Scandinavian filmmakers - coursera.org
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Urban Gad was born on 12 February 1879 in Korsør, Denmark. He was a director and writer, known for The Devil's Assistant (1913), Das Feuer (1914) and The Call of the Child (1914). He was married to Esther Burgert Westenhagen and Asta Nielsen. He died on 26 December 1947 in Copenhagen, Denmark.- Director
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August Blom was born on 26 December 1869 in Copenhagen, Denmark. He was a director and actor, known for The End of the World (1916), Kærlighedslængsel (1916) and The Airship Fugitives (1912). He died on 10 January 1947 in Copenhagen, Denmark.- Director
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Benjamin Christensen was born on 28 September 1879 in Viborg, Denmark. He was a director and writer, known for Blind Justice (1916), Häxan (1922) and The Devil's Circus (1926). He was married to Karen Winther, Sigrid Stahl and Ellen Arctander. He died on 2 April 1959 in Copenhagen, Denmark.- Writer
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The illegitimate son of a Danish farmer and his Swedish housekeeper, Carl Theodor Dreyer was born in Copenhagen on the 3th of February, 1889. He spent his early years in various foster homes before being adopted by the Dreyers at the age of two. Contrary to popular belief (perhaps nourished by the fact that his films often deal with religious themes) Dreyer did not receive a strict Lutheran upbringing, but was raised in a household that embraced modern ideas: in his spare time the adoptive father was an avid photographer, and the Dreyers voted for The Danish Social Democrates. When he was baptized the reasoning was culturally, not religiously motivated. Dreyer's childhood was an unhappy one. He did not feel his adoptive parents' love (especially the mother), and longed for his biological mother, whom he never knew.
After working as a journalist, he entered the film industry, and advanced from reading scripts to directing films himself. In the silent era his output was large, but it quickly diminished with the arrival of the talkie. In his lifetime he was recognized as being a fanatical perfectionist amongst producers, and thus difficult to work with. His career was dogged by problems with the financing of his films, which led to large gaps in his output - and after the critics, too, denounced Vampyr (1932), he returned to journalism in 1932, and became a cinema manager in 1952 - though he still made features up to the mid- 1960s, a few years before his death. His films are typically slow, intense studies of human psychology, usually of people undergoing extreme personal or religious crises. He is now regarded as the greatest director ever to emerge from Denmark.- Writer
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Ernst Ingmar Bergman was born July 14, 1918, the son of a priest. The film and T.V. series, The Best Intentions (1992) is biographical and shows the early marriage of his parents. The film Sunday's Children (1992) depicts a bicycle journey with his father. In the miniseries Private Confessions (1996) is the trilogy closed. Here, as in 'Den Goda Viljan' Pernilla August play his mother. Note that all three movies are not always full true biographical stories. He began his career early with a puppet theatre which he, his sister and their friends played with. But he was the manager. Strictly professional he begun writing in 1941. He had written a play called 'Kaspers död' (A.K.A. 'Kaspers Death') which was produced the same year. It became his entrance into the movie business as Stina Bergman (not a close relative), from the company S.F. (Swedish Filmindustry), had seen the play and thought that there must be some dramatic talent in young Ingmar. His first job was to save other more famous writers' poor scripts. Under one of that script-saving works he remembered that he had written a novel about his last year as a student. He took the novel, did the save-poor-script job first, then wrote a screenplay on his own novel. When he went back to S.F., he delivered two scripts rather than one. The script was Torment (1944) and was the fist Bergman screenplay that was put into film (by Alf Sjöberg). It was also in that movie Bergman did his first professional film-director job. Because Alf Sjöberg was busy, Bergman got the order to shoot the last sequence of the film. Ingmar Bergman is the father of Daniel Bergman, director, and Mats Bergman, actor at the Swedish Royal Dramatic Theater. Ingmar Bergman was also C.E.O. of the same theatre between 1963-1966, where he hired almost every professional actor in Sweden. In 1976 he had a famous tax problem. Bergman had trusted other people to advise him on his finances, but it turned out to be very bad advice. Bergman had to leave the country immediately, and so he went to Germany. A few years later he returned to Sweden and made his last theatrical film Fanny and Alexander (1982). In later life he retired from movie directing, but still wrote scripts for film and T.V. and directed plays at the Swedish Royal Dramatic Theatre for many years. He died peacefully in his sleep on July 30, 2007.- Director
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Bo Widerberg was born on 8 June 1930 in Malmö, Skåne län, Sweden. He was a director and writer, known for Adalen 31 (1969), All Things Fair (1995) and Joe Hill (1971). He was married to Vanja Nettelbladt and Ann-Mari Björklund. He died on 1 May 1997 in Ängelholm, Skåne län, Sweden.- Director
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Jan Troell was born on 23 July 1931 in Limhamn, Malmö, Skåne län, Sweden. He is a director and cinematographer, known for Here Is Your Life (1966), The Emigrants (1971) and Il capitano (1991). He is married to Agneta Ulfsäter-Troell. They have one child.- Writer
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Probably the most ambitious and visually distinctive filmmaker to emerge from Denmark since Carl Theodor Dreyer over 60 years earlier, Lars von Trier studied film at the Danish Film School and attracted international attention with his very first feature, The Element of Crime (1984). A highly distinctive blend of film noir and German Expressionism with stylistic nods to Dreyer, Andrei Tarkovsky and Orson Welles, its combination of yellow-tinted monochrome cinematography (pierced by shafts of blue light) and doom-haunted atmosphere made it an unforgettable visual experience. His subsequent features Epidemic (1987) and Europa (1991) have been equally ambitious both thematically and visually, though his international fame is most likely to be based on The Kingdom (1994), a TV soap opera blending hospital drama, ghost story and Twin Peaks (1990)-style surrealism that was so successful in Denmark that it was released internationally as a 280-minute theatrical feature.- Director
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Though Academy Award®, Golden Globe Award and Emmy Award winning writer and director Susanne Bier's work often plays out against a wide-reaching global backdrop, its focus is intimate, carefully exploring the explosive emotions and complexities of familial bonds. This unique combination is part of the formula that has made her Denmark's leading female filmmaker and a powerhouse worldwide.
Bier's 2010 film In a Better World won the Academy Award for Best Foreign Language Film in 2011, as well as an Italian Golden Globe Award® for Best European Film and Best Director at the European Film Awards. She previously helmed the multi-award-winning After the Wedding (2006), which was also an Academy Award® nominee for Best Foreign Language Film, and was remade as an English-language film in 2019 starring Julianne Moore, Michelle Williams, and Billy Crudup.
Bier won an Emmy Award in 2016 for directing the six-part AMC mini-series The Night Manager, based on the 1993 novel of the same name by John le Carré, with stars Tom Hiddleston, Hugh Laurie, and Olivia Colman all winning Golden Globes for their work.
Bier followed this with the 2018 Netflix film Bird Box, starring Sandra Bullock, which went on to become the most-watched film in Netflix history. In 2020, she directed the six-part HBO series The Undoing, starring Nicole Kidman and Hugh Grant, the network's first original series to grow its audience each week.
Prior to this, Bier co-wrote and directed the romantic comedy The One and Only (1999), which won Best Film at the Danish Robert Awards and was the most watched domestic film in Denmark in 20 years, with one-fifth of the country's population having seen it at the cinema.
In 2002, she directed Open Hearts, shot in accordance with the Dogme '95 filmmaking aesthetic. The film won numerous awards, including the Audience Award at the Robert Festival (Danish Academy Award) and the International Film Critics' Award at the Toronto International Film Festival. Bier followed this with Brothers (2004), which won, among others, the Audience Award at the Sundance Film Festival.
In 2007, Bier directed the award-winning Things We Lost in the Fire, starring Halle Berry and Benicio Del Toro, her first English-language film.
In 2012, Bier made her triumphant return to the genre with the 2013 winner of the European Film Award for Best Comedy, Love Is All You Need, starring Pierce Brosnan and Trine Dyrholm. In 2014, Bier directed A Second Chance, starring Nikolaj Coster-Waldau, which premiered at the Toronto International Film Festival.
Most recently, Susanne Bier directed the Showtime limited series The First Lady, starring Viola Davis, Michelle Pfieffer, and Gillian Anderson.- Director
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Bent Hamer was born on December 18, 1956 in Sandefjord, Norway. He is a well-regarded film auteur, director, producer, and writer, known for Eggs (1995), Kitchen Stories (2003), O' Horten (2007) and Factotum (2005).
Hamer studied film theory and literature at the University of Stockholm and the Stockholm Film School. In addition to his later feature films, he has written and directed a number of short films and documentaries. His first film, Eggs, premiered at the 1995 Cannes Film Festival where it was shown in the Directors' Fortnight section and was rewarded best newcomer. That same year, it was shown in competition at the 19th Moscow International Film Festival where it won the award for Best First Film; it also received the FIPRESCI Prize at the 1995 Toronto International Film Festival. Eggs are about a father and son suffering from autism living in a remote place, where the son is more than usually concerned about the shape of eggs. Eggs was shot by his friend Erim Poppe, which quite soon later also became a front figure in the New Norwegian Wave, which can be seen as quality reality-based movies with underplayed quirky humor based on good scripts and reasonable budgets, focusing on the good story well acted out.
Hamer followed up with another strong film in Water Easy Reach (1998) about a young sailor stranded at a remote island, trying to fix his beloved golden watch, which saw Hamer really to be a leader of this New Norwegian Wave of quality films, starting the best period in Norwegian films ever. the film was awarded best screenplay amongst four nominations at the Amanda Awards at The Norwegian Film Festival in Haugesund. it was also nominated for the Crystal Star in Brussels, and Francisco Rabel won best main actor a Fotogramas de Plata.
His third film, the 2003 film Kitchen Stories (Salmer fra kjøkkenet) screened at many international festivals and was the Norwegian submission for the Academy Award for Best Foreign Language Film. It received much praise and recognition, and went on to get worldwide distribution, and awarded Best film at Amanda Awards. It also won main prizes in Copenhagen, Lübeck, Sao Paulo, Tromsø and Valladolid as well as in Ghent. The film is based on a true story about a scientific approach to make better kitchens by observing how a kitchen is used. We meet an observer as he agrees to follow an old bachelor's kitchen use.
In April 2004, Bent Hamer started shooting Factotum based on the novel of the same name by US poet and writer Charles Bukowski. The screenplay was written by Hamer and Jim Stark (Mystery Train, Cold Fever), who produced the film together with Christine Walker (American Splendor). The film premiered at the Kosmorama Film Festival in Trondheim, Norway, on April 12th 2005. It also received much praise, being nominated to C.I.C.A.E. in Cannes, winning the Golden swan in Copenhagen IFF, as well as winning prizes in San Diego and at Kosmorama in Trondheim.
In December 2007 Hamer returned back to comedy with O'Horten which premiered to great reviews, and the film about a train engineer being pensioned off his life work went on to be the most acclaimed of Hamers career yet, being nominated for seven Amandas, winning two, and winning four out of 10 nominations of the Kanon price in Trondheim IFF. It also won one of two nominations in Cannes, and won Hamer best director in Ghent IFF.
In 2010 Hamer directed a new drama-comedy, a Christmas movie, Home for Christmas. The film looks at those who are desperately trying to connect or reconnect with their families, friends, or anyone who will listen, based upon several shorts written by Levi Henriksen, from his "Bare mjuke pakker under treet". The film won three Amanda nominations and two Kanon nominations, and won the audience award at RiverRun IFF, though being felt like a minor step back in his film making.
The 2014-film 1001 Grams about a Norwegian scientist Marie attending a seminar in Paris on the actual weight of a kilo, only to find it is her own measurement of disappointment, grief and, not least, love, that ends up on the scale. Again Hamer won best screenplay at the Amandas and five more nominations. Here his steady companion photographer John Christian Rosenlund also won best cinematography at Chicago IFF.
September 2020 sees premiere of The Middle Man, based upon acclaimed writer Erlend Loe's second part of novel "Sluk" where Frank Farrelli takes on the job as a middle man in the God-forsaken town of Karmack, USA, a community in a depression so deep that they need a middle man to professionally communicate more of the bad news.
Hamer is the owner and founder of the BulBul Film Association, established in Oslo in 1994, and ha been called the Norwegian film auteur. due to his film language and how he tells his stories. Film historian Peter Cowie has compared Hamers characters with Jacques Tati. there's no doubt Hamer will be standing as one of the most important Filmmakers and a leader of the New Norwegian Wave occurring in the mid-nineties.- Producer
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Aki Kaurismäki did a wide variety of jobs including postman, dish-washer and film critic, before forming a production and distribution company, Villealfa (in homage to Jean-Luc Godard's Alphaville (1965)) with his older brother Mika Kaurismäki, also a film-maker. Both Aki and Mika are prolific film-makers, and together have been responsible for one-fifth of the total output of the Finnish film industry since the early 1980s, though Aki's work has found more favour abroad. His films are very short (he says a film should never run longer than 90 minutes, and many of his films are nearer 70), eccentric parodies of various genres (road movies, film noir, rock musicals), populated by lugubrious hard-drinking Finns and set to eclectic soundtracks, typically based around '50s rock'n'roll.
In the 1990s he has made films in Britain (I Hired a Contract Killer (1990)) and France (The Bohemian Life (1992)).- Director
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With Sidste omgang (1993) (Last Round), his graduation short from The National Film School of Denmark, Thomas Vinterberg got an early taste of critical success. He received the Jury's and Producers' Awards at the International Student Film Fest in Munich and won the 1st Prize at the Tel Aviv Film Fest. Popular success followed with his breakthrough short fiction film, Drengen der gik baglæns (1995), about a boy, who - after the death of his brother - discovers he can turn back time by walking backwards. This poetic short film was followed the reckless and fast-paced thriller, The Biggest Heroes (1996).
Vinterberg is one of the founding "brothers" of dogme95, a set of rules dedicated to reintroducing the element of risk in filmmaking. The Celebration (1998) was not only his first Dogme95 project it was also his first international success. With this movie he "penetrated a layer of evil and abomination [he'd] never been to before" (according to an interview by Bo Green Jensen for Weekend Avisen). The story revolves around Family patriarch Helge Klingenfeldt Hansen, celebrating his 60th birthday. In a speech the eldest son addresses his father, supposedly to honor him, only to reveal the father's darkest secret. Among other international prizes, Vinterberg received the Prix du Jury of the Cannes International Film Festival.
His feature, It's All About Love (2003), is a departure from the dogme95 project. It is the story of John (Joaquin Phoenix) and Elena (Claire Danes), whose marriage has fallen apart. Their troubled relationship is reflected in their surroundings as Vinterberg attempts to create a parallel between the chaos of the world and the chaos inside the characters.
Back in his homeland, Thomas Vinterberg nevertheless sticks to the English language. His Dear Wendy (2005), written by Lars von Trier, is a fierce attack against America's obsession with weapons. In 2007, Vinterberg returns to Danish with When a Man Comes Home (2007) whose subject (a singer comes home to the town he left behind) is appropriate to the circumstances. Vinterberg strikes hard with his next two works, Submarino (2010), the gloomy story of two brothers who try to cope with their depressing everyday lives and The Hunt (2012), the shocking tale of a man who falls prey to a madding crowd. It was no surprise to anyone that his next project was a new adaptation of a Thomas Hardy novel with Far from the Madding Crowd (2015).