Directors who worked with Ennio Morricone on five or more movies
List of directors who worked with composer Ennio Morricone on at least five movies. Sorted by amount of films they collaborated on.
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Mauro Bolognini was born on 28 February 1922 in Pistoia, Tuscany, Italy. He was a director and writer, known for Madamigella di Maupin (1966), Mosca addio (1987) and Careless (1962). He died on 14 May 2001 in Rome, Lazio, Italy.15 Films- Director
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Alberto Negrin was born on 2 January 1940 in Casablanca, Morocco. He is a director and writer, known for Perlasca: Un eroe italiano (2002), Secret of the Sahara (1988) and Volontari per destinazione ignota (1979).14 Films- Director
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Giuseppe Tornatore was born on 27 May 1956 in Bagheria, Sicily, Italy. He is a director and writer, known for The Best Offer (2013), Cinema Paradiso (1988) and The Legend of 1900 (1998). He is married to Roberta Pacetti.13 Films- Writer
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Born in 1930 in Genoa. Still a young student in 1950 when director Carlo Lizzani gave him a role in the film Achtung Banditi!. Following this experience he traveled to Rome where, after acting in film and theater, he became the assistant director to Lizzani, Gillo Pontecorvo, Sergio Leone, Francesco Rosi. In 1960 he made his debut as a Director with Pigeon Shoot, a film about the Partisan Resistance, on competition at the 1961 Venice Film Festival. In 1964 he directed La Moglie Svedese, an episode of the film Extramarital. His second movie, The Reckless, won the special prize of the jury at the Berlin Film Festival in 1965; it's about a social climber in Italy during the time of the economic miracle. That year he also directed the second unit of Pontecorvo's masterpiece The Battle Of Algiers.
After having filmed for Paramount the heist movie Grand Slam (1967) and the gangster film Machine Gun McCain (1969) in the US, Montaldo returned to Italy to direct The Fifth Day of Peace (1970), Sacco and Vanzetti (in competition at Cannes Film Festival, where it won Best Actor 1971) and Giordano Bruno (1973). These films received great recognition and were widely appreciated at various film festivals around the world. The theme of the Resistance underlined And Agnes Chose to Die (1977).
In 1980 the director engaged in the production of a television series about the exploration of Marco Polo, an international co-production with RAI, BBC and NBC. It was filmed in Italy, the Middle East, Tibet, Mongolia and China. It was shown in 76 nations, and won 4 Emmy Awards. Other awards worldwide for cinematography, production design and costumes were received. Montaldo's experience with China reveals a turning point in his work.
Other films he directed are Closed Circuit (in competition at the Berlinale in 1978 and in permanent exhibition at the Museum of Modern Art), A Dangerous Toy (1979), The Gold Rimmed Glasses (1987), Control (1987), and Time to Kill (1989).
Always worked with an international cast. Some of the actors that worked with him are: Burt Lancaster, Rupert Everett, Nicolas Cage, Philippe Noiret, Janet Leigh, Edward G. Robinson, John Cassavetes, Peter Falk, Rade Serbedzija, Charlotte Rampling, Ingrid Thulin, Anne Bancroft, John Gielgud, F. Murray Abraham, Leonard Nimoy.
Some of his usual collaborators have been score composer Ennio Morricone and cinematographer Vittorio Storaro.
Montaldo is also internationally recognized as a Opera director, directed commercials, documentaries and experimental film technology projects. From 1999 he was president of RAI Cinema, a major film production company, for 5 years in which the movies he produced became box office hits, won awards all over the world and formed a new generation of Italian directors.
In 2001 he was appointed Cavaliere di Gran Croce by the president of Italy, one of the top honors of the Republic.12 Films- Writer
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Aldo Lado was born on 5 December 1934 in Fiume, Italy [now Croatia]. He was a writer and director, known for Alibi perfetto (1992), The Conformist (1970) and Love Ritual (1989). He died on 25 November 2023 in Rome, Italy.09 Films- Writer
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Pier Paolo Pasolini achieved fame and notoriety long before he entered the film industry. A published poet at 19, he had already written numerous novels and essays before his first screenplay in 1954. His first film Accattone (1961) was based on his own novel and its violent depiction of the life of a pimp in the slums of Rome caused a sensation. He was arrested in 1962 when his contribution to the portmanteau film Ro.Go.Pa.G. (1963) was considered blasphemous and given a suspended sentence. It might have been expected that his next film, The Gospel According to St. Matthew (1964) (The Gospel According to St. Matthew), which presented the Biblical story in a totally realistic, stripped-down style, would cause a similar fuss but, in fact, it was rapturously acclaimed as one of the few honest portrayals of Christ on screen. Its original Italian title pointedly omitted the Saint in St. Matthew). Pasolini's film career would then alternate distinctly personal and often scandalously erotic adaptations of classic literary texts: Oedipus Rex (1967) (Oedipus Rex); The Decameron (1971); The Canterbury Tales (1972) (The Canterbury Tales); Arabian Nights (1974) (Arabian Nights), with his own more personal projects, expressing his controversial views on Marxism, atheism, fascism and homosexuality, notably Teorema (1968) (Theorem), Pigsty and the notorious Salò, or the 120 Days of Sodom (1975), a relentlessly grim fusion of Benito Mussolini's Fascist Italy with the 'Marquis de Sade' which was banned in Italy and many other countries for several years. Pasolini was murdered in still-mysterious circumstances shortly after completing the film.08 Films- Writer
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Roberto Faenza was born on 21 February 1943 in Turin, Piedmont, Italy. He is a writer and director, known for Look to the Sky (1993), Escalation (1968) and I Viceré (2007).08 Films- Writer
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Alberto De Martino was born on 12 June 1929 in Rome, Lazio, Italy. He was a writer and director, known for The Chosen (1977), The Pumaman (1980) and The Invincible Gladiator (1961). He died on 2 June 2015 in Rome, Lazio, Italy.07 Films- Writer
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Elio Petri was born on 29 January 1929 in Rome, Lazio, Italy. He was a writer and director, known for Investigation of a Citizen Above Suspicion (1970), We Still Kill the Old Way (1967) and His Days Are Numbered (1962). He was married to Paola Pegoraro. He died on 10 November 1982 in Rome, Lazio, Italy.07 Films- Actor
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Luciano Salce was born on 25 September 1922 in Rome, Lazio, Italy. He was an actor and director, known for Colpo di stato (1969), Crazy Desire (1962) and Alla mia cara mamma nel giorno del suo compleanno (1974). He was married to Jole Bertolazzi and Diletta D'Andrea. He died on 17 December 1989 in Rome, Lazio, Italy.07 Films- Director
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Luigi Perelli was born on 26 October 1937 in La Spezia, Italy. He is a director and writer, known for La piovra (1984), Roma dodici novembre 1994 (1995) and Amore grande, amore libero (1976).07 Films- Writer
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Sergio Corbucci was born on December 6, 1926, in Rome, Italy. He entered grade school with thoughts of becoming a businessman, but after earning a college degree in economics he took an abrupt detour into the world of cinema. Corbucci began his career as a film critic, first for the Italian film journal magazine "Schermi del Mondo" and later for the US Army newspaper "Stars and Stripes" during World War II.
Corbucci made his directorial debut with Salvate mia figlia (1951) and quickly made a name for himself as a capable and efficient filmmaker. His ability to make large-scale action sequences with a minimal budget kept him in demand as an assistant director as well. It was on one such assignment, while filming with a second unit in Spain for friend and director Sergio Leone on The Last Days of Pompeii (1959), that Corbucci claims that the idea for the so-called "spaghetti western" was born. Seeing the landscape of Spain with its wild horses, extraordinary canyons and semi-desert landscapes--which looked a lot like Mexico or Texas--Corbucci suggested making an American Wild West-themed film in Spain. He then directed his first western in Spain just before Leone completed the ground-breaking A Fistful of Dollars (1964).
Corbucci found early success in Italy by directing films in a number of different genres, as disparate as Totò, Peppino e... la dolce vita (1961)--a slapstick comedy spoof of Federico Fellini's box-office hit La Dolce Vita (1960)--as well as Duel of the Titans (1961) (aka "Duel of the Titans") and Goliath and the Vampires (1961). He also wrote screenplays for a few seminal horror films, such as Castle of Blood (1964) starring Barbara Steele, which he also co-directed. However, it was his Massacre at Grand Canyon (1964) that began a new path to his career to direct more spaghetti westerns. "Massacre at Grand Canyon"--which Corbucci co-directed, under the pseudonym Stanley Corbett. with Albert Band--differed little from the American westerns of that time, but his subsequent films would set a new and bold standard for on-screen violence and establish him as one of the most influential Italian directors of the Spaghetti Western.
Minnesota Clay (1964), starring Cameron Mitchell, was Corbucci's next film in the genre and and his first Spaghetti Western to be distributed in the US under the director's own name. It was a moderate success, but Corbucci's next Spaghetti Western would break box-office records worldwide and brand his name in Western history alongside Sergio Leone. "A Fistful of Dollars' may have sparked the international popularity of the Spaghetti Western, but Corbucci's Django (1966) brought an entirely new level of style to the genre. The ultra-violent masterpiece not only signaled a move toward an even grittier and more nihilistic brand of Western, but it picture established a lasting relationship between Corbucci and the film's star, Franco Nero.
After the success of "Django", Corbucci embarked on a trail of directing more Italian Western films and quickly became one of the more prolific filmmakers in the genre. His subsequent Spaghetti Westerns, Ringo and His Golden Pistol (1966) (Johnny Oro), The Hellbenders (1967) (Hellbenders) and Navajo Joe (1966) were filmed and released in quick succession to great success in Italy. His next Western was The Great Silence (1968), which referred to Django as an "anti-Western" with the hero moving through cold rather than heat and fighting in the mud and snow rather than sweat and dust. It starred Jean-Louis Trintignant as a mute gunslinger and Klaus Kinski as a sadistic bounty hunter. The innovative script, which was co-written by Corbucci, makes great use of mountain locations (it was filmed in northern Italy in the snow-covered area of Cortina), and showed Corbucci edging close to the new type of political Westerns he is best known for.
His next Western film was The Mercenary (1968), which would began his semi-genre with what he called the "Zapata-Spaghetti Westerns" or proletarian fables, where the bad guys are on the right and the good guys are on the left. By setting the story in Mexico and fleshing out his characters with political awareness, Corbucci's intent became more clear and his left-wing political statements became more explicit. After directing the semi-successful The Specialists (1969), Corbucci re-teamed up with Franco Nero again with Compañeros (1970), which was his last box-office success and stands as one of the most accomplished Spaghetti Westerns, with a combination of humor, pathos, comic book-style action, and political commentary.
During the 1970s Corbucci made three more Spaghetti Westerns, but the popularity of the genre began to die out. Of the three, only Sonny and Jed (1972) stands out as one of the best in the late series genre Italian Westerns as a Bonnie & Clyde type fable. What Am I Doing in the Middle of a Revolution? (1972) is almost a parody of his Zapata-Spaghetti Westerns, while The White, the Yellow, and the Black (1975) is married by racial stereotypes of Japanese characters and was not well received.
By the late 1970s, with the era of Spaghetti Westerns over, Corbucci turned his film making career to comedy and found some success with, The Con Artists (1976) and Super Fuzz (1980). He continued to work off and on during the 1980s with comedies, until his death from a sudden heart attack on the late evening of December 1, 1990 at age 63. His last film was the made-for-Italian-TV-movie Donne armate (1991), which was completed a few months before his death as his health was starting to fail. Sergio Corbucci is remembered for revolutionizing the Spaghetti Western genre which was popularized by his friend Sergio Leone, who passed away a little over a year before Corbucci.07 Films- Director
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Carlo Lizzani was born on 3 April 1922 in Rome, Lazio, Italy. He was a director and writer, known for The Violent Four (1968), Chronicle of Poor Lovers (1954) and Celluloide (1996). He was married to Edith Bieber. He died on 5 October 2013 in Rome, Lazio, Italy.06 Films- Director
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Florestano Vancini was born on 24 August 1926 in Ferrara, Emilia-Romagna, Italy. He was a director and writer, known for Seasons of Our Love (1966), It Happened in '43 (1960) and The Assassination of Matteotti (1973). He was married to Liliana Ferrari. He died on 18 September 2008 in Rome, Lazio, Italy.06 Films- Director
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Giulio Petroni was born on 21 September 1917 in Rome, Lazio, Italy. He was a director and writer, known for La cento chilometri (1959), Do Not Commit Adultery (1972) and Tepepa (1969). He died on 31 January 2010 in Rome, Lazio, Italy.06 Films- Director
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Henri Verneuil was born on 15 October 1920 in Rodosto, Ottoman Empire [now Tekirdag, Turkey]. He was a director and writer, known for I... For Icarus (1979), The Sheep Has Five Legs (1954) and Mother (1991). He was married to Françoise Bonnot and Véronique Sedro. He died on 11 January 2002 in Bagnolet, Seine-Saint-Denis, France.06 Films- Writer
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Pasquale Festa Campanile was born on 28 July 1927 in Melfi, Basilicata, Italy. He was a writer and director, known for The Leopard (1963), Rocco and His Brothers (1960) and The Four Days of Naples (1962). He was married to Anna Salvatore. He died on 25 February 1986 in Rome, Lazio, Italy.06 Films- Second Unit Director or Assistant Director
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Sergio Leone was virtually born into the cinema - he was the son of Roberto Roberti (A.K.A. Vincenzo Leone), one of Italy's cinema pioneers, and actress Bice Valerian. Leone entered films in his late teens, working as an assistant director to both Italian directors and U.S. directors working in Italy (usually making Biblical and Roman epics, much in vogue at the time). Towards the end of the 1950s he started writing screenplays, and began directing after taking over The Last Days of Pompeii (1959) in mid-shoot after its original director fell ill. His first solo feature, The Colossus of Rhodes (1961), was a routine Roman epic, but his second feature, A Fistful of Dollars (1964), a shameless remake of Akira Kurosawa's Yojimbo (1961), caused a revolution. It was the first Spaghetti Western, and shot T.V. cowboy Clint Eastwood to stardom (Leone wanted Henry Fonda or Charles Bronson but couldn't afford them). The two sequels, For a Few Dollars More (1965) and The Good, the Bad and the Ugly (1966), were shot on much higher budgets and were even more successful, though his masterpiece, Once Upon a Time in the West (1968), in which Leone finally worked with Fonda and Bronson, was mutilated by Paramount Pictures and flopped at the U.S. box office. He directed Duck, You Sucker! (1971) reluctantly (as producer he hired Peter Bogdanovich to direct but he left before shooting began), and turned down offers to direct The Godfather (1972) in favor of his dream project, which became Once Upon a Time in America (1984). He died in 1989 after preparing an even more expensive Soviet co-production on the World War II siege of Leningrad.06 Films- Writer
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Sergio Sollima was born on April 27, 1921 in Rome, Italy. Like many of his colleagues, he began his career as a film critic before gaining entry into the movie industry as a screenwriter. After authorizing a number of book volumes on film history, Sollima used his contacts to began his career as a script writer and assistant director.
His early writing career includes penning a number of scripts for Italian-produced "sword-and-sandal" fantasy sagas like Ursus (1961) (The Mighty Ursus), Goliath contro i giganti (1961) (Goliath Against the Giants), and I dieci gladiatori (1963) (The Ten Gladiators). Working on pepla, Sollima also did double duty as both a writer and assistant director, working for various film directors such as Gianfraco Parolini and Domenico Paolella, filming action scenes as an 2nd unit director. This provided Sollima with invaluable experience and he was soon able to move into the director's chair with ease.
Although best known as a director of a few Spaghetti Westerns or Italo-Westerns alongside two other 'Sergio' directors whom include Sergio Leone and Sergio Corbucci, Sollima excelled at a number of different genres. After testing waters with the short film La Donne for the comedy L'amore difficile (1962) (Of Wayward Love), Sollima helmed a trio of spy films designed to capitalize on the popularity of the British produced James Bond film series. Sollima wrote the scripts to the first two films, Agente 3S3: Passaporto per l'inferno (1965) (Agent 3S3: Passport to Hell), and Agente 3S3, massacro al sole (1966) (Agent 3S3: Massacre in the Sun) on the condition that he would direct them personally. The films were shot back to back with Sollima credited under the pseudonym 'Simon Sterling'.
Sollima's third spy film, Requiem per un agente segreto (1966) was a far out more ambitious project that is seen as a re-working of the James Bond films. Here, Sollima peels away from the suave and sophisticated exterior of Bond by portraying the Italian spy Bingo (played by Stewart Granger) as a cold and sadistic thug.
The following year, Sollima made what some Spaghetti Western fans would say as one of the best Italo Western films ever which was La resa dei conti (1966) (The Big Gundown) which the director sought to transcend the traditional limits of the genre by capitalizing on the political aspects of the story. The central clash of the story is that a falsely accused Mexican peasant (played by Tomas Milian) and a corrupt businessman (played by Walter Barnes) was much broader in implication which Sollima compared to either an American solider to a Viet Cong, or a British Army officer against an African native youth. He also took a shot with comparing to the Sergio Leone westerns that audiences with sympathize better with Milian's character than a "cold and remote superhero like Clint Eastwood."
After the international success of The Big Gundown, Sollima made another Western which was Faccia a faccia (1967) (Face to Face), which Sollima claims it to be his personal favorite. Sollima claims that Face to Face was born from the idea that people change from good to bad or bad to good when they find themselves in exceptional circumstances where the role reversal of a bandit to a schoolteacher and vice versa.
Sollima's final Western was Corri uomo corri (1968) (Run Man Run) which was an indirect sequel to The Big Gundown in which featured Tomas Milian returning to his role as Cuchillo. Although entertaining and action packed, Run Man Run did not match the popularity of the first film and was never released internationally outside Italy. Its limited success motivated Sollima to explore different genres and his next picture was Città violenta (1970) transported the themes and concerns of his Westerns to an urban contemporary setting in Milan, Italy. Released as Violent City in the USA, the film featured Charles Bronson, Jill Ireland and Telly Savalas in a complex and serpentine story of betrayal and brutal vengeance. Despite its commercial success, Sollima had at this point grown tired of staging elaborate action scenes and in 1972 he directed the low-key, psychological mystery Il diavolo nel cervello (1972) (A Devil in the Brain). Sollima clashed with his producers who wanted to market the film as a fast-paced giallo and he later blamed the pictures misleading advertising for its disappointing box office returns.
Sollima returned to directing crime thrillers (poliziotteschi) with Revolver (1973) which starred Oliver Reed and Fabio Testi. Transporting the basic premise and character of The Big Showdown to a modern urban setting, Sollima also added a darker spin to the classic story of corruption and betrayal. The final film, with its uncompromisingly grim finale, is Sollima's most highly politicized work to date.
Throughout the late 1970s and early 1980s, Sollima worked almost exclusively for television, finding success with a mini-series of feature films which included "Sandokan" (1976), a desert adventure series based on a series of pulp fiction novels by Emilio Salgari. He briefly returned to the big screen with directing a feature film of the Sandokan series and then directed the action thriller Berlin '39 (1993). His latest TV film series "Il figlio di Sandokan" (1998) (Son of Sandokan) never aired, after which at age 77, Sollima retired from film making.
Sergio Sollima died on July 1, 2015 at his home in Rome, Italy at age 94 of undisclosed causes.06 Films- Writer
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Alfredo Giannetti was born on 16 April 1924 in Rome, Lazio, Italy. He was a writer and director, known for Divorce Italian Style (1961), Day by Day, Desperately (1961) and The Facts of Murder (1959). He died on 30 July 1995 in Rome, Lazio, Italy.05 Films- Writer
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Bernardo Bertolucci, the Italian director whose films were known for their colorful visual style, was born in Parma, Italy. He attended Rome University and became famous as a poet. He served as assistant director for Pier Paolo Pasolini in the film Accattone (1961) and directed The Grim Reaper (1962). His second film, Before the Revolution (1964), which was released in 1971, received an Academy Award nomination for best screenplay. Bertolucci also received an Academy Award nomination as best director for Last Tango in Paris (1972), and the best director and best screenplay for the film The Last Emperor (1987), which walked away with nine Academy Awards.05 Films- Writer
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Damiano Damiani was born on 23 July 1922 in Pasiano di Pordenone, Friuli-Venezia Giulia, Italy. He was a writer and director, known for Mafia (1968), The Reunion (1963) and Confessions of a Police Captain (1971). He died on 7 March 2013 in Rome, Lazio, Italy.05 Films- Writer
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Dario Argento was born on September 7, 1940, in Rome, Italy, the first-born son of famed Italian producer Salvatore Argento and Brazilian fashion model Elda Luxardo. Argento recalls getting his ideas for filmmaking from his close-knit family from Italian folk tales told by his parents and other family members, including an aunt who told him frighting bedtime stories. Argento based most of his thriller movies on childhood trauma, yet his own--according to him--was a normal one. Along with tales spun by his aunt, Argento was impressed by stories from The Grimm Brothers, Hans Christian Andersen and Edgar Allan Poe. Argento started his career writing for various film journal magazines while still in his teens attending a Catholic high school. After graduation, instead of going to college, Argento took a job as a columnist for the Rome daily newspaper "Paese Sera". Inspired by the movies, he later found work as a screenwriter and wrote several screenplays for a number of films, but the most important were his western collaborations, which included Cemetery Without Crosses (1969) and the Sergio Leone masterpiece Once Upon a Time in the West (1968). After its release Argento wrote and directed his first movie, The Bird with the Crystal Plumage (1970), which starred Tony Musante and and British actress Suzy Kendall. It's a loose adoption on Fredric Brown's novel "The Screaming Mimi", which was made for his father's film company. Argento wanted to direct the movie himself because he did not want any other director messing up the production and his screenplay.
After "The Bird With the Crystal Plumage" became an international hit, Argento followed up with two more thrillers, The Cat o' Nine Tails (1971), starring 'Karl Madlen' (qv" and 'James Fransiscus', and Four Flies on Grey Velvet (1971) ("Four Flies On Black Velvet"), both backed by his father Salvatore. Argento then directed the TV drama Testimone oculare (1973) and the historical TV drama The Five Days (1973). He then went back to directing so-called "giallo" thrillers, starting with Deep Red (1975), a violent mystery-thriller starring David Hemmings that inspired a number of international directors in the thriller-horror genre. His next work was Suspiria (1977), a surreal horror film about a witch's coven that was inspired by the Gothic fairy tales of the Grimm Brothers and Hans Christian Anderson, which he also wrote in collaboration with his girlfriend, screenwriter/actress Daria Nicolodi, who acted in "Profondo Rosso" ("Deep Red") and most of Argento's films from then to the late 1980s. Argento advanced the unfinished trilogy with Inferno (1980), before returning to the "giallo" genre with the gory Tenebrae (1982), and then with the haunting Phenomena (1985).
The lukewarm reviews for his films, however, caused Argento to slip away from directing to producing and co-writing two Lamberto Bava horror flicks, Demons (1985) and Demons 2 (1986). Argento returned to directing with the "giallo" thriller Opera (1987), which according to him was "a very unpleasant experience", and no wonder: a rash of technical problems delayed production, the lead actress Vanessa Redgrave dropped out before filming was to begin, Argento's father Salvatore died during filming and his long-term girlfriend Daria broke off their relationship. After the commercial box-office failure of "Opera", Argento temporarily settled in the US, where he collaborated with director George A. Romero on the two-part horror-thriller Two Evil Eyes (1990) (he had previously collaborated with Romero on the horror action thriller Dawn of the Dead (1978)). While still living in America, Argento appeared in small roles in several films and directed another violent mystery thriller, Trauma (1993), which starred his youngest daughter Asia Argento from his long-term relationship with Nicolodi.
Argento returned to Italy in 1995, where he made a comeback in the horror genre with The Stendhal Syndrome (1996) and then with another version of "The Phantom of the Opera", The Phantom of the Opera (1998), both of which starred Asia. Most recently, Argento directed a number of "giallo" mystery thrillers such as Sleepless (2001), The Card Player (2003) and Do You Like Hitchcock? (2005), as well as two gory, supernatural-themed episodes of the USA TV cable anthology series Masters of Horror (2005).
Having always wanted to make a third chapter to his "Three Mothers" horror films, Argento finally completed the trilogy in 2007 with the release of Mother of Tears (2007), which starred Asia Argento as a young woman trying to identify and stop the last surviving evil witch from taking over the world. In addition to his Gothic and violent style of storytelling, "La terza madre" has many references to two of his previous films, "Suspiria" (1997) and "Inferno" (1980), which is a must for fans of the trilogy.
His movies may be regarded by some critics and opponents as cheap and overly violent, but second or third viewings show him to be a talented writer/director with a penchant for original ideas and creative directing.05 Films- Writer
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Duccio Tessari was born on 11 October 1926 in Genoa, Liguria, Italy. He was a writer and director, known for My Son, the Hero (1962), Puzzle (1974) and Una voglia da morire (1965). He was married to Lorella De Luca and Laura Viola. He died on 6 September 1994 in Rome, Lazio, Italy.05 Films- Writer
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Giacomo Battiato is an Italian film director and writer. According to "The History Of The Italian Cinema", published in 2009 in US and in England by Princeton University Press: "Giacomo Battiato is one of the most erudite and flexible directors of his generation. A cultural organizer, he has also written novels interesting for both their caliber and writing style. He got his start as an excellent television director, an experience that allowed him to develop his talents though his varied experiences before he made his debut as a film director (...) Battiato is skilled at genre films and ably exploiting the technical aspects of filmmaking. Magic, visual wonderment and mythology are important elements in his films. His characters' psychological profiles were convincing even within the context of his epic and action films (...)" Born in Verona, starting career in 1973 on Italian RAI TV and ten years later started in cinema with "Hearts and Armour". His first book, "Fuori dal cielo" (1996) he won the Prize Domenico Rea.05 Films- Actor
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Ricky Tognazzi was born on 1 May 1955 in Milan, Lombardy, Italy. He is an actor and director, known for Ultrà (1991), Canone Inverso (2000) and La scorta (1993). He has been married to Simona Izzo since June 1995. He was previously married to Flavia Toso.05 Films- Editor
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Silvano Agosti was born on 23 March 1938 in Brescia, Lombardy, Italy. He is an editor and director, known for Uova di garofano (1991), Quartiere (1987) and Fit to Be Untied (1975).05 Films- Director
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Vittorio De Sisti was born on 23 November 1940 in Derna, Cyrenaica, Libya. He was a director and writer, known for The Good, the Bad and the Ugly (1966), L'interrogatorio (1970) and La supplente va in città (1979). He was married to Lucia Vasilicò. He died on 21 April 2006 in Rome, Lazio, Italy.05 Films