Living Celebrities born in the 1930s
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- Actress
- Producer
From working for the exacting Alfred Hitchcock to a film written by Edward D. Wood Jr., Tippi Hedren, the Minnesota blonde, has had a distinctive career. She was born Nathalie Kay Hedren in New Ulm, MN, to Dorothea (née Eckhardt) and Bernard Hedren, who ran a general store, and is of Swedish, Norwegian, and German descent. Tippi was working as a New York fashion model when she married her first husband, former actor and later advertising executive Peter Griffith, in 1952 (married until 1961). She gave birth to her only child, future star Melanie Griffith, on August 9, 1957. Alfred Hitchcock discovered Tippi, the pretty cover girl, while viewing a commercial on NBC's Today (1952) show. He put her under personal contract and cast her in The Birds (1963). In a cover article about the movie in Look magazine (Dec. 4, 1962), Hitchcock praised her; he also told the Associated Press: "Tippi Hedren is really remarkable. She's already reaching the lows and highs of terror". Her performance in the film earned her both the Golden Globe award and the Photoplay award as Most Promising Newcomer. Her next film was playing the title role in Hitchcock's Marnie (1964), where she played a challenging and difficult role of a frigid, habitual thief. The film wasn't as big a hit as "The Birds," and it would take years before she won well-deserved admiration for her work. The professional relationship with Hitchcock ended with mutual bitterness and disappointment during the filming of "Marnie." That year, she married her agent, Noel Marshall (married until 1982). Charles Chaplin cast her in a supporting role in his final film A Countess from Hong Kong (1967), which flopped. Thereafter, Tippi and her husband Marshall collected big cats and other wildlife for the film Roar (1981), which they starred in and produced. The film took 11 years and $17 million to make, but it only made $2 million worldwide. Nevertheless, the film was a turning point in her life; she became actively involved in animal rights, as well as a wide variety of humanitarian and environmental causes. She married her third husband, businessman Luis Barrenecha, in 1985 but divorced him seven years later. In 2002, she became engaged to veterinarian Martin Dinnes, but after six years and no wedding, the couple called it quits. Tippi has devoted much time and effort to charitable causes: she is a volunteer International Relief Coordinator for "Food for the Hungry". She has traveled worldwide to set up relief programs following earthquakes, hurricanes, famine and war, and has received numerous awards for her efforts, including the Humanitarian Award presented to her by the Baha'i Faith. As for animal causes, she is founder and president of The Roar Foundation. Onscreen, she continues to work frequently in films, theater and TV. She appeared in I Woke Up Early the Day I Died (1998), finally bringing to the big screen the last screenplay written by the late Edward D. Wood Jr. in 1974 (and featuring Wood regulars Maila Nurmi and Conrad Brooks, just about the only surviving members of Wood's stock company). She also enjoyed playing comedic roles, such as an abortion rights activist in Alexander Payne's satire Citizen Ruth (1996) and slapping Jude Law in I Heart Huckabees (2004). Tippi's contributions to world cinema have been honored with Life Achievement awards in France at The Beauvais Film Festival Cinemalia 1994; in Spain, by The Fundacion Municipal De Cine in 1995; and at the Riverside International Film Festival in 2007. In 1999, Tippi was honored as "Woman of Vision" by Women in Film and Video in Washington, D.C., and received the Presidential Medal for her work in film from Hofstra University. She enjoys spending time with her daughter and grandchildren: Alexander Bauer, Dakota Johnson and Stella Banderas.- Actor
- Additional Crew
- Camera and Electrical Department
Buzz Aldrin (born Edwin Eugene Aldrin Jr.; January 20, 1930) is an American former astronaut, engineer and fighter pilot. He made three spacewalks as pilot of the 1966 Gemini 12 mission, and, as Lunar Module Eagle pilot on the 1969 Apollo 11 mission, he and mission commander Neil Armstrong were the first two people to land on the Moon.- Actor
- Producer
- Stunts
Eugene Allen Hackman was born in San Bernardino, California, the son of Ann Lydia Elizabeth (Gray) and Eugene Ezra Hackman, who operated a newspaper printing press. He is of Pennsylvania Dutch (German), English, and Scottish ancestry, partly by way of Canada, where his mother was born. After several moves, his family settled in Danville, Illinois. Gene grew up in a broken home, which he left at the age of sixteen for a hitch with the US Marines.
Moving to New York after being discharged, he worked in a number of menial jobs before studying journalism and television production on the G.I. Bill at the University of Illinois. Hackman would be over 30 years old when he finally decided to take his chance at acting by enrolling at the Pasadena Playhouse. Legend says that Hackman and friend Dustin Hoffman were voted "least likely to succeed."
Hackman next moved back to New York, where he worked in summer stock and off-Broadway. In 1964 he was cast as the young suitor in the Broadway play "Any Wednesday." This role would lead to him being cast in the small role of Norman in Lilith (1964), starring Warren Beatty. When Beatty was casting for Bonnie and Clyde (1967), he cast Hackman as Buck Barrow, Clyde Barrow's brother. That role earned Hackman a nomination for the Academy Award for Best Supporting Actor, an award for which he would again be nominated in I Never Sang for My Father (1970). In 1972 he won the Oscar for his role as Detective Jimmy "Popeye" Doyle in The French Connection (1971). At 40 years old Hackman was a Hollywood star whose work would rise to new heights with Night Moves (1975) and Bite the Bullet (1975), or fall to new depths with The Poseidon Adventure (1972) and Eureka (1983). Hackman is a versatile actor who can play comedy (the blind man in Young Frankenstein (1974)) or villainy (the evil Lex Luthor in Superman (1978)). He is the doctor who puts his work above people in Extreme Measures (1996) and the captain on the edge of nuclear destruction in Crimson Tide (1995). After initially turning down the role of Little Bill Daggett in Clint Eastwood's Unforgiven (1992), Hackman finally accepted it, as its different slant on the western interested him. For his performance he won the Oscar and Golden Globe and decided that he wasn't tired of westerns after all. He has since appeared in Geronimo: An American Legend (1993), Wyatt Earp (1994), and The Quick and the Dead (1995).- Actor
- Producer
- Soundtrack
R.J. Wagner was born 1930 in Detroit, the son of a steel executive. His family moved to L.A. when he was six. Always wanting to be an actor, he held a variety of jobs (including one as a golf caddy for Clark Gable) while pursuing his goal, but it was while dining with his parents at a Beverly Hills restaurant that he was discovered by a talent scout. After making his uncredited screen debut in The Happy Years (1950), Wagner was signed by 20th Century Fox, which carefully built him up toward stardom. He played romantic leads with ease, but it was not until he essayed the two-scene role of a shell-shocked war veteran in With a Song in My Heart (1952) that studio executives recognized his potential as a dramatic actor. He went on to play the title roles in Prince Valiant (1954) and The True Story of Jesse James (1957), and portrayed a cold-blooded murderer in A Kiss Before Dying (1956). In the mid-'60s, however, his film career skidded to a stop after The Pink Panther (1963). Several years of unemployment followed before Wagner made a respectable transition to television as star of the lighthearted espionage series It Takes a Thief (1968). He also starred on the police series Switch (1975), but Wagner's greatest success was opposite Stefanie Powers on the internationally popular Hart to Hart (1979), which ran from 1979 through 1984 and has since been sporadically revived in TV-movie form (another series, Lime Street (1985), was quickly canceled due to the tragic death of Wagner's young co-star, Samantha Smith). Considered one of Hollywood's nicest citizens, Robert Wagner has continued to successfully pursue a leading man career; he has also launched a latter-day stage career, touring with Stefanie Powers in the readers' theater presentation "Love Letters". He found success playing Number Two, a henchman to Dr. Evil in Austin Powers: International Man of Mystery (1997) and its sequels, and in 2007, he began playing Teddy Leopold, a recurring role on the CBS sitcom Two and a Half Men (2003). Wagner is married to Jill St. John and lives in Aspen.- Actress
- Producer
- Director
Joanne Gignilliat Trimmier Woodward was born on February 27, 1930, in Thomasville, Georgia, to Wade Woodward and Elinor Gignilliat Trimmier Woodward in a modest household. Her one older brother, Wade Jr., who was the favorite of her father, eventually became an architect. Elinor Woodward was a quite a movie buff and enjoyed going to picture shows often. Joanne claims she was nearly born in the middle of a Joan Crawford movie (Our Modern Maidens (1929)). Her mother wanted to name her Joan, but being Southern, she changed it to Joanne.
Thomasville was a typical small town in southern Georgia, around ten miles from the Florida border. Joanne was born right into the Great Depression. Her father was an administrator in the Thomasville school system, and her family was raised Episcopalian. Joanne's mother being an avid movie lover, it wasn't a surprise that Joanne wanted to go into the acting profession. Her father wasn't too keen on the idea, but her mother saw it coming and was thrilled. Joanne and her mother both adored the movie Wuthering Heights (1939) starring Laurence Olivier, and in 1939 Elinor took her daughter to the premiere of Gone with the Wind (1939) in Atlanta. Pulling up in a limo with the love of his life, Vivien Leigh (who starred in Gone with the Wind (1939)), Laurence Olivier was shocked when 9-year-old Joanne hopped right into the limo and sat in his lap without any warning. Years later when Joanne was famous, Olivier keenly remembered this incident. She later worked with Olivier in Come Back, Little Sheba (1977).
In her teens, Joanne entered and won many Georgia beauty contests. Her mother said that "she was the prettiest girl in town". But all Joanne wanted to do was act, and she saw beauty contests as the first step toward her dream. When she was of age, she enrolled in Louisiana State University, majoring in drama. After graduation and doing small plays, Joanne headed to New York and studied acting with Sanford Meisner. The first thing he tackled was Joanne's southern drawl.
Soon, Joanne was starring in television productions and theater. One day, she was introduced by her agent to another young actor at her level by the then-unknown name of Paul Newman. Paul's first reaction was, "Jeez, what an extraordinarily pretty girl". Joanne, while admitting that he was very good-looking, didn't like him at first sight, but she couldn't resist him. Soon they were working closely together as understudies for the Broadway production of "Picnic" and got along very well. They would have long conversations about anything and everything. Then both their movie careers took off: Joanne with Count Three and Pray (1955) and Paul with The Silver Chalice (1954). Also adding to the tension was Paul's wife, Jackie, who refused to get a divorce when Paul asked her for one. He wanted to marry Joanne; Jackie would simply not have it. Eventually, Jackie saw the anguish this was causing Paul and agreed to a divorce. Less than a week after the divorce was final, Paul married Joanne in Las Vegas on January 29, 1958, just months before Joanne won her Best Actress Oscar for The Three Faces of Eve (1957), in which she plays a woman with multiple personality disorder.
On April 8, 1959, Joanne gave birth to their first child, Elinor Teresa Newman, named after her and Paul's mothers. They both continued on with their careers, doing movies both together and apart. Two more children followed: Melissa Steward Newman on September 17, 1961, and Claire Olivia Newman on April 21, 1965. Since then, Joanne has been extremely busy in theater, film and television as well as ballet performances and very involved with charities and taking care of her family. In 2003, Joanne starred in a movie with Paul on HBO.- Actor
- Director
- Writer
Dark-haired, usually-mustachioed American actor with a cheeky grin, who achieved pop culture status through his portrayal of the kooky patriarch "Gomez Addams" in the hit TV series The Addams Family (1964), John Astin was born on March 30, 1930 in Baltimore, Maryland. He studied mathematics at Johns Hopkins University, but he discovered a passion for the theater and began to perform in minor plays and do voice-over work for commercials. He first got noticed thanks to a small role in West Side Story (1961), then appeared in several other films before being cast as "Gomez Addams". While "The Addams Family" was initially a huge hit, its popularity petered out after two years, and Astin moved on to other work including the offbeat Bunny O'Hare (1971), playing a grizzled but not- particularly-bright gunfighter in the Western spoof Evil Roy Slade (1972), an appearance in the Disney comedy Freaky Friday (1976) and dual roles in National Lampoon's European Vacation (1985).
He has since lent his comedic talents to numerous appearances as "Dr. Gangreen" in several corny "Killer Tomato" movies, and has contributed his voice to recreate "Gomez Addams" in the animated series The Addams Family (1992), then played "Grandpa Addams" in the successful TV series The New Addams Family (1998). In addition, Astin has contributed voices to several animated shows, and he still appears in films regularly.- Lanky and likable Will Hutchins was born in 1930 in Los Angeles, California, as Marshall Hutchason. He attended Pomona College and UCLA after spending two years as a cryptographer in the U.S. Army. Out of nowhere, he was discovered by a Warner Bros. TV talent scout and signed, despite having no previous experience. Aside from appearing as a guest on many TV westerns, such as Maverick (1957) and Cheyenne (1955), he earned his own series, Sugarfoot (1957), in which he played an unlikely western hero. The program ran a respectable four seasons.
In its aftermath, he focused on films, the most important being Merrill's Marauders (1962), and co-starred in a two-year stage tour of "Never Too Late". His gawky comedy style was put to the test as well in the '60s with two short-lived series, Hey, Landlord (1966) and Blondie (1968), in the latter playing Dagwood Bumstead. He also backed up Elvis Presley in three of his mediocre film efforts. Hutchins wed Carol Burnett's younger sister, Chrissie Burnett; they later divorced.
As is often the case with an instant TV star, there is an eventual downswing, and, in the late 1960s, he started to flounder badly. He turned his back on Hollywood and became, of all things, a ringmaster and clown for various circuses. Will has also worked behind the scenes for NBC and still attends conventions on occasion, more recently the 2004 Cincinnati Old Time Radio Convention, where he received the "Stone-Waterman Award". A nonagenarian, he resides in Glen Head, New York. - Actor
- Producer
- Director
Clinton Eastwood Jr. was born May 31, 1930 in San Francisco, to Clinton Eastwood Sr., a bond salesman and later manufacturing executive for Georgia-Pacific Corporation, and Ruth Wood (née Margret Ruth Runner), a housewife turned IBM clerk. He grew up in nearby Piedmont. At school Clint took interest in music and mechanics, but was an otherwise bored student; this resulted in being held back a grade. In 1949, the year he is said to have graduated from high school, his parents and younger sister Jeanne moved to Seattle. Clint spent a couple years in the Pacific Northwest himself, operating log broncs in Springfield, Oregon, with summer gigs life-guarding in Renton, Washington. Returning to California in 1951, he did a two-year stint at Fort Ord Military Reservation and later enrolled at L.A. City College, but dropped out to pursue acting.
During the mid-1950s he landed uncredited bit parts in such B-films as Revenge of the Creature (1955) and Tarantula (1955) while digging swimming pools and driving a garbage truck to supplement his income. In 1958, he landed his first consequential acting role in the long-running TV show Rawhide (1959) with Eric Fleming. Although only a secondary player the first seven seasons, he was promoted to series star when Fleming departed--both literally and figuratively--in its final year, along the way becoming a recognizable face to television viewers around the country.
Eastwood's big-screen breakthrough came as The Man with No Name in Sergio Leone's trilogy of excellent spaghetti westerns: A Fistful of Dollars (1964), For a Few Dollars More (1965), and The Good, the Bad and the Ugly (1966). The movies were shown exclusively in Italy during their respective copyright years with Enrico Maria Salerno providing the voice of Eastwood's character, finally getting American distribution in 1967-68. As the last film racked up respectable grosses, Eastwood, 37, rose from a barely registering actor to sought-after commodity in just a matter of months. Again a success was the late-blooming star's first U.S.-made western, Hang 'Em High (1968). He followed that up with the lead role in Coogan's Bluff (1968) (the loose inspiration for the TV series McCloud (1970)), before playing second fiddle to Richard Burton in the World War II epic Where Eagles Dare (1968) and Lee Marvin in the bizarre musical Paint Your Wagon (1969). In Two Mules for Sister Sara (1970) and Kelly's Heroes (1970), Eastwood leaned in an experimental direction by combining tough-guy action with offbeat humor.
1971 proved to be his busiest year in film. He starred as a sleazy Union soldier in The Beguiled (1971) to critical acclaim, and made his directorial debut with the classic erotic thriller Play Misty for Me (1971). His role as the hard edge police inspector in Dirty Harry (1971), meanwhile, boosted him to cultural icon status and helped popularize the loose-cannon cop genre. Eastwood put out a steady stream of entertaining movies thereafter: the westerns Joe Kidd (1972), High Plains Drifter (1973) and The Outlaw Josey Wales (1976) (his first of six onscreen collaborations with then live-in love Sondra Locke), the Dirty Harry sequels Magnum Force (1973) and The Enforcer (1976), the action-packed road adventures Thunderbolt and Lightfoot (1974) and The Gauntlet (1977), and the prison film Escape from Alcatraz (1979). He branched out into the comedy genre in 1978 with Every Which Way But Loose (1978), which became the biggest hit of his career up to that time; taking inflation into account, it still is. In short, The Eiger Sanction (1975) notwithstanding, the 1970s were nonstop success for Eastwood.
Eastwood kicked off the 1980s with Any Which Way You Can (1980), the blockbuster sequel to Every Which Way but Loose. The fourth Dirty Harry film, Sudden Impact (1983), was the highest-grossing film of the franchise and spawned his trademark catchphrase: "Make my day." He also starred in Bronco Billy (1980), Firefox (1982), Tightrope (1984), City Heat (1984), Pale Rider (1985) and Heartbreak Ridge (1986), all of which were solid hits, with Honkytonk Man (1982) being his only commercial failure of the period. In 1988, he did his fifth and final Dirty Harry movie, The Dead Pool (1988). Although it was a success overall, it did not have the box office punch the previous films had. About this time, with outright bombs like Pink Cadillac (1989) and The Rookie (1990), it seemed Eastwood's star was declining as it never had before. He then started taking on low-key projects, directing Bird (1988), a biopic of Charlie Parker that earned him a Golden Globe, and starring in and directing White Hunter Black Heart (1990), an uneven, loose biopic of John Huston (both films had a limited release).
Eastwood bounced back big time with his dark western Unforgiven (1992), which garnered the then 62-year-old his first ever Academy Award nomination (Best Actor), and an Oscar win for Best Director. Churning out a quick follow-up hit, he took on the secret service in In the Line of Fire (1993), then accepted second billing for the first time since 1970 in the interesting but poorly received A Perfect World (1993) with Kevin Costner. Next was a love story, The Bridges of Madison County (1995), where Eastwood surprised audiences with a sensitive performance alongside none other than Meryl Streep. But it soon became apparent he was going backwards after his brief revival. Subsequent films were credible, but nothing really stuck out. Absolute Power (1997) and Space Cowboys (2000) did well enough, while True Crime (1999) and Blood Work (2002) were received badly, as was Midnight in the Garden of Good and Evil (1997), which he directed but didn't appear in.
Eastwood surprised again in the mid-2000s, returning to the top of the A-list with Million Dollar Baby (2004). Also starring Hilary Swank and Morgan Freeman, the hugely successful drama won four Academy Awards, including Best Picture and Best Director for Eastwood. He scored his second Best Actor nomination, too. His next starring vehicle, Gran Torino (2008), earned almost $30 million in its opening weekend and was his highest grosser unadjusted for inflation. 2012 saw him in a rare lighthearted movie, Trouble with the Curve (2012), as well as a reality show, Mrs. Eastwood & Company (2012).
Between acting jobs, he chalked up an impressive list of credits behind the camera. He directed Mystic River (2003) (in which Sean Penn and Tim Robbins gave Oscar-winning performances), Flags of Our Fathers (2006), Letters from Iwo Jima (2006) (nominated for the Best Picture Oscar), Changeling (2008) (a vehicle for Angelina Jolie), Invictus (2009) (again with Freeman), Hereafter (2010), J. Edgar (2011), Jersey Boys (2014), American Sniper (2014) (2014's top box office champ), Sully (2016) (starring Tom Hanks as hero pilot Chesley Sullenberger) and The 15:17 to Paris (2018). Back on screens after a considerable absence, he played an unlikely drug courier in The Mule (2018), which reached the top of the box office with a nine-figure gross, then directed Richard Jewell (2019). At age 91, Eastwood made history as the oldest actor to star above the title in a movie with the release of Cry Macho (2021).
Away from the limelight, Eastwood has led an aberrant existence and is described by biographer Patrick McGilligan as a cunning manipulator of the media. His convoluted slew of partners and children are now somewhat factually acknowledged, but for the first three decades of his celebrity, his personal life was kept top secret, and several of his families were left out of the official narrative. The actor refuses to disclose his exact number of offspring even to this day. He had a longtime relationship with similarly abstruse co-star Locke (who died aged 74 in 2018, though for her entire public life she masqueraded about being younger), and has fathered at least eight children by at least six different women in an unending string of liaisons, many of which overlapped. He has been married only twice, however, with a mere three of his progeny coming from those unions.
His known children are: Laurie Murray (b. 1954), whose mother is unidentified; Kimber Eastwood (b. 1964) with stuntwoman Roxanne Tunis; Kyle Eastwood (b. 1968) and Alison Eastwood (b. 1972) with his first ex-wife, Margaret Neville Johnson; Scott Eastwood (b. 1986) and Kathryn Eastwood (b. 1988) with stewardess Jacelyn Reeves; Francesca Eastwood (b. 1993) with actress Frances Fisher; and Morgan Eastwood (b. 1996) with his second ex-wife, Dina Eastwood. The entire time that he lived with Locke she was legally married to sculptor Gordon Anderson.
Eastwood has real estate holdings in Bel-Air, La Quinta, Carmel-by-the-Sea, Cassel (in remote northern California), Idaho's Sun Valley and Kihei, Hawaii.- Actor
- Soundtrack
Warren Edward Buffett born in Omaha ( August 30, 1930 ). He developed an interest in business and investing in his youth, eventually entering the Wharton School of the University of Pennsylvania in 1947 before transferring and graduating from University of Nebraska-Lincoln at the age of 19. Buffett went on to enroll and graduate from Columbia University where he learned and eventually molded his investment philosophy around a concept pioneered by Benjamin Graham-value investing. He attended New York Institute of Finance to specialize his economics background and soon after began various business partnerships, including one with Graham. After meeting Charlie Munger, Buffett created the Buffett Partnership. His firm would eventually acquire a textile manufacturing firm called Berkshire Hathaway and assume its name to create a diversified holding company.
Filmography : Buffett's work even earned him a glamorous foray into the movie business when he made a appearance in the 2015 movie 'Wall Street: Money Never Sleeps' (2010), 'The Billionaires' Pledge' (2012) and 'The Berkshire Apprentice' (2016). HBO recently created a documentary "Becoming Warren Buffett,"( January, 2017 ) which provides a fresh overview of the "Oracle of Omaha," the subject of a best-selling 'The Snowball' ( 2008 ) biography for which he also extensively cooperated. Directed by Peter Kunhardt, whose film subjects have included President Richard Nixon and media mogul Oprah Winfrey, the documentary was largely narrated by Buffett and contains interviews with people close to him, including his sisters, three children, Berkshire Vice Chairman Charlie Munger, and philanthropists Bill and Melinda Gates.- Actor
- Producer
- Director
Veteran actor and director Robert Selden Duvall was born on January 5, 1931, in San Diego, CA, to Mildred Virginia (Hart), an amateur actress, and William Howard Duvall, a career military officer who later became an admiral. Duvall majored in drama at Principia College (Elsah, IL), then served a two-year hitch in the army after graduating in 1953. He began attending The Neighborhood Playhouse School of the Theatre In New York City on the G.I. Bill in 1955, studying under Sanford Meisner along with Dustin Hoffman, with whom Duvall shared an apartment. Both were close to another struggling young actor named Gene Hackman. Meisner cast Duvall in the play "The Midnight Caller" by Horton Foote, a link that would prove critical to his career, as it was Foote who recommended Duvall to play the mentally disabled "Boo Radley" in To Kill a Mockingbird (1962). This was his first "major" role since his 1956 motion picture debut as an MP in Somebody Up There Likes Me (1956), starring Paul Newman.
Duvall began making a name for himself as a stage actor in New York, winning an Obie Award in 1965 playing incest-minded longshoreman "Eddie Carbone" in the off-Broadway revival of Arthur Miller's "A View from the Bridge", a production for which his old roommate Hoffman was assistant director. He found steady work in episodic TV and appeared as a modestly billed character actor in films, such as Arthur Penn's The Chase (1966) with Marlon Brando and in Robert Altman's Countdown (1967) and Francis Ford Coppola's The Rain People (1969), in both of which he co-starred with James Caan.
He was also memorable as the heavy who is shot by John Wayne at the climax of True Grit (1969) and was the first "Maj. Frank Burns", creating the character in Altman's Korean War comedy M*A*S*H (1970). He also appeared as the eponymous lead in George Lucas' directorial debut, THX 1138 (1971). It was Francis Ford Coppola, casting The Godfather (1972), who reunited Duvall with Brando and Caan and provided him with his career breakthrough as mob lawyer "Tom Hagen". He received the first of his six Academy Award nominations for the role.
Thereafter, Duvall had steady work in featured roles in such films as The Godfather Part II (1974), The Killer Elite (1975), Network (1976), The Seven-Per-Cent Solution (1976) and The Eagle Has Landed (1976). Occasionally this actor's actor got the chance to assay a lead role, most notably in Tomorrow (1972), in which he was brilliant as William Faulkner's inarticulate backwoods farmer. He was less impressive as the lead in Badge 373 (1973), in which he played a character based on real-life NYPD detective Eddie Egan, the same man his old friend Gene Hackman had won an Oscar for playing, in fictionalized form as "Popeye Doyle" in The French Connection (1971).
It was his appearance as "Lt. Col. Kilgore" in another Coppola picture, Apocalypse Now (1979), that solidified Duvall's reputation as a great actor. He got his second Academy Award nomination for the role, and was named by the Guinness Book of World Records as the most versatile actor in the world. Duvall created one of the most memorable characters ever assayed on film, and gave the world the memorable phrase, "I love the smell of napalm in the morning!"
Subsequently, Duvall proved one of the few established character actors to move from supporting to leading roles, with his Oscar-nominated turns in The Great Santini (1979) and Tender Mercies (1983), the latter of which won him the Academy Award for Best Actor. Now at the summit of his career, Duvall seemed to be afflicted with the fabled "Oscar curse" that had overwhelmed the careers of fellow Academy Award winners Luise Rainer, Rod Steiger and Cliff Robertson. He could not find work equal to his talents, either due to his post-Oscar salary demands or a lack of perception in the industry that he truly was leading man material. He did not appear in The Godfather Part III (1990), as the studio would not give in to his demands for a salary commensurate with that of Al Pacino, who was receiving $5 million to reprise Michael Corleone.
His greatest achievement in his immediate post-Oscar period was his triumphant characterization of grizzled Texas Ranger Gus McCrae in the TV mini-series Lonesome Dove (1989), for which he received an Emmy nomination. He received a second Emmy nomination and a Golden Globe for his portrayal of Soviet dictator Joseph Stalin in Stalin (1992), and a third Emmy nomination playing Nazi war criminal Adolf Eichmann in The Man Who Captured Eichmann (1996).
The shakeout of his career doldrums was that Duvall eventually settled back into his status as one of the premier character actors in the industry, rivaled only by his old friend Gene Hackman. Duvall, unlike Hackman, also has directed pictures, including the documentary We're Not the Jet Set (1974), Angelo My Love (1983) and Assassination Tango (2002). As a writer-director, Duvall gave himself one of his most memorable roles, that of the preacher on the run from the law in The Apostle (1997), a brilliant performance for which he received his third Best Actor nomination and fifth Oscar nomination overall. The film brought Duvall back to the front ranks of great actors, and was followed by a Best Supporting Actor Oscar nod for A Civil Action (1998).
Robert Duvall will long be remembered as one of the great naturalistic American screen actors in the mode of Spencer Tracy and his frequent co-star Marlon Brando. His performances as "Boo Radley" in To Kill a Mockingbird (1962), "Jackson Fentry" in Tomorrow (1972), "Tom Hagen" in the first two "Godfather" movies, "Frank Hackett" in Network (1976), "Lt. Col. Kilgore" in Apocalypse Now (1979), "Bull Meechum" in The Great Santini (1979), "Mac Sledge" in Tender Mercies (1983), "Gus McCrae" in Lonesome Dove (1989) and "Sonny Dewey" in The Apostle (1997) rank as some of the finest acting ever put on film. It's a body of work that few actors can equal, let alone surpass.- Actor
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Widely regarded as the one of greatest stage and screen actors both in his native USA and internationally, James Earl Jones was born on January 17, 1931 in Arkabutla, Mississippi. At an early age, he started to take dramatic lessons to calm himself down. It appeared to work as he has since starred in many films over a 40-year period, beginning with the Stanley Kubrick classic Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964). For several movie fans, he is probably best known for his role as Darth Vader in the original Star Wars trilogy (due to his contribution for the voice of the role, as the man in the Darth Vader suit was David Prowse, whose voice was dubbed because of his British West Country accent). In his brilliant course of memorable performances, among others, he has also appeared on the animated series The Simpsons (1989) three times and played Mufasa both in The Lion King (1994) and The Lion King (2019), while he returned too as the voice of Darth Vader in Star Wars: Episode III - Revenge of the Sith (2005) and Rogue One: A Star Wars Story (2016).- Actress
- Additional Crew
- Soundtrack
Mamie Van Doren was born on 6 February 1931 in Rowena, South Dakota, USA. She is an actress, known for Voyage to the Planet of Prehistoric Women (1968), Teacher's Pet (1958) and The Navy vs. the Night Monsters (1966). She has been married to Thomas Dixon since 26 June 1979. She was previously married to Ross McClintock, Lee Meyers, Ray Anthony and Jack Newman.- Age has not taken the flower off this Bloom. The well-known and highly respected stage, screen and television actress Claire Bloom continues to be in demand as an octogenarian actress and looks as beautiful as ever.
She was born Patricia Claire Blume on February 15, 1931, in Finchley, North London, to Elizabeth (Grew) and Edward Max Blume, who worked in sales. Her parents were from Jewish families from Belarus. Educated at Badminton School in Bristol and Fern Hill Manor in New Milton, Claire expressed early interest in the arts and was stage trained as an adolescent at the Guildhall School, under the guidance of Eileen Thorndike, and then at the Central School of Speech and Drama.
Marking her professional debut on BBC radio, she subsequently took her first curtain call with the Oxford Repertory Theatre in 1946 in the production of "It Depends What You Mean". She then received early critical accolades for her Shakespearean ingénues in "King John", "The Winter's Tale" and, notably, her Ophelia in "Hamlet" at age 17 at Stratford-on-Avon opposite alternating Hamlets Paul Scofield and Robert Helpmann. By 1949 Claire was making her West End debut with "The Lady's Not For Burning" with the up-and-coming stage actor Richard Burton.
A most becoming and beguiling dark-haired actress whose photogenic, slightly pinched beauty was accented by an effortless elegance and poise, Claire's inauspicious film debut came with a prime role in the British courtroom film drama The Blind Goddess (1948). It was her second film, when Charles Chaplin himself selected her specifically to be his young leading lady in the classic sentimental drama Limelight (1952), that propelled her to stardom. Her bravura turn as a young suicide-bent ballerina saved from despair by an aging music hall clown (Chaplin) was exquisitely touching and sparked an enviable but surprisingly sporadic career in films.
Despite the sudden film attention, Claire continued her formidable presence on the Shakespearean stage. Joining the Old Vic Company for the 1952-53 and 1953-54 seasons, she appeared as Helena, Viola, Juliet, Jessica, Miranda, Virgilia, Cordelia and (again) Ophelia in a highly successful tenure. Touring Canada and the United States as Juliet, she made her Broadway bow in the star-crossed-lover role in 1956, also playing the Queen in "Richard II". A strong presence on both the London and New York stages over the years, she gave other powerful performances with "The Trojan Women", "Vivat! Vivat! Regina!", "Hedda Gabler", "A Doll's House" and "A Streetcar Named Desire". Much later in life she performed in a superb one-woman show entitled "These Are Women: A Portrait of Shakespeare's Heroines" that included monologues from several of her acclaimed stage performances.
Claire's stylish and regal presence was simply ideal for mature period films, and she appeared opposite a roster of Hollywood's most talented leading men, including Laurence Olivier in the title role of Richard III (1955), Richard Burton and Fredric March in Alexander the Great (1956), Yul Brynner in The Brothers Karamazov (1958), and Brynner and Charlton Heston in the DeMille epic The Buccaneer (1958), in which she had a rare dressed-down role as a spirited pirate girl. On the more contemporary scene, she appeared with Burton in two classic film dramas: the stark "kitchen sink" British stage piece Look Back in Anger (1959) and the Cold War espionage thriller The Spy Who Came in from the Cold (1965). In addition she courted tinges of controversy, playing a housewife gone bonkers in the offbeat sudser The Chapman Report (1962) and a lesbian in the supernatural chiller The Haunting (1963).
Claire met first husband Rod Steiger while performing with him on stage in 1959's "Rashomon". They married that year and in 1960 had a daughter, Anna, who grew up to become a well-regarded opera singer. Claire and Rod appeared in two lesser films together, The Illustrated Man (1969) and Three Into Two Won't Go (1969), in 1969. That same year, they divorced after 10 tumultuous years.
As with other maturing actresses during the 1970s, Claire looked toward classy film roles in TV movies for sustenance, appearing in Backstairs at the White House (1979) as First Lady Edith Wilson and in Brideshead Revisited (1981), for which she was nominated for an Emmy. Also lauded were the epic miniseries Ellis Island (1984); a remake of Terence Rattigan's Separate Tables (1983); The Ghost Writer (1984), an acclaimed adaption of Philip Roth's novel ; and Shadowlands (1986), the latter earning her a British Television Award. Claire married Roth the writer (her third marriage) in 1990 after a brief second marriage to producer Hillard Elkins (1969-1972). The union with Roth lasted five years.
Claire appeared in several Shakespearean teleplays over the decades while also portraying a choice selection of historical royals, including Czarina Alexandra and Katherine of Aragon. On daytime drama, she delightfully played matriarch and murderess Orlena Grimaldi on the daytime drama As the World Turns (1956) starting in 1993. She left the role in 1995 and was replaced.
Continuing sporadically in films from the 1970s on, Claire graced such films as the stylish British social comedy A Severed Head (1971), the tender coming-of-age drama Red Sky at Morning (1971) as Richard Thomas's mother, and one of that year's versions of Ibsen's A Doll's House (1973) (Jane Fonda starred as Nora in the other). She also movingly played George C. Scott's estranged wife in Islands in the Stream (1977) and had a very brief cameo as Hera in Clash of the Titans (1981), a small part as a manipulative mother in Déjà Vu (1985), and mature parts in the romantic dramedy Sammy and Rosie Get Laid (1987) and classic Woody Allen drama Crimes and Misdemeanors (1989).
In the new millennium, Claire has been seen in such quality films as and The Book of Eve (2002), Imagining Argentina (2003), The King's Speech (2010) (as Queen Mary), And While We Were Here (2012), Max Rose (2013) starring a dramatic Jerry Lewis, and Miss Dalí (2018). She has also made appearances on such TV miniseries as The Ten Commandments (2005) and Summer of Rockets (2019).
Claire wrote two memoirs. The first was the more career-oriented "Limelight and After: The Education of an Actress," released in 1982. Her more controversial second book, "Leaving a Doll's House: A Memoir," published in 1996, focused on her personal life. - Actor
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A familiar name thanks to his handsome, brush-mustachioed titular cop on a popular 70's TV show, Bronx-born actor/singer/musician Hal Linden (né Harold Lipschitz, March 20, 1931) was the son of Lithuanian immigrant Charles Lipshitz and his wife Frances Rosen. He had one older brother, Bernard, who would become a future Professor of Music at Bowling Green State University, Ohio. Similarly musical, Hal took up classical clarinet in his late teens and went on to play regularly with symphony orchestras. After graduating from the High School of Music and Art in Manhattan, he studied music at Queens College, moving later to City College where he earned a degree in business. Hal supplemented his income playing in dance bands and was asked, at one point, to join Sammy Kaye on tour. Around this time he changed his marquee name to the more inviting "Hal Linden."
This mild invitation into professional show business sparked an interest in acting. Upon receiving his discharge, Hal enrolled at New York's American Theatre Wing where he trained in voice and drama. Eventually drafted into the Army in 1952, he utilized his talents by singing and providing entertainment for the troops. Discharged in 1954, he turned to summer stock and met Frances Martin, a dancer, the following year while both were in the chorus of "Mr. Wonderful" in Cape Cod. They married three years later and she willingly gave up her career to raise a family (four children).
During the early 1950s, he toured with Sammy Kaye and Bobby Sherwood and His Orchestra, among other bands. Hal's first Broadway show was with the 1956 musical "Bells Are Ringing" where he understudied lead Sydney Chaplin in the role of Jeff Moss. He later took over the role. He would make a bigger impression as Billy Crocker in the Broadway revival of Cole Porter in 1962. Hal accumulated more musical credits with leads in "Something More," "Illya, Darling" and "The Apple Tree" (as the Devil).
Although Hal also appeared in a couple of straight plays during this time ("Angel in the Pawnshop," "Three Men on a Horse"), he would win the 1971 Tony award for his earnest portrayal of Mayer Rothschild in the musical "The Rothschilds." This was quickly followed by the title role in the musical "The Sign in Sidney Brustein's Window," "The Enclave," "The Pajama Game," and other stage roles.
Hal's musical prominence finally led to legit television parts in the early 70's with guest appearances on "Circle of Fear," "Mr. Inside/Mr. Outside" and "The F.B.I." This, in turn, gave him the clout to be tested in a star role, that of the personable precinct boss on the highly popular Barney Miller (1975) sitcom. The long-running comedy program lasted eight seasons and Hal was subsequently Emmy-nominated each year, becoming a highly pleasant household name thanks to his warmly masculine looks, easy charm and dazzling smile.
Accommodating this TV triumph was several light and heavy TV-movie vehicles, including How to Break Up a Happy Divorce (1976), Father Figure (1980), The Other Woman (1983) and the two-person musical I Do! I Do! (1983) co-starring Lee Remick. Following that, Hal has appeared in other shorter-run TV series -- the title magician in Blacke's Magic (1986), title restaurateur in Jack's Place (1992) and as the beleaguered patriarch in the domestic sitcom The Boys Are Back (1994).
Although film stardom eluded Hal, he has supported a handful of films, including A New Life (1988), Just Friends (1996), Out to Sea (1997), Dumb Luck (2001), Time Changer (2002), Light Years Away (2008), Stevie D (2016), The Samuel Project (2018) and Grand-Daddy Day Care (2019). A much bigger presence on TV, Hal dominated with a number of guest appearances -- "The Golden Girls," "The Nanny," "Touched by an Angel," "Law & Order," "Will & Grace," "The King of Queens," "Hot in Cleveland," "2 Broke Girls" and "Grey's Anatomy." In 2006 and 2007, he enjoyed a recurring role on the daytime soap The Bold and the Beautiful (1987).
In between, he continued to impress on the stage with performances in such acclaimed plays and musicals as "Company," "Cabaret," "I'm Not Rappaport," "Tuesdays with Morrie," "The Sisters Rosenzweig" and "A Christmas Carol," while continuing musical tours as a clarinetist. The national chairman of the March of Dimes for many years, Hal's career length has now surpassed six decades. His wife Frances died in 2010.- Actor
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William Shatner has notched up an impressive 70-plus years in front of the camera, displaying heady comedic talent and being instantly recognizable to several generations of cult television fans as the square-jawed Captain James T. Kirk, commander of the starship U.S.S. Enterprise.
Shatner was born in Côte Saint-Luc, Montréal, Québec, Canada, to Anne (Garmaise) and Joseph Shatner, a clothing manufacturer. His father was a Jewish emigrant from Bukovina in the Austro-Hungarian Empire, while his maternal grandparents were Lithuanian Jews. After graduating from university, he joined a local Summer theatre group as an assistant manager. He then performed with the National Repertory Theatre of Ottawa and at the Stratford, Ontario, Shakespeare Festival as an understudy working with such as Alec Guinness, James Mason, and Anthony Quayle. He came to the attention of New York critics and was soon playing important roles in major shows on live television.
Shatner spent many years honing his craft before debuting alongside Yul Brynner in The Brothers Karamazov (1958). He was kept busy during the 1960s in films such as Judgment at Nuremberg (1961) and The Intruder (1962) and on television guest-starring in dozens of series such as Alfred Hitchcock Presents (1955), The Defenders (1961), The Outer Limits (1963) and The Twilight Zone (1959). In 1966, Shatner boarded the USS Enterprise for three seasons of Star Trek (1966), co-starring alongside Leonard Nimoy, with the series eventually becoming a bona-fide cult classic with a worldwide legion of fans known variously as "Trekkies" or "Trekkers".
After "Star Trek" folded, Shatner spent the rest of the decade and the 1970s making the rounds, guest-starring on many prime-time television series, including Hawaii Five-O (1968), Marcus Welby, M.D. (1969) and Ironside (1967). He has also appeared in several feature films, but they were mainly B-grade (or lower) fare, such as the embarrassingly bad Euro western White Comanche (1968) and the campy Kingdom of the Spiders (1977). However, the 1980s saw a major resurgence in Shatner's career with the renewed interest in the original Star Trek (1966) series culminating in a series of big-budget "Star Trek" feature films, including Star Trek: The Motion Picture (1979), Star Trek II: The Wrath of Khan (1982), Star Trek III: The Search for Spock (1984), Star Trek IV: The Voyage Home (1986), Star Trek V: The Final Frontier (1989) and Star Trek VI: The Undiscovered Country (1991). In addition, he starred in the lightweight police series T.J. Hooker (1982) from 1982 to 1986, alongside spunky Heather Locklear, and surprised many fans with his droll comedic talents in Airplane II: The Sequel (1982), Loaded Weapon 1 (1993) and Miss Congeniality (2000).
He has most recently been starring in the David E. Kelley television series The Practice (1997) and its spin-off Boston Legal (2004).
Outside of work, he jogs and follows other athletic pursuits. His interest in health and nutrition led to him becoming spokesman for the American Health Institute's 'Know Your Body' program to promote nutritional and physical health.- Actor
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Willie Mays was born on 6 May 1931 in Westfield, Alabama, USA. He is an actor, known for About Last Night (2014), Ironside (1967) and The Colgate Comedy Hour (1950). He was previously married to Mae Louise Allen and Margherite Wendell Chapman.- Actress
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After endless stage and television work, Barrie received a Cannes Film Festival Award for Best Actress for her performance in the ground-breaking racial drama One Potato, Two Potato (1964), as Julie, a young, white mother who marries a black man after she and her daughter are abandoned by her husband. The following decade, Barrie portrayed Evelyn in Breaking Away (1979), which earned her an Academy Award nomination for Best Supporting Actress, and later, an Emmy nomination, when she reprised the role in the television series based on the film. Later in her career, Barrie also was nominated for an Independent Spirit Award for Best Supporting Female for her performance as Sue Berlin, mother to the title character, Judy Berlin (1999).- Actress
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Armed with an acid dry wit and a full arsenal of sarcasm and sass, African-American character comedienne Marla Gibbs showed up on 1970s television with a bang in middle age (44). Landing the feisty maid role on the popular ground-breaking CBS sitcom The Jeffersons (1975), eventually led to her very own sitcom 227 (1985) a decade later and international celebrity. A divorced mother with three children (Angela Elayne Gibbs, Dorian Gibbs, Joseph Gibbs) at the time of her initial success, it was a job transfer from Detroit to Los Angeles, while working as a United Airlines reservation clerk, that set up this more-than-welcome surprise and change of destiny.
Born in Chicago on June 14, 1931, Marla attended Peters Business School (1950-1952) following high school and toiled for a time as a receptionist and switchboard operator in the Detroit area. Eventually, she secured work with United Airlines. After moving to Southern California on a transfer, Marla gave acting a try and initially studied at the Mafundi Institute and Watts Writers Workshop, located in the Watts area of L.A.
Bitten hard by the acting bug, Marla went on to appear in a number of local productions, including "Medea", "The Amen Corner" and "The Gingerbread Lady". After only a couple of minor film roles, including the blaxploitation film, Black Belt Jones (1974), she nabbed the role of Florence Johnston and television stardom.
On The Jeffersons (1975), the role of Florence, the maid, was initially set up as a mere one-shot guest role but Marla showed the character's potential. And, so it came to be that Florence Johnston became THE scene-stealing foil to Sherman Hemsley's equally mouthy, money-minded George Jefferson. Until the sitcom became a certified hit, Marla cautiously kept her job with the Airlines. However, with wisecracks and Emmy Award nominations (totaling 5) a plenty, Marla never really had to look back. The role of Florence was a natural for a spin-off series and it happened with the sitcom, Checking In (1981), in which the character becomes a housekeeper for a very swanky hotel. However, the sitcom was harmed by a writer's strike before it could gain a core audience. Fortunately for Marla, she was ushered right back into the Jefferson household following its quick demise (four episodes). Two months after the last "Jeffersons" episode aired in July 1985, 227 (1985) was included in that year's fall schedule.
Daughter Angela Elayne Gibbs produced an award-winning play by Christine Houston entitled "227", with Marla as the lead, at Marla's own local Crossroads Theatre, which the actress founded in 1981. The award-winning play was a solid hit and Marla wisely purchased the television rights. Once "The Jeffersons" was over, she pushed for "227" as a sitcom vehicle. Producer Norman Lear gave it the green light and Marla settled right back in for another popular series ride (for NBC), this time as resident gossip Mary Jenkins, whose demeanor was warmer and more approachable than the feisty Florence Johnson. This sitcom, which featured spitfire Jackée Harry as vampish neighbor Sandra Clark, ran for five years.
An eight-time NAACP Image Award winner, Marla has received several honors over the years, including Essence Woman of the Year. She has not carried a series since "227", but has been seen from time to time on other popular shows, including ER (1994), Cold Case (2003), Chappelle's Show (2003), Judging Amy (1999), Touched by an Angel (1994), The King of Queens (1998) and Dawson's Creek (1998). She has also had recurring roles on daytime (Passions (1999)) as well as prime-time (Pryor's Place (1984), The Hughleys (1998)) and gave a knowing portrayal as Natalie Cole's mother in the heart-warming television movie, Lily in Winter (1994).
In later years, Marla turned up again on the big screen with plucky roles in Up Against the Wall (1991), The Meteor Man (1993), Lost & Found (1999), Foolish (1999), Border to Border (1998), The Brothers (2001), and standout roles in The Visit (2000) and Stanley's Gig (2000).
Elsewhere, Marla's voice has been heard on the animated series 101 Dalmatians: The Series (1997) and, in addition to acting, sang the theme song to the film Stanley's Gig (2000), "In the Memory of You", which will be included on a CD, entitled "Scenes In Jazz". Marla owned a jazz club for some time in South Central L.A. called "Marla's Memory Lane, a jazz and supper club that ran from 1981 to 1999. She released her own CD of music, "It's Never Too Late", in May 2006, and co-wrote with Ray Colcord, the theme song to her starring series "227".
Into the millennium, Marla suffered both personal and professional setbacks. Her older sister, Susie Garrett, who co-starred on the hit sitcom Punky Brewster (1984), died of cancer in 2002. A few years later, in 2006, Marla suffered a small aneurysm followed by a stroke. She recovered and made a gradual comeback as a guest on such TV shows as Lincoln Heights (2006), House of Payne (2006), Mr. Box Office (2012), Scandal (2012), Hot in Cleveland (2010), The Blexicans (2015), American Horror Story (2011), This Is Us (2016), Black-ish (2014), NCIS (2003), Bless This Mess (2019) and the revamped One Day at a Time (2017). At one point, she played the recurring role of Grandma Eddy on the comedy series The First Family (2012) which starred her old "227" castmate Jackée Harry. On stage, Marla appeared in such comedies as "Boeing, Boeing" and was featured in such comedy films as C'mon Man (2012), Madea's Witness Protection (2012), Grantham & Rose (2014), Lemon (2017), Please Stand By (2017), Love Jacked (2018) and She Ball (2020).- Actress
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French ballet dancer Leslie Caron was discovered by the legendary MGM star Gene Kelly during his search for a co-star in one of the finest musicals ever filmed, the Oscar-winning An American in Paris (1951), which was inspired by and based on the music of George Gershwin. Leslie's gamine looks and pixie-like appeal would be ideal for Cinderella-type rags-to-riches stories, and Hollywood made fine use of it. Combined with her fluid dancing skills, she became one of the top foreign musical artists of the 1950s, while her triple-threat talents as a singer, dancer and actress sustained her long after musical film's "Golden Age" had passed.
Leslie Claire Margaret Caron was born in France on July 1, 1931. Her father, Claude Caron, was a French chemist, and her American-born mother, Margaret Petit, had been a ballet dancer back in the States during the 1920s. Leslie herself began taking dance lessons at age 11. She was on holidays at her grandparents' estate near Grasse when the Allies landed on the 15th of August 1944. After the German rendition, she and her family went to Paris to live. There she attended the Convent of the Assumption and started ballet training. While studying at the National Conservatory of Dance, she appeared at age 14 in "The Pearl Diver," a show for children where she danced and played a little boy. At age 16, she was hired by the renowned Roland Petit to join the Ballet des Champs-Elysees, where she was immediately given solo parts.
Leslie's talent and reputation as a dancer had already been recognized when on opening night of Petit's 1948 ballet "La Rencontre," which was based on the theme of Orpheus and featured the widely-acclaimed dancer 'Jean Babilee', she was seen by then-married Hollywood couple Gene Kelly and Betsy Blair. Leslie did not meet the famed pair at the end of the show that night as the 17-year-old went home dutifully right after her performance, but one year later Kelly remembered Leslie's performance when he returned to Paris in search for a partner for his upcoming movie musical An American in Paris (1951). The rest is history.
Kelly and newcomer Caron's touching performances and elegant and exuberant footwork (especially in the "Our Love Is Here to Stay" and "Embraceable You" numbers, as well as the dazzling 17-minute ballet to the title song) had critics and audiences simply enthralled. The film, directed by Vincente Minnelli, won a total of six Oscar awards, including "Best Picture," plus a Golden Globe for "Best Picture in a Musical or Comedy". Leslie was put under a seven-year MGM contract where her luminous skills would also be featured in non-musical showcases.
While Leslie's dramatic mettle was tested as a New Orleans nightclub entertainer opposite Ralph Meeker's boxer in Glory Alley (1952) and as a French governess in The Story of Three Loves (1953), it was as the child-like urchin who falls for a cruel carnival puppeteer (Mel Ferrer) in Lili (1953) that finally lifted Leslie to Academy Award attention. The film, which went on to inspire the Tony-winning Broadway musical "Carnival," earned Leslie not only an Oscar nomination, but the British Film Award for "Best Actress" as well. At her waif-like best once again in the musical Daddy Long Legs (1955), Leslie was paired this time with the "other" MGM male dancing legend Fred Astaire. The story, which unfolded in an appealing Henry Higgins/Eliza Dolittle style, was partly choreographed by Roland Petit, who founded the Ballet des Champs-Elysees, Leslie's former dance company.
While the actress gave poignant life to the ugly-duckling-turned-swan tale, The Glass Slipper (1955), choreographed by Petit and co-starring Britisher Michael Wilding as Prince Charming, Leslie also played a ballerina in love with WWII soldier John Kerr in Gaby (1956), a lukewarm remake of the superior Waterloo Bridge (1940). It took another plush musical classic, Gigi (1958), to remind audiences once again of Leslie's unique, international appeal. Audrey Hepburn, who had played the title part on Broadway, was keen on doing the film, but producer Arthur Freed wrote the part expressly for Leslie. It was also Freed who called up Fred Astaire to suggest her as his leading lady in Gigi (1958). Leslie tried the role out on the London stage prior to doing the film version. The musical wound up receiving nine Academy Awards, including "Best Picture," and Leslie herself was nominated for a Golden Globe as "Best Musical/Comedy Actress".
A few more forgettable film roles came and went until she returned triumphantly in a non-musical adaptation of a highly successful 1954 Broadway musical. The film version of Fanny (1961) was more adult in nature for Leslie and was blessed with gorgeous cinematography, a touching script and the continental flavor of veterans, Maurice Chevalier, Charles Boyer, and Horst Buchholz. At the movie's centerpiece is a child-like Leslie (at age 30!) who is mesmerizing as a young girl with child who is deserted by her sailor/boyfriend. Even more adult in scope was the shattering British drama The L-Shaped Room (1962) wherein the actress plays a pregnant French refugee who is abandoned yet again. She earned her a second British Academy Award and a second Oscar nomination for this superb performance.
On stage in London with the Royal Shakespeare Company, Leslie earned applause in another Audrey Hepburn Broadway vehicle, "Ondine," in 1961. While the mid-1960s and 1970s saw her film career take a Hollywood detour into breezy comedy with a number of lightweight fare opposite the likes of Rock Hudson, Cary Grant and Warren Beatty, she managed to shine with a complex working class mother role in the remarkable Italian film Il padre di famiglia (1967) starring Nino Manfredi and Ugo Tognazzi, and was spotted in the popular crossover film Valentino (1977) starring iconic Russian ballet star Rudolf Nureyev.
In the 1980s, Leslie appeared in stage productions of "Can-Can", "On Your Toes" and "One for the Tango". She also was invited and accepted to appear on American TV. At the age of 75, the actress won her first Emmy Award with her very moving portrayal of an elderly woman and closeted rape victim in a 2006 episode of Law & Order: Special Victims Unit (1999). More recent filming have included Damage (1992) by Louis Malle, Chocolat (2000) by Lasse Hallström, and the Merchant Ivory romantic comedy/drama The Divorce (2003).
Leslie's private life has been more turbulent than expected. She is divorced from the late meat packing heir and musician Geordie Hormel; from avant-garde Royal Shakespeare director Peter Hall, by whom she has two children, Christopher and Jennifer (both of whom have careers in the entertainment field); and from her Chandler (1971) movie producer Michael Laughlin.
One of the few MGM post-musical stars to enjoy a long, lasting and formidable dramatic career, Leslie Caron is still continuing today though on a much more limited basis. In 2008, the actress published her memoirs, "Thank Heaven," later translated to French as "Une Francaise à Hollywood". In 2010, she triumphed on the Chatelet Theater stage in Paris with her portrayal of Madame Armfeldt in Stephen Sondheim's "A Little Night Music. More recently the still mesmerizing octogenarian had a recurring role as a countess in the British TV series The Durrells (2016). Over the years, she has received a number of "Life Achievement" awards for her contributions to both film and dance.- Producer
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Although younger brother Dwayne Hickman (born 1934) is probably the better-remembered sibling today with his cult following as TV's favorite lovestruck teenager Dobie Gillis and a few "Beach Party" films, it is Darryl Hickman who is certainly the more prolific brother in the movies. At one time, he was deemed one of Hollywood's most talented child stars of World War II and post-war film.
Hickman was born in Hollywood, California on July 28, 1931, to Milton Hickman, an insurance salesman, and his wife Katherine, a mother-turned-stage mother. Taking dance classes at age 3, Darryl's looks and talent were discovered by his dance school director who eventually had him placed with a child troupe at age 5 (Meglin School for Kiddies). Paramount Studios subsequently took notice and signed him to a contract, making his unbilled film debut as Ronald Colman's son in the classic adventure The Prisoner of Zenda (1937). The child then appeared briefly in a second Colman film, If I Were King (1938). Darryl would grow up within the studio system and on the studio sets. Fellow classmates would include such stars as Jackie Cooper.
Appearing in the Bing Crosby musical biopic The Star Maker (1939), Crosby took notice of young Darryl's promise and referred him to his talent agent brother Everett Crosby. Everett was impressed as well, and took Darryl under his wing. Placed in the Paramount films Untamed (1940) and The Way of All Flesh (1940), the boy was eventually featured in his most prominent role, that of young, impoverished Winfield Joad in the classic film The Grapes of Wrath (1940). MGM quickly showed interest and bought out the boy's Paramount contract.
A popular loan-out child player, Darryl appeared in a "poverty row" version of one of Jack London's more popular adventure stories Sign of the Wolf (1941); appeared in 12-year-old Shirley Temple's last film for Fox Young People (1940); showed up in Universal's Mob Town (1941) and another Fox film Young America (1942). While at MGM, Darryl found himself working with the studio's top echelon of stars including Spencer Tracy, Katharine Hepburn, Robert Taylor and Mickey Rooney. Notable in-house roles included that of "Flip" in Men of Boys Town (1941), "Johnny Smith" in Joe Smith, American (1942), "(young) Blackie" in Northwest Rangers (1942); "Jeb" in the Tracy/Hepburn drama Keeper of the Flame (1942), "Etienne" in Assignment in Brittany (1943), and as young "Lionel" in the classic "Americana" film The Human Comedy (1943).
Darryl progressed from child to juvenile parts with equal skill. He was featured in the role of WWI flying ace Eddie Rickenbacker as a lad in the biopic Captain Eddie (1945) starring Fred MacMurray and also featuring brother Dwayne; played composer Ira as a teenager in the Gershwin story Rhapsody in Blue (1945); reunited with Shirley Temple in the "Corliss Archer" comedy Kiss and Tell (1945); played the ill-fated brother-in-law of evil Gene Tierney in the drama Leave Her to Heaven (1945); portrayed the younger version of Van Heflin in the film noir The Strange Love of Martha Ivers (1946); tangled with priest Pat O'Brien as a young troublemaker in the "Boy's Town"-like crime drama Fighting Father Dunne (1948); was upgraded to Shirley Temple's boyfriend in the light comedy A Kiss for Corliss (1949); played a prep school problem along with co-star Dean Stockwell in the comedy The Happy Years (1950) and a disturbed ranch caretaker along with equally disturbed older sister Mercedes McCambridge in the heavy meller Lightning Strikes Twice (1951).
Darryl attended the Immaculate Heart Grammar School in Los Angeles as well as the studio schools at Paramount and then MGM. In September of 1951, 20-year-old Darryl, who had grown unhappy and disenchanted with Hollywood and the studio system in its inability to protect child actors, abandoned his career and entered a monastery, the Passionist Seminary, with the intent on becoming a priest. Within a year, however, he left when he realized he was not cut out for a life in the priesthood.
Trying to regain his acting momentum proved admirable and challenging. He began on 50's TV with guest shots on such shows as "Sky King," "The Lone Ranger," "Annie Oakley," "Biff Baker, U.S.A., "Perry Mason," "Public Defenders," "Alfred Hitchcock Presents," "Wanted: Dead or Alive," "Gunsmoke," "The Millionaire" and several anthology programs. He also guested on brother Dwayne's popular "Dobie Gillis" TV show. On the film front, he found featured roles in Destination Gobi (1953), Island in the Sky (1953), Prisoner of War (1954), Tea and Sympathy (1956), The Persuader (1957) and The Tingler (1959).
By the early 1960's, as film and TV offers began to dry up, Darryl wisely moved behind the scenes. Starting out as a TV writer, he eventually became a program executive. In the 70's he briefly attempted TV producing. In later years he would also become a respected acting coach in the Los Angeles area. Never leaving acting altogether, he made 60's and 70's guest appearances on such shows as "Walt Disney's Wonderful World of Color," "Dr. Kildare," "Love, American Style," "All in the Family" and "Maude," before finding an "in" with an abundance of 80's animated voice work: Space Stars (1981), Pac-Man (1982), The Biskitts (1983), The Greatest Adventure: Stories from the Bible (1985) and A Pup Named Scooby-Doo (1988). One of his last visible appearances was in a 1999 episode of "The Nanny."
Darryl married actress Pamela Lincoln, whom he first met on the film set of The Tingler (1959). They had one child, but divorced in 1982. He is married presently to production assistant Lynda Farmer Hickman.- Actor
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Don King coined the phrase, "Only in America." He lives it. He breathes it. He believes it. It's part of his soul. "Only in America can a Don King happen," explains Don. "America is the greatest country in the world-I love America. What I've accomplished could not have been done anywhere else." Indeed, the odds have always been long for King. A product of the hard-core Cleveland ghetto, he beat those odds to become the world's greatest promoter. His shocking hairstyle, infectious smile, booming laugh and inimitable vocabulary have made Don King universally recognizable. He has been featured on the covers of Time, Sports Illustrated, Ebony, Jet, and countless other magazines. He has appeared in movies, television shows and on numerous television and radio talk shows. There was even an award-winning unauthorized movie loosely based on his life and numerous other attempts by Hollywood to depict his larger-than-life personality. Don's promotions have entertained billions around the globe. His life has been devoted to staging the best in world-championship boxing as well as always giving something back to the people. Don King-promoted events have given the sports and entertainment world some of its most thrilling and memorable moments. Inducted into the Boxing Hall of Fame in 1997, King was the only boxing promoter named to Sports Illustrated's list of the "40 Most Influential Sports Figures of the Past 40 Years." The following year as part of New York City's centennial celebration, King, along with such notables as Associate Justice of the Supreme Court Thurgood Marshall, musician Duke Ellingon, and poet Maya Angelou, was named by the Schomburg Center for Research in Black Culture as one of the New York City's 100 top black achievers of the century.- Actress
- Producer
- Additional Crew
Barbara Eden, born Barbara Jean Morehead in Tucson, Arizona, became one of America's most endearing and enduring actresses. A graduate of Abraham Lincoln High School in San Francisco, California, Eden would go on to study at San Francisco's City College as well as the San Francisco Conservatory of Music and the Elizabeth Holloway School of Theatre. While her aspirations as a singer motivated her during her early years for a career in music, it was her starring role in the NBC TV comedy series, I Dream of Jeannie (1965) where Barbara Eden immediately gained international acclaim.
Although most remembered for her role as "Jeannie", Barbara Eden has starred in more than 20 theatrical feature films and made-for-television films for at least four different movie studios: 20th Century Fox, Metro-Goldwyn-Mayer, Columbia Studios, and Universal Studios, most notably in the film Flaming Star (1960), when she acted as Elvis Presley's leading lady. Other films in which Barbara Eden had a leading role were Voyage to the Bottom of the Sea (1961), The Wonderful World of the Brothers Grimm (1962), Five Weeks in a Balloon (1962), 7 Faces of Dr. Lao (1964) and The Brass Bottle (1964). The Brass Bottle comedy movie led to Sidney Sheldon's creation of I Dream of Jeannie (1965) comical TV series.
In television, Eden made her first featured appearance on Country Club Dance (1957), as the series was nearing cancellation (there were just two more episodes). Eden immediately landed a starring role in the television version of How to Marry a Millionaire (1957), where she portrayed the same character role originated by Marilyn Monroe. Another memorable appearance came on The Manicurist (1962), featuring her in the character role, special guest-star, as well as her occupation being titled.
In 1965, Barbara Eden was cast the leading role in Sidney Sheldon's NBC sitcom, I Dream of Jeannie (1965). It televised weekly, for five successful and humorous seasons with 139 episodes. After "Jeannie," Barbara Eden went on to star in many other comical and family productions including Harper Valley P.T.A. (1978) and Chattanooga Choo Choo (1984) among other numerous highly rated made-for-television movies well into the 1990s. She has also acted in multiple western series and thrillers.
Outside of her film and television works, Barbara Eden headlined major hotel resorts and casinos including Lake Tahoe, Atlantic City and Las Vegas. She also was the star attraction at the MGM Grand, Harrah's, Caesar's Palace and on concert stages and legitimate theaters across the country.
Utilizing her singing ability, Eden released an album titled "Miss Barbara Eden" in 1967, for record company, Dot Records. She has also been a musical guest star in a wide range of variety television shows. Eden's appearances included 21 Bob Hope special shows, along with The Carol Burnett Show (1967), The Jonathan Winters Show (1967), The Sonny and Cher Show (1976), The Jerry Lewis Show (1963), This Is Tom Jones (1969), Tony Orlando and Dawn (1974), and Donny and Marie (1975).
During the Persian Gulf War, she traveled with Bob Hope to the middle-east to perform for the combat troops and then continued on with Hope in a whirlwind eight-day, around-the-world USO tour entertaining servicemen during the Christmas season.
To celebrate the 2002 Yuletide season, she responded to an invitation from President George Bush; Barbara journeyed to Washington D.C. and sang "Have Yourself a Merry Little Christmas" at the annual White House "Lighting of the National Christmas Tree" event where she also hosted the show and pageant with President and Mrs. Bush for an audience of 6,000 cheering fans on the Ellipse near the White House.
A multi-talent, Eden starred in the national touring musicals The Sound of Music (1965) and Gentlemen Prefer Blondes (1998). In the latter production, she played Lorelei Lee, the character created on Broadway by Carol Channing and performed by Marilyn Monroe in the 20th Century Fox film version. Eden also toured vastly in various stage productions like Neil Simon's Last of the Red Hot Lovers (1972), The Best Little Whorehouse in Texas (1982), Annie Get Your Gun (1967), Wild Pacific (2009) and Nite Club Confidential (1996). In the play "Love Letters," Eden reunited with her I Dream of Jeannie (1965) co-star, Larry Hagman. The duo toured metropolitan and major cities, across the United States. Eden starred in Neil Simon's "The Odd Couple: Female Version", and "Social Security" (1985). She has also been seen in TV series like, All Star Blitz (1985), Entertainment Tonight (1981) and Larry King Live (1985).
In 2011, Crown Archetype, a division of Random House, published Barbara's memoir, "Jeannie Out of the Bottle," which debuted at number 14 on the New York Times Best Seller List and on Australia's Best Seller List, published there by Harper-Collins, Inc. The autobiography chronicle's Eden's colorful life and remarkable Hollywood career that spans more than 50 years.
One of Hollywood's busiest actresses, Barbara filmed a starring role in Always and Forever (2009), a movie filmed by and for the Hallmark Channel. The move was televised numerous times during the year it was filmed and released. On the road, she hosted productions of Ballets with a Twist (1996), the new groundbreaking show that stars rotating celebrity emcees and dancers from Dancing with the Stars (2010). Barbara Eden has appeared recently in a recurring role on Lifetime's Army Wives (2007) series, guest-starred on ABC's George Lopez (2002), and enacted a recurring role on Sabrina the Teenage Witch (1996). During her long career, Barbara has starred in 25 feature films, five network TV series and 19 top-rated network made-for-television movies.
Barbara has been featured in TV commercials for Old Navy, AT&T, and she introduced the Lexus SUV, which was later named Car of the Year by Motor Trend Magazine.
People Magazine named Barbara "One of America's 200 Greatest Pop Icons of the 20th Century." She has been honored with a star on the Hollywood Walk of Fame at 7003 Hollywood Boulevard near the front of the world famous Grauman's Chinese Theatre. She was named one of TV Guide's Most Popular Comedy Stars and has received Lifetime Achievement Awards from the Broadcasters Hall of Fame, The Hollywood Chamber of Commerce, and the TV Land Television Network.
When there is time in her crowded schedule, Eden works actively on behalf of numerous charities including The Trail of Painted Ponies Breast Cancer Research, American Cancer Society, the Wellness Community, the Make-A-Wish Foundation, the March of Dimes, the American Heart Association, Save the Children and Childhelp USA.
Barbara Eden resides with her architect/real estate developer husband Jon Eicholtz in the Benedict Canyon area of Beverly Hills.- Actress
- Soundtrack
It is perhaps ironic that the film for which this performer is best remembered was also her musical swansong and one of her very last motion picture appearances. That was, of course, South Pacific (1958), with Mitzi Gaynor famously cast as feisty Ensign Nellie Forbush, warbling "I'm Gonna Wash That Man Right Outa My Hair". She had not been first choice for the role: director Joshua Logan wanted Elizabeth Taylor while Richard Rodgers was fixated on Doris Day. Since neither was available, they had to settle on Mitzi. In retrospect, her performance (she was nominated for a Golden Globe Award) was perhaps the best thing about the movie. Hers was the only voice (other than that of Ray Walston) that was not dubbed in post- production. South Pacific was marred by Logan's lethargic direction and by garish hues, due to the use of colour filters in several lengthy sequences. The picture nonetheless became one of the highest grossing films of the 50s.
She was born Francesca Marlene de Czanyi von Gerber of Hungarian aristocratic ancestry. Her father was violinist, cellist and music director Henry de Czanyi von Gerber, her mother Pauline was a dancer. Mitzi began performing in public from the age of four. Her family moved from Detroit to Hollywood when she was eleven. There, she was trained as a ballerina in the corps de ballet. Just three years later, she was on stage as a singer and dancer with the Los Angeles Civic Light Opera Company in a production of Roberta. While playing the lead in Victor Herbert's Naughty Marietta, Gaynor was discovered by a 20th Century Fox talent scout, auditioned and signed to a seven year contract. She made her screen debut as a dancer in My Blue Heaven (1950), singing 'Live Hard, Work Hard, Love Hard'. The studio kept her initials but changed her name from Gerber to Gaynor, likely in deference to Janet Gaynor, one of their major box-office stars of the 20s and 30s.
Aged 19, vivacious, blonde, slightly snub-nosed and undeniably cute, Mitzi began her career as a lead performer in musicals, acting alongside some of the genre's most prominent names. Now a headliner in her own right, she portrayed 19th century entertainer Lotta Crabtree in the biopic Golden Girl (1951), a South Sea Islander in Down Among the Sheltering Palms (1952) and the 'Queen of Vaudeville', Eva Tanguay, in The I Don't Care Girl (1953). All were minor box-office hits. Arguably her best role was that of Emily Ann Stackerlee in Damon Runyon's Bloodhounds of Broadway (1952), with Gaynor at her exuberant best, dancing and singing "Bye Low". Her final picture -- before Fox dropped her contract-- was the star-studded extravaganza There's No Business Like Show Business (1954). In this, she played second fiddle to Ethel Merman, Marilyn Monroe, Donald O'Connor and Dan Dailey.
That same year (1954) and not long away from the limelight, Gaynor married the very savvy talent agent and public relations executive Jack Bean. Bean soon quit his job with MCA to set up his own agency, Bean & Rose, which was largely about shepherding and rejuvenating Gaynor's career. She signed a new contract with Paramount in 1955 which resulted in a trio of films, the best of which was The Joker Is Wild (1957), starring Frank Sinatra as vaudevillian and night club entertainer Joe E. Lewis and Gaynor as his chorus girl wife. Next up, she played another showgirl in Les Girls (1957). This stodgy and confusingly scripted enterprise was chiefly notable for being Gene Kelly 's final appearance in a major musical and for the show-stopping number "Why Am I So Gone About That Gal?" performed by Kelly and Gaynor (both dressed as bikers, effectively lampooning Marlon Brando in The Wild One (1953)).
After South Pacific (a part which her husband managed to secure for her) Gaynor made only a handful of films. Her last effort was For Love or Money (1963), a matrimonial comedy starring Kirk Douglas. In 1963, Gaynor retired from films, explaining that she felt 'kind of ordinary' as an actress. She considered her talents to be better suited to the stage, to live performances. Consequently, the latter part of her career was spent on the nightclub circuit (especially in Las Vegas) and in television specials. In the 90s, Gaynor's career found a new lease of life as a featured columnist for The Hollywood Reporter, chronicling the golden years.
Gaynor's many accolades have included a Golden Laurel (1958). She received a star on the Walk of Fame on Hollywood Boulevard in 1960, and, in 2017, she was inducted into the Great American Songbook Hall of Fame. Jack Bean, her husband of 52 years died of pneumonia at the couple's Beverly Hills home on December 4 2006.- Actress
- Soundtrack
Barbara Bain was born in Chicago, graduating from the University of Illinois with a Bachelor's Degree in Sociology. She then relocated to New York City where she gained work as a dancer and high-fashion model. Ms. Bain studied with Martha Graham, permanently cementing her love of dance; however, it was with Lee Strasberg at the prestigious Actors Studio that she discovered her true first love - acting. She is probably best known for her work in the landmark television series Mission: Impossible (1966), created by Bruce Geller, where she created the pivotal role of Impossible Missions Force Agent "Cinnamon Carter", and, in the process, became the first actress in the history of television to receive three consecutive Emmy Awards for Best Dramatic Actress. Ms. Bain followed with the role of "Dr. Helena Russell" in the now classic British syndicated science fiction television series Space: 1999 (1975), created by Gerry Anderson and Sylvia Anderson. Her stage work has garnered her Los Angeles Critic's Circle and DramaLogue Awards for her work on Arthur Kopit's "Wings", Samuel Beckett's "Happy Days" and Eugène Ionesco's "The Chairs". Ms. Bain has worked on behalf of numerous charitable causes and is the founder of the Screen Actors Guild's "BookPals" Program which currently has some 300 of her colleagues reading to children in Los Angeles schools. Following the success of the program there, she helped the program to develop in other major cities throughout North America.- Actress
- Soundtrack
Angie Dickinson was born in Kulm, North Dakota, in 1931, the daughter of Mr. and Mrs. L. H. Brown. Mr. Brown was the publisher of The Kulm Messenger. The family left North Dakota in 1942 when Angie was 11 years old, moving to Burbank, California. In December of 1946, when she was a senior at Bellamarine Jefferson High School in Burbank, she won the Sixth Annual Bill of Rights Contest. Two years later her sister Janet, did likewise. Being the daughter of a printer, Angie at first had visions of becoming a writer, but gave this up after winning her first beauty contest. After finishing college she worked as a secretary in a Burbank airplane parts factory for 3-1/2 years. In 1953 she entered the local Miss America contest one day before the deadline and took second place. In August of the same year she was one of five winners in a beauty contest sponsored by NBC and appeared in several TV variety shows. She got her first bit part in a Warner Brothers movie in 1954 and gained television fame in the TV series The Millionaire (1955) and got her first good film role opposite John Wayne and Dean Martin in Rio Bravo (1959). Her success then climbed until she became one of the nation's top movie stars.- Producer
- Actor
- Writer
Dan Irvin Rather Jr. was born in Wharton, Texas, to Byrl Veda (Page) and Dan Irvin Rather Sr., a ditch digger. He graduated from Sam Houston State University in Huntsville, where he wanted to play football. He worked at local radio station KSAM in Huntsville during his college years. Following graduation he worked for radio station KTRK in Houston and went to work for KHOU-TV, the CBS affiliate in Houston. In 1961, he covered Hurricane Carla for KHOU-TV in Houston, Texas, and it caught the eye of CBS News executives, who hired him in 1962. He was in Dallas on November 22, 1963 and was CBS' lead anchor from Dallas during the coverage of the Kennedy assassination. In 1975, he became co-anchor of 60 Minutes (1968) and in 1981 was selected to replace Walter Cronkite as anchor of CBS Evening News with Dan Rather (1981), where he remained as anchor until 2005. The Communications Building on the campus of Sam Houston State University is named for Rather.- Actress
- Music Department
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Sassy, dusky-voiced entertainer Jaye P. Morgan was not always so sassy, but today this is for which she is fondly remembered. She was born Mary Margaret Morgan in 1931 and began performing at an early age for family and friends. She eagerly entertained at school assemblies and, when she graduated from Verdugo Hills High School (California) in 1949, left to seek her fame and fortune on the cabaret circuit. She quickly got a regular singing gig with the Frank De Vol Orchestra and was soon charting her recordings. She first hit big with "Life Is Just a Bowl of Cherries" in 1951. Other hits to follow were "The Longest Walk" and "That's All I Want from You". The now-popular song stylist soon took to TV, making her debut as a regular vocalist on Stop the Music (1949). She was a consistent guest performer on all the best variety showcases, including Perry Como and Ed Sullivan's shows, and in 1956 even managed to hostess her own variety program, The Jaye P. Morgan Show (1956), accompanied by her singing siblings "The Morgan Brothers (Duke, Bob, Charlie and Dick). She maintained a very proper, wholesome image, as expected, during these vital years. In the 60s, Jaye P. took a long sabbatical from the industry to regroup, with only occasional night club appearances to show for it. But, she came back swinging in the next decade, reinventing herself to a whole new generation. The new package was hipper, fresher, saucier, sexier, funnier and definitely crazier. She focused this time as an actress and comedienne. Wild-and-crazy producer Chuck Barris took a huge liking to this racy new package and made her household name all over again with his cult TV program The Gong Show (1976) and their zany offshoots. Jaye P. let it all hang out this time and Barris' shows were the perfect formats for her to pull out all the stops. Now 92 (2023), she has lost little of her zing. Her last appearance was a cameo in George Clooney's film Confessions of a Dangerous Mind (2002), an off-centered semi-biopic about Barris. Jaye P. Morgan...one of a kind and one heck of a dame. She definitely did it her way.- Actress
- Producer
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Rita Moreno is one of the very few performers to win an Oscar, an Emmy, a Tony and a Grammy, thus becoming an EGOT. She was born Rosita Dolores Alverío in the hospital in Humacao, Puerto Rico on December 11, 1931 (but raised in nearby, smaller Juncos, which had no hospital), to seamstress Rosa María (Marcano) and farmer Francisco José "Paco" Alverío. Her mother moved to New York City in 1937, taking Rita with her while leaving her reportedly unfaithful husband and Rita's younger brother behind. Rita's professional career began before she reached adolescence.
From the age of nine, she performed as a professional dancer in New York night clubs. At age 11, she landed her first movie experience, dubbing Spanish-language versions of US films. Less than a month before her 14th birthday on November 22, 1945, she made her Broadway debut in the play "Skydrift" at the Belasco Theatre, costarring with Arthur Keegan and a young Eli Wallach. Although she would not appear again on Broadway for almost two decades, Rita Moreno, as she was billed in the play, had arrived professionally. In 1950, she was signed by MGM, but the studio dropped her option after just one year.
The cover of the March 1, 1954, edition of "Life Magazine" featured a three-quarters, over-the-left-shoulder profile of the young Puerto Rican actress/entertainer with the provocative title "Rita Moreno: An Actresses' Catalog of Sex and Innocence". It was sexpot time, a stereotype that would plague her throughout the decade. If not cast as a Hispanic pepper pot, she could rely on being cast as another "exotic", such as her appearance on Father Knows Best (1954) as an exchange student from India. Because of a dearth of decent material, Moreno had to play roles in movies that she considered degrading. Among the better pictures she earned featured roles in were the classic Singin' in the Rain (1952) and The King and I (1956).
Director Robert Wise, who was chosen to co-direct West Side Story (1961) (the film version of the smash Broadway musical, a retelling of William Shakespeare's "Romeo & Juliet" with the warring Venetian clans the Montagues and Capulets re-envisioned as Irish/Polish and Puerto Rican adolescent street gangs, the Jets and the Sharks), cast Moreno as "Anita", the Puerto Rican girlfriend of Sharks' leader Bernardo, whose sister Maria is the piece's Juliet.
However, despite her talent, roles commensurate with that talent were not forthcoming in the 1960s. The following decade would prove kinder, possibly because the beautiful Moreno had aged gracefully and could now be seen by filmmakers, TV producers and casting directors as something other than the spitfire/sexpot that Hispanic women were supposed to conform to. Ironically, it was in two vastly diverging roles--that of a $100 hooker in director Mike Nichols' brilliant realization of Jules Feiffer's acerbic look at male sexuality, Carnal Knowledge (1971), and Milly the Helper in the children's TV show The Electric Company (1971)--that signaled a career renaissance.
Moreno won a 1972 Grammy Award for her contribution to "The Electric Company"'s soundtrack album, following it up three years later with a Tony Award as Best Featured Actress in a Musical for "The Ritz" (a role she would reprise in the film version, The Ritz (1976)). She then won Emmy Awards for The Muppet Show (1976) and The Rockford Files (1974).
She has continued to work steadily on screen (both large and small) and on stage, solidifying her reputation as a national treasure, a status that was officially ratified with the award of the Presidential Medal of Freedom by President George W. Bush in June 2004.- Actor
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Born in Richmond, California on December 23, 1931, and raised there, light comedian Ronnie Schell's first choice of careers was to play professional baseball. He got as far as the semis before enlisting in the United States Air Force, where he performed as an emcee and comic in variety shows.
Ronnie studied at San Francisco State University and formed a nightclub comedy duo. He then turned solo and perfected his routine at the popular nightclub The Purple Onion. During his college senior year in 1958, he received a major boost when he toured as an opening act for the highly popular The Kingston Trio. This break led to the gradual rise of a family-oriented comedy career that earned him the eventual title of "America's Slowest-Rising Comedian." Down the road Ronnie would serve to open for several stars, including Andy Griffith and Don Knotts, on the Las Vegas strip, at Lake Tahoe casinos and other notable niteries.
TV finally opened its doors to him in 1964 and an acting career was born when Ronnie won the regular role of Jim Nabors' Marine bunk mate "Duke Slater" on the highly popular comedy series Gomer Pyle: USMC (1964). Betwixt and between was a recurring role on That Girl (1966) playing Marlo Thomas' acting agent. He left the Gomer Pyle show after a few years when he was handed a series lead of his own as a disc jockey on the sitcom Good Morning World (1967) which co-starred pre-Rowan & Martin's Laugh-In (1967) ditz Goldie Hawn. Unfortunately, the show was canceled before it could make any kind of enduring star impact.
Short, compact, extremely easy-going and quite likable in nature, Ronnie moved easily into featured roles for Disney including The Strongest Man in the World (1975), The Shaggy D.A. (1976), Gus (1976), The Cat from Outer Space (1978) and The Devil and Max Devlin (1981).
Ronnie reunited with Nabors when he appeared as a regular on the singer's short-lived variety show, The Jim Nabors Hour (1968). He also moved into several decades worth of comedy guest spots on such shows as "The Patty Duke Show," "The Andy Griffith Show," "Love, American Style," "The New Dick Van Dyke Show," "Adam-12," "Happy Days," "Emergency!," "Sanford and Son," "The Dukes of Hazzard," "Charlie's Angels," "One Day at a Time," "Mork & Mindy," "Alice," "The Love Boat," "Madame's Place," "She's the Sheriff," "Mr. Belvedere," "Empty Nest," "Saved by the Bell," "227," "The Golden Girls," "Coach," "The Wayans Bros." and the daytime soaper "Santa Barbara."
Ronnie's well-crafted skill as a voice artist has been extensively utilized on TV, radio, films and commercials. Working notably for Hanna-Barbera, his many TV animated programs have included Goober and the Ghost Chasers (1973), Yogi's Space Race (1978), Battle of the Planets (1978), Captain Caveman and the Teen Angels (1977), Shirt Tales (1982), Snorks (1984), The Flintstone Kids (1986), The Smurfs (1981), Midnight Patrol: Adventures in the Dream Zone (1990), Yo Yogi! (1991), Recess (1997) and The Grim Adventures of Billy & Mandy (2003).
As for stage work in later years, Schell was one of the stars of a 2007 touring cabaret show entitled, "5 Star Revue" and starred off-Broadway in the 2009 musical comedy revue "Don't Leave it All to Your Children!" He also continued to perform in comedy clubs throughout his career. As an octogenarian he was, at one point, the oldest regularly appearing comedian in Las Vegas and would hold another record as having worked the strip every year for over 50 plus straight years.
Into the millennium, Ronnie found sporadic film work with featured roles in both comedies and dramas -- Family Jewels (2000), The Biggest Fan (2005), Soupernatural (2010) -- as well as TV episodes of "Yes, Dear," "Easy to Assemble," "Jessie," "You'll Be Fine," "See Ya" and "Kaplan's Korner."
Long married with two children, Ronnie continues to live in the Los Angeles area where, for years, he served as the honorary mayor of Encino.- Actor
- Additional Crew
- Producer
For decades, Dabney Coleman has often appeared as a smarmy, selfish, nervous person, often with money, who is mostly out for himself. He did such a good job in this type of part that he's made a career of it in film.
Dabney Wharton Coleman was born in Austin, Texas, to Mary Wharton (Johns) and Melvin Randolph Coleman. He attended the Virginia Military Institute, and studied law in Texas. Coleman has a well deserved reputation as a fine character actor, and a reliable presence for almost any role in TV and movies. Dabney Coleman's early appearances in the cinema were in The Slender Thread (1965) and Downhill Racer (1969). On TV he starred in That Girl (1966). As the 1970s approached he became a well-known character actor in television and movies, appearing in The Towering Inferno (1974), Midway (1976), and Cinderella Liberty (1973). Television seemed Dabney Coleman's forum in the 1970s as Coleman played the role of Merle Jeeter in Mary Hartman, Mary Hartman (1976) and Fernwood Tonight (1977). Coleman made appearances in the popular North Dallas Forty (1979) and the Oscar-winning Melvin and Howard (1980). Dabney Coleman also became known for some satirical movies, starring in the comedy How to Beat the High Cost of Living (1980) and snatched a lead role for the TV movie Pray TV (1980). Coleman's reputation for playing world-class jerks became cemented in 1980 as the boss to Dolly Parton , Jane Fonda and Lily Tomlin in 9 to 5 (1980). The next year, Coleman was in very good company working with legends Henry Fonda and Katharine Hepburn in On Golden Pond (1981). Coleman's hit streak would not end there.
In 1982 Coleman landed a key role in the classic Tootsie (1982), further cementing his role as an unlikable wealthy boss in some capacity. In 1983 Coleman starred in the Cold War classic WarGames (1983). During this period he also found many parts in lesser known movies like Young Doctors in Love (1982) and Callie & Son (1981). In 1984 he starred in The Muppets Take Manhattan (1984) and in 1985 he starred with Tom Hanks in The Man with One Red Shoe (1985). In 1987 the actor won an Emmy for Sworn to Silence (1987). In 1990 Coleman took two lead roles, one in the disastrous Where the Heart Is (1990), and the other in the quirky comedy Short Time (1990). In 1993 Coleman starred in the slapstick comedy Amos & Andrew (1993) (a very funny part) and in a remake of the TV show The Beverly Hillbillies (1993) as Milburn Drysdale. Coleman took an extensive line of TV movies, such films as Texan, In the Line of Duty, among others. Coleman took an unusual part in the ABC cartoon, Recess (1997), and then starred in a couple of big money grossers, the Tom Hanks comedy, You've Got Mail (1998), as Chief Quimby in Inspector Gadget (1999), and in Stuart Little (1999), both 1999.
Coleman is still very active.- Music Department
- Composer
- Actor
As one of the best known, awarded, and financially successful composers in US history, John Williams is as easy to recall as John Philip Sousa, Aaron Copland or Leonard Bernstein, illustrating why he is "America's composer" time and again. With a massive list of awards that includes over 52 Oscar nominations (five wins), twenty-odd Gold and Platinum Records, and a slew of Emmy (two wins), Golden Globe (three wins), Grammy (25 wins), National Board of Review (including a Career Achievement Award), Saturn (six wins), American Film Institute (including a Lifetime Achievement Award) and BAFTA (seven wins) citations, along with honorary doctorate degrees numbering in the teens, Williams is undoubtedly one of the most respected composers for Cinema. He's led countless national and international orchestras, most notably as the nineteenth conductor of the Boston Pops Orchestra from 1980-1993, helming three Pops tours of the US and Japan during his tenure. He currently serves as the Pop's Conductor Laureate. Also to his credit is a parallel career as an author of serious, and some not-so-serious, concert works - performed by the likes of Mstislav Rostropovich, André Previn, Itzhak Perlman, Yo-Yo Ma, Gil Shaham, Leonard Slatkin, James Ingram, Dale Clevenger, and Joshua Bell. Of particular interests are his Essay for Strings, a jazzy Prelude & Fugue, the multimedia presentation American Journey (aka The Unfinished Journey (1999)), a Sinfonietta for Winds, a song cycle featuring poems by Rita Dove, concerti for flute, violin, clarinet, trumpet, tuba, cello, bassoon and horn, fanfares for the 1984, 1988 and 1996 Summer Olympics, the 2002 Winter Olympics, and a song co-written with Alan Bergman and Marilyn Bergman for the Special Olympics! But such a list probably warrants a more detailed background...
Born in Flushing, New York on February 8, 1932, John Towner Williams discovered music almost immediately, due in no small measure to being the son of a percussionist for CBS Radio and the Raymond Scott Quintet. After moving to Los Angeles in 1948, the young pianist and leader of his own jazz band started experimenting with arranging tunes; at age 15, he determined he was going to become a concert pianist; at 19, he premiered his first original composition, a piano sonata.
He attended both UCLA and the Los Angeles City College, studying orchestration under MGM musical associate Robert Van Eps and being privately tutored by composer Mario Castelnuovo-Tedesco, until conducting for the first time during three years with the U.S. Air Force. His return to the states brought him to Julliard, where renowned piano pedagogue Madame Rosina Lhevinne helped Williams hone his performance skills. He played in jazz clubs to pay his way; still, she encouraged him to focus on composing. So it was back to L.A., with the future maestro ready to break into the Hollywood scene.
Williams found work with the Hollywood studios as a piano player, eventually accompanying such fare such as the TV series Peter Gunn (1958), South Pacific (1958), Some Like It Hot (1959), The Apartment (1960), and To Kill a Mockingbird (1962), as well as forming a surprising friendship with Bernard Herrmann. At age 24, "Johnny Williams" became a staff arranger at Columbia and then at 20th Century-Fox, orchestrating for Alfred Newman and Lionel Newman, Dimitri Tiomkin, Franz Waxman, and other Golden Age notables. In the field of popular music, he performed and arranged for the likes of Vic Damone, Doris Day, and Mahalia Jackson... all while courting actress/singer Barbara Ruick, who became his wife until her death in 1974. John & Barbara had three children; their daughter is now a doctor, and their two sons, Joseph Williams and Mark Towner Williams, are rock musicians.
The orchestrating gigs led to serious composing jobs for television, notably Alcoa Premiere (1961), Checkmate (1960), Gilligan's Island (1964), Lost in Space (1965), Land of the Giants (1968), and his Emmy-winning scores for Heidi (1968) and Jane Eyre (1970). Daddy-O (1958) and Because They're Young (1960) brought his original music to the big theatres, but he was soon typecast doing comedies. His efforts in the genre helped guarantee his work on William Wyler's How to Steal a Million (1966), however, a major picture that immediately led to larger projects. Of course, his arrangements continued to garner attention, and he won his first Oscar for adapting Fiddler on the Roof (1971).
During the '70s, he was King of Disaster Scores with The Poseidon Adventure (1972), Earthquake (1974) and The Towering Inferno (1974). His psychological score for Images (1972) remains one of the most innovative works in soundtrack history. But his Americana - particularly The Reivers (1969) - is what caught the ear of director Steven Spielberg, then preparing for his first feature, The Sugarland Express (1974). When Spielberg reunited with Williams on Jaws (1975), they established themselves as a blockbuster team, the composer gained his first Academy Award for Original Score, and Spielberg promptly recommended Williams to a friend, George Lucas. In 1977, John Williams re-popularized the epic cinema sound of Erich Wolfgang Korngold, Franz Waxman and other composers from the Hollywood Golden Age: Star Wars: Episode IV - A New Hope (1977) became the best selling score-only soundtrack of all time, and spawned countless musical imitators. For the next five years, though the music in Hollywood changed, John Williams wrote big, brassy scores for big, brassy films - The Fury (1978), Superman (1978), 1941 (1979), Raiders of the Lost Ark (1981) ... An experiment during this period, Heartbeeps (1981), flopped. There was a long-term change of pace, nonetheless, as Williams fell in love with an interior designer and married once more.
E.T. the Extra-Terrestrial (1982) brought about his third Oscar, and The River (1984), Empire of the Sun (1987), The Accidental Tourist (1988) and Born on the Fourth of July (1989) added variety to the 1980s, as he returned to television with work on Amazing Stories (1985) and themes for NBC, including NBC Nightly News with Lester Holt (1970). The '80s also brought the only exceptions to the composer's collaboration with Steven Spielberg - others scored both Spielberg's segment of Twilight Zone: The Movie (1983) and The Color Purple (1985).
Intending to retire, the composer's output became sporadic during the 1990s, particularly after the exciting Jurassic Park (1993) and the masterful, Oscar-winning Schindler's List (1993). This lighter workload, coupled with a number of hilarious references on The Simpsons (1989) actually seemed to renew interest in his music. Two Home Alone films (1990, 1992), JFK (1991), Nixon (1995), Sleepers (1996), Seven Years in Tibet (1997), Saving Private Ryan (1998), Angela's Ashes (1999), and a return to familiar territory with Star Wars: Episode I - The Phantom Menace (1999) recalled his creative diversity of the '70s.
In this millennium, the artist shows no interest in slowing down. His relationships with Spielberg and Lucas continue in A.I. Artificial Intelligence (2001), the remaining Star Wars prequels (2002, 2005), Minority Report (2002), Catch Me If You Can (2002), and a promised fourth Indiana Jones film. There is a more focused effort on concert works, as well, including a theme for the new Walt Disney Concert Hall and a rumored light opera. But one certain highlight is his musical magic for the world of Harry Potter (2001, 2002, 2004, etc.), which he also arranged into a concert suite geared toward teaching children about the symphony orchestra. His music remains on the whistling lips of people around the globe, in the concert halls, on the promenades, in album collections, sports arenas, and parades, and, this writer hopes, touching some place in ourselves. So keep those ears ready wherever you go, 'cause you will likely hear a bit of John Williams on your way.- Writer
- Producer
- Actor
Andrew Young is a prominent civil rights leader and politician. He first became a minister within the United Churches of Christ in the 1950s. Early in his career he studied Gandhi's methods of nonviolent resistance. Young became involved in voter registration drives within the civil rights movement. He became an assistant to Dr. Martin Luther King early in King's career. Young gained a reputation as a negotiator and a strategist. At the time of King's death in 1968, Young had become the executive director of King's organization (the SCLC).
In the early 1970s Young was elected to Congress, representing the region of Atlanta, Georgia. During the administration of President Jimmy Carter in the late 1970s, Young was appointed to be the U.S Ambassador to the United Nations. In the 1980s he was elected to two terms as Mayor of Atlanta. In the 1990s Young was instrumental in bringing the Olympic Games to Atlanta. In the 2000s Young served as the president of the National Council of Churches, and as co-chair of GoodWorks International.- Producer
- Actor
- Writer
Clive Davis was born in Brooklyn, New York. He entered Harvard Law School on a full scholarship and graduated in 1956. Four years later, he arrived at Columbia Records as an attorney. In 1965, he was promoted to administrative vice-president of the label, became vice-president and general manager a year later, and in 1967 became the label's president. In this capacity he pushed the company full speed ahead into rock music, with artists such as Janis Joplin and Carlos Santana leading the pack. He guided Columbia to tremendous success until 1973, when he was fired after being accused of tax evasion and misusing company funds. In 1974, he took over the record division of Columbia Pictures and launched his own label, Arista, famous for such acts as Barry Manilow and Whitney Houston. Davis was forced out of Arista by parent company BMG in 2000, but not long thereafter started a new label, J, to be distributed by BMG.- Actor
- Soundtrack
Joel Grey's father, Mickey Katz, created "Borscht Capades" in the early 1950s. Mickey Katz was a musician -- a clarinetist and a saxophone player -- in bands around the east. Mickey was performing, playing in a band in Cleveland, Ohio, which is where Joel Grey was born. Musician and bandleader Spike Jones needed a clarinet player who could do bits, funny things. Mickey went on the road with Jones' band for about a year, the Katz family ending up, as the band all went to California.
One day his father Mickey was doing a recording session at the Sunset Boulevard RCA-Victor recording studio in Hollywood, and during a break, Mickey always wrote parodies to pop songs for fun and had just written this parody -- he was singing it to one of the other Jewish musicians. Unbeknownst to him the microphone was open in the control room and this group of non-Jewish, white-bread heads of RCA-Victor were sitting there and he's singing a Yiddish song. They didn't know what he was singing but they were laughing and laughing and they decided to record it. The recording became an enormous hit. The records were so successful Mickey put together a variety show that sold out every week in Los Angels at the Wilshire Ebell Theater. Joel knew, even at 9, that he was going to become an actor. When his father had this variety show, Joel said, "How can I be in it?" And his father said, "Well, what do you want to do?" Joel replied, "I don't know how to sing and I don't dance, but I'll run around and I'll move."
So Joel's aunt dropped him a song that was a big record in New York, a Yiddish song -- it was a million words and very fast and it was very popular with the audience -- and Joel learned it by rote. Joel had no idea what he was saying or singing and the next thing he knew, he was boxed in to being a song-and-dance man as opposed to an actor. "Romania, Romania." The song was like a Danny Kaye spectacular, fast, patter song that left a lot of room to dance and sing and mug and do all the things like his hero at the time -- Jerry Lewis. Maybe two years, Eddie Cantor saw Joel in Florida and put him on his "Colgate Comedy Hour' television show, and that was the end of the "Borscht Capades" for Joel, and the beginning of Joel's long tenure in night clubs all over the country.- Actress
The daughter of actress Geneviève Sorya, in 1948 she played the part of Juliette in The Lovers of Verona (1949). During the 1950s and 1960s she made various films, including Montparnasse 19 (1958) and La Dolce Vita (1960), but only Lola (1961) , Jacques Demy, and A Man and a Woman (1966) Claude Lelouch saw major success. With the latter she had, but did not use, the chance to establish herself in America. Therefore she was only participating in second-row productions in Europe and America.- Actress
- Soundtrack
Prunella Scales was born on 22 June 1932 in Sutton Abinger, Surrey, England, UK. She is an actress, known for Howards End (1992), Fawlty Towers (1975) and Wolf (1994). She has been married to Timothy West since 26 October 1963. They have two children.- Actor
- Writer
- Soundtrack
Former star player with the Los Angeles Rams during the 1960s, this impressively built African-American athlete broke into acting via appearances in TV shows including The Man from U.N.C.L.E. (1964), The Wild Wild West (1965) and I Dream of Jeannie (1965).
Grier received positive reviews for his role in the TV movie The Desperate Mission (1969) and then landed a recurring role alongside Fess Parker in the hugely popular children's TV series Daniel Boone (1964). This led to a short-lived stint as host of his own variety show The Rosey Grier Show (1968) which only ran the one season. He kept busy with work in other TV shows and appeared in several feature films including Skyjacked (1972), The Thing with Two Heads (1972) and The Timber Tramps (1973).
He continued to turn up in a handful of minor roles throughout the 1970s, but arguably did not possess the acting skill of other prominent African-American athletes-turned-actors such as Fred Williamson, Jim Brown and Jim Kelly.
He became an ordained minister in 1983, and has continued to champion the causes of those less fortunate, and to guide inner city teens from poor backgrounds.- Actress
- Soundtrack
Singer-actress Carol Lawrence earned widespread stardom quite early in her singing career with the immortal role of Maria in the Broadway musical "West Side Story." However, that success would not parlay into film stardom for Carol as established star Natalie Wood, in spite of the fact that she would need to be vocally dubbed by Marni Nixon, had the requisite clout to play Maria in the classic 1961 film version. Carol, however, endured as a celebrity and marched on from Broadway stage to Broadway stage to the tune of "Subways Are for Sleeping," "Saratoga," "I Do! I Do!" and "Kiss of the Spiderwoman." The dark, vivid beauty also stayed alive in clubs, cabarets, concerts and summer stock stages opposite then-husband, singer Robert Goulet, as a highly popular couple in the 60s. Born Carolina Maria Laraia in 1932, the Chicago-born hopeful started out as a singer/dancer in the chorus lines and made her Broadway debut with the "New Faces of 1952." Though Carol never matched the success brought on by her "West Side Story" role, she managed quite well with numerous TV guest spots and commercials that has welcomed her warm, inviting presence and graceful style. At age 70+, she continues to freshen up her durable talents, most recently on stage in "Amy's View" and the title role of "Mame." Carol has kept busy over the years as a talk show host and author, publishing her autobiography in 1990 and recently putting out a cook book.- Actor
- Additional Crew
- Soundtrack
George Chakiris made his film debut at the age of 12 singing in the chorus of Song of Love (1947). Following his graduation from high school, he supported his night-time dancing, singing and dramatic lessons with a daytime job clerking in a Los Angeles department store. Later he started his acting/dancing career appearing in musicals such as Gentlemen Prefer Blondes (1953)--he is one of the ballet dancers escorting Marilyn Monroe in "Diamonds Are A Girl's Best Friend"--White Christmas (1954), The Girl Rush (1955), There's No Business Like Show Business (1954), Brigadoon (1954), and Meet Me in Las Vegas (1956). In 1957, he made his debut as a dramatic actor in Under Fire (1957). In 1958 he traveled to New York hoping for a Broadway "break." Hearing that Jerome Robbins was casting the London company of "West Side Story", he auditioned and was awarded the co-starring role of Riff. He played the part for almost two years on the West End stage before acting, singing and dancing as Bernardo in the Robert Wise film version (West Side Story (1961)), a performance that earned him a Golden Globe and the Academy Award for Best Supporting Actor. Since then, he starred in a succession of films, including Diamond Head (1962) with Charlton Heston, Bebo's Girl (1964) with Claudia Cardinale, The Young Girls of Rochefort (1967) with Catherine Deneuve, Françoise Dorléac and Gene Kelly, The Big Cube (1968) with Lana Turner, Why Not Stay for Breakfast? (1979), Jekyll and Hyde... Together Again (1982), and Pale Blood (1990). He is one of the most traveled stars in motion pictures, having been to such locations as Hawaii, Japan, Mexico, Italy, England, Spain, and France. His nightclub career was launched to rave reviews at Caesar's Palace in Las Vegas and Harrah's Club in Lake Tahoe. In the 1970s and 1980s, his career focused on television and music. He appeared as guest star in several TV series such as Hawaii Five-O (1968) (Death is a Company Policy - 1972), Wonder Woman (1975) (Death in Disguise - 1978), CHiPs (1977) (Fox Trap - 1983), Scarecrow and Mrs. King (1983) (Lost and Found - 1984), Murder, She Wrote (1984) (Weave a Tangled Web - 1989), and he joined the cast of Dallas (1978) from 1985 to 1986. He has released several records: "George Chakiris," "Memories Are Made of These," "The Gershwin Song Book," "West Side Story's Dynamic...". Recently, he has appeared in several plays and stage musicals: after "The King and I" in the US in 1995, he performed in Britain the role of Rochester in "Jane Eyre".- Actress
- Composer
- Music Department
Petula Clark was a star at the age of 11. She starred in British concert halls and on BBC radio singing for the troops during WWII. She was a child star in a series of British films from the end of WWII through to the early 1950s,and by 1954 was having hit records. After a move to France in 1960, having fallen for a Frenchman, she had hit records all over Europe ,and by 1966 with such hits as "Downtown" and "My Love" having topped the American charts, became a truly international star.- Actress
- Producer
- Director
Ellen Burstyn was born in Detroit, Michigan, to Correine Marie (Hamel) and John Austin Gillooly. She is of Irish, French/French-Canadian, Pennsylvania Dutch (German), and Native American ancestry.. She worked a number of jobs before she became an actress. At 14, she was a short-order cook at a lunch counter. After graduating from Detroit's Cass Technical High School, she went to Texas to model and then to New York as a showgirl on The Jackie Gleason Show (1952). From there, it was to Montreal as a nightclub dancer and then Broadway with her debut in "Fair Game (1957)". By 1963, she appeared on the TV series The Doctors (1963), but she gained notice for her role in Goodbye Charlie (1964). Ellen then took time off to study acting with Lee Strasberg at the Actors Studio.
Her big break came when she was cast as the female lead in The Last Picture Show (1971). For this role, she received nominations for the Golden Globe and Academy Award. Next, she co-starred with Jack Nicholson in The King of Marvin Gardens (1972), giving a chilling performance. Then came The Exorcist (1973). She was again nominated for the Golden Globe and Academy Award. In 1974, she starred in Alice Doesn't Live Here Anymore (1974), for which performance she won the Oscar and BAFTA awards as Best Actress. For the Golden Globe, she was nominated but lost to Marsha Mason. The same year, she made history by winning a Tony Award for the Broadway play "Same Time, Next Year". She won praise and award nominations for her performances in the film versions of Same Time, Next Year (1978) and Resurrection (1980).
In "Resurrection", she played a woman with the power to heal. A succession of TV movies resulting in two Emmy nominations kept her going as did the series The Ellen Burstyn Show (1986). The TV movies continued through the 1990s. Also in the 1990s, she was cast in the supporting role in such movies as The Cemetery Club (1993), How to Make an American Quilt (1995), The Baby-Sitters Club (1995) and The Spitfire Grill (1996). In addition to her acting, She was the first woman president of Actor's Equity (1982-85).- Actress
- Soundtrack
An accomplished and versatile actress/singer/dancer, Chita Rivera has won two Tony Awards as Best Leading Actress in a Musical and received eight additional Tony nominations for an exceptional 10 Tony nominations. She recently starred in The Visit, the final John Kander/Fred Ebb/Terrence McNally musical directed by John Doyle and choreographed by Graciela Daniele on Broadway (2015), following the acclaimed production at the Williamstown Theatre Festival in the summer of 2014. She starred in the Broadway revival of The Mystery of Edwin Drood, the Broadway and touring productions of The Dancer's Life, a dazzling new musical celebrating her spectacular career, written by Terrence McNally and directed by Graciela Daniele and the revival of the Broadway musical Nine with Antonio Banderas. She trained as a ballerina (from age 11) before receiving a scholarship to the School of American Ballet from legendary George Balanchine. Chita's first appearance (age 17) was as a principal dancer in Call Me Madam. Her electric performance as Anita in the original Broadway premiere of West Side Story brought her stardom, which she repeated in London. Her career is highlighted by starring roles in Bye Bye Birdie, The Rink (Tony Award), Chicago, Jerry's Girls, Kiss of the Spider Woman (Tony Award), and the original Broadway casts of Guys and Dolls, Can-Can, Seventh Heaven and Mr. Wonderful. On tour: Born Yesterday, The Rose Tattoo, Call Me Madam, Threepenny Opera, Sweet Charity, Kiss Me Kate, Zorba, Can-Can with The Rockettes. Chita was awarded The Presidential Medal of Freedom by President Barack Obama in 2009. She received the coveted Kennedy Center Honor in 2002 and is the first Hispanic woman ever chosen to receive this award. On November 6, 2015, Great Performances aired their special Chita Rivera: A Lot of Livin' To Do, a retrospective on her extraordinary life and career nationally on PBS. Chita's current solo CD is entitled And Now I Swing. Her most treasured production is her daughter, singer/dancer/choreographer Lisa Mordente.- Actress
- Costume and Wardrobe Department
- Soundtrack
Kim Novak was born in Chicago, Illinois on February 13, 1933 with the birth name of Marilyn Pauline Novak. She was the daughter of a former teacher turned transit clerk and his wife, also a former teacher. Throughout elementary and high school, Kim did not get along well with teachers. She even admitted that she didn't like being told what to do and when to do it.
Her first job, after high school, was modeling teen fashions for a local department store. Kim, later, won a scholarship in a modeling school and continued to model part-time. Kim later worked odd jobs as an elevator operator, sales clerk, and a dental assistant. The jobs never seemed to work out so she fell back on modeling, the one job she did well.
After a stint on the road as a spokesperson for an appliance company, Kim decided to go to Los Angeles and try her luck at modeling there. Ultimately, her modeling landed her an uncredited role in the RKO production of The French Line (1953). The role encompassed nothing more than being seen on a set of stairs.
Later a talent agent arranged for a screen test with Columbia Pictures and won a small six month contract. In truth, some of the studio hierarchy thought that Kim was Columbia's answer to Marilyn Monroe. Kim, who was still going by her own name of Marilyn, was originally going to be called "Kit Marlowe". She wanted to at least keep her family name of Novak, so the young actress and studio personnel settled on Kim Novak.
After taking some acting lessons, which the studio declined to pay for, Kim appeared in her first film opposite Fred MacMurray in Pushover (1954). Though her role as "Lona McLane" wasn't exactly a great one, it was her classic beauty that seemed to capture the eyes of the critics. Later that year, Kim appeared in the film, Phffft (1954) with Jack Lemmon and Judy Holliday. Now more and more fans were eager to see this bright new star. These two films set the tone for her career with a lot of fan mail coming her way.
Her next film was as "Kay Greylek" in 5 Against the House (1955). The film was well-received, but it was her next one for that year that was her best to date. The film was Picnic (1955). Although Kim did a superb job of acting in the film as did her co-stars, the film did win two Oscars for editing and set decoration. Kim's next film was with United Artists on a loan out in the controversial Otto Preminger film The Man with the Golden Arm (1955). Her performance was flawless, but it was was Kim's beauty that carried the day. The film was a big hit.
In 1957, Kim played "Linda English" in the hit movie Pal Joey (1957) with Frank Sinatra and Rita Hayworth. The film did very well at the box office, but was condemned by the critics. Kim really didn't seem that interested in the role. She even said she couldn't stand people such as her character.
That same year, Novak risked her career when she started dating singer/actor Sammy Davis Jr.. The interracial affair alarmed studio executives, most notably Harry Cohn, and they ended their relationship in January of the following year. In 1958, Kim appeared in Alfred Hitchcock's, now classic, Vertigo (1958) with James Stewart. This film's plot was one that thoroughly entertained the theater patrons wherever it played. The film was one in which Stewart's character, a detective, is hired to tail a friend's wife (Kim) and witnesses her suicide. In the end, Stewart finds that he has been duped in an elaborate scheme.
Her next film was Bell Book and Candle (1958) which was only a modest success. By the early 1960s, Kim's star was beginning to fade, especially with the rise of new stars or stars that were remodeling their status within the film community. With a few more nondescript films between 1960 and 1964, she landed the role of "Mildred Rogers" in the remake of Of Human Bondage (1964). The film debuted to good reviews.
In the meantime, Kim broke off her engagement to director Richard Quine and embarked on a brief dalliance with basketball player Wilt Chamberlain. While filming The Amorous Adventures of Moll Flanders (1965), she had a romance with co-star Richard Johnson, whom she married, but the marriage failed the following year.
Kim stepped away from the cameras for a while, returning in 1968 to star in The Legend of Lylah Clare (1968). It was a resounding flop, perhaps the worst of her career. However, after that, Kim, basically, was able to pick what projects she wanted. After The Great Bank Robbery (1969) in 1969, Kim was away for another four years until she was seen with then-boyfriend Michael Brandon in a television movie called The Third Girl from the Left (1973), playing a veteran Las Vegas showgirl experiencing a midlife crisis.
In a personal development, Novak met equine veterinarian Robert Malloy in October 1974 and the couple married in 1976. Subsequent films were not the type to get the critics to sit up and take notice, but afforded her the opportunity to work with strong talent. She appeared to good effect in Satan's Triangle (1975), Just a Gigolo (1978), The Mirror Crack'd (1980) and Malibu (1983).
In 1986 and 1987, Kim played, of all people, "Kit Marlowe" in the TV series Falcon Crest (1981). In 1990, she starred alongside Ben Kingsley in The Children (1990), a fine independent film shot in Europe. It was not widely distributed, thus few got to see Novak giving one of her most powerful performances.
Her last film, on the silver screen, was Liebestraum (1991), in which she played a terminally ill woman with a past. The film was a major disappointment in every aspect. Kim clashed with director Mike Figgis over how to play her character. Consequently, the role was cut to shreds. Kim has ruled out any plans for a comeback and says she just isn't cut out for Hollywood.
Fortunately, she has found long-lasting happiness outside her career. Today she lives in Eagle Point, Oregon with her husband Bob, on a ranch where they raise horses and llamas. Kim is also an accomplished artist and has exhibited her painting in galleries around the country. She enjoys riding, canoeing and expressing herself through paint, poetry and photography.- Director
- Actress
- Composer
Yoko Ono was born on Saturday, February 18th, 1933, in her ancestral estate in Tokyo, Japan. Her father, Eisuke Ono, was the descendant of a 9th Century Emperor of Japan. Her mother, Isoko Yasuda Ono, was the granddaughter of Zenijiro Yasuda, the founder of Yasuda Bank. Yoko was two years old when she was brought to California, and joined her father for the first time. She returned to Japan before WWII and survived the bombings of Tokyo in 1945. Yoko went to school with Emperor Hirohito's two sons. Though boys and girls were separated, Yoko was visited by Emperor's son Yoshi, and in turn she visited the boy's school in defiance of the rules. In the early 50s she and her parents moved to New York. She went to Sarah Lawrence College, where she was particularly adept in music, with her perfect pitch and untamed creativity. She married a Julliard student, Toshi Ichiyanagi, and moved to Manhattan. Her admiration with Franz Kafka, Vincent van Gogh, and Arnold Schönberg gave root and was fertilized by the New York avant-garde scene. In 1960, Yoko Ono & her friend La Monte Young staged the legendary loft events on Chambers Street. She also provided the loft for John Cage and his ground-braking classes of experimental music. She collaborated with Karlheinz Stockhausen, Nam June Paik, George Maciunas and Fluxus. Yoko cut herself from her parents and was on her own, working as a waitress, an apartment manager, and a music teacher in New York's public schools.
In 1962, after separating from Toshi, she gave in to her parents and returned to Japan. There, she heavily suffered from a clinical depression, and was locked up in a mental hospital. Anthony Cox went to Japan and managed to release Yoko Ono from captivity. She married Cox in Tokyo, later in the year, and their daughter, (as she became a mother), Kyoko, was born on Saturday, August 3rd, 1963. Cox became her artistic assistant. But in 1964 they separated and Cox returned to New York. Yoko joined him later in 1964 with Kyoko. She dreamed up the concept for 'Bottoms' (1966), completed only after 365 friends and volunteers provided their naked buttocks for close-ups. Her ad was "Intelligent-looking bottoms wanted for filming. Possessors of unintelligent-looking ones need not apply." Yoko promoted 'Bottoms' (1966) by being tied to a bronze lion in London's Trafalgar Square. While there, she first met her future husband-to-be (also 3rd & last), John Lennon at her art show in London on Wednesday evening, November 9th, 1966. At first they were very impressed with each other's intellect, personalities & everything else followed later. They married. John was lambasted by the British public. Yoko lost her daughter Kyoko (second ex-husband Cox kidnapped Kyoko in 1971 & hid her with an alias name Rosemary in the cult The Walk) for 27 years. Finally in 1998, Yoko and Kyoko reunited. John and Yoko were together 24/7 for six years until their fifteen-month break in 1973-74. Back together again, they sustained attacks from the media, politicians and all kinds of harassment. John and Yoko created art, music & had a son, Sean Lennon, on Wednesday, October 9th, 1975. They nourished each other's artistic nature with enough humor to survive through almost everything. Until Yoko Ono became a widow!- Actress
- Soundtrack
Barbara Feldon was born on 12 March 1933 in Bethel Park, Pennsylvania, USA. She is an actress, known for Get Smart (1965), Fitzwilly (1967) and Smile (1975). She was previously married to Lucien Verdoux-Feldon.- Music Department
- Producer
- Composer
Considered to be one of the greatest minds in music and television history, Quincy Delight Jones, Jr. was born on March 14, 1933 in Chicago, Illinois. He is the son of Sarah Frances (Wells), a bank executive, and Quincy Delight Jones, Sr., a carpenter.
Jones found his love for music while he was enrolled in grade school at Seattle's Garfield High School, this is also where he had met Ray Charles whom he later worked and became friends with. In 1951, Quincy Jones had won a scholarship to the Berklee College Of Music in Boston, Massachusetts. Jones however dropped out when he got the opportunity to tour with Lionel Hampton's band as a trumpeter and conductor. Jones also worked for the European production of Harold Arlen's blues opera, Free and Easy in 1959. After Jones had worked on several projects overseas he returned to New York where he composed and arranged, and recorded for artists such as Duke Ellington, Ray Charles, Sarah Vaughan, Count Basie, Dinah Washington, LeVern Baker, and Big Maybell. Jones was working with these artists while holding an executive position at Mercury Records, being one of the very few African Americans at the time to have such a position.
In 1963, Quincy Jones won his first Grammy award for his Count Basie arrangement of "I Can't Stop Loving You". In 1964, by the request of director Sidney Lumet, Jones composed the music for his movie, The Pawnbroker. This would be the first of many Jones composed for film scores. By the mid-1960's Quincy Jones became the conductor and arranger for Frank Sinatra's orchestra. Jones also conducted and arranged one of Sinatra's most memorable songs, Fly Me To The Moon. Jones appeared on a lot of film credits for his music such as The Slender Thread, Walk, Don't Run, In Cold Blood, In The Heat Of The Night, A Dandy In Aspic, Mackenna's Gold, and The Italian Job. In 1972 Quincy Jones was the theme song composer for the hit-sitcom, Sanford And Son.
Quincy Jones in 1978 worked on music for the Wiz, this is where he met icon, Michael Jackson. Jackson at the time was looking for a producer, Jones recommended some producers but in the end asked Jackson if he could do it, Jackson said yes. In 1982 as a result of this partnership, Jones had formed a tapestry with Jackson which was unbreakable it was called, Thriller. The Thriller album sold more than 100 million records world-wide. Jones continued working with Jackson with his Bad album in 1987. However after Jones recommended Jackson seek other producers to update his music. Jones referred Jackson to producer, Teddy Riley. This ended a partnership between two-greats, Jackson and Jones would never collaborate again.
In 1981 Jones had an album called, The Dude. In 1985 Jones scored the film adaptation of The Color Purple. Jones also was a philanthropist, in 1985 gathering multiple stars to participate in the song We Are The World to help raise money to help the victims of the Ethopian disaster.
In 1990 Jones composed a theme song for the new sitcom which was centered around Will Smith, The Fresh Prince Of Bel Air. Jones was also the executive producer of the show.
Quincy Jones will forever be remembered as someone who helped sculpt music in every form, he refined music and through the music he helped sculpt brought messages of peace, justice, love, funk, and hope.- Actor
- Producer
- Additional Crew
Michael Caine was born as Maurice Joseph Micklewhite in London, to Ellen (née Burchell), a cook, and Maurice Micklewhite Sr., a fish-market porter. He had a younger brother, Stanley Caine, and an older maternal half-brother named David Burchell. He left school at age 15 and took a series of working-class jobs before joining the British army and serving in Korea during the Korean War, where he saw combat. Upon his return to England, he gravitated toward the theater and got a job as an assistant stage manager. He adopted the name of Caine on the advice of his agent, taking it from a marquee that advertised The Caine Mutiny (1954). In the years that followed, he worked in more than 100 television dramas, with repertory companies throughout England and eventually in the stage hit "The Long and the Short and the Tall".
Zulu (1964), the epic retelling of a historic 19th-century battle in South Africa between British soldiers and Zulu warriors, brought Caine to international attention. Instead of being typecast as a low-ranking Cockney soldier, he played a snobbish, aristocratic officer. Although "Zulu" was a major success, it was the role of Harry Palmer in The Ipcress File (1965) and the title role in Alfie (1966) that made Caine a star of the first magnitude. He epitomized the new breed of actor in mid-1960s England, the working-class bloke with glasses and a down-home accent. However, after initially starring in some excellent films, particularly in the 1960s, including Gambit (1966), Funeral in Berlin (1966), Play Dirty (1969), Battle of Britain (1969), Too Late the Hero (1970), The Last Valley (1971) and especially Get Carter (1971), he seemed to take on roles in below-average films, simply for the money he could by then command.
However, there were some gems amongst the dross. He gave a magnificent performance opposite Sean Connery in The Man Who Would Be King (1975) and turned in a solid one as a German colonel in The Eagle Has Landed (1976). Educating Rita (1983), Blame It on Rio (1984) and Hannah and Her Sisters (1986) (for which he won his first Oscar) were highlights of the 1980s, while more recently Little Voice (1998), The Cider House Rules (1999) (his second Oscar) and Last Orders (2001) have been widely acclaimed. Caine played Nigel Powers in the parody sequel Austin Powers in Goldmember (2002), and Alfred Pennyworth in Christopher Nolan's Dark Knight trilogy. He appeared in several other of Nolan's films including The Prestige (2006), Inception (2010) and Interstellar (2014). He also appeared as a supporting character in Alfonso Cuarón's Children of Men (2006) and Pixar's sequel Cars 2 (2011).
As of 2015, films in which Caine has starred have grossed over $7.4 billion worldwide. He is ranked the ninth highest grossing box office star. Caine is one of several actors nominated for an Academy Award for acting every decade from five consecutive decades (the other being Laurence Olivier and Meryl Streep). He was appointed Commander of the Order of the British Empire in the 1992 Birthday Honours, and was knighted by Queen Elizabeth II in the 2000 Birthday Honours in recognition for his contributions to the cinema.
Caine has been married twice. First to actress Patricia Haines from 1954 to 1958. They had a daughter, Dominique, in 1957. A bachelor for some dozen-plus years after the divorce, he was romantically linked to Edina Ronay (for three years), Nancy Sinatra, Natalie Wood, Candice Bergen, Bianca Jagger, Françoise Pascal and Jill St. John. In 1971 he met his second wife, fashion model Shakira Caine (née Baksh), and they married in 1973, six months before their daughter Natasha was born. The couple has three grandchildren, and in 2023, they celebrated their 50th wedding anniversary.- Actress
- Producer
- Writer
The entertainment world has enjoyed a six-decade love affair with comedienne/singer Carol Burnett. A peerless sketch performer and delightful, self-effacing personality who rightfully succeeded Lucille Ball as the carrot-topped "Queen of Television Comedy," it was Burnett's traumatic childhood that set the stage for her comedy.
Carol's rags-to-riches story started out in San Antonio, Texas, on April 26, 1933, where she was born to Ina Louise (Creighton) and Joseph Thomas "Jodie" Burnett, both of whom suffered from acute alcoholism. As a child, she was left in the care of a beloved grandmother, who shuttled the two of them off to Hollywood, California, where they lived in a boarding house and shared a great passion for the Golden Age of movies. The plaintive, loose-limbed, highly sensitive Carol survived her wallflower insecurities by grabbing attention as a cut-up at Hollywood High School. A natural talent, she attended the University of California and switched majors from journalism to theater. Scouting out comedy parts on TV and in the theater, she first had them rolling in the aisles in the mid-1950s performing a lovelorn novelty song called "I Made a Fool of Myself Over John Foster Dulles" (then Secretary of State) in a nightclub act. This led to night-time variety show appearances with Jack Paar and Ed Sullivan and where the career ball really started rolling.
Carol's first big TV breaks came at age 22 and 23 as a foil to a ventriloquist's dummy on the already-established The Paul Winchell Show (1950) in 1955, and as Buddy Hackett's gawky girlfriend on the short-lived sitcom Stanley (1956). She also developed an affinity for game shows and appeared as a regular on one of TV earliest, Stump the Stars (1947) in 1958. While TV would bring Carol fans by the millions, it was Broadway that set her on the road to stardom. She began as the woebegone Princess Winnifred in the 1959 Broadway musical "Once Upon a Mattress" which earned her first Tony Award nomination. [She would later appear in three TV adaptations - Once Upon a Mattress (1964), Once Upon a Mattress (1972) and Once Upon a Mattress (2005).] This, in turn, led to the first of an armful of Emmy Awards as a repertoire player on the popular variety series The Garry Moore Show (1958) in 1959. Burnett invented a number of scene-stealing characters during this time, most notably her charwoman character. With the phenomenal household success of the Moore show, she moved up quickly from second banana to headliner and appeared in a 1962 Emmy-winning special Julie and Carol at Carnegie Hall (1962) co-starring close friend Julie Andrews. She earned the Outer Critics Circle Award for the short-lived musical "Fade Out, Fade In" (1964); and made her official film debut opposite Bewitched (1964) star Elizabeth Montgomery and Dean Martin in the lightweight comedy Who's Been Sleeping in My Bed? (1963).
Not surprisingly, fellow redhead Lucille Ball, who had been Carol's treasured idol growing up, subsequently became a friend and mentor to the rising funny girl. Hilarious as a guest star on The Lucy Show (1962), Carol appeared as a painfully shy (natch) wallflower type who suddenly blooms in jaw-dropping fashion. Ms. Ball was so convinced of Carol's talent that she offered Carol her own Desilu-produced sitcom, but Burnett had her heart set on fronting a variety show. With her own team of second bananas, including character crony Harvey Korman, handsome foil Lyle Waggoner, and lookalike "kid sister" type Vicki Lawrence, the The Carol Burnett Show (1967) became an instant sensation, and earned 22 Emmy Awards during its 11-year run. It allowed Carol to fire off her wide range of comedy and musical ammunition--whether running amok in broad sketch comedy, parodying movie icons such as Gloria Swanson, Shirley Temple, Vivien Leigh or Joan Crawford, or singing/gushing alongside favorite vocalists Jim Nabors, Steve Lawrence, Peggy Lee, Sammy Davis Jr., Ella Fitzgerald and Mel Tormé. She managed to bring in huge stars not known at all for slapstick comedy, including Rock Hudson and even then-Governor Ronald Reagan while providing a platform for such up-and-coming talent as Bernadette Peters and The Pointer Sisters In between, Carol branched out with supporting turns in the films Pete 'n' Tillie (1972), The Front Page (1974) and Robert Altman's A Wedding (1978).
Her program, whose last episode aired in March of 1978, was the last truly successful major network variety show to date. Carol took on new challenges to display her unseen dramatic mettle, and accomplished this amazingly in TV-movie showcases. She earned an Emmy nomination for her gripping portrayal of anti-Vietnam War activist Peg Mullen in Friendly Fire (1979), and convincingly played a woman coming to terms with her alcoholism in Life of the Party: The Story of Beatrice (1982). Neither character bore any traces of the usual Burnett comedy shtick. Though she proved she could contain herself for films, Carol was never able to acquire crossover success into movies, despite trouper work in The Four Seasons (1981), Annie (1982) (as the hammy villainess Miss Hannigan), and Noises Off... (1992). The last two roles had been created onstage by Broadway's Dorothy Loudon.
Carol would return from time to time to the stage and concert forums with productions of "Plaza Suite", "I Do! I Do", "Follies", "Company" and "Putting It Together". A second Tony nomination came for her comedy work in "Moon Over Buffalo" in 1995. Carol has made frequent appearances on her own favorite TV shows too, such as Password (1961) (along with Elizabeth Montgomery, Carol was considered one of the show's best players) and the daytime soaper, All My Children (1970).
During the early 1990s, Carol attempted a TV comeback of sorts, with a couple of new variety formats in Carol & Company (1990) and The Carol Burnett Show (1991), but neither could recreate the magic of the original. She has appeared, sporadically, on various established shows such as "Magnum, P.I.," "Touched by an Angel," "Mad About You" (for which she won an Emmy), "Desperate Housewives," "Law & Order: Special Victims Unit (Emmy nomination), "Hawaii Five-0," "Glee" and "Hot in Cleveland." Befitting such a classy clown, she has received a multitude of awards over time, including the 2003 Kennedy Center Honors and the Presidential Medal of Freedom in 2005. She was inducted into the Television Hall of Fame in 1985. Her personal life has been valiant--tears in between the laughs. Married three times, her second union with jazz-musician-turned-variety-show-producer Joe Hamilton produced three daughters. Eldest girl, Carrie Hamilton, an actress and former teen substance abuser, tragically died of lung and brain cancer at age 38. Shortly before Carrie's death, mother and daughter managed to write a play, together, entitled "Hollywood Arms", based on Carol's 1986 memoir, "One More Time". The show subsequently made it to Broadway.
Today, at age 80 plus, Carol has been seen less frequently but still continues to make appearances, especially on TV. Most recently she has guested on the shows "Glee," "Hot in Cleveland" and the revivals of "Hawaii Five-0" and "Mad About You." As always she signs off a live appearance with her signature ear tug (acknowledging her late grandmother), reminding us all, between the wisecracks and the songs, how glad and lucky we all are to still have some of "this time together".- Music Artist
- Actor
- Composer
This versatile, eclectic, rather wanderlust country crossover star known for his classic ballads ("Always On My Mind"), autobiographical road songs ("On the Road Again") and catchy rhythms ("Mammas Don't Let Your Babies Grow Up to Be Cowboys") started out life as Willie Hugh Nelson on April 30, 1933, in Depression-era Abbot, Texas. He is the son of Myrle Marie (Greenhaw) and Ira Doyle Nelson, a mechanic. After his parents got divorced, in which his mother moved to Oregon and his father remarried, he and sister Bobbie Lee were raised by their gospel-singing paternal grandparents, who introduced them to music. Working in the cotton fields, Willie was handed his first guitar at age six and within a short time was writing woeful country songs and playing in polka bands.
During his teenage years he played at high school dances and honky-tonks. He also worked for a local radio station and by graduation time he had become a DJ with his own radio show. Briefly serving a stint with the Air Force (discharged because of a bad back, which would plague him throughout his life), he sold his first song called "No Place For Me" while getting by with menial jobs as a janitor and door-to-door Bible salesman. Married in 1952 to a full-blooded Cherokee, he and first wife Martha had two children.
Willie initially came to be known in Nashville for selling his songs to well-established country artists such as Patsy Cline ("Crazy"), Faron Young ("Hello Walls") and Ray Price ("Night Life"). In 1962 he recorded a successful duet with singer Shirley Collie, whom he would later take as his second wife, but his career didn't progress despite joining the Grand 'Ol Opry. In the early 1970s, after extensive touring with his band (which included sister Bobbie on the piano) and experiencing a number of career downswings, he started performing and recording his own songs instead of selling them to others. Two of his albums, "Shotgun Willie" and "Phases and Stages", helped him gain some stature. In 1975 it all came together with the album "Red-Headed Stranger", which would become the top-selling country music album in history and propel him into the country music stratosphere. His offbeat phrasing, distinctive nasal tones and leathery, bewhiskered hippie-styled looks set a new standard for "outlaw" country music.
Around 1978 Willie showed himself to be a loose and natural presence in front of the camera, thus launching a film career. He had roles in several movies, his first opposite Robert Redford and Jane Fonda in The Electric Horseman (1979). His took to leading roles as a country music star in Honeysuckle Rose (1980), which would include a number of his songs on the soundtrack. He played opposite James Caan and Tuesday Weld in Thief (1981) and a legendary outlaw in the western Barbarosa (1982). In the movie Red Headed Stranger (1986), which was adapted from his hit 1975 album, he played a preacher, and he teamed up with pal Kris Kristofferson as a pair of country singers in Songwriter (1984).
Willie and pal Kristofferson went on to form The Highwaymen with the late Johnny Cash and Waylon Jennings and he successfully recorded and toured with the group for a number of years. They also teamed up to remake the classic western Stagecoach (1939) as a TV movie (Stagecoach (1986)). As a unique song stylist, the bearded, braided-haired, bandanna-wearing non-conformist took a number of non-country standards and made them his own, including Elvis Presley's "You Were Always on My Mind" and Ray Charles' "Georgia on My Mind."
Broaching the millennium, Willie continued to be active with film credits that would include roles in the westerns Dust to Dust (1994) and The Journeyman (2001), in addition to roles in such non-westerns as the sci-fi drama Starlight (1996); the comedy capers Gone Fishin' (1997), The Big Bounce (2004) and The Dukes of Hazzard (2005) (an updated screen version of the popular TV show); the action thriller Fighting with Anger (2007); the comedy Surfer, Dude (2008); the family dramedy Angels Sing (2013); the music fantasy Paradox (2018) which starred Neil Young and his sons Lukas Nelson and Micah Nelson; the dramatic fantasy Waiting for the Miracle to Come (2018); and Willie and Me (2023), a comedy chronicling the misadventures of a young German girl coming to America to see her idol Willie.
Willie happily married fourth wife Ann-Marie in 1991 and has survived more hard times in recent years, including a $16.7-million debt to the IRS and the suicide of one of his sons, Billy. Inducted into the Country Music Hall of Fame in 1993, Nelson received the Kennedy Center Honors in 1998.- Actress
- Producer
- Writer
Joan Collins is an English actress from Paddington, London. She is most famous for playing the role of vengeful schemer Alexis Carrington Colby in the soap opera "Dynasty" (1981-1989). In 1997, She was appointed an Officer of the Order of the British Empire (OBE) for services to drama. In 2015, She was promoted to the rank of Dame Commander of the Order of the British Empire (DBE) for services to charity.
She was the daughter of talent agent Joseph William Collins (1902-1988) and his wife, dance teacher Elsa Bessant, (1906-1962). Joseph was born in South Africa, and of Jewish descent. As a talent agent, his most famous clients were Shirley Bassey, the Beatles, and Tom Jones. Elsa was born in the United Kingdom to an Anglican family.
Collins was educated at Francis Holland School in London, an independent day school for girls. She made her theatrical debut c. 1942, as a child actress. She had a role in a performance of the play "A Doll's House" (1879) by Henrik Ibsen (1828-1906). In 1949, She started training as an actress at the Royal Academy of Dramatic Art (RADA) in London. In 1950, she signed a contract with a British film studio, the Rank Organisation of businessman Joseph Arthur Rank, 1st Baron Rank (1888-1972).
Collins made her film debut in the short film "Facts and Fancies" (1951), and her feature film debut in "Lady Godiva Rides Again" (1951), where she played an unnamed Beauty Queen Contestant. She had supporting roles as the Greek maid Marina in "The Woman's Angle" (1952) and gangster's moll Lil Carter in "Judgment Deferred" (1952).
Collins had her big break when cast as juvenile delinquent Norma Hart in prison drama "I Believe in You" (1952). She was hailed as Britain's new "bad girl" and started being offered high-profile roles in British films. The next stage in her career started when cast as Princess Nellifer of Egypt in the historical epic "Land of the Pharaohs" (1955), an international production . While the film was not successful at the box office, it became a cult classic and Nellifer was one of her most recognizable roles. Studio executive Darryl Francis Zanuck (1902-1979) was sufficiently impressed to offer her a 7-year-long contract with American studio 20th Century Fox. She took the offer.
Collins' first American film was the historical drama "The Virgin Queen" (1955), where she shared the top-billing with established stars Bette Davis and Richard Todd. She then played the leading role of actress Evelyn Nesbit (1884/1885-1967) in the biographical film "The Girl in the Red Velvet Swing" (1955). The role was intended for established actress Marilyn Monroe, but she replaced Monroe based on a studio decision.
Collins was placed on loan to studio Metro-Goldwyn-Mayer for her next role, that of gold digger Crystal in "The Opposite Sex" (1956). She received the top billing in the refugee-themed film "Sea Wife" (1956), and enjoyed box-office success with the interracial-love themed drama "Island in the Sun" (1957). In the drama film "The Wayward Bus" (1957), she received top-billing over her co-star Jayne Mansfield. Her next films included the spy thriller "Stopover Tokyo" (1957), the Western "The Bravados" (1958), the comedy "Rally Round the Flag, Boys" (1959), the caper film "Seven Thieves" (1960), and the biblical epic Esther and the King (1960).
By 1960, Collins was one of 20th Century Fox's biggest stars, but she demanded a release from her studio contract. She had campaigned for the title role in the upcoming production of "Cleopatra", but the studio chose to cast Elizabeth Taylor in the role. Collins felt slighted. As a freelance actress for most of the 1960s, she had few film roles. Among her most notable roles was playing the leading lady in "The Road to Hong Kong" (1962), the last film in the long-running "Road to ..." series. The male leads for the entire series were Bing Crosby and Bob Hope, but their usual leading lady Dorothy Lamour was considered too old for the role. Collins replaced Lamour.
Collins started appearing frequently on television guest star roles. Among her most notable television roles was the villainous Siren in "Batman", and pacifist spokeswoman Edith Keeler in "Star Trek: The Original Series". "Road to ..." played in only one episode of Star Trek, the time-travel episode "The City on the Edge of Forever" (1967). However the episode is regarded among the best episodes in the entire Star Trek franchise, with Collins considered one of the most memorable guest stars in the original series.
In 1970, Collins returned to her native United Kingdom. She started appearing frequently in British thriller and horror films of the decade. Among her films was revenge-themed drama "Revenge" (1971),science fiction film "Quest for Love" (1972), horror anthology "Tales from the Crypt" (1972), psychological horror "Fear in the Night" (1972), thriller "Dark Places", horror anthology "Tales That Witness Madness" (1973), and horror film "I Don't Want to Be Born" (1975).
Collins appeared in a few comedies in-between horror films, but none was particularly successful. She returned to the United States in order to play a role in the giant monster film "Empire of the Ants" (1977). She then returned to mostly appearing in thriller roles. She was catapulted back to stardom with the lead role of nymphomaniac Fontaine Khaled in the erotic drama "The Stud" (1978), an adaptation of a novel written by her younger sister Jackie Collins. The film was a surprise box office hit, earning 20 million dollars at the worldwide box office. "Road to ..." returned to the role of Fontaine in the sequel film ''The Bitch'' (1979), which was also a hit.
Collins found herself in high demand in both stage and film. But she gained more notoriety with the television role of Alexis Carington in "Dynasty". She started appearing in the role in the second season of the soap opera. Her performance is credited with the subsequent rise of the show's Nielsen's ratings. She became a household name, and received a star on the Hollywood Walk of Fame in 1983.
By 1985, "Dynasty" was the number-one show in the United States, beating out rival soap opera "Dallas". Collins was nominated six times for a Golden Globe Award for her role, winning once in 1983. She was also once nominated for an Emmy as Best Actress in a Drama Series. Collins was viewed as a sex symbol at the time, and in 1983 appeared in a 12-page photo layout for Playboy magazine. She was 50-years-old, unusually old for a Playboy model.
Collins appeared in a total of 195 episodes of "Dynasty". The series was canceled with the last episode of its 9th season, due to falling ratings. New ABC entertainment president Bob Iger (1951-) is credited with ending the series as soon as possible. The show had a cliffhanger ending, and several of its subplots were not resolved. Collins returned to the role of Alexis in the sequel mini-series "Dynasty: The Reunion" (1991). The miniseries only lasted for 2 episodes, but resolved several subplots and was a ratings hit.
Throughout the 1990s., Collins returned to guest star roles in television. She appeared in (among others) "Roseanne", "Egoli: Place of Gold", and "The Nanny", She had the recurring role of Christina Hobson in the short-lived soap opera "Pacific Palisades" (1997). She appeared in 7 of its 13 episodes. Her next notable soap opera role was that of so-called "rich bitch" Alexandra Spaulding in 2002 episodes of the long-running series "Guiding Light". Collins was the third actress to play this role. following Beverlee McKinsey and Marj Dusay.
In film, Collins played Pearl Slaghoople, Wilma Flintstone's mother, in "The Flintstones in Viva Rock Vegas" (2000). It was the second live-action film based on the popular animated series "The Flintstones". In 2006, she toured the United Kingdom with "An Evening with Joan Collins", an one-woman show where she narrated the highs and lows of her career and life. She later toured the word with both this show and its sequel "Joan Collins Unscripted".
Collins had a notable guest star-role as Ruth Van Rydock in the television film "Agatha Christie's Marple: They Do It with Mirrors" (2009). The film was an adaptation of the 1952 novel by Agatha Christie, where Ruth is an old school friend of Jane Marple, who assigned Jane to investigate a home for juvenile delinquents.
Collins played herself in three episodes of the sitcom "Happily Divorced" (2011-2013). She had the recurring role of Crystal Hennessy-Vass in the sitcom "Benidorm" (2007-2018). She had another recurring role as Alexandra, Grand Duchess of Oxford in the soap opera "The Royals" (2015-2018).
Collins had two different roles in the horror anthology series "American Horror Story". She played wealthy grandmother Evie Gallant, and witch Bubbles McGee. She appeared in a total of four episodes in 2018.
By 2024, Collins was 90-years-old. She has never retired from acting, and she continues to appear in new roles.- Actor
- Writer
- Soundtrack
Genial character comedian Bernie Kopell is undoubtedly best known as Dr. Adam Bricker, doling out sage advice on TV's The Love Boat (1977) for its entire run of ten seasons and 250 episodes. He once described the experience as "a paid vacation. We got to be in 98 countries". While this may have been his longest engagement on a series, his most memorable comic creation remains the iconic Siegfried in Get Smart (1965).
Bernie was born in Brooklyn, of Ukrainian and Jewish ancestry, as Bernard Morton Kopell to Abraham Bernard Kopell (1905-1965) and his wife Pauline (née Taran, 1911-2011). After finishing high school, he studied at New York University, graduating in 1955 with a bachelor of fine arts.
A year later, Bernie was drafted into the U.S. Navy, happily accepting the opportunity to serve as librarian at the Naval Operations Base, the Naval Air Station at Norfolk, Virginia, and (between 1956-57), aboard the World War II battleship U.S.S. Iowa. He later quipped "I got to read more books than I'd gotten to read at NYU, so it was just a glorious thing for me."
Back in New York after demobilization, Bernie was invited to Los Angeles by fellow NYU alumnus James Drury (of The Virginian (1962) fame). His first agent turned him down for being 'not handsome enough to be a leading man, not ugly enough to be a heavy.' For a while, he earned a crust as a taxi driver and vacuum cleaner salesman. A chance audition for casting director Marilyn Howard (then Marilyn Bodgen) then led to a small part in an early CBS daytime soap, The Brighter Day (1954), as a Cuban bad guy named Pablo. Bernie's aptitude for dialects impressed TV execs to the extent that he found himself typecast as Mexicans or Puerto Ricans in episodes of The Danny Thomas Show (1953), The Jack Benny Program (1950), My Favorite Martian (1963) and The Flying Nun (1967). Ultimately, his innate ability to bring levity to any scene earned him numerous guest starring turns on sitcoms like McHale's Navy (1962), The Lucy Show (1962), Petticoat Junction (1963), The Beverly Hillbillies (1962), Run Buddy Run (1966) and Green Acres (1965).
At the age of 33, Bernie got his first big break, cast as KAOS chief Siegfried in Get Smart by executive producer Leonard Stern. This character, replete with leather jacket, neat moustache and Heidelberg duelling scar, was essentially the primary nemesis of Control agents 86 and 99. Bernie, by his own admission, adopted Siegfried's German accent from an Austrian psychiatrist he was visiting at the time. The character became so popular with fans that the actor would often be asked to sign autographs with the catchphrase "we don't shush at KAOS, Shtarker". A classic line from the episode 'Rub-a-Dub-Dub... Three Spies in a Sub' has Siegfried explaining to Don Adams "As you go through the world of espionage Shmart, you will find that there are the good guys and the bad guys. I happen to be one of the bad guys."
In between Get Smart and Love Boat, Bernie alternated dramatic roles with comic ones, appearing in a wide variety of shows, ranging from Night Gallery (1969) (as a TV executive), Kolchak: The Night Stalker (1974) (Dr. Gravanites) and the live-action CBS children's sitcom The Ghost Busters (1975) (as Dr. Frankenstein) to the Mel Brooks spoof of Robin Hood, When Things Were Rotten (1975) (a recurring role as Alan-a-Dale). He appeared in nine episodes of Bewitched (1964), variously as the ancient Postlethwaite, aka Mr. Apothecary, the hippie warlock Alonzo, psychiatrists Chomsky and Rhinehouse and the Siegfried clone Baron von Fuchs). Bernie also had a co-starring role in a short-lived 1973 sitcom, Needles and Pins (1973), as a salesman for a ladies' clothing manufacturer in New York. His more recent appearances have included an ill-fated men's room attendant in Monk (2002), a coroner in Charmed (1998), a hayseed in My Name Is Earl (2005), a Holocaust survivor in Hawaii Five-0 (2010) and a senior citizen in the medical sitcom B Positive (2020).
For the stage, Bernie has appeared in Los Angeles productions of Death of a Salesman, and, as a Russian peddler, in The 49th Cousin. He had a leading role as Lenny Ganz in the Neil Simon farce Rumors at the Whitefire Theatre, Sherman Oaks (1996-97). As late as 2022, he headlined off-Broadway, alongside Hal Linden, as biblical characters Lou and Bud in Ed. Weinberger's comedy play, Two Jews Talking. Seemingly impervious to age, Bernie continues make regular appearances in films and on TV, albeit in smaller supporting roles. He is an avid tennis player and has hosted pro-celebrity tennis and golf tournaments with proceeds benefiting the Alzheimer's Association.- Actor
- Stunts
Robert Fuller was born in Troy, New York on July 29, 1933 at 1:50 PM and was raised in Key West, Florida. He was an only child and his birth name was Leonard Leroy Lee, but he was nicknamed Buddy Lee by his friends.
Robert started his education at St Mary's in New York and when his mother Betty divorced she took Robert and they moved to Florida where she was nightclub dancer. Robert was put into Miami Military Academy, where he did 5th to 6th grade. After that he spent one year in a standard school. At this time Betty met and married Robert Simpson who was a naval officer and they moved to Chicago for one year then returned to Key West where he attended Robert attended Key West High for 9th grade. (15 years of age). Robert quit school at 9th grade as he did not enjoy school and openly admits he did not do well there. He worked a variety of jobs before moving to Hollywood.
When his mother Betty married Robert Simpson, Robert took the name Robert Simpson Jr. This changed when Robert started acting and he decided he needed a different handle. At the time he had no idea what his name should be but he had a relative with a first name of Fuller and he figured it went well with his name so the handle of Robert Fuller was created. Robert was very close to his step-dad and considered him as a dad rather than a step-dad, so for the remainder of this biography I will refer to him as Robert's dad or father.
Eventually, Betty convinced Robert Simpson to quit the navy. She taught him to dance, and this led to them opening a dance school in Key West. In the daytime his mother taught ballet to the local children and in the evening they both taught ballroom dancing to the hundreds of navy personnel who were stationed in Key West at that time. In 1950 when Robert was just 16 his parents decided to move to Hollywood. Robert's dad became a very accomplished dancer, and had a plan to get into the motion picture business as a dancer, which he did successfully. His dad subsequently changed his name to Robert Cole and danced in almost every musical made between 1950 up to his retirement in 1987. This included working in many top grade musicals such as Oklahoma, Jailhouse Rock, Seven Brides For Seven Brothers and Gentlemen Prefer Blondes in which young Robert Fuller also appeared as a dancer in the chorus line.
After the move to Hollywood Robert had several jobs. The most significant of these was at Graumans Chinese Theatre where he started as a doorman and worked his way up to Assistant Manager. He met a number of people around his own age of 18 years, who were members of the Screen Extras Guild, and they convinced him to join as they were earning significantly more than Robert. This was the start of Robert's journey into acting, and it was then he changed from Robert Simpson Jr to Robert Fuller.
After joining SEG Robert started doing extra work and in 1952 got his first job in the movie Above and Beyond with Robert Taylor. This was followed by extra work in a great many films including Raintree County with Liz Taylor, The Harder They Fall with Humphrey Bogart and The Man In The Grey Flannel Suit with Gregory Peck.
His Dad convinced him to look for jobs as a dancer which he did successfully getting roles in I Love Melvin with Debbie Reynolds, Gentlemen Prefer Blondes with Marilyn Monroe and Latin Lovers with Lana Turner.
In 1953, while the Korean war was on, Robert at the age of 19 was drafted into the United States Army where he served 2 years, 15 months of which was in Korea. His unit was 19th Infantry Regiment and he was chosen 3 times as the outstanding soldier on Guard Mount, a decision based upon appearance, knowledge of military subjects and bearing.
When he returned home in 1955 he decided to give up his career in show business as he did not see any future in it. However his dad, along with his long time pal Chuck Courtney, convinced him to attend Richard Boone's acting class. This was a pivotal move for Robert as the class impressed him so much he changed his mind, decided to stay in show business and take a shot at becoming an actor. After studying with Boone for a year, Boone was impressed enough with Robert's potential that he recommended him to Sanford Meisner who accepted Robert into the New York Neighbourhood Playhouse School Of Theatre. Meisner was a highly respected acting teacher who taught future stars like Gregory Peck, Jon Voight, Robert Duvall, Edmund O'Brien and Grace Kelly. Robert was in good company.
In 1956 came his first speaking part in a movie where he played a union soldier and said to Gary Cooper "Bet you a dollar you can't do that again." The film was "Friendly Persuasion," and not only was it Robert's first talking part in a movie, it was also the first time he worked with his Laramie co-star John Smith. Originally director William Wyler had wanted another actor to play the part Robert was given, however he was unimpressed with the fact the other actor had false sideburns. Robert's sideburns were real and when Wyler saw Robert he called him over and asked him if he could act - Robert said "You Bet." Wyler then said "Say this line - "I bet I can knock down more than you can." Robert repeated the line and Wyler without hesitation said "Give this kid the part."
This was a turning point for Robert and the beginning of a great career.
Following Friendly Persuasion Robert had a number of small speaking parts and then in 1956 came his big break in Teenage Thunder.
To get the part he and his good friend Chuck Courtney staged a fight to convince the Director, Paul Helmick, that he was the man for the part. Originally Helmick had wanted Edd Byrnes but after seeing Chuck and Robert perform Helmick gave the role of bad guy Maurie Weston to Robert. The very same year Robert did another film for the same company that produced Teenage Thunder and again worked with the same production team. This film was the cult science fiction movie "The Brain From Planet Arous" with John Agar. After over 50 years this film is still available on DVD.
This was followed by a part in a science fiction series where he played a bad guy and was killed in the 3rd episode. The name of this series was Outpost In Space.
He spent the next couple of years doing featured and guest star roles in a variety of TV programs mainly westerns.
In February 1959 Robert appeared again with John Smith, this time in a western series called Cimarron City and now Robert's career had progressed to the point where he was getting guest star billing. It was this appearance that led to his being offered the role of Jess Harper in "Laramie."
The story goes as follows;
While filming Cimarron City Robert was summoned to the Vice President of Talent, Patrick Kelly's office. He went there actually thinking he was going to be fired. However Kelly told him that he liked the work he had done in a number of shows over the previous year and wanted him to do a TV series. This was a very exciting prospect for Robert, however excitement soon turned to disappointment when Kelly offered him the second lead in a detective series starring Ray Milland called "Markham" Robert refused the role on the grounds he wanted to do a good western. Kelly was naturally dumbfounded that his offer was being refused but he accepted Robert's decision and Robert left his office. Then a couple of weeks later Robert was summoned again to Patrick Kelly's office. This time he offered Robert a part in a new 30 minute western called Laramie. Robert was delighted and read the script and loved it, but again things were about to turn awkward. Kelly offered Robert the role of Slim Sherman - Robert wanted the part of Jess Harper!!! So again Kelly found himself being refused. He explained to Robert that the role of Jess had already been given to John Smith who was already under contract with Revue. Yet again Robert stuck to his guns and again the two men parted without agreement. Robert left Patrick Kelly's office thinking that was the end of his career - you don't turn down those opportunities once let alone twice! However there was a twist - The very same day Robert's agent called him to say that he was required to test for the part of Jess Harper. The next day he was given the role that he wanted so much, a role that was truly made for him, a role that would make him an international star and transform his life.
John Smith was given the role of Slim Sherman and hindsight shows that these were the right roles for each of them. Robert Fuller WAS Jess Harper and John Smith WAS Slim Sherman. Had that role change not happened then Laramie would not have worked anywhere near as well as it did. Over the next 4 years Robert immortalized the character of Jess Harper and gained millions of fans worldwide. Robert said of this role that it was the best part he ever had.
In December 1962, while Laramie was still at its peak Robert married Patty Lyon.
Laramie ran from 1959-1963 and from there Robert went straight into "Wagon Train" as chief scout Cooper Smith. Coop was a less volatile character than Jess Harper and Robert played him very differently. The move into Wagon Train gave Robert the opportunity to work with some of the best stars in the business, people like John McIntire, Robert Ryan, Ernest Borgnine and Rhonda Fleming.
When "Wagon Train" finished in 1965, Robert moved onto the big screen, and in 1966 got his first starring role in a movie. This was the western "Incident At Phantom Hill" where he was re-united with his close friend Dan Duryea, a man for whom Robert had the greatest respect, and who had made a couple of guest spots in Laramie. It was an all action western where Robert's character Matt Martin had many of the characteristics of Jess Harper. Also in 1966 Robert was given second billing to Yul Brynner in the sequel to "The Magnificent Seven," a film aptly titled "Return Of The Seven." He was so busy in 66 that for the filming of Return Of The Seven they had to shoot around him while he was in Munich for the premiere of "Incident At Phantom Hill."
The character of Vin he portrayed in "Seven" was the part previously occupied by Steve McQueen who had now gone on to become a superstar. McQueen was not offered the role in the sequel because it is likely that if he had been in the film then Yul Brynner would not. The stories of Brynner's less than cordial relationship with McQueen are now legendary. With Robert it was very different and he and Yul got along very well, and in fact remained close friends until Brynner died in 1985.
Robert remained busy doing movies in Germany, Israel and the States over the next few years, then in 1970 he made one of his best ever movies "The Hard Ride." This was a stunning film about a Vietnam vet, Phil Duncan who brought his dead buddy's body home and sets out to find his buddy's old biker friends to get them to attend the funeral. This was Robert Fuller at his best and while there were good performances he carried the film. Today you can still buy the soundtrack and the DVD.
Jack Webb saw Robert's performance in "The Hard Ride" and decided he wanted him to star in a new TV medical drama series called Emergency. Robert was grateful for the offer but did not want to play a doctor and he told Webb so. But Webb was determined and finally persuaded Robert to take the part. True, it was a departure from the action roles his fans were so used to, but Emergency was a major television success which ran for 7 years and resulted in another generation of fans - the show continues to be very popular still. Over 30 years after it ended there was an Emergency re-union which was attended by most of the stars plus fans from all over the world. Robert's old friend John Smith appeared in a couple of episodes playing a Fire Captain.
Since then Robert has been very busy in a wide variety of roles, sometimes to the delight of his fans, he returns to the western genre.
Robert's marriage to Patty Lyon ended in 1984 after 22 years. They had 3 children Robert, Christine and Patrick. Robert later married the lovely Jennifer Savidge who played Nurse Lucy in "St Elsewhere" and appeared regularly in the hit TV series JAG.
Robert's last performance was playing 2 roles in the final episode of Walker Texas Ranger. He played Ranger Wade Harper, who was a descendant of Jess Harper, and an old west Town Sheriff. Robert retired after that show and it is fitting that his final part was in a western role.
In July 2004 Robert and Jennifer re-located from Los Angeles to Texas where they now live on a beautiful ranch. He still enjoys his lifelong passions of fishing and shooting and he now has more time to enjoy them.
Despite being retired he attends a number of western festivals each year where he spends a lot of time with his fans who have stayed loyal for over 60 years. Indeed at the National Festival Of the West in Phoenix Robert hosted many private parties with his fans where he would sit for hours talking to them and enjoying telling stories of his time in show business. It is testament to the talent and personality of Robert Fuller that fans still travel from the four corners of the earth just to spend a couple of days with him at the Festivals he attends. He has always loved his fans and that remains true today. He still has an international fan club - The Robert Fuller Fandom.
Robert Fuller has had a long and very successful career which is proven by the awards he has received. Look at this!
1961 - Best Actor Award in Japan 1961 - Japanese Golden Order Of Merit - awarded to him by the Empress of Japan. Robert was the first American to receive this award 1970 - Best Actor in Germany. Robert actually won 5 Ottos which are German awards that are the equivalent of the Emmy. 1970 - Buffalo Bill Award for outstanding western entertainment. 1975 - Star on the Hollywood Walk Of Fame 1989 - Golden Boot Award 2002 - Honoree Kanab Western Legends Roundup 2004 - Cowboy Spirit Award - National Festival Of The West, Phoenix October 2007 - Silver Spur Award April 2008 - Inducted into the National Cowboy & Western Heritage Museum, Oklahoma, Hall Of Great Western Performers- Actress
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Julia Chalene Newmeyer was born on August 16, 1933, in Los Angeles, California, the eldest of three children. Her father, Don, was a one-time professional football player (LA Buccaneers, 1926), her mother, Helene Jesmer, was a star of the Follies of 1920 and later became a fashion designer under the professional name of Chalene. From an early age, Julie studied piano, dance, and classical ballet. She graduated from high school at the age of 15, and spent a year touring Europe with her mother and brother. She became prima ballerina for the Los Angeles Opera. She attended UCLA studying classical piano, philosophy, and French.
Newmar went to New York and tried out for Broadway musicals; in 1955, she made her Broadway debut as the ballerina in "Silk Stockings". She won acclaim for her role as Stupefyin' Jones in "Li'l Abner". Though audiences and critics alike were stupefied by her good looks, that was not the compliment Newmar wanted.
Newmar wanted to be known for her comedy, as she told the New York Times: "Tell me I'm funny, and it's the greatest compliment in the world." She had beauty, brains and a fantastic sense of humor. Promoting her various Broadway and off-Broadway show appearances, she often posed as a pin-up girl. Making the transition to television, Newmar appeared in Rod Serling's science-fiction series The Twilight Zone (1959), playing Miss Devlin (devil). As physical perfection, Julie was perfect to play Rhoda the Robot in My Living Doll (1964); the sitcom had an enthusiastic cult following. In 1966, urged on by her friends, she tried out for and was cast as Catwoman (a character she had never heard of) in the wildly popular television series Batman (1966) On account of a movie commitment, Newmar was unavailable to play Catwoman in the third season. (Her role was taken over by Eartha Kitt.)
Newmar was very busy in the 1960s and 1970s, making guest appearances in many television series and several television movies. She toured the country in stage productions of "Damn Yankees" and "Dames at Sea", among others. Becoming an entrepreneur, in 1977, Newmar turned up in People magazine wearing her new invention, Nudemar pantyhose. In the 1980s, she appeared in nine films while she was busy raising her son and working in the real-estate business. Newmar went back to UCLA to take a few real-estate courses. In 1991, she toured in a stage production of "The Women". Still very active, and very beautiful, she occasionally has appeared at fan conventions.- Director
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Roman Polanski is a Polish film director, producer, writer and actor. Having made films in Poland, Britain, France and the USA, he is considered one of the few truly international filmmakers. Roman Polanski was born in Paris in 1933.
His parents returned to Poland from France in 1936, three years before World War II began. On Germany's invasion in 1939, as a family of mostly Jewish heritage, they were all sent to the Krakow ghetto. His parents were then captured and sent to two different concentration camps: His father to Mauthausen-Gusen in Austria, where he survived the war, and his mother to Auschwitz where she was murdered. Roman witnessed his father's capture and then, at only 7, managed to escape the ghetto and survive the war, at first wandering through the Polish countryside and pretending to be a Roman-Catholic kid visiting his relatives. Although this saved his life, he was severely mistreated suffering nearly fatal beating which left him with a fractured skull.
Local people usually ignored the cinemas where German films were shown, but Polanski seemed little concerned by the propaganda and often went to the movies. As the war progressed, Poland became increasingly war-torn and he lived his life as a tramp, hiding in barns and forests, eating whatever he could steal or find. Still under 12 years old, he encountered some Nazi soldiers who forced him to hold targets while they shot at them. At the war's end in 1945, he reunited with his father who sent him to a technical school, but young Polanski seemed to have already chosen another career. In the 1950s, he took up acting, appearing in Andrzej Wajda's A Generation (1955) before studying at the Lodz Film School. His early shorts such as Two Men and a Wardrobe (1958), Le gros et le maigre (1961) and Mammals (1962), showed his taste for black humor and interest in bizarre human relationships. His feature debut, Knife in the Water (1962), was one of the first Polish post-war films not associated with the war theme. It was also the first movie from Poland to get an Oscar nomination for best foreign film. Though already a major Polish filmmaker, Polanski chose to leave the country and headed to France. While down-and-out in Paris, he befriended young scriptwriter, Gérard Brach, who eventually became his long-time collaborator. The next two films, Repulsion (1965) and Cul-de-sac (1966), made in England and co-written by Brach, won respectively Silver and then Golden Bear awards at the Berlin International Film Festival. In 1968, Polanski went to Hollywood, where he made the psychological thriller, Rosemary's Baby (1968). However, after the brutal murder of his wife, Sharon Tate, by the Manson Family in 1969, the director decided to return to Europe. In 1974, he again made a US release - it was Chinatown (1974).
It seemed the beginning of a promising Hollywood career, but after his conviction for the sodomy of a 13-year old girl, Polanski fled from he USA to avoid prison. After Tess (1979), which was awarded several Oscars and Cesars, his works in 1980s and 1990s became intermittent and rarely approached the caliber of his earlier films. It wasn't until The Pianist (2002) that Polanski came back to full form. For that movie, he won nearly all the most important film awards, including the Oscar for Best Director, Cannes Film Festival's Palme d'Or, the BAFTA and Cesar Award.
He still likes to act in the films of other directors, sometimes with interesting results, as in A Pure Formality (1994).- Actress
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An acting career was always in the cards for Debra Paget (nee Debralee Griffin) and her siblings, coming from a show biz family and being the offspring of a "stage mother" anxious to get her kids into the movies. Paget's sister Teala Loring got her movie breaks in the 1940s, Lisa Gaye was a film and TV star in the 50s and 60s, and even brother Frank Griffin (acting as 'Ruell Shayne') landed some film jobs. Paget got a 20th Century-Fox contract at age 14 and her first role in the film noir Cry of the City (1948), her first of nearly 20 movies at the studio, mostly Westerns, swashbucklers and period musicals. Every inch (all five-foot-two of her) the Hollywood star, Paget retired from the screen after marrying a Chinese millionaire in 1962.- Actor
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Lean, ruggedly handsome leading man and supporting actor whose "outdoor" looks have improved with age, Tom Skerritt attended Wayne State University and UCLA. He was first noticed in a UCLA production of "The Rainmaker" before making his movie debut in War Hunt (1962). However, he spent most of the next decade in television, regularly appearing in Combat! (1962), The Virginian (1962), Gunsmoke (1955) and 12 O'Clock High (1964). Skerritt's next big break was appearing alongside Donald Sutherland and Elliott Gould in Robert Altman's biting satire M*A*S*H (1970). Several other film roles quickly followed, before he landed the plum role of Capt. Dallas of the ill-fated commercial towing vehicle Nostromo in the creepy sci-fi epic Alien (1979).
Skerritt turned up again in another thriller playing a cop hunting a serial killer in the eerie The Dead Zone (1983), as a Navy Officer Flight instructor in Top Gun (1986) , in the six-chick flick Steel Magnolias (1989), and then as the poster boy for a "Guess" Jeans ad campaign utilizing his mature, weather-beaten features. Skerritt didn't neglect his TV background and reappeared on the small screen in Cheers (1982), The China Lake Murders (1990) and picked up an Emmy in 1994 for his performance as Sheriff Brock in the superb series Picket Fences (1992).
Skerritt has remained continually busy for the past decade, contributing natural, entertaining and reliable performances in TV series, made-for-TV movies and major theatrical releases. He recreated the role of Will Kane in the TV production of High Noon (2000), and appeared alongside Bruce Willis in the mercenary war drama Tears of the Sun (2003).- Actress
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Cissy Houston was born on 30 September 1933 in Newark, New Jersey, USA. She is an actress and producer, known for A Time to Kill (1996), The Preacher's Wife (1996) and God's Not Dead: A Light in Darkness (2018). She was previously married to John Russell Houston Jr. and Frederick Garland.- Actress
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Barrie Chase was born on 20 October 1933 in New York City, New York, USA. She is an actress, known for Cape Fear (1962), It's a Mad Mad Mad Mad World (1963) and Mardi Gras (1958). She is married to Richard Kaufman. They have one child. She was previously married to Jan Malmsjö and Gene Shacove.- Actor
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Michael Dukakis, three-term governor of the Commonwealth of Massachusetts who served longer in that post than any other person in history, is best remembered in history as the 1988 Democratic candidate for President in an election in which Ronald Reagan's vice president, George Bush, effectively used "Swift Boat" tactics to undermine Dukakis' candidacy.
Born Michael Stanley Dukakis on November 3, 1933 to Greek-immigrant parents in Brookline, Massachusetts (the birthplace of both John F. Kennedy and his 1988 Presidential opponent Bush). Dukakis' father was a Harvard-educated physician and his mother was a Massachusetts schoolteacher. She worked to eliminate first her native Greek accent and then her New England accent to remove imperfections from her speech pattern that might hinder her teaching ability. In a time and place where non-Anglo-Saxon ethnicity was looked down upon (even that of the Irish Americans who emigrated to the U.S. with the ability to speak English and a knowledge of Anglo-Saxon politics) and even proved a hindrance to social mobility, the Dukakis family was committed to assimilation. Part of the bad rap against Dukakis that would cost him his first reelection campaign as governor and his bid for the White House was that he was too stiff and formal; yet, being brought up in an era and place in which overt displays of emotion were looked down upon upon by the ruling class of Boston Brahmins as too "ethnic" (as well as betraying lower-caste origins), one can understand Dukakis' coolness and reserve as being an attempt not to be stereotyped by his social "betters". (His contemporary, three-term New York governor Mario Cuomo, said that when he entered law practice in the early 1950s, he was told to ditch his Italian name and rename himself something along the lines of "Mike COnnors". He, of course, refused, though that type of ethnic cleansing was considered normal among upwardly mobile and socially ambitious "urban ethnics" of the time.)
The class system in Boston was so strict before being shattered by John F. Kennedy's presidency that JFJ's father, Joseph P. Kennedy, felt the need to relocate his family to New York City in the 1930s so that they would no grow up amidst anti-Irish prejudice. Despite the fact that he was one of the richest men in the country and his wife was the daughter of a Boston mayor, an Irish Catholic was beyond the pale, socially, to the Boston Brahmins, the brethren of the Cabot and Lodge families that dominated the self-proclaimed "Hub" of the universe. (A local ditty went about Boston hailed the Hub as "...the land of the bean and the cod,/Where the Lodges speak only to the Cabots,/And the Cabots speak only to God.)
After graduating from Swarthmore College in 1955, Dukakis served as an enlisted intelligence analyst in the U.S. Army. After completing his military service, he graduated from Harvard Law School in 1960. After serving in the General Court (Massachusetts legislature), Dukakis was elected governor of the Commonwealth of Massachusetts in 1974, defeating the incumbent Republican Francis W. Sargent. The commonwealth was undergoing a fiscal crisis and the Republican Party was very unpopular in the commonwealth, the only state that had been won in the electoral college by 1972 Presidential candidate George McGovern two years before. Dukakis' victory was the result, partially, of his taking a pledge not to increase the state's sales tax to balance the state budget, but he reneged on the promise soon after taking office. During the great Blizzard of 1978, which shut down Boston and a good deal of the Commonwealth, "The Duke" went into local TV studios in a sweater to announce emergency bulletins. The coldness of his public persona in the midst of the crisis was likened to that of the weather itself, and hurt his popularity. Combined with a nation-wide and local backlash against the high property tax rates, and his reneging on his promise to not raise the sales tax, he lost to Edward J. King in the Democratic primary, as King capitalized on the issue of taxes. Following California's lead, the voters of the Commonwealth voted for Proposition 2 and 1/2 that limited property tax rates to 2 1/2% of the property valuation.
Dukakis defeated King in in the Democratic primary in 1982, and easily defeated his Republican opponent to be reelected governor. (Fellow future Democratic Presidential nominee John Kerry was elected Lieutenant Governor on the same ballot with Dukakis, serving in the Dukakis administration from 1983 to 1985, when he was took Paul Tsongas's Senate seat.) The second term and the first years of Dukakis' third term as governor were very successful (he won re-election in 1986 with over 60% of the vote), during which time he presided over a booming economy fueled by the high-technology industry, second at the time only to that of California. A reform-minded technocrat, Dukakis was given credit for the "Massachusetts Miracle" (part of the credit of which should be attributed to Masssachusetts Congressman Tip O'Neil, who had taken over JFK's old congressional district, who as the powerful Democratic Speaker of the House helped direct billions in defense spending to the Commonwealth).
The National Governors Association voted Dukakis the most effective governor in 1986, positioning Dukakis for a bid for the presidency. Basing his candidacy as the architect of the "Massachusetts Miracle", Dukakis overcame the other contenders for the Democratic Party presidential nomination (a group dubbed the "Seven Dwarfs" by the media for their collective lack of stature or prominence on the national stage; Dukakis' own personal lack of stature). The success of the Dukakis' campaign was largely attributed to campaign manager John Sasso, who had originally worked for rival candidate Joseph Biden. (Having also managed the campaigns of Al Gore and John Kerry, Sasso is now 0-3 in presidential election contests.)
Dukakis came out of the Democratic convention with an overwhelming lead over Ronald Reagan's heir-apparent, Vice President George Bush, the Republican nominee, but would not or could not handle the dirty campaign tactics that were the stock-in-trade of all the Vice President's men, including Lee Atwater. While the Dukakis camp expected an attack on their candidate as a traditional liberal, they did not seem to be able to cope with the McCarthyite vitriol from the Bush camp, which sought to make the "L" word the equivalent of what communism had been in the early 1950s. Harking back to McCarthy, Bush had accused Dukakis during one of their televised debates as being a "card-carrying member of the American Civil Liberties Union," replacing "communist" with the ACLU (a variation of the "L"-word) and recycling an old charge from the '50s against liberals and "fellow travelers".
Unlike future Democratic Presidential candidate Bill Clinton (who had delivered the key-note address at the 19988 Democratic convention), who- when confronted with Bush's dirty tactics, such as pillorying his
As it had during the Big Blizzard, The Duke's stoical personality as projected to the voting public was interpreted as a lack of passion (which ran against the traditional stereotype of the Greek-American being fiery if not hot headed, an image that Dukakis, like his mother earlier, chose to expunge from his being). His opponents, touching on his reputation as a technocrat and superb administrator, referred to him as "Zorba the Clerk." Nevertheless, Dukakis widely was perceived to have performed well in the first presidential debate with Bush, and his candidacy was buoyed by his running mate, Texas Senator Lloyd Bentsen, who was not afraid to take off the gloves. However, in the second debate, the runner stumbled; Dukakis had been suffering from the flu. Still, his performance was poor and played to his reputation as being cold, particularly his response to moderator Bernard Shaw's question, "Governor, if Kitty Dukakis [his wife] were raped and murdered, would you favor an irrevocable death penalty for the killer?"
Projecting himself as a man of reason, Dukakis replied with no visible emotion, "No, I don't, and I think you know that I've opposed the death penalty during all of my life," and then explained his stance. Many observers felt Dukakis' answer lacked the normal emotions one would expect of a person discussing a loved one's rape and death. Many - including the candidate himself - believe that this, in part, cost Dukakis the election, as his poll numbers dropped from 49% to 42% nationally overnight. Other commentators thought the question itself was unfair, in that it injected an irrelevant emotional element into the discussion of a policy issue.
Arguably the greatest issue of the campaign was that of race and crime, as articulated by the Bush camp in the prison furlough program issue. Framed by Lee Atwater, the Bush camp ran ads that criticized Dukakis for a prison furlough program that resulted in the release of convicted murderer Willie Horton, an African American, who committed a rape and assault in Maryland after fleeing Massachusetts. While it was Al Gore during the Democratic primaries that was the first candidate to publicly raise the furlough issue and highlight the fact that a furloughed prisoner had broken into a house, raped a woman and beaten her husband, Gore never mentioned Horton by name or highlighted the fact that he black, as the TV ads did merely by running his picture.
Despite the fact that the furlough program was started before Dukakis' gubernatorial administration and that the federal government under Ronald Reagan had a similar program that had resulted in similar outcomes, candidate Bush decided to play the race and crime card to boost his candidacy. Bush mentioned Horton by name in a speech in June 1988 and an "independent" political action committee (PAC) legally not affiliated with the Bush campaign, the National Security Political Action Committee, aired an ad entitled "Weekend Passes" which used a mug shot image of the African American Horton. The Bush campaign refused to repudiate it, and indeed, followed it up with its own, official campaign ad, "Revolving Door," criticizing Dukakis over the furlough program without mentioning Horton.
The first Bush to be president also hammered on the patriotism theme (and unlike his son, an errant National Guard pilot during the Vietnam War, George H.W. Bush was an authentic war hero, serving honorably during the Second World War) to undermine Dukakis by portraying him as soft on defense, in regards to the controversial "Star Wars" Space Defense Initiative program, which Dukakis promised to scale down. The response to this provocation lead to a public relations disaster when the Dukakis campaign engineered a photo-op at the General Dynamics plant in Michigan in September 1988, in which The Duke was photographed driving an M1 Abrams tank. Filmed wearing a safety helmet that seemed too large for his head, Dukakis looked awkward, out of place, and decidedly uncomfortable in such a military setting. Footage of Dukakis was used by the Bush campaign as evidence he would not make a good commander-in-chief, and "Dukakis in the tank" is still shorthand among political operatives for disastrous public relations outings.
The campaign arguably was the dirtiest since the 19th century until Bush's son ran for reelection against John Kerry in 2004. Dukakis lost the 1988 election and retired from active politics after his gubernatorial term expired in 1991. The "Massachusetts Miracle" expired during the lead up to the recession that gripped America in the Bush administration, and The Duke's popularity withered as he was forced to significantly raise taxes. He did not run for a fourth term in 1990; controversial Boston University President John Silber, a social reactionary who was dubbed by Ronald Reagan his "Favorite Demcorat" won the Democratic gubernatorial nomination, and narrowly lost the general election to William Weld, ushering in nearly two decades of Republican governors in the heavily Democratic Commonwealth of Massachusetts.
After the end of his term, he served on the board of directors for Amtrak. Splitting his time between Boston and Los Angeles, California, he became a professor of political science at Boston's Northeastern University and a visiting professor of public policy at the University of California, Los Angeles. Dukakis has recently developed a strong passion for grassroots campaigning and the appointment of precinct captains to coordinate local campaigning activities, two strategies he feels are essential for the Democratic Party to compete effectively in both local and national elections. His policies have become gospel to Howard Dean, the head of the Democratic Central Committee. He also has taken a strong role in advocating for effective public transportation and high speed rail as a solution to automobile congestion and the lack of space at airports.- Actor
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John Mayall was born on 29 November 1933 in Macclesfield, Cheshire, England, UK. He is an actor and composer, known for City by the Sea (2002), Legend (2015) and Sgt. Pepper's Lonely Hearts Club Band (1978).- Actor
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Wink Martindale was born on 4 December 1933 in Jackson, Tennessee, USA. He is an actor and producer, known for Second Honeymoon (1987), Bumper Stumpers (1987) and The Lively Set (1964). He has been married to Sandy Ferra since 2 August 1975. They have four children. He was previously married to Madelyn Leech.- Producer
- Music Department
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Lou Adler was born on 13 December 1933 in Chicago, Illinois, USA. He is a producer, known for Up in Smoke (1978), The Rocky Horror Picture Show (1975) and Witness (1985). He has been married to Page Hannah since 28 March 1992. They have four children. He was previously married to Shelley Fabares.- Actor
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Bob Uecker's first career was professional baseball. He played six seasons in the majors (1962-1967), playing catcher for three different National League teams: Braves (Milwaukee, WI, and Atlanta, GA), Cardinals (St. Louis, MO), and Phillies (Philadelphia, PA). His batting, never stellar, declined steadily over his career: he finished with a .200 lifetime average. He wrote a humorous autobiography entitled "Catcher in the Wry". He appeared in a popular series of Lite beer commercials before landing his first movie role.- Actress
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Born in New York City, Tina was still in her teens when she burst upon the national scene by starring on Broadway in the critically acclaimed box-office success "Li'l Abner", based on the famous comic strip character created by Al Capp. Stellar reviews caught the attention of Hollywood and Tina signed up for her first feature film, God's Little Acre (1958), which was an entry in the Venice Film Festival. It was at this point in her career that she began studying with Lee Strasberg and the Actors Studio in New York because she believed it was "time to develop and deepen my knowledge of the craft . . . Lee Strasberg," says Tina, "had the most dynamic effect on me. He influenced my life as no other man ever has."
After several more films, Tina returned to Broadway to star with Carol Burnett in "Fade in, Fade Out". She continued her work in Hollywood, starring in the CBS sitcom Gilligan's Island (1964) as Ginger Grant. Moving among Broadway, television and motion pictures, she next starred in The Happy Ending (1969), directed by Richard Brooks, The Stepford Wives (1975) with Katherine Ross and Dog Day (1984), with Lee Marvin and French actress Miou-Miou. Tina was cast as a regular on the first season of Dallas (1978) and has profuse credits in made-for-TV films for ABC and NBC, including Friendships, Secrets and Lies (1979), The Day the Women Got Even (1980), Look What's Happened to Rosemary's Baby (1976) and the famed ABC movie Nightmare in Badham County (1976).
In 1991 Tina appeared in Johnny Suede (1991), in which she co-starred with Brad Pitt. The film marked the debut of director Tom DiCillo, and won the 1992 Gold Leopard Award for Best Picture at the 44th International Film Festival at Lorcano, Switzerland. Other film and television work followed, including Stephan Elliott Welcome to Woop Woop (1997) and Growing Down in Brooklyn (2000), and she guest-starred in the syndicated television series L.A. Heat (1996).
In 2004 she received the coveted TVLand Pop Culture Icon Award in Los Angeles, which was aired nationally. She has made numerous television appearances, from The Rosie O'Donnell Show (1996) to Entertainment Tonight (1981) and Access Hollywood (1996).
A unique opportunity pursued Tina in 2005 with IGT (International Game Technology) in conjunction with Warner Bros. Consumer Products, when she inked a six-figure deal in exchange for 80 lines of voice-over work for a highly publicized gaming machine, a MegaJackpots product with the chance to win $1 million. The slot machines appeared in casinos from coast-to-coast as well as internationally.
Tina is an active member of the Academy of Motion Picture Arts and Sciences and a lifetime member of the Actors Studio. As a literacy and academic advocate, she became a volunteer teacher at Learning Leaders, a non-profit organization dedicated to providing tutoring to New York City school children. It has been her passion to help young students gain not only literary skills, but also confidence, self-determination and proof of their own potential. Besides continuing her volunteer work in literacy, she has written several books. Her first book, a personal memoir on her first eight years entitled "Sunday", was published in 1998. She followed Sunday, with a children's book, "When I Grow Up", published in 2007. "Teaching children the skill of reading and a love for the written word is important because this will remain with them throughout their lives. If we can reach children at an early age, I believe it will make a difference. This thought brings me tremendous joy." Says Tina. She embarked on a book tour that included New York City and then continued to New Jersey, Long Island, Connecticut, Philadelphia and the Festival of Books at UCLA. Her third book, "What Does a Bee Do?" was published in 2009 (available only at Amazon.com) and was inspired by The Colony Collapse Disorder, otherwise known as Honey Bee Depopulation Syndrome. The book continues to be an educational tool for children, as well as adults and was recently approved by Joel Klein, chancellor of New York City Public Schools, and is tentatively awaiting on the E-Catalog for principals in the fall of 2010. An animated version of "What Does a Bee Do?" is in development.
Besides being an accomplished actress and author, she recorded an album, "It's Time for Tina", a sultry warm and breathy collection of standards. The enchanting album features music from saxophone legend Coleman Hawkins and lyrics and music by George Gershwin and Ira Gershwin, Jule Styne and Cole Porter. She also made her debut as a visual artist when she exhibited her paintings at the Ambassador Galleries, and later with newer works at the notable Gallery Stendhal in Soho. Most recently she exhibited her original paintings at the Patterson Museum of Art. Tina Louise continues to live in New York City.- Actor
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Ralph Nader was born on 27 February 1934 in Winsted, Connecticut, USA. He is an actor, known for Fun with Dick and Jane (2005), Laugh-In (1977) and LateLine (1998).- Actor
- Soundtrack
James B. Sikking was born on March 5, 1934 in Los Angeles, California, the son of Unity ministers. Best known for his yeoman work as hard-charging, hardheaded SWAT leader Lt. Howard Hunter on the classic 80's police drama Hill Street Blues (1981), he received the name James Barrie Sikking as J.M. Barrie (of "Peter Pan" fame) was his parents' favorite author. Graduating from El Segundo High School, Sikking's interest in acting started after participating in various college plays while a student at the University of California-Santa Barbara, UCLA and the University of Hawaii.
Sikking made his professional stage debut in a production of "Damn Yankees" and broke into films with unbilled work in Five Guns West (1955) and The Revolt of Mamie Stover (1956). He finally started receiving billing in the 1960s, albeit bit parts in films and television, as minor villains or in-charge types with such roles as a professional assassin in Point Blank (1967), the head of vice squad in The New Centurions (1972) and a CIA agent in Scorpio (1973) coming his way. Sikking's first steady television job was in 1973 when he was cast as Dr. James Hobart for three years on the daytime soap opera General Hospital (1963).
Moving into "Grade A" quality films in the early 1980s, Sikking still stayed pretty much in the background, such as his playing of Donald Sutherland's white-collar business comrade in the Oscar-winning Ordinary People (1980). It took his Emmy-nominated, scene-stealing role as the gung-ho, often volatile and emotionally unpredictable Lt. Hunter on Hill Street Blues (1981) to finally put him on the map.
Following the series' demise after six seasons, Sikking continued to move around in the top supporting ranks, finding steady work on television as Dr. David Howser, Neil Patrick Harris' father on Doogie Howser, M.D. (1989) and in important roles in such mini-movies as Doing Time on Maple Drive (1992). Continuing in such movies as Star Trek III: The Search for Spock (1984), Narrow Margin (1990) and The Pelican Brief (1993), he typically played various authoritarians. He received his first major movie co-lead in Final Approach (1991) as an Air Force Colonel who develops amnesia after an air disaster. He ended the decade back in the precinct as part of the ensemble of Brooklyn South (1997).
Into the millennium, Sikking obtained featured roles in the Drew Barrymore romantic comedy Fever Pitch (2005); the Patrick Dempsey romantic comedy Made of Honor (2008); the family drama Wild About Harry (2009) and his last movie role, as a doctor, in the drama Just an American (2012). On TV, he showed up on such series guest parts as "The Guardian," "Curb Your Enthusiasm" and "The Closer."
Long married to wife Florine, whom he met while at UCLA, his actor/son Andrew Sikking occasionally appeared as an officer on his father's series Brooklyn South (1997).- Actress
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Adept at both comedy and drama, veteran "second lead" and character actress Joyce Van Patten was born on March 9, 1934, in New York City. Prodded by a typically assertive magazine editor (stage) mother, Joyce and her equally famous older brother Dick Van Patten displayed natural talent and began performing regularly at a very early age.
Of Dutch, English and Italian descent, Joyce was auditioning for modeling roles before reaching her first birthday, and by the age of 6 was on Broadway performing in the play "Popsy" (1941). In the same year she and brother Dick appear on radio with "Reg'lar Fellers," a summer replacement series for "The Jack Benny Program." As an adolescent, Joyce appeared in the Broadway plays "This Rock" (1943), "Tomorrow the World" (1943), "The Perfect Marriage" (1944), "The Wind Is Ninety" (1945) (also with Dickie) and "The Bees and the Flowers" (1946).
Following her relatively brief marriage (1950-1953) to Thomas King at the age of 16 which produced her son Thomas Casey King, who later turned actor and billed himself as Casey King, Joyce moved to teen parts on such TV anthologies as "Armstrong Circle Theatre" and "Kraft Theatre." On TV she appeared a few times on brother Dick's TV series Mama (1949) and originated the role of Janice Turner Hughes on the popular daytime soaper As the World Turns (1956).
As she grew into a young adult, Joyce purposely dressed down and downplayed her beauty in order to play more interesting characters. Specializing in smart, calculating, cynical, earthy and brittle characters, Joyce reveled in wry comedy as well as quirky drama. Making an inauspicious film debut with an unbilled role in the urban drama Fourteen Hours (1951) with a later small part in The Goddess (1958) starring Kim Stanley, Joyce remained a strong presence on TV and in the theatre. Such popular Broadway shows would include "The Desk Set" (1955), "A Hole in the Head" (1957) and "Spoon River Anthology" (1963). She also appeared with Dick elsewhere on stage with "The Male Animal" (1953), "The Tender Trap" (1955), and "Oh Men! Oh Women! (1955). In 1957, she married actor Martin Balsam and their daughter, Talia Balsam, also became an actress.
In addition to co-starring in the TV diner sitcom The Good Guys (1968) co-starring Bob Denver and Herb Edelman and playing a neurotic assistant to a TV variety show star in The Mary Tyler Moore Hour (1979), Joyce would grace a host of popular 60's and 70's TV shows, including "The Defenders," "Alfred Hitchcock Presents," "Ben Casey," "Dr. Kildare," " "Perry Mason," "The Danny Kaye Show," "The Andy Griffith Show," "The Outer Limits," "The Jack Benny Program," "Gunsmoke," "Mannix," "Love, American Style," "Medical Center," "The Odd Couple," "Columbo," "The Bold Ones," "Family" and "The Bob Newhart Show."
Joyce's infrequent movie roles would be some of her most interesting and quirkiest. She played naïve "square" Peter Sellers's plain-Jane girlfriend in the "hippy" comedy I Love You, Alice B. Toklas! (1968); played one half of a romantic couple with real brother Dick(!) in the teen dramedy Making It (1971); portrayed one-half of a bickering couple held hostage and given marital advice by a house-breaking thief in Bone (1972) (featuring son Casey); played an embittered woman picking up hitchhikers in Thumb Tripping (1972); played a conniving Southern belle fiancée in the Lucille Ball version of Mame (1974); portrayed a bedridden trailer park trash wife in the murder mystery The Manchu Eagle Murder Caper Mystery (1975); and a blunt Little League supervisor in the hit comedy The Bad News Bears (1976). She also returned to Broadway as a replacement in the two-person comedy drama "Same Time, Next Year" (1975) and the short-lived "Murder at the Howard Johnsons" (1979).
Other vital theatre, both Broadway and regional, in later years included "I Oughta Be in Pictures" (1980), "The Supporting Cast" (1981), "Brighton Beach Memoirs" (1983), "Rumors" (1988), "Jake's Women" (1992), "Ring Round the Moon" (1999), "Taller Than a Dwarf" (2000), "Harvey" (2003), "The Oldest Profession" (2004), and "Rabbit Hole" (2006) and "The People in Pictures" (2011). Also, seen in TV movie versions of hit plays such as You Can't Take It with You (1979) as Miss Wellington, and Bus Stop (1982) as diner owner Grace, she also appeared in Malice in Wonderland (1985), Maid for Each Other (1992) and Jake's Women (1996). She also was part of the cast for the first season of the comedy Unhappily Ever After (1995). She was a standout as the overbearing mother to Jason Beghe's quadriplegic son in the horror flick Monkey Shines (1988).
Into the millennium, Joyce has supporting roles in the films Marley & Me (2008), Grown Ups (2010), God's Pocket (2014) and Diane (2018); and the TV programs "Oz," "The Sopranos," "NYPD Blue," "Desperate Housewives," "The Good Wife," "Boardwalk Empire" and "Cady Did."
After two rather brief marriages, Joyce married twice more -- briefly to actor Hal Lynch and a longer one to actor Dennis Dugan.- Additional Crew
Sam Donaldson was born on 11 March 1934 in El Paso, Texas, USA. He is known for ABC News: Inauguration 2009 (2009), ABC 2000: The Millennium (1999) and Primary Issues (2011). He has been married to Sandra Martorelli since 22 December 2014. He was previously married to Janice Smith, Billie Kay Butler and Patricia Oates.- Producer
- Actress
- Writer
Gloria Steinem was born on 25 March 1934 in Toledo, Ohio, USA. She is a producer and actress, known for The First Wives Club (1996), V for Vendetta (2005) and The Good Wife (2009). She was previously married to David Bale.- Actor
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Richard Chamberlain became the leading heartthrob of early 1960s television. As the impeccably handsome Dr. James Kildare, the slim, butter-haired hunk with the near-perfect Ivy-League charm and smooth, intelligent demeanor, had the distaff fans fawning unwavering over him through the series' run. While this would appear to be a dream situation for any new star, to Chamberlain it brought about a major, unsettling identity crisis.
Born George Richard Chamberlain in Beverly Hills on March 31, 1934, he was the second son of Elsa Winnifred (von Benzon) (1902-1993) and Charles Axiom Chamberlain (1902-1984), a salesman. He has English and German ancestry. Richard experienced a profoundly unhappy childhood and did not enjoy school at all, making up for it somewhat by excelling in track and becoming a four-year letter man in high school and college. He also developed a strong interest and enjoyment in acting while attending Pomona College. Losing an initial chance to sign up with Paramount Pictures, the studio later renewed interest. Complications arose when he was drafted into the Unites States Army on December 7, 1956 for 16 months, serving in Korea.
Chamberlain headed for Hollywood soon after his discharge and, in just a couple of years, worked up a decent resumé with a number of visible guest spots on such popular series as Gunsmoke (1955) and Mr. Lucky (1959). But it was the stardom of the medical series Dr. Kildare (1961) that garnered overnight female worship and he became a huge sweater-vested pin-up favorite. It also sparked a brief, modest singing career for the actor.
The attention Richard received was phenomenal. True to his "Prince Charming" type, he advanced into typically bland, soap-styled leads on film befitting said image, but crossover stardom proved to be elusive. The vehicles he appeared in, Twilight of Honor (1963) with Joey Heatherton and Joy in the Morning (1965) opposite Yvette Mimieux, did not bring him the screen fame foreseen. The public obviously saw the actor as nothing more than a television commodity.
More interested in a reputation as a serious actor, Chamberlain took a huge risk and turned his back on Hollywood, devoting himself to the stage. In 1966 alone, he appeared in such legit productions as "The Philadelphia Story" and "Private Lives", and also showed off his vocal talents playing Tony in "West Side Story". In December of that year, a musical version of "Breakfast at Tiffany's" starring Richard and Mary Tyler Moore in the sparkling George Peppard/Audrey Hepburn roles was headed for Broadway. However, it flopped badly in previews and closed after only four performances. Even today, it is still deemed one of Broadway's biggest musical disasters.
An important dramatic role in director Richard Lester's Petulia (1968) led Richard to England, where he stayed and dared to test his acting prowess on the classical stage. With it, his personal satisfaction over image and career improved. Bravura performances as "Hamlet" (1969) and "Richard II" (1971), as well as his triumph in "The Lady's Not for Burning" (1972), won over the not-so-easy-to-impress British audiences. And on the classier film front, he ably portrayed Octavius Caesar opposite Charlton Heston's Mark Antony and Jason Robards' Brutus in Julius Caesar (1970), composer Pyotr Ilyich Tchaikovsky in Ken Russell's grandiose The Music Lovers (1971) opposite Glenda Jackson, and Lord Byron alongside Sarah Miles in Lady Caroline Lamb (1972). While none of these three films were critical favorites, they were instrumental in helping to reshape Chamberlain's career as a serious, sturdy and reliable actor.
With his new image in place, Richard felt ready to face American audiences again. While he made a triumphant Broadway debut as Reverend Shannon in "The Night of the Iguana" (1975), he also enjoyed modest box-office popularity with the action-driven adventure films The Three Musketeers (1973) as Aramis and a villainous role in The Towering Inferno (1974), and earned cult status for the Australian film The Last Wave (1977). On the television front, he became a television idol all over again (on his own terms this time) as the "King of 80s Mini-Movies". The epic storytelling of The Count of Monte-Cristo (1975), The Thorn Birds (1983) and Shogun (1980), all of which earned him Emmy nominations, placed Richard solidly on the quality star list. He won Golden Globe Awards for his starring roles in the last two miniseries mentioned.
In later years, the actor devoted a great deal of his time to musical stage tours as Henry Higgins in "My Fair Lady", Captain Von Trapp in "The Sound of Music" and Ebenezer Scrooge in "Scrooge: The Musical". Enormously private and having moved to Hawaii to avoid the Hollywood glare, at age 69 finally "came out" with a tell-all biography entitled "Shattered Love", in which he quite candidly discussed the anguish of hiding his homosexuality to protect his enduring matinée idol image.
Married now to his longtime partner of over 40 years, writer/producer Martin Rabbett, he has since accepted himself and shown to be quite a good sport in the process, appearing as gay characters in the film I Now Pronounce You Chuck & Larry (2007), and in television episodes of Will & Grace (1998), Desperate Housewives (2004) and Brothers & Sisters (2006). More recently, he has enjoyed featured roles in the films Strength and Honour (2007), The Perfect Family (2011), We Are the Hartmans (2011), Nightmare Cinema (2018) and Finding Julia (2019).- Actress
- Soundtrack
Named after child star Shirley Temple, Shirley Jones started singing at the age of six. She started formal training at the age of 12 and would dream of singing with her idol, Gordon MacRae. Upon graduating from high school, Shirley went to New York to audition for the casting director of Rodgers & Hammerstein. Taken by Shirley's beautifully trained voice, Shirley was signed as a nurse in the Broadway production of "South Pacific". Within a year, she would be in Hollywood to appear in her first film Oklahoma! (1955) as Laurey, the farm girl in love with cowboy Gordon MacRae. Oklahoma! (1955) would be filmed in CinemaScope and Todd-AO wide-screen and would take a year to shoot. After that, Shirley returned to Broadway for the stage production of "Oklahoma!" before returning to Hollywood for Carousel (1956). But by this time, musicals were a dying art and she would have a few lean years. She would work on television in programs like Playhouse 90 (1956). With a screen image comparable to peaches-n-cream, Shirley wanted a darker role to change her image. In 1960, she would be cast as the vengeful prostitute in the Richard Brooks dramatic film Elmer Gantry (1960). With a brilliant performance against an equally brilliant Burt Lancaster, Shirley would win the Oscar for Supporting Actress. But the public wanted the good Shirley so she was cast as "Marion", the librarian, in the successful musical The Music Man (1962). Robert Preston had played the role on Broadway and his performance along with Shirley was magic. Shirley would again work with little Ron Howard in The Courtship of Eddie's Father (1963). But the movies changed in the 60's and Shirley's image did not fit so she would see her movie career stop in 1965. There were always nightclubs, but Shirley would be remembered by another generation as "Shirley Partridge" in the television series The Partridge Family (1970). While the success of the show would do more for her stepson, teen idol David Cassidy, it would keep her name and face in the public view for the four years that the series ran. The show still plays in reruns. After the show ended, Shirley would spend the rest of the 70's in the land of television movies. The television movie The Lives of Jenny Dolan (1975) would be made as a pilot for a series that was not picked up. In 1979, Shirley appeared in a comedy show called Shirley (1979), but the show lasted only one season. Shirley would appear infrequently in the 80's and in video's extolling fitness and beauty at the end of the decade.- Additional Crew
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After her school education, she initially attended a school for secretaries, but in 1957, at the invitation of a former schoolmate, she realized her long-held dream of getting to know Africa and traveled to Kenya. She found a job at the Kenya National Museum and came into contact with its director Louis Leakey. Although Goodall had no academic training at the time, Leakey suggested that she participate in a field study of wild chimpanzees. She then began working as an assistant for Leakey. In 1960, Goodall, accompanied by her mother, traveled to Lake Tanganyika in what is now Gombe National Park. There she began researching primates, which are genetically closely related to humans. Through her "participatory observation method" she was able to gain new insights into the animals. Goodall discovered that chimpanzees make and use tools. Their work also helped to differentiate bonobos from chimpanzees.
In 1965, the researcher temporarily interrupted her studies to do her doctorate at the University of Cambridge. She received an exemption and was therefore able to do a doctorate even though she had never studied. As Dr. Jane Goodall returned to Tanzania, where she founded the "Gombe Stream Research Center" in Gombe in 1967. With funding from the American National Geographic Society, the first texts and images from her studies appeared. Goodall gained worldwide fame with the publication of her book "Wild Chimpanzees". From 1971 to 1975 she taught as a visiting professor at Stanford University in California. In 1977, the researcher founded the "Jane Goodall Institute for Wildlife Research, Education and Conservation" in the USA to ensure the protection of the chimpanzees in Gombe and her research activities. In 1987 Goodall retired from field research. Since then she has been committed to protecting chimpanzees.
As an "ambassador for chimpanzees" she travels around the world, giving lectures on environmental pollution and climate change. She also campaigns against the illegal animal trade. Goodall also coordinates various scientific projects carried out in Gombe. In her published autobiography "Reason for Hope" she writes about the motives of her work and the leitmotif of her life. For Jane Goodall, there seems to be no contradiction between belief in God and the Darwinian theory of evolution. Goodall has since moved back to England, to her childhood home. In 2002 she was appointed UN Messenger of Peace. Jane Goodall is also committed to environmental projects with young people, for which purpose she launched the "Roots & Shoots" project. In 2005 she became an officer of the French Legion of Honor. In 2018, the documentary "Jane" by American director Brett Morgan was released in cinemas. In 2020 she received the Tang Prize in the "Sustainable Development" category.- Actress
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Shirley MacLaine was born Shirley MacLean Beaty in Richmond, Virginia. Her mother, Kathlyn Corinne (MacLean), was a drama teacher from Nova Scotia, Canada, and her father, Ira Owens Beaty, a professor of psychology and real estate agent, was from Virginia. Her brother, Warren Beatty, was born on March 30, 1937. Her ancestry includes English and Scottish.
Shirley was the tallest in her ballet classes at the Washington School of Ballet. Just after she graduated from Washington-Lee High School, she packed her bags and headed for New York. While auditioning for Richard Rodgers and Oscar Hammerstein II's "Me and Juliet", the producer kept mispronouncing her name. She then changed her name from Shirley MacLean Beaty to Shirley MacLaine. She later had a role in "The Pajama Game", as a member of the chorus and understudy to Carol Haney. A few months into the run, Shirley was going to leave the show for the lead role in "Can-Can" but ended up filling in for Haney, who had broken her ankle and could not perform. She would fill in for Carol, again, three months later, following another injury, the very night that movie producer Hal B. Wallis was in the audience. Wallis signed MacLaine to a five-year contract to Paramount Pictures. Three months later, she was off to shoot The Trouble with Harry (1955). She then took roles in Hot Spell (1958) and Around the World in 80 Days (1956), completed not too long before her daughter, Sachi Parker (born Stephanie), was born. With Shirley's career on track, she played one of her most challenging roles: "Ginny Moorhead" in Some Came Running (1958), for which she received her first Academy Award nomination for Best Actress. She went on to do The Sheepman (1958) and The Matchmaker (1958). In 1960, she got her second Academy Award nomination for The Apartment (1960). Three years later, she received a third nomination for Irma la Douce (1963). In 1969, she brought her friend Bob Fosse from Broadway to direct her in Sweet Charity (1969), from which she got her "signature" song, "If My Friends Could See Me Now". After a five-year hiatus, Shirley made a documentary on China called The Other Half of the Sky: A China Memoir (1975), for which she received an Oscar nomination for best documentary.
In 1977, she got her fourth Best Actress Oscar nomination for The Turning Point (1977). In 1979, she worked with Peter Sellers in Being There (1979), made shortly before his death. After 20 years in the film industry, she finally took home the Best Actress Oscar for Terms of Endearment (1983). After a five-year hiatus, Shirley made Madame Sousatzka (1988), a critical and financial hit that took top prize at the Venice Film Festival. In 1989, she starred with Dolly Parton, Sally Field and Julia Roberts in Steel Magnolias (1989). She received rave reviews playing Meryl Streep's mother in Postcards from the Edge (1990) and for Guarding Tess (1994). In 1996, she reprised her role from "Terms of Endearment" as "Aurora Greenway" in The Evening Star (1996), which didn't repeat its predecessor's success at the box office. In mid-1998, she directed Bruno (2000), which starred Alex D. Linz. In February 2001, Shirley worked with close friends once again in These Old Broads (2001), and co-starred with Julia Stiles in Carolina (2003) and with Kirstie Alley in Salem Witch Trials (2002).
MacLaine as her own website which includes her own radio show and interviews, the Encounter Board, and Independent Expression, a members-only section of the site. In the past few years, Shirley starred in a CBS miniseries based on the life of cosmetics queen Mary Kay Ash--Hell on Heels: The Battle of Mary Kay (2002), and wrote two more books, "The Camino" in 2001, and "Out On A Leash" in 2003. After taking a slight hiatus from motion pictures, Shirley returned with roles in the movies that were small, but wonderfully scene-stealing: Bewitched (2005) with Nicole Kidman and Will Ferrell, In Her Shoes (2005) with Cameron Diaz and Toni Collette, in which Shirley was nominated for a Golden Globe in the best supporting actress category, and Rumor Has It... (2005) with Jennifer Aniston and Kevin Costner. Shirley completed filming of Closing the Ring (2007), directed by Sir Richard Attenborough, in 2007. Her latest book is entitled "Sage-ing While Ag-ing"; Shirley's latest film is Valentine's Day (2010), which debuted in theaters on February 12, 2010.- Music Artist
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Frankie Valli was born on 3 May 1934 in Newark, New Jersey, USA. He is a music artist and actor, known for Grease (1978), Free Guy (2021) and Bumblebee (2018). He has been married to Jackie Jacobs since 26 June 2023. He was previously married to Randy Clohessy, MaryAnn Hannigan and Mary Mandel.- Actor
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Actor, singer, author and songwriter ("Exodus") Pat Boone was educated at David Lipscombe College, North Texas State College and Columbia University (from which he received a Bachelor of Science degree in 1958). His career in entertainment began when he emceed a teenage talent show on radio and television in Nashville, Tennessee. He won a Ted Mack Original Amateur Hour amateur show, and an Arthur Godfrey Talent Scouts show. His first professional recording was made in 1955, and he joined ASCAP in 1961, with Ernest Gold being his chief musical collaborator. Over the years he has had many hit songs ("Moody River", "Speedy Gonzales", "Bernadine") and appeared in a string of films in the 1950s and 1960s, some successful and some not. His other song compositions include "Lover's Lane" and "The Main Attraction". He has served as a board member of the Northeastern Institute for Christian Education.- Actor
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One of the most prolific character actors of his time starting with his role of Santini in the Blackboard Jungle (1955). Since then has appeared in iconic shows as the Twilight Zone, the Red Skelton Hour, the Dick Van Dyke Show, the Danny Kaye Show, Hazel, My Three Sons, Ben Casey, The Lucy Show, I Dream of Jeannie, The Andy Griffith Show, My Favorite Martian, F Troop, Get Smart. Gomer Pyle, The Flying Nun, The Blue Knight, Barnaby Jones, The Love Boat, Diagnosis Murder and of course M*A*S*H.- Actress
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Sophia Loren was born as Sofia Scicolone at the Clinica Regina Margherita in Rome on September 20, 1934. Her father Riccardo was married to another woman and refused to marry her mother Romilda Villani, despite the fact that she was the mother of his two children (Sophia and her younger sister Maria Scicolone). Growing up in the slums of Pozzuoli during the second World War without any support from her father, she experienced great sadness in her childhood. Her life took an unexpected turn for the best when, at age 14, she entered into a beauty contest and placed as one of the finalists. It was here that Sophia caught the attention of film producer Carlo Ponti, some 22 years her senior, whom she later married. Perhaps he was the father figure she never experienced as a child. Under his guidance, Sophia was put under contract and appeared as an extra in ten films beginning with Le sei mogli di Barbablù (1950), before working her way up to supporting roles. In these early films, she was credited as "Sofia Lazzaro" because people joked her beauty could raise Lazzarus from the dead.
By her late teens, Sophia was playing lead roles in many Italian features such as La favorita (1952) and Aida (1953). In 1957, she embarked on a successful acting career in the United States, starring in Boy on a Dolphin (1957), Legend of the Lost (1957), and The Pride and the Passion (1957) that year. She had a short-lived but much-publicized fling with co-star Cary Grant, who was nearly 31 years her senior. She was only 22 while he was 53, and she rejected a marriage proposal from him. They were paired together a second time in the family-friendly romantic comedy Houseboat (1958). While under contract to Paramount, Sophia starred in Desire Under the Elms (1958), The Key (1958), The Black Orchid (1958), It Started in Naples (1960), Heller in Pink Tights (1960), A Breath of Scandal (1960), and The Millionairess (1960) before returning to Italy to star in Two Women (1960). The film was a period piece about a woman living in war-torn Italy who is raped while trying to protect her young daughter. Originally cast as the more glamorous child, Sophia fought against type and was re-cast as the mother, displaying a lack of vanity and proving herself as a genuine actress. This performance received international acclaim and was honored with an Academy Award for Best Actress.
Sophia remained a bona fide international movie star throughout the sixties and seventies, making films on both sides of the Atlantic, and starring opposite such leading men as Paul Newman, Marlon Brando, Gregory Peck, and Charlton Heston. Her English-language films included El Cid (1961), The Fall of the Roman Empire (1964), Arabesque (1966), Man of La Mancha (1972), and The Cassandra Crossing (1976). She gained wider respect with her Italian films, especially Marriage Italian Style (1964) and A Special Day (1977), both of which co-starred Marcello Mastroianni. During these years she received a second Oscar nomination and won five Golden Globe Awards.
From the eighties onward, Sophia's appearances on the big screen came few and far between. She preferred to spend the majority of her time raising sons Carlo Ponti Jr. (b. 1968) and Edoardo Ponti (b. 1973). Her only acting credits during the decade were five television films, beginning with Sophia Loren: Her Own Story (1980), a biopic in which she portrayed herself and her mother. She ventured into other areas of business and became the first actress to launch her own fragrance and design of eyewear. In 1982 she voluntarily spent nineteen days in jail for tax evasion.
In 1991 Sophia received an Honorary Academy Award for her body of work, and was declared "one of world cinema's greatest treasures." That same year, she experienced a terrible loss when her mother died of cancer. Her return to mainstream films in Ready to Wear (1994) was well-received, although the film as a whole was not. She followed this up with her biggest U.S. hit in years, the comedy Grumpier Old Men (1995), in which she played a sexy divorcée who seduces Walter Matthau. Over the next decade Sophia had plum roles in a few independent films like Soleil (1997), Between Strangers (2002) (directed by Edoardo), and Lives of the Saints (2004). Still beautiful at 72, she posed scantily-clad for the 2007 Pirelli Calendar. Sadly, that same year she mourned the death of her 94-year-old spouse, Carlo Ponti. In 2009, after far too much time away from film, she appeared in the musical Nine (2009) opposite Daniel Day-Lewis. These days Sophia is based in Switzerland but frequently travels to the states to spend time with her sons and their families (Eduardo is married to actress Sasha Alexander). Sophia Loren remains one of the most beloved and recognizable figures in the international film world.- Actress
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Brigitte Bardot was born on September 28, 1934 in Paris, France. Her father had an engineering degree and worked with his father in the family business. Brigitte's mother encouraged her daughter to take up music and dance, and she proved to be very adept at it. By the time she was 15, Brigitte was trying a modeling career, and found herself in the French magazine "Elle". Her incredible beauty readily apparent, Brigitte next tried films. In 1952, she appeared on screen for the first time as Javotte Lemoine in Crazy for Love (1952). Two more films followed and it was also the same year she married Roger Vadim (the union lasted 3½ years). Capitalizing on her success in French films, Brigitte made her first American production in Act of Love (1953) with Kirk Douglas, but she continued to make films in France. Brigitte's explosive sexuality took the United States by storm, and the effect she had on millions of American men who had not seen a woman like her in a long, long time--if ever--was electric. Rise to the phrase "sex kitten" and fascination of her in the United States consisted of magazines photographs and dubbed over French films--good, bad or indifferent, her films drew audiences--mainly men--into theaters like lemmings. In 1965, she appeared as herself in the American-made Dear Brigitte (1965) with James Stewart (she only appeared in one scene). Just before she turned 40, Brigitte retired from movies after filming The Edifying and Joyous Story of Colinot (1973). She prefers life outside of stardom. While it enabled her to become internationally famous, it also carried with it annoyances. It was not anything for her to have "fans" enter her house or wander around the grounds of her home in the hopes of getting a glimpse of her or to take something that belonged to her. Paparazzi constantly hounded her with their cameras. She has been so soft-hearted that some people even have taken advantage of her generosity. After her life in the spotlight, Brigitte went on to become a leading spokesperson for animal rights and started the "Foundation Brigitte Bardot" dedicated solely to that cause. Her work in that realm is, perhaps, far greater than any film she could have made. Brigitte has been married to Bernard d'Ormale since 1992 and they reside in St. Tropez with their nearly 50 pets.- Actress
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Suzanne Lloyd was born on 11 November 1934 in Toronto, Ontario, Canada. She is an actress, known for The Return of Mr. Moto (1965), The Saint (1962) and The Avengers (1961).- Actress
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Dame Judi Dench was born Judith Olivia Dench in York, England, to Eleanora Olive (Jones), who was from Dublin, Ireland, and Reginald Arthur Dench, a doctor from Dorset, England. She attended Mount School in York, and studied at the Central School of Speech and Drama. She has performed with the Royal Shakespeare Company, the National Theatre, and at Old Vic Theatre. She is a ten-time BAFTA winner including Best Actress in a Comedy Series for A Fine Romance (1981) in which she appeared with her husband, Michael Williams, and Best Supporting Actress in A Handful of Dust (1988) and A Room with a View (1985). She received an ACE award for her performance in the television series Mr. and Mrs. Edgehill (1985). She was appointed an Officer of the Order of the British Empire (OBE) in 1970, a Dame Commander of the Order of the British Empire (DBE) in 1988 and a Member of the Order of the Companions of Honour (CH) in 2005.- Actress
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One of the world's most famous and distinguished actresses, Dame Maggie Smith was born Margaret Natalie Smith in Essex. Her Scottish mother, Margaret (Hutton), worked as a secretary, and her English father, Nathaniel Smith, was a teacher at Oxford University. Smith has been married twice: to actor Robert Stephens and to playwright Beverley Cross. Her marriage to Stephens ended in divorce in 1974. She was married to Cross until his death in 1999. She had two sons with Stephens, Chris Larkin and Toby Stephens who are also actors.
Maggie Smith's career began at the Oxford Playhouse in the 1950s. She made her film debut in 1956 as one of the party guests in Child in the House (1956). She has since performed in over sixty films and television series with some of the most prominent actors and actresses in the world. These include: Othello (1965) with Laurence Olivier, The Prime of Miss Jean Brodie (1969), California Suite (1978) with Michael Caine and Jane Fonda, A Room with a View (1985), Richard III (1995) with Ian McKellen and Jim Broadbent, Franco Zeffirelli's Tea with Mussolini (1999) with Judi Dench, Joan Plowright and Cher and Gosford Park (2001) with Kristin Scott Thomas and Clive Owen, directed by Robert Altman. Maggie Smith has also been nominated for an Oscar six times and won twice, for The Prime of Miss Jean Brodie (1969) and California Suite (1978).
Smith later appeared in the very successful 'Harry Potter' franchise as the formidable Professor McGonagall as well as in Julian Fellowes' ITV drama series, Downton Abbey (2010) (2010-2011) as the Dowager Countess of Grantham.- Actor
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Russ wasn't discovered, he discovered show business at the age of 5 when, with other youngsters at Inglewood, California, he went to Saturday matinees at the Granada Theatre. One afternoon while waiting for the show to start he got on the stage and did an impromptu dance which the kids loved. He repeated it the following week and became so popular that when he didn't appear there was almost a riot. The theater manager spoke to his parents and his mother let him take dancing lessons. Once started on a career he expanded his talents to take in singing and acrobatics performing his first back flip at 10. He later added juggling, a magic act, piano, and drums to his talents which made him a regular performer at local clubs. He made his stage debut with a small theater group directed by Lloyd Bridges which in turn led to his film debut in 'The Boy With Green Hair' followed by a part in 'Samson and Delilah' and the title role in 'The Kid From Cleveland.' He earned an Oscar nomination as Best Supporting Actor for 'Peyton Place' receiving high praise from both director Mark Robson and choreographer Michael Kidd, who was a close friend of Jerome Robbins, and who'd worked with Russ on 'Seven Brides For Seven Brothers.' Summoned for both a dancing and acting screen test with Robert Wise and Jerome Robbins he was cast as Riff the leader of the Jets in the Oscar winning film 'West Side Story.' In his films up to 1952 he was credited as Rusty Tamblyn and Russ Tamblyn after that.- Actor
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Nino Tempo was born on 6 January 1935 in Niagara Falls, New York, USA. He is an actor, known for Johnny Trouble (1957), The Idolmaker (1980) and Kiss My Grits (1982).- Actor
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Nick Clooney was born on January 13, 1935 in Maysville, Kentucky, USA as Nicholas Joseph Clooney. He is an actor and writer, known for The Monuments Men (2014), AMC's Behind the Screen with Nick Clooney (1998) and Rebound: A Basketball Story (2009). He has been married to Nina Clooney since November 30, 1959. They have two children, including actor George Clooney.- A.J. Foyt was born on 16 January 1935 in Houston, Texas, USA. He is an actor, known for Racin' for a Livin' (2006), ESPN Speedworld (1979) and Formula 1 (1950). He has been married to Lucy Zarr since 8 June 1956. They have three children.
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Sally Jessy Raphael was born on 25 February 1935 in Easton, Pennsylvania, USA. She is an actress and producer, known for The Addams Family (1991), The Equalizer (1985) and The Guru (2002).- Actor
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Judd Hirsch is an American actor from New York City. His main claim to fame is playing taxicab driver Alex Reiger in the hit sitcom Taxi (1978). For this role, Hirsch twice won the "Primetime Emmy Award for Outstanding Lead Actor in a Comedy Series." He has since had a long career.
In 1935, Hirsch was born in The Bronx, New York City. His parents were electrician Joseph Sidney Hirsch and his wife Sally Kitzis. Joseph was born in New York to immigrant parents. Hirsch's paternal grandfather Benjamin Hirsch was German-Jewish, while his wife Rosa was born to a Dutch-Jewish family in England. Hirsch's maternal ancestors were Russian-Jews.
Hirsch spend his early years moving between the Bronx and Brooklyn. He received his secondary education at the DeWitt Clinton High School, an all-boys school located in The Bronx. He graduated in 1952, at the age of 17. He received his tertiary education at the City College of New York, a public college located in the Hamilton Heights neighborhood of Manhattan. He graduated with a degree in physics.
Following his college graduation, Hirsch served his term in the United States Army. Retuning to civilian life, he was hired as an engineer by the Westinghouse Electric Corporation (1886-1997). He eventually decided to switch to an acting career. He studied acting at the HB Studio, located in Greenwich Village.
Hirsch started his acting career with theatrical roles. In the 1970s, he frequently appeared in television films. He also had guest star roles in television series, such as Medical Story (1975), Visions (1976), and Rhoda (1974). He achieved stardom with the leading role of Alex Reiger in "Taxi" (1978-1983). Alex was a rather jaded character, bitter following his divorce and the loss of custody over his only child. He resonated with audiences of this period. He won the Emmy Award for Lead Actor In a Comedy Series in both 1981 and 1983.
Hirsch had the supporting role of psychiatrist Dr. Tyrone C. Berger in the family drama film Ordinary People (1980). In the film, he treats patient Conrad Jarrett (played by Timothy Hutton) who is suffering from post-traumatic stress disorder, survivor's guilt, and suicidal ideation following the accidental death of his brother. The film was critically acclaimed, and Hirsch was nominated for the Academy Award for Best Supporting Actor. The award was instead won by his co-star Timothy Hutton.
Hirsch had the co-starring role of police lieutenant Al Menetti in the missing person investigation-themed film Without a Trace (1983). The film was inspired by the real-life disappearance of Etan Patz (1972-1979), which was later determined to be a murder case. The film earned about 9,6 million dollars at the domestic box office. It was the 81st highest-grossing film of 1983.
Hirsch had a major role as vice principal Roger Rubell in the black comedy film Teachers (1984). The film deals with internal conflicts in a high school which is faced with a lawsuit by a recent graduate. The film was moderately successful at the box office, though it is mostly remembered for featuring the hit song "Understanding" by Bob Seger (1945-).
Hirsch had the leading role of pater familias Arthur Pope in the drama film Running on Empty (1988). In the film, Pope and his wife are wanted by the FBI for their involvement in the bombing of a napalm laboratory during the 1970s. They are hiding undercover identities while trying to raise their sons. The film was a box office flop but received critical acclaim. It is mainly remembered for a well-received early role for River Phoenix (1970-1993) as Arthur's eldest son.
Hirsch was cast in the leading role of teacher John Lacey in the American sitcom Dear John (1988). It was an adaptation of the British sitcom Dear John.... (1986). Both series deal with adult men trying to rebuilt their lives after their wives leave them for other men, and kick them out of their family home. The American series lasted for 4 seasons and a total of 90 episodes. For this role, Hirsch won the 1988 "Golden Globe Award for Best Actor - Television Series Musical or Comedy".
Hirsch had the supporting role of Julius Levinson in the science fiction film Independence Day (1996). Julius was depicted as the aging father of the engineer David Levinson (played by Jeff Goldblum), one of the film's co-protagonists. The film earned about 817 million dollars the worldwide box office, the highest-grossing film in Hirsch's career. He returned to this role in the sequel Independence Day: Resurgence (2016), which was moderately successful.
Hirsch co-starred in the sitcom George & Leo (1997) with Bob Newhart (1929-). He played magician Leo Wagonman, who was trying to hide after successfully robbing a casino. The series only lasted a single season and a total of 22 episodes. It was canceled due to low ratings.
Hirsch had the supporting role of a Princeton University professor in the biographical film A Beautiful Mind (2001). The film was based on the life of mathematician John Nash (1928-2015), an expert on game theory. The film earned about 317 million dollars at the worldwide box office, and won the "Golden Globe Award for Best Motion Picture - Drama" It was one of the most acclaimed films in Hirsch's career.
In 2005 Hirsch received a major television role as retired city planner Alan Eppes in the police procedural series Numb3rs (2005). The series concerned two brothers who collaborate in investigating FBI cases. Alan was depicted as their meddling father, who keeps reminding them to also take care of their personal lives and problems. The series lasted 6 seasons, and 118 episodes. Hirsch's role was well-received by audiences.
In 2016, Hirsch guest starred in two episodes of the sitcom The Big Bang Theory (2007). He played anthropologist Dr. Alfred Hofstadter, the father of main character Leonard Hofstadter (played by Johnny Galecki). The character had been frequently mentioned in the series since its first season, but had never appeared before. While the series previously mentioned that Alfred neglected his son during Leonard's childhood, in the guest appearances he turned out to have a friendly relationship with his grown-up son. Alfred seemed impressed that Leonard had a loving relationship with his wife, something which Alfred had never experienced.
In 2017, Hirsch was cast in the main role of donut shop owner Arthur Przybyszewski in the sitcom Superior Donuts (2017). The series depicted Arthur as a veteran business owner with old-fashioned ideas, who reluctantly recognizes that he has to modernize his shop in order to stay in business. The series lasted 2 seasons and a total of 34 episodes. It was reportedly canceled due to a decline in its ratings. The final episode resolves the series' main plot, with Arthur deciding to sell his shop and to finally retire.
As of 2021, Hirsch is 86-years-old. He has never retired from acting, though he mostly plays guest-star roles in television. He remains a popular actor.- Actor
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Bandleader who had several big instrumental hits in 1960s with his band, Herb Alpert & The Tijuana Brass. First big hit was "The Lonely Bull" in 1963. He and the Brass followed that with other big hits like "Tijuana Taxi", "Spanish Flea" (familiar to some as "the Dating Game song"), "A Taste of Honey", and "Zorba the Greek". It wasn't until he decided to try a vocal that he finally hit #1 on the Billboard charts with "This Guy's in Love With You" in 1968. After the breakup of the Tijuana Brass, Alpert was out of the public eye until his comeback album, Rise, hit the charts in 1979. That album produced his first instrumental #1, "Rise". After several mediocre attempts after that, Alpert laid low and then resurfaced in 1987 with a more modern jazz/funk sound with "Keep Your Eye on Me".- Actor
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Bobby Vinton was born on 16 April 1935 in Canonsburg, Pennsylvania, USA. He is an actor and composer, known for Flushed Away (2006), Godzilla vs. Kong (2021) and Blue Velvet (1986). He has been married to Dolly Dobbins since 17 December 1962. They have five children.- Actor
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Tall (6'5"), genial, toothsome actor and multimedia host David Downs Hartman was born in Rhode Island on May 19, 1935, the son of Fannie Rodman (Downs) and Cyril Baldwin Hartman. His father was at one time a Methodist minister who left the ministry to become a salesman. His parents later divorced, which deeply affected him. David grew up learning to play a number of musical instruments and studied choral singing as well. He was actually geared towards a professional baseball career in high school, but turned down an athletic scholarship to attend Duke University, majoring instead in economics. While at Duke he found himself dallying in radio, commercials and TV spots, which drew his interest.
Military service (Air Force, Strategic Air Command) interrupted his fledgling career, but he eventually got back on track following his discharge with roles on the musical summer stock stage, including Oklahoma! (starring as Curly), South Pacific and Kismet, plus a few television parts. David made his Broadway debut as "Rudolph" in the original 1964 production of "Hello, Dolly!" starring the legendary Carol Channing. He went on to appear in the Broadway production of "The Yearling" a year later but the show folded after only three performances.
Debuting on-camera as a waiter on a 1967 episode of the TV series "Coronet Blue", David was subsequently signed by Universal and quickly moved with ease into lightweight, "nice guy" co-star roles. Unfortunately it didn't pan out with such bland, forgettable vehicles as The Ballad of Josie (1967) opposite Doris Day, the naval comedy Nobody's Perfect (1968), and the wacky farce Did You Hear the One About the Traveling Saleslady? (1968) starring an equally wacky Phyllis Diller. Instead he turned to television, making a strong impression when added to the successful western The Virginian (1962) as David Sutton. This led to major stardom as dedicated Dr. Paul Hunter on the acclaimed medical series The Bold Ones: The New Doctors (1969), where he shared episodes with revolving stars E.G. Marshall and John Saxon. David earned a Golden Globe nomination during the five season run.
TV remained his strong suit during this time, finding potent guest appearances on such established series as "Marcus Welby, M.D.," "The Name of the Game," "Ironside" and "Owen Marshall, Counsellor at Law." He continued to show a flair for more light-hearted material as a TV-movie star. Such roles included a male chauvinist cop at odds with lovely Barbara Eden in The Feminist and the Fuzz (1971); a detective who, with fellow investigator Don Knotts, check out mysteries at a creepy old mansion; and the John Payne role in the remake of the Christmas classic Miracle on 34th Street (1973) co-starring Jane Alexander and Sebastian Cabot.
Following a starring professor role in the Disney family fantasy adventure The Island at the Top of the World (1974), David returned to series TV as the title high school teacher Lucas Tanner (1974). David received high marks for his role as a retired baseball player who becomes a high school teacher. The series did not catch on, however, and its cancellation was swift after only one season. Little did he realize, but a new career direction was about to take over.
Despite the fact he lacked a journalism degree and no experience for that matter (except once co-hosting "The Mike Douglas Show"), the personable, articulate and highly intelligent David, on November 3, 1975, was hired as the original male co-anchor of ABC's retitled morning news how Good Morning America (1975). He managed to stay on board for 11 years, giving over 12,000 interviews and earning high ratings and a daytime Emmy during his lengthy tenure. He was fondly remembered for closing each morning show with the warm catchphrase, "Make it a good day today!"
After he left, David took on a low profile but was seen on occasion as an emcee of late-night infomercials. In the 1990's Hartman became an anchor and host of a series of documentaries on the Discovery Channel and WNET in New York City. The PBS documentaries are a series of Walking Tour (1999) documentaries about various communities around New York City. Hartman would win several Emmy and journalist awards for this series. In North Carolina, Hartman is also heard on Public Radio and WCPE-FM as host of the North Carolina Symphony radio broadcasts. A widower in 1997 and father of four, David remarried in 2001 and became a father once again.- Today, sexy Lee Meriwether is best remembered for her roles in a few science fiction/fantasy cult productions made between 1966 and 1969. Batman: The Movie (1966), Star Trek (1966), The Time Tunnel (1966) and Land of the Giants (1968).
Firstly Batman: The Movie (1966), in which she played both evil Catwoman and not-so-evil Kitka, who has a romance with Bruce Wayne (Adam West).
Then came 30 episodes of Irwin Allen's The Time Tunnel (1966) series, in which she played a scientist named Dr. Ann MacGregor, where she mostly performed with Whit Bissell (General Kirk), both attempting to help two time travelers who were lost in time. In one episode, The Kidnappers (1967), Ann was taken away from her normal setting and transported into the distant future.
However, Meriwether once reported that she spent a lot of the series acting to a screen in the Time Tunnel complex, a screen that was meant to feature the two time travelers, but in reality featured nothing at all. So she was reacting to nothing a lot of the time.
Then came the Star Trek (1966) episode, That Which Survives (1969), where she played Losira, an alien being who stalks the Enterprise crew and attempts to kill them.
And finally, she was back with Irwin Allen again with the Land of the Giants (1968) episode, Rescue (1969). In this, she played the concerned "giant" mother of kids who were trapped underground and needed to be rescued by the Earth "little people".
Then she appeared as Betty Jones, daughter-in-law and secretary to Barnaby Jones from 1973 t0 1980 (178 episodes) in the series of the same name, "Barnaby Jones."
Meriwether is still working in television to this day. - Actress
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Ruta Lee was born on 30 May 1935 in Montréal, Québec, Canada. She is an actress, known for Seven Brides for Seven Brothers (1954), Witness for the Prosecution (1957) and Funny Face (1957). She was previously married to Webster Bernard Lowe Jr..- Actor
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The towering presence of Canadian actor Donald Sutherland is often noticed, as are his legendary contributions to cinema. He has appeared in almost 200 different shows and films. He is also the father of renowned actor Kiefer Sutherland, among others.
Donald McNichol Sutherland was born in Saint John, New Brunswick, to Dorothy Isobel (McNichol) and Frederick McLea Sutherland, who worked in sales and electricity. He has Scottish, as well as German and English, ancestry. Sutherland worked several different jobs - he was a radio DJ in his youth - and was almost set on becoming an engineer after graduating from the University of Toronto with a degree in engineering. However, he also graduated with a degree in drama, and he chose to abandon becoming an engineer in favour of an actor.
Sutherland's first roles were bit parts and consisted of such films as the horror film Dr. Terror's House of Horrors (1965) which starred Christopher Lee. He was also appearing in episodes of TV shows such as "The Saint" and "Court Martial". Sutherland's break would come soon, though, and it would come in the form of a war film in which he was barely cast.
The reason he was barely cast was because he had been a last-minute replacement for an actor that had dropped out of the film. The role he played was that of the dopey but loyal Vernon Pinkley in the war film The Dirty Dozen (1967). The film also starred Lee Marvin, Charles Bronson, and Telly Savalas. The picture was an instant success as an action/war film, and Sutherland played upon this success by taking another role in a war film: this was, however, a comedy called M*A*S*H (1970) which landed Sutherland the starring role alongside Elliott Gould and Tom Skerritt. This is now considered a classic among film goers, and the 35-year old actor was only getting warmed up.
Sutherland took a number of other roles in between these two films, such as the theatrical adaptation Oedipus the King (1968), the musical Joanna (1968) and the Clint Eastwood-helmed war comedy Kelly's Heroes (1970). It was Kelly's Heroes (1970) that became more well-known, and it reunited Sutherland with Telly Savalas. 1970 and 1971 offered Sutherland a number of other films, the best of them would have to be Klute (1971). The film, which made Jane Fonda a star, is about a prostitute whose friend is mysteriously murdered. Sutherland received no critical acclaim like his co-star Fonda (she won an Oscar) but his career did not fade.
Moving on from Klute (1971), Sutherland landed roles such as the lead in the thriller Lady Ice (1973), and another lead in the western Alien Thunder (1974). These films did not match up to "Klute"'s success, though Sutherland took a supporting role that would become one of his most infamous and most critically acclaimed. He played the role of the murderous fascist leader in the Bernardo Bertolucci Italian epic 1900 (1976). Sutherland also gained another memorable role as a marijuana-smoking university professor in National Lampoon's Animal House (1978) among other work that he did in this time.
Another classic role came in the form of the Robert Redford film, Ordinary People (1980). Sutherland portrays an older father figure who must deal with his children in an emotional drama of a film. It won Best Picture, and while both the supporting stars were nominated for Oscars, Sutherland once again did not receive any Academy Award nomination. He moved on to play a Nazi spy in a film based on Ken Follett's book "Eye of the Needle" and he would star alongside Al Pacino in the commercial and critical disaster that was Revolution (1985). While it drove Al Pacino out of films for four years, Sutherland continued to find work. This work led to the dramatic, well-told story of apartheid A Dry White Season (1989) alongside the legendary actor Marlon Brando.
Sutherland's next big success came in the Oliver Stone film JFK (1991) where Sutherland plays the chilling role of Mister X, an anonymous source who gives crucial information about the politics surrounding President Kennedy. Once again, he was passed over at the Oscars, though Tommy Lee Jones was nominated for his performance as Clay Shaw. Sutherland went on to appear in Buffy the Vampire Slayer (1992), Shadow of the Wolf (1992), and Disclosure (1994).
The new millennium provided an interesting turn in Sutherland's career: reuniting with such former collaborators as Clint Eastwood and Tommy Lee Jones, Sutherland starred in Space Cowboys (2000). He also appeared as the father figure to Nicole Kidman's character in Cold Mountain (2003) and Charlize Theron's character in The Italian Job (2003). He has also made a fascinating, Oscar-worthy performance as the revolutionist Mr. Thorne in Land of the Blind (2006) and also as a judge in Reign Over Me (2007). Recently, he has joined forces with his son Rossif Sutherland and Canadian comic Russell Peters with the new comedy The Con Artist (2010), as well as acting alongside Jamie Bell and Channing Tatum in the sword-and-sandal film The Eagle (2011). Sutherland has also taken a role in the remake of Charles Bronson's film The Mechanic (1972).
Donald Sutherland has made a lasting legacy on Hollywood, whether portraying a chilling and horrifying villain, or playing the older respectable character in his films. A true character actor, Sutherland is one of Canada's most well-known names and will hopefully continue on being so long after his time.- Music Artist
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He was the fourth of seven children born to Clement and Mildred Mathis. His father performed briefly in vaudeville and exposed all of the Mathis siblings to music. Before he entered his teens, young John received vocal lessons from Connie Cox in exchange for performing chores around her home. When he entered San Francisco State College he originally had planned to become a physical education instructor. At San Francisco State he broke classmate and basketball great Bill Russell's high jump record. While in college he began performing at a small local bar called The International Settlement, where he met performers Maya Angelou and Joan Weldon. Later performances at a club called The Blackhawk caught the attention of Columbia Records producer George Avakian. When Avakian called for Mathis to make his first recording, the young singer and then college track star had to make a unique decision: whether to record or to tryout for the 1956 Olympics held in Melbourne, Australia. He chose to make his first single "Wonderful, Wonderful". To date he has recorded over 80 albums selling millions of albums worldwide More than 60 of his albums have been certified gold and/or platinum. "Heavenly" alone remained on the pop charts for 295 weeks. His 1958 album "Johnny's Greatest Hits" began "Greatest Hits" tradition copied by every record company since then. This album spent an unprecedented 490 continuous weeks (almost ten years) on the Billboard Top Albums Chart, and garnered notation in the Guinness Book Of World Records. For over 6 decades Mathis has continued to record, musically evolve, and perform at the world's most prestigious venues, earning a permanent place in American music history.- Actress
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Julia Elizabeth Wells was born on October 1, 1935, in England. Her mother, Barbara Ward (Morris), and stepfather, both vaudeville performers, discovered her freakish but undeniably lovely four-octave singing voice and immediately got her a singing career. She performed in music halls throughout her childhood and teens, and at age 20, she launched her stage career in a London Palladium production of "Cinderella".
Andrews came to Broadway in 1954 with "The Boy Friend", and became a bona fide star two years later in 1956, in the role of Eliza Doolittle in the unprecedented hit "My Fair Lady". Her star status continued in 1957, when she starred in the TV-production of Cinderella (1957) and through 1960, when she played "Guenevere" in "Camelot".
In 1963, Walt Disney asked Andrews if she would like to star in his upcoming production, a lavish musical fantasy that combined live-action and animation. She agreed on the condition if she didn't get the role of Doolittle in the pending film production of My Fair Lady (1964). After Audrey Hepburn was cast in My Fair Lady, Andrews made an auspicious film debut in Walt Disney's Mary Poppins (1964), which earned her an Academy Award for Best Actress.
Andrews continued to work on Broadway, until the release of The Sound of Music (1965), the highest-grossing movie of its day and one of the highest-grossing of all time. She soon found that audiences identified her only with singing, sugary-sweet nannies and governesses, and were reluctant to accept her in dramatic roles in The Americanization of Emily (1964) and Alfred Hitchcock's thriller Torn Curtain (1966). In addition, the box-office showings of the musicals Julie subsequently made increasingly reflected the negative effects of the musical-film boom that she helped to create. Thoroughly Modern Millie (1967) was for a time the most successful film Universal had released, but it still couldn't compete with Mary Poppins or The Sound of Music for worldwide acclaim and recognition. Star! (1968) and Darling Lili (1970) also bombed at the box office.
Fortunately, Andrews did not let this keep her down. She worked in nightclubs and hosted a TV variety series in the 1970s. In 1979, Andrews returned to the big screen, appearing in films directed by her husband Blake Edwards, with roles that were entirely different from anything she had been seen in before. Andrews starred in 10 (1979), S.O.B. (1981) and Victor/Victoria (1982), which earned her an Oscar nomination for Best Actress in a Leading Role.
She continued acting throughout the 1980s and 1990s in movies and TV, hosting several specials and starring in a short-lived sitcom. In 2001, she starred in The Princess Diaries (2001), alongside then-newcomer Anne Hathaway. The family film was one of the most successful G-Rated films of that year, and Andrews reprised her role as Queen Clarisse Renaldi in The Princess Diaries 2: Royal Engagement (2004). In recent years, Andrews appeared in Tooth Fairy (2010), as well as a number of voice roles in Shrek 2 (2004), Shrek the Third (2007), Enchanted (2007), Shrek Forever After (2010), and Despicable Me (2010).- Actress
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The amazingly gifted and versatile, Ms. Diane Ladd, received immense praise for her dramatic efforts throughout the course of her electric and unique seventy-year career. Her timeless offbeat charm and beauty reminiscent of a lamented Hollywood Golden Era actress gleam in the most understated roles and continue to make her a sought-after unconventional performer.- Writer
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Woody Allen was born on November 30, 1935, as Allen Konigsberg, in The Bronx, NY, the son of Martin Konigsberg and Nettie Konigsberg. He has one younger sister, Letty Aronson. As a young boy, he became intrigued with magic tricks and playing the clarinet, two hobbies that he continues today.
Allen broke into show business at 15 years when he started writing jokes for a local paper, receiving $200 a week. He later moved on to write jokes for talk shows but felt that his jokes were being wasted. His agents, Charles Joffe and Jack Rollins, convinced him to start doing stand-up and telling his own jokes. Reluctantly he agreed and, although he initially performed with such fear of the audience that he would cover his ears when they applauded his jokes, he eventually became very successful at stand-up. After performing on stage for a few years, he was approached to write a script for Warren Beatty to star in: What's New Pussycat (1965) and would also have a moderate role as a character in the film. During production, Woody gave himself more and better lines and left Beatty with less compelling dialogue. Beatty inevitably quit the project and was replaced by Peter Sellers, who demanded all the best lines and more screen-time.
It was from this experience that Woody realized that he could not work on a film without complete control over its production. Woody's theoretical directorial debut was in What's Up, Tiger Lily? (1966); a Japanese spy flick that he dubbed over with his own comedic dialogue about spies searching for the secret recipe for egg salad. His real directorial debut came the next year in the mockumentary Take the Money and Run (1969). He has written, directed and, more often than not, starred in about a film a year ever since, while simultaneously writing more than a dozen plays and several books of comedy.
While best known for his romantic comedies Annie Hall (1977) and Manhattan (1979), Woody has made many transitions in his films throughout the years, transitioning from his "early, funny ones" of Bananas (1971), Love and Death (1975) and Everything You Always Wanted to Know About Sex * But Were Afraid to Ask (1972); to his more storied and romantic comedies of Annie Hall (1977), Manhattan (1979) and Hannah and Her Sisters (1986); to the Bergmanesque films of Stardust Memories (1980) and Interiors (1978); and then on to the more recent, but varied works of Crimes and Misdemeanors (1989), Husbands and Wives (1992), Mighty Aphrodite (1995), Celebrity (1998) and Deconstructing Harry (1997); and finally to his films of the last decade, which vary from the light comedy of Scoop (2006), to the self-destructive darkness of Match Point (2005) and, most recently, to the cinematically beautiful tale of Vicky Cristina Barcelona (2008). Although his stories and style have changed over the years, he is regarded as one of the best filmmakers of our time because of his views on art and his mastery of filmmaking.- Actor
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Phil Donahue is an American media personality, writer, film producer, and the creator and host of Donahue (1967). His television program, later known as Donahue, was the first talk show format that included audience participation. The show had a 29-year run on national television in America that began in Dayton, Ohio, and ended in New York City in 1996.
His shows have often focused on issues that divide liberals and conservatives in the United States, such as abortion, consumer protection, civil rights and war issues. His most frequent guest was Ralph Nader, for whom Donahue campaigned in 2000. Donahue also briefly hosted a talk show on MSNBC from July 2002 to March 2003.
Phil Donahue is one of the most influential talk show hosts and has been called the "king of daytime talk." Oprah Winfrey has stated, "If it weren't for Phil Donahue, there would never have been an Oprah Show."
In 1996, Donahue was ranked #42 on TV Guide's 50 Greatest TV Stars of All Time.- Sandy Koufax was born on 30 December 1935 in Brooklyn, New York, USA. He is an actor, known for 77 Sunset Strip (1958), Michael Shayne (1960) and Shotgun Slade (1959). He has been married to Jane Purucker Clarke since 2008. He was previously married to Kimberly Francis and Anne Heath Widmark.
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Alan Alda (born under the name Alphonso Joseph D'Abruzzo) is an American actor, comedian, film director, and screenwriter from New York City. His father was the Italian-American actor Robert Alda. Alda's best known role was playing chief surgeon Benjamin Franklin "Hawkeye" Pierce in the medical-themed sitcom M*A*S*H (1972-1983) for 11 seasons. He twice won the "Primetime Emmy Award for Outstanding Lead Actor in a Comedy Series" for this role. Alda was later nominated for the "Academy Award for Best Supporting Actor", for his portrayal of career politician Ralph Owen Brewster (1888-1961) in the biographical film "The Aviator" (2004). The film depicted Brewster's opposition to the commercial interests of Howard Hughes, and the alleged political corruption which caused the end of Brewster's career.
In 1936, Alda was born in the Bronx, New York City. By that time, his father Robert Alda (1914-1986) had already started performing in vaudeville and burlesque theaters. Alda's mother was former beauty queen Joan Browne. Alda had Italian ancestry on his father's side of the family, and Irish ancestry on his mother's side of the family. Alda spend much of his childhood touring the United States with his father, as his father's acting job required frequent travel.
In 1943, Alda contracted polio. His parents chose to administer a painful treatment regimen, "consisting of applying hot woolen blankets to his limbs and stretching his muscles". This treatment had been developed by the Australian nurse Elizabeth Kenny (1880-1952), and was based on the principle of muscle rehabilitation. Though the treatment was considered controversial, it seemingly helped Alda to recover his mobility.
Alda received his secondary education at Archbishop Stepinac High School, an all-boys Roman Catholic high school located in White Plains, New York, United States. The school was named in honor of Aloysius Stepinac (1898 - 1960), the Archbishop of Zagreb who was hero-worshiped for his conviction for treason by communist Yugoslavia. Alda received his college education at Fordham University, a Jesuit research university located in New York City. He graduated In 1956 with a Bachelor of Arts degree.
During his college years, Alda worked for the radio station WFUV. The station was owned by Fordham University, and was operated by its students. Alda joined the Reserve Officers' Training Corps (ROTC) , a training program intended for prospective commissioned officers of the United States Armed Forces. He subsequently entered the United States Army Reserve. He served for a year at Fort Benning, a United States Army post straddling the Alabama-Georgia border . He then spend 6 months stationed in Korea. His official rank at that time was that of a gunnery officer, though Alda claims that he was placed in charge of a mess tent.
In 1956, Alda was introduced to Jewish-American musician Arlene Weiss (a clarinetist). They soon bonded due to their similar tastes in humor, and started dating each other. They were married on March 15, 1957. They had three daughters, born between 1958 and 1961.
Alda started his acting career in the mid-1950s, as a theatrical actor. He joined the Compass Players (1955-1958), a short-lived improvisational theatre revue which was based in Chicago. He subsequently joined the improvisational group Second City, and the regional theater company Cleveland Play House for its 1958-1959 season. In 1958, he had his first guest star role in television. He appeared in an episode of "The Phil Silvers Show", a military-themed sitcom about a swindler operating within the United States Army.
Alda made his film debut in the comedy-drama film "Gone Are the Days!" (1963). The film was a satire of segregation and bigotry, based on a play written by Ossie Davis (1917-2005). Alda was part of the recurring cast of "That Was the Week That Was" (1963-1965), a political satire series which targeted various political figures of the era. It was based on a British satire series of the same name. Most episodes of the American version are considered lost, though there are surviving audio recordings.
In 1968, Alda had his first starring role in a film. He portrayed sports journalist George Plimpton (1927-2003) in the sports comedy "Paper Lion". The film depicted Plimpton's brief term as a player of the Detroit Lions, and focused on his inexperience and ineptitude as a football player.
Alda played the accountant Morton Krim in the World War II-themed war comedy "The Extraordinary Seaman" (1969). The film depicts four sailors of the United States Navy who have been stranded on an island of the Philippines. They encounter the ghost of a British naval officer who was killed in World War I, and he encourages them to launch an attack on Japanese positions. Due to the ghost's perpetual bad luck, their attack is ill-fated.
Alda next played the male lead in the drama film "Jenny" (1970). In the film, main character Jenny Marsh (played by Marlo Thomas) was impregnated in a one-night-stand and has few options in life. Her acquaintance Delano (played by Alda) agrees to marry her and to claim the child's paternity, in an effort to avoid being drafted for war service. The film depicts the problems of a typical "marriage of convenience" (a marriage contracted for reasons other than that of love and commitment), and Delano's attempts to maintain both his marriage and his long-term relationship with another woman. The film earned 2,825,000 million dollars at the worldwide box office.
Alda also played the main character in the crime film "The Moonshine War" (1970), which was set in Prohibition-era Kentucky. He played John "Son" Martin, a man whose main source of income is the production of moonshine whiskey. An acquaintance in the Internal Revenue Service starts pressuring him for a cut on the profits. When Son refuses, the acquaintance reports his activities to a violent gang leader and his henchmen. Son has to outwit the gang in order to survive. The film was one of several films greenlit by Louis Polk and Herb Solow, the then-new co-leaders of Metro-Goldwyn-Mayer.
Alda had his first role in a horror film, when he played the main character in the occult-themed horror film "The Mephisto Waltz" (1971). He played music journalist Myles Clarkson, who unexpectedly befriends piano virtuoso Duncan Ely (played by Curd Jürgens). He does not realize that Ely is dying due to cancer, and that he intends to perform a body-swapping spell to take over Clarkson's body. Once the spell succeeds, Ely starts a new career in Clarkson's body and kills Clarkson's daughter. Ely fails to realize that his new "wife" Paula Clarkson (played by Jacqueline Bisset) intends to use the same spell to swap bodies with Ely's adult daughter. Bisset was praised for her "chillingly effective" performance, but film critics argued that Alda had been miscast in this role.
Alda had a scarier role in the psychological thriller "To Kill a Clown" (1972), playing disturbed Vietnam War veteran Evelyn Ritchie. Ritchie was once a military officer, but retired after having one of his legs amputated. He agrees to become the landlord of a young married couple, despite his intense dislike for the artistic lifestyle of his tenant Timothy Frischer (played by Heath Lamberts). He starts treating Frischer as a military subordinate, and insists on keeping both of his tenants as prisoners in their residence. The young couple soon learn that Ritchie has sadistic tendencies, and that he had a history of tormenting his subordinates throughout his military career.
Alda had the big break in his career when cast to play chief surgeon Benjamin Franklin "Hawkeye" Pierce in the medical-themed sitcom M*A*S*H (1972-1983). The series depicted life within a "Mobile Army Surgical Hospital" (MASH) during the Korean War (1950-1953). It was based on the novel "MASH: A Novel About Three Army Doctors" (1968) by military surgeon H. Richard Hornberger. The series often questioned the United States' role in the Cold War, and satirized authority figures. Its ratings placed it among the top 10 most viewed shows throughout most of its run, and it was critically acclaimed. Alda appeared in all 256 episodes of the series, which helped him become a household name in the United States. Alda eventually served as the series' producer, creative consultant, and co-writer.
Alda played the male lead in the romantic comedy "Same Time, Next Year" (1978), which was his first film role since the early 1970s. The film depicts an extramarital affair which lasts for 26 years (1951-1977), despite the two lovers only meeting once per year. The film also covers the effects time has on the couple's political ideologies, and how they react to the deaths of various family members. The film was partially shot at the Heritage House Inn in Little River, California. The inn became a popular romantic getaway due to the film's enduring popularity. Alda was nominated for the Golden Globe Award for "Best Actor in a Motion Picture - Musical or Comedy", but the award was instead won by rival actor Warren Beatty.
Alda was part of the ensemble cast in the comedy film "California Suite" (1978). He played successful screenwriter Bill Warren, who is involved in a custody dispute with his ex-wife, the workaholic Hannah Warren (played by Jane Fonda). Both parents claim custody over their adolescent daughter Jenny Warren (played by Dana Plato), and have little regard for Jenny's plans about her own life. The film's cast was nominated for several awards, but Alda was overshadowed by his co-stars.
Alda received his first screenwriting credit for the political drama film "The Seduction of Joe Tynan" (1979). He also played the film's eponymous character. He portrayed an ambitious American senator, whose marriage seems to be deteriorating. He briefly has an extramarital affair with labor lawyer Karen Traynor (played by Meryl Streep), but decides against seeking a divorce. The film earned about 19.6 million dollars at the worldwide box office. Alda was praised more for his ability as a screenwriter than his acting in this film. Streep was nominated for several acting awards for her supporting role, having a breakthrough in her career.
Alda made his directorial debut with the romantic comedy film "The Four Seasons" (1981), depicting the relationships between three upper middle-class married couples. Alda kept for himself the role of Jack Burroughs, a lawyer who has a tendency towards expressing narrow moral attitudes. The film was an unexpected box office hit, earning about 50,4 million dollars at the box office. It was the ninth highest-grossing film of 1981, and won the "Bodil Award for Best Non-European Film". Alda was again nominated for the "Golden Globe Award for Best Actor - Motion Picture Musical or Comedy", but the award was instead won by rival actor Dudley Moore.
Alda had a hiatus in his acting and directing career during the early 1980s, as he had to take care of his terminally-ill parents. He attempted a comeback by directing the comedy film "Sweet Liberty" (1986), which parodies Hollywood filmmaking. Alda kept for himself the role of Michael Burgess, a college professor and historical novelist. Burgess wants to oversee the adaptation of his historically-accurate and realistic novel into a Hollywood film, but soon realizes that the film's screenwriter has turned the film into a historically inaccurate soap opera. He then sets out to sabotage the film. The film only earned 14.2 million dollars at the box office, despite the critical praise for its leading actors. The poor box office performance was attributed to its release time at movie theaters. It was directly competing with two more lucrative films, "Top Gun" and "Short Circuit".
Alda's next directing effort was the romantic comedy "A New Life" (1988), which depicted the problems faced by middle-aged divorced people. Alda played Steve Giardino, a workaholic businessman who received a divorce after more than 25 years of marriage. His attempts to pursue a new romance are complicated by his inexperience at dating and his unwillingness to father children again. Giardino soon suffers a heart attack due to his poor eating habits. He falls in love with the female physician attending to his problem, Dr. Kay Hutton (played by Veronica Hamel). The film was a box-office flop, only earning 7,7 million dollars at the box office. Critics found the film pleasant, but predictable.
Alda played pompous television producer Lester in the comedy-drama film "Crimes and Misdemeanors" (1989). In the film, Lester wants to finance a documentary celebrating his own life and work. He hires his brother-in-law to direct it, documentary filmmaker Clifford "Cliff" Stern (played by Woody Allen). He is unaware that Stern despises him. Stern uses the film to expose Lester's mistreatment of his employees, and Lester's sexual harassment towards actresses. The film earned 18,2 million dollars at the box office. For his role, Alda won the "National Board of Review Award for Best Supporting Actor".
Alda had his final directing credit with the romantic comedy "Betsy's Wedding" (1990). Alda played the main role of Eddie Hopper, a construction contractor who insists on organizing a lavish wedding for his beloved daughter Betsy Hopper (played by Molly Ringwald). Since Eddie can not actually afford the wedding expenses, he requests financial assistance from loan sharks. The film earned 19.7 million dollars at the box office, but its leading actresses (Molly Ringwald and Ally Sheedy) were both nominated for Golden Raspberry Awards. Unlike Alda's previous directing efforts, critics were mostly hostile towards the film.
Alda played the evil mentor Leo Green in the erotic thriller "Whispers in the Dark" (1992). In the film, main character Ann Hecker (a psychiatrist, played by Annabella Sciorra) seeks help from her mentor Leo Green due to suffering from disturbing dreams. Hecker is soon implicated in the murder of her female patient Eve Abergray (played by Deborah Unger), and then in the murder of the police detective investigating the case. She eventually realizes that her mentor has been obsessed with her for years. He committed both murders in a misguided attempt to protect her. This was Alda's first villainous role in a film since the early 1970s. The film only earned 11.1 million dollars at the box office.
In 1993, Alda became the new host of the science-themed television program "Scientific American Frontiers" (1990-2005). The series was a spin-off of the popular science magazine "Scientific American" (1845-). The show typically focused on new technology, and on scientific and medical discoveries. Alda remained the host for 12 years, and was credited with inspiring youngsters to follow scientific careers.
Alda was reduced to the supporting role of the protagonist's confidant in the black comedy film "Manhattan Murder Mystery" (1993). The main plot involved amateur detectives who were investigating the mysterious death of a neighbor, who seemed to have died twice and on two entirely different locations. They eventually realize that they have stumbled on the deaths of two sisters with a close family resemblance, and that the motive for the murders was their family fortune. The film only earned 11.2 million dollars at the box office. Its perceived failure led to the termination of a long-term deal between director Woody Allen and the film studio TriStar Pictures.
Alda had a more comedic role in the political satire film "Canadian Bacon" (1995). The film satirized international relations between Canada and the United States. Alda played an unnamed President of the United States who wants to start a new war to boost his sagging poll numbers, but lacks a credible enemy to serve as an opponent. He finds that Russia is not interested in renewed hostilities, and a proposal to declare war on international terrorism is rejected as absurd. So he uses a flimsy excuse to declare war on Canada, and uses television channels to transmit anti-Canada propaganda to the gullible American population. The film was a box office flop, despite featuring a large cast of Canadian actors. It is mostly remembered as the final film appearance for actor John Candy.
Alda next had a supporting role in the black comedy "Flirting with Disaster" (1996). In the film, an adult, married man searches throughout the United States for the biological parents who gave him up for adoption. He eventually learns that his biological father is Richard Schlichting (played by Alda), a man who has devoted the last 30 years in producing and distributing "lysergic acid diethylamide" (LSD). The family reunion is less than happy, and the protagonist is introduced to a biological brother who despises him. The film earned 14,7 million dollars at the box office.
Alda had another villainous role in the action thriller film "Murder at 1600" (1997), playing national security adviser Alvin Jordan. In the film, Jordan has organized a conspiracy in order to blackmail the President of the United States into resigning, and to start a second Korean War. The conspiracy involved murdering a White House secretary (who had a brief affair with the president) and framing the President for murdering her. The film earned 41,1 million dollars at the worldwide box office, Alda's most profitable film in a decade.
Alda played news anchorman Kevin Hollander in the media-themed thriller "Mad City" (1997). In the film, a fired museum guard takes several people hostage at his former workplace. The news media decides to exploit the situation for profit, and several reporters compete in trying to get the lion's share of the publicity. The situation escalates until the museum guard becomes a suicide bomber. The film only earned 10.5 million dollars at the box office.
Alda's career had declined in the early 2000s, but this situation was only temporary. In 2004, Alda joined the recurring cast of the political television series "The West Wing" (1999-2006). The series depicted the administration of a fictional United States president and his staff. Alda played Republican senator Arnold Vinick for 28 episodes. His character was depicted as a fiscal conservative, who was opposed to corporate welfare and resented to Christian' right's influence on his political party. Vinick became the new Secretary of State in the finale of the series. For his role, Alda won a Primetime Emmy Award for Outstanding Supporting Actor in a Drama Series in 2006.
Alda's film career experienced a revival with his portrayal of career politician Ralph Owen Brewster (1888-1961) in the biographical film "The Aviator" (2004). He was nominated for the "Academy Award for Best Supporting Actor", the first Academy Award nomination in Alda's career. The award was instead won by rival actor Morgan Freeman. The critical acclaim for his role went against years of criticism for his acting abilities. Alda received several new offers for film roles.
Alda remained active as an actor throughout the 2000s and 2010s. He published three different memoirs between 2005 and 2017, covering different aspects of his life and career. In July 2018, he announced in an interview that he had been diagnosed with Parkinson's disease in 2015. While this has not ended his acting career, he feared that the effects could be distracting to viewers of his work.
From 2018 to 2020, Alda had a recurring role in the crime drama television series "Ray Donovan" (2013-2020). The series depicted the life and career of a professional "fixer" of the entertainment industry, in charge of bribes, payoffs, threats, crime-scene clean-up, and other illegal activities. Alda also appeared in the spin-off film "Ray Donovan: The Movie" (2022), which concluded remaining plot-lines from the series. By 2022, Alda was 86-years-old. He may no longer be in his prime, but the aging actor seems to have no plans to retire yet.