Best russian directors of all time
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The most famous Soviet film-maker since Sergei Eisenstein, Andrei Tarkovsky (the son of noted poet Arseniy Tarkovsky) studied music and Arabic in Moscow before enrolling in the Soviet film school VGIK. He shot to international attention with his first feature, Ivan's Childhood (1962), which won the top prize at the Venice Film Festival. This resulted in high expectations for his second feature Andrei Rublev (1966), which was banned by the Soviet authorities for two years. It was shown at the 1969 Cannes Film Festival at four o'clock in the morning on the last day, in order to prevent it from winning a prize - but it won one nonetheless, and was eventually distributed abroad partly to enable the authorities to save face. Solaris (1972), had an easier ride, being acclaimed by many in Europe and North America as the Soviet answer to Kubrick's '2001' (though Tarkovsky himself was never too fond of his own film nor Kubrick's), but he ran into official trouble again with Mirror (1975), a dense, personal web of autobiographical memories with a radically innovative plot structure. Stalker (1979) had to be completely reshot on a dramatically reduced budget after an accident in the laboratory destroyed the first version, and after Nostalghia (1983), shot in Italy (with official approval), Tarkovsky defected to Europe. His last film, The Sacrifice (1986) was shot in Sweden with many of Ingmar Bergman's regular collaborators, and won an almost unprecedented four prizes at the Cannes Film Festival. He died of lung cancer at the end of the year. Two years later link=Sergei Parajanov dedicated his film Ashik Kerib to Tarkovsky.He is one of my favorite directors, I love all his movies.- Director
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The son of an affluent architect, Eisenstein attended the Institute of Civil Engineering in Petrograd as a young man. With the fall of the tsar in 1917, he worked as an engineer for the Red Army. In the following years, Eisenstein joined up with the Moscow Proletkult Theater as a set designer and then director. The Proletkult's director, Vsevolod Meyerhold, became a big influence on Eisenstein, introducing him to the concept of biomechanics, or conditioned spontaneity. Eisenstein furthered Meyerhold's theory with his own "montage of attractions"--a sequence of pictures whose total emotion effect is greater than the sum of its parts. He later theorized that this style of editing worked in a similar fashion to Marx's dialectic. Though Eisenstein wanted to make films for the common man, his intense use of symbolism and metaphor in what he called "intellectual montage" sometimes lost his audience. Though he made only seven films in his career, he and his theoretical writings demonstrated how film could move beyond its nineteenth-century predecessor--Victorian theatre-- to create abstract concepts with concrete images.- Actor
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Sergei Bondarchuk was one of the most important Russian filmmakers, best known for directing an Academy Award-winning film epic War and Peace (1965), based on the book by Lev Tolstoy, in which he also starred as Pierre Bezukhov.
He was born Sergei Fedorovich Bondarchuk on September, 25, 1920, in the village of Belozerka, Kherson province, Ukraine, Russian Federation (now Belozerka, Ukraine). He was brought up in Southern Ukraine, then in Azov and Taganrog, Southern Russia. Young Bondarchuk was fond of theatre and books by such authors as Anton Chekhov and Lev Tolstoy. He made his stage debut in 1937, on the stage of the Chekhov Drama Theatre in the city of Taganrog, then studied acting at Rostov Theatrical School. In 1942 his studies were interrupted by the Nazi invasion during WWII. Bondarchuk was recruited in the Red Army and served for four years until he was discharged in 1946. From 1946 - 1948 he attended the State Institute of Cinematography in Moscow (VGIK), graduating as an actor from the class of Sergey Gerasimov. In 1948 he made his film debut in Povest o nastoyashchem cheloveke (1948) then co-starred in The Young Guard (1948).
For his portrayal of the title character in Taras Shevchenko (1951) he was awarded the State Stalin's Prize of the USSR, and was designated People's Artist of the USSR, becoming the youngest actor ever to receive such honor. Then he starred in the internationally renowned adaptation of the Shakespeare's Othello (1956), in the title role opposite Irina Skobtseva as Desdemona. Bondarchuk expressed his own experience as a soldier of WWII when he starred in The Destiny of a Man (1959), a war drama based on the eponymous story by Mikhail Sholokhov, which was also Bondarchuk's directorial debut that earned him the prestigious Lenin's Prize of the USSR in 1960.
Bondarchuk shot to international fame with War and Peace (1965), a powerful adaptation of the eponymous masterpiece by Lev Tolstoy. The 7-hour-long film epic won the 1969 Academy Award for Best Foreign Language Film, and brought Bondarchuk a reputation of one of the finest directors of his generation. The most expensive project in film history, War and Peace (1965) was produced over seven years, from 1961 to 1968, at an estimated cost of $100,000,000 (over $800,000,000 adjusted for inflation in 2010). The film set several records, such as involving over three hundred professional actors from several countries and also tens of thousands extras from the Red Army in filming of the 3rd two-hour-long episode about the historic Battle of Borodino against the Napoleon's invasion, making it the largest battle scene ever filmed. Bondarchuk also made history by introducing several remote-controlled cameras that were moving on 300 meter long wires above the scene of the battlefield. Having earned international acclaim for War and Peace (1965), he starred in the epic The Battle of Neretva (1969) with fellow Russian, Yul Brynner, and Orson Welles, whom he would direct the following year.
By the late 1960s Bondarchuk was one of the most awarded actor and director in the Soviet Union. However, he was still not a member of the Soviet Communist Party, a fact that brought attention from the Soviet leadership under Leonid Brezhnev. Soon Bondarchuk received an official recommendation to join the Soviet Communist Party, an offer that nobody in the Soviet Union could refuse without risking a career. At that time he was humorously comparing his situation with the historic Hollywood trials of filmmakers during the 50s. Bondarchuk was able to avoid the Communist Party in his earlier career, but things changed in the Soviet Union under Brezhnev, so in 1970, he accepted the trade-off and joined the Soviet Communist Party for the sake of protecting his film career. In 1971 he was elected Chairman of the Union of Filmmakers, a semi-government post in the Soviet system of politically controlled culture. Eventually he evolved into a politically controlled figure and turned to making such politically charged films as Red Bells (1982) and other such films. Later, during the liberalization of the Soviet Union under Mikhail Gorbachev, Bondarchuk was seen as a symbol of conservatism in Soviet cinema, so in 1986 he was voted out of the office.
Bondarchuk was the first Russian director to make a big budget international co-production with the financial backing of Italian producer Dino De Laurentiis, such as Waterloo (1970), a Russian-Italian co-production vividly reconstructing the final battle of the Napoleonic Wars. This was his first English-language production, but several Soviet actors were cast, e.g. Sergo Zakariadze and Oleg Vidov. In this film, Orson Welles, his co-star in The Battle of Neretva (1969) made a cameo as the old King Louis XVII of France. But this time Bondarchuk was unable to control the advances of Rod Steiger, and the film was a commercial flop in Europe and America, albeit it gained the favor of critics.
After his dismissal from the office of Chairman of the Union of Cinematographers he started filming Tikhiy Don (2006) based on the eponymous novel by the Nobel Prize winner Mikhail Sholokhov, with Rupert Everett as the lead. At the end of filming, just before post-production, Bondarchuk learned about some unfavorable details in his contract, causing a bitter dispute with the producers over the rights to the film and bringing much pain to the last two years of his life. Amidst this legal battle the production was stopped and the film was stored in a bank vault, and remained unedited and undubbed for nearly fourteen years. The production was completed by Russian television company "First Channel", and aired in November 2006.
In his career that spanned over five decades, Sergei Bondarchuk had credits as actor, director, writer, and co-producer in a wide range of films. He suffered a heart attack and died on October 20, 1994, and was laid to rest in Novodevichy Cemetery in Moscow, Russia, next to such Russian luminaries as Anton Chekhov and Mikhail A. Bulgakov. His death caused a considerable mourning in Russia. Bondarchuk was survived by his second wife, actress Irina Skobtseva and their children, actress Alyona Bondarchuk, and actor/director Fedor Bondarchuk, and actress Natalya Bondarchuk, his daughter with his first wife, actress Inna Makarova.
As a tribute to Sergei Bondarchuk, his son, Fedor Bondarchuk called him "a father and my teacher," and dedicated his directorial debut, 9th Company (2005), set in war-torn Afghanistan, whereas Sergei's directorial debut was set in WWII.War and Peace, Waterloo and other movies wich was created by this director are great- Actor
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Nikita Mikhalkov is the son of the famous communist poet Sergey Mikhalkov, who wrote the lyrics of the Soviet national anthem and had strong connections to the Communist Party. Nikita Mikhalkov's mother, Natalya Petrovna Konchalovskaya, was also a poet and daughter of famous painter Pyotr Petrovich Konchalovsky and his wife Olga Vasilievna Surikova, and by her the great granddaughter of another great painter Vasily Surikov. And then last, but not least, Nikita Mikhalkov is the brother of Andrey Konchalovskiy, also a distinguished film director who, unlike Nikita, has worked in the USA.
Not only did Mikhalkov direct the Academy Award-winning film "Burnt by the Sun" but he is also well-known as a versatile actor, having appeared in over 40 films, including the role of the Russian Tsar Alexander III in his own "The Barber of Siberia" (1998).
Mikhalkov has an impressively long list of wins at the most prestigious film festivals, like Cannes, Venice, Moscow or Karlovy Vary.
Following his movie's Oscar win for Best Foreign Language Film, Nikita Mikhalkov won a parliamentary seat in the then Prime Minister Victor Chernomyrdin's party.
He is always in the spotlight, especially in Moscow, where he resides.This is my favorite director, I love all his movies!- Writer
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The Russian theatre and film director Andrei Konchalovsky is an elder brother of Nikita Mikhalkov, born August, 20, 1937. As a youngster he planned to pursue a career of a musician and learned to play piano but his love for cinema outweighed and he entered VGIK-the major state film school where he studied under Mikhail Romm. At VGIK he met Andrei Tarkovsky, they collaborated on Ivan's Childhood (1962) and Andrei Rublev (1966). For his feature debut The First Teacher (1965), he chose the book by Chingiz Aitmatov about the post-1917 Revolution period in the southern Russia. His next film Istoriya Asi Klyachinoy, kotoraya lyubila, da ne vyshla zamuzh (1966) although made in 1966 was not released until a decade later because it failed to comply with the strict requirements of the Russian censorship of the period. A Nest of Gentry (1969) - a study of the 19 c. aristocracy - was praised for its visual beauty but attacked by critics as mannered. Konchalovsky's powerful Uncle Vanya (1970) from the play by 'Anton Chekhov_ is regarded by many people as one of the best films in the Russian language ever. Siberiade (1979) - a dramatic and realistic story of the lives of the people of Siberia - was internationally acclaimed and brought Konchalovsky to the attention of American and European producers. From then on-wards his career has been international in scope. Pleasing critics and audiences worldwide, he made the English language films Maria's Lovers (1984), Runaway Train (1985), Duet for One (1986) (praised for Max von Sydow's brilliant performance), and the award-winning Homer and Eddie (1989) starring Whoopi Goldberg. Konchalovsky moved to the mainstream territory with the action packed Tango & Cash (1989). Charasteristically he still insists that this work is no less laudable than any of his others. He also directed plays and operas in a number of European cities. In the early 1990s he returned to Russia and directed several theatre productions most notably "The Seagull" by Chekhov and "Miss Julie" by August Strindberg. Residing in Moscow Konchalovsky sometimes makes short excursions to Hollywood to make mainstream TV productions like the Emmy-winning The Odyssey (1997) and The Lion in Winter (2003) in which Glenn Close gave an award-winning performance. His Russian-French co-production House of Fools (2002) - a story set in an asylum that stands on the border between Russia and Chechenya during the war in Chechenya - was warmly received in Europe and won an honor at the 2002 Venice Film Festival. However the film antagonized the critics in Russia. In the very beginning of his career he was credited as Mikhalkov- Konchalovsky. Later he adopted his mother's maiden name to distinguish himself from his younger brother, Nikita Mikhalkov, who was rapidly becoming a famous filmmaker himself. For his last feature film The Postman's White Nights (2014), shot digitally in his home country Russia, Andrey Konchalovsky won the 'Best Director' award at the 'Venice International Film Festival' in 2014.He is also one of my favorite directors, but I do not like alle his movies.
His best movies are: Sibiriade, Paradise, Djadja Vanya, House of Fools (2003), Dvoryanskoe Gnezdo- Director
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Mikhail Kalatozov was born on 28 December 1903 in Tiflis, Russian Empire [now Tbilisi, Republic of Georgia]. He was a director and cinematographer, known for The Cranes Are Flying (1957), True Friends (1954) and Zagovor obrechyonnykh (1950). He died on 27 March 1973 in Moscow, RSFSR, USSR [now Russia].His masterpieces:
Soy Cuba, Red Tent- Director
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Mark Anatolyevich Zakharov was born on October 13, 1933, in Moscow, Russia. His father was a Red Army soldier during the Russian Civil War of 1918-1920, and his mother, Galina Sergeevna Zakharova, was an actress. Young Anatoli Zakharov was raised in Moscow. He was inspired by his mother in his persistent efforts to become an actor. He was admitted after several attempts, and graduated from the acting school of the State Theatre Institute (GITIS) in 1955.
Zakharov began his career as an actor and director at the Perm city theatre, then at the amateur student theatre of Moscow State University in the 1950's-1960's. He played bit parts in many classical and contemporary plays and developed an astute vision of the workings and interplay within an ensemble of actors. In 1965 he was invited to direct plays at the Moscow Theatre of Satire. There he became famous after his successful direction of "Dokhodnoe Mesto", a play by Aleksandr Ostrovskiy starring Andrey Mironov. The brilliant and popular play was soon banned by Soviet censorship during the Neo-Stalinist repressions under Leonid Brezhnev. Zakharov did not give up. He soon directed another innovative production of "Razgrom", a play by Aleksandr Fadeyev. The play was almost banned, but a powerful ideologist Mikhail Suslov was invited and liked the play very much. Zakharov was saved.
Beginning in 1973, Zakharov worked as the Artistic Director of the Moscow Lenkom Theatre. There he directed a dazzling array of popular stage plays including "The Seagull" by Anton Chekhov and "Til" by Grigori Gorin. His biggest stage work was the muscle "Yunona i Avos" (Juno and Avos, 1980) by Andrei Voznesensky on the music of Aleksey Rybnikov. It was the first rock-opera in the Soviet Union, starring Nikolay Karachentsov and Aleksandr Abdulov. It had a run of over a thousand stage performances and was made into a video. Another acclaimed production directed by Zakharov was "Pominalnaya molitva" based on the famous story of Tevie the Milkman by Sholom Aleichem. The title role in this play was the last stage work of the brilliant actor Evgeniy Leonov. Now the title role is played by Vladimir Steklov.
Zakharov was known as a remarkable film director. He made such hits as '12 stulev' (1977), 'Obyknovennoe chudo' (1978), 'Tot samy Munkhgausen' (1979) and 'Ubit drakona' (To Kill a Dragon. 1988). Zakharov created a harmonious ensemble of film stars including Aleksandr Abdulov, Nikolai Karachentsov, Andrey Mironov, Evgeniy Leonov, Oleg Yankovsky, Irina Kupchenko, Vyacheslav Tikhonov, Aleksandr Zbruev, as well as many other distinguished Russian actors.
Zakharov was famous for his wit and wisdom. He made news in 1991, when he burned his Communist Party ID card in front of the TV cameras. It was a bod, witty, and risky action. He later commented with humorous regret about his impulsive action. He said that he should have done it by simply leaving his Communist ID card on a table, like the former Russian President Boris Yeltsin.
Zakharov created a stellar ensemble of actors, who are working with him at the Moscow Lenkom Theatre. They include such stars as Inna Churikova, Leonid Bronevoy, Oleg Yankovskiy, Aleksandr Abdulov, Nikolay Karachentsov, Aleksandr Zbruev, Aleksandra Zakharova, Tatyana Kravchenko, Aleksandr Lazarev, Dmitriy Pevtsov, and other actors. He was also a professor of the Moscow Theatre Institute (GITIS).- Director
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Elem Klimov was born on 9 July 1933 in Stalingrad, Nizhne-Volzhskiy kray, RSFSR, USSR [now Volgograd, Volgogradskaya oblast, Russia]. He was a director and actor, known for Come and See (1985), Rasputin (1981) and Pokhozhdeniya zubnogo vracha (1965). He was married to Larisa Shepitko. He died on 26 October 2003 in Moscow, Russia.Come and see are a great movie!- Producer
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Karen Shakhnazarov was born on 8 July 1952 in Krasnodar, Krasnodarskiy kray, RSFSR, USSR [now Russia]. He is a producer and director, known for Ward No. 6 (2009), Zerograd (1988) and White Tiger (2012).His great movies are:
Winter evening in gagry, The assasin of the tsar, Kuryer (1986), Ward no 6, American Daughter and White Tiger is also great- Director
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Gleb Panfilov was born on 21 May 1934 in Magnitogorsk, Chelyabinsk Oblast, Russian SFSR, USSR [now Russia]. He was a director and writer, known for The Theme (1979), Vassa (1983) and Mat (1990). He was married to Inna Churikova. He died on 26 August 2023 in Russia.His masterpieces are:
Vassa, Romanovy, The Debut- Director
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Georgi Daneliya was born on August 25, 1930 in Tbilisi, Georgia. Since 1939 the family lived in Moscow, where Danelia's father was the chief engineer for the Moscow Underground Metro System. Daneliya's father became a decorated WWII General, specializing in construction of underground bunkers for the Soviet Government. His mother was a good chess-player and later worked as a second unit director at Mosfilm. Daneliya's mother's sister Veriko Anjaparidze was married to Mikheil Chiaureli, who was a personal friend of Joseph Stalin. Daneliya first earned his architect's degree from the Moscow Architecture Institute. Then he studied at the Higher Director's Courses at Mosfilm under Mikhail Romm, and graduated in 1959, becoming a film director at the Mosfilm Studios in Moscow.
During the cultural "Thaw" initiated by Nikita Khrushchev Daneliya was at the start of the Soviet "New Wave" in films. He had his first success shared with Igor Talankin. Their film 'Seryozha' (1960) was awarded the Crystal Globe in Karlovy Vary. He then worked with Gennady Shpalikov on a propaganda-free project about life in Moscow. Censorship caused a few obstacles by demanding changes to the plot and the script of 'Walking the Streets of Moscow' (1963). It became a popular lyrical comedy with a title hit song by Andrey Petrov. But soon Nikita Khrushchev was dismissed by Leonid Brezhnev and the "Thaw" ended. Daneliya's brilliant comedy '33' (1965) was labeled as anti-Soviet by the head of KGB Vladimir Semichastny, who wrote in a secret letter to the Central Committee: "anti-Soviet...film '33' is an attempt to discredit everything including the cosmonaut's flight."
Daneliya had to wait for 4 long years until he got a chance to work on his next film. It was titled "Don't Grieve" - 'Ne Goryuy' (1969), starring Vakhtang Kikabidze. His more careful, but masterful comedies 'Gentlemen of Luck' (1972), 'Afonya' (1975), 'Mimino' (1977) continued his successful career. A step beyond the comedy genre was made in his film 'Osenny Marafon' (1979). It's a melodrama about a man in his mid-life crisis, torn between two women, and all three are trapped in the game of lies and personal demands, amidst the stagnant Soviet reality.
His innovative film 'Kin-Dza-Dza' (1986) stands out as a genre of it's own. Everything is different, yet very familiar in this metaphoric film. New type of script with renown stars, new environment for and old tale, new language for ancient wisdom. Daneliya created a universe of allusions; It grows with a passage of time, while getting closer to our future. He presented a fresh view of the human nature, and played with reflections on his own life, the fate of a genius in a rigid society going through inevitable changes.
Danelia is blessed with good friends and highly professional collaborators. His first wife was actress Lyubov Sokolova (1921-2001) who played 370 film roles and is listed in the Guinnes book of Records. Their son Nikolai Daneliya (1958-1985) was a film director before his tragic death. Danelia lives in Moscow and works on his new project, an animation sequel to 'Kin-Dza-Dza'.- Director
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Vladimir Khotinenko was born on 20 January 1952 in Slavgorod, Altayskiy kray, RSFSR, USSR [now Russia]. He is a director and writer, known for Makarov (1993), 72 metra (2004) and Musulmanin (1995). He is married to Tatyana Yakovleva. They have one child. He was previously married to Dilorom Kambarova.Great movies:
Dostoyevsky, The demons, Makarov, The Priest/Pop
Nasledniki and 1612 are good.- Director
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Director and screenwriter Andrey Zvyagintsev is the winner of the Venice Film Festival (2003) and the Cannes Film Festival (2011, 2014, 2017). Two-time the Academy Awards and the BAFTA Awards nominee. Winner or the Golden Globe Awards (2015) for his film "Leviathan". In 2018, his latest work "Loveless" was awarded Best Foreign Film by the César Academy, France.
Born on the 6th of February in 1964 in Novosibirsk, Andrey Zvyagintsev attended the Novosibirsk Theatrical School, class of Lev Belov, before pursuing his studies in Moscow. In 1990, he graduated from the acting faculty of the Russian Institute of Theater Arts (GITIS), class of Evgeny Lazarev. In the following years Andrey gave several theatre, film and TV appearances as an actor.
In 2000, he debuted as a director. He made three short films for REN TV Channel's "The Black Room" series - "Bushido", "Obscure", "The Choice" - that was followed by his first full-length feature.
In 2003, "The Return", a debut not only for the director but also for the majority of the crew, played the main competition at the 60th Venice Film Festival and won its highest prize, the Golden Lion. Besides, Zvyagintsev was awarded the Lion of the Future for best debut, "a very delicate film about love, loss and growing". It captured the attention all over the world becoming one of the cinema sensations of the year.
His second film, "The Banishment", competed for the Palme d'Or at the Cannes Film Festival in 2007 and won Best Actor (Konstantin Lavronenko) - the first-ever for a Russian artist.
In 2011, Zvyagintsev's third film, "Elena", premiered at the 64th Cannes Film Festival and won the Special Jury Prize in the Un Certain Regard section.
His fourth film, "Leviathan", screened in competition at the Cannes Film Festival in 2014 and won Best Screenplay (Andrey Zvyagintsev and Oleg Negin). In 2015, the film won the Golden Globe becoming the first Russian feature to win this award since 1969. The film got an Oscar nomination in the same category at the 87th Academy Awards.
Zvyagintsev's next film, "Loveless", won the Jury Prize at the Cannes Film Festival in 2017 and was nominated for Best Foreign Language Film at the Academy Awards in 2018. "Loveless" was released in all major territories earning nominations for all acclaimed cinema awards worldwide including The Golden Globe Awards and BAFTA. It was awarded Best Foreign Film at France's César Awards, for the first time in history of both Soviet and Russian cinema.
In 2018, Andrey Zvyagintsev served on the Cannes Film Festival jury.Good movies:
The Return, The Banishment- Writer
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Pavel Semyonovich Lungin (born July 12, 1949) is a Russian film director. He is sometimes credited as Pavel Loungine (as in the American release of Tycoon).
Born 12 July 1949 in Moscow, Lungin is the son of a scriptwriter and linguist. He later attended Moscow State University from which he graduated in 1971. Lungin worked primarily as a scriptwriter until given the opportunity to direct Taxi Blues at age 40.
Lungin was awarded the Best Director Prize at 1990 Cannes Film Festival for the film Taxi Blues starring Pyotr Mamonov. That same year he took up residence in France, while making films in and about Russia with French producers. Two years later, his next film Luna Park would also compete at the 1992 Cannes Film Festival. In 1993 he was a member of the jury at the 18th Moscow International Film Festival.
He was the librettist for Nikolai Karetnikov's opera Till Eulenspiegel (written 1983) and Karetnikov's oratorio The Mystery of St. Paul.
In 2006 he directed the religious film The Island which also starred Mamonov. The film closed the 63rd Venice International Film Festival and was praised by the Russian Orthodox Church leader Alexis II.
Lungin was awarded the distinction People's Artist of Russia in 2008.
In 2009 he was the President of the Jury at the 31st Moscow International Film Festival.Great Movies:
The Island, Tsar, Dirizhyor- Writer
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Sergei Bodrov was born on 28 June 1948 in Khabarovsk, Khabarovskiy kray, RSFSR, USSR [now Russia]. He is a writer and director, known for Mongol: The Rise of Genghis Khan (2007), Prisoner of the Mountains (1996) and The Amateurs (1985).Great movies:
The caucasian prisoners and The bears Kiss is not bad- Director
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Vladimir Bortko was born on 7 May 1946 in Moscow, RSFSR, USSR [now Russia]. He is a director and writer, known for The Idiot (2003), Dusha shpiona (2015) and Tsirk sgorel, i klouny razbezhalis (1998).Great movies:
The Demons, Dostoyevsky, Makarov, The Priest/Pop, Nasledniki and 1612 is not bad.- Director
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Nikolay Lebedev was born on 16 November 1966 in Kishinyov, Moldavian SSR, USSR [now Chisinau, Moldova]. He is a director and writer, known for The Star (2002), Flight Crew (2016) and The Source of Snakes (1997).The Star and Legend no 17 are great- Director
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Andrey Kravchuk was born on 13 April 1962 in Leningrad, RSFSR, USSR [now St. Petersburg, Russia]. He is a director and writer, known for The Italian (2005), Admiral (2008) and Union of Salvation (2019).Good movies:
The Italian, Admiral and Viking is okay.- Director
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Stanislav Rostotsky was a renown Russian film director whose two films, The Dawns Here Are Quiet (1972) and White Bim Black Ear (1977) were nominated for Oscar and won other international awards.
He was born Stanislav Iosifovich Rostotsky on April 21, 1922, in Rybinsk, north of Moscow, Russia. His father, named Josef Boleslavovich Rostotsky, was a respected Medical Doctor and later became an official at State Department of Health. His mother, named Lidia Karlovna, was a homemaker. Young Rostotsky spent much of his childhood in a village in Central Russia. There he developed his special ability to uncover the beauty of wild nature, that later became a professional forte in his directing.
In 1936, at age 14, Rostotsky made his film debut as an actor in Bezhin lug (1937), albeit some parts of the film were lost, including most of Rostotsky's scenes. At that time he met the legendary director Sergei Eisenstein. Under the guidance from Eisenstein, young Rostotsky studied literature and arts, and focused on such writers as Honoré de Balzac and Émile Zola, composers Claude Debussy and Maurice Ravel, art of Japanese prints and Impressionist paintings by such artists as Pierre-Auguste Renoir and Edgar Degas among others. Rostotsky and Eisenstein became life-long friends. Upon Eisenstein's advise, Rostotsky did not rush into film business until he achieved a well-rounded education, he attended Moscow Institute of Philosophy and Literature.
In February 1942 Rostotsky was drafted in the Red Army. After a brief training, he served as a private with the 6th Cavalry Guards Brigade at the Ukrainian Front, fighting against the Nazi troops during the Second World War. On February 11, 1944 Rostotsky was severely wounded in action; after having his leg amputated he undergone a comprehensive six-month treatment, and had to wear a prosthesis for the rest of his life. Rostotsky was decorated with the Order of the Red Banner for his courage in battle.
In August of 1944 Rostotsky became a student of director Grigoriy Kozintsev at Leningrad Institute of Cinematography. There he studied film directing for seven years, assisted in Kozintsev's films, and graduated in 1951 as a film director. From 1952 to 2001 he worked at Gorky Film Studio in Moscow. There he made 17 films as director, including his best films, We'll Live Till Monday (1968), 'A zori zdes tikhie' (1972), and 'Belyy Bim - chernoe ukho' (1977), the latter two received Oscar nominations and international acclaim.
Stanislav Rostotsky was awarded the State Prize of the USSR twice (1970, 1975). He was designated People's Artist of the USSR, and received numerous awards and decorations for his contribution to film art. He was a Member of the Board of Union of Cinematographers, and five times Member of the Jury at Moscow International Film Festival (1975, 1977, 1979, 1981, 1983). He also taught directing at State Institute of Cinematography in Moscow, and wrote numerous articles on film directing and film history. He also wrote memoirs about Eisenstein, Gerasimov, Moskvin, and other Russian film figures. Rostotsky was married to notable Russian actress Nina Menshikova and their son, Andrey Rostotskiy was a popular film actor.
Outside of his film profession Stanislav Rostotsky was famous for his support of recreational fishing and was known for releasing his catch alive; he was decorated with the Medal of Honor "For Development of Fishing Resouces in Russia" and also presided at several sport fishing competitions. Stanislav Rostotsky died of a heart failure on August 11, 2001, in Moscow, and was laid to rest in Vagankovskoe Cemetery in Moscow, Russia.The dawns here are quiet, black Beam white ear- Actor
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Leonid Bykov was born on 12 December 1928 in Znamenskoye, Donetsk Oblast, Ukrainian SSR, USSR [now Ukraine]. He was an actor and director, known for Only Old Men Are Going to Battle (1974), Little Hare (1965) and Aty-baty, shli soldaty... (1977). He died on 11 April 1979 in Kiev Oblast, Ukrainian SSR, USSR [now Ukraine].Aty baty shli soldaty, sluzhili dva tovarisha are great movies- Director
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He was born with a disability because of an anatomic defect of his leg, in 1951 in Podorvikha village in Siberian Russia. His father was a Red Army veteran of WW2. One of most important contemporary filmmakers, Sokurov worked extensively in television and later graduated from the prestigious film school, VGIK, in 1979. His films often created tensions with the Soviet authorities but he received great support from such outstanding film masters as Andrei Tarkovsky. Particularly, after the collapse of the regime, Sokurov's films started earning him numerous awards around the world. While most known for his feature films, Sokurov has directed over 20 interesting documentaries. His 2002 sensational "Russian Ark" is a historic achievement that will be watched and talked about by many generations.
Sokurov has collected a number of awards at Berlin, Cannes, Moscow, Toronto, Locarno and European Film Awards. He lives and works in Russia.Russian Ark, Frankophonia, Elegy of life- Director
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Konstantin Bronzit was born on 12 April 1965 in Leningrad, RSFSR, USSR [now St. Petersburg, Russia]. He is a director and writer, known for We Can't Live Without Cosmos (2014), Ubornaya istoriya - lyubovnaya istoriya (2007) and He Can't Live Without Cosmos (2019).- Actor
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In 1968 Garri Bardin graduated from the Moscow Art Theater School-Studio, the course of P.V. Massalsky. Worked as a dramatic actor in the theater of Gogol, was shot in the movies. In 1974, together with V. Livanov wrote a play "Don Juan", and was invited by Sergei Obraztsov as a director in the Moscow Puppet Theater. In 1975 he began to work as a director-animator at the Soyuzmultfilm studio, where for 15 years he made 15 films marked by numerous prizes both at home and abroad. In his luggage Bardin had four "Nika", "Golden Palm Branch" of the Cannes Film Festival and a host of other prestigious prizes collected by his films around the world. Garri Bardin has won recognition and success, using in his films a variety of techniques and materials: these are the matches in the "Conflict", and the ropes in the "Brace", and the wire in "Freaks," and origami in one of the latest films - "Adagio." In addition, the author uses both traditional dolls and clay. Almost in all of his films, Garri Bardin is the author of the scripts. In 1991, together with his group, Bardin founded his own studio "Stayer", where he still works.- Director
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Stanislav Govorukhin was born on 29 March 1936 in Berezniki, Russian SFSR, USSR [now Perm Krai, Russia]. He was a director and writer, known for The End of a Beautiful Epoch (2015), The Rifleman of the Voroshilov Regiment (1999) and Weekend [Uik-end] (2013). He was married to Galina Govorukhina and Yunona Kareva. He died on 14 June 2018 in Barvikha, Moskovskaya oblast, Russia.And then there where none