD-Associate Producer: Toby Hefferman
Key 2nd Assistant Director: Andy Madden
Supervising Stunt Coordinator, Action Designer & 2nd Unit Director: Bradley James Allen
Additional Film Editor: Christopher Rouse ACE
Production Special FX Supervisor: Dominic Tuohy
Supervising Art Director: Alastair Bullock
Production Design Supervisor: James Clyne
ILM Senior Visual FX Supervisor: Patrick Tubach
ILM Sr Animation Supervisor: Matthew Shumway
Second Visual Effects Producer: Daniel Carbo
Post Prod Supervisors: David E. Hall, Mark Harris
Post Prod Leads: Pippa Anderson, Mike Blanchard
Supervising Sound Editor: Matthew Wood
Sup Sound Editor, Designer & Re-Record Mixer: Tim Nielsen
Re-Record Mixers: Chris Scarabosio, Dave Parker
Stunt Coordinators: Mark Ginther, Steve Griffin, Roy Taylor
Supervising Fight Coordinator: Guillermo Grispo
Assistant Fight Coordinator: Brendan Huor
Action Designer: Chris Cowan
Action Arranger & Stunt-Viz Designer: Yung Lee
Head Stunt Rigger: Leonard Woodcock
Stunt Dept. Coordinators: Simon Whyman, Jane Batey, Ben
Production Controller: Nathan Woods
Production Managers: Karl Caffrey, Ben Dixon
Key Production Manager: Adam Teeuw
Production Coordinator: Katie Byles
Senior Art Director: Gary Tomkins
Set Decorator: Lee Sandales
Construction Manager: Paul Hayes
A Camera Operator: Sylvaine Dufaux
Chief Lighting Technician: Perry Evans
Key Grip: Gary Hymns
2nd Unit Director of Photography: Tim Wooster
2nd Unit Production Manager: Damian Anderson
2nd Unit 1st Assistant Director: Dominic Fysh
Sup. Prop & Weapon Master: Jamie Wilkinson
Art Directors: Peter Dorme, Ashley Lamont
Digital Art Directors: Oliver Carroll, Andy Palmer, Stephen Swain
Standby Art Director: Matthew Kerly
Concept Artists (US): Patrick Faulwetter, Thom Tenery
Digital Asset Managers (US): Genevieve Elkin, Zack Bunker
Art Department Coordinator (US): Andrea Carter
Art Department Assistant (US): Susan Peters
Assistant Art Coordinator (US): Alex Gustaveson
Illustrators (US): Aaron McBride, Brett Northcutt, Chris Voy, Stephen Zavala
Lead Ass't Set Decorator: Ben Barrington-Groves
2nd Assist Set Decorators: Jo Graysmark, Julie Graysmark
Set Dec Art Director (Props): Oliver Roberts
Set Dec Lead Graphic Designer: Laura Dishington
Set Dec Assistant Art Director: Alex Bowens
Set Dec Concept Artist: Christopher Caldow
Set Dec 2nd Graphic Designer: Dominic Sikking
Set Dec Assist Graphic Designer: Hannah Kons
Blind Senior CG Supervisor: Andrew Booth
Blind Senior CG Producer: Helen Baker
Costume Effects Coordinator: Mark Woollard
Studio Coordinator: Anna Ringuet
Senior Production Accountant: Chris Norman
Production Accountant (US): Joe Beckwith
AP Supervisor: Joanna Price
Post Production Accountant (US): Troy McGatlin
Hair Designer: Lisa Tomblin-Fitzpatrick
Makeup Designer: Amanda Knight
A Camera 1st Assistant Camera: Jake Marcuson
A Camera 2nd Assistant Camera: Dan Henderson
B Cam Ops: Oliver Loncraine, Simon Finney ACO
B Camera 1st Assistant Camera: Phil Smith
B Camera 2nd Assistant Camera: Tom Lane
Central Loader: Alasdair Boyce
DITs: Dan Carling, Peter Marsden
DIT Assistant: Mark Dempsey
Camera Trainee: Charlie Hughes
Camera Production Assistant: Nathan Lloyd
Supervising Location Manager: Mark Somner
Unit Location Manager: Peter Bardsley
Location Scout: David O'Reilly
Locations Dept. Coordinator: Kate Seymour
Unit Manager (Studio): Jon Hills
Assistant Studio Unit Manager: Sean Logan
Studio Trainee: Siona Davis
2nd Additional Film Editor: Cheryl Potter
Production Visual Effects Editor: Phil Eldridge
1st Assembly Editor: Daniel Gethic
1st Assistant Visual Effects Editor: Kristin Derella
1st AEs: Dylan Firshein, Mark Fitzgerald, Thomas Kemplen, Laurence Johnson, Christine Kim
Production 3D Editor: Brett Schlaman
3D 1st Assistant Editor: Patrick Barry
3D 2nd Assistant Editor: Stephen M. Rickert Jr
Post Prod Coordinators: Tien Nguyen, Kat Jensen
2nd AEs: Cara Harvey, James Barham, Elliott Traeger, Elaine Walrath
3rd Assistant Editor: Laura Mountford
Visual FX Associate Producer: Benjamin Aghdami
VFX Prod Managers: Nat Lovatt, Greg DiGiacomo
Production VFX Coordinators: Cecy Falls, James Yeoman, Simon Bennett-Leyh
VFX Assistant Coordinator: Tatchiana Whalley
Visual Effects Post Coordinator: Kris Sundberg
Visual FX Production Assistant: Maddison Gannon
VFX Supervising Data Wrangler: Felix Pomeranz
VFX Post Production Assistant: Andrew Zeko
Production VFX Data Wrangler: Edward Price
VFX Assistant Data Wrangler: Miran Delberovic
Virtual A Camera Operator: Hugh MacDonald
Virtual B Camera Operator (VFX): Mark O'Kane
Virtual A Camera Assistant: Laura Jean Healey
Virtual B Camera Assistant: Samuel Harding
Production Postviz Compositor: William Wright
ILM VFX Supervisors: Greg Kegel, Julian Foddy, Nigel Sumner
ILM Animation Supervisors: Alexander K. Lee, Chris Lentz
ILM VFX Producers: Kacy McDonald, Christopher Bannister, Sophie Dawes Cullen
ILM CG Supervisors: Christoph Ammann, Daniel Lobl, Nihal Friedel, Celia Jepson
ILM Comp Supervisors: Jay Cooper, Nic Caillier, Denis Scolan, Aleksei Chernogorod, Abishek Nair
ILM Visual Effects Art Director: Jason Horley
ILM Lead VFX Prod Assistant: Pam Sinsheimer
ILM Dedicatee: Rob Ward
ILM Visual Effects Editor: Greg Hyman
ILM Associate VFX PMs: Jeen Yee, Pearlyn Yo
ILM Exec in Charge of Finance: Khuyen Dang
ILM Public Relations Director: Greg Grusby
ILM Sydney Head of Prod.: Luke Hetherington
ILM Cons. VFX Supervisors: John Knoll, Dennis Muren ASC
ILM London Head of Production: Sue Lyster
ILM VP of Marketing: Luke O'Byrne
ILM Executive Visual FX Producer: Randal Shore
ILM VP of Operations: Jessica Teach
Hybride President & HOP: Pierre Raymond
Hybride VFX Executive Producer: Thierry Delattre
Hybride VFX Supervisors: Jo Kasparian, François Lambert
Hybride CG Supervisor: Philippe Theroux
Lola VFX Exec Producers: Tom Nittmann, Mark Stern
Lola VFX Composite Supervisor: Edson Williams
Lola Visual Effects Producers: Max Leonard, Mare McIntosh
Lola VFX Supervisor: Jeremiah Sweeney
T3F Visualization Supervisors: Al Cheng, Barry Howell, Faraz Hameed
T3F Visualization Leads: Scott Hankel, Matthew Smart
T3F Previz Editor: Ian Differ
T3F Virtual Production Supervisor: Casey Schatz
T3F Previz Production Manager: Elizabeth Montes
T3F Postviz Production Manager: Lori Talley
T3F Previz Coordinator: Leigh Freedman
T3F Postviz Coordinator: Christopher Thellas
T3F Exec Producer (London): Duncan Burbidge
T3F Executive Producer (LA): Chris Edwards
T3F Head of Prod (London): Sarah Cauchois
T3F Head of Production (LA): Charlotte Nelson
T3F Head of Finance: Allie Koppel
T3F Head of IT: Jeremy Oddo
T3F Head of Pipeline: Addison Bath
T3F Head of Marketing: Lauren Puntillo
Stereo D Stereographer: Yoichiro "Yo" Aoki
Stereo D Producer (3D): Timmy Broderick
Stereo D Stereo Supervisors: Jeremy Carroll, Sashwata Das
Stereo D Stereo Prod. Supervisor: Pietro Gallo
Stereo D Stereo EPs: Will Sherak, Lindsey Kaiser, Mike Gunter, Aaron Parry
Stereo D Line Producer (3D): Jessica Sharp
Stereo D Finaling Manager: Noelle Cyr
Stereo D Assistant Stereo Sup.: Banpreet Singh
Stereo D Depth Manager: Melissa Espina
Stereo D Roto QC Supervisor: Nesar Ahamed
Stereo D Finaling Sup.: Varuna Darensbourg
Stereo D Assistant Depth Manager: Kyle Whaley
Stereo D Depth Supervisor: Roy Mann
Stereo D Assistant EQC Manager: Cara Hindley
Stereo D Roto Manager: Akbar Shaikh
Stereo D Post Prod Sup (3D): Jason Pomerantz
Stereo D Assistant Depth Supervisor: Lizz Miller
Stereo D Stereo Editors: Ryan Faulkner, Dave Watro
Stereo D Assistant Finaling Manager: Teodora Ilie
Stereo D Sr Pipeline TD (3D): Andrew Kennedy
Stereo D IT Manager (3D): Mike Knox
Stereo D Final QC Lead: Chris Myerchin
Stereo D EQC Sr Coordinator: Vuk Despotovic
Stereo D I/D Manager (3D): Jake Dee-McKoy
Stereo D Software Dev Lead (3D): Ronald Choi
Stereo D VR Stereo Comp Sup: Russell McCoy
Stereo D VFX Augmentation Lead: Alex Heffner
Stereo D Line Producer (VFX Crew): Andrew Eick
Stereo D Visual FX Supervisor: Mike F. Hedayati
Stereo D VFX Stereo Supervisor: Adam Fisk
Stereo D VFX Roto Supervisor: Daniel Schrepf
Stereo D VFX Paint Lead: Amol T. Nanaware
Additional Sound Designer: David Acord
Dialogue/ADR Supervisor: Richard Quinn
Assistant Supervising Sound Editor: Trey Turner
Head of Sound Production: Jon Null
General Manager (Sound Dept.): Josh Lowden
Sup. Score Orchestrator: John Ashton Thomas
Score Orchestra Conductor: Gavin Greenaway
Score Orchestrations Lead: Rick Giovinazzo
Head of Music Prep & Add'l Orchestrations: Mark Graham
Music Editor: Ramiro Belgardt
Score Recordist & Mixer: Shawn Murphy
Rigging Gaffer: Raymond "Ossa" Mills
Hand Props Supervisor: Simon Wilkinson
Workshop Supervisor (Props): Toby Wagner
Action Vehicles Supervisor: Warren Stickley
Special Effects Workshop Supervisor: Jem Lovett
Special Effects Floor Supervisor: Jamie Weguelin
SFX Prod Buyers/Coordinators: Jess Lewington, Alicia Davies
SFX Buyers/Asst. Coordinators: Claire Walker, Kelly Taylor-Dias
Lead SFX Sr Techs: Phil Ashton, Ian Biggs, David Ford
SFX Sr Techs: Chris Corbould II, Jamie Corbould
Creature FX Production Supervisor: Katie Newitt
Co-Producer: Will Allegra
Set 2nd Assistant Director: Clare Glass
Crowd 2nd Assistant Director: Robert Madden
Set 3rd Assistant Director: Donald Bentley
Base 3rd ADs: Cathy Laine, Stephanie Whitehead
Assistant to Alden Ehrenreich: Felicity Corbould
Casting Associate (UK): Martin Ware
Casting Associate (US): Leslie Woo CSA
BTS 1st Assistant Editor: Jason Morrow
Pinewood Senior Dailies Colorist: Darren Rae
Pinewood Dailies Producer: John Bush
Pinewood Add'l Dailies Colorist: Carl Thompson
Pinewood Dailies Prod Coord: Abigail Duncan
EFilm/CO3 Senior Finishing Colorist: Joe Gawler
EFilm/CO3 Finishing Producer: Vanessa Galvez
Finishing Editors: Patrick Clancey, Jen Raymond
EFilm/CO3 Finishing Color Assist: Joel McWilliams
Finishing Assistant Producer: Kelsea Williams
EFilm/CO3 Imaging Science Lead: John Quartel
EFilm/CO3 Executive Finishing Producer: Stefan Sonnenfeld ASC
Production EVP & GM: Lynwen Brennan
Production VP & Head of Design: Doug Chiang
2nd Unit Prod. Coordinator: Emma Dunleavy
2nd Unit Asst. Prod. Coord: Lauren Broderick
2nd Unit 2nd Assistant Director: Scott Bunce
2nd Unit FL. 2nd ADs: Ben Quirk, Mark Cockren
2nd Unit 3rd ADs: Glen Carroll, Emily Thomas
2nd Unit Visual Effects Supervisor: Richard Bain
2nd Unit Costume Assistant: Camille Moohan
2nd Unit Makeup Supervisor: Julia Wilson
2nd Unit Hair Supervisor: Catherine Hays
2nd Unit A Cam Ops: Graham Hall ACO, Stefan Stankowski
2nd Unit A Camera 1st Asst. Cam.: Sean Connor
2nd Unit B Cam 1st ACs: Simon Heck, Ray Meere
2nd Unit A Camera 2nd Assist: Glenn Coulman
2nd Unit B Camera 2nd Asst. Cam: Richard Davis
2nd Unit DIT: James Metcalfe
2nd Unit DIT Assistant: Alex McCormack
2nd Unit VFX Lead Data Wrangler: Jack George
2nd Unit Visual FX Data Wrangler: Louis Falcon
2nd Unit VFX Assistant Data Wrangler: Oliver Wolstencroft
2nd Unit Central Loader: Russel Torode
2nd Unit A Camera Trainee: Mia Castle
2nd Unit B Camera Trainee: Tom Gamble
2nd Unit Standby Art Director: Steve Ritchie
2nd Unit Gaffer: Mark 'Rocky' Evans
2nd Unit SFX Floor Supervisors: Luke Murphy, Stuart Prior
2nd Unit SFX Sr Techs: Jody Eltham, Dean Ford
2nd Unit Stunt Driver-Camera Car: Tom Erickson
Splinter Unit DoP: Jeffrey Kim
Splinter Unit Prod. Coordinator: Danielle Steiners
Splinter Unit 1st Asst. Director: Tom Edmondson
Splinter Unit 2nd ADs: Joey Coughlin, David Keadell
Splinter Unit VFX Supervisor: Mark Bakowski
Splinter Unit 3rd Asst. Dir.: Thomas DM Bentley
Splinter Unit A Camera Operator: Chris Bain
Splinter Unit A Camera 1st Assistant: Julia Green
Splinter Unit A Camera 2nd Assistant: Sam Irwin
Splinter Unit DIT: Iain Thompson
Splinter Unit VFX Data Wrangler: Simon Chiu
Splinter Unit A Cam Trainee: Julian Zarzoso-Lowe
Splinter Unit Standby Art Director: Joseph Dalton
Splinter Unit Gaffer: Jamie Mills
Splinter Unit SFX Floor Sup.: Patrick O'Sullivan
Splinter Unit Lead SFX Senior Tech: Ryan Conder
Splinter Unit SFX Senior Technic.: Richard Cheal
Aerial Unit Pilots: Will Samuelson, Marc Wolff
Aerial Unit DoP: Hans Bjerno ASC
Aerial Unit Eclipse Tech: Will Handley
Aerial Unit Shotover Camera Technician: Steven Desbrow
Aerial Unit Ground Safety Leads: Steven North, Ian Purnell
Spain Unit PM (Loc. Units): Juan Cano Trujillo
PM (Loc Units; Canary Islands): Beatriz Fluxa
Fuerteventura Unit PC (Loc Units): Andrew Surry
PC (Location Units; Canary Islands): Xavi Tio
Fuerteventura Unit APC (Loc Unit): Chloe Warren
Fuerteventura Unit Crowd 2nd AD (Loc Units): Katharina Hoffman
Fuerteventura Unit 3rd AD (Loc Units): Oscar Santamaria
Fuerteventura Unit LM (Loc Units): Chris Moore
LM (Loc Units; Canary Islands): Yanira De Armas Tosco
Fuerteventura Unit Loc OC (Location Unit): Laura Gonzales
Fuerteventura Unit Loc Scout (Loc Units): Maria Sanz
UM (Loc Units; Fuerteventura): Jose Luis Arya
Fuerteventura Unit AUM (Loc Units): Juan DK Pujol
Fuerteventura Unit LA (Loc Units): Paul Murphy
Fuerteventura Unit LAA (Loc Units): Adam Hutchings
Fuerteventura Unit A Camera Trainee (Loc Unit): Sirma Castellano
Fuerteventura Unit BCT (Loc Units): Jessica Rios
Fuerteventura Unit DIT Asst. (Loc Units): Luis Martinez
Dolomites Unit LP (Loc Units): Marco V. Pugini
Dolomites Unit LP & UPM (Location Units): Fabio Massimo Dell'Orco
Dolomites Unit PM (Location Units): Nick Fulton
Dolomites Unit IT PM (Location Units): Federico Santangelo
Dolomites Unit Asst. IT PM (Loc Units): Jacopo Marras
Dolomites Unit AA (Loc Units; UK): Laura Mateos Sanvicens
Dolomites Unit 2nd AD (Loc Units): Federica Durgion
Dolomites Unit ALM (Loc Units): Stella Delleani
Dolomites Unit LC (Loc Units): Gloria Zanette
Dolomites Unit UFM (Loc Units): Renato Latella
Dolomites Unit LKPA (Loc Units): Nevio De Conti
Filming Dates: 30 January 2017 - 15 June 2017 (Original Photography), 29 June 2017 - 17 October 2017 (Reshoots)
Cameras: Alexa 65, Mini & XT Plus (3.4K/6.5K ARRIRAW)
Lenses: Hasselblad Prime DNA, Zeiss Super Speed Primes & CamTec Falcon Full Frame Primes
AR: 2.39:1 (4-Perf S35mm & Arri 765)
Budget: 275-300 Million USD
Visual Effects-Animation-Computer Graphics Design-3D Conversion Provided by: Industrial Light & Magic, Blind LTD, Hybride, Lola VFX + Stereo D
Visualization Provided by: The Third Floor
In-Camera VFX Projection Provided by: Lux Machina Consulting
Post Production Sound Services Provided by: Skywalker Sound
Score Recorded at: Abbey Road Studios, London
Digital Color Grading & Mastering Provided by: EFilm Company 3
Filmed at: Pinewood Studios, London, England
Distributed by: Walt Disney Studios Motion Pictures
Attribute: Alexa 65 Serviced by Arri Rental - DirectorRon HowardStarsAmy AdamsGlenn CloseGabriel BassoAn urgent phone call pulls a Yale Law student back to his Ohio hometown, where he reflects on three generations of family history and his own future.Producers: Ron Howard, Brian Grazer
Music Supervisor: Joe Rudge
Composer & Score Producer: Hans Zimmer
Composer: David Fleming
Composer (Add'l Music): Ben Powell
Costume Designer: Virginia Johnson
Film Editor: James D. Wilcox ACE
Production Designer: Molly Hughes
Cinematographer: Maryse Alberti
Executive Producer: JD Vance
Writer: Vanessa Taylor
Unit Production Manager: Lyn Pinezych
1st AD & Post Producer: William M. Connor
2nd Assistant Director: Woodrow Travers
Sup Stunt Coordinator: Monique Ganderton
Casting (ATL): Tara Feldstein Bennett CSA, Chase Paris CSA
Sup. Art Director: Gregory A. Weimerskirch
2nd Art Director: Shawn D. Bronson
1st Assistant Art Director: Chris Yoo
Set Designer: Yolande Thame
Graphic Designer: Heath Hancock
Art Department Coordinator: Jep Wyatt
Set Decorator: Merissa Lombardo
Set Decorator (Add'l Photog) & 1st ASD: Laura Wallgren Belle
Set Dec Coordinator: Meredith Carroll
Supervising Prop Master: Kirk Corwin
1st Assistant Prop Master: Gregory Edgar
3rd Props Lead: Nathan S. Alexander
Additional Props Lead: Miles Logan
A Cam/Steady Operator: Chris TJ McGuire
A Camera Op (Add'l Photog) & B Cam Op: Thomas Lappin SOC
Underwater Unit DoP (Splinter & 2nd Units): Ian S. Takahashi SOC
A Camera 1st Assistant: Gregory Erwin
A Cam (Add'l Photog) & B Cam 1st Assist: Sean Hunter Moe
C Camera 1st Assistant: Tom Jordan
A Camera 2nd Assistant: Jamie Pair
B Camera 2nd Assistant: Victoria K. Warren
C Camera 2nd Assistant: Eric James Olsen
Camera Loader: DJ Phillips
Camera Utility Lead: Torey Lenart
DIT: Patrick Cecilian
UPM (Add'l Photog)-1st AD (Splinter Unit): Kirsten Ploucha
2nd 2nd Assistant Director: R. Ben Parker
1st Assistant Editor: Ulysses Guidotti
2nd Assistant Editor: Nolan Jennings
PA (Post Production): Hillary Carrigan
Aerial Unit MOB: Tony Carmean
Aerial Unit Drone A Cam Op: Gabriel De La Parra
Aerial Unit Lead: Anthony Thompson
Drone Unit B Cam Op: Scott Montgomery
Gaffer: William Newell
Rigging Gaffer: Michael Tyson
Key Grip: Bill Merrill
Best Boy Grip: Tim Driscoll
Key Rigging Grip: Thomas Brown
Best Boy Rigging Grip: Clayton Nichols
A Dolly Grip: Jeremy Wisham
B Dolly Grip: Michael Kel Bonsignore
Prosthetic Designer (Amy Adams): David Leroy Anderson
Prosthetic Designer (Glenn Close): Matt Mungle
Plate Unit 1st Assist Director: Jason Inman
Plate Unit 2nd Assist Director: Zack Smith
Prod. Office Coord.: Rachael Lin Gallaghan
Assistant POC: Jenny Kissoon
Sup. Loc. Manager: Matthew B. Chamberlin
Location Coordinator: Annie Davis
Production SPFX Supervisor: Jeremy Hays
Production SPFX Technician: Katie Riggs
Special Effects Shop Foreman: Chris Ward
Special FX Rigging Foreman: Matt Lillis
Splinter Unit Captain: Dave Pittman
Picture Car Coordinator: Justin Barnes
Picture Car Consultant: Cyril O'Neil
Ohio Unit Prod. Supervisor: Karri O'Reilly
Ohio Unit Location Manager: Bill Garvey
Ohio Unit Assistant POC: Pauline Storms
Ohio Unit Rigging Gaffer: Scott Lipez
Connecticut Unit Loc. Man.: Michael Kriaris
Connecticut Unit Key ALM: Ellen Athena Catsikeas
Connecticut Unit Camera Scenic Lead: Christopher Hebel
Connecticut Unit Digital Loader: Ty Swanek
Connecticut Unit 2nd 2nd AD: George Kotsopoulos
Connecticut Unit PA: Joel Jimenez
2nd AD (Add'l Photog): Paul Schmitz
Stunt Coord (Add'l Photog): Loyd Bateman
Art Dept. Coordinator (Add'l Photog): Ron Hammond
Prop Master (Add'l Photog): Gay Perello
1st Ass't Prop Master (Add'l Photog): Julie Witherington
2nd Ass't Props Lead (Add'l Photog): Eliza Walston
3rd Props Assist (Add'l Photog): Lawson Bruen
A Cam 2nd Assist (Add'l Photog): Sterling Wiggins
B Cam & Steady Op (Add'l Photog): Matt Petrosky SOC
B Cam 1st Ass't (Add'l Photog): Trey Twitty
B Cam 2nd Assistant (Add'l Photog): Bees Johnson
DIT (Add'l Photog): Qais Karadsheh
Digital Loader (Add'l Photography): Kat Soulagnet
Cam Utility Lead (Add'l Photog): Spencer Drake
SPFX Supervisor (Add'l Photog): Wes Aylor
Production Visual Effects Supervisor: Richard Baker
Visual Effects Set Supervisor: Jess Chamberlin
Crafty Apes Senior Visual FX Producer: Wes Dorough
Crafty Apes Sr VFX Supervisors: Christian Wood, Sean Thigpen, Mark LeDoux
Crafty Apes Senior VFX Coordinator: Bailey Johnson
Crafty Apes Senior CG Supervisor: Jon Balcome
Crafty Apes VFX Editors: Heather Taylor, Kate Staudhar
Crafty Apes Visual FX Executive Producer: Chris LeDoux
CO3 DI Sr Finishing Colorist: Tim Stipan
CO3 DI Color Finishing Assist: Emily Bailey
CO3 Sr Finishing Producer: Anna Kelman
CO3 Finishing Editor: Chad Schermerhorn
CO3 Head of Production: Margaret Lewis
CO3 Exec Finishing Producer: Stefan Sonnenfeld ASC
CO3 Additional Finishing Producer: Moises Cruz
CO3 Additional Finishing Editor: John Diesso
CO3 Dailies Producer: Charlie Leighton
CO3 Dailies Colorist: Karli Windischmann
Filming Dates: 12 June 2019 - 8 August 2019
Camera: Sony CineAlta Venice (6K AXS-R7)
Lenses: Cooke S4 Primes, Hawk V-Lite Anamorphic Primes & Arri Master Primes
AR: 2.39:1 (Anamorphic & FF S35mm)
Budget: 45 Million USD
Score Mixed at: Remote Control Productions, Santa Monica, CA
Visual Effects Provided by: Crafty Apes
Picture Finishing, Dailies & Avid Editing Systems Provided by: Company 3
Attribute: Camera & Lenses by Otto Nemenz - DirectorRon HowardStarsViggo MortensenColin FarrellJoel EdgertonA rescue mission is assembled in Thailand where a group of young boys and their soccer coach are trapped in a system of underground caves that are flooding.Producer: Ron Howard
Co-Writer: William Nicholson
Story Writer: Don MacPherson
Producer: Brian Grazer
Executive Producer & UPM: Jon Kuyper
Cinematographer: Sayombhu Mudeeprom
Underwater Cinematographer, 2nd Unit: Simon Christidis ACS
Production Designer: Molly Hughes
Film Editor: James D. Wilcox ACE
Costume Designer: Tess Schofield
Composer & Music Producer: Benjamin Wallfisch
First Assistant Director: William M. Connor
Key Second Assistant Director: Woodrow Travers
Line Producer: Sharon Miller
Production Visual FX Producer: Thomas Horton
On-Set Tech Advisors: John Mallinson, Richard Stanton
Stunt Coordinator/Second Unit Director: Charles Croughwell
Stunt Coordinator: Keir Beck
Assistant Stunts Coordinator: Nathan Lawson
Key Stunt Rigger: Daniel Weaver
Stunt Rigger: Tim Frost
Associate Producer: Jesse Ross
Line Producer, Thailand: Chris Lowenstein
Production Visual FX Supervisor; Jason Billington
Production Manager: Deanne Stratford
Post Production Supervisor: Michael Solinger
Associate Film Editor: Simon Davis
Supervising Art Director: Brandt Gordon
Assistant Art Director: Brian Nickless
Set Designers: Rach Van Baarle, Mackenzie Platt
Third Set Designer: Scott Hegarty
Art Department Coordinator: Cindy Maurice
Production Illustrator: Liam Beck
Head Graphic Artist: George Kabot
Graphic Artist: Samantha Dabrowski
Design Assistant: Elle Patterson
Art Department Assistant: Alex Power
Set Design Production Assistant: Amy O'Connor
Supervising Set Decorator: Emma Rudkin
Assistant Set Decorator: Laura Drummond
Thai Advisor: Noi Franks
Set Decoration/Props Coordinator: Lauren Evans
Supervising Prop Master: Lisa Brennan
Assistant Prop Master: Richard Mansfield
Props Manufacturing Coord.: Samantha Lyttle
Makeup & Hair Designer: Rick Findlater
B Camera/Steadicam Operator: Jason Ellson ACO
C Camera Operator: Andrew Condor ACS
A Camera First Assistant Camera: Chris Child
B Camera First Assistant Cam.: Robbie McKinnon
C Camera First Assistant Cam.: Warren Lazarides
A Camera Second Assistant Cam.: Audra Murray
B Camera Second Assist. Cam: Jeremy Wheatley
DIT: Thianrawee Temcharoensuk
DIT Assistant: James Southam
Data Wrangler, Camera Dept.: Diana Mandic
Dailies Supervisor: Sally Wortley
Additional Film Editor: David Freeman
Production VFX Editor: Tina Richardson Smith
Second AEs: Sarah Bowden, Calum Peters
Post Prod. Coord.: Juan Carlos Alvarez Vasquez
Second Unit VFX Supervisor: Derek Wentworth
VFX Prod Managers: Kath Smith, Katie E. Mills
Production VFX Coordinator: Kasha Parkinson
VFX Assistant Coordinator: Ellie Nicole Bones
VFX In-House Artists: Joe Pavlo, Sarah Downey
Visual FX Lead Data Wrangler: Alexander Schultz
Production VFX Wranglers: Callum Richardson, Dean Melink
VFX Asst DWs: Marnie Pankowski, Jamie Sallows
Production Sound Designer: Michael Fentum
Production Foley Supervisor: Hugo Adams
First Assistant Sound Editor: Aran Clifford
ADR Supervisor - Thailand: Alex Boyesen
GPP Audio Producer: Lizzie Campbell-Kelly
ADR Coordinator - Thailand: Napat Wiangkao
ADR Assistant - Thailand: Termpol Wannarat
Chief Lighting Technician: Matthew Slattery
Assist. Chief Lighting Technician: Jamie Garside
System Designer & Lighting Programmer: Andy Mutton
Sr Lighting Technics: Trevor Gillen, Harry Fleet
Junior Lighting Technician: Seamus Slattery
Chief Rigging Technician: Nick Sowter
Assistant Chief Rigging Technician: Jason Hunter
Junior Rigging Technician: Hunter Skene
Head of Practical Lighting: Sam MacKinnon
Production Special Effects Supervisor: Brian Cox
Special Effects Assistant Supervisor: Bruce Bright
Special Effects Rigging Supervisor: Ray Purkis
Special Effects Workshop Foreperson: James Paul
SPFX On-Set Foreperson: Patrick Carmiggelt
Production SPFX Coordinator: Teri Richardson
Dummy Wrangler, Special Effects: Stan Pacarva
Production Coordinator: Zoe McLachlan
Equipment Coordinator: Aaron Dexter
Unit Manager: Damian Eggins
Assistant Unit Manager: Jamie Whitfield
On-Set Unit Coordinator: Tim O'Bank
Second Second Assistant Director: Jay Corry
Crowd Second Assistant Director: Gregory Tynan
On-Set Third Assistant Director: Simon Green
Basecamp Third Assistant Director: Ruby Tucker
Additional Assistant Director: Dan Cole
AD Production Assistant: John Wichaison
Key Set Production Assistant: Fletcher Donohue
Set Production Assistant: Arun Ketsirat
Basecamp Prod Assist: Edward McWilliam-Kerry
Supervising Location Manager: Nick Smith
Assistant Location Manager: Alice Gracie
Production Location Coordinator: Justin Allan
Production Location Scout: Tony Brown
Dive Supervisor: Andrew Allen
Military Consultant: Jordan Daams
Picture Vehicle Supervisor: Bill Goodes
Assist. Picture Vehicle Supervisor: Joel Medland
Picture Vehicle Coordinator: Melaini Lewis
Second Unit DoP: Andrew Rowlands SOC
2nd Unit 1st Asst Director: Rach Bagley O'Brien
2nd Unit 2nd Assistant Director: Rebecca Keros
Second Unit Stunt Coordinator: Bradd Buckley
Second Unit Assistant Stunt Coord: Leon Stripp
Second Unit Stunt Rigger: Nathan Kannegiesser
Second Unit Underwater A Camera Op: Jonathan Heighes
Second Unit Steadicam Operator: Greg Gilbert
Second Unit A Camera First AC: Jason Binnie
Second Unit B Camera First AC: Frank Hruby
Second Unit A Cam 2nd AC: Dermot McNamara
Second Unit B Camera Second AC: Kelvin Chan
Second Unit DIT & Data Wrangler: Erin Gulas
Second Unit SPFX Set Supervisor: Mitchell Cox
Thailand Unit B Cam Op: Thititun Lerdkijsakul
Thailand Unit VFX Supervisor: Brynley Cadman
Mr. X Visual FX Executive Producer: Gillian Howe
Mr. X Visual Effects Producer: Nigel Venning
Mr. X CG Supervisor: Denis Baudin
Mr. X 2D Supervisor: Michael Harrison
Digital Domain 2D Supervisor: Dhiraj Brahma
Digital Domain Comp Supervisor: Mukesh Kumar
DD1.0 Integration Supervisor: Hanumantha Kao
Digital Domain VFX Producer: Devarshi Thakkar
DD1.0 PCs: Harshith Kompally, Jitesh Morde
Digital Domain 2D Lead: Srinivasreddy Vontela
GPP Senior Finishing Colorist: Adam Glasman
GPP DI Finishing Producer: Suhaila Mahmoud
GPP Head of Post Production: Rob Farris
GPP Head of Data IO: Fiorenza Bagnariol
GPP DI Technical Supervisor: Lawrence Hook
GPP Head of Extraction & Delivery: Tom Corbett
GPP DI Finishing Technologist: Laurent Treherne
Titles & Graphics Designer: Matt Curtis
Score Orchestrator: David Krystal
Score Recordist: Peter Cobbin
Orchestra Conductor: Christopher Egan
Cameras: Alexa LF, Mini LF, Sony Alpha FX3 & Red Komodo (4.5K ARRIRAW & 6K Redcode Raw)
Lenses: Panavision Primo SL Primes, SLZ11 LF 40-470mm Zoom, P70 200-400 Zoom, Primo Artiste Primes, Sigma Cine FF High Speed Primes, Tokina Cinema ATX 11-20mm Zoom & Laowa PeriProbe
AR: 2.39:1 (3- & 4-Perf Super 35mm)
Budget: 55 Million USD
Sound Re-Recording & Digital Intermediate Color by: Goldcrest Post Production
Visual Effects by: Digital Domain & Mr. X
Music Score Recorded at: Air Studios, London
Attribute: Filmed in Panavision