Best female Directors
If you ever had any doubts about the ability of females to direct films, this list should set you straight.
One of my favorites on the list is Lotte Reiniger- An Animation Pioneer.
Good luck with your prejudices.
One of my favorites on the list is Lotte Reiniger- An Animation Pioneer.
Good luck with your prejudices.
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Lotte Reiniger was born on 2 June 1899 in Berlin, Germany. She was a director and writer, known for Silhouetten (1936), Der Graf von Carabas (1935) and Lotte Reiniger - The Fairy Tale Films (1961). She was married to Carl Koch. She died on 19 June 1981 in Dettenhausen, Baden-Württemberg, Germany.- Director
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Though Academy Award®, Golden Globe Award and Emmy Award winning writer and director Susanne Bier's work often plays out against a wide-reaching global backdrop, its focus is intimate, carefully exploring the explosive emotions and complexities of familial bonds. This unique combination is part of the formula that has made her Denmark's leading female filmmaker and a powerhouse worldwide.
Bier's 2010 film In a Better World won the Academy Award for Best Foreign Language Film in 2011, as well as an Italian Golden Globe Award® for Best European Film and Best Director at the European Film Awards. She previously helmed the multi-award-winning After the Wedding (2006), which was also an Academy Award® nominee for Best Foreign Language Film, and was remade as an English-language film in 2019 starring Julianne Moore, Michelle Williams, and Billy Crudup.
Bier won an Emmy Award in 2016 for directing the six-part AMC mini-series The Night Manager, based on the 1993 novel of the same name by John le Carré, with stars Tom Hiddleston, Hugh Laurie, and Olivia Colman all winning Golden Globes for their work.
Bier followed this with the 2018 Netflix film Bird Box, starring Sandra Bullock, which went on to become the most-watched film in Netflix history. In 2020, she directed the six-part HBO series The Undoing, starring Nicole Kidman and Hugh Grant, the network's first original series to grow its audience each week.
Prior to this, Bier co-wrote and directed the romantic comedy The One and Only (1999), which won Best Film at the Danish Robert Awards and was the most watched domestic film in Denmark in 20 years, with one-fifth of the country's population having seen it at the cinema.
In 2002, she directed Open Hearts, shot in accordance with the Dogme '95 filmmaking aesthetic. The film won numerous awards, including the Audience Award at the Robert Festival (Danish Academy Award) and the International Film Critics' Award at the Toronto International Film Festival. Bier followed this with Brothers (2004), which won, among others, the Audience Award at the Sundance Film Festival.
In 2007, Bier directed the award-winning Things We Lost in the Fire, starring Halle Berry and Benicio Del Toro, her first English-language film.
In 2012, Bier made her triumphant return to the genre with the 2013 winner of the European Film Award for Best Comedy, Love Is All You Need, starring Pierce Brosnan and Trine Dyrholm. In 2014, Bier directed A Second Chance, starring Nikolaj Coster-Waldau, which premiered at the Toronto International Film Festival.
Most recently, Susanne Bier directed the Showtime limited series The First Lady, starring Viola Davis, Michelle Pfieffer, and Gillian Anderson.- Director
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Naomi Kawase was born on 30 May 1969 in Nara, Japan. She is a director and writer, known for Sweet Bean (2015), Still the Water (2014) and Suzaku (1997). She was previously married to Takenori Sentô.- Director
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Sofia Coppola was born on May 14, 1971 in New York City, New York, USA as Sofia Carmina Coppola. She is a director, known for Somewhere (2010), Lost in Translation (2003), and Marie Antoinette (2006). She has been married to Thomas Mars since August 27, 2011. They have two daughters, Romy and Cosima. She was previously married to Spike Jonze.- Writer
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Jane Campion was born in Wellington, New Zealand, and now lives in Sydney, New South Wales, Australia. Having graduated with a BA in Anthropology from Victoria University of Wellington in 1975, and a BA, with a painting major, at Sydney College of the Arts in 1979, she began filmmaking in the early 1980s, attending the Australian Film Television and Radio School (AFTRS). Her first short film, Peel (1982) won the Palme D'Or at the Cannes Film Festival in 1986. Her other short films include A Girl's Own Story (1984), Passionless Moments (1983), After Hours (1985) and the tele-feature 2 Friends (1986), all of which won Australian and international awards. She co-wrote and directed her first feature film, Sweetie (1989), which won the Georges Sadoul prize in 1989 for Best Foreign Film, as well as the LA Film Critics' New Generation Award in 1990, the American Independant Spirit Award for Best Foreign Feature, and the Australian Critics' Award for Best Film, Best Director and Best Actress. She followed this with An Angel at My Table (1990), a dramatization based on the autobiographies of Janet Frame which won some seven prizes, including the Silver Lion at the Venice Film Festival in 1990. It was also awarded prizes at the Toronto and Berlin Film Festivals, again winning the American Independent Spirit Award, and was voted the most popular film at the 1990 Sydney Film Festival. The Piano (1993) won the Palme D'Or at Cannes, making her the first woman ever to win the prestigious award. She also captured an Academy Award for Best Original Screenplay at the 1993 Oscars, while also being nominated for Best Director.- Producer
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Leni Riefenstahl's show-biz experience began with an experiment: she wanted to know what it felt like to dance on the stage. Success as a dancer gave way to film acting when she attracted the attention of film director Arnold Fanck, subsequently starring in some of his mountaineering pictures. With Fanck as her mentor, Riefenstahl began directing films.
Her penchant for artistic work earned her acclaim and awards for her films across Europe. It was her work on Triumph of the Will (1935), a documentary commissioned by the Nazi government about Adolf Hitler and the Third Reich, that would come back to haunt her after the atrocities of World War II. Despite her protests to the contrary, Riefenstahl was considered an intricate part of the Third Reich's propaganda machine. Condemned by the international community, she did not make another movie for over 50 years.- Director
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Writer/Director Dee Rees is an alumna of New York University's graduate film program and a Sundance Screenwriting & Directing Lab Fellow.
In 2018, Dee became the first Black woman nominated for an Oscar in the Best Adapted Screenplay category for her highly-acclaimed film Mudbound (2017). The film, starring Jason Mitchell, Carey Mulligan and Mary J. Blige, tells the story of two men returning home from World War II, struggling to deal with racism and post-war life and was nominated for four Oscars, two Golden Globes, and received over 100 nominations between 2017 and 2018.
Her 1980's political thriller The Last Thing He Wanted is an adaptation of the novel by Joan Didion and will star Anne Hathaway as hardened journalist Elena McMahon.
Dee's Emmy-Award winning HBO film Bessie (2015) starred Queen Latifah as the legendary American Blues singer and was nominated for a total of twelve Emmy Awards, including Dee's individual nominations for Outstanding Writing and Outstanding Directing For A Limited Series, Movie or Dramatic Special. Bessie was also nominated for four Critics' Choice Awards and Dee was the recipient of the 2016 Director's Guild of America Award for Outstanding Directorial Achievement in Movies for Television and Miniseries as well as the NAACP Image Award for Outstanding Directing in a Television Movie.
Dee's debut feature film Pariah starring Adepero Oduye and Kim Wayans premiered at the 2011 Sundance Film Festival where it was honored with the festival's U.S. Dramatic Competition "Excellence in Cinematography" Award and was later released by Focus Features. Pariah went on to win numerous awards including the John Cassavetes Award at the Independent Spirit Awards (2011), the Gotham Award for Best Breakthrough Director (2011), Outstanding Film- Limited Release at the GLAAD Media Awards (2012) and it received seven NAACP Image Award nominations including Outstanding Motion Picture, Outstanding Directing and Outstanding Writing and won the award for Outstanding Independent Motion Picture. Pariah also earned Dee a spot on New York Times' 10 Directors to Watch list in 2013.
Previously, Dee was selected as a 2008 Tribeca Institute/Renew Media Arts Fellow and appeared on Filmmaker Magazine's 25 New Faces of Independent Film that same year. She is a 2011 United States Artists Fellow and her notable residencies include Yaddo and The MacDowell Colony.
Dee Rees was born and raised in Nashville, Tennessee and resides in New York.- Director
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Lynne Ramsay was born on 5 December 1969 in Glasgow, Strathclyde, Scotland, UK. She is a director and writer, known for You Were Never Really Here (2017), We Need to Talk About Kevin (2011) and Ratcatcher (1999). She was previously married to Rory Stewart Kinnear.- Director
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Debra Granik (born February 6, 1963) is an American New York City-based independent film and documentary film director and screenwriter. She is most known for 2004's Down to the Bone, which starred Vera Farmiga, 2010's Winter's Bone, which starred Jennifer Lawrence in her breakout performance and for which Granik was nominated for Academy Award for Best Picture and Best Adapted Screenplay, and 2018's Leave No Trace, a film based on the book My Abandonment by Peter Rock.
Granik was born in Cambridge, Massachusetts, to father William R. Granik, who was an attorney with H.U.D. who litigated fair housing, and mother Marian Gay. She grew up in the suburbs of Washington D.C. Granik is the granddaughter of broadcast pioneer Ted Granik (1907-1970), founder and moderator of the long-run public affairs panel discussion program, The American Forum of the Air, on from 1934 to 1956, first on the radio and later on television. Granik is from a Jewish family.
In 1985, Granik received her B.A. in political science from Brandeis University. As an undergraduate at Brandeis, Granik also took classes at the Studio for Interrelated Media at the Massachusetts College of Art. In 2001, Granik received an MFA from NYU's Tisch School of the Arts.
While at Brandeis, Granik took Henry Felt's film and media workshop production class and volunteered with the Boston grassroots filmmaking organization Women's Video Collective. She also took film classes at the Studio for Interrelated Media at the Massachusetts College of Art. During this time, Granik made educational films for trade unions on subjects like workplace health and safety, one of which was made for the Massachusetts Division of Occupational Safety. Granik worked in production on educational media projects, eventually working on long form documentaries by Boston-area filmmakers before deciding to go to graduate school for filmmaking at New York University.
In 1997, Granik directed her first short film, Snake Feed, as her senior thesis with the mentorship of NYU film professor Boris Frumin, who was instrumental in sharing his love of post-World War II European neorealist films. Snake Feed, which began its life as a 7-minute documentary portrait exercise, was accepted into Sundance Institute's Lab Program for screenwriting and directing. Granik workshopped and developed the short film into a feature film at the Sundance Lab. Granik has said that Snake Feed was a work of narrative fiction, with the main characters, recovering addict Irene and her boyfriend Rick, playing dramatized versions of themselves.
In 2004, the short film of Snake Feed and the story of Irene and Rick became the basis of Granik's first feature-length film, Down to the Bone, which was a fictionalized depiction of their struggles. Down to the Bone is the story of an upstate New York mother who goes to rehab to kick her cocaine addiction and ends up falling in love with a nurse and descending back into her old drug habits. Down to the Bone was based on an original screenplay written by Granik and her creative partner, Anne Rosellini. The role of the main character Irene, played by Vera Farmiga, significantly raised Farmiga's profile as an actor. Down to the Bone was shot in Ulster County in upstate New York.
Granik's second feature, 2010's Winter's Bone, was an adaptation by Granik and Rosellini of the 2006 novel by Daniel Woodrell. It is the story of Ree Dolly, a teenager living in the Missouri's Ozark Mountains who is the sole caretaker of her two younger siblings and her catatonic mother. She is forced to hunt down her missing drug-dealing father in order to save her family from eviction.
The film starred a then-unknown Jennifer Lawrence and John Hawkes and won the Grand Jury Prize: Dramatic Film at the 2010 Sundance Film Festival, which led to a distribution deal with Roadside Attractions. Winter's Bone won the Seattle International Film Festival Golden Space Needle Audience Award for Best Director and Best Actress award for Jennifer Lawrence. In 2011, Winter's Bone was nominated for four Academy Awards: Best Picture, Best Adapted Screenplay, Best Actress for Jennifer Lawrence and Best Supporting Actor for John Hawkes. The film featured a soundtrack made up of old time gospel, bluegrass, and traditional music found in the Ozarks and was produced by Steve Peters. It features the singing of Marideth Sisco, who worked as a music and folklore consultant for the region, and also appeared in the Winter's Bone. The actor John Hawkes sings one track on the soundtrack.
Winter's Bone was shot on location in the Ozark area of southern Missouri. Granik cast many of the supporting roles with first-time actors from the surrounding area and all of the homes on screen were established Ozark homes-no sets were built for this film. For the look of the film, Granik kept most of the established aesthetics of the homes in which they were shooting and many of the few mementos that were added to the homes were contributed by Ozark people in the community.
Granik produced and directed an HBO television pilot called American High Life. The show was a family drama that "follows a young career woman to her economically depressed small home town in the midwest."The show was not picked up.
Granik developed a film adaption of Rule of the Bone, the 1995 novel by Russell Banks, but the project is still in development.
In 2014, Granik's film, Stray Dog, was released. The film is a documentary about a man named Ron Hall, whose nickname is "Stray Dog," and portrays his life as an avid biker and Vietnam Veteran who sometimes struggles with PTSD. The film documents Hall's participation in an annual pilgrimage motorcycle ride called "Ride to the Wall" with fellow biker Vietnam vets from all over the country where they ride to the Vietnam Veterans Memorial in Washington, D.C. Granik had met Hall, who had a small role on Winter's Bone, during filming.
Granik directed the drama Leave No Trace, starring Ben Foster and newcomer Thomasin McKenzie, which was released in 2018, domestically by Bleecker Street and internationally by Sony Worldwide Acquisitions. The film tells the story of a father and daughter who illegally live on government land and are forced to adapt to more traditional living in mainstream life. It examines ideas of self-reliance and community, and was a critics' pick of The New York Times. Leave No Trace premiered at the 2018 Sundance Film Festival, and played at the Cannes Film Festival, and was shot in the forested areas of Oregon, including Forest Park near Portland, Oregon, over the course of 30 days. In addition to Oregon, Washington state was used for locations, with some scenes shot at a Christmas tree farm. Leave No Trace took approximately three and a half years to develop, from the first time Granik read Peter Rock's novel, My Abandonment, on which the film was based.
Other projects Granik has in development include a documentary about life after being released from jail and the subject of recidivism in East Baltimore - that was to feature Felicia "Snoop" Pearson from The Wire and elements of her memoir, Grace After Midnight - but is now a documentary about four former inmates in New York City.
Another project is a film based on Barbara Ehrenreich's book, Nickel and Dimed: On (Not) Getting By in America, which focuses on poverty and the working poor in America- Director
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Julie Taymor is an Academy Award-nominated director, known for such films as Frida (2002) and Across the Universe (2007).
She was born on December 15, 1952, in Newton, Massachusetts, a suburb of Boston. Her father, Melvin Lester Taymor, was a gynecologist. Her mother, Elizabeth Bernstein, was a teacher of political science. Young Taymor was fond of international folklore and mythology, and also developed a passion for theatre. She spent her formative years living in several countries. As a teenager, during the 1960s, she lived in Sri Lanka and India with the Experiment in International Living program, then studied acting in Paris, at the mime school of Jacques Lecoq. From 1969 to 1974, she studied theatre and mythology at Oberlin College, graduating in 1974 with a degree in folklore and mythology.
During the 1970s, Taymor lived in Japan, studying the art of puppetry and Japanese theatre. Then, she spent five years in Indonesia, working as director of international theatre with Asian, European, and American actors. Back in the USA, she worked on and off Broadway. There, she achieved her first success with staging a fairy tale, "The King Stag", and then toured 66 cities across the world, including Los Angeles, Venice, Tokyo, and Moscow.
In the 1990s, Taymor directed several classic operas. Her 1992 production of Igor Stravinsky's "Oedipus Rex" in Japan earned the Emmy Award. Then, she directed the 1993 production of "The Magic Flute" by 'Wolfgang Mozart', in Florence, with conductor Zubin Mehta, and the acclaimed 1994 production of "Salome" in St. Petersburg, Russia, with conductor Valery Gergiev.
In New York, she continued a stellar theatrical career, directing such productions as William Shakespeare's "Titus Andronicus" and "Juan Darién: A Carnival Mass" at the Lincoln Center. In 1997, Taymor directed a massive Walt Disney Company's production of "The Lion King" on Broadway, for which she also co-designed over a 100 costumes and masks of animals, and earned two Tony Awards.
Her film, Frida (2002), received six Oscar nominations, and two Oscars, for make-up and for the music score by Elliot Goldenthal. Taymor continued her success with the 2004 production of "The Magic Flute" at the Metropolitan Opera (which is now in repertoires at the Met), and the 2006 staging of "Grendel" at the Los Angeles Opera and, later, at the Linolcn Center Festival. Taymor's experience with cross-genre and cross-cultural productions came to culmination in her latest film, Across the Universe (2007). It is a musical set in the 1960s England, Vietnam, and America, where a love story and social protest are intertwined with over thirty songs by The Beatles.
Outside of her directing profession, Taymor amassed puppets, masks and folk art from around the world. As an artist, she has been involved in making puppets, masks, costumes and stage sets. Since 1980, Julie Taymor has been a long-time collaborator with the Oscar-winning composer, Elliot Goldenthal, and the couple lives in Manhattan.- Writer
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Writer/director Lone Scherfig graduated from The National Film School of Denmark in 1984. Her first feature film, THE BIRTHDAY TRIP (1990), was selected for Panorama in Berlin, the New Directors section at MOMA in New York and won the Grand Jury Prix in Rouen. Her next film, ON OUR OWN (1998), received the Grand Prix in Montreal and the Cinekid Prize in Amsterdam. Scherfig then wrote and directed ITALIAN FOR BEGINNERS (2000; the Danish 'Dogma' #5), which was a huge audience hit and won her the Silver Bear and the international film critics' award FIPRESCI at the 2001 Berlinale, plus numerous other awards around the world.
Scherfig's first English-language feature, WILBUR WANTS TO KILL HIMSELF (2002), toured the festival circuit and brought home awards from e.g. France, the US and Japan. Her next production, AN EDUCATION (2009), won the Audience Award at Sundance and was nominated for three Oscars and eight BAFTAs. Scherfig has since directed three British films, i.e. ONE DAY (2011), THE RIOT CLUB (2014) and THEIR FINEST (2016) which premiered at TIFF in 2016 and screened in Sundance and London as the Mayor's gala. In 2019, Lone Scherfig's The Kindness of Strangers opened and was in competition at Berlin International Film Festival.
In between features Scherfig has directed a range of TV-series, including TAXA (1997), QUIET WATERS (1999), BETTER TIMES (2004) and, most recently, THE ASTRONAUT WIVES CLUB (2015; conceptualised by Scherfig).- Director
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Lisa Cholodenko earned an MFA at Columbia University Film School where she made an award-winning short film Dinner Party (1997) Her feature High Art (1998) won the National Society of Film Critics award for Ally Sheedy's performance and The Waldo Salt Screenwriting award at Sundance. Both "High Art" and Laurel Canyon (2002) premiered at Cannes Director's Fortnight.- Director
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Vera Chytilová was born on February 2, 1929, in Ostrava, Czechoslovakia (now Czech Republic). She studied philosophy and architecture in Brno for two years, then worked as a technical draftsman, a designer, a fashion model, a photo re-toucher, then worked as a clapper girl for Barrandov Film Studios in Prague. There she continued as a writer, actress, and assistant director.
She was denied a scholarship, or even a recommendation from Barrandov, but she took the admissions tests at FAMU and was accepted. From 1957-1962 she studied film directing under Otakar Vávra, who also taught Jirí Menzel, Milos Forman, Jan Nemec, and Ivan Passer. In 1962 she graduated as director from Film Academy (FAMU) in Prague. Her graduation film 'Strop' (Ceiling 1962) and the following film 'Pytel blech' (A Bagful of Fleas 1963) were "staged" improvisations with non-actors. In 1966 Chytilova and her husband, 'Jaroslav Kucera', made a witty surrealist comedy Daisies (1966), which was immediately banned, but then was released in 1967, and won the Grand Prix at the Bergamo Film Festival. She remained in Czechoslovakia after the events of 1968, when her colleagues Milos Forman, Jan Nemec, and Ivan Passer emigrated. Her films were often "shelved" for reasons of political censorship. For six years Chytilova was banned from making films. In 1976 she wrote a letter of complaint to President Gustav Husak, describing her artistic position. After some behind-the-scenes influence by her supporters, Chytilova was allowed to make a low-budget Hra o jablko (1977), which won a Silver Hugo at Chicago Film Festival.
Chytilova belongs among the foremost directors of the 1960's Czech New Wave, which was influenced by both the French New Wave and Italian Neo-Realism. Her films were acclaimed for visual experimentation and for bold unmasking of the moral problems of contemporary society. Her art belongs to what Sergei Eisenstein described as "intellectual cinema", that embraces the mix of "avant-garde", "cinema verite", "formalism", "feminism", or "happening" and, with a good deal of humor, it spreads beyond definitions. Chytilova's films often present a multi-layered plethora of visual associations that encourages the viewer to make active interpretations. She survived through the political turbulences in Czechoslovakia and has been a highly original and uncompromising filmmaker.- Director
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Having graduated from FAMU in Prague film (1971), Agnieszka Holland returned to Poland and began her film career working with Krzysztof Zanussi as assistant director, and Andrzej Wajda as her mentor. Her first feature film was PROVINCIAL ACTORS (1978), one of the flagship pictures of the "cinema of moral disquiet" and the winner of the International Critics Prize at the Cannes Film Festival in 1980. Subsequently, she made the films FEVER (1980) and THE LONELY WOMAN (1981). In 1981, just before the declaration of the state of emergency in Poland, Agnieszka Holland emigrated to France.
She directed ANGRY HARVEST (1985) which was nominated for a foreign-language Oscar. Her film EUROPA EUROPA (1990) also received a U.S. Academy Award nomination (best screenplay) and IN DARKNESS (2011) was again nominated as best foreign-language film. She also collaborated with her friend Krzysztof Kieslowski on the screenplay of his trilogy, THREE COLOURS (1993).
Holland's other films include TO KILL A PRIEST (1988), OLIVIER, OLIVIER (1992), THE SECRET GARDEN (1993), TOTAL ECLIPSE (1995), WASHINGTON SQUARE (1997), THE THIRD MIRACLE (1999), SHOT IN THE HEART (2001), JULIE WALKING HOME (2001), COPYING BEETHOVEN (2006), IN DARKNESS (2011), BURNING BUSH (2013), SPOOR (2017), MR. JONES (2019) and CHARLATAN (2020). She also directed several episodes of many notable TV series, including THE WIRE, JAG, COLD CASE, TREME (for the pilot of the latter she was nominated for an Emmy) and HOUSE OF CARDS. Agnieszka Holland has also written or co-written screenplays for films made by other directors and directed plays for Polish television. She was elected chairwoman of the Board of the European Film Academy in 2014 and was elected as its President in 2021.- Director
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A very talented painter, Kathryn spent two years at the San Francisco Art Institute. At 20, she won a scholarship to the Whitney Museum's Independent Study Program. She was given a studio in a former Offtrack Betting building, literally in an old bank vault, where she made art and waited to be critiqued by people like Richard Serra, Robert Rauschenberg and Susan Sontag. Later she earned a scholarship to study film at Columbia University School of Arts, graduating in 1979. She was also a member of the British avant garde cultural group, Art and Language. Kathryn is the only child of the manager of a paint factory and a librarian.- Director
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Born in China in 1947, Ann Hui moved to Hong Kong when she was still in her youth. After graduating in English and Comparative Literature from Hong Kong University, she spent two years at the London Film School. Returning to Hong Kong, she worked as an assistant to director King Hu before joining TVB to direct drama series and short documentaries. In 1978, she directed three episodes for the RTHK series Si ji san ha (1972). After that, she directed her debut feature The Secret (1979).- Actress
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Andrea Arnold was born on 5 April 1961 in Dartford, Kent, England, UK. She is an actress and director, known for American Honey (2016), Fish Tank (2009) and Red Road (2006).- Director
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Mary Harron (born January 12, 1953) is a Canadian filmmaker and screenwriter. She gained recognition for her role in writing and directing several independent films, including I Shot Andy Warhol (1996), American Psycho (2000), and The Notorious Bettie Page (2005). She co-wrote American Psycho and The Notorious Bettie Page with Guinevere Turner. Although Harron has denied this title, she has been thought to be feminist filmmaker due to her film on lesbian feminist Valerie Solanas, in I Shot Andy Warhol (1996), and a queer story-line within her teenage Gothic horror, The Moth Diaries (2011).- Director
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Patty Jenkins is a writer/director best known for directing Wonder Woman, the Warner Bros./DC Comics blockbuster of 2017, and her debut feature Monster. Patty also works in television where she is best known for the pilot and finale episode of AMC's hit show The Killing.
Patty began her career as a painter at The Cooper Union in New York City. Upon transitioning to filmmaking, she spent eight years as an Assistant Camera Person/Focus Puller on commercials and music videos. After attending the AFI in Los Angeles, she wrote and directed Monster.
Roger Ebert named Monster as The #1 Best Film of 2004 and #3 Best Film of the decade. AFI named it on the Ten Best Films of the Year. Patty also garnered a number of awards and nominations, including winning Best First Feature at the 2004 Independent Spirit Awards. Charlize Theron went on to sweep the awards circuit winning the Oscar, Golden Globe, SAG Award, and numerous critics' awards in the Best Actress category.
Jenkins went on to direct many commercials and TV programs including Fox's Arrested Development and HBO's Entourage and the pilot episodes for ABC's Betrayal and Exposed. She won the DGA award for best directing for The Killing pilot, as well as being nominated for an Emmy. She also received an Emmy nomination for her work on the final segment of FIVE - a series of short films about breast cancer.
In 2017, Jenkins broke the record for Biggest Grossing Live-Action Film Directed by a Woman, Domestic and Worldwide, with Wonder Woman. The film also received critical acclaim, broke several records and went on to become highest grossing film of the summer of 2017.- Director
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Jonathan Dayton and Valerie Faris have built an impressive body of work by perpetually seeking innovative projects in a variety of mediums.
After introducing bands such as REM and The Red Hot Chili Peppers on their ground breaking MTV show The Cutting Edge, Jonathan and Valerie continued to work in music television directing music videos and documentaries for bands such as The Smashing Pumpkins, Jane's Addiction, Macy Gray, Janet Jackson, Oasis, Weezer, and The Ramones. Their music productions have earned them two Grammy Awards, nine MTV Music Video Awards, and a Billboard Music "Director of the Year" Award.
In 1998, Jonathan and Valerie co-founded Bob Industries, one of the country's leading commercial production companies. Directing commercials for VW, Sony Playstation, Gap, Target, Ikea, Apple, ESPN amongst others, Dayton and Faris continue to push the medium into new vistas. In 2002, Creativity Magazine labeled them as one of their top ten best commercial directors.
Aside from their work in music videos and commercials, Jonathan and Valerie have done extensive work in television and film, including directing episodes of "Mr. Show with Bob and David" for HBO and producing two feature films, "The Decline of Western Civilization Part II: The Metal Years" for New Line Cinema, and "Gift" for Warner Bros. Music.- Director
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Pernille Fischer Christensen was born on 24 December 1969 in Copenhagen, Denmark. She is a director and writer, known for A Family (2010), A Soap (2006) and Someone You Love (2014).- Director
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Niki Caro is a New Zealand film director and screenwriter, born in 1967. Caro was born in Wellington, the capital city of New Zealand. She was educated first at the Kadimah College in Auckland, and then the Diocesan School for Girls in Auckland. The School is a private girls' school, and ranks among the top-achieving schools in New Zealand.
In the late 1980s, Caro enrolled in the Elam School of Fine Arts to pursue training as a sculptor. However her interest shifted to film studies. She graduated from Elam in 1988, at the age of 21. For post-graduate studies, Caro enrolled at the Swinburne University of Technology, located at Melbourne, Victoria.
Following the completion of her studies, Caro initially directed television commercials. In 1992, she directed and wrote an episode for the anthology television series "Another Country" (1992). In 1998, Caro directed her first feature film "Memory and Desire". It was an adaptation of a short story by Peter Wells (1950-2019), concerning the depression and apparent suicide of a Japanese married man. The film was critically well-received and won a New Zealand film award.
Caro next directed the feature film "Whale Rider" (2002).. It depicts a young Maori girl, Paikea "Pai" Apirana (played by Keisha Castle-Hughes) , who stands as a candidate for the position of tribal chief. The film earned over 41 million dollars at the worldwide box office, becoming one of New Zealand's most commercially successful films. The film also won an award at the Sundance Film Festival.
In 2005, Caro directed her first American film, "North Country". The film was loosely based on the legal case "Jenson v. Eveleth Taconite Co.", a class-action sexual harassment lawsuit concerning the treatment of female miners in a Minnesota-based mine. The film earned about 25 million dollars at the worldwide box office, failing to recover its budget expenses. Two of the films actresses (Charlize Theron and Frances McDormand) were nominated for Academy Awards for their performances, but neither of them won.
In 2009, Caro directed the romantic drama "A Heavenly Vintage", an adaptation on the fantasy novel "The Vintner's Luck" (1998) by Elizabeth Knox. The film won three awards at the Sedona Film Festival, but was criticized for toning down the homosexual relationship depicted in the novel.
In 2015, Caro directed the sports drama "McFarland, USA". The film is based on the life of track and field coach James White (1941-), and the first victory of the McFarland High School at a cross-country running championship in 1987. The film won about 46 million dollars at the worldwide box office, the commercially most successful film in Caro's career to that point.
In 2017, Caro directed the World War II-themed war film "The Zookeeper's Wife". The film was based on the lives of a married couple, the zoologist Jan Zabinski (1897-1974) and the children's writer Antonina Erdman ( 1908-1971). During the foreign occupation of Poland in World War II, the Zabinskis used the abandoned buildings of the Warsaw Zoo and their privately-owned villa to shelter hundreds of displaced Jews. They managed to rescue about 300 people. Caro won an award at the Heartland Film Festival for her direction in this film.
In 2017, Caro was hired by the Walt Disney Company to direct a live-action remake of "Mulan" (1998). Caro was reportedly the second female film director entrusted by Disney to direct a big-budget film, following Ava DuVernay (1972-). Caro's remake is scheduled for release in 2020.- Director
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Deepa Mehta is a transnational artist and a screenwriter, director, and producer whose work has been called "courageous", "provocative" and "breathtaking". Her visually lush and emotionally resonating films have played at every major international film festival; receiving numerous awards and accolades, and have been distributed around the world. Deepa was born in India and received a degree in philosophy from the University of New Delhi before immigrating to Canada. She began her career making documentaries in India.
In 1991, Deepa's first feature film Sam & Me, which stars Om Puri, won a Special Jury Mention in the Camera D'Or section at the Cannes Film Festival. Between 1992-1994 she directed two episodes of The Young Indiana Jones, produced by George Lucas for ABC. In 1993, Deepa directed her second feature film Camilla, a Canada-UK co-pro starring Jessica Tandy, Bridget Fonda, Elias Koteas, Maury Chaykin, Graham Greene, and Hume Cronyn. Fire, which Deepa wrote and directed, is the first film in her Elemental Trilogy (Fire, Earth, Water). Fire opened Perspective Canada at the 1996 Toronto International Film Festival, where it was runner-up for the People's Choice Most Popular Film Award. It played at the New York Film Festival and won many awards worldwide, including the Audience Award for Best Canadian Film at the Vancouver International Festival, the Special Jury Prize at the Mannheim-Heidelberg International Film Festival and Silver Hugo Awards for Best Direction and Best Actress in Chicago.
Earth, based on Bapsi Sidhwa's acclaimed novel about Partition, Cracking India, is the second film in the Elemental Trilogy. It premiered as a Special Presentation at the 1998 Toronto International Film Festival, and won the Prix Premiere du Public at the Festival du Film Asiatique de Deauville and the Critics' Award at the Verona Schermi d'Amore International Film Festival. Bollywood/Hollywood was a change of pace. Written and directed by Deepa, it is a lighthearted, affectionate comedy about two mismatched lovers. It opened Perspective Canada at the 2002 Toronto International Film Festival and was a tremendous crossover box office success. It remains one of the top 10 grossing English language Canadian movies. In 2003 Deepa co-wrote and directed the Canada-UK co-pro The Republic of Love, based on a Carol Shields novel.
After a disrupted and hazardous production history Deepa's final film in the Elemental Trilogy Water opened the 2005 Toronto International Film Festival, and was the first Canadian film acquired by US distributor Fox Searchlight. Water is a powerful, hauntingly tragic story, set in Benares (Varanasi) about a child widow who at the age of eight is forced to enter a house of widows where she has to live for the rest of her life. The movie was to have been shot in India in 2000, but Hindu fundamentalists fomented riots, burnt sets, and issued death threats against the director and actors, forcing production to shut down and the filmmakers to leave the country. Water was successfully remounted in Sri Lanka and completed shooting in June 2004, and features many of India's most renowned actors.
Water was an enormous success. It was nominated for an Oscar for Best Foreign Language Film at the 79th Annual Academy Awards, and has screened at festivals around the world, winning many awards, and remains an audience favourite. The Vancouver Film Critics Circle named Deepa Mehta the Best Canadian Director of 2006. This fall (2015) is the 10th anniversary of Water's launch.
In 2006 Deepa made a documentary about domestic violence in Toronto's immigrant families called Let's Talk About It, which continues to be used in community outreach programs. She then thematically segued into the feature film Heaven On Earth, which explores arranged marriages and isolation. Starring Preity Zinta, the film had its world premiere at the Toronto International Film Festival in 2008. It was awarded a Silver Hugo for Best Actress at the Chicago International Film Festival, and received the Best Screenplay Award at the Dubai International Film Festival. It also won the Youth Jury Award at the Schermi d'Amore Film Festival in Verona and the Audience Award at the River to River Florence Indian Film Festival.
In 2012, Deepa completed her epic cinematic adaptation of Salman Rushdie's famous novel about the history of India in the 20th century, Midnight's Children. A novel that won three Booker prizes. The movie, with 127 speaking parts, and covering five distinct time periods from 1917-1977, was a vast, ambitious undertaking and has screened all over the world, including the Telluride Film Festival, Toronto International Film Festival, Vancouver International Film Festival, and the BFI London Film Festival. Midnight's Children was chosen as the Best Feature Film of 2013 at the Directors Guild of Canada's Awards.
Deepa's work as an artist, as a progressive voice about social issues, and her generous mentorship have often been recognized. She has received numerous honorary degrees and many awards and honours, among them: The Life of Distinction Award from the Canadian Centre of Diversity, The Excellence in the Arts Award from the Canadian Civil Liberties Association, and the Woman of Distinction, President's Award from the YMCA. She is a recipient of the Governor General's Lifetime Artistic Achievement Award for Film. Most recently, in 2013, Deepa was appointed as an officer to the Order of Canada, Canada's highest civilian honour, for her work as a "groundbreaking screenwriter, director, and producer." She is also a recipient of the province of Ontario's highest honour, the Order of Ontario.- Animation Department
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Torill Kove was born on 25 May 1958 in Hamar, Norway. She is a writer, known for The Danish Poet (2006), My Grandmother Ironed the King's Shirts (1999) and Me and My Moulton (2014).- Writer
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Filmmaker Magazine rated her #1 in their "25 New Faces of Indie Film" in 2004!
She is a performance artist and published short story writer. Since becoming a filmmaker, her debut feature, Me and You and Everyone We Know (2005) has won several film awards.
Daughter of Lindy Hough and Richard Grossinger, writers and publishers who founded North Atlantic Books.- Director
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Kelly Reichardt was born and raised in Miami-Dade Country, Florida, to a family of police officers. She had an interest in photography from a very young age. She started by using her father's camera, which he used for photographing crime scenes. She went to the School of the Museum of Fine Arts in Boston, Massachusetts. In the summer of 2005, Reichardt directed Old Joy (2006), which premiered at the 2006 Sundance Film Festival. It was the first American film to win the Tiger award at the Rotterdam Film Festival and opened at the Film Forum in New York City. Reichardt's first feature, River of Grass (1994), a sun-drenched noir that was shot in her home town of Dade County, was cited as one of the best films of 1995 by the Boston Globe, Village Voice, Film Comment, the New York Daily News, Paper Magazine, and the San Francisco Guardian.- Actress
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Sarah Polley is an actress and director renowned in her native Canada for her political activism. Blessed with an extremely expressive face that enables directors to minimize dialog due to her uncanny ability to suggest a character's thoughts, Polley has become a favorite of critics for her sensitive portraits of wounded and conflicted young women in independent films.
She was born into a show business family: her stepfather, Michael Polley, appeared with her in the movie The Adventures of Baron Munchausen (1988) and on the television series Avonlea (1990); and her mother, Diane Polley, was an actress and casting director. It was her mother's connections that launched Sarah, at her own insistence, on an acting career at the age of four, following in the footsteps of her older half-brother Mark Polley. A second half-brother, John Buchan, is a casting director and producer.
Her career as a child actress shifted into high gear when she was cast as the Cockney waif Jody Turner in Lantern Hill (1989), for which she won a Gemini Award, the Canadian equivalent of the Emmy, in 1992. Produced by Kevin Sullivan, the film was based on the book by Lucy Maud Montgomery, author of Anne of Green Gables (1985). When Sullivan created a television series based on Montgomery's work, he cast Polley in the lead role of Sara Stanley in Avonlea (1990). The series propelled Polley into the first rank of Canadian TV stars and made her independently wealthy by the age of fourteen.
Her personal life was deeply affected by the death of her mother Diane from cancer shortly after her 11th birthday, a development that ironically paralleled the fictional life of her character Sara. Highly intelligent and politically progressive at a young age, Polley eventually rebelled against what she felt was the Americanization of the series after it was picked up by the Disney Channel for distribution in the US, eventually dropping out of the show. Though she does not blame her parents, she remains publicly disenchanted over the loss of her childhood and, in October 2003, said she is working on a script about a twelve-year-old girl on a TV show.
Polley, who picked up a second Gemini Award for her performance in the TV series Straight Up (1996), subsequently quit acting and high school to turn her attention to politics, positioning herself on the extreme left of Canada's left-of-center New Democratic Party. The publicity ensuing from her losing some teeth after being slugged by an Ontario policeman during a protest against the Conservative provincial government, plus the stinging cynicism from some other activists unimpressed by her celebrity, led her to lower her political profile temporarily and return to acting in Atom Egoyan's film The Sweet Hereafter (1997). It was her appearance as Nicole, the teenage girl injured in a school bus accident who serves as the conscience of the small town rent by the tragedy, that first brought her to the attention of critics in the US. In Canada, the role was heralded by critics as her successful breakthrough to adult roles. It was her second film with Egoyan, who wrote the part with her in mind when he adapted the novel by Russell Banks, who, ironically, is American. Predictions of an Academy Award nomination and future stardom were part of the critical consensus, and she received her first Best Actress Genie nomination from Canada's Academy of Canadian Cinema & Television and the Best Supporting Actress award from the Boston Society of Film Critics. It was the buzz created at the Sundance Festival, where her starring role in the film Guinevere (1999) was showcased, when the entertainment media crowned her the it-girl of 1999.
Intensely private and extremely ambivalent about the personal cost of celebrity and the Hollywood ethos Fame is the Name of the Game, Polley could be seen as rebelling against the expectations of mainstream cinema when she embarked on a career path that took her out of the spotlight thrown by the harsh lights of the Hollywood hype/publicity machine after shooting the film Go (1999). She dropped out of Cameron Crowe's Almost Famous (2000), the US$60 million mega-hyped vehicle that was supposed to make her a mainstream star in the US, choosing to return to Canada to make the CDN$1.5 million The Law of Enclosures (2000) for Genie Award-winner John Greyson, a director she admires greatly. The film grossed poorly in Canada and was not released in the US, but it did garner Polley her second Genie nomination for Best Actress. While her replacement in Almost Famous (2000) went on to win an Oscar nomination and a career above the title in glossy Hollywood films, she took a wide variety of parts, large and small, in independent films, including significant roles in the ensemble pieces The Claim (2000) and The Weight of Water (2000); bit parts in eXistenZ (1999) and Love Come Down (2000); and the lead in No Such Thing (2001). Her choice of projects showed her to be a questing spirit more focused on learning the art of her craft than on stardom.
She has said that her choice of film roles, eschewing mainstream Hollywood movies for chancier, non-commercial independent fare, was the result of an ethical decision on her part to make films with social importance. A less-observant viewer might think that the rebel Polley played in her political life that had previously manifested itself in her profession was now driving her to the verge of career suicide in terms of popularity, marketability, and choice of future roles. However, that interpretation does not recognize the extraordinary talent that will always keep her in demand by directors, if not casting agents, with an eye on the opening weekend box office. One must understand Polley's career progression in light of her attendance at the Canadian Film Centre's directors program and her production of short films, including Don't Think Twice (1999) and the highly praised I Shout Love (2001). Polley is a cinema artist. This woman wants to make, and will make films. Thus, we can understand her career choices as a desire to work with and understand the technique of some of the best directors in film, including David Cronenberg, Michael Winterbottom, and Hal Hartley.
Polley is as renowned for her intelligence as for her remarkable talent. The problem of the intelligent person in the acting field is that the actor, as artist, in not ultimately in control of their medium, and it is artistic control that is the hallmark of the great artist. The controlling intelligence on a movie set is the director, and her attendance at the Canadian Film Centre has given her a new perspective on acting. The actor, she says, should not try to give a complete performance for the camera (that is, control the representation on film) but must remember that the function of the actor is to give the director as much coverage as possible as a film, as well as a performance, is made in the editing room. According to Polley, this realization, that the film actor exists to serve the director, has given her new enthusiasm for acting. Thus, her career, and her career choices, can be seen as a quest for knowledge about the art of cinema, a journey whose fruition we will see in her future feature work as both actor and director.- Actress
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In Okay (2002), director and actress Paprika Steen shows off her multi- faceted acting talent as the loud-mouthed control freak Nete. This is her first major part for which she has already been nominated for the Best Actress Award from the European Film Academy. She has won the Danish Academy Award for her supporting role in the mega-hit Den eneste ene (The One and Only, 1999).
These nominations attest to Paprika Steen's strong performances, given in a number of smaller, but memorable parts, for example as an upper-class snob in The Idiots (1998) (The Idiots), a touchingly nerdy beautician in The One and Only (1999) (The Only One), and as a strong, slightly-neurotic sister in the mega-hit The Celebration (1998) (The Celebration).
Steen's considerable dramatic talent and potential is reinforced by a strong sense of humor that shines through in her work. While audiences may laugh hard, Steen remains sympathetic to the characters she portrays. The web of intertwined character flaws and potential is revealed with a light touch. It is the empathy that she evokes for her characters that makes her work memorable.- Writer
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Lana Wachowski and her sister Lilly Wachowski, also known as the Wachowskis, are the duo behind such ground-breaking movies as The Matrix (1999) and Cloud Atlas (2012). Born to mother Lynne, a nurse, and father Ron, a businessman of Polish descent, Wachowski grew up in Chicago and formed a tight creative relationship with her sister Lilly. After the siblings dropped out of college, they started a construction business and wrote screenplays. Their 1995 script, Assassins (1995), was made into a movie, leading to a Warner Bros contract. After that time, the Wachowskis devoted themselves to their movie careers. In 2012, during interviews for Cloud Atlas and in her acceptance speech for the Human Rights Campaign's Visibility Award, Lana spoke about her experience of being a transgender woman, sacrificing her much cherished anonymity out of a sense of responsibility. Lana is known to be extremely well-read, loves comic books and exploring ideas of imaginary worlds, and was inspired by Stanley Kubrick's 2001: A Space Odyssey (1968) in creating Cloud Atlas.- Director
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Astrid Henning-Jensen was born on 10 December 1914 in Copenhagen, Denmark. She was a director and writer, known for Winterborn (1978), Early Spring (1986) and Øjeblikket (1980). She was married to Bjarne Henning-Jensen. She died on 5 January 2002 in Copenhagen, Denmark.- Actress
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Rie Rasmussen was born in Denmark in 1976 to an artist mother and an Economist father. She was raised in the Danish country in an extended family with nine brothers and sisters. She moved to New York at the age of 15 to paint and has continued to travel ever since. She lived in Huntington Beach California where she briefly attended film school as a director in 1998. While writing in Paris she was cast in Brian De Palmas "Femme Fatale". After her role in Brian De Palma's film she was picked by director Tom Ford as the exclusive worldwide face of Gucci. At the age of 24 she directed her first short film, "Thinning the Herd" which she also wrote and acted in. "Thinning the Herd" nominated for a Palme d'Or at the Cannes film festival 2004. She opened Taormina film festival with her second short film 'Il Vestito' which she also wrote and appeared in. Shot on location in Palermo, Sicily as a black and white homage to Italian Neo-realism. In 2005 she was cast as the lead in Luc Besson's "Angel-A" a French speaking black and white fairy tale set in Paris. "Human Zoo" her first feature which she wrote, directed and produced was officially selected at last years Berlin Film Festival and was the opening night Panorama presentation.- Director
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The films of Claire Denis frequently explore the fragile connections between people and the ways in which the most seemingly inconsequential relationship can have life-changing effects. At the heart of Denis' cinema is a fascination with the delights and difficulties of belonging and otherness, the gravity and gift of foreignness. Often revolving around reactions to the intrusion of the other, be it a stranger or foreigner, Denis' films insist on the vital necessity of the unusual to coexist within the "normal" world. In films such as I Can't Sleep (1994) and Nénette and Boni (1996), Denis captures the mercurial and instant shifts in tone, from the pleasurably sensual to the menacing or the simply unaccountable, caused by the intrusion of the strange into the fabric of the everyday. In Denis' films one often feels that all is well even as worlds collide and collapse or, conversely, that a grave challenge underlies the seemingly calm moments. While Denis' childhood in French colonial Africa is reflected most directly in the African setting shared by her debut feature Chocolat (1988) and best-known film, Beau Travail (1999), this encounter with the intimacies and injustices of colonialism resounds throughout much of her work. Also shaping Denis' unique vision are the apprenticeships she served, just out of film school, under a variety of renowned directors, including Jacques Rivette, Wim Wenders, Dusan Makavejev and Jim Jarmusch - an eclectic company that is itself suggestive of the unique juxtaposition of careful craft and seeming casualness within Denis' work. Denis has often spoken of her shock as a young woman at discovering the novels of Faulkner that have exerted such a major influence over postwar French cinema. For Denis, Faulkner "was a plunge into the senses, into terror and the pain of his characters." These words describe Denis' films as well. But whatever terror and pain her characters may sometimes experience is outmeasured by the depths of Denis' deep affection for them and by her curiosity in their experiences of pleasure as well as fear. Even in the unsettling Trouble Every Day (2001), the not-infrequent catastrophes in Denis' films provoke a sense of wonder at, and even delight in, the sheer weight of existence.- Director
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Agnès Varda was born on 30 May 1928 in Ixelles, Belgium. She was a director and writer, known for Cléo from 5 to 7 (1962), Vagabond (1985) and Faces Places (2017). She was married to Jacques Demy. She died on 29 March 2019 in Paris, France.- Director
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Hardwicke's first film as a director was the Sundance winner THIRTEEN which explored the transition into teenage years with an authenticity that still captures young audiences (1.3 billion Tik Tok engagements.) Hardwicke directed LORDS OF DOGTOWN before she became best known as the director of TWILIGHT, which launched the blockbuster franchise and has since earned over three billion dollars. Recently her indie film PRISONER'S DAUGHTER premiered at TIFF 2022 and DREAMS IN THE WITCHHOUSE dropped on Netflix October 2022 as part of Guillermo del Toro's Cabinet of Curiosities. MAFIA MAMMA premieres in theaters on April 14 2023.- Writer
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Brit Heyworth Marling was born in Chicago, Illinois, to Heidi (Johnson) and John Marling, both of whom work in real estate. She graduated from Georgetown University, with a bachelor's in economics, and was offered a job with Goldman Sachs, which she turned down in favour of a career as an artist.
She moved to Los Angeles to act and, after spending a couple of years exploring the movie industry and being offered roles as "the cute blonde in horror movies", she taught herself to write, reasoning that the best way to get decent parts was to write them, herself. She worked on two movies, simultaneously - one in the mornings, one in the afternoons - and eventually both Another Earth (2011) and Sound of My Voice (2011) premiered at the Sundance Film Festival in 2011.- Director
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Kimberly Peirce was born on 8 September 1967 in Harrisburg, Pennsylvania, USA. She is a director and producer, known for Boys Don't Cry (1999), Stop-Loss (2008) and Carrie (2013).- Writer
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A director, producer, writer, marketer and film distributor, Ava DuVernay made her feature film debut with the documentary This is the Life (2008), a history on hip hop movement that flourished in Los Angeles in the 1990's. This was followed by series of television music documentaries which included My Mic Sounds Nice (2010) which aired on BET.
DuVernay's first narrative feature film, I Will Follow (2010), secured her the African-American Film Critics Association award for best screenplay. Her follow-up, Middle of Nowhere (2012) won the Best Director Prize at the 2012 Sundance film festival, making her the first African-American woman to receive the award.- Writer
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Catherine Breillat is a Paris based filmmaker and writer who became famous for her distinctively personal films on sexuality, gender trouble and sibling rivalry. Accused of being a "porno auteuriste", Breillat allowed for an unbiased view of sexuality and extended the language of mainstream movies. She is also a best-selling novelist and wrote her first novel, L'Homme Facile, at the age of 17. Breillat acted in Bernardo Bertolucci's Last Tango in Paris (1972) and wrote the screenplay for Maurice Pialat's movie Police (1985) . Since her first own film A Real Young Girl (1976), which was released 23 years after its shooting, Breillat explored critically as well as in an innovative way the perceptions imposed on female sexuality, related family and coming of age issues.- Director
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Born in 1966 in Salta in the North of Argentina,Lucrecia Martel settled down in Buenos Aires where she attended the ENERC (National Film School). She started by directing a few shorts among which Historias Breves I: Rey muerto (1995), which garnered several awards in the international film festival circuit. From 1995 to 1998, she made a series of documentaries for TV as well as a children's TV programme, hailed by the Argentinian press for its unusual dark humor. From 2001 until today, Lucrecia Martel has managed to make three very personal feature films, The Swamp (2001), The Holy Girl (2004) and The Headless Woman (2008), in which she explores her favorite theme, troubled minds.- Director
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Chantal Akerman was born on 6 June 1950 in Brussels, Belgium. She was a director and writer, known for The Meetings of Anna (1978), I, You, He, She (1974) and A Couch in New York (1996). She was married to Sonia Wieder-Atherton. She died on 5 October 2015 in Paris, France.- Art Department
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Jennifer Yuh Nelson was born on 7 May 1972 in South Korea. She is a director, known for Kung Fu Panda 2 (2011), Love, Death & Robots (2019) and Spawn (1997).- Director
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Phyllida Lloyd was born on 17 June 1957 in Bristol, England, UK. She is a director and producer, known for Mamma Mia! (2008), The Iron Lady (2011) and Herself (2020).- Director
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Haifaa Al Mansour is the first female filmmaker in Saudi Arabia and is regarded as one of the most significant cinematic figures in the Kingdom. She finished her bachelor's degree in Literature at the American University in Cairo and completed a Master's degree in Directing and Film Studies from the University of Sydney. The success of her three short films, as well as the international acclaim of her award-winning 2005 documentary Women Without Shadows, influenced a whole new wave of Saudi filmmakers and made the issue of opening cinemas in the Kingdom a front-page discussion. Within the Kingdom her work is both praised and vilified for encouraging discussion on topics generally considered too taboo, like tolerance, the dangers of orthodoxy, and the need for Saudis to take a critical look at their traditional and restrictive culture.- Producer
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Barbara Kopple was born on 30 July 1946 in New York City, New York, USA. She is a producer and director, known for Harlan County U.S.A. (1976), American Dream (1990) and Shut Up & Sing (2006).- Writer
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Marina de Van was born in France in 1971, her father being a musicologist. She studied at the Lycée Henri IV and at the Sorbonne University where she earned a degree in philosophy. Then, in 1993 she became a student at the FEMIS, the French school for cinematic studies, where she graduated in 1996. She directed and wrote 6 short movies as well as working as an actress and a writer with fellow FEMIS student director François Ozon. In 2002 she made her first feature film In My Skin (2002) as director, writer and actress.- Director
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Claudia Llosa was born on 15 November 1976 in Lima, Peru. She is a director and writer, known for The Milk of Sorrow (2009), Madeinusa (2006) and Loxoro (2012).- Director
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Phie Ambo (born 1973) was trained at the National Film School of Denmark, graduating as a documentary film director in 2003. Famous for her feature length documentary films true to the tradition of poetic, personal and cinematic language, Ambo deals with essential topics such as family relations, love, creative processes and artificial life.
Phie Ambo has directed a number of award-winning films for the cinema, including major works such as Family (2001), Gambler (2005) and Mechanical Love (2007).
In recent years Ambo has been especially interested in pursuing work of a more thematic nature, and this in the form of a trilogy focusing on the relation between science and human existence. In Mechanical Love (2007) which traveled widely on the international festival circuit, Ambo explored the relationship between human beings and robots and the nature of emotion itself. Released in 2012, Free the Mind deals with the impact that thoughts have on both the mind and the body. The last film in the trilogy, Ripples at the Shore, is about consciousness and is scheduled for release in 2014.- Director
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Zana Briski was born on 25 October 1966 in London, England, UK. She is a director and writer, known for Born Into Brothels: Calcutta's Red Light Kids (2004), The 77th Annual Academy Awards (2005) and The WIN Awards 2006 (2006).- Producer
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Katherine Fairfax Wright is known for Behind the Curtain: Todrick Hall (2017), Call Me Kuchu (2012) and Imperial Dreams (2014).- Producer
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Gabriela Cowperthwaite is known for Our Friend (2019) and Blackfish (2013).- Director
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Larisa Shepitko was born on 6 January 1938 in Bakhmut, Ukrainian SSR, USSR [now Bakhmut, Donetsk Oblast, Ukraine]. She was a director and writer, known for The Ascent (1977), Heat (1963) and You and Me (1971). She was married to Elem Klimov. She died on 2 July 1979 in near Redkino, Kalinin Oblast, Russian SFSR, USSR.- Editor
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Ágnes Hranitzky was born on 4 July 1945 in Derecske, Hungary. She is an editor, known for The Turin Horse (2011), Werckmeister Harmonies (2000) and The Man from London (2007). She is married to Béla Tarr.- Director
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Nanette Burstein was born on 23 May 1970 in Buffalo, New York, USA. She is a director and producer, known for On the Ropes (1999), American Teen (2008) and Going the Distance (2010). She is married to Scott Anderson (XV).