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As a director, screenwriter, and producer, four-time Academy Award nominee Michael Mann has established himself as one of the most innovative and influential filmmakers in American cinema. After writing and directing the Primetime Emmy Award-winning television movie The Jericho Mile (1979), Mann made his feature-film directorial debut with Thief (1981), followed by executive producing the television series Miami Vice (1984). He went on to direct Manhunter (1986), The Last of the Mohicans (1992), Heat (1995), and The Insider (1999), Ali (2001), Collateral (2004), a film adaptation of Miami Vice (2006), Public Enemies (2009), and Blackhat (2015).
As a producer, Mann's work includes Martin Scorsese's The Aviator (2004), Hancock (2008), Texas Killing Fields (2011), and the HBO series Luck (2011) and Witness (2012). He has been a member of the Directors Guild of America since 1977 and has served on the DGA's National Board.- Writer
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Born in precisely the kind of small-town American setting so familiar from his films, David Lynch spent his childhood being shunted from one state to another as his research scientist father kept getting relocated. He attended various art schools, married Peggy Lynch and then fathered future director Jennifer Lynch shortly after he turned 21. That experience, plus attending art school in a particularly violent and run-down area of Philadelphia, inspired Eraserhead (1977), a film that he began in the early 1970s (after a couple of shorts) and which he would work on obsessively for five years. The final film was initially judged to be almost unreleasable weird, but thanks to the efforts of distributor Ben Barenholtz, it secured a cult following and enabled Lynch to make his first mainstream film (in an unlikely alliance with Mel Brooks), though The Elephant Man (1980) was shot through with his unique sensibility. Its enormous critical and commercial success led to Dune (1984), a hugely expensive commercial disaster, but Lynch redeemed himself with the now classic Blue Velvet (1986), his most personal and original work since his debut. He subsequently won the top prize at the Cannes Film Festival with the dark, violent road movie Wild at Heart (1990), and achieved a huge cult following with his surreal TV series Twin Peaks (1990), which he adapted for the big screen, though his comedy series On the Air (1992) was less successful. He also draws comic strips and has devised multimedia stage events with regular composer Angelo Badalamenti. He had a much-publicized affair with Isabella Rossellini in the late 1980s.- Director
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Alice Rohrwacher was born on 29 December 1981 in Fiesole, Tuscany, Italy. She is a director and writer, known for Happy as Lazzaro (2018), La Chimera (2023) and The Wonders (2014).- Director
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Jordan Peele is an Oscar- and Emmy-winning director, writer, actor, producer, and founder of Monkeypaw Productions. Peele's first feature film, "Get Out," was a critically acclaimed blockbuster, recognized with four Academy Award nominations, including Best Picture. The film would earn Peele the Oscar for Best Original Screenplay. His second feature, "Us," broke numerous box-office records, becoming the biggest opening for an R-rated original film in history when released in March of 2019 to widespread critical praise. Peele's third feature, the original horror epic, "Nope," opened in the summer of 2022 to rave reviews, the No. 1 slot at the box office, and once again becoming a widely discussed cultural phenomenon. Five years in the making, Peele produced and co-wrote Henry Selick's stop-motion animated feature, "Wendell & Wild," to which he also lent his voice as one of the title characters. Under the Monkeypaw banner, Peele co-wrote and produced Nia DaCosta's "Candyman" which made history as the first film helmed by a Black woman director to open at No. 1 at the box office. He also produced Spike Lee's "BlacKkKlansman," which earned a nomination for Best Picture and won an Oscar for Best Adapted Screenplay. He has also served as executive producer for numerous television series, including "Hunters" (Amazon), "Lovecraft Country" (HBO), and "The Twilight Zone" (CBS). Prior to becoming a filmmaker, Peele was a celebrated comedian who was the co-star and co-creator of "Key & Peele" on Comedy Central.- Producer
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Matthew George "Matt" Reeves was born April 27, 1966 in Rockville Center, New York, USA and is a writer, director and producer. Reeves began making movies at age eight, directing friends and using a wind-up camera. He befriended filmmaker J.J. Abrams when both were 13 years old and a public-access television cable channel, Z Channel, aired their short films. When Reeves and Abrams were 15 or 16 years old, Steven Spielberg hired them to transfer some of his own Super 8 films to videotape. Reeves attended the University of Southern California and there, between 1991 and 1992, he produced an award-winning student film, Mr. Petrified Forest, which helped him acquire an agent. He also co-wrote a script that eventually became Under Siege 2: Dark Territory (1995). After graduating, he co-wrote The Pallbearer (1996), which became his directorial debut.
Reeves and J.J. Abrams co-created the TV series Felicity (1998), for which Reeves directed several episodes, including the pilot. He has also helmed occasional episodes of other television series. He co-wrote The Yards (2000) with director James Gray, which he also co-produced. In 2008, Reeves directed the monster science fiction film Cloverfield (2008), which Abrams produced. Reeves later served as an executive producer on 10 Cloverfield Lane (2016) and The Cloverfield Paradox (2018). He wrote and directed the fantasy-horror film Let Me In (2010), a remake of the Swedish film Let the Right One In (2008). Reeves directed the science fiction films Dawn of the Planet of the Apes (2014) and later the sequel, War for the Planet of the Apes (2017). He served as an executive producer on the Amazon original series Tales from the Loop (2020).- Producer
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Jeffrey Jacob Abrams was born in New York City and raised in Los Angeles, the son of TV producer parents. At 15, he wrote the music for Don Dohler's Nightbeast (1982). In his senior year of college, he and Jill Mazursky teamed up to write a feature film, which became Taking Care of Business (1990). He went on to write and produce Regarding Henry (1991) and Forever Young (1992). He also co-wrote Gone Fishin' (1997) with Mazursky. Along with other Sarah Lawrence alumni, he experimented with computer animation and was contracted to develop pre-production animation for Shrek (2001).
Abrams worked on the screenplay for Armageddon (1998) and co-created (as well as composing the opening theme of) Felicity (1998), which ran for four seasons. He founded the production company Bad Robot in 2001 with Bryan Burk. He created and executive-produced Alias (2001) and Lost (2004), composing the theme music for both, and co-writing episodes of "Lost". He also co-wrote and produced thriller Joy Ride (2001). He made his feature directing debut with Mission: Impossible III (2006), reinvigorating the series. He produced the hit mystery film Cloverfield (2008) and co-created Fringe (2008).
He directed the Star Trek (2009) reboot, proving successful with fans and newcomers to the franchise. He next directed Super 8 (2011), co-produced by Steven Spielberg and produced Mission: Impossible - Ghost Protocol (2011). He returned to direct the follow-up to his reboot, Star Trek Into Darkness (2013). Disney and Lucasfilm announced J.J. as their choice for director of the first episode in the new 'Star Wars' trilogy, Star Wars: Episode VII - The Force Awakens (2015). He initially resisted, as he didn't want to travel away from his family to London, but Kathleen Kennedy convinced him that his voice would be the best to reinvigorate this franchise, as he had done with two others before. He also produced Mission: Impossible - Rogue Nation (2015) and Star Trek Beyond (2016), and executive-produced Star Wars: Episode VIII - The Last Jedi (2017). When it was announced that Colin Trevorrow would no longer direct Star Wars: Episode IX - The Rise of Skywalker (2019), it was announced that J.J. would return to complete the trilogy he started.- Producer
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David Fincher was born in 1962 in Denver, Colorado, and was raised in Marin County, California. When he was 18 years old he went to work for John Korty at Korty Films in Mill Valley. He subsequently worked at ILM (Industrial Light and Magic) from 1981-1983. Fincher left ILM to direct TV commercials and music videos after signing with N. Lee Lacy in Hollywood. He went on to found Propaganda in 1987 with fellow directors Dominic Sena, Greg Gold and Nigel Dick. Fincher has directed TV commercials for clients that include Nike, Coca-Cola, Budweiser, Heineken, Pepsi, Levi's, Converse, AT&T and Chanel. He has directed music videos for Madonna, Sting, The Rolling Stones, Michael Jackson, Aerosmith, George Michael, Iggy Pop, The Wallflowers, Billy Idol, Steve Winwood, The Motels and, most recently, A Perfect Circle.
As a film director, he has achieved huge success with Se7en (1995), Fight Club (1999) and, Panic Room (2002).- Writer
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Guy Ritchie was born in Hatfield, Hertfordshire, UK on September 10, 1968. After watching Butch Cassidy and the Sundance Kid (1969) as a child, Guy realized that what he wanted to do was make films. He never attended film school, saying that the work of film school graduates was boring and unwatchable. At 15 years old, he dropped out of school and in 1995, got a job as a runner, ultimately starting his film career. He quickly progressed and was directing music promos for bands and commercials by 1995.
The profits that he made from directing these promos was invested into writing and making the film The Hard Case (1995), a 20-minute short film that is also the prequel to his debut feature Lock, Stock and Two Smoking Barrels (1998). Sting's wife, Trudie Styler, saw The Hard Case (1995) and invested in the feature film. Once completed, 10 British distributors turned the film down before it eventually was released in the UK in 1998 and in the US in 1999; the film put Ritchie on the map as one of the hottest rising filmmakers of the time, and launched the careers of actors Jason Statham, Jason Flemyng, and Vinnie Jones, among others.
Lock, Stock and Two Smoking Barrels (1998) was followed by Snatch (2000), this time with a bigger budget and a few more familiar faces such as Brad Pitt, Dennis Farina, Benicio Del Toro alongside returning actors Jason Statham, Vinnie Jones and Jason Flemyng. At the end of 2000, Ritchie married the pop superstar Madonna in Scotland, and proceeded to work with his famous wife on a variety of film and video projects, including the short Star (2001), made for BMW and co-starring Clive Owen, and the controversial video "What It Feels Like for a Girl," which was called out for its violence. In 2002, the couple embarked on a remake of the 1974 Lina Wertmüller film Swept Away (2002); the new film was a critical and commercial flop, winning five Razzie Awards. Ritchie followed up with the Vegas heist film Revolver (2005), which was panned, but won favor with the crime thriller RocknRolla (2008), which featured a game, energetic cast and brought American attention to rising stars Gerard Butler and Tom Hardy.
The next year saw the release of Sherlock Holmes (2009), starring Robert Downey Jr. in the title role and Jude Law as his cohort Dr. Watson. The film received mostly good reviews but, more important for Ritchie's career, was a solid blockbuster hit that grossed more than $520 million dollars worldwide and spawned a sequel, Sherlock Holmes: A Game of Shadows (2011). Ritchie is tentatively scheduled to direct an adaptation of Robert Louis Stevenson's Treasure Island.
Ritchie has two sons with Madonna: Rocco, born in 2000, and an adopted son, David, born in 2005. In late 2008, the couple confirmed reports that they were splitting up, and agreed to a divorce settlement that was finalized in December of that year. In September 2011, Ritchie's girlfriend, model Jacqui Ainsley, gave birth to a son, Rafael, and in July 2012 the couple announced they were expecting their second child.- Director
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Todd Solondz was born in Newark, New Jersey. One of his earliest jobs in the film industry was when, as a young man, he worked as a messenger for the Writers' Guild of America. During this time, he wrote several screenplays.
Solondz's first color film with sync sound was the short "Schatt's Last Shot" (1985). Solondz played a high schooler who wants to get into Stanford, but cannot because his sadistic gym teacher fails him. He also has no luck seducing the girl he desires. It was a student film, and is still screened at NYU, where Solondz made it.
Solondz's first feature was Fear, Anxiety & Depression (1989), a piece about a writer (Solondz) writing a play and sending it to Samuel Beckett.
Solondz found great critical acclaim with his second feature, Welcome to the Dollhouse (1995), a film about the cruelty of junior high school, parents, adult figures, and suburban life. The film won awards at Sundance, Berlin, and countless other festivals for its cruel realism, bitter humor, and unflinching portrayal of adolescence.
His third feature effort, Happiness (1998), was a wildly edgy and provocative film. The film revolves around a group of people who are miserable in their conventional lifestyles and pursue happiness in various forms of perverse sexuality. It featured a murderer, a rapist, a pedophile, and a man who harasses others with sexually obscene phone calls The film incited major controversy and was dropped by its original distributor, only to be picked up by another company. One of the particularly controversial aspects of the film was the element of the child psychologist as a repressed pedophile. In the film, he molests his son's friend at a sleep-over; but the character was sympathetic and deftly presented. Once again, the film was lauded with numerous awards and strong critical praise.
Solondz made it clear he was not softening up with his next effort, Storytelling (2001), which was about the artistic process. The film is divided into two halves, "Fiction" and "Non-Fiction." "Fiction" centers on a character in a creative-writing class, and "Non- Fiction" on a desperate filmmaker making a documentary about a depressed, listless, unmotivated teenager. "Fiction" concerns how fictional stories can be used to distort rather than illuminate reality, which is displayed via the exploits of the protagonist, a college student in a creative writing class. The film was in danger of being rated NC-17due to a racially charged sex scene. Solondz's response to the threat of the NC-17 was quite clever (and a bit tongue-in-cheek). Instead of trimming the scene, he simply blocked the image of the copulation with a large orange box. The film got an R rating. "Nonfiction" was loaded with social commentary. Topics covered in this part included a listless teenager and his overbearing family, homosexuality's current parallels to the scarlet letter, drug use, gun control in the home, and one's capability to murder.
Solondz's next film was Palindromes (2004), which was also controversial, due to the fact that the protagonist was played by eight people of differing size, race, and gender.
Solondz has established himself as a consistently engaging and unique filmmaker, as opposed to just one more cookie-cutter conformist director making his movies on the Hollywood assembly line. He is a real writer and filmmaker, agent provocateur, and a force with which to be reckoned.- Director
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He grew up in Versailles with a family who was very influenced by pop music. When he was young, Gondry wanted to be a painter or an inventor. In the 80s he entered in an art school in Paris where he could develop his graphic skills and where he also met friends with whom he created a pop-rock band called Oui-Oui. The band released 2 albums ('Chacun tout le monde' and 'Formidable') and several singles until their separation in 1992. Gondry was the drummer of the band and also directed their video clips in which it was possible to see his strange world, influenced by the 60s and by his childhood. One of his videos was shown on MTV and when Björk saw it, she asked him to make her first solo video for 'Human Behaviour'. The partnership is famous: Gondry directed five other Björk's videos, benefiting by the huge budgets. This led to commissions for other artists around the world, including Massive Attack. He also made a lot of commercials for Gap, Smirnoff, Air France, Nike, Coca Cola, Adidas, Polaroid and Levi - the latter making him the most highly-awarded director for a one-off commercial.
Hollywood became interested in Gondry's success and he directed his first feature movie Human Nature (2001), adapting a Charlie Kaufman's scenario, which was shown in the 2001 Cannes Festival. Although it wasn't a big success, this film allowed him to direct Eternal Sunshine of the Spotless Mind (2004), for which he again collaborated with Charlie Kaufman. The movie became a popular independent film and he and his co-writers won an Oscar for it.- Director
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Denis Villeneuve is a French Canadian film director and writer. He was born in 1967, in Trois-Rivières, Québec, Canada. He started his career as a filmmaker at the National Film Board of Canada. He is best known for his feature films Arrival (2016), Sicario (2015), Prisoners (2013), Enemy (2013), and Incendies (2010). He is married to Tanya Lapointe.- Actor
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Xavier Dolan was born on 20 March 1989 in Montreal, Quebec, Canada. He is an actor and producer, known for I Killed My Mother (2009), Tom at the Farm (2013) and Heartbeats (2010).- Director
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Romain Gavras was born on 4 July 1981 in Paris, France. He is a director and producer, known for Athena (2022), Our Day Will Come (2010) and Sacrifice.- Producer
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Spike Jonze made up one-third (along with Andy Jenkins and Mark Lewman) of the triumvirate of genius minds behind Dirt Magazine, the brother publication of the much lamented ground-breaking Sassy Magazine. These three uncommon characters were all editors for Grand Royal Magazine as well, under the direction of Mike D and Adam Horovitz and Adam Yauch before the sad demise of Grand Royal Records. Jonze was also responsible for directing the famous Beastie Boys: Sabotage (1994) short film as well as numerous other music videos for various artists.- Director
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Anderson was born in 1970. He was one of the first of the "video store" generation of film-makers. His father was the first man on his block to own a V.C.R., and from a very early age Anderson had an infinite number of titles available to him. While film-makers like Spielberg cut their teeth making 8 mm films, Anderson cut his teeth shooting films on video and editing them from V.C.R. to V.C.R.
Part of Anderson's artistic D.N.A. comes from his father, who hosted a late night horror show in Cleveland. His father knew a number of oddball celebrities such as Robert Ridgely, an actor who often appeared in Mel Brooks' films and would later play "The Colonel" in Anderson's Boogie Nights (1997). Anderson was also very much shaped by growing up in "The Valley", specifically the suburban San Fernando Valley of greater Los Angeles. The Valley may have been immortalized in the 1980s for its mall-hopping "Valley Girls", but for Anderson it was a slightly seedy part of suburban America. You were close to Hollywood, yet you weren't there. Would-bes and burn-outs populated the area. Anderson's experiences growing up in "The Valley" have no doubt shaped his artistic self, especially since three of his four theatrical features are set in the Valley.
Anderson got into film-making at a young age. His most significant amateur film was The Dirk Diggler Story (1988), a sort of mock-documentary a la This Is Spinal Tap (1984), about a once-great pornography star named Dirk Diggler. After enrolling in N.Y.U.'s film program for two days, Anderson got his tuition back and made his own short film, Cigarettes & Coffee (1993). He also worked as a production assistant on numerous commercials and music videos before he got the chance to make his first feature, something he liked to call Sydney, but would later become known to the public as Hard Eight (1996). The film was developed and financed through The Sundance Lab, not unlike Quentin Tarantino's Reservoir Dogs (1992). Anderson cast three actors whom he would continue working with in the future: Altman veteran Philip Baker Hall, the husky and lovable John C. Reilly and, in a small part, Philip Seymour Hoffman, who so far has been featured in all four of Anderson's films. The film deals with a guardian angel type (played by Hall) who takes down-on-his-luck Reilly under his wing. The deliberately paced film featured a number of Anderson trademarks: wonderful use of source light, long takes and top-notch acting. Yet the film was reedited (and retitled) by Rysher Entertainment against Anderson's wishes. It was admired by critics, but didn't catch on at the box office. Still, it was enough for Anderson to eventually get his next movie financed. "Boogie Nights" was, in a sense, a remake of "The Dirk Diggler Story", but Anderson threw away the satirical approach and instead painted a broad canvas about a makeshift family of pornographers. The film was often joyous in its look at the 1970s and the days when pornography was still shot on film, still shown in theatres, and its actors could at least delude themselves into believing that they were movie stars. Yet "Boogie Nights" did not flinch at the dark side, showing a murder and suicide, literally in one (almost) uninterrupted shot, and also showing the lives of these people deteriorate, while also showing how their lives recovered.
Anderson not only worked with Hall, Reilly and Hoffman again, he also worked with Julianne Moore, Melora Walters, William H. Macy and Luis Guzmán. Collectively, Anderson had something that was rare in U.S. cinema: a stock company of top-notch actors. Aside from the above mentioned, Anderson also drew terrific performances from Burt Reynolds and Mark Wahlberg, two actors whose careers were not exactly going full-blast at the time of "Boogie Nights", but who found themselves to be that much more employable afterwards.
The success of "Boogie Nights" gave Anderson the chance to really go for broke in Magnolia (1999), a massive mosaic that could dwarf Altman's Nashville (1975) in its number of characters.
Anderson was awarded a "Best Director" award at Cannes for Punch-Drunk Love (2002).- Producer
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Athina Rachel Tsangari was born on 2 April 1966 in Aspra Spitia, Greece. She is a producer and director, known for Attenberg (2010), Chevalier (2015) and The Slow Business of Going (2000).- Director
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Alexander Avranas, born in Larissa in 1977. He started studied sculpture at the Athens School of Fine Arts (1998-2001) and then he continued at the Universitat der Kunste Berlin. With his first film "Without" he win seven awards at the 49th Film Festival of Thesaloniki and suggested for the Best Director Award at the International Film Festival of Milan.
Alexandros Avranas in all his works, film and visual arts, examines social and political issues. The interest concerns employing modern man either as an independent entity or as a member of society. Alexandros Avranas sneers, triggers, denounces our indifference and passivity.
On September 7th 2013 he won the Silver Lion Director at 70th Venice Film Festival for his film «Miss Violence», proves that times can be tough but there is still hope. The Greek film «Miss Violence» also won other honors since Themis Panou won the Volpi Cup Best Actor for his role in the film of Avranas. These awards were added to the other two Avranas won the last Friday of juries parallel Awards : Prize of critics FEDEORA of the best European -Mediterranean film competition section of the Mostra and prize Arca CinemaGiovanni conferred group of 70 young Italy, France and Tunisia. The film also won several awards in between Best Script at the Stokholm film Festival.
Avranas' film had the first view of the Lido impress audiences and critics, both the subject of (a Greek dysfunctional family driven into terrible situations, comment on the current economic situation in Greece and not only) and with the style - a style strict, austere, which although highly unrealistic not touched any naturalism.
A story centered on the Greek family and the degradation of neat mask, is in the heart of «Miss Violence»: the 11 year-old Angela jumping, smiling, from the balcony on the day of her birthday, and social services are struggling to understand why, as the family insists that he was listless accident while trying to hide guilty secrets.
Note that this is the second Lion of St. Mark winning Greek director at the Mostra film debut was the Gold Lion won the 1980 Theo Angelopoulos for his film "Alexander the Great".- Second Unit Director or Assistant Director
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Christos Nikou was born in 1984 in Athens, Greece. He is an assistant director and director, known for Fingernails (2023), Apples (2020) and Km (2012).- Director
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Hlynur Pálmason was born on 30 September 1984 in Hornafjörður, Iceland. He is a director and writer, known for A White, White Day (2019), Godland (2022) and Winter Brothers (2017).- Director
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Ruben Östlund was born on 13 April 1974 in Styrsö, Västra Götalands län, Sweden. He is a director and writer, known for Triangle of Sadness (2022), Force Majeure (2014) and The Square (2017). He was previously married to Andrea Östlund.- Producer
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Aki Kaurismäki did a wide variety of jobs including postman, dish-washer and film critic, before forming a production and distribution company, Villealfa (in homage to Jean-Luc Godard's Alphaville (1965)) with his older brother Mika Kaurismäki, also a film-maker. Both Aki and Mika are prolific film-makers, and together have been responsible for one-fifth of the total output of the Finnish film industry since the early 1980s, though Aki's work has found more favour abroad. His films are very short (he says a film should never run longer than 90 minutes, and many of his films are nearer 70), eccentric parodies of various genres (road movies, film noir, rock musicals), populated by lugubrious hard-drinking Finns and set to eclectic soundtracks, typically based around '50s rock'n'roll.
In the 1990s he has made films in Britain (I Hired a Contract Killer (1990)) and France (The Bohemian Life (1992)).- Director
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Joachim Trier is a Norwegian writer and director. He is known for Reprise (2006), Oslo, August 31st (2011), Louder Than Bombs (2015) and Thelma (2017).
Trier also directed three short films, Pietà (2000), Still (2001) and Procter (2002).
His father, Jacob Trier, was the sound technician of The Pinchcliffe Grand Prix, a notable film produced in Norway in 1975.
Louder Than Bombs was his first English-language film.
Thelma was selected as the Norwegian entry for the Best Foreign Language Film at the 90th Academy Awards.- Director
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Sergei Loznitsa, Ukrainian film maker, was born on September, 5th 1964 in Baranovichi, USSR. He grew up in Kiev, and in 1987 graduated from the Kiev Polytechnic with a degree in Applied Mathematics. In 1987-1991 Sergei worked as a scientist at the Kiev Institute of Cybernetics, specializing in artificial intelligence research. He also worked as a translator from Japanese. In 1997 Loznitsa graduated from the Russian State Institute of Cinematography (VGIK) in Moscow, where he studied feature film making. Loznitsa has been making documentary films since 1996 and is the author of 21 documentaries, as well as 4 feature films. In 2013 Sergei Loznitsa launched a film production and distribution company ATOMS & VOID. Currently working in both documentary and feature genres.- Producer
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Valentyn Vasyanovych was born on 21 July 1971 in Zhytomyr, Ukrainian SSR, USSR [now Ukraine]. He is a producer and editor, known for Atlantis (2019), Black Level (2017) and Reflection (2021).- Director
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Miguel Gomes was born in 1972 in Lisbon, Portugal. He is a director and writer, known for Our Beloved Month of August (2008), Arabian Nights: Volume 2 - The Desolate One (2015) and Arabian Nights: Volume 3 - The Enchanted One (2015).