Pfeiffer-Quoturi 355 Global Film actresses list # 26
world actresses in alphabetical order by last name.
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Michelle Pfeiffer was born in Santa Ana, California to Dick and Donna Pfeiffer. She has an older brother and two younger sisters - Dedee Pfeiffer, and Lori Pfeiffer, who both dabbled in acting and modeling but decided against making it their lives' work. She graduated from Fountain Valley High School in 1976, and attended one year at the Golden West College, where she studied to become a court reporter. But it was while working as a supermarket checker at Vons, a large Southern California grocery chain, that she realized her true calling. She was married to actor/director Peter Horton ("Gary" of Thirtysomething (1987)) in 1981. They were later divorced, and she then had a three year relationship with actor Fisher Stevens. When that didn't work out, Pfeiffer decided she didn't want to wait any longer before having her own family, and in March of 1993, she adopted a baby girl, Claudia Rose. On November 13th of the same year, she married lawyer-turned-writer/producer David E. Kelley, creator of Picket Fences (1992), Chicago Hope (1994), The Practice (1997), and Boston Public (2000). On August 5, 1994 their son, John Henry was born.- Actress
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Dedee Pfeiffer grew up in Midway City, California, as the daughter of a heating and air conditioning contractor and a homemaker.
She has studied with some of Hollywood's most renowned acting coaches such as Peggy Feury, Roy London and Ivana Chubbuck.
Dedee landed her first movie role in John Landis' film Into the Night and her first television role in the series Simon & Simon. She went on to star opposite Grace Jones in the horror cult classic comedy Vamp, made numerous other appearances in films such as Falling Down and television shows before she was cast on Cybil as Cybil Shepherd's daughter Rachel, a series regular.
Cybil earned nearly three dozen awards and nominations, picking up three Primetime Emmy awards and the Golden Globe Award for best television series - musical or comedy. Pfeiffer and the rest of the cast were nominated for a Screen Actors Guild Award for outstanding performance by an ensemble in a comedy series.
Pfeiffer went on to star in the series For Your Love and guest starred in several of the most iconic shows on television, including Seinfeld, Friends, two CSI series and ER, to mention a few.
Dedee won awards and nominations as an actor and producer on her short films, The Tub and Laredo. She also appeared in the award-winning film L.A., I Hate You.
She graced Playboy magazine's February 2002 cover, breaking with convention for the men's magazine in a pictorial that showed her nude with a BIPOC male model and displaying her tattoo art, in what at the time was a rule-breaking appearance in the men's magazine for a mainstream female star.
Pfeiffer took a 10-year break from Hollywood to earn her Master of Social Work degree from UCLA, and returned to acting as a series regular, playing Denise Brisbane on the ABC drama Big Sky.- Jo Ann Pflug was born on 2 May 1940 in Atlanta, Georgia, USA. She is an actress, known for M*A*S*H (1970), Midnight in the Garden of Good and Evil (1997) and The Fall Guy (1981). She has been married to Charles Stuck Young since 14 May 1988. She was previously married to Chuck Woolery.
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Pham was born in 1974 in Saigon, but moved to France with her parents a year later.
Her big break came in 1992 when she starred in the Oscar-winning film Indochine (1992) playing the adopted child of a French woman in French-ruled Vietnam.
Pham studied commerce in university and worked as a senior marketing manager after graduation. She has worked in New York, Singapore and Vietnam and now resides in London.
She has also taken an acting course at the Lee Strasberg Institute in New York.- Actress
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Minh-Khai Phan-Thi was born on 19 February 1974 in Darmstadt, Hesse, West Germany. She is an actress and director, known for Nachtschicht (2003), Planet der Kannibalen (2001) and Marnow Murders (2021).- Actress
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Chrystee Pharris was born on 7 March 1976 in Middletown, Ohio, USA. She is an actress and producer, known for Scrubs (2001), Passions (1999) and Monogamy (2018). She was previously married to Tron Larkins.- Mary Philbin's life should be a lesson to domineering parents. Mary was born on July 16, 1903, in Chicago, Illinois, to John Philbin and his first wife and namesake, Mary. The child was regarded as a little beauty from an early age and her mother was exceedingly proud of her and loved to show her off. Howevr, unlike her gregarious mother (who many regarded as controlling and domineering, to the point of imprinting her strict religious beliefs on the child), Mary took after her shy, quiet and reserved father, whom she adored. Many of her contemporaries remarked how she didn't seem to belong to the current age; her personality was a throwback to the 19th century with her mannerisms and religious, quiet and very gentle nature. Being an only child, Mary grew up quite spoiled by her mother. Her father would take her often to see the plays at local theaters and even, on rare occasion, to see an opera at the Chicago Opera House. She fell in love with the stage immediately and, once home, would re-enact what she saw to her dolls--performing the leading heroine roles. She decided at an early age that she wanted a career in the theater. She took up classical dancing (ballet and waltz) and was quite adept at playing the pipe organ and piano (in her later years she kept her family's pipe organ close at hand), although much to her chagrin, she could not sing. However, she did not train in an acting school and this would ultimately impact on her later career.
Mary's early life was relatively uneventful; her mother's strong nature created friction between her parents and she became even more reserved and quite shy in public when meeting new people. The only real friend she had at that age (who would be her lifelong friend and even colleague in The Phantom of the Opera (1925)) was Carla Laemmle (aka Rebecca Laemmle), the daughter of Joseph Laemmle, brother of Universal Studios mogul Carl Laemmle. Through her friend's uncle Mary became interested in films and put her stage career on hold. Upon seeing her first "Nickelodeon", she was bitten by the film bug and eagerly awaited any new ones that came out. She was particularly fond of the films of Erich von Stroheim, so much so that at the age of 16, when she heard that the director was making his new film Blind Husbands (1919) and a contest was set up to search for talent for the film, Mary tried to sign up. At first she could not find the right photograph worthy of submission, but her mother had taken a picture and submitted it and was allowed to join the contest. The contest was held in Chicago at the Elks Club and was sponsored by her church, with Von Stroheim himself as the judge. The Teutonic director was smitten with her beauty and her eagerness to behave and speak well, and gave her the leading role in one of his films. When finding out she was to move to Los Angeles to make the film, Mary at first had reservations and (as always) consulted her parents. Her parents refused until they found out their old family friends, the Laemmles, were moving out to Los Angeles as well, and they gave consent for Mary to go but only with her parents as her chaperones (due to their fear that the "sheiks" of Los Angeles would corrupt Mary's moral character).
Once in Los Angeles, Mary was under watch all the time by her parents (in particular her mother) and, when working, by her new boss, Carl Laemmle. When arriving at the studio, she found out that she had been replaced in the leading role in "Blind Husbands". Mary was deeply hurt at the time and felt cheated, and was considering going home had it not been for her friend Rebecca (whom was now known as Carla) who recommended her to her uncle, the owner of Universal City, Carl Laemmle, and the man in charge of production, Irving Thalberg. Although Carl Laemmle had met Mary some time earlier and always regarded her as an "angelic, sweet, quiet" young lady, he was none too impressed with her at the time to consider her for a contract, owing mostly to her moralistic and reserved disposition. Thalberg held the same reservations about her. However, after being persuaded by Mary's family and Carla, Carl caved and gave 17-year-old Mary her first big part: "Talitby Millicuddy", the leading lady, in the melodrama The Blazing Trail (1921), directed by Robert Thornby. Mary caught on in films very quickly and was considered by the public, initially at least, in the same league as her bigger contemporaries - Mary Pickford, Florence Lawrence, Mae Marsh and Lillian Gish, one of those "child-woman" actresses particularly noted for her subtle but extraordinary ethereal Irish beauty.
After the moderate success of "The Blazing Trail" she was cast in Danger Ahead! (1921) in the role of Tressie Harlow; the one-reel comedy Twelve Hours to Live (1921); the western Red Courage (1921) as Eliza Fay, and Sure Fire (1921) in an extra part (her earliest known surviving film); and False Kisses (1921) as Mary. In all, she made six films in 1921. After seeing her work in "False Kisses" and in particular "Danger Ahead"; Erich von Stroheim cast Mary for his next film, which would become the most expensive (to that date) production ever for Univeral City (the costs rising up to a million dollars) - the part of the crippled girl (an extra part) in Foolish Wives (1922). Mary can be seen in the film as the little girl on crutches with her back turned, and you only quickly get a darkened glimpse of her face through her curly ringlets. Although her role in the film was just a bit part, Mary relished being under Von Stroheim's tutelage and it was from him, as she always said, she learned about "true" acting in comparison to stage acting. It has always been said of Mary Philbin that when the director was really good (such as von Stroheim, Paul Leni, William Beaudine), people noticed she could be equally as good an actress as her colleagues. However, in the hands less talented directors (such as Rupert Julian', - who would partly direct her later in Merry-Go-Round (1923) and "The Phantom of the Opera"--her lack of acting training became a real handicap for her (this is clearly evident in some of her later films).
Mary began to get more notice from Carl Laemmle and Irving Thalberg, after Erich von Stroheim's high recommendation of her (and of course the public's approval), and after a minor film, _The Trooper (1922)_ (v), she was given the role of "Ruth" in Human Hearts (1922). Mary began to get even further recognition and it was around this time that her face always was featured on movie magazines as the 'Cover' Girl. But Mary's personal life was darkened by her father's divorce and remarriage to Alice Mead. Mary was shattered by the event, and as a result became even closer to her mother (her biggest mistake), but nevertheless was very loving to her new stepmother and continued to adore her father.
Mary made two more films before she received her first big break as the heroine "Agnes Urban", in von Stroheim's "The Merry-Go-Round" in 1923. The casting for this film was impeccable and many of its stars would later repeat many films with Mary afterward - in particular her leading man, Norman Kerry. He always had a crush on Mary and flirted with her many times on the set, although von Stroheim, Mary's mother and father (who always were on the set with her; her stepmother stayed at home) and even Mary herself kept him from getting too carried away. Mary said in her later years how deep down she always had a great crush on Norman Kerry and considered him "a very handsome, dashing man". Everything was going well in the production until it came to a standstill for the most unusual and even hilarious reason. Erich von Stroheim was known to be a perfectionist in his work, so much so that in the plot of this film (set in the Austro-Hungarian Empire of the time of 'Emperor Franz Josef') he insisted that some of the actors wear underwear embroidered with the Imperial Austrian Royal Family insignia - infuriating Carl Laemmle. After an intense argument with Laemmle the wildly extravagant director was dropped from the picture. The cast was stunned and the two most affected were Wallace Beery (who was originally cast as Agnes' father) and Mary Philbin. Wallace, infuriated with Carl Laemmle's decision walked out, as did many others--even Mary considered it. To clean up the mess quickly, Carl hired Universal actor Rupert Julian to direct (who previously had directed and starred in The Kaiser, the Beast of Berlin (1918) with Lon Chaney). Mary, at first, refused until Carl insisted that Julian would be just as good a director as von Stroheim. Not having met or worked with Julian before, she decided to stay and Cesare Gravina (a favorite actor of von Stroheim) was re-cast in Beery's role. However, it became clearly evident that Julian was a novice compared to von Stroheim, although he reportedly considered himself equal to, if not better than, von Stroheim in directorial skills. Much of the original footage was cut or re-filmed upon its release, "The Merry-Go-Round" launched Mary as an "official" Hollywood star.
Although not as popular as her contemporaries, Mary graced many more magazine covers and was the feature girl for various products - even the Victrola Recording Company. During this time, Mary met the love of her life, Universal Studio executive/producer Paul Kohner - through the Laemmles. Paul Kohner was only a year older than Mary and born in Teplitz-Schoenau, Austria-Hungary (now Teplice, Czech Republic). They were immediately smitten with each other - but due to Mary's parents' religion (Roman Catholicism) and the fact that Paul was a Jew - they kept their relationship, in the early years, secret as much as possible. They exchanged love letters to each other (which both of them kept till their deaths).
Mary's film career took off with "Where Is This West?"; "The Age of Desire"; "The Temple of Venus"; "The Thrill Chaser"; among others with Paul Kohner sometimes as the producer (affording her more time to be with him, under the protection from her parents observance). But it wasn't until 1924, after she made good in the role of Marianne in The Rose of Paris (1924) that Mary was to be cast in her next, most famous and best- remembered film role of her entire career.
In 1924, Carl Laemmle was searching among the elite list of Hollywood starlets (among those listed were Lillian Gish, Madge Bellamy, Betty Bronson, Patsy Ruth Miller, Mildred Davis) for the role of the young Swedish soprano Christine Daaé in the film adaption of Gaston Leroux's novella "Le Fantôme de l'Opéra" (The Phantom of the Opera) starring in the leading role of Erik (the Opera Ghost/Phantom of the Opera) was one of Hollywood's best actors - Lon Chaney, fresh from his success in The Hunchback of Notre Dame and, much to the concern of the cast and crew, the director hired for the picture was the temper-mental Rupert Julian. Julian remembered Mary from "The Merry-Go-Round" (he also remembered Norman Kerry and hired him for role of Viscount Raoul de Chagny). Mary was cast in the key role of Christine, the chance of a lifetime. But the production was one of the most difficult for the cast to endure. Although Mary was working alongside of many of her former colleagues and friends (Norman Kerry, Cesare Gravina, John St. Polis, and Carla Laemmle), she had never met Lon Chaney personally before and, in keeping with her nature, was initially very shy and nervous around him.
During the filming Chaney and Julian exchanged heated arguments. Charles Van Enger, the main cameraman for the film, commented on how they "just hated each other" and how Julian was obsessed with Mary; adjusting her clothes, wigs, even the padding on her legs and chest. Mary put up with it - because of not only was her mother on the set most of the time, but Julian's wife Elisie Wilson was an old friend of Mary's. Upon seeing Julian's conduct- Elisie took over Mary's wardrobe and makeup for the film. On the Phantom set Mary seldom worked with Chaney alone, most of the time it was under Julian's supervision - but due to Chaney and his arguments- Chaney would direct his own scenes including several scenes with
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Ulli Philipp was born on 19 April 1943 in Vienna, Austria. She is an actress, known for Der Fall Wera Sassulitsch (1968), Haus Herzenstod (1968) and Stella (1967). She was previously married to Tom Toelle.- Actress
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Busy was born Elizabeth Jean Philipps in Illinois, US. She became interested in acting when she was in fourth grade and was always starring in school productions. In the summer, she would attend theater camp.
She is more commonly known as a television actress, getting her first break on Freaks and Geeks (1999), She joined Dawson's Creek (1998) and ER (1994), but her breakthrough role has been Laurie Keller on Cougar Town (2009).- Producer
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Born in Warsaw, Poland. Moved to Bartlesville, Oklahoma at age 5. Attended Oklahoma State University and Auburn University. Graduated with B.S. in Broadcast Journalism.
Kinga's on camera work has encompassed a broad range of characters and projects. From acting in stirring dramatic pieces playing a woman with schizophrenia and delusional multiple personality disorder to light hearted comedies, romantic leads and tough adventurous characters.
She has traveled the world as a journalist reporting on intense subjects like police corruption in Mexico, gangs in LA, women in the sex trade and natural disasters.
On the lighter side of hosting she has covered countless red carpet events and hosted shows on food, cars, travel, history, sports, video games and music.
Kinga also hosted her own sketch comedy show where she played various characters.
As a hobby she writes children's books.
For a while she had a food blog that had a comedic slant on delicious things she discovered around the world.
Behind the camera, Kinga often writes and produces her own pieces.
Kinga enjoys surfing, scuba diving, skydiving, hiking and travel.
She loves sharks and has gone cage diving many times.- Actress
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Gina Philips, born Gina Dawn Consolo, is a native Floridian. She has one sibling, Bobby Consolo, and was raised in Miami by her parents, Fredi and Robert. None of them have been involved in the entertainment industry. She dropped out the University of Pennsylvania one class shy of earning her degree to take up acting as a full-time career.
After starting in guest roles on television, and eventually moving into independent and made-for-tv movies, Philips eventually established recurring roles on David E. Kelley's Ally McBeal (1997) and Boston Public (2000) She has also ventured into the mainstream horror genre as the lead in Victor Salva's Jeepers Creepers (2001). Playing the role of Trish brought a lot of attention and exposure to the doe-eyed beauty's ability to play strong, sometimes sarcastic, female leads, but she declined to reprise her role in the sequel. Philips continued to split her time between television and film. She has now segued into producing as well. She was in Love and Debate (2006) alongside Sean Astin, which she both produced and starred in.- In her mid-teens she sang leading roles in musicals at Richmond High School and also sang in a girls' choir organised by Burton Kurth; in the early 1940s she studied voice with in turn Mignon Duke Gidy, Avis Phillips, and Phylis Inglis and piano with Phyllis Schuldt. She appeared at TUTS for the first time in a 1946 production of Robin Hood and subsequently played leads in more than 20 TUTS productions until 1960; she is best remembered for the role of Mrs Anna in The King and I. Phillips' radio career began in 1948 with a CBC Vancouver light classical series and has included regular appearances 1953-65 on the CBC's 'Leicester Square to Broadway'; variety work in 1955 on the BBC; solo, recital, and folksong performances on the CBC; and many British Columbia school broadcasts 1970-2. On CBC TV she sang Rosalinda in Die Fledermaus in 1954, co-starred 1956-7 with Ernie Prentice on 'Lolly-too-dum,' and was hostess 1965-7 for 'Bazaar.' Phillips has performed at the Vancouver International Festival and with the Vancouver Symphony Orchestra and has appeared in Vancouver Opera productions (Flora in La Traviata, 1961; Nicklausse in Tales of Hoffmann, 1961; Clotilde in Norma, 1963; Vera Boronell in The Consul, 1964; Zulma in The Italian Girl in Algiers, 1965; and the Witch in Hansel and Gretel, 1966). She has performed in musical comedy throughout Canada - on tour (1967) with One Hundred Years of Musical Comedy, at the 1968 and 1969 Charlottetown Festival; in Anne of Green Gables and Johnny Belinda, and at Winnipeg's Rainbow Stage in Fiddler on the Roof (1971). She sang locally in Theatre-in-the-Park productions of The Sound of Music (1974) and Fiddler on the Roof (1975), while studying 1972-6 at the University of British Columbia. As an actress she has played many roles at Bastion Theatre, Victoria, and the Arts Club Theatre, Vancouver, and has also appeared at Persephone Theatre, Saskatoon and at Citadel Theatre, Edmonton. In the first Vancouver Playhouse Theatre Co season (1963) she appeared as Mme Dubonnet in The Boy Friend and has continued to act for that company over the years. She has been in over 40 Canadian and US movies, some of them feature films and the others made for television. In 1962 Phillips married the actor, writer, and librettist Peter Haworth, who has collaborated with Leonard Wilson, Healey Willan, and the English composer Robert Simpson.
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The multi-talented Bijou Phillips has led an unusual life. She spent her childhood in New York, California and South Africa. She excelled in equestrian sport. When she was 13, she became a model to escape boarding school and became one of the youngest people to grace the cover of "Interview" Magazine and "Italian Vogue". Bijou also appeared in several ads for Calvin Klein. At 17, she acquired a record deal and began work on her album "I'd Rather Eat Glass" produced by Talking Heads' Jerry Harrison. She was later cast in Black & White (1999) by director James Toback and garnered nothing but glowing praise from critics for her performance. Larry Clark cast her in Bully (2001) which led "The Hollywood Reporter" to name her one of 2002's "Shooting Stars of Tomorrow". Bijou continues to make great films with last year's role opposite 'Jeff Bridges' and Kim Basinger in The Door in the Floor (2004), a film adaptation of John Irving's novel, "A Widow For One Year". She most recently completed a leading role opposite Anne Hathaway in Oscar-winning writer, Stephen Gaghan's Havoc (2005), directed by Oscar-winning documentary filmmaker, Barbara Kopple. This is only the beginning for her, with several projects on the horizon, including her portrayal of "Lorna Doom" opposite Shane West in a feature film, about late 70s seminal-punk band The Germs, called What We Do Is Secret (2007), Venom (2005) (aka "Backwater"), produced by Scream (1996)'s Kevin Williamson, she is in the new film Choke (2008), with Anjelica Huston and Sam Rockwell. As well as starring in a comedy called Made for Each Other (2009) with Christopher Masterson, she just played "Nancy Spungen", as in "Sid and Nancy", in a bio-pic about the Chealsea Hotel, Chelsea on the Rocks (2008), directed by Abel Ferrara.- Actress
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Bobbie Phillips is an actress, animal advocate, and a true Chameleon (1998); both on screen and off. Bobbie has portrayed a variety of characters in various genres throughout her career. Widely recognized for her award winning role as the insect loving entomologist, Dr. Bambi Berenbaum on War of the Coprophages (1996); Phillips also received industry praise for her turn as Julie Costello on Steven Bochco's Murder One (1995); A genre favorite as the first female crow, "Talon", on The Crow: Stairway to Heaven (1998); Phillips left Hollywood in 2003 when Bobbie and her husband traveled to Costa Rica and then Fiji to begin Anthony's surfing career. The couple traveled extensively between Canada, Fiji, Australia and Mexico before Bobbie returned to acting in 2014. Bobbie Phillips continues to create in her unique style on diverse projects and she always reinvents herself like a great actress should.- Carmen Phillips was born on 10 January 1937 in Chicago, Illinois, USA. She was an actress, known for Easy Rider (1969), One Step Beyond (1959) and It Started with a Kiss (1959). She was married to David Morin. She died on 22 September 2002 in Hollywood, California, USA.
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Chynna Phillips was born on February 12, 1968 in Los Angeles, California, USA as Gilliam Chynna Phillips. She is an actress, known for Bridesmaids (2011), Striptease (1996) and Harold & Kumar Go to White Castle (2004). She has been married to William Baldwin since September 9, 1995. They have three children.- Dorothea Phillips was born on 5 September 1928 in Penygraig, Rhondda, Glamorgan, Wales, UK. She is an actress, known for 102 Dalmatians (2000), Under Milk Wood (1971) and Festival (1963).
- A former stage actress, Dorothy Phillips was married to actor/director/producer Allen Holubar. They were known as two of the screen's most prominent players--her the star, he the director/producer. Dorothy was well known in Hollywood as one of the most warm-hearted, approachable stars in the business. After the advent of sound, however, her career faded and she could be seen in a handful of films as an extra. Although a major star in her time and one of the best loved of that era, her passing was barely mentioned, other than in local papers.
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Helena Phillips Evans was born on 21 May 1875 in Chicopee, Massachusetts, USA. She was an actress and writer, known for College Scandal (1935), The Remarkable Andrew (1942) and A Successful Calamity (1932). She was married to Charles E. Evans. She died on 24 July 1955 in Santa Monica, California, USA.- Jean Phillips was born on 22 September 1914 in Sioux Falls, South Dakota, USA. She was an actress, known for The Night of January 16th (1941), Among the Living (1941) and Dr. Broadway (1942). She died on 15 December 1970 in Los Angeles, California, USA.
- Julianne Phillips was born on 6 May 1960 in Chicago, Illinois, USA. She is an actress, known for Fletch Lives (1989), Big Bully (1996) and Skin Deep (1989). She was previously married to Bruce Springsteen.
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Mackenzie Phillips was known for her role in the 1973 hit movie American Graffiti (1973). Two years later, she got the role that changed her life in the 1975 sitcom One Day at a Time (1975). The show was an instant success, and everything was going well until the third season was launched, when she was arrested for cocaine possession and lied about the incident on her uncredited appearance on Dinah and Her New Best Friends (1976). During the run of the 1979-1980 season, Mackenzie started to fall off the deep end. The producers didn't know what was wrong; she started getting tired and showing up late for rehearsals. On the set she was incoherent and the producers gave her a six-week leave of absence. In 1980, she was fired from the series, went to rehab, then returned in the fall of 1981. Sadly, in 1983, she fell asleep during a rehearsal. Producer Patricia Fass Palmer told her that she had to take another drug test, but she refused and left. She has since recovered and returned to acting.- Actress
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Michelle Phillips first became known as a member of the pop group The Mamas and the Papas. She sang the Mamas and Papas song "Dedicated To The One I Love" on a 1987 episode of Knots Landing (1979) in her role as Anne Matheson. She is the mother of singer Chynna Phillips and actor Austin Hines. Michelle's longest relationship was the 18 years she spent with Dr. Steven Zax, until his death in 2017.- Actress
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Sally Phillips was born on 10 May 1970 in Hong Kong. She is an actress and writer, known for Pride and Prejudice and Zombies (2016), Bridget Jones's Diary (2001) and Bridget Jones: The Edge of Reason (2004). She has been married to Andrew Bermejo since 17 January 2003. They have three children.- Actress
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Welsh-born stage veteran Dame Siân Phillips is forever identified on television as the tarantula mother/empress Livia in the classic BBC miniseries I, Claudius (1976) (for which she won a BAFTA-TV award), and as the Reverend Mother in the science fiction epic film Dune (1984). Her broad range of roles went from endearing to downright deadly.
She was born Jane Elizabeth Ailwên Phillips on May 14, 1933, in Wales, to Sally (Thomas), a teacher, and David Phillips, a steelworker and policeman. Brought brought up bilingual in both English and Welsh, she performed on the Welsh radio station at age 11. She toured extensively for the Arts Council in Wales in original Welsh plays and in translations from the English classics before becoming an award-winning television actress in her late teens.
Siân attended the University of Wales and trained at the Royal Academy of Dramatic Art (RADA), making her London debut in the title role of "Hedda Gabler" (1957). After a brief marriage, she met and married actor Peter O'Toole in 1959 and appeared frequently with him on stage, including "Ride a Cock Horse" (1965) and "Man and Superman" (1965), and in the movies Becket (1964), Goodbye, Mr. Chips (1969) (which earned her a National Society of Film Critics award and a Golden Globe Award nomination for "Best Supporting Actress"), Murphy's War (1971) and Under Milk Wood (1971). They had two daughters, actresses Kate O'Toole and Pat O'Toole.
While her husky resonant voice served her well as an announcer, newsreader and narrator at different stages of her career, her severely chiseled looks and arch, regal bearing entitled her to perform some of the more notable classics, with critically-acclaimed turns in "Saint Joan", "The Taming of the Shrew" and "The Duchess of Malfi", being just a few. Siân's occasional patricians have also graced such well-mounted films as Young Cassidy (1965), Nijinsky (1980) and The Age of Innocence (1993).
After 20 years of marriage, Siân divorced O'Toole, known for his carousing and hard-living ways. She quickly remarried a much younger actor, Britisher Robin Sachs, but they too would divorce in 1991. Despite her personal turmoil, she continued to delve into her stage work, beginning a new phase of her career in musicals. Her participation in such productions as "Pal Joey" (her musical debut), "Gigi" and "A Little Night Music" ultimately led to her acclaimed one-woman cabaret show "Marlene", a tribute to legendary Marlene Dietrich, which opened to rave reviews in London in 1997. Two years later, she won a Tony Award nomination for this role on Broadway.
Over the years, Siân has distinguished herself regularly in such quality miniseries as Oresteia (1979), Crime and Punishment (1979), Tinker Tailor Soldier Spy (1979), Winston Churchill: The Wilderness Years (1981) (as Clementine Churchill), Smiley's People (1982) (as Lady Smiley), The Two Mrs. Grenvilles (1987) (as the Duchess of Windsor), A Killing on the Exchange (1987), The Snow Spider (1988), The Chestnut Soldier (1991), The Borrowers (1992) and its sequel The Return of the Borrowers (1993) (as Mrs. Driver) and Aristocrats (1999).
She has continued to work into the millennium with elderly roles on stage with "My Old Lady", "Calendar Girls", "Crossing Borders" (a cabaret show), "Les Liaisons Dangereuses", "The Importance of Being Earnest", "Playing for Time" and "Les Blancs", while in movies she appeared in The Gigolos (2006), Love Song (2012), Miss Dalí (2018), Be Happy! (2019), Dream Horse (2020) and was the narrator and grandmother in a rather radical retelling, animated version of A Christmas Carol (2020). Siân was awarded Commander of the Order of the British Empire at the 2000 Queen's Birthday Honours for her services to drama. She was also awarded Dame Commander of the Order of the British Empire at the 2016 Queen's New Years Honours for her services to drama.