THE 200 GREATEST OF ALL TIME(EVER)
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Michael Fassbender is an Irish actor who was born in Heidelberg, Germany, to a German father, Josef, and an Irish mother, Adele (originally from Larne, County Antrim, in Northern Ireland). Michael was raised in the town of Killarney, Co. Kerry, in south-west Ireland, where his family moved to when he was two years old. His parents ran a restaurant (his father is a chef).
Fassbender is based in London, England, and became known in the U.S. after his role in the Quentin Tarantino's Inglourious Basterds (2009). In 2011, Fassbender debuted as the Marvel antihero Magneto in the prequel X-Men: First Class (2011); he would go on to share the role with Ian McKellen in X-Men: Days of Future Past (2014). Also in 2011, Fassbender's performance as a sex addict in Shame (2011) received critical acclaim. He won the Volpi Cup for Best Actor at the Venice Film Festival and was nominated for Golden Globe and BAFTA Awards. In 2013, his role as slave owner Edwin Epps in slavery epic 12 Years a Slave (2013) was similarly praised, earning him his first Oscar nomination, for Best Supporting Actor. 12 Years a Slave marked Fassbender's third collaboration with Steve McQueen, who also directed Hunger and Shame. In 2013, Fassbender appeared in another Ridley Scott film, The Counselor (2013). In 2015, he portrayed Steve Jobs (2015) in the Danny Boyle-directed biopic of the same name, and played Macbeth (2015) in Justin Kurzel's adaptation of William Shakespeare's play. For the former, he has received Academy Award, BAFTA, Golden Globe and SAG nominations for Best Actor. As well as acting, Fassbender produced the 2015 western Slow West (2015), which he also starred in.- Producer
- Director
- Production Designer
Described by film producer Michael Deeley as "the very best eye in the business", director Ridley Scott was born on November 30, 1937 in South Shields, Tyne and Wear. His father was an officer in the Royal Engineers and the family followed him as his career posted him throughout the United Kingdom and Europe before they eventually returned to Teesside. Scott wanted to join the British Army (his elder brother Frank had already joined the Merchant Navy) but his father encouraged him to develop his artistic talents instead and so he went to West Hartlepool College of Art and then London's Royal College of Art where he helped found the film department.
In 1962, he joined the BBC as a trainee set designer working on several high profile series. He attended a trainee director's course while he was there and his first directing job was on an episode of the popular BBC police series Z Cars (1962), Error of Judgement (1965). More TV work followed until, frustrated by the poor financial rewards at the BBC, he went into advertising. With his younger brother, Tony Scott, he formed the advertising production company RSA (Ridley Scott Associates) in 1967 and spent the next 10 years making some of the best known and best loved TV adverts ever shown on British television, including a series of ads for Hovis bread set to the music of Dvorak's New World Symphony which are still talked about today ("'e were a great baker were our dad.")
He began working with producer David Puttnam in the 1970s developing ideas for feature films. Their first joint endeavor, The Duellists (1977) won the Jury Prize for Best First Work at Cannes in 1977 and was nominated for the Palm d'Or, more than successfully launching Scott's feature film career. The success of Star Wars: Episode IV - A New Hope (1977) inspired Scott's interest in making science fiction and he accepted the offer to direct Dan O'Bannon's low budget science fiction horror movie Alien (1979), a critical and commercial success that firmly established his worldwide reputation as a movie director.
Blade Runner (1982) followed in 1982 to, at best, a lukewarm reception from public and critics but in the years that followed, its reputation grew - and Scott's with it - as one of the most important sci-fi movies ever made. Scott's next major project was back in the advertising world where he created another of the most talked-about advertising spots in broadcast history when his "1984"-inspired ad for the new Apple Macintosh computer was aired during the Super Bowl on January 22, 1984. Scott's movie career has seen a few flops (notably Legend (1985) and 1492: Conquest of Paradise (1992)), but with successes like Thelma & Louise (1991), Gladiator (2000) and Black Hawk Down (2001) to offset them, his reputation remains solidly intact.
Ridley Scott was awarded Knight Bachelor of the Order of the British Empire at the 2003 Queen's New Year Honours for his "substantial contribution to the British film industry". On July 3, 2015, he was awarded an honorary doctorate by the Royal College of Art in a ceremony at the Royal Albert Hall in London. He was awarded the BAFTA Fellowship in 2018. BAFTA described him as "a visionary director, one of the great British film-makers whose work has made an indelible mark on the history of cinema. Forty years since his directorial debut, his films continue to cross the boundaries of style and genre, engaging audiences and inspiring the next generation of film talent."- Producer
- Writer
- Director
As a director, screenwriter, and producer, four-time Academy Award nominee Michael Mann has established himself as one of the most innovative and influential filmmakers in American cinema. After writing and directing the Primetime Emmy Award-winning television movie The Jericho Mile (1979), Mann made his feature-film directorial debut with Thief (1981), followed by executive producing the television series Miami Vice (1984). He went on to direct Manhunter (1986), The Last of the Mohicans (1992), Heat (1995), and The Insider (1999), Ali (2001), Collateral (2004), a film adaptation of Miami Vice (2006), Public Enemies (2009), and Blackhat (2015).
As a producer, Mann's work includes Martin Scorsese's The Aviator (2004), Hancock (2008), Texas Killing Fields (2011), and the HBO series Luck (2011) and Witness (2012). He has been a member of the Directors Guild of America since 1977 and has served on the DGA's National Board.- Writer
- Producer
- Director
Luc Besson spent the first years of his life following his parents, scuba diving instructors, around the world. His early life was entirely aquatic. He already showed amazing creativity as a youth, writing early drafts of The Big Blue (1988) and The Fifth Element (1997), as an adolescent bored in school. He planned on becoming a marine biologist specializing in dolphins until a diving accident at age 17 which rendered him unable to dive any longer. He moved back to Paris, where he was born, and only at age 18 did he first have an urban life or television. He realized that film was a medium which he could combine all his interests in various arts together, so he began taking odd jobs on various films. He moved to America for three years, then returned to France and formed Les Films de Loups - his own production company, which later changed its name to Les Films de Dauphins. He is now able to dive again.- Director
- Producer
- Actress
A very talented painter, Kathryn spent two years at the San Francisco Art Institute. At 20, she won a scholarship to the Whitney Museum's Independent Study Program. She was given a studio in a former Offtrack Betting building, literally in an old bank vault, where she made art and waited to be critiqued by people like Richard Serra, Robert Rauschenberg and Susan Sontag. Later she earned a scholarship to study film at Columbia University School of Arts, graduating in 1979. She was also a member of the British avant garde cultural group, Art and Language. Kathryn is the only child of the manager of a paint factory and a librarian.- Director
- Producer
- Writer
Born in southern China, John Woo grew up in Hong Kong, where he began his film career as an assistant director in 1969, working for Shaw Brothers Studios. He directed his first feature in 1973 and has been a prolific director ever since, working in a wide variety of genres before A Better Tomorrow (1986) established his reputation as a master stylist specializing in ultra-violent gangster films and thrillers, with hugely elaborate action scenes shot with breathtaking panache. After gaining a cult reputation in the US with The Killer (1989), Woo was offered a Hollywood contract. He now works in the US.- Actor
- Producer
- Director
In 1976, if you had told fourteen-year-old Franciscan seminary student Thomas Cruise Mapother IV that one day in the not too distant future he would be Tom Cruise, one of the top 100 movie stars of all time, he would have probably grinned and told you that his ambition was to join the priesthood. Nonetheless, this sensitive, deeply religious youngster who was born in 1962 in Syracuse, New York, was destined to become one of the highest paid and most sought after actors in screen history.
Tom is the only son (among four children) of nomadic parents, Mary Lee (Pfeiffer), a special education teacher, and Thomas Cruise Mapother III, an electrical engineer. His parents were both from Louisville, Kentucky, and he has German, Irish, and English ancestry. Young Tom spent his boyhood always on the move, and by the time he was 14 he had attended 15 different schools in the U.S. and Canada. He finally settled in Glen Ridge, New Jersey with his mother and her new husband. While in high school, Tom wanted to become a priest but pretty soon he developed an interest in acting and abandoned his plans of becoming a priest, dropped out of school, and at age 18 headed for New York and a possible acting career. The next 15 years of his life are the stuff of legends. He made his film debut with a small part in Endless Love (1981) and from the outset exhibited an undeniable box office appeal to both male and female audiences.
With handsome movie star looks and a charismatic smile, within 5 years Tom Cruise was starring in some of the top-grossing films of the 1980s including Top Gun (1986); The Color of Money (1986), Rain Man (1988) and Born on the Fourth of July (1989). By the 1990s he was one of the highest-paid actors in the world earning an average 15 million dollars a picture in such blockbuster hits as Interview with the Vampire: The Vampire Chronicles (1994), Mission: Impossible (1996) and Jerry Maguire (1996), for which he received an Academy Award Nomination for best actor. Tom Cruise's biggest franchise, Mission Impossible, has also earned a total of 3 billion dollars worldwide. Tom Cruise has also shown lots of interest in producing, with his biggest producer credits being the Mission Impossible franchise.
In 1990 he renounced his devout Catholic beliefs and embraced The Church of Scientology claiming that Scientology teachings had cured him of the dyslexia that had plagued him all of his life. A kind and thoughtful man well known for his compassion and generosity, Tom Cruise is one of the best liked members of the movie community. He was married to actress Nicole Kidman until 2001. Thomas Cruise Mapother IV has indeed come a long way from the lonely wanderings of his youth to become one of the biggest movie stars ever.- Actor
- Producer
- Director
Russell Ira Crowe was born in Wellington, New Zealand, to Jocelyn Yvonne (Wemyss) and John Alexander Crowe, both of whom catered movie sets. His maternal grandfather, Stanley Wemyss, was a cinematographer. Crowe's recent ancestry includes Welsh (where his paternal grandfather was born, in Wrexham), English, Irish, Scottish, Norwegian, Swedish, Italian, and Maori (one of Crowe's maternal great-grandmothers, Erana Putiputi Hayes Heihi, was Maori).
Crowe's family moved to Australia when he was a small child, settling in Sydney, and Russell got the acting bug early in life. Beginning as a child star on a local Australian TV show, Russell's first big break came with two films ... the first, Romper Stomper (1992), gained him a name throughout the film community in Australia and the neighboring countries. The second, The Sum of Us (1994), helped put him on the American map, so to speak. Sharon Stone heard of him from Romper Stomper (1992) and wanted him for her film, The Quick and the Dead (1995). But filming on The Sum of Us (1994) had already begun. Sharon is reported to have held up shooting until she had her gunslinger-Crowe, for her film. With The Quick and the Dead (1995) under his belt as his first American film, the second was offered to him soon after. Virtuosity (1995), starring Denzel Washington, put Russell in the body of a Virtual Serial Killer, Sid6.7 ... a role unlike any he had played so far. Virtuosity (1995), a Sci-Fi extravaganza, was a fun film and, again, opened the door to even more American offers. L.A. Confidential (1997), Russell's third American film, brought him the US fame and attention that his fans have felt he deserved all along. Missing the Oscar nod this time around, he didn't seem deterred and signed to do his first film with The Walt Disney Company, Mystery, Alaska (1999). He achieved even more success and awards for his performances in Gladiator (2000), for which he won the Academy Award for Best Actor, and A Beautiful Mind (2001).- Actor
- Writer
- Producer
Sylvester Stallone is an athletically built, dark-haired American actor/screenwriter/director/producer, the movie fans worldwide have been flocking to see Stallone's films for over 40 years, making "Sly" one of Hollywood's biggest-ever box office draws.
Sylvester Stallone was born on July 6, 1946, in New York's gritty Hell's Kitchen, to Jackie Stallone (née Labofish), an astrologer, and Frank Stallone, a beautician and hairdresser. His father was an Italian immigrant, and his mother's heritage is half French (from Brittany) and half German. The young Stallone attended the American College of Switzerland and The University of Miami, eventually obtaining a B.A. degree. Initially, he struggled in small parts in films such as the soft-core The Party at Kitty and Stud's (1970), the thriller Klute (1971) and the comedy Bananas (1971). He got a crucial career break alongside fellow young actor Henry Winkler, sharing lead billing in the effectively written teen gang film The Lords of Flatbush (1974). Further film and television roles followed, most of them in uninspiring productions except for the opportunity to play a megalomaniac, bloodthirsty race driver named "Machine Gun Joe Viterbo" in the Roger Corman-produced Death Race 2000 (1975). However, Stallone was also keen to be recognized as a screenwriter, not just an actor, and, inspired by the 1975 Muhammad Ali-Chuck Wepner fight in Cleveland, Stallone wrote a film script about a nobody fighter given the "million to one opportunity" to challenge for the heavyweight title. Rocky (1976) became the stuff of cinematic legends, scoring ten Academy Award nominations, winning the Best Picture Award of 1976 and triggering one of the most financially successful movie series in history! Whilst full credit is wholly deserved by Stallone, he was duly supported by tremendous acting from fellow cast members Talia Shire, Burgess Meredith and Burt Young, and director John G. Avildsen gave the film an emotive, earthy appeal from start to finish. Stallone had truly arrived on his terms, and offers poured in from various studios eager to secure Hollywood's hottest new star.
Stallone followed Rocky (1976) with F.I.S.T. (1978), loosely based on the life of Teamsters boss "Jimmy Hoffa", and Paradise Alley (1978) before pulling on the boxing gloves again to resurrect Rocky Balboa in the sequel Rocky II (1979). The second outing for the "Italian Stallion" wasn't as powerful or successful as the first "Rocky", however, it still produced strong box office. Subsequent films Nighthawks (1981) and Victory (1981) failed to ignite with audiences, so Stallone was once again lured back to familiar territory with Rocky III (1982) and a fearsome opponent in "Clubber Lang" played by muscular ex-bodyguard Mr. T. The third "Rocky" installment far outperformed the first sequel in box office takings, but Stallone retired his prizefighter for a couple of years as another series was about to commence for the busy actor.
The character of Green Beret "John Rambo" was the creation of Canadian-born writer David Morrell, and his novel was adapted to the screen with Stallone in the lead role in First Blood (1982), also starring Richard Crenna and Brian Dennehy. The movie was a surprise hit that polarized audiences because of its commentary about the Vietnam war, which was still relatively fresh in the American public's psyche. Political viewpoints aside, the film was a worldwide smash, and a sequel soon followed with Rambo: First Blood Part II (1985), which drew even stronger criticism from several quarters owing to the film's plot line about American MIAs allegedly being held in Vietnam. But they say there is no such thing as bad publicity, and "John Rambo's" second adventure was a major money spinner for Stallone and cemented him as one of the top male stars of the 1980s. Riding a wave of amazing popularity, Stallone called on old sparring partner Rocky Balboa to climb back into the ring to defend American pride against a Soviet threat in the form of a towering Russian boxer named "Ivan Drago" played by curt Dolph Lundgren in Rocky IV (1985). The fourth outing was somewhat controversial with "Rocky" fans, as violence levels seemed excessive compared to previous "Rocky" films, especially with the savage beating suffered by Apollo Creed, played by Carl Weathers, at the hands of the unstoppable "Siberian Express".
Stallone continued forward with a slew of macho character-themed films that met with a mixed reception from his fans. Cobra (1986) was a clumsy mess, Over the Top (1987) was equally mediocre, Rambo III (1988) saw Rambo take on the Russians in Afghanistan, and cop buddy film Tango & Cash (1989) just did not quite hit the mark, although it did feature a top-notch cast and there was chemistry between Stallone and co-star Kurt Russell.
Philadelphia's favorite mythical boxer moved out of the shadows for his fifth screen outing in Rocky V (1990) tackling Tommy "Machine" Gunn played by real-life heavyweight fighter Tommy Morrison, the great-nephew of screen legend John Wayne. Sly quickly followed with the lukewarm comedy Oscar (1991), the painfully unfunny Stop! Or My Mom Will Shoot (1992), the futuristic action film Demolition Man (1993), and the comic book-inspired Judge Dredd (1995). Interestingly, Stallone then took a departure from the gung-ho steely characters he had been portraying to stack on a few extra pounds and tackle a more dramatically challenging role in the intriguing Cop Land (1997), also starring Robert De Niro and Ray Liotta. It isn't a classic of the genre, but Cop Land (1997) certainly surprised many critics with Stallone's understated performance. Stallone then lent his vocal talents to the animated adventure story Antz (1998), reprised the role made famous by Michael Caine in a terrible remake of Get Carter (2000), climbed back into a race car for Driven (2001), and guest-starred as the "Toymaker" in the third chapter of the immensely popular "Spy Kids" film series, Spy Kids 3: Game Over (2003). Showing that age had not wearied his two most popular series, Stallone has most recently brought back never-say-die boxer Rocky Balboa to star in, well, what else but Rocky Balboa (2006), and Vietnam veteran Rambo (2008) will reappear after a 20-year hiatus to once again right wrongs in the jungles of Thailand.
Love him or loathe him, Sylvester Stallone has built an enviable and highly respected career in Hollywood, plus, he has considerably influenced modern popular culture through several of his iconic film characters.- Actor
- Producer
- Additional Crew
Keanu Charles Reeves, whose first name means "cool breeze over the mountains" in Hawaiian, was born September 2, 1964 in Beirut, Lebanon. He is the son of Patric Reeves, a showgirl and costume designer, and Samuel Nowlin Reeves, a geologist. Keanu's father was born in Hawaii, of British, Portuguese, Native Hawaiian, and Chinese ancestry, and Keanu's mother is originally from Essex England. After his parents' marriage dissolved, Keanu moved with his mother and younger sister, Kim Reeves, to New York City, then Toronto. Stepfather #1 was Paul Aaron, a stage and film director - he and Patricia divorced within a year, after which she went on to marry (and divorce) rock promoter Robert Miller. Reeves never reconnected with his biological father. In high school, Reeves was lukewarm toward academics but took a keen interest in ice hockey (as team goalie, he earned the nickname "The Wall") and drama. He eventually dropped out of school to pursue an acting career.
After a few stage gigs and a handful of made-for-TV movies, he scored a supporting role in the Rob Lowe hockey flick Youngblood (1986), which was filmed in Canada. Shortly after the production wrapped, Reeves packed his bags and headed for Hollywood. Reeves popped up on critics' radar with his performance in the dark adolescent drama, River's Edge (1986), and landed a supporting role in the Oscar-nominated Dangerous Liaisons (1988) with director Stephen Frears.
His first popular success was the role of totally rad dude Ted "Theodore" Logan in Bill & Ted's Excellent Adventure (1989). The wacky time-travel movie became something of a cultural phenomenon, and audiences would forever confuse Reeves's real-life persona with that of his doofy on-screen counterpart. He then joined the casts of Ron Howard's comedy, Parenthood (1989) and Lawrence Kasdan's I Love You to Death (1990).
Over the next few years, Reeves tried to shake the Ted stigma with a series of highbrow projects. He played a slumming rich boy opposite River Phoenix's narcoleptic male hustler in My Own Private Idaho (1991), an unlucky lawyer who stumbles into the vampire's lair in Bram Stoker's Dracula (1992), and Shakespearean party-pooper Don John in Much Ado About Nothing (1993).
In 1994, the understated actor became a big-budget action star with the release of Speed (1994). Its success heralded an era of five years in which Reeves would alternate between small films, like Feeling Minnesota (1996) and The Last Time I Committed Suicide (1997), and big films like A Walk in the Clouds (1995) and The Devil's Advocate (1997). (There were a couple misfires, too: Johnny Mnemonic (1995) and Chain Reaction (1996).) After all this, Reeves did the unthinkable and passed on the Speed sequel, but he struck box-office gold again a few years later with the Wachowski siblings' cyberadventure, The Matrix (1999).
Now a bonafide box-office star, Keanu would appear in a string of smaller films -- among them The Replacements (2000), The Watcher (2000), The Gift (2000), Sweet November (2001), and Hardball (2001) - before The Matrix Reloaded (2003) and The Matrix Revolutions (2003) were both released in 2003.
Since the end of The Matrix trilogy, Keanu has divided his time between mainstream and indie fare, landing hits with Something's Gotta Give (2003), The Lake House (2006), and Street Kings (2008). He's kept Matrix fans satiated with films such as Constantine (2005), A Scanner Darkly (2006), and The Day the Earth Stood Still (2008). And he's waded back into art-house territory with Ellie Parker (2005), Thumbsucker (2005), The Private Lives of Pippa Lee (2009), and Henry's Crime (2010).
Most recently, as post-production on the samurai epic 47 Ronin (2013) waged on, Keanu appeared in front of the camera in Side by Side (2012), a documentary on celluloid and digital filmmaking, which he also produced. He also directed another Asian-influenced project, Man of Tai Chi (2013).
In 2014, Keanu played the title role in the action revenge film John Wick (2014), which became popular with critics and audiences alike. He reprised the role in John Wick: Chapter 2 (2017), taking the now-iconic character to a better opening weekend and even more enthusiastic reviews than the first go-around.- Actor
- Producer
- Director
Denzel Hayes Washington, Jr. was born on December 28, 1954 in Mount Vernon, New York. He is the middle of three children of a beautician mother, Lennis, from Georgia, and a Pentecostal minister father, Denzel Washington, Sr., from Virginia. After graduating from high school, Denzel enrolled at Fordham University, intent on a career in journalism. However, he caught the acting bug while appearing in student drama productions and, upon graduation, he moved to San Francisco and enrolled at the American Conservatory Theater. He left A.C.T. after only one year to seek work as an actor. His first paid acting role was in a summer stock theater stage production in St. Mary's City, Maryland. The play was "Wings of the Morning", which is about the founding of the colony of Maryland (now the state of Maryland) and the early days of the Maryland colonial assembly (a legislative body). He played the part of a real historical character, Mathias Da Sousa, although much of the dialogue was created. Afterwards he began to pursue screen roles in earnest. With his acting versatility and powerful presence, he had no difficulty finding work in numerous television productions.
He made his first big screen appearance in Carbon Copy (1981) with George Segal. Through the 1980s, he worked in both movies and television and was chosen for the plum role of Dr. Philip Chandler in NBC's hit medical series St. Elsewhere (1982), a role that he would play for six years. In 1989, his film career began to take precedence when he won the Oscar for Best Supporting Actor for his portrayal of Tripp, the runaway slave in Edward Zwick's powerful historical masterpiece Glory (1989).
Washington has received much critical acclaim for his film work since the 1990s, including his portrayals of real-life figures such as South African anti-apartheid activist Steve Biko in Cry Freedom (1987), Muslim minister and human rights activist Malcolm X in Malcolm X (1992), boxer Rubin "Hurricane" Carter in The Hurricane (1999), football coach Herman Boone in Remember the Titans (2000), poet and educator Melvin B. Tolson in The Great Debaters (2007), and drug kingpin Frank Lucas in American Gangster (2007). Malcolm X and The Hurricane garnered him Oscar nominations for Best Actor, before he finally won that statuette in 2002 for his lead role in Training Day (2001).
Through the 1990s, Denzel also co-starred in such big budget productions as The Pelican Brief (1993), Philadelphia (1993), Crimson Tide (1995), The Preacher's Wife (1996), and Courage Under Fire (1996), a role for which he was paid $10 million. He continued to define his onscreen persona as the tough, no-nonsense hero through the 2000s in films like Out of Time (2003), Man on Fire (2004), Inside Man (2006), and The Taking of Pelham 123 (2009). Cerebral and meticulous in his film work, he made his debut as a director with Antwone Fisher (2002); he also directed The Great Debaters (2007) and Fences (2016).
In 2010, Washington headlined The Book of Eli (2010), a post-Apocalyptic drama. Later that year, he starred as a veteran railroad engineer in the action film Unstoppable (2010), about an unmanned, half-mile-long runaway freight train carrying dangerous cargo. The film was his fifth and final collaboration with director Tony Scott, following Crimson Tide (1995), Man on Fire (2004), Déjà Vu (2006) and The Taking of Pelham 1 2 3. He has also been a featured actor in the films produced by Jerry Bruckheimer and has been a frequent collaborator of director Spike Lee.
In 2012, Washington starred in Flight (2012), for which he was nominated for an Academy Award for Best Actor. He co-starred with Ryan Reynolds in Safe House (2012), and prepared for his role by subjecting himself to a torture session that included waterboarding. In 2013, Washington starred in 2 Guns (2013), alongside Mark Wahlberg. In 2014, he starred in The Equalizer (2014), an action thriller film directed by Antoine Fuqua and written by Richard Wenk, based on the television series of same name starring Edward Woodward. During this time period, he also took on the role of producer for some of his films, including The Book of Eli and Safe House.
In 2016, he was selected as the recipient for the Cecil B. DeMille Lifetime Achievement Award at the 73rd Golden Globe Awards.
He lives in Los Angeles, California with his wife, Pauletta Washington, and their four children.- Producer
- Director
- Actor
Tony Scott was a British-born film director and producer. He was the youngest of three brothers, one of whom is fellow film director Ridley Scott. He was born in North Shields, Northumberland, England to parents Jean and Colonel Francis Percy Scott. As a result of his father's career in the British military, his family moved around a lot. Their mother loved the going to the movies and instilled a love of cinema in her children. At age 16, Tony made his first appearance on screen as 'the boy' in his brother's directorial debut, the short film Boy and Bicycle (1965). In 1969, Tony directed his own short film One of the Missing (1969) about a soldier in the American civil war.
Tony had a talent for art and painting. He spent a year in Leeds College of Art and Design and went on to study for a fine arts degree at the School of Art at the University of Sunderland. He won a scholarship to study for his Masters of fine arts at the Royal College of Art. Following university, he spent several years as a painter. But life as a painter proved a struggle, so he decided to forge a different career path and partnered with Ridley in advertising at Ridley Scott Associates. It was there that he began shooting commercials. In 1971 he wrote, produced and directed Loving Memory however his vampire movie The Hunger (1983) starring Susan Sarandon, David Bowie and Catherine Deneuve wasn't a critical success but it attracted attention from Hollywood. He was asked by producers Don Simpson and Jerry Bruckheimer to direct Top Gun (1986) starring Tom Cruise. He would work again with Cruise on another high adrenaline film Days of Thunder (1990), which proved less successful. He followed the success of Top Gun with the sequel Beverly Hills Cop II (1987) with Eddie Murphy, which was well received.
In 1993, he directed True Romance (1993), which was written by emerging director Quentin Tarantino. Scott had a lot of control over the film and received some great reviews.
Tony has worked five times with actor Denzel Washington with Crimson Tide (1995), The Taking of Pelham 123 (2009), Deja Vu (2006), Man on Fire (2004) and Scott's final film in the director's chair Unstoppable (2010).
Tony Scott passed away at age 68 on August 19, 2012 in California, USA.- Director
- Actress
- Writer
Sofia Coppola was born on May 14, 1971 in New York City, New York, USA as Sofia Carmina Coppola. She is a director, known for Somewhere (2010), Lost in Translation (2003), and Marie Antoinette (2006). She has been married to Thomas Mars since August 27, 2011. They have two daughters, Romy and Cosima. She was previously married to Spike Jonze.- Producer
- Director
- Writer
Francis Ford Coppola was born in 1939 in Detroit, Michigan, but grew up in a New York suburb in a creative, supportive Italian-American family. His father, Carmine Coppola, was a composer and musician. His mother, Italia Coppola (née Pennino), had been an actress. Francis Ford Coppola graduated with a degree in drama from Hofstra University, and did graduate work at UCLA in filmmaking. He was training as assistant with filmmaker Roger Corman, working in such capacities as sound-man, dialogue director, associate producer and, eventually, director of Dementia 13 (1963), Coppola's first feature film. During the next four years, Coppola was involved in a variety of script collaborations, including writing an adaptation of "This Property is Condemned" by Tennessee Williams (with Fred Coe and Edith Sommer), and screenplays for Is Paris Burning? (1966) and Patton (1970), the film for which Coppola won a Best Original Screenplay Academy Award. In 1966, Coppola's 2nd film brought him critical acclaim and a Master of Fine Arts degree. In 1969, Coppola and George Lucas established American Zoetrope, an independent film production company based in San Francisco. The company's first project was THX 1138 (1971), produced by Coppola and directed by Lucas. Coppola also produced the second film that Lucas directed, American Graffiti (1973), in 1973. This movie got five Academy Award nominations, including one for Best Picture. In 1971, Coppola's film The Godfather (1972) became one of the highest-grossing movies in history and brought him an Oscar for writing the screenplay with Mario Puzo The film was a Best Picture Academy Award-winner, and also brought Coppola a Best Director Oscar nomination. Following his work on the screenplay for The Great Gatsby (1974), Coppola's next film was The Conversation (1974), which was honored with the Golden Palm Award at the Cannes Film Festival, and brought Coppola Best Picture and Best Original Screenplay Oscar nominations. Also released that year, The Godfather Part II (1974), rivaled the success of The Godfather (1972), and won six Academy Awards, bringing Coppola Oscars as a producer, director and writer. Coppola then began work on his most ambitious film, Apocalypse Now (1979), a Vietnam War epic that was inspired by Joseph Conrad's Heart of Darkness (1993). Released in 1979, the acclaimed film won a Golden Palm Award at the Cannes Film Festival, and two Academy Awards. Also that year, Coppola executive produced the hit The Black Stallion (1979). With George Lucas, Coppola executive produced Kagemusha: The Shadow Warrior (1980), directed by Akira Kurosawa, and Mishima: A Life in Four Chapters (1985), directed by Paul Schrader and based on the life and writings of Yukio Mishima. Coppola also executive produced such films as The Escape Artist (1982), Hammett (1982) The Black Stallion Returns (1983), Barfly (1987), Wind (1992), The Secret Garden (1993), etc.
He helped to make a star of his nephew, Nicolas Cage. Personal tragedy hit in 1986 when his son Gio died in a boating accident. Francis Ford Coppola is one of America's most erratic, energetic and controversial filmmakers.- Writer
- Producer
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George Walton Lucas, Jr. was raised on a walnut ranch in Modesto, California. His father was a stationery store owner and he had three siblings. During his late teen years, he went to Thomas Downey High School and was very much interested in drag racing. He planned to become a professional racecar driver. However, a terrible car accident just after his high school graduation ended that dream permanently. The accident changed his views on life.
He decided to attend Modesto Junior College before enrolling in the University of Southern California film school. As a film student, he made several short films including Electronic Labyrinth THX 1138 4EB (1967) which won first prize at the 1967-68 National Student Film Festival. In 1967, he was awarded a scholarship by Warner Brothers to observe the making of Finian's Rainbow (1968) which was being directed by Francis Ford Coppola. Lucas and Coppola became good friends and formed American Zoetrope in 1969. The company's first project was Lucas' full-length version of THX 1138 (1971). In 1971, Coppola went into production for The Godfather (1972), and Lucas formed his own company, Lucasfilm Ltd.
In 1973, he wrote and directed the semiautobiographical American Graffiti (1973) which won the Golden Globe and garnered five Academy Award nominations. This gave him the clout he needed for his next daring venture. From 1973 to 1974, he began writing the screenplay which became Star Wars: Episode IV - A New Hope (1977). He was inspired to make this movie from Flash Gordon and the Planet of the Apes films. In 1975, he established ILM. (Industrial Light & Magic) to produce the visual effects needed for the movie. Another company called Sprocket Systems was established to edit and mix Star Wars and later becomes known as Skywalker Sound. His movie was turned down by several studios until 20th Century Fox gave him a chance. Lucas agreed to forego his directing salary in exchange for 40% of the film's box-office take and all merchandising rights. The movie went on to break all box office records and earned seven Academy Awards. It redefined the term "blockbuster" and the rest is history.
Lucas made the other Star Wars films and along with Steven Spielberg created the Indiana Jones series which made box office records of their own. From 1980 to 1985, Lucas was busy with the construction of Skywalker Ranch, built to accommodate the creative, technical, and administrative needs of Lucasfilm. Lucas also revolutionized movie theaters with the THX system which was created to maintain the highest quality standards in motion picture viewing.
He went on to produce several more movies that have introduced major innovations in filmmaking technology. He is chairman of the board of the George Lucas Educational Foundation. In 1992, George Lucas was honored with the Irving G. Thalberg Award by the Board of Governors of the Academy of Motion Picture Arts and Sciences for his lifetime achievement.
He reentered the directing chair with the production of the highly-anticipated Star Wars prequel trilogy beginning with Star Wars: Episode I - The Phantom Menace (1999) . The films have been polarizing for fans and critics alike, but were commercially successful and have become a part of culture. The animated spin-off series Star Wars: The Clone Wars (2008) was supervised by Lucas. He sold Lucasfilm to Disney in 2012, making co-chair Kathleen Kennedy president. He has attended the premieres of new Star Wars films and been generally supportive of them.- Writer
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James Francis Cameron was born on August 16, 1954 in Kapuskasing, Ontario, Canada. He moved to the United States in 1971. The son of an engineer, he majored in physics at California State University before switching to English, and eventually dropping out. He then drove a truck to support his screenwriting ambition. He landed his first professional film job as art director, miniature-set builder, and process-projection supervisor on Roger Corman's Battle Beyond the Stars (1980) and had his first experience as a director with a two week stint on Piranha II: The Spawning (1982) before being fired.
He then wrote and directed The Terminator (1984), a futuristic action-thriller starring Arnold Schwarzenegger, Michael Biehn and Linda Hamilton. It was a low budget independent film, but Cameron's superb, dynamic direction made it a surprise mainstream success and it is now regarded as one of the most iconic pictures of the 1980s. After this came a string of successful, bigger budget science-fiction action films such as Aliens (1986), The Abyss (1989) and Terminator 2: Judgment Day (1991). In 1990, Cameron formed his own production company, Lightstorm Entertainment. In 1997, he wrote and directed Titanic (1997), a romance epic about two young lovers from different social classes who meet on board the famous ship. The movie went on to break all box office records and earned eleven Academy Awards. It became the highest grossing movie of all time until 12 years later, Avatar (2009), which invented and pioneered 3D film technology, and it went on to beat "Titanic", and became the first film to cost two billion dollars until 2019 when Marvel took the record.
James Cameron is now one of the most sought-after directors in Hollywood. He was formerly married to producer Gale Anne Hurd, who produced several of his films. In 2000, he married actress Suzy Amis, who appeared in Titanic, and they have three children.- Director
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An important British filmmaker, David Lean was born in Croydon on March 25, 1908 and brought up in a strict Quaker family (ironically, as a child he wasn't allowed to go to the movies). During the 1920s, he briefly considered the possibility of becoming an accountant like his father before finding a job at Gaumont British Studios in 1927. He worked as tea boy, clapper boy, messenger, then cutting room assistant. By 1935, he had become chief editor of Gaumont British News until in 1939 when he began to edit feature films, notably for Anthony Asquith, Paul Czinner and Michael Powell. Amongst films he worked on were Pygmalion (1938), Major Barbara (1941) and One of Our Aircraft Is Missing (1942).
By the end of the 1930s, Lean's reputation as an editor was very well established. In 1942, Noël Coward gave Lean the chance to co-direct with him the war film In Which We Serve (1942). Shortly after, with the encouragement of Coward, Lean, cinematographer Ronald Neame and producer 'Anthony Havelock-Allan' launched a production company called Cineguild. For that firm Lean first directed adaptations of three plays by Coward: the chronicle This Happy Breed (1944), the humorous ghost story Blithe Spirit (1945) and, most notably, the sentimental drama Brief Encounter (1945). Originally a box-office failure in England, "Brief Encounter" was presented at the very first Cannes film festival (1946), where it won almost unanimous praises as well as a Grand Prize.
From Coward, Lean switched to Charles Dickens, directing two well-regarded adaptations: Great Expectations (1946) and Oliver Twist (1948). The latter, starring Alec Guinness in his first major movie role, was criticized by some, however, for potential anti-Semitic inflections. The last two films made under the Cineguild banner were The Passionate Friends (1949), a romance from a novel by H.G. Wells, and the true crime story Madeleine (1950). Neither had a significant impact on critics or audiences.
The Cineguild partnership came to an end after a dispute between Lean and Neame. Lean's first post-Cineguild production was the aviation drama The Sound Barrier (1952), a great box-office success in England and his most spectacular movie so far. He followed with two sophisticated comedies based on theatrical plays: Hobson's Choice (1954) and the Anglo-American co-production Summertime (1955). Both were well received and "Hobson's Choice" won the Golden Bear at the 1954 Berlin film festival.
Lean's next movie was pivotal in his career, as it was the first of those grand-scale epics he would become renowned for. The Bridge on the River Kwai (1957) was produced by Sam Spiegel from a novel by 'Pierre Boulle', adapted by blacklisted writers Michael Wilson and Carl Foreman. Shot in Ceylon under extremely difficult conditions, the film was an international success and triumphed at the Oscars, winning seven awards, most notably best film and director.
Lean and Spiegel followed with an even more ambitious film, Lawrence of Arabia (1962), based on "Seven Pillars of Wisdom", the autobiography of T.E. Lawrence. Starring relative newcomer Peter O'Toole, this film was the first collaboration between Lean and writer Robert Bolt, cinematographer Freddie Young and composer Maurice Jarre. The shooting itself took place in Spain, Morocco and Jordan over a period of 20 months. Initial reviews were mixed and the film was trimmed down shortly after its world première and cut even more during a 1971 re-release. Like its predecessor, it won seven Oscars, once again including best film and director.
The same team of Lean, Bolt, Young and Jarre next worked on an adaptation of Boris Pasternak's novel "Dr. Zhivago" for producer Carlo Ponti. Doctor Zhivago (1965) was shot in Spain and Finland, standing in for revolutionary Russia and, despite divided critics, was hugely successful, as was Jarre's musical score. The film won five Oscars out of ten nominations, but the statuettes for film and director went to The Sound of Music (1965).
Lean's next movie, the sentimental drama Ryan's Daughter (1970), did not reach the same heights. The original screenplay by Robert Bolt was produced by old associate Anthony Havelock-Allan, and Lean once again secured the collaboration of Freddie Young and Maurice Jarre. The shooting in Ireland lasted about a year, much longer than expected. The film won two Oscars; but, for the most part, critical reaction was tepid, sometimes downright derisive, and the general public didn't really respond to the movie.
This relative lack of success seems to have inhibited Lean's creativity for a while. But towards the end of the 1970s, he started to work again with Robert Bolt on an ambitious two-part movie about the Bounty mutiny. The project fell apart and was eventually recuperated by Dino De Laurentiis. Lean was then approached by producers John Brabourne and Richard Goodwin to adapt E.M. Forster's novel "A Passage to India", a book Lean had been interested in for more than 20 years. For the first time in his career; Lean wrote the adaptation alone, basing himself partly on Santha Rama Rau's stage version of the book. Lean also acted as his own editor. A Passage to India (1984) opened to mostly favourable reviews and performed quite well at the box-office. It was a strong Oscar contender, scoring 11 nominations. It settled for two wins, losing the trophy battle to Milos Forman's Amadeus (1984).
Lean spent the last few years of his life preparing an adaptation of Joseph Conrad's meditative adventure novel "Nostromo". He also participated briefly in Richard Harris' restoration of "Lawrence of Arabia" in 1988. In 1990, Lean received the American Film Institute's Life Achievement award. He died of cancer on April 16, 1991 at age 83, shortly before the shooting of "Nostromo" was about to begin.
Lean was known on sets for his extreme perfectionism and autocratic behavior, an attitude that sometimes alienated his cast or crew. Though his cinematic approach, classic and refined, clearly belongs to a bygone era, his films have aged rather well and his influence can still be found in movies like The English Patient (1996) and Titanic (1997). In 1999, the British Film Institute compiled a list of the 100 favorite British films of the 20th century. Five by David Lean appeared in the top 30, three of them in the top five.- Director
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Stanley Kubrick was born in Manhattan, New York City, to Sadie Gertrude (Perveler) and Jacob Leonard Kubrick, a physician. His family were Jewish immigrants (from Austria, Romania, and Russia). Stanley was considered intelligent, despite poor grades at school. Hoping that a change of scenery would produce better academic performance, Kubrick's father sent him in 1940 to Pasadena, California, to stay with his uncle, Martin Perveler. Returning to the Bronx in 1941 for his last year of grammar school, there seemed to be little change in his attitude or his results. Hoping to find something to interest his son, Jack introduced Stanley to chess, with the desired result. Kubrick took to the game passionately, and quickly became a skilled player. Chess would become an important device for Kubrick in later years, often as a tool for dealing with recalcitrant actors, but also as an artistic motif in his films.
Jack Kubrick's decision to give his son a camera for his thirteenth birthday would be an even wiser move: Kubrick became an avid photographer, and would often make trips around New York taking photographs which he would develop in a friend's darkroom. After selling an unsolicited photograph to Look Magazine, Kubrick began to associate with their staff photographers, and at the age of seventeen was offered a job as an apprentice photographer.
In the next few years, Kubrick had regular assignments for "Look", and would become a voracious movie-goer. Together with friend Alexander Singer, Kubrick planned a move into film, and in 1950 sank his savings into making the documentary Day of the Fight (1951). This was followed by several short commissioned documentaries (Flying Padre (1951), and (The Seafarers (1953), but by attracting investors and hustling chess games in Central Park, Kubrick was able to make Fear and Desire (1952) in California.
Filming this movie was not a happy experience; Kubrick's marriage to high school sweetheart Toba Metz did not survive the shooting. Despite mixed reviews for the film itself, Kubrick received good notices for his obvious directorial talents. Kubrick's next two films Killer's Kiss (1955) and The Killing (1956) brought him to the attention of Hollywood, and in 1957 he directed Kirk Douglas in Paths of Glory (1957). Douglas later called upon Kubrick to take over the production of Spartacus (1960), by some accounts hoping that Kubrick would be daunted by the scale of the project and would thus be accommodating. This was not the case, however: Kubrick took charge of the project, imposing his ideas and standards on the film. Many crew members were upset by his style: cinematographer Russell Metty complained to producers that Kubrick was taking over his job. Kubrick's response was to tell him to sit there and do nothing. Metty complied, and ironically was awarded the Academy Award for his cinematography.
Kubrick's next project was to direct Marlon Brando in One-Eyed Jacks (1961), but negotiations broke down and Brando himself ended up directing the film himself. Disenchanted with Hollywood and after another failed marriage, Kubrick moved permanently to England, from where he would make all of his subsequent films. Despite having obtained a pilot's license, Kubrick was rumored to be afraid of flying.
Kubrick's first UK film was Lolita (1962), which was carefully constructed and guided so as to not offend the censorship boards which at the time had the power to severely damage the commercial success of a film. Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964) was a big risk for Kubrick; before this, "nuclear" was not considered a subject for comedy. Originally written as a drama, Kubrick decided that too many of the ideas he had written were just too funny to be taken seriously. The film's critical and commercial success allowed Kubrick the financial and artistic freedom to work on any project he desired. Around this time, Kubrick's focus diversified and he would always have several projects in various stages of development: "Blue Moon" (a story about Hollywood's first pornographic feature film), "Napoleon" (an epic historical biography, abandoned after studio losses on similar projects), "Wartime Lies" (based on the novel by Louis Begley), and "Rhapsody" (a psycho-sexual thriller).
The next film he completed was a collaboration with sci-fi author Arthur C. Clarke. 2001: A Space Odyssey (1968) is hailed by many as the best ever made; an instant cult favorite, it has set the standard and tone for many science fiction films that followed. Kubrick followed this with A Clockwork Orange (1971), which rivaled Lolita (1962) for the controversy it generated - this time not only for its portrayal of sex, but also of violence. Barry Lyndon (1975) would prove a turning point in both his professional and private lives. His unrelenting demands of commitment and perfection of cast and crew had by now become legendary. Actors would be required to perform dozens of takes with no breaks. Filming a story in Ireland involving military, Kubrick received reports that the IRA had declared him a possible target. Production was promptly moved out of the country, and Kubrick's desire for privacy and security resulted in him being considered a recluse ever since.
Having turned down directing a sequel to The Exorcist (1973), Kubrick made his own horror film: The Shining (1980). Again, rumors circulated of demands made upon actors and crew. Stephen King (whose novel the film was based upon) reportedly didn't like Kubrick's adaptation (indeed, he would later write his own screenplay which was filmed as The Shining (1997).)
Kubrick's subsequent work has been well spaced: it was seven years before Full Metal Jacket (1987) was released. By this time, Kubrick was married with children and had extensively remodeled his house. Seen by one critic as the dark side to the humanist story of Platoon (1986), Full Metal Jacket (1987) continued Kubrick's legacy of solid critical acclaim, and profit at the box office.
In the 1990s, Kubrick began an on-again/off-again collaboration with Brian Aldiss on a new science fiction film called "Artificial Intelligence (AI)", but progress was very slow, and was backgrounded until special effects technology was up to the standard the Kubrick wanted.
Kubrick returned to his in-development projects, but encountered a number of problems: "Napoleon" was completely dead, and "Wartime Lies" (now called "The Aryan Papers") was abandoned when Steven Spielberg announced he would direct Schindler's List (1993), which covered much of the same material.
While pre-production work on "AI" crawled along, Kubrick combined "Rhapsody" and "Blue Movie" and officially announced his next project as Eyes Wide Shut (1999), starring the then-married Tom Cruise and Nicole Kidman. After two years of production under unprecedented security and privacy, the film was released to a typically polarized critical and public reception; Kubrick claimed it was his best film to date.
Special effects technology had matured rapidly in the meantime, and Kubrick immediately began active work on A.I. Artificial Intelligence (2001), but tragically suffered a fatal heart attack in his sleep on March 7th, 1999.
After Kubrick's death, Spielberg revealed that the two of them were friends that frequently communicated discreetly about the art of filmmaking; both had a large degree of mutual respect for each other's work. "AI" was frequently discussed; Kubrick even suggested that Spielberg should direct it as it was more his type of project. Based on this relationship, Spielberg took over as the film's director and completed the last Kubrick project.
How much of Kubrick's vision remains in the finished project -- and what he would think of the film as eventually released -- will be the final great unanswerable mysteries in the life of this talented and private filmmaker.- Writer
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"If they move", commands stern-eyed William Holden, "kill 'em". So begins The Wild Bunch (1969), Sam Peckinpah's bloody, high-body-count eulogy to the mythologized Old West. "Pouring new wine into the bottle of the Western, Peckinpah explodes the bottle", observed critic Pauline Kael. That exploding bottle also christened the director with the nickname that would forever define his films and reputation: "Bloody Sam".
David Samuel Peckinpah was born and grew up in Fresno, California, when it was still a sleepy town. Young Sam was a loner. The child's greatest influence was grandfather Denver Church, a judge, congressman and one of the best shots in the Sierra Nevadas. Sam served in the US Marine Corps during World War II but - to his disappointment - did not see combat. Upon returning to the US he enrolled in Fresno State College, graduating in 1948 with a B.A. in Drama. He married Marie Selland in Las Vegas in 1947 and they moved to Los Angeles, where he enrolled in the graduate Theater Department of the University of Southern California the next year. He eventually took his Masters in 1952.
After drifting through several jobs -- including a stint as a floor-sweeper on The Liberace Show (1952) -- Sam got a job as Dialogue Director on Riot in Cell Block 11 (1954) for director Don Siegel. He worked for Siegel on several films, including Invasion of the Body Snatchers (1956), in which Sam played Charlie Buckholtz, the town meter reader. Peckinpah eventually became a scriptwriter for such TV programs as Gunsmoke (1955) and The Rifleman (1958) (which he created as an episode of Dick Powell's Zane Grey Theatre (1956) titled "The Sharpshooter' in 1958). In 1961, as his marriage to Selland was coming to an end, he directed his first feature film, a western titled The Deadly Companions (1961) starring \Brian Keith and Maureen O'Hara. However, it was with his second feature, Ride the High Country (1962), that Peckinpah really began to establish his reputation. Featuring Joel McCrea and Randolph Scott (in his final screen performance), its story about two aging gunfighters anticipated several of the themes Peckinpah would explore in future films, including the controversial "The Wild Bunch". Following "Ride the High Country" he was hired by producer Jerry Bresler to direct Major Dundee (1965), a cavalry-vs.-Indians western starring Charlton Heston. It turned out to be a film that brought to light Peckinpah's volatile reputation. During hot, on-location work in Mexico, his abrasive manner, exacerbated by booze and marijuana, provoked usually even-keeled Heston to threaten to run him through with a cavalry saber. However, when the studio later considered replacing Peckinpah, it was Heston who came to Sam's defense, going so far as to offer to return his salary to help offset any overages. Ironically, the studio accepted and Heston wound up doing the film for free.
Post-production conflicts led to Sam engaging in a bitter and ultimately losing battle with Bresler and Columbia Pictures over the final cut and, as a result, the disjointed effort fizzled at the box office. It was during this period that Peckinpah met and married his second wife, Mexican actress Begoña Palacios. However, the reputation he earned because of the conflicts on "Major Dundee" contributed to Peckinpah being replaced as director on his next film, the Steve McQueen film The Cincinnati Kid (1965), by Norman Jewison.
His second marriage now failing, Peckinpah did not get another feature project for two years. However, he did direct a powerful adaptation of Katherine Anne Porter's 'Noon Wine" for Noon Wine (1966)). This, in turn, helped relaunch his feature career. He was hired by Warner Bros. to direct the film for which he is, justifiably, best remembered. The success of "The Wild Bunch" rejuvenated his career and propelled him through highs and lows in the 1970s. Between 1970-1978 he directed The Ballad of Cable Hogue (1970), Straw Dogs (1971), Junior Bonner (1972), The Getaway (1972), Pat Garrett & Billy the Kid (1973), Bring Me the Head of Alfredo Garcia (1974), The Killer Elite (1975), Cross of Iron (1977) and Convoy (1978). Throughout this period controversy followed him. He provoked more rancor over his use of violence in "Straw Dogs", introduced Ali MacGraw to Steve McQueen in "The Getaway", fought with MGM's chief James T. Aubrey over his vision for "Pat Garrett & Billy the Kid" that included the casting of Bob Dylan in an unscripted role as a character called "Alias." His last solid effort was the WW II anti-war epic "Cross of Iron", about a German unit fighting on the Russian front, with Maximilian Schell and James Coburn, bringing the picture in successfully despite severe financial problems.
Peckinpah lived life to its fullest. He drank hard and abused drugs, producers and collaborators. At the end of his life he was considering a number of projects including the Stephen King-scripted "The Shotgunners". He was returning from Mexico in December 1984 when he died from heart failure in a hospital in Inglewood, California, at age 59. At a standing-room-only gathering that held at the Directors Guild the following month, Coburn remembered the director as a man "who pushed me over the abyss and then jumped in after me. He took me on some great adventures". To which Robert Culp added that what is surprising is not that Sam only made fourteen pictures, but that given the way he went about it, he managed to make any at all.- Second Unit Director or Assistant Director
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Sergio Leone was virtually born into the cinema - he was the son of Roberto Roberti (A.K.A. Vincenzo Leone), one of Italy's cinema pioneers, and actress Bice Valerian. Leone entered films in his late teens, working as an assistant director to both Italian directors and U.S. directors working in Italy (usually making Biblical and Roman epics, much in vogue at the time). Towards the end of the 1950s he started writing screenplays, and began directing after taking over The Last Days of Pompeii (1959) in mid-shoot after its original director fell ill. His first solo feature, The Colossus of Rhodes (1961), was a routine Roman epic, but his second feature, A Fistful of Dollars (1964), a shameless remake of Akira Kurosawa's Yojimbo (1961), caused a revolution. It was the first Spaghetti Western, and shot T.V. cowboy Clint Eastwood to stardom (Leone wanted Henry Fonda or Charles Bronson but couldn't afford them). The two sequels, For a Few Dollars More (1965) and The Good, the Bad and the Ugly (1966), were shot on much higher budgets and were even more successful, though his masterpiece, Once Upon a Time in the West (1968), in which Leone finally worked with Fonda and Bronson, was mutilated by Paramount Pictures and flopped at the U.S. box office. He directed Duck, You Sucker! (1971) reluctantly (as producer he hired Peter Bogdanovich to direct but he left before shooting began), and turned down offers to direct The Godfather (1972) in favor of his dream project, which became Once Upon a Time in America (1984). He died in 1989 after preparing an even more expensive Soviet co-production on the World War II siege of Leningrad.- Producer
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Martin Charles Scorsese was born on November 17, 1942 in Queens, New York City, to Catherine Scorsese (née Cappa) and Charles Scorsese, who both worked in Manhattan's garment district, and whose families both came from Palermo, Sicily. He was raised in the neighborhood of Little Italy, which later provided the inspiration for several of his films. Scorsese earned a B.S. degree in film communications in 1964, followed by an M.A. in the same field in 1966 at New York University's School of Film. During this time, he made numerous prize-winning short films including The Big Shave (1967), and directed his first feature film, Who's That Knocking at My Door (1967).
He served as assistant director and an editor of the documentary Woodstock (1970) and won critical and popular acclaim for Mean Streets (1973), which first paired him with actor and frequent collaborator Robert De Niro. In 1976, Scorsese's Taxi Driver (1976), also starring De Niro, was awarded the Palme d'Or at the Cannes Film Festival, and he followed that film with New York, New York (1977) and The Last Waltz (1978). Scorsese directed De Niro to an Oscar-winning performance as boxer Jake LaMotta in Raging Bull (1980), which received eight Academy Award nominations, including Best Picture and Best Director, and is hailed as one of the masterpieces of modern cinema. Scorsese went on to direct The Color of Money (1986), The Last Temptation of Christ (1988), Goodfellas (1990), Cape Fear (1991), The Age of Innocence (1993), Casino (1995) and Kundun (1997), among other films. Commissioned by the British Film Institute to celebrate the 100th anniversary of the birth of cinema, Scorsese completed the four-hour documentary, A Personal Journey with Martin Scorsese Through American Movies (1995), co-directed by Michael Henry Wilson.
His long-cherished project, Gangs of New York (2002), earned numerous critical honors, including a Golden Globe Award for Best Director; the Howard Hughes biopic The Aviator (2004) won five Academy Awards, in addition to the Golden Globe and BAFTA awards for Best Picture. Scorsese won his first Academy Award for Best Director for The Departed (2006), which was also honored with the Director's Guild of America, Golden Globe, New York Film Critics, National Board of Review and Critic's Choice awards for Best Director, in addition to four Academy Awards, including Best Picture. Scorsese's documentary of the Rolling Stones in concert, Shine a Light (2008), followed, with the successful thriller Shutter Island (2010) two years later. Scorsese received his seventh Academy Award nomination for Best Director, as well as a Golden Globe Award, for Hugo (2011), which went on to win five Academy Awards.
Scorsese also serves as executive producer on the HBO series Boardwalk Empire (2010) for which he directed the pilot episode. Scorsese's additional awards and honors include the Golden Lion from the Venice Film Festival (1995), the AFI Life Achievement Award (1997), the Honoree at the Film Society of Lincoln Center's 25th Gala Tribute (1998), the DGA Lifetime Achievement Award (2003), The Kennedy Center Honors (2007) and the HFPA Cecil B. DeMille Award (2010). Scorsese and actor Leonardo DiCaprio have worked together on five separate occasions: Gangs of New York (2002), The Aviator (2004), The Departed (2006), Shutter Island (2010) and The Wolf of Wall Street (2013).- Producer
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One of the most influential personalities in the history of cinema, Steven Spielberg is Hollywood's best known director and one of the wealthiest filmmakers in the world. He has an extraordinary number of commercially successful and critically acclaimed credits to his name, either as a director, producer or writer since launching the summer blockbuster with Jaws (1975), and he has done more to define popular film-making since the mid-1970s than anyone else.
Steven Allan Spielberg was born in 1946 in Cincinnati, Ohio, to Leah Frances (Posner), a concert pianist and restaurateur, and Arnold Spielberg, an electrical engineer who worked in computer development. His parents were both born to Russian Jewish immigrant families. Steven spent his younger years in Haddon Township, New Jersey, Phoenix, Arizona, and later Saratoga, California. He went to California State University Long Beach, but dropped out to pursue his entertainment career. Among his early directing efforts were Battle Squad (1961), which combined World War II footage with footage of an airplane on the ground that he makes you believe is moving. He also directed Escape to Nowhere (1961), which featured children as World War Two soldiers, including his sister Anne Spielberg, and The Last Gun (1959), a western. All of these were short films. The next couple of years, Spielberg directed a couple of movies that would portend his future career in movies. In 1964, he directed Firelight (1964), a movie about aliens invading a small town. In 1967, he directed Slipstream (1967), which was unfinished. However, in 1968, he directed Amblin' (1968), which featured the desert prominently, and not the first of his movies in which the desert would feature. Amblin' also became the name of his production company, which turned out such classics as E.T. the Extra-Terrestrial (1982). Spielberg had a unique and classic early directing project, Duel (1971), with Dennis Weaver. In the early 1970s, Spielberg was working on TV, directing among others such series as Rod Serling's Night Gallery (1969), Marcus Welby, M.D. (1969) and Murder by the Book (1971). All of his work in television and short films, as well as his directing projects, were just a hint of the wellspring of talent that would dazzle audiences all over the world.
Spielberg's first major directorial effort was The Sugarland Express (1974), with Goldie Hawn, a film that marked him as a rising star. It was his next effort, however, that made him an international superstar among directors: Jaws (1975). This classic shark attack tale started the tradition of the summer blockbuster or, at least, he was credited with starting the tradition. His next film was the classic Close Encounters of the Third Kind (1977), a unique and original UFO story that remains a classic. In 1978, Spielberg produced his first film, the forgettable I Wanna Hold Your Hand (1978), and followed that effort with Used Cars (1980), a critically acclaimed, but mostly forgotten, Kurt Russell/Jack Warden comedy about devious used-car dealers. Spielberg hit gold yet one more time with Raiders of the Lost Ark (1981), with Harrison Ford taking the part of Indiana Jones. Spielberg produced and directed two films in 1982. The first was Poltergeist (1982), but the highest-grossing movie of all time up to that point was the alien story E.T. the Extra-Terrestrial (1982). Spielberg also helped pioneer the practice of product placement. The concept, while not uncommon, was still relatively low-key when Spielberg raised the practice to almost an art form with his famous (or infamous) placement of Reese's Pieces in "E.T." Spielberg was also one of the pioneers of the big-grossing special-effects movies, like "E.T." and "Close Encounters", where a very strong emphasis on special effects was placed for the first time on such a huge scale. In 1984, Spielberg followed up "Raiders" with Indiana Jones and the Temple of Doom (1984), which was a commercial success but did not receive the critical acclaim of its predecessor. As a producer, Spielberg took on many projects in the 1980s, such as The Goonies (1985), and was the brains behind the little monsters in Gremlins (1984). He also produced the cartoon An American Tail (1986), a quaint little animated classic. His biggest effort as producer in 1985, however, was the blockbuster Back to the Future (1985), which made Michael J. Fox an instant superstar. As director, Spielberg took on the book The Color Purple (1985), with Whoopi Goldberg and Oprah Winfrey, with great success. In the latter half of the 1980s, he also directed Empire of the Sun (1987), a mixed success for the occasionally erratic Spielberg. Success would not escape him for long, though.
The late 1980s found Spielberg's projects at the center of pop-culture yet again. In 1988, he produced the landmark animation/live-action film Who Framed Roger Rabbit (1988). The next year proved to be another big one for Spielberg, as he produced and directed Always (1989) as well as Indiana Jones and the Last Crusade (1989), and Back to the Future Part II (1989). All three of the films were box-office and critical successes. Also, in 1989, he produced the little known comedy-drama Dad (1989), with Jack Lemmon and Ted Danson, which got mostly mixed results. Spielberg has also had an affinity for animation and has been a strong voice in animation in the 1990s. Aside from producing the landmark "Who Framed Roger Rabbit", he produced the animated series Tiny Toon Adventures (1990), Animaniacs (1993), Pinky and the Brain (1995), Freakazoid! (1995), Pinky, Elmyra & the Brain (1998), Family Dog (1993) and Toonsylvania (1998). Spielberg also produced other cartoons such as The Land Before Time (1988), We're Back! A Dinosaur's Story (1993), Casper (1995) (the live action version) as well as the live-action version of The Flintstones (1994), where he was credited as "Steven Spielrock". Spielberg also produced many Roger Rabbit short cartoons, and many Pinky and the Brain, Animaniacs and Tiny Toons specials. Spielberg was very active in the early 1990s, as he directed Hook (1991) and produced such films as the cute fantasy Joe Versus the Volcano (1990) and An American Tail: Fievel Goes West (1991). He also produced the unusual comedy thriller Arachnophobia (1990), Back to the Future Part III (1990) and Gremlins 2: The New Batch (1990). While these movies were big successes in their own right, they did not quite bring in the kind of box office or critical acclaim as previous efforts. In 1993, Spielberg directed Jurassic Park (1993), which for a short time held the record as the highest grossing movie of all time, but did not have the universal appeal of his previous efforts. Big box-office spectacles were not his only concern, though. He produced and directed Schindler's List (1993), a stirring film about the Holocaust. He won best director at the Oscars, and also got Best Picture. In the mid-90s, he helped found the production company DreamWorks, which was responsible for many box-office successes.
As a producer, he was very active in the late 90s, responsible for such films as The Mask of Zorro (1998), Men in Black (1997) and Deep Impact (1998). However, it was on the directing front that Spielberg was in top form. He directed and produced the epic Amistad (1997), a spectacular film that was shorted at the Oscars and in release due to the fact that its release date was moved around so much in late 1997. The next year, however, produced what many believe was one of the best films of his career: Saving Private Ryan (1998), a film about World War Two that is spectacular in almost every respect. It was stiffed at the Oscars, losing best picture to Shakespeare in Love (1998).
Spielberg produced a series of films, including Evolution (2001), The Haunting (1999) and Shrek (2001). he also produced two sequels to Jurassic Park (1993), which were financially but not particularly critical successes. In 2001, he produced a mini-series about World War Two that definitely *was* a financial and critical success: Band of Brothers (2001), a tale of an infantry company from its parachuting into France during the invasion to the Battle of the Bulge. Also in that year, Spielberg was back in the director's chair for A.I. Artificial Intelligence (2001), a movie with a message and a huge budget. It did reasonably at the box office and garnered varied reviews from critics.
Spielberg has been extremely active in films there are many other things he has done as well. He produced the short-lived TV series SeaQuest 2032 (1993), an anthology series entitled Amazing Stories (1985), created the video-game series "Medal of Honor" set during World War Two, and was a starting producer of ER (1994). Spielberg, if you haven't noticed, has a great interest in World War Two. He and Tom Hanks collaborated on Shooting War: World War II Combat Cameramen (2000), a documentary about World War II combat photographers, and he produced a documentary about the Holocaust called Eyes of the Holocaust (2000). With all of this to Spielberg's credit, it's no wonder that he's looked at as one of the greatest ever figures in entertainment.- Writer
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The name "Melville" is not immediately associated with film. It conjures up images of white whales and crackbrained captains, of naysaying notaries and soup-spilling sailors. It is the countersign to a realm of men and their deeds, both heroic and villainous. It is the American novel, with its Ishmaels and its Claggarts a challenge to the European canon. It is Herman Melville. And yet, for over three decades, it was also worn by one of the French cinema's brightest lights, Jean-Pierre Melville, whose art was as revolutionary as that of the eponymous author.
Jean-Pierre Grumbach was born on October 20, 1917, to a family of Alsatian Jews. In his youth he studied in Paris, where he was first exposed to great films, among them Robert J. Flaherty's and W.S. Van Dyke's silent documentary White Shadows in the South Seas (1928). It left so deep a mark upon the pubescent Grumbach that he became a regular at the cinema, an obsession that would benefit him in adulthood. His own earliest efforts, 16mm home movies, were made with a camera given to him by his father in this period. In 1937, however, his career was forestalled when he began obligatory service in the French army. He was still in uniform when the Nazis invaded in 1940; under the nom de guerre of Melville, he aided the Resistance and was eventually forced to flee to England. There he joined the Free French forces and took part in the Allies' liberation of continental Europe. After the war, despite a desire to revert to Grumbach, he found that pseudonym had stuck.
Eager to earn his place in the movie industry, Melville applied to the French Technicians' Union but was denied membership. Undaunted by what he regarded as party politics, he set up his own production company in 1946 and started releasing films outside the system. The first, a low-budget short titled 24 Hours in the Life of a Clown (1946), was a success, inspired by his boyhood love for the circus. His feature-length debut, The Silence of the Sea (1949), was highly innovative. An intimate piece on the horrors of World War II, it starred unknown actors and was filmed by a skeleton crew. Its schedule was unusual: It was shot over 27 days in the course of a year. Its production was unusual: it incorporated "on-location" scenes--rarities in that era--done without vital permits. Its provenance was unusual: it was adapted from a book before the author's consent was obtained. Above all, its style was unusual. Its dark, claustrophobic sets and bottom-lit close-ups signaled a departure from the highly cultured cinema of René Clair, Marcel Pagnol, Abel Gance and Jacques Feyder. It was neither comedietta nor costume drama nor avant-garde "cinéma pur." Where its roots may have been in Jean Renoir's The Grand Illusion (1937), it was clearly something new.
Over the following 12 years Melville continued to create films that would influence the auteurs of La Nouvelle Vague (i.e., the French New Wave.) In 1950 he collaborated with Jean Cocteau on an unsatisfying version of The Terrible Children (1950), the tale of a strange, incestuous relationship between siblings. When You Read This Letter (1953), with French and Italian backing, was his first commercial project. While it was unprofitable, the fee he received allowed him to establish a studio outside of Paris. His next work, Bob the Gambler (1956), featured Roger Duchesne, a popular leading man of the 1930s who had drifted into the underworld during the war. As such, he was a uniquely apt choice for the role of the fashionable, self-immolating Bob. His supporting cast included Daniel Cauchy as toadying sidekick Paolo and newcomer Isabelle Corey as the temptress Anne. Although the picture was not a hit, it was a favorite of the aficionados that frequented Henri Langlois' Cinémathèque Français. Among them were the young savants Jean-Luc Godard and François Truffaut, the latter of whom used Guy Decomble of "Bob le flambeur" in his The 400 Blows (1959) that ushered in the "New Wave" era. They adored the hip, new rendering of a tired scenario, much of it shot in the streets with hidden cameras. They viewed it as fresh and daring, a "freeing up" through the rejection of high-minded literary adaptations and the embracing of pop culture. Simply put, Melville refused to play by the rules, and they followed suit.
In retrospect, "Bob le flambeur" seems straightforward: A reformed mobster turned high-stakes gambler comes out of retirement to pull one last job. Its genius lies in its simplicity. Melville admired American culture, as his alias indicated. He drove around Paris in an enormous Cadillac, sporting a Stetson hat and aviator sunglasses. He drank Coca-Cola and listened to American radio. The works of American directors John Ford and Howard Hawks were appealing to him, as they were ageless sagas of heroes and villains. Melville strove to build his own pantheon by blending the American ethos with his postwar sensibilities. As he perceived it, it was America that had valiantly rescued France from German occupation. Still, for a young man with Alsatian roots, the line separating good guys and bad guys had been breached, and one can see this disillusionment from The Silence of the Sea (1949) onward. Thus, while he borrowed from the American noir's revolt against the dichotomous Hollywood creations of the 1930s, the artist was forging his own apocryphal brand of dark tragedy. In his paradigm, a criminal could be a kind of hero within his milieu, so long as he stuck by his word and his allegiances. It was his personal style and his adherence to the code of honor that defined a "good guy"; obversely, it was his faith in others that was his downfall. It is a universe without the possibility for salvation, in which love and friendship are brief interludes in the cat-and-mouse games that lead to certain destruction. In that sense, Bob is a crucial link between Julien Duvivier's Pépé le Moko (1937) and Godard's Breathless (1960), in which Melville gave a brilliant cameo performance.
Jean-Pierre Melville is often regarded as the godfather of the Nouvelle Vague. Nonetheless, it is worth mentioning that had it not been for his aforementioned passion for American film, he might have shown us a very different "Bob le flambeur". Originally conceived as a hard-boiled gangster flick about the step-by-step plotting of a heist, Melville was forced to rethink its narrative after watching John Huston's remarkably similar The Asphalt Jungle (1950). It was only then that he had the idea to turn Bob into the comedy of manners that so delighted the cinephiles of the day. For this and other debts of gratitude, his next picture, Two Men in Manhattan (1959), was "a love letter to New York" and the America he revered. It was also his third straight box-office flop, however, and it caused Melville to break away from a New Wave movement that he felt catered to the cognoscenti. He later said, "If . . . I have consented to pass for their adopted father for a while, I do not wish it anymore, and I have put some distance in between us."
The first step in this split came with Léon Morin, Priest (1961), a wartime piece about a priest's endeavors to bring redemption to the inhabitants of a small town. Produced by Carlo Ponti, it was a big-budget affair with Jean-Paul Belmondo and Emmanuelle Riva, both household names by then. On the strength of its favorable reception, Melville released four consecutive cops-and-robbers movies, the most notable of which were The Informer (1962) and The Samurai (1967). Belmondo again headlined in "Le Doulous", not as a clergyman but as the fingerman Silien, whose loyalty to his old mob cronies entangles him in a web of intrigue and disaster. During the making of "Le Samouraï", a hauntingly minimalist film about a doomed assassin, Melville's studio burned to the ground and the project was completed in rented facilities. Regardless, it was a critical and commercial success. Presenting Alain Delon as ultra-cool assassin Jef Costello, it was considered one of the most meticulously-crafted pictures in the history of the cinema. Delon would later star in a second masterpiece, The Red Circle (1970), featuring the ultimate onscreen jewel heist. His Charles Bronson-cum-Jack Lord sang-froid toughness served as a counterpoint in Melville's oeuvre to the lighter and less predictable Belmondo. Another memorable production was Army of Shadows (1969), an austere portrait of perfidy within the ranks of the French Resistance.
It is trite to say that a particular artist is "not for everyone." In Melville's case, this statement could not be more fitting. Despite a round belly and an unattractive face, he was a notorious womanizer, and his chauvinism is painfully obvious in his movies. They are cynical, male-driven works in which women are devoid of nobility, merely functioning as beautiful chess pieces. His men also lack spiritual depth, diligently playing out their roles toward the final showdown. A "profound moment" inevitably occurs before a mirror, a cliché for which many critics do not share the creator's enthusiasm. As a result of these peccadilloes, as well as its lack of back-stories and character motivations, Melville's later output has been accused of stiffness, with its wooden troupe of cops, crooks and general mauvais sujets. Further, well-structured plots notwithstanding, Melville films are methodically paced with tremendous attention paid to time and place. Hollywoodphiles often find them slow, with an overemphasis on tone and style.
Some have gone as far as to claim that the réalizateur's genius was outstripped by his importance to the development of the medium. They look to him as a sort of Moses figure, helping to guide the Nouvelle Vague to the promised land without partaking in its fruits. At his death by heart attack in 1973, the 55-year-old had directed just 14 projects, at least six of which are acknowledged classics. Aside from Godard and Truffaut, luminaries such as John Woo, Quentin Tarantino, Michael Mann, Volker Schlöndorff, Johnnie To and Martin Scorsese have pointed to him as an key influence. If a man's legacy is best measured not only by its quality but by the respect of his colleagues, Jean-Pierre Melville's contribution to cinema surely ranks with the greatest.- Producer
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Joe Carnahan is an American film director and screenwriter. He was born in Michigan in 1969, and was raised in California. He attended Fairfield High School in Fairfield, California. He graduated in 1987, at the age of 18. He first attended the San Francisco State University, and later transferred to California State University, Sacramento. He gained a Bachelor of Arts in Filmography.
Following his graduation, Carnahan was hired by the television station KMAX-TV in Sacramento. He produced short films and television spots for the station. In 1997, Carnahan directed his first-feature length film "Blood, Guts, Bullets and Octane". The film was screened at 1998 Sundance Film Festival, and won some acclaim.
In 2002, Carnahan directed the neo-noir crime film "Narc". It earned about 13 million dollars in the worldwide box office, a minor box office hit. He subsequently directed or wrote the screenplays for several crime films. His name was attached to several projects that ended in development hell,
In 2010, Carnahan directed the action thriller "The A-Team", a film adaptation of the hit television series "The A-Team" (1983-1987). It earned 177 million dollars at the worldwide box office, becoming Carnahan's highest-grossing film.- Director
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With his breakthrough performance as Eames in Christopher Nolan's sci-fi thriller Inception (2010), English actor Tom Hardy has been brought to the attention of mainstream audiences worldwide. However, the versatile actor has been steadily working on both stage and screen since his television debut in the miniseries Band of Brothers (2001). After being cast in the World War II drama, Hardy left his studies at the prestigious Drama Centre in London and was subsequently cast as Twombly in Ridley Scott's Black Hawk Down (2001) and as the villain Shinzon in Star Trek: Nemesis (2002).
Edward Thomas Hardy was born on September 15, 1977 in Hammersmith, London; his mother, Elizabeth Anne (Barrett), is an artist and painter, and his father, Chips Hardy, is a writer. He is of English and Irish descent. Hardy was brought up in East Sheen, London, and first studied at Reed's School. His education continued at Tower House School, then at Richmond Drama School, and subsequently at the Drama Centre London, along with fellow Oscar nominee Michael Fassbender. After winning a modeling competition at age 21, he had a brief contract with the agency Models One.
Tom spent his teens and early twenties battling delinquency, alcoholism and drug addiction; after completing his work on Star Trek: Nemesis (2002), he sought treatment and has also admitted that his battles with addiction ended his five-year marriage to Sarah Ward. Returning to work in 2003, Hardy was awarded the Evening Standard Most Promising Newcomer Award for his theatre performances in the productions of "In Arabia, We'd All Be Kings" and "Blood". In 2003, Tom also co-starred in the play "The Modernists" with Paul Popplewell, Jesse Spencer and Orlando Wells.
During the next five years, Hardy worked consistently in film, television and theatre, playing roles as varied as Robert Dudley in the BBC's The Virgin Queen (2005), Bill Sikes in Oliver Twist (2007) and starring in "The Man of Mode" at the National Theatre. On the silver screen, he appeared in the crime thriller Layer Cake (2004) with Daniel Craig, Sofia Coppola's Marie Antoinette (2006), and the romp Scenes of a Sexual Nature (2006).
In 2006, Hardy created "Shotgun", an underground theatre company along with director Robert Delamere, and directed a play, penned by his father for the company, called "Blue on Blue". In 2007, Hardy received a best actor BAFTA nomination for his touching performance as Stuart Shorter in the BBC adaptation of Alexander Masters' bestselling biography Stuart: A Life Backwards (2007). Hailed for his transformative character acting, Hardy was lauded for his emotionally and physically convincing portrayal in the ill-fated and warmhearted tale of Shorter, a homeless and occasionally violent man suffering from addiction and muscular dystrophy.
The following year, he appeared as gay hoodlum Handsome Bob in the Guy Ritchie film RocknRolla (2008), but this would be his next transformation that would prove his extensive range and stun critics. In the film Bronson (2008), Hardy played the notorious Charles Bronson (given name, Michael Peterson), the "most violent prisoner in Britain". Bald, pumped-up, and outfitted with Bronson's signature strongman mustache, Hardy is unrecognizable and gives a harrowing performance that is physically fearless and psychologically unsettling. Director Nicolas Winding Refn breaks the fourth wall with Hardy retelling his tales directly to viewers as well as performing them outright before an audience of his own imagining. The performance mixes terrifying brutality, vaudevillian showmanship, wry humor, and an alarming amount of commitment, and won Hardy a British Independent Film Award for Best Actor. The performance got Hollywood's attention, and in 2009, Hardy was named one of Variety's "10 Actors to Watch". That year, he continued to garner praise for his starring role in The Take (2009), a four-part adaptation of Martina Cole's bestselling crime novel, as well as for his performance as Heathcliff in a version of Wuthering Heights (2009).
Recent work includes the aforementioned breakthrough appearance in Inception (2010) alongside Leonardo DiCaprio, Joseph Gordon-Levitt, Cillian Murphy, Tom Berenger, Ken Watanabe, Michael Caine, Marion Cotillard and Elliot Page. The movie was released in July 2010 and became one of top 25 highest grossing films of all time, collecting eight Oscar nominations (including Best Picture) and winning four.
Other films include Warrior (2011), opposite Joel Edgerton, the story of two estranged brothers facing the fight of a lifetime from director Gavin O'Connor, and This Means War (2012), directed by McG and co-starring Reese Witherspoon and Chris Pine. Tom also starred in the heralded Cold War thriller, Tinker Tailor Soldier Spy (2011) with Colin Firth and Gary Oldman. Hardy rejoined Christopher Nolan for The Dark Knight Rises (2012); he played the villain role of Bane opposite Christian Bale, Anne Hathaway, Joseph Gordon-Levitt and Gary Oldman. Hardy's menacing physique and his character's scrambled, hard-to-distinguish voice became a major discussion point as the film was released.
Outside of performing, Hardy is the patron for the charity "Flack", which is an organization to aid the recovery of the homeless in Cambridge. And in 2010, Hardy was named an Ambassador for The Prince's Trust, which helps disadvantaged youth. On the recent stage, he starred in the Brett C. Leonard play "The Long Red Road" in early 2010. Written for Hardy and directed by Philip Seymour Hoffman, the play was staged at Chicago's Goodman Theater.
In 2015, Hardy starred as the iconic Mad Max in George Miller's reboot of his franchise, Mad Max: Fury Road (2015). He also collected a British Independent Film Award for his portrayal of both the Kray twins, Ronnie and Reggie, in Legend (2015), and an Oscar nomination for Best Supporting Actor for his role as John Fitzgerald in The Revenant (2015). Hardy also starred on the BBC series Peaky Blinders (2013), alongside Cillian Murphy, and on the television series Taboo (2017), both created by Steven Knight.
He has an outlaw biker story among other projects in development. In 2010, Hardy became engaged to fellow English actress Charlotte Riley, whom he starred with in The Take (2009) and Wuthering Heights (2009), and is raising a young son, Louis Thomas Hardy, with ex-girlfriend Rachael Speed. He was appointed Commander of the Order of the British Empire at the 2018 Queen's Birthday Honours for his services to drama.- Actor
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Joaquin Phoenix was born Joaquin Rafael Bottom in San Juan, Puerto Rico, to Arlyn (Dunetz) and John Bottom, and is the middle child in a brood of five. His parents, from the continental United States, were then serving as Children of God missionaries. His mother is from a Jewish family from New York, while his father, from California, is of mostly British Isles descent. As a youngster, Joaquin took his cues from older siblings River Phoenix and Rain Phoenix, changing his name to Leaf to match their earthier monikers. When the children were encouraged to develop their creative instincts, he followed their lead into acting. Younger sisters Liberty Phoenix and Summer Phoenix rounded out the talented troupe.
The family moved often, traveling through Central and South America (and adopting the surname "Phoenix" to celebrate their new beginnings) but, by the time Joaquin was age 6, they had more or less settled in the Los Angeles area. Arlyn found work as a secretary at NBC, and John turned his talents to landscaping. They eventually found an agent who was willing to represent all five children, and the younger generation dove into television work. Commercials for meat, milk, and junk food were off-limits (the kids were all raised as strict vegans), but they managed to find plenty of work pushing other products. Joaquin's first real acting gig was a guest appearance on River's sitcom, Seven Brides for Seven Brothers (1982).
He worked with his brother again on the afterschool special Backwards: The Riddle of Dyslexia (1984), then struck out on his own in other made-for-TV productions. He made his big-screen debut as the youngest crew member in the interstellar romp SpaceCamp (1986), then won his first starring turn in the Cold War-era drama Russkies (1987). In the late '80s, the Phoenix clan decided to pull up stakes and relocate again--this time to Florida. River's film career had enough momentum to sustain the move, but Joaquin wasn't sure what lay in store for him in the Sunshine State. As it happened, Universal Pictures had just opened a new studio in the area and he was cast almost immediately as an angst-ridden adolescent in Parenthood (1989). His performance was very well-received, but Joaquin decided to withdraw from acting for a while--he was frustrated with the dearth of interesting roles for actors his age, and he wanted to see more of the world.
His parents were in the process of separating, so he struck out for Mexico with his father. Joaquin returned to the public eye three years later under tragic circumstances. On October 31, 1993, he was at The Viper Room (a Los Angeles nightclub partly-owned by Johnny Depp) when his brother River collapsed from a drug overdose and later died. Joaquin made the call to 911, which was rebroadcast on radio and television the world over. Months later, at the insistence of friends and colleagues, Joaquin began reading through scripts again, but he was reluctant to re-enter the acting life until he found just the right part. He finally signed up to work with Gus Van Sant (who had directed River in My Own Private Idaho (1991) and Even Cowgirls Get the Blues (1993)) to star as Nicole Kidman's obsessive devotee in To Die For (1995). The performance made Joaquin (who had dropped Leaf and reverted to his birth name) a critics' darling in his own right.
His follow-up turn in Inventing the Abbotts (1997) scored more critical kudos and, perhaps more importantly, introduced him to his one-time fiancée Liv Tyler. (The pair dated for almost three years.) He returned to the big screen later that year with a supporting role in Oliver Stone's U Turn (1997), then played a locked-up drug scapegoat in Return to Paradise (1998). He and "Paradise" co-star Vince Vaughn re-teamed almost immediately for the small-town murder caper Clay Pigeons (1998), which Joaquin followed with a turn as a porn store clerk in 8MM (1999). The film that confirmed Phoenix as a star was the historical epic Gladiator (2000). The Roman epic cast him as the selfish, paranoid young emperor Commodus opposite Russell Crowe's swarthy hero. Determined to make his character as real as possible, Phoenix gained weight and cultivated a pasty complexion during the shoot. He received international attention and an Academy Award nomination for Best Supporting Actor for that role.
Later that year, he appeared in two indies, playing a dock worker in The Yards (2000) (which he counts among his favorite experiences--and one of the only films of his that he can sit through) and the priest in charge of the Marquis de Sade's asylum in Quills (2000). He received an Academy Award nomination for Best Actor as the legendary musician Johnny Cash in the biography Walk the Line (2005). He also recorded an album, the film's soundtrack, for which he received the Grammy Award for Best Compilation Soundtrack for Visual Media.- Actor
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An only child, Idrissa Akuna Elba was born and raised in London, England. His father, Winston, is from Sierra Leone and worked at Ford Dagenham; his mother, Eve, is from Ghana and had a clerical duty. Idris attended school in Canning Town, where he first became involved in acting, before he dropped out. He gained a place in the National Youth Music Theatre - thanks to a £1,500 Prince's Trust grant. To support himself between acting roles, he worked in jobs such as tyre-fitting, cold call advertising sales, and working night shifts at Ford Dagenham. He worked in nightclubs under the nickname DJ Big Driis at age 19, but began auditioning for television roles in his early-twenties.
His first acting roles were on the soap opera Family Affairs (1997), the television serial Ultraviolet (1998), and the medical drama Dangerfield (1995). His best known roles are as drug baron Russell "Stringer" Bell on the HBO series The Wire (2002), as DCI John Luther on the BBC One series Luther (2010), and as Heimdall in the Marvel Cinematic Universe. He later starred in the films Daddy's Little Girls (2007), Prom Night (2008), RocknRolla (2008), The Unborn (2009) and Obsessed (2009). He also appeared in the films American Gangster (2007), Takers (2010), Thor (2011), Prometheus (2012), Pacific Rim (2013), Thor: The Dark World (2013), Beasts of No Nation (2015) and Star Trek Beyond (2016). He voiced Chief Bogo in Zootopia (2016), Shere Khan in The Jungle Book (2016), and Fluke in Finding Dory (2016).
Idris Elba was appointed Officer of the Order of the British Empire (OBE) by Queen Elizabeth II in the 2016 New Years Honours for his services to drama.- Writer
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Guillermo del Toro was born October 9, 1964 in Guadalajara, Jalisco, Mexico. Raised by his Catholic grandmother, del Toro developed an interest in filmmaking in his early teens. Later, he learned about makeup and effects from the legendary Dick Smith (The Exorcist (1973)) and worked on making his own short films. At the age of 21, del Toro executive produced his first feature, Dona Herlinda and Her Son (1985). Del Toro spent almost 10 years as a makeup supervisor, and formed his own company, Necropia in the early 1980s. He also produced and directed Mexican television programs at this time, and taught film.
Del Toro got his first big break when Cronos (1992) won nine Ariel Awards (the Mexican equivalent of the Oscars), then went on to win the International Critics Week Prize at Cannes. Following this success, del Toro made his first Hollywood film, Mimic (1997), starring Mira Sorvino.
Del Toro had some unfortunate experiences working with a demanding Hollywood studio on Mimic (1997), and returned to Mexico to form his own production company, The Tequila Gang.
Next for del Toro, was The Devil's Backbone (2001), a Spanish Civil War ghost story. The film was hailed by critics and audiences alike, and del Toro decided to give Hollywood another try. In 2002, he directed the Wesley Snipes vampire sequel, Blade II (2002).
On a roll, Del Toro followed up Blade II (2002) with another successful comic-book inspired film, Hellboy (2004), starring one of Del Toro's favorite actors, Ron Perlman.
Del Toro is divorced, has a daughter and a son and lives in Los Angeles and Toronto.- Actress
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Cameron Diaz, an American actress, was born in 1972 in San Diego, the daughter of a Cuban-American father and a German mother. Self described as "adventurous, independent and a tough kid," Cameron left home at 16 and for the next 5 years lived in such varied locales as Japan, Australia, Mexico, Morocco, and Paris. Returning to California at the age of 21, she was working as a model when she auditioned for a big part in The Mask (1994). To her amazement and despite having no previous acting experience, she was cast as the female lead in the film opposite Jim Carrey. Over the next 3 years, she honed her acting skills in such low budget independent films as The Last Supper (1995); Feeling Minnesota (1996); and Head Above Water (1996). She returned to main stream films in My Best Friend's Wedding (1997), in which she held her own against veteran actress Julia Roberts. She earned full fledged star status in 1998 for her performance in the box office smash There's Something About Mary (1998). Cameron Diaz appears to possess everything necessary to become one of the super stars of the new century.- Actor
- Producer
- Music Department
Javier Bardem belongs to a family of actors that have been working on films since the early days of Spanish cinema.
He was born in Las Palmas de Gran Canaria, Spain, to actress Pilar Bardem (María del Pilar Bardem Muñoz) and businessman José Carlos Encinas Doussinague. His maternal grandparents were actors Rafael Bardem and Matilde Muñoz Sampedro, and his uncle is screenwriter Juan Antonio Bardem. He got his start in the family business, at age six, when he appeared in his first feature, "El picaro" (1974) (A.K.A. The Scoundrel). During his teenage years, he acted in several TV series, played rugby for the Spanish National Team, and toured the country with an independent theatrical group. Javier's early film role as a sexy stud in the black comedy, Jamón, Jamón (1992) (aka Ham Ham) propelled him to instant popularity and threatened to typecast him as nothing more than a brawny sex symbol. Determined to avert a beefcake image, he refused similar subsequent roles and has gone on to win acclaim for his ability to appear almost unrecognizable from film to film. With over 25 movies and numerous awards under his belt, it is Javier's stirring, passionate performance as the persecuted Cuban writer, Reynaldo Arenas, in Before Night Falls (2000) that will long be remembered as his breakthrough role. He received five Best Actor awards and a Best Actor Oscar nomination for his portrayal.- Actress
- Producer
- Director
Known outside her native country as the "Spanish enchantress," Penélope Cruz Sánchez was born in Madrid to Eduardo Cruz, a retailer, and Encarna Sánchez, a hairdresser. As a toddler, she was already a compulsive performer, re-enacting TV commercials for her family's amusement, but she decided to focus her energies on dance. After studying classical ballet for nine years at Spain's National Conservatory, she continued her training under a series of prominent dancers. At 15, however, she heeded her true calling when she bested more than 300 other girls at a talent agency audition. The resulting contract landed her several roles in Spanish TV shows and music videos, which in turn paved the way for a career on the big screen. Cruz made her movie debut in El laberinto griego (1993) (The Greek Labyrinth), then appeared briefly in the Timothy Dalton thriller Framed (1992). Her third film was the Oscar-winning Belle Epoque (1992), in which she played one of four sisters vying for the love of a handsome army deserter. The film also garnered several Goyas, the Spanish equivalent of the Academy Awards. Her resume continued to grow by three or four films each year, and soon Cruz was a leading lady of Spanish cinema. Live Flesh (1997) (Live Flesh) offered her the chance to work with renowned Spanish director Pedro Almodóvar (who would later be her ticket to international fame), and the same year she was the lead actress in the thriller/drama/mystery/sci-fi film Open Your Eyes (1997), a huge hit in Spain that earned eight Goyas (though none for Cruz). Her luck finally changed in 1998, when the movie-industry comedy The Girl of Your Dreams (1998) won her a Best Actress Goya. Cruz made a few more forays into English-language film, but her first big international hit was Almodóvar's All About My Mother (1999), in which she played an unchaste but well-meaning nun. As the film was showered with awards and accolades, Cruz suddenly found herself in demand on both sides of the Atlantic. Her next big project was Woman on Top (2000), an American comedy about a chef with bewitching culinary skills and a severe case of motion sickness. While in the US, she also signed up to star opposite Johnny Depp in the drug-trafficking drama Blow (2001) and opposite Matt Damon in Billy Bob Thornton's All the Pretty Horses (2000). Cruz says she's wary of being typecast as a beautiful young damsel, but it's hard to imagine disguising her wide-eyed charms and generous nature. Fortunately, with Cameron Crowe's Vanilla Sky (2001) (a remake of Open Your Eyes (1997)) and a John Madden collaboration looming in her future, Damsel Penelope isn't likely to disappear just yet.- Producer
- Actor
- Executive
William Bradley "Brad" Pitt was born on December 18, 1963 in Shawnee, Oklahoma and raised in Springfield, Missouri to Jane Etta Pitt (née Hillhouse), a school counselor & William Alvin "Bill" Pitt, a truck company manager. At Kickapoo High School, Pitt was involved in sports, debating, student government and school musicals. Pitt attended the University of Missouri, where he majored in journalism with a focus on advertising. He occasionally acted in fraternity shows. He left college two credits short of graduating to move to California. Before he became successful at acting, Pitt supported himself by driving strippers in limos, moving refrigerators and dressing as a giant chicken while working for El Pollo Loco.
Pitt's earliest credited roles were in television, starting on the daytime soap opera Another World (1964) before appearing in the recurring role of Randy on the legendary prime time soap opera Dallas (1978). Following a string of guest appearances on various television series through the 1980s, Pitt gained widespread attention with a small part in Thelma & Louise (1991), in which he played a sexy criminal who romanced and conned Geena Davis. This led to starring roles in badly received films such as Johnny Suede (1991) & Cool World (1992).
But Pitt's career hit an upswing with his casting in A River Runs Through It (1992), which cemented his status as an multi-layered actor as opposed to just a pretty face. Pitt's subsequent projects were as quirky and varied in tone as his performances, ranging from his unforgettably comic cameo as stoner roommate Floyd in True Romance (1993) to romantic roles in such visually lavish films as Interview with the Vampire: The Vampire Chronicles (1994) and Legends of the Fall (1994), to an emotionally tortured detective in the horror-thriller Se7en (1995). His portrayal of frenetic oddball Jeffrey Goines in 12 Monkeys (1995) won him a Globe for Best Performance by an Actor in a Supporting Role.
Pitt's portrayal of Achilles in the big-budget period drama Troy (2004) helped establish his appeal as an action star and was closely followed by a co-starring role in the stylish spy-versus-spy flick Mr. & Mrs. Smith (2005). It was on the set of Mr. & Mrs. Smith that Pitt, who married Jennifer Aniston in a highly publicized ceremony in 2000, met Angelina Jolie. Pitt left Aniston for Jolie in 2005, a break-up that continues to fuel tabloid stories years after its occurrence.
He continues to wildly vary his film choices, appearing in everything from high-concept popcorn flicks such as Megamind (2010) to adventurous critic-bait like Inglourious Basterds (2009) and The Tree of Life (2011). He has received two Best Actor Oscar nominations, for The Curious Case of Benjamin Button (2008) and Moneyball (2011). In 2014, he starred in the war film Fury (2014), opposite Shia LaBeouf, Logan Lerman, Jon Bernthal, and Michael Peña.
Pitt and Jolie have 6 children, 3 adopted & 3 biological.- Producer
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- Director
Alfonso Cuarón Orozco was born on November 28th 1961 in Mexico City, Mexico. From an early age, he yearned to be either a film director or an astronaut. However, he did not want to enter the army, so he settled for directing. He didn't receive his first camera until his twelfth birthday, and then immediately started to film everything he saw, showing it afterwards to everyone. In his teen years, films were his hobby. Sometimes he said to his mother he would go to a friend's home, when in fact he would go to the cinema. His ambition was to know every theatre in the city. Near his house there were two studios, Studios Churubusco and Studios 212. After finishing school, Cuarón decided to study cinema right away. He tried to study at C.C.C. (Centro de Capacitación Cinematográfica) but wasn't accepted because at that time they weren't accepting students under twenty-four years old. His mother didn't support that idea of cinema, so he studied philosophy in the morning and in the afternoon he went to the C.U.E.C. (Centro Universitario de Estudios Cinematográficos). During that time he met many people who would later become his collaborators and friends. One of them was Luis Estrada. Cuaron also became good friends with Carlos Marcovich and Emmanuel Lubezki. Luis Estrada directed a short called "Vengance is Mine", on which Alfonso and Emmanuel collaborated. The film was in English, a fact which bothered many teachers of the C.U.E.C. such as Marcela Fernández Violante. The disagreement caused such arguments that in 1985, Alfonso was expelled from the university.
During his time studying at C.U.E.C. he met Mariana Elizondo, and with her he had his first son, Jonás Cuarón. After Alfonso was expelled, he thought he could never be a director and so went on to work in a Museum so he could sustain his family. One day, José Luis García Agraz and Fernando CáMara went to the museum and made an offer to Cuarón. They asked him to work as cable person in "La víspera (1982)", a job which was to prove to be his salvation. After that he was assistant director in Garcia Agraz's "Nocaut (1984)", as well as numerous other films.
He was also second unit director in "Gaby: A True Story (1987)", and co-wrote and directed some episodes in the series "A Hora Marcada (1967)". One New Year's Eve, he decided he would not continue to be an assistant director, and with his brother Carlos started writing what would be his first feature film: "Love in the Time of Hysteria (1991)" (Love in the time of Hysteria). After the screenplay was written, the problem became how to get financial backing for the movie. I.M.C.I.N.E. (Instituto Mexicano de Cinematografia), which supports movies financially, had already decided which projects it would support that year, much to Alfonso's initial chagrin. However, the director of one of those already-chosen projects was unable to direct it, so his project was canceled, and "Sólo con tu pareja" took its place. Despite this being chosen, there was a lot of tension between Alfonso and the I.M.C.I.N.E. executives. Nevertheless, after the movie was finished, it was a huge success. In Toronto festival the films won many awards, and Alfonso started to be noticed by Hollywood producers. Sydney Pollack was the first one to invite him to shoot in Hollywood. He proposed a feature film to be directed by Alfonso, but the project didn't work and was canceled. Alfonso moved to Los Angeles without anything concrete, and stayed with some friends, as he had no money. Soon after that, Pollack called him again to direct an episode called "Murder, Obliquely (1993)" of the series "Fallen Angels (1993)", that was the first job he had in U.S., and also the first time he worked with Alan Rickman.
After a while, and no real directing jobs, Alfonso wanted to direct something as he needed money. He finally signed a contract with Warner Brothers to direct the film Addicted to Love (1995). However, one night, he read the screenplay for another film, A Little Princess (1995) and fell in love with it. He talked to Warner Brothers and after some meetings he gave up directing "Addicted to Love" in order to do "A Little Princess". Even thought it wasn't a great box office success, the film received two nominations for the Oscars, and won many other awards. After "A Little Princess" Alfonso developed a project with Richard Gere starring. The project was canceled, but Cuarón got an offer from Twentieth Century Fox to direct the modern adaptation of the Charles Dickens' classic Great Expectations (1998). He initially didn't want to direct it but the studio insisted, and in the end he accepted it. The experience was very painful and difficult for him mainly because there was never a definitive screenplay.
He then reunited with producer Jorge Vergara and founded both Anhelo Productions and Moonson Productions. Anhelo's first picture was also Alfonso's next film, the erotic road movie "And Your Mother Too (2001)", which was a huge success. During the promotion of the film in Venice, Alfonso met the cinema critic Annalisa Bugliani. They started dating and married that same year. "Children of Men (2006)" was to be Alfonso's next film, a futuristic, dystopian story. During the pre-production of the film, Warner Brothers invited Alfonso to direct the third Harry Potter film, "Harry Potter and the Prisoner of Azkaban (2004)", an offer which he accepted after some consideration. The film would prove to be the greatest box office success of his career.
In 2003, he had a daughter named Bu Cuaron, and in February 2005 another son, called Olmo Teodoro Cuarón. Alfonso Cuarón signed a three-year first-look deal with Warner Brothers, which allowed his films to be distributed world-wide. He directed one five-minute segment of the anthology film Paris, I Love You (2006) with Nick Nolte and Ludivine Sagnier. His next project, the futuristic film Children of Men (2006) with Clive Owen, Julianne Moore and Michael Caine premiered at the Venice Film Festival in 2006 having been nominated for three Academy Awards. After his youngest son was diagnosed with autism and the divorce from Annalisa Bugliani he took a break from directing and settled in London where he plans to work on his next projects.
In 2013, Alfonso directed the space thriller Gravity (2013), which would go win 7 academy awards.
Alfonso is the only filmmaker to have ever won twice for a clean sweep for the awards, for "Gravity" and "Roma", for Best Director at the Oscars, Golden Globes, BAFTAs, and DGA Awards.- Producer
- Actress
- Music Department
Sandra Annette Bullock was born in Arlington, a Virginia suburb of Washington, D.C. Her mother, Helga Bullock (née Helga Mathilde Meyer), was a German opera singer. Her father, John W. Bullock, was an American voice teacher, who was born in Alabama, of German descent. Sandra grew up on the road with her parents and younger sister, chef Gesine Bullock-Prado, and spent much of her childhood in Nuremberg, Germany. She often performed in the children's chorus of whatever production her mother was in. That singing talent later came in handy for her role as an aspiring country singer in The Thing Called Love (1993). Her family moved back to the Washington area when she was adolescent. She later enrolled in East Carolina University in North Carolina, where she studied acting. Shortly afterward she moved to New York to pursue a career on the stage. This led to acting in television programs and then feature films. She gave memorable performances in Demolition Man (1993) and Wrestling Ernest Hemingway (1993), but did not achieve the stardom that seemed inevitable for her until her work in the smash hit Speed (1994). She now ranks as one of the most popular actresses in Hollywood. For her role in The Blind Side (2009) she won the Oscar, and her blockbusters The Proposal (2009), The Heat (2013) and Gravity (2013) made her a bankable star. With $56,000,000, she was listed in the Guinness Book Of World Records as the highest-paid actress in the world.- Actor
- Producer
- Writer
Antonio Banderas, one of Spain's most famous faces, was a soccer player until breaking his foot at the age of fourteen; he is now an international movie star known for playing Zorro in the eponymous movie series.
He was born José Antonio Domínguez Banderas on August 10, 1960, in Málaga, Andalusia, Spain. His father, Jose Dominguez, was a policeman in the Spanish civil guards. His mother, Doña Ana Banderas Gallego, was a school teacher. Young Banderas was brought up a Roman Catholic. He wanted to play soccer professionally and made much success playing for his school team until the age of 14, albeit his dream ended when he broke his foot. At that time, he developed a passion for theatre after seeing the stage production of "Hair". Banderas began his acting studies at the School of Dramatic Arts in Málaga, and made his acting debut at a small theatre in Málaga. He was arrested by the Spanish police for performance in a play by Bertolt Brecht, because of political censorship under the rule of General Francisco Franco. Banderas spent a whole night at the police station, he had three or four such arrests while he was working with a small theatre troupe that toured all over Spain and was giving performances in small town theatres and on the street.
In 1979, at age 19, he moved to Madrid in pursuit of an acting career. Being a struggling young actor, he also worked as a waiter and took small modeling jobs. At that time, he joined the troupe at the National Theatre of Spain, becoming the youngest member of the company. Banderas' stage performances caught the attention of movie director Pedro Almodóvar, who cast the young actor in his movie debut Labyrinth of Passion (1982). Banderas and Almodovar joined forces in making innovative and sexually provocative movies during the 1980s. In 1984, Banderas made headlines in Spain with his performance as a gay man, making his first male-to-male on-screen kiss in Almodovar's Law of Desire (1987). Banderas' long and fruitful collaboration with Pedro Almodóvar eventually prepared him for international recognition that came with his work in the Academy Award-nominated film Women on the Verge of a Nervous Breakdown (1988). In 1991, he appeared as an object of Madonna's affection in Madonna: Truth or Dare (1991).
In 1992, Banderas made his Hollywood debut with The Mambo Kings (1992). Because he did not speak English at that time, his dialogue for the movie was taught to him phonetically. Banderas shot to international fame with his sensitive performance as a lover of Tom Hanks' AIDS-infected lawyer in Philadelphia (1993), then played opposite Tom Cruise and Brad Pitt in Interview with the Vampire: The Vampire Chronicles (1994). Banderas further established himself as one of Hollywood's leading men after co-starring in Evita (1996) opposite Madonna in the title role. In 1998, he won acclaim for his portrayal of Zorro, opposite Anthony Hopkins and Catherine Zeta-Jones, in The Mask of Zorro (1998). For the role as Zorro, Banderas took training with the Olympic national fencing team in Spain, and practiced his moves with real steel swords, then he used the lighter aluminum swords in the movie. He also took a month-long course of horse-riding before the filming. He later returned to the role in The Legend of Zorro (2005). In 1999, Banderas made his directorial debut in Crazy in Alabama (1999), starring his wife, Melanie Griffith. He received critical acclaim for his portrayal of Mexican artist David Alfaro Siqueiros opposite Salma Hayek in Frida (2002). He voiced Puss in Boots in the Shrek franchise.
Banderas established himself as internationally known Latin heartthrob with charismatic looks, and was chosen as one of the 50 most beautiful people in the world by People magazine in 1996. He won numerous awards and nominations for his works in film, including three ALMA awards and three Golden Globe nominations, among many other. From 1996 to 2014, Banderas was married to American actress Melanie Griffith and the couple have one daughter, Stella (born 1996). Outside of his acting profession, Banderas has been a passionate soccer fan and a staunch supporter of the Real Madrid Football Club. He shares time between his two residencies, one in the United States, and one in the South of Spain.- Producer
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Robert Anthony Rodriguez was born and raised in San Antonio, Texas, USA, to Rebecca (Villegas), a nurse, and Cecilio G. Rodríguez, a salesman. His family is of Mexican descent.
Of all the people to be amazed by the images of John Carpenter's 1981 sci-fi parable, Escape from New York (1981), none were as captivated as the 12-year-old Rodriguez, who sat with his friends in a crowded cinema. Many people watch films and arrogantly proclaim "I can do that." This young man said something different: "I WILL do that. I'm gonna make movies." That day was the catalyst of his dream career. Born and raised in Texas, Robert was the middle child of a family that would include 10 children. While many a child would easily succumb to a Jan Brady sense of being lost in the shuffle, Robert always stood out as a very creative and very active young man. An artist by nature, he was very rarely seen sans pencil-in-hand doodling some abstract (yet astounding) dramatic feature on a piece of paper. His mother, not a fan of the "dreary" cinema of the 1970s, instills a sense of cinema in her children by taking them on weekly trips to San Antonio's famed Olmos Theatre movie house and treats them to a healthy dose of Hollywood's "Golden Age" wonders, from Sergio Leone to the silent classic of Charles Chaplin and Buster Keaton.
In a short amount of time, young Robert finds the family's old Super-8 film camera and makes his first films. The genres are unlimited: action, sci-fi, horror, drama, stop-motion animation. He uses props from around the house, settings from around town, and makes use of the largest cast and crew at his disposal: his family. At the end of the decade, his father, a salesman, brings home the latest home-made technological wonder: a VCR, and with it (as a gift from the manufacturer) a video camera. With this new equipment at his disposal, he makes movies his entire life. He screens the movies for friends, all of whom desperately want to star in the next one. He gains a reputation in the neighborhood as "the kid who makes movies". Rather than handing in term papers, he is allowed to hand in "term movies" because, as he himself explains, "[the teachers] knew I'd put more effort into a movie than I ever would into an essay." He starts his own comic strip, "Los Hooligans". His movies win every local film competition and festival. When low academic grades threaten to keep him out of UT Austin's renowned film department, he proves his worth the only way he knows how: he makes a movie. Three, in fact: trilogy of short movies called "Austin Stories" starring his siblings. It beats the entries of the school's top students and allows Robert to enter the program. After being accepted into the film department, Robert takes $400 of his own money to make his "biggest" film yet: a 16mm short comedy/fantasy called Bedhead (1991).
Pouring every idea and camera trick he knew into the short, it went on to win multiple awards. After meeting and marrying fellow Austin resident Elizabeth Avellan, Robert comes up with a crazy idea: he will sell his body to science in order to finance his first feature-length picture (a Mexican action adventure about a guitarist with no name looking for work but getting caught up in a shoot-'em-up adventure) that he will sell to the Spanish video market and use as an entry point to a lucrative Hollywood career. With his "guinea pig" money he raises a mere $7,000 and creates El Mariachi (1992). But rather than lingering in obscurity, the film finds its way to the Sundance film festival where it becomes an instant favorite, wins Robert a distribution deal with Columbia Pictures and turns him into an icon among would-be film-makers the world over. Not one to rest on his laurels, he immediately helms the straight-to-cable movie Roadracers (1994) and contributes a segment to the anthology comedy Four Rooms (1995) (his will be the most lauded segment).
His first "genuine" studio effort would soon have people referring to him as "John Woo from south-of-the-border". It is the "Mariachi" remake/sequel Desperado (1995). More lavish and action-packed than its own predecessor, the movie--while not a blockbuster hit--does decent business and launches the American film careers of Antonio Banderas as the guitarist-turned-gunslinger and Salma Hayek as his love interest (the two would star in several of his movies from then on). It also furthers the director's reputation of working on low budgets to create big results. In the year when movies like Batman Forever (1995) and GoldenEye (1995) were pushing budgets past the $100 million mark, Rodriguez brought in "Desperado" for just under $7 million. The film also featured a cameo by fellow indie film wunderkind, Quentin Tarantino. It would be the beginning of a long friendship between the two sprinkled with numerous collaborations. Most notable the Tarantino-penned vampire schlock-fest From Dusk Till Dawn (1996). The kitschy flick (about a pair of criminal brothers on the run from the Texas Rangers, only to find themselves in a vamp-infested Mexican bar) became an instant cult favorite and launched the lucrative film career of ER (1994) star George Clooney.
After a two-year break from directing (primarily to spend with his family, but also developing story ideas and declining Hollywood offers) he returned to "Dusk till Dawn" territory with the teen sci-fi/horror movie The Faculty (1998), written by Scream (1996) writer, Kevin Williamson. Although it's developed a small following of its own, it would prove to be Robert's least-successful film. Critics and fans alike took issue with the pedestrian script, the off-kilter casting and the flick's blatant over-commercialization (due to a marketing deal with clothing designer Tommy Hilfiger). After another three-year break, Rodriguez returned to make his most successful (and most unexpected) movie yet, based on his own segment from Four Rooms (1995). After a string of bloody, adult-oriented action fare, no one anticipated him to write and direct the colorful and creative Spy Kids (2001), a movie about a pair of prepubescent Latino sibs who discover that their lame parents (Antonio Banderas and Carla Gugino) are actually two of the world's greatest secret agents. The film was hit among both audiences and critics alike.
After quitting the Writers' Guild of America and being introduced to digital filmmaking by George Lucas, Robert immediately applied the creative, flexible (and cost-effective) technology to every one of his movies from then on, starting with an immediate sequel to his family friendly hit: Spy Kids 2: Island of Lost Dreams (2002) which was THEN immediately followed by the trilogy-capper Spy Kids 3: Game Over (2003). The latter would prove to be the most financially-lucrative of the series and employ the long-banished movie gimmick of 3-D with eye-popping results. Later the same year Rodriguez career came full circle when he completed the final entry of the story that made brought him to prominence: "El Mariachi". The last chapter, Once Upon a Time in Mexico (2003), would be his most direct homage to the Sergio Leone westerns he grew up on. With a cast boasting Antonio Banderas (returning as the gunslinging guitarist), Johnny Depp (as a corrupt CIA agent attempting to manipulate him), Salma Hayek, Mickey Rourke, Willem Dafoe and Eva Mendes, the film delivered even more of the Mexican shoot-'em-up spectacle than both of the previous films combined.
Now given his choice of movies to do next, Robert sought out famed comic book writer/artist Frank Miller, a man who had been very vocal of never letting his works be adapted for the screen. Even so, he was wholeheartedly convinced and elated when Rodriguez presented him with a plan to turn Miller's signature work into the film Sin City (2005). A collection of noir-ish tales set in a fictional, crime-ridden slum, the movie boasted the largest cast Rodriguez had worked with to that date. Saying he didn't want to mere "adapt" Miller's comics but "translate" them, Rodriguez' insistence that Miller co-direct the movie lead to Robert's resignation from the Director's Guild of America (and his subsequent dismissal from the film John Carter (2012) as a result). Many critics cited that Sin City was created as a pure film noir piece to adapt Miller's comics onto the screen. Co-directing with Frank Miller and bringing in Quentin Tarantino to guest-direct a scene allowed Rodriguez to again shock Hollywood with his talent.
In late 2007, Rodriguez again teamed up with his friend Tarantino to create the double feature Grindhouse (2007). Rodriguez's offering, Planet Terror (2007), was a film made to be "hardcore, extreme, sex-fueled, action-packed." Rodriguez flirts with his passion to make a showy film exploiting all of his experience to make an extremely entertaining thrill ride. The film is encompassed around Cherry (Rose McGowan), a reluctant go-go dancer who is found wanting when she meets her ex-lover El Wray (played by Freddy Rodríguez) who turns up at a local BBQ grill. They then, after a turn of events, find themselves fending off brain-eating zombies whilst trying to flee to Mexico (here we go off to Mexico again). Apart from directing, Rodriguez also involves himself in camera work, editing and composing music for his movies' sound tracks (he composed Planet Terror's main theme). He also shoots a lot of his own action scenes to get a direct idea from his eye as the director into the film. In El Mariachi (1992), Rodriguez spent hours in front of a pay-to-use, computer editing his film. This allowed him to capture the ideal footage exactly as he wanted it. Away from the filming aspect of Hollywood, Rodriguez is an expert chef who cooks gourmet meals for the cast and crew. Rodriguez is also known for his ability to turn a low-budgeted film with a small crew into an example of film mastery. El mariachi was "the movie made on seven grand" and still managed to rank as one of Rodriguez' best films (receiving a rating of 92% on the Rotten Tomatoes film review site).
Because Rodriguez is involved so deeply in his films, he is able to capture what he wants first time, which saves both time and money. Rodriguez's films share some similar threads and ideas, whilst also having differences. In El Mariachi (1992), he uses a hand-held camera. He made this decision for several reasons. First, he couldn't afford a tripod and secondly, he wanted to make the audience more aware of the action. In the action sequences he is given more mobility with a hand-held camera and also allows for distortion of the unprofessional action sequences (because the cost of all special effects in the film totaled $600). However, in Sin City (2005) and Planet Terror (2007), the budget was much greater, and Rodriguez could afford to spend more on special affects (especially since both films were filmed predominately with green screen) and, thus, there was no need to cover for error.
Playing by his own rules or not at all, Robert Rodriguez has redefined what a filmmaker can or cannot do. Shunning Hollywood's ridiculously high budgets, multi-picture deals and the two most powerful unions for the sake of maintaining creative freedom are decisions that would (and have) cost many directors their careers. Rodriguez has turned these into his strengths, creating some of the most imaginative works the big-screen has ever seen.- Actor
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Marlon Brando is widely considered the greatest movie actor of all time, rivaled only by the more theatrically oriented Laurence Olivier in terms of esteem. Unlike Olivier, who preferred the stage to the screen, Brando concentrated his talents on movies after bidding the Broadway stage adieu in 1949, a decision for which he was severely criticized when his star began to dim in the 1960s and he was excoriated for squandering his talents. No actor ever exerted such a profound influence on succeeding generations of actors as did Brando. More than 50 years after he first scorched the screen as Stanley Kowalski in the movie version of Tennessee Williams' A Streetcar Named Desire (1951) and a quarter-century after his last great performance as Col. Kurtz in Francis Ford Coppola's Apocalypse Now (1979), all American actors are still being measured by the yardstick that was Brando. It was if the shadow of John Barrymore, the great American actor closest to Brando in terms of talent and stardom, dominated the acting field up until the 1970s. He did not, nor did any other actor so dominate the public's consciousness of what WAS an actor before or since Brando's 1951 on-screen portrayal of Stanley made him a cultural icon. Brando eclipsed the reputation of other great actors circa 1950, such as Paul Muni and Fredric March. Only the luster of Spencer Tracy's reputation hasn't dimmed when seen in the starlight thrown off by Brando. However, neither Tracy nor Olivier created an entire school of acting just by the force of his personality. Brando did.
Marlon Brando, Jr. was born on April 3, 1924, in Omaha, Nebraska, to Marlon Brando, Sr., a calcium carbonate salesman, and his artistically inclined wife, the former Dorothy Julia Pennebaker. "Bud" Brando was one of three children. His ancestry included English, Irish, German, Dutch, French Huguenot, Welsh, and Scottish; his surname originated with a distant German immigrant ancestor named "Brandau." His oldest sister Jocelyn Brando was also an actress, taking after their mother, who engaged in amateur theatricals and mentored a then-unknown Henry Fonda, another Nebraska native, in her role as director of the Omaha Community Playhouse. Frannie, Brando's other sibling, was a visual artist. Both Brando sisters contrived to leave the Midwest for New York City, Jocelyn to study acting and Frannie to study art. Marlon managed to escape the vocational doldrums forecast for him by his cold, distant father and his disapproving schoolteachers by striking out for The Big Apple in 1943, following Jocelyn into the acting profession. Acting was the only thing he was good at, for which he received praise, so he was determined to make it his career - a high-school dropout, he had nothing else to fall back on, having been rejected by the military due to a knee injury he incurred playing football at Shattuck Military Academy, Brando Sr.'s alma mater. The school booted Marlon out as incorrigible before graduation.
Acting was a skill he honed as a child, the lonely son of alcoholic parents. With his father away on the road, and his mother frequently intoxicated to the point of stupefaction, the young Bud would play-act for her to draw her out of her stupor and to attract her attention and love. His mother was exceedingly neglectful, but he loved her, particularly for instilling in him a love of nature, a feeling which informed his character Paul in Last Tango in Paris (1972) ("Last Tango in Paris") when he is recalling his childhood for his young lover Jeanne. "I don't have many good memories," Paul confesses, and neither did Brando of his childhood. Sometimes he had to go down to the town jail to pick up his mother after she had spent the night in the drunk tank and bring her home, events that traumatized the young boy but may have been the grain that irritated the oyster of his talent, producing the pearls of his performances. Anthony Quinn, his Oscar-winning co-star in Viva Zapata! (1952) told Brando's first wife Anna Kashfi, "I admire Marlon's talent, but I don't envy the pain that created it."
Brando enrolled in Erwin Piscator's Dramatic Workshop at New York's New School, and was mentored by Stella Adler, a member of a famous Yiddish Theatre acting family. Adler helped introduce to the New York stage the "emotional memory" technique of Russian theatrical actor, director and impresario Konstantin Stanislavski, whose motto was "Think of your own experiences and use them truthfully." The results of this meeting between an actor and the teacher preparing him for a life in the theater would mark a watershed in American acting and culture.
Brando made his debut on the boards of Broadway on October 19, 1944, in "I Remember Mama," a great success. As a young Broadway actor, Brando was invited by talent scouts from several different studios to screen-test for them, but he turned them down because he would not let himself be bound by the then-standard seven-year contract. Brando would make his film debut quite some time later in Fred Zinnemann's The Men (1950) for producer Stanley Kramer. Playing a paraplegic soldier, Brando brought new levels of realism to the screen, expanding on the verisimilitude brought to movies by Group Theatre alumni John Garfield, the predecessor closest to him in the raw power he projected on-screen. Ironically, it was Garfield whom producer Irene Mayer Selznick had chosen to play the lead in a new Tennessee Williams play she was about to produce, but negotiations broke down when Garfield demanded an ownership stake in "A Streetcar Named Desire." Burt Lancaster was next approached, but couldn't get out of a prior film commitment. Then director Elia Kazan suggested Brando, whom he had directed to great effect in Maxwell Anderson's play "Truckline Café," in which Brando co-starred with Karl Malden, who was to remain a close friend for the next 60 years.
During the production of "Truckline Café," Kazan had found that Brando's presence was so magnetic, he had to re-block the play to keep Marlon near other major characters' stage business, as the audience could not take its eyes off of him. For the scene where Brando's character re-enters the stage after killing his wife, Kazan placed him upstage-center, partially obscured by scenery, but where the audience could still see him as Karl Malden and others played out their scene within the café set. When he eventually entered the scene, crying, the effect was electric. A young Pauline Kael, arriving late to the play, had to avert her eyes when Brando made this entrance as she believed the young actor on stage was having a real-life conniption. She did not look back until her escort commented that the young man was a great actor.
The problem with casting Brando as Stanley was that he was much younger than the character as written by Williams. However, after a meeting between Brando and Williams, the playwright eagerly agreed that Brando would make an ideal Stanley. Williams believed that by casting a younger actor, the Neanderthalish Kowalski would evolve from being a vicious older man to someone whose unintentional cruelty can be attributed to his youthful ignorance. Brando ultimately was dissatisfied with his performance, though, saying he never was able to bring out the humor of the character, which was ironic as his characterization often drew laughs from the audience at the expense of Jessica Tandy's Blanche Dubois. During the out-of-town tryouts, Kazan realized that Brando's magnetism was attracting attention and audience sympathy away from Blanche to Stanley, which was not what the playwright intended. The audience's sympathy should be solely with Blanche, but many spectators were identifying with Stanley. Kazan queried Williams on the matter, broaching the idea of a slight rewrite to tip the scales back to more of a balance between Stanley and Blanche, but Williams demurred, smitten as he was by Brando, just like the preview audiences.
For his part, Brando believed that the audience sided with his Stanley because Jessica Tandy was too shrill. He thought Vivien Leigh, who played the part in the movie, was ideal, as she was not only a great beauty but she WAS Blanche Dubois, troubled as she was in her real life by mental illness and nymphomania. Brando's appearance as Stanley on stage and on screen revolutionized American acting by introducing "The Method" into American consciousness and culture. Method acting, rooted in Adler's study at the Moscow Art Theatre of Stanislavsky's theories that she subsequently introduced to the Group Theatre, was a more naturalistic style of performing, as it engendered a close identification of the actor with the character's emotions. Adler took first place among Brando's acting teachers, and socially she helped turn him from an unsophisticated Midwestern farm boy into a knowledgeable and cosmopolitan artist who one day would socialize with presidents.
Brando didn't like the term "The Method," which quickly became the prominent paradigm taught by such acting gurus as Lee Strasberg at the Actors Studio. Brando denounced Strasberg in his autobiography "Songs My Mother Taught Me" (1994), saying that he was a talentless exploiter who claimed he had been Brando's mentor. The Actors Studio had been founded by Strasberg along with Kazan and Stella Adler's husband, Harold Clurman, all Group Theatre alumni, all political progressives deeply committed to the didactic function of the stage. Brando credits his knowledge of the craft to Adler and Kazan, while Kazan in his autobiography "A Life" claimed that Brando's genius thrived due to the thorough training Adler had given him. Adler's method emphasized that authenticity in acting is achieved by drawing on inner reality to expose deep emotional experience
Interestingly, Elia Kazan believed that Brando had ruined two generations of actors, his contemporaries and those who came after him, all wanting to emulate the great Brando by employing The Method. Kazan felt that Brando was never a Method actor, that he had been highly trained by Adler and did not rely on gut instincts for his performances, as was commonly believed. Many a young actor, mistaken about the true roots of Brando's genius, thought that all it took was to find a character's motivation, empathize with the character through sense and memory association, and regurgitate it all on stage to become the character. That's not how the superbly trained Brando did it; he could, for example, play accents, whereas your average American Method actor could not. There was a method to Brando's art, Kazan felt, but it was not The Method.
After A Streetcar Named Desire (1951), for which he received the first of his eight Academy Award nominations, Brando appeared in a string of Academy Award-nominated performances - in Viva Zapata! (1952), Julius Caesar (1953) and the summit of his early career, Kazan's On the Waterfront (1954). For his "Waterfront" portrayal of meat-headed longshoreman Terry Malloy, the washed-up pug who "coulda been a contender," Brando won his first Oscar. Along with his iconic performance as the rebel-without-a-cause Johnny in The Wild One (1953) ("What are you rebelling against?" Johnny is asked. "What have ya got?" is his reply), the first wave of his career was, according to Jon Voight, unprecedented in its audacious presentation of such a wide range of great acting. Director John Huston said his performance of Marc Antony was like seeing the door of a furnace opened in a dark room, and co-star John Gielgud, the premier Shakespearean actor of the 20th century, invited Brando to join his repertory company.
It was this period of 1951-54 that revolutionized American acting, spawning such imitators as James Dean - who modeled his acting and even his lifestyle on his hero Brando - the young Paul Newman and Steve McQueen. After Brando, every up-and-coming star with true acting talent and a brooding, alienated quality would be hailed as the "New Brando," such as Warren Beatty in Kazan's Splendor in the Grass (1961). "We are all Brando's children," Jack Nicholson pointed out in 1972. "He gave us our freedom." He was truly "The Godfather" of American acting - and he was just 30 years old. Though he had a couple of failures, like Désirée (1954) and The Teahouse of the August Moon (1956), he was clearly miscast in them and hadn't sought out the parts so largely escaped blame.
In the second period of his career, 1955-62, Brando managed to uniquely establish himself as a great actor who also was a Top 10 movie star, although that star began to dim after the box-office high point of his early career, Sayonara (1957) (for which he received his fifth Best Actor Oscar nomination). Brando tried his hand at directing a film, the well-reviewed One-Eyed Jacks (1961) that he made for his own production company, Pennebaker Productions (after his mother's maiden name). Stanley Kubrick had been hired to direct the film, but after months of script rewrites in which Brando participated, Kubrick and Brando had a falling out and Kubrick was sacked. According to his widow Christiane Kubrick, Stanley believed that Brando had wanted to direct the film himself all along.
Tales proliferated about the profligacy of Brando the director, burning up a million and a half feet of expensive VistaVision film at 50 cents a foot, fully ten times the normal amount of raw stock expended during production of an equivalent motion picture. Brando took so long editing the film that he was never able to present the studio with a cut. Paramount took it away from him and tacked on a re-shot ending that Brando was dissatisfied with, as it made the Oedipal figure of Dad Longworth into a villain. In any normal film Dad would have been the heavy, but Brando believed that no one was innately evil, that it was a matter of an individual responding to, and being molded by, one's environment. It was not a black-and-white world, Brando felt, but a gray world in which once-decent people could do horrible things. This attitude explains his sympathetic portrayal of Nazi officer Christian Diestl in the film he made before shooting One-Eyed Jacks (1961), Edward Dmytryk's filming of Irwin Shaw's novel The Young Lions (1958). Shaw denounced Brando's performance, but audiences obviously disagreed, as the film was a major hit. It would be the last hit movie Brando would have for more than a decade.
One-Eyed Jacks (1961) generated respectable numbers at the box office, but the production costs were exorbitant - a then-staggering $6 million - which made it run a deficit. A film essentially is "made" in the editing room, and Brando found cutting to be a terribly boring process, which was why the studio eventually took the film away from him. Despite his proved talent in handling actors and a large production, Brando never again directed another film, though he would claim that all actors essentially direct themselves during the shooting of a picture.
Between the production and release of One-Eyed Jacks (1961), Brando appeared in Sidney Lumet's film version of Tennessee Williams' play "Orpheus Descending," The Fugitive Kind (1960) which teamed him with fellow Oscar winners Anna Magnani and Joanne Woodward. Following in Elizabeth Taylor's trailblazing footsteps, Brando became the second performer to receive a $1-million salary for a motion picture, so high were the expectations for this re-teaming of Kowalski and his creator (in 1961 critic Hollis Alpert had published a book "Brando and the Shadow of Stanley Kowalski"). Critics and audiences waiting for another incendiary display from Brando in a Williams work were disappointed when the renamed The Fugitive Kind (1960) finally released. Though Tennessee was hot, with movie versions of Cat on a Hot Tin Roof (1958) and Suddenly, Last Summer (1959) burning up the box office and receiving kudos from the Academy of Motion Picture Arts & Sciences, The Fugitive Kind (1960) was a failure. This was followed by the so-so box-office reception of One-Eyed Jacks (1961) in 1961 and then by a failure of a more monumental kind: Mutiny on the Bounty (1962), a remake of the famed 1935 film.
Brando signed on to Mutiny on the Bounty (1962) after turning down the lead in the David Lean classic Lawrence of Arabia (1962) because he didn't want to spend a year in the desert riding around on a camel. He received another $1-million salary, plus $200,000 in overages as the shoot went overtime and over budget. During principal photography, highly respected director Carol Reed (an eventual Academy Award winner) was fired, and his replacement, two-time Oscar winner Lewis Milestone, was shunted aside by Brando as Marlon basically took over the direction of the film himself. The long shoot became so notorious that President John F. Kennedy asked director Billy Wilder at a cocktail party not "when" but "if" the "Bounty" shoot would ever be over. The MGM remake of one of its classic Golden Age films garnered a Best Picture Oscar nomination and was one of the top grossing films of 1962, yet failed to go into the black due to its Brobdingnagian budget estimated at $20 million, which is equivalent to $120 million when adjusted for inflation.
Brando and Taylor, whose Cleopatra (1963) nearly bankrupted 20th Century-Fox due to its huge cost overruns (its final budget was more than twice that of Brando's Mutiny on the Bounty (1962)), were pilloried by the show business press for being the epitome of the pampered, self-indulgent stars who were ruining the industry. Seeking scapegoats, the Hollywood press conveniently ignored the financial pressures on the studios. The studios had been hurt by television and by the antitrust-mandated divestiture of their movie theater chains, causing a large outflow of production to Italy and other countries in the 1950s and 1960s in order to lower costs. The studio bosses, seeking to replicate such blockbuster hits as the remakes of The Ten Commandments (1956) and Ben-Hur (1959), were the real culprits behind the losses generated by large-budgeted films that found it impossible to recoup their costs despite long lines at the box office.
While Elizabeth Taylor, receiving the unwanted gift of reams of publicity from her adulterous romance with Cleopatra (1963) co-star Richard Burton, remained hot until the tanking of her own Tennessee Williams-renamed debacle Boom! (1968), Brando from 1963 until the end of the decade appeared in one box-office failure after another as he worked out a contract he had signed with Universal Pictures. The industry had grown tired of Brando and his idiosyncrasies, though he continued to be offered prestige projects up through 1968.
Some of the films Brando made in the 1960s were noble failures, such as The Ugly American (1963), The Appaloosa (1966) and Reflections in a Golden Eye (1967). For every "Reflections," though, there seemed to be two or three outright debacles, such as Bedtime Story (1964), Morituri (1965), The Chase (1966), A Countess from Hong Kong (1967), Candy (1968), The Night of the Following Day (1969). By the time Brando began making the anti-colonialist picture Burn! (1969) in Colombia with Gillo Pontecorvo in the director's chair, he was box-office poison, despite having worked in the previous five years with such top directors as Arthur Penn, John Huston and the legendary Charles Chaplin, and with such top-drawer co-stars as David Niven, Yul Brynner, Sophia Loren and Taylor.
The rap on Brando in the 1960s was that a great talent had ruined his potential to be America's answer to Laurence Olivier, as his friend William Redfield limned the dilemma in his book "Letters from an Actor" (1967), a memoir about Redfield's appearance in Burton's 1964 theatrical production of "Hamlet." By failing to go back on stage and recharge his artistic batteries, something British actors such as Burton were not afraid to do, Brando had stifled his great talent, by refusing to tackle the classical repertoire and contemporary drama. Actors and critics had yearned for an American response to the high-acting style of the Brits, and while Method actors such as Rod Steiger tried to create an American style, they were hampered in their quest, as their king was lost in a wasteland of Hollywood movies that were beneath his talent. Many of his early supporters now turned on him, claiming he was a crass sellout.
Despite evidence in such films as The Appaloosa (1966) and Reflections in a Golden Eye (1967) that Brando was in fact doing some of the best acting of his life, critics, perhaps with an eye on the box office, slammed him for failing to live up to, and nurture, his great gift. Brando's political activism, starting in the early 1960s with his championing of Native Americans' rights, followed by his participation in the Southern Christian Leadership Conference's March on Washington in 1963, and followed by his appearance at a Black Panther rally in 1968, did not win him many admirers in the establishment. In fact, there was a de facto embargo on Brando films in the recently segregated (officially, at least) southeastern US in the 1960s. Southern exhibitors simply would not book his films, and producers took notice. After 1968, Brando would not work for three years.
Pauline Kael wrote of Brando that he was Fortune's fool. She drew a parallel with the latter career of John Barrymore, a similarly gifted thespian with talents as prodigious, who seemingly threw them away. Brando, like the late-career Barrymore, had become a great ham, evidenced by his turn as the faux Indian guru in the egregious Candy (1968), seemingly because the material was so beneath his talent. Most observers of Brando in the 1960s believed that he needed to be reunited with his old mentor Elia Kazan, a relationship that had soured due to Kazan's friendly testimony naming names before the notorious House un-American Activities Committee. Perhaps Brando believed this, too, as he originally accepted an offer to appear as the star of Kazan's film adaptation of his own novel, The Arrangement (1969). However, after the assassination of Martin Luther King, Brando backed out of the film, telling Kazan that he could not appear in a Hollywood film after this tragedy. Also reportedly turning down a role opposite box-office king Paul Newman in a surefire script, Butch Cassidy and the Sundance Kid (1969), Brando decided to make Burn! (1969) with Pontecorvo. The film, a searing indictment of racism and colonialism, flopped at the box office but won the esteem of progressive critics and cultural arbiters such as Howard Zinn. He subsequently appeared in the British film The Nightcomers (1971), a prequel to "Turn of the Screw" and another critical and box office failure.
Kazan, after a life in film and the theater, said that, aside from Orson Welles, whose greatness lay in film making, he only met one actor who was a genius: Brando. Richard Burton, an intellectual with a keen eye for observation if not for his own film projects, said that he found Brando to be very bright, unlike the public perception of him as a Terry Malloy-type character that he himself inadvertently promoted through his boorish behavior. Brando's problem, Burton felt, was that he was unique, and that he had gotten too much fame too soon at too early an age. Cut off from being nurtured by normal contact with society, fame had distorted Brando's personality and his ability to cope with the world, as he had not had time to grow up outside the limelight.
Truman Capote, who eviscerated Brando in print in the mid-'50s and had as much to do with the public perception of the dyslexic Brando as a dumbbell, always said that the best actors were ignorant, and that an intelligent person could not be a good actor. However, Brando was highly intelligent, and possessed of a rare genius in a then-deprecated art, acting. The problem that an intelligent performer has in movies is that it is the director, and not the actor, who has the power in his chosen field. Greatness in the other arts is defined by how much control the artist is able to exert over his chosen medium, but in movie acting, the medium is controlled by a person outside the individual artist. It is an axiom of the cinema that a performance, as is a film, is "created" in the cutting room, thus further removing the actor from control over his art. Brando had tried his hand at directing, in controlling the whole artistic enterprise, but he could not abide the cutting room, where a film and the film's performances are made. This lack of control over his art was the root of Brando's discontent with acting, with movies, and, eventually, with the whole wide world that invested so much cachet in movie actors, as long as "they" were at the top of the box-office charts. Hollywood was a matter of "they" and not the work, and Brando became disgusted.
Charlton Heston, who participated in Martin Luther King's 1963 March on Washington with Brando, believes that Marlon was the great actor of his generation. However, noting a story that Brando had once refused a role in the early 1960s with the excuse "How can I act when people are starving in India?," Heston believes that it was this attitude, the inability to separate one's idealism from one's work, that prevented Brando from reaching his potential. As Rod Steiger once said, Brando had it all, great stardom and a great talent. He could have taken his audience on a trip to the stars, but he simply would not. Steiger, one of Brando's children even though a contemporary, could not understand it. When James Mason' was asked in 1971 who was the best American actor, he had replied that since Brando had let his career go belly-up, it had to be George C. Scott, by default.
Paramount thought that only Laurence Olivier would suffice, but Lord Olivier was ill. The young director believed there was only one actor who could play godfather to the group of Young Turk actors he had assembled for his film, The Godfather of method acting himself - Marlon Brando. Francis Ford Coppola won the fight for Brando, Brando won - and refused - his second Oscar, and Paramount won a pot of gold by producing the then top-grossing film of all-time, The Godfather (1972), a gangster movie most critics now judge one of the greatest American films of all time. Brando followed his iconic portrayal of Don Corleone with his Oscar-nominated turn in the high-grossing and highly scandalous Last Tango in Paris (1972) ("Last Tango in Paris"), the first film dealing explicitly with sexuality in which an actor of Brando's stature had participated. He was now again a top ten box office star and once again heralded as the greatest actor of his generation, an unprecedented comeback that put him on the cover of "Time" magazine and would make him the highest-paid actor in the history of motion pictures by the end of the decade. Little did the world know that Brando, who had struggled through many projects in good faith during the 1960s, delivering some of his best acting, only to be excoriated and ignored as the films did not do well at the box office, essentially was through with the movies.
After reaching the summit of his career, a rarefied atmosphere never reached before or since by any actor, Brando essentially walked away. He would give no more of himself after giving everything as he had done in Last Tango in Paris (1972)," a performance that embarrassed him, according to his autobiography. Brando had come as close to any actor to being the "auteur," or author, of a film, as the English-language scenes of "Tango" were created by encouraging Brando to improvise. The improvisations were written down and turned into a shooting script, and the scripted improvisations were shot the next day. Pauline Kael, the Brando of movie critics in that she was the most influential arbiter of cinematic quality of her generation and spawned a whole legion of Kael wannabes, said Brando's performance in Last Tango in Paris (1972) had revolutionized the art of film. Brando, who had to act to gain his mother's attention; Brando, who believed acting at best was nothing special as everyone in the world engaged in it every day of their lives to get what they wanted from other people; Brando, who believed acting at its worst was a childish charade and that movie stardom was a whorish fraud, would have agreed with Sam Peckinpah's summation of Pauline Kael: "Pauline's a brilliant critic but sometimes she's just cracking walnuts with her ass." He probably would have done so in a simulacrum of those words, too.
After another three-year hiatus, Brando took on just one more major role for the next 20 years, as the bounty hunter after Jack Nicholson in Arthur Penn's The Missouri Breaks (1976), a western that succeeded neither with the critics or at the box office. Following The Godfather and Tango, Brando's performance was disappointing for some reviewers, who accused him of giving an erratic and inconsistent performance. In 1977, Brando made a rare appearance on television in the miniseries Roots: The Next Generations (1979), portraying George Lincoln Rockwell; he won a Primetime Emmy Award for Outstanding Supporting Actor in a Miniseries or a Movie for his performance. In 1978, he narrated the English version of Raoni (1978), a French-Belgian documentary film directed by Jean-Pierre Dutilleux and Luiz Carlos Saldanha that focused on the life of Raoni Metuktire and issues surrounding the survival of the indigenous Indian tribes of north central Brazil.
Later in his career, Brando concentrated on extracting the maximum amount of capital for the least amount of work from producers, as when he got the Salkind brothers to pony up a then-record $3.7 million against 10% of the gross for 13 days work on Superman (1978). Factoring in inflation, the straight salary for "Superman" equals or exceeds the new record of $1 million a day Harrison Ford set with K-19: The Widowmaker (2002). He agreed to the role only on assurance that he would be paid a large sum for what amounted to a small part, that he would not have to read the script beforehand, and his lines would be displayed somewhere off-camera. Brando also filmed scenes for the movie's sequel, Superman II, but after producers refused to pay him the same percentage he received for the first movie, he denied them permission to use the footage.
Before cashing his first paycheck for Superman (1978), Brando had picked up $2 million for his extended cameo in Francis Ford Coppola's Apocalypse Now (1979) in a role, that of Col. Kurtz, that he authored on-camera through improvisation while Coppola shot take after take. It was Brando's last bravura star performance. He co-starred with George C. Scott and John Gielgud in The Formula (1980), but the film was another critical and financial failure. Years later though, he did receive an eighth and final Oscar nomination for his supporting role in A Dry White Season (1989) after coming out of a near-decade-long retirement. Contrary to those who claimed he now only was in it for the money, Brando donated his entire seven-figure salary to an anti-apartheid charity. He then did an amusing performance in the comedy The Freshman (1990), winning rave reviews. He portrayed Tomas de Torquemada in the historical drama 1492: Conquest of Paradise (1992), but his performance was denounced and the film was another box office failure. He made another comeback in the Johnny Depp romantic drama Don Juan DeMarco (1994), which co-starred Faye Dunaway as his wife. He then appeared in The Island of Dr. Moreau (1996), co-starring Val Kilmer, who he didn't get along with. The filming was an unpleasant experience for Brando, as well as another critical and box office failure.
Brando had first attracted media attention at the age of 24, when "Life" magazine ran a photo of himself and his sister Jocelyn, who were both then appearing on Broadway. The curiosity continued, and snowballed. Playing the paraplegic soldier of The Men (1950), Brando had gone to live at a Veterans Administration hospital with actual disabled veterans, and confined himself to a wheelchair for weeks. It was an acting method, research, that no one in Hollywood had ever heard of before, and that willingness to experience life.- Actor
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Laurence Olivier could speak William Shakespeare's lines as naturally as if he were "actually thinking them", said English playwright Charles Bennett, who met Olivier in 1927. Laurence Kerr Olivier was born in Dorking, Surrey, England, to Agnes Louise (Crookenden) and Gerard Kerr Olivier, a High Anglican priest. His surname came from a great-great-grandfather who was of French Huguenot origin.
One of Olivier's earliest successes as a Shakespearean actor on the London stage came in 1935 when he played "Romeo" and "Mercutio" in alternate performances of "Romeo and Juliet" with John Gielgud. A young Englishwoman just beginning her career on the stage fell in love with Olivier's Romeo. In 1937, she was "Ophelia" to his "Hamlet" in a special performance at Kronborg Castle, Elsinore (Helsingør), Denmark. In 1940, she became his second wife after both returned from making films in America that were major box office hits of 1939. His film was Wuthering Heights (1939), her film was Gone with the Wind (1939). Vivien Leigh and Olivier were screen lovers in Fire Over England (1937), 21 Days Together (1940) and That Hamilton Woman (1941).
There was almost a fourth film together in 1944 when Olivier and Leigh traveled to Scotland with Charles C. Bennett to research the real-life story of a Scottish girl accused of murdering her French lover. Bennett recalled that Olivier researched the story "with all the thoroughness of Sherlock Holmes" and "we unearthed evidence, never known or produced at the trial, that would most certainly have sent the young lady to the gallows". The film project was then abandoned. During their two-decade marriage, Olivier and Leigh appeared on the stage in England and America and made films whenever they really needed to make some money.
In 1951, Olivier was working on a screen adaptation of Theodore Dreiser's novel "Sister Carrie" (Carrie (1952)) while Leigh was completing work on the film version of the Tennessee Williams' play, A Streetcar Named Desire (1951). She won her second Oscar for bringing "Blanche DuBois" to the screen. Carrie (1952) was a film that Olivier never talked about. George Hurstwood, a middle-aged married man from Chicago who tricked a young woman into leaving a younger man about to marry her, became a New York street person in the novel. Olivier played him as a somewhat nicer person who didn't fall quite as low. A PBS documentary on Olivier's career broadcast in 1987 covered his first sojourn in Hollywood in the early 1930s with his first wife, Jill Esmond, and noted that her star was higher than his at that time. On film, he was upstaged by his second wife, too, even though the list of films he made is four times as long as hers.
More than half of his film credits come after The Entertainer (1960), which started out as a play in London in 1957. When the play moved across the Atlantic to Broadway in 1958, the role of "Archie Rice"'s daughter was taken over by Joan Plowright, who was also in the film. They married soon after the release of The Entertainer (1960).- Actor
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A leading man of prodigious talents, Peter O'Toole was born and raised in Leeds, Yorkshire, England, the son of Constance Jane Eliot (Ferguson), a Scottish nurse, and Patrick Joseph O'Toole, an Irish metal plater, football player and racecourse bookmaker. Upon leaving school, he decided to become a journalist, beginning as a newspaper copy boy. Although he succeeded in becoming a reporter, he discovered the theater and made his stage debut at age 17. He served as a radioman in the Royal Navy for two years, then attended the Royal Academy of Dramatic Arts, where his classmates included Albert Finney, Alan Bates and Richard Harris.
O'Toole spent several years on-stage at the Bristol Old Vic, then made an inconspicuous film debut in the Disney classic Kidnapped (1960). In 1962, he was chosen by David Lean to play T.E. Lawrence in Lean's epic drama Lawrence of Arabia (1962). The role made O'Toole an international superstar and received him his first Academy Award nomination for Best Actor in a Leading Role. In 1963, he played Hamlet under Laurence Olivier's direction in the premiere production of the Royal National Theater. He continued successfully in artistically rich films as well as less artistic but commercially rewarding projects. He received Academy Award nominations (but no Oscar) for seven different films.
However, medical problems (originally thought to have been brought on by his drinking but which turned out to be stomach cancer) threatened to destroy his career and life in the 1970s. He survived by giving up alcohol and, after serious medical treatment, returned to films with triumphant performances in The Stunt Man (1980) and My Favorite Year (1982). His youthful beauty lost to time and drink, O'Toole has found meaningful roles increasingly difficult to come by, though he remained one of the greatest actors of his generation. He had two daughters, Pat and Kate O'Toole, from his marriage to actress Siân Phillips. He also had a son, Lorcan O'Toole, by model Karen Brown.
On December 14, 2013, Peter O'Toole died at age 81 in London, England.- Actor
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The tall, handsome and muscular Scottish actor Sean Connery is best known as the original actor to portray James Bond in the hugely successful movie franchise, starring in seven films between 1962 and 1983. Some believed that such a career-defining role might leave him unable to escape it, but he proved the doubters wrong, becoming one of the most notable film actors of his generation, with a host of great movies to his name. This arguably culminated in his greatest acclaim in 1988, when Connery won the Academy Award for Best Supporting Actor for his role as an Irish cop in The Untouchables (1987), stealing the thunder from the movie's principal star Kevin Costner. Connery was polled as "The Greatest Living Scot" and "Scotland's Greatest Living National Treasure". In 1989, he was proclaimed "Sexiest Man Alive" by People magazine, and in 1999, at age 69, he was proclaimed "Sexiest Man of the Century."
Thomas "Sean" Connery was born on August 25, 1930 in Fountainbridge, Edinburgh. His mother, Euphemia Maclean, was a cleaning lady, and his father, Joseph Connery, was a factory worker and truck driver. He also had a, Neil Connery, a plasterer in Edinburgh, who was eight years younger. Before going into acting, Sean had many different jobs, such as a milkman, lorry driver, a laborer, artist's model for the Edinburgh College of Art, coffin polisher and bodybuilder. He also joined the Royal Navy, but was later discharged because of medical problems. At the age of 23, he had a choice between becoming a professional soccer player or an actor, and even though he showed much promise in the sport, he chose acting and said it was one of his more intelligent decisions.
No Road Back (1957) was Sean's first major movie role, and it was followed by several made-for-TV movies such as Anna Christie (1957), Macbeth (1961) and Anna Karenina (1961) as well as guest appearances on TV series, and also films such as Hell Drivers (1957), Another Time, Another Place (1958), Darby O'Gill and the Little People (1959) and The Frightened City (1961). In 1962 he appeared in The Longest Day (1962) with a host of other stars.
His big breakthrough came in 1962 when he landed the role of secret agent James Bond in Dr. No (1962). He played James Bond in six more films: From Russia with Love (1963), Goldfinger (1964), Thunderball (1965), You Only Live Twice (1967), Diamonds Are Forever (1971) and Never Say Never Again (1983).
After and during the success of the Bond films, he maintained a successful career as an actor and has appeared in films, including Alfred Hitchcock's Marnie (1964), The Hill (1965), Murder on the Orient Express (1974), The Man Who Would Be King (1975), The Wind and the Lion (1975), Time Bandits (1981), Highlander (1986), The Name of the Rose (1986), Indiana Jones and the Last Crusade (1989), The Hunt for Red October (1990), Rising Sun (1993), The Rock (1996), Finding Forrester (2000) and The League of Extraordinary Gentlemen (2003).
Sean married actress Diane Cilento in 1962 and they had Sean's only child, Jason Connery, born on January 11, 1963. The couple announced their separation in February 1971 and filed for divorce 2½ years later. Sean then dated Jill St. John, Lana Wood, Magda Konopka and Carole Mallory. In 1975 he married Micheline Roquebrune and they stayed married, despite Sean's well-documented love affair with Lynsey de Paul in the late '80s. Sean had three stepchildren through his marriage to Micheline, who was one year his senior. He is also a grandfather. His son, Jason and Jason's ex-wife, actress Mia Sara had a son, Dashiell Connery, in 1997.
Sean Connery died at the age of 90 on October 31, 2020, in Nassau, the Bahamas, where he resided for many years.- Actor
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Clinton Eastwood Jr. was born May 31, 1930 in San Francisco, to Clinton Eastwood Sr., a bond salesman and later manufacturing executive for Georgia-Pacific Corporation, and Ruth Wood (née Margaret Ruth Runner), a housewife turned IBM clerk. He grew up in nearby Piedmont. At school Clint took interest in music and mechanics, but was an otherwise bored student; this resulted in being held back a grade. In 1949, the year he is said to have graduated from high school, his parents and younger sister Jeanne moved to Seattle. Clint spent a couple years in the Pacific Northwest himself, operating log broncs in Springfield, Oregon, with summer gigs life-guarding in Renton, Washington. Returning to California in 1951, he did a two-year stint at Fort Ord Military Reservation and later enrolled at L.A. City College, but dropped out to pursue acting.
During the mid-1950s he landed uncredited bit parts in such B-films as Revenge of the Creature (1955) and Tarantula (1955) while digging swimming pools and driving a garbage truck to supplement his income. In 1958, he landed his first consequential acting role in the long-running TV show Rawhide (1959) with Eric Fleming. Although only a secondary player the first seven seasons, he was promoted to series star when Fleming departed--both literally and figuratively--in its final year, along the way becoming a recognizable face to television viewers around the country.
Eastwood's big-screen breakthrough came as The Man with No Name in Sergio Leone's trilogy of excellent spaghetti westerns: A Fistful of Dollars (1964), For a Few Dollars More (1965), and The Good, the Bad and the Ugly (1966). The movies were shown exclusively in Italy during their respective copyright years with Enrico Maria Salerno providing the voice of Eastwood's character, finally getting American distribution in 1967-68. As the last film racked up respectable grosses, Eastwood, 37, rose from a barely registering actor to sought-after commodity in just a matter of months. Again a success was the late-blooming star's first U.S.-made western, Hang 'Em High (1968). He followed that up with the lead role in Coogan's Bluff (1968) (the loose inspiration for the TV series McCloud (1970)), before playing second fiddle to Richard Burton in the World War II epic Where Eagles Dare (1968) and Lee Marvin in the bizarre musical Paint Your Wagon (1969). In Two Mules for Sister Sara (1970) and Kelly's Heroes (1970), Eastwood leaned in an experimental direction by combining tough-guy action with offbeat humor.
1971 proved to be his busiest year in film. He starred as a sleazy Union soldier in The Beguiled (1971) to critical acclaim, and made his directorial debut with the classic erotic thriller Play Misty for Me (1971). His role as the hard edge police inspector in Dirty Harry (1971), meanwhile, boosted him to cultural icon status and helped popularize the loose-cannon cop genre. Eastwood put out a steady stream of entertaining movies thereafter: the westerns Joe Kidd (1972), High Plains Drifter (1973) and The Outlaw Josey Wales (1976) (his first of six onscreen collaborations with then live-in love Sondra Locke), the Dirty Harry sequels Magnum Force (1973) and The Enforcer (1976), the action-packed road adventures Thunderbolt and Lightfoot (1974) and The Gauntlet (1977), and the prison film Escape from Alcatraz (1979). He branched out into the comedy genre in 1978 with Every Which Way But Loose (1978), which became the biggest hit of his career up to that time; taking inflation into account, it still is. In short, The Eiger Sanction (1975) notwithstanding, the 1970s were nonstop success for Eastwood.
Eastwood kicked off the 1980s with Any Which Way You Can (1980), the blockbuster sequel to Every Which Way but Loose. The fourth Dirty Harry film, Sudden Impact (1983), was the highest-grossing film of the franchise and spawned his trademark catchphrase: "Make my day." He also starred in Bronco Billy (1980), Firefox (1982), Tightrope (1984), City Heat (1984), Pale Rider (1985) and Heartbreak Ridge (1986), all of which were solid hits, with Honkytonk Man (1982) being his only commercial failure of the period. In 1988, he did his fifth and final Dirty Harry movie, The Dead Pool (1988). Although it was a success overall, it did not have the box office punch the previous films had. About this time, with outright bombs like Pink Cadillac (1989) and The Rookie (1990), it seemed Eastwood's star was declining as it never had before. He then started taking on low-key projects, directing Bird (1988), a biopic of Charlie Parker that earned him a Golden Globe, and starring in and directing White Hunter Black Heart (1990), an uneven, loose biopic of John Huston (both films had a limited release).
Eastwood bounced back big time with his dark western Unforgiven (1992), which garnered the then 62-year-old his first ever Academy Award nomination (Best Actor), and an Oscar win for Best Director. Churning out a quick follow-up hit, he took on the secret service in In the Line of Fire (1993), then accepted second billing for the first time since 1970 in the interesting but poorly received A Perfect World (1993) with Kevin Costner. Next was a love story, The Bridges of Madison County (1995), where Eastwood surprised audiences with a sensitive performance alongside none other than Meryl Streep. But it soon became apparent he was going backwards after his brief revival. Subsequent films were credible, but nothing really stuck out. Absolute Power (1997) and Space Cowboys (2000) did well enough, while True Crime (1999) and Blood Work (2002) were received badly, as was Midnight in the Garden of Good and Evil (1997), which he directed but didn't appear in.
Eastwood surprised again in the mid-2000s, returning to the top of the A-list with Million Dollar Baby (2004). Also starring Hilary Swank and Morgan Freeman, the hugely successful drama won four Academy Awards, including Best Picture and Best Director for Eastwood. He scored his second Best Actor nomination, too. His next starring vehicle, Gran Torino (2008), earned almost $30 million in its opening weekend and was his highest grosser unadjusted for inflation. 2012 saw him in a rare lighthearted movie, Trouble with the Curve (2012), as well as a reality show, Mrs. Eastwood & Company (2012).
Between acting jobs, he chalked up an impressive list of credits behind the camera. He directed Mystic River (2003) (in which Sean Penn and Tim Robbins gave Oscar-winning performances), Flags of Our Fathers (2006), Letters from Iwo Jima (2006) (nominated for the Best Picture Oscar), Changeling (2008) (a vehicle for Angelina Jolie), Invictus (2009) (again with Freeman), Hereafter (2010), J. Edgar (2011), Jersey Boys (2014), American Sniper (2014) (2014's top box office champ), Sully (2016) (starring Tom Hanks as hero pilot Chesley Sullenberger) and The 15:17 to Paris (2018). Back on screens after a considerable absence, he played an unlikely drug courier in The Mule (2018), which reached the top of the box office with a nine-figure gross, then directed Richard Jewell (2019). At age 91, Eastwood made history as the oldest actor to star above the title in a movie with the release of Cry Macho (2021).
Away from the limelight, Eastwood has led an aberrant existence and is described by biographer Patrick McGilligan as a cunning manipulator of the media. His convoluted slew of partners and children are now somewhat factually acknowledged, but for the first three decades of his celebrity, his personal life was kept top secret, and several of his families were left out of the official narrative. The actor refuses to disclose his exact number of offspring even to this day. He had a longtime relationship with similarly abstruse co-star Locke (who died aged 74 in 2018, though for her entire public life she masqueraded about being younger), and has fathered at least eight children by at least six different women in an unending string of liaisons, many of which overlapped. He has been married only twice, however, with a mere three of his progeny coming from those unions.
His known children are: Laurie Murray (b. 1954), whose mother is unidentified; Kimber Eastwood (b. 1964) with stuntwoman Roxanne Tunis; Kyle Eastwood (b. 1968) and Alison Eastwood (b. 1972) with his first ex-wife, Margaret Neville Johnson; Scott Eastwood (b. 1986) and Kathryn Eastwood (b. 1988) with stewardess Jacelyn Reeves; Francesca Eastwood (b. 1993) with actress Frances Fisher; and Morgan Eastwood (b. 1996) with his second ex-wife, Dina Eastwood. The entire time that he lived with Locke she was legally married to sculptor Gordon Anderson.
Eastwood has real estate holdings in Bel-Air, La Quinta, Carmel-by-the-Sea, Cassel (in remote northern California), Idaho's Sun Valley and Kihei, Hawaii.- Producer
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Born on August 18, 1936, in Santa Monica, California, to Charles Robert Redford, an accountant for Standard Oil, and Martha Redford, Charles Robert Redford, Jr. was a scrappy kid who stole hubcaps in high school and lost his college baseball scholarship at the University of Colorado because of drunkenness. However, as a high school student, he had displayed a certain aptitude as a caricaturist and this contributed to his decision to seriously study art. Redford then enjoyed a year-long sojourn travelling around Europe, hitchhiking, living in youth hostels and generally living the painter's life. Eventually, he came to realise that his work was unoriginal and not very good. He therefore returned to New York to pursue studies in theatrical design at the Pratt Institute of Art. He subsequently enrolled in acting classes at the American Academy of Dramatic Arts.
By the end of 1960, he was on Broadway in a series of plays including Barefoot in the Park, which launched him to fame. TV and stage experience coupled with all-American good looks led to movies and a breakthrough role in Butch Cassidy and the Sundance Kid (1969), when the actor was 33. The Way We Were (1973) and The Sting (1973), both in 1973, made Redford No. 1 at the box office for the next three years. Redford used his clout to advance environmental causes and his riches to acquire Utah property, which he transformed into a ranch and the Sundance ski resort. In 1980, he established the Sundance Institute for aspiring filmmakers. Its annual film festival has become one of the world's most influential. Redford's directorial debut, Ordinary People (1980), won him the Academy Award for Best Director in 1981. He waited eight years before getting behind the camera again, this time for the screen version of John Nichols' acclaimed novel of the Southwest, The Milagro Beanfield War (1988). He scored with critics and fans in 1992 with the Brad Pitt film A River Runs Through It (1992), and again, in 1994, with Quiz Show (1994), which earned him yet another Best Director nomination.
Redford married Lola Van Wagenen on August 9, 1958; they divorced in 1985 after having four children, one of which died of sudden infant death syndrome. Daughter Shauna Redford, born November 15, 1960, is a painter who married Eric Schlosser on October 5, 1985, in Provo, Utah; her first child, born in January 1991, made Redford a grandfather. Son James Redford, a screenwriter, was born May 5, 1962. Daughter Amy Redford, an actress, was born October 22, 1970. Redford has a half-brother named William, who worked in medical research.- Actor
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Screen legend, superstar, and the man with the most famous blue eyes in movie history, Paul Leonard Newman was born on January 26, 1925, in Cleveland, Ohio, the second son of Arthur Sigmund Newman (died 1950) and Theresa Fetsko (died 1982). His elder brother was Arthur S. Newman Jr., named for their father, a Jewish businessman who owned a successful sporting goods store and was the son of emigrants from Poland and Hungary. Newman's mother (born Terézia Fecková, daughter of Stefan Fecko and Mária Polenak) was a Roman Catholic Slovak from Homonna, Pticie (former Austro-Hungarian Empire), who became a practicing Christian Scientist. She and her brother, Newman's uncle Joe, had an interest in the creative arts, and it rubbed off on him. He acted in grade school and high school plays. The Newmans were well-to-do and Paul Newman grew up in affluent Shaker Heights. Before he became an actor, Newman ran the family sporting goods store in Cleveland, Ohio.
By 1950, the 25-year-old Newman had been kicked out of Ohio University, where he belonged to the Phi Kappa Tau fraternity, for unruly behavior (denting the college president's car with a beer keg), served three years in the United States Navy during World War II as a radio operator, graduated from Ohio's Kenyon College, married his first wife, Jacqueline "Jackie" Witte (born 1929), and had his first child, Scott. That same year, his father died. When he became successful in later years, Newman said if he had any regrets it would be that his father was not around to witness his success. He brought Jackie back to Shaker Heights and he ran his father's store for a short period. Then, knowing that wasn't the career path he wanted to take, he moved Jackie and Scott to New Haven, Connecticut, where he attended Yale University's School of Drama.
While doing a play there, Newman was spotted by two agents, who invited him to come to New York City to pursue a career as a professional actor. After moving to New York, he acted in guest spots for various television series and in 1953 came a big break. He got the part of understudy of the lead role in the successful Broadway play "Picnic". Through this play, he met actress Joanne Woodward (born 1930), who was also an understudy in the play. While they got on very well and there was a strong attraction, Newman was married and his second child, Susan, was born that year. During this time, Newman was accepted into the much admired and popular New York Actors Studio, although he did not actually audition.
In 1954, a film Newman was very reluctant to do was released, The Silver Chalice (1954). He considered his performance in this costume epic to be so bad that he took out a full-page ad in a trade paper apologizing for it to anyone who might have seen it. He had always been embarrassed about the film and reveled in making fun of it. He immediately wanted to return to the stage, and performed in "The Desperate Hours". In 1956, he got the chance to redeem himself in the film world by portraying boxer Rocky Graziano in Somebody Up There Likes Me (1956), and critics praised his performance. In 1957, with a handful of films to his credit, he was cast in The Long, Hot Summer (1958), co-starring Joanne Woodward.
During the shooting of this film, they realized they were meant to be together and by now, so did his then-wife Jackie, who gave Newman a divorce. He and Woodward wed in Las Vegas in January 1958. They went on to have three daughters together and raised them in Westport, Connecticut. In 1959, Newman received his first Academy Award nomination for Best Actor, in Cat on a Hot Tin Roof (1958). The 1960s would bring Newman into superstar status, as he became one of the most popular actors of the decade, and garnered three more Best Actor Oscar nominations, for The Hustler (1961), Hud (1963) and Cool Hand Luke (1967). In 1968, his debut directorial effort Rachel, Rachel (1968) was given good marks, and although the film and Woodward were nominated for Oscars, Newman was not nominated for Best Director. However, he did win a Golden Globe Award for his direction.
1969 brought the popular screen duo of Newman and Robert Redford together for the first time when Butch Cassidy and the Sundance Kid (1969) was released. It was a box office smash. Through the 1970s, Newman had hits and misses from such popular films as The Sting (1973) and The Towering Inferno (1974) to lesser known films as The Life and Times of Judge Roy Bean (1972) to a cult classic Slap Shot (1977). After the death of his only son, Scott, in 1978, Newman's personal life and film choices moved in a different direction. His acting work in the 1980s and on is what is often most praised by critics today. He became more at ease with himself and it was evident in The Verdict (1982) for which he received his sixth Best Actor Oscar nomination and, in 1987, finally received his first Oscar for The Color of Money (1986), almost thirty years after Woodward had won hers. Friend and director of Somebody Up There Likes Me (1956), Robert Wise accepted the award on Newman's behalf as the actor did not attend the ceremony.
Films were not the only thing on his mind during this period. A passionate race car driver since the early 1970s (despite being color-blind), he was co-founder of Newman-Haas racing in 1982, and also founded "Newman's Own", a successful line of food products that has earned in excess of $100 million, every penny of which Newman donated to charity. He also started The Hole in the Wall Gang Camps, an organization for children with serious illness. He was as well known for his philanthropic ways and highly successful business ventures as he was for his legendary actor status.
Newman's marriage to Woodward lasted a half-century. Connecticut was their primary residence after leaving Hollywood and moving East in 1960. Renowned for his sense of humor, in 1998 he quipped that he was a little embarrassed to see his salad dressing grossing more than his movies. During his later years, he still attended races, was much involved in his charitable organizations, and in 2006, he opened a restaurant called Dressing Room, which helps out the Westport Country Playhouse, a place in which Newman took great pride. In 2007, while the public was largely unaware of the serious illness from which he was suffering, Newman made some headlines when he said he was losing his invention and confidence in his acting abilities and that acting was "pretty much a closed book for me". A smoker for many years, Newman died on September 26, 2008, aged 83, from lung cancer.- Actor
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Kevin Michael Costner was born on January 18, 1955 in Lynwood, California, the third child of Bill Costner, a ditch digger and ultimately an electric line servicer for Southern California Edison, and Sharon Costner (née Tedrick), a welfare worker. His older brother, Dan, was born in 1950. A middle brother died at birth in 1953. His father's job required him to move regularly, which caused Kevin to feel like an Army kid, always the new kid at school, which led to him being a daydreamer. As a teen, he sang in the Baptist church choir, wrote poetry, and took writing classes. At 18, he built his own canoe and paddled his way down the rivers that Lewis & Clark followed to the Pacific. Despite his present height, he was only 5'2" when he graduated high school. Nonetheless, he still managed to be a basketball, football and baseball star. In 1973, he enrolled at California State University at Fullerton, where he majored in business. During that period, Kevin decided to take acting lessons five nights a week. He graduated with a business degree in 1978 and married his college sweetheart, Cindy Costner. He initially took a marketing job in Orange County. Everything changed when he accidentally met Richard Burton on a flight from Mexico. Burton advised him to go completely after acting if that is what he wanted. He quit his job and moved to Hollywood soon after. He drove a truck, worked on a deep sea fishing boat, and gave bus tours to stars' homes before finally making his own way into the films. After making one soft core sex film, he vowed to not work again if that was the only work he could do. He didn't work for nearly six years, while he waited for a proper break. That break came with The Big Chill (1983), even though his scenes ended up on the cutting room floor -- he was remembered by director Lawrence Kasdan when he decided to make Silverado (1985). Costner's career took off after that.- Actor
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Mel Columcille Gerard Gibson was born January 3, 1956 in Peekskill, New York, USA, as the sixth of eleven children of Hutton Gibson, a railroad brakeman, and Anne Patricia (Reilly) Gibson (who died in December of 1990). His mother was Irish, from County Longford, while his American-born father is of mostly Irish descent.
Mel and his family moved to Australia in the late 1960s, settling in New South Wales, where Mel's paternal grandmother, contralto opera singer Eva Mylott, was born. After high school, Mel studied at the University of New South Wales in Sydney, performing at the National Institute of Dramatic Arts alongside future film thespians Judy Davis and Geoffrey Rush.
After college, Mel had a few stints on stage and starred in a few TV shows. Eventually, he was chosen to star in the films Mad Max (1979) and Tim (1979), co-starring Piper Laurie. The small budgeted Mad Max made him known worldwide, while Tim garnered him an award for Best Actor from the Australian Film Institute (equivalent to the Oscar).
Later, he went on to star in Gallipoli (1981), which earned him a second award for Best Actor from the AFI. In 1980, he married Robyn Moore and had seven children. In 1984, Mel made his American debut in The Bounty (1984), which co-starred Anthony Hopkins.
Then in 1987, Mel starred in what would become his signature series, Lethal Weapon (1987), in which he played "Martin Riggs". In 1990, he took on the interesting starring role in Hamlet (1990), which garnered him some critical praise. He also made the more endearing Forever Young (1992) and the somewhat disturbing The Man Without a Face (1993). 1995 brought his most famous role as "Sir William Wallace" in Braveheart (1995), for which he won two Oscars for Best Picture and Best Director.
From there, he made such box office hits as The Patriot (2000), Ransom (1996), and Payback (1999). Today, Mel remains an international superstar mogul, continuously topping the Hollywood power lists as well as the Most Beautiful and Sexiest lists.- Actor
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Actor and musician Bruce Willis is well known for playing wisecracking or hard-edged characters, often in spectacular action films. Collectively, he has appeared in films that have grossed in excess of $2.5 billion USD.
Walter Bruce Willis was born on March 19, 1955, in Idar-Oberstein, West Germany, to a German mother, Marlene Kassel, and an American father, David Andrew Willis (from Carneys Point, New Jersey), who were then living on a United States military base. His family moved to the U.S. shortly after he was born, and he was raised in Penns Grove, New Jersey, where his mother worked at a bank and his father was a welder and factory worker. Willis picked up an interest for the dramatic arts in high school, and was allegedly "discovered" whilst working in a café in New York City and then appeared in a couple of off-Broadway productions. While bartending one night, he was seen by a casting director who liked his personality and needed a bartender for a small movie role.
After countless auditions, Willis contributed minor film appearances, usually uncredited, before landing the role of private eye "David Addison" alongside sultry Cybill Shepherd in the hit romantic comedy television series Moonlighting (1985). His sarcastic and wisecracking P.I. is seen by some as a dry run for the role of hard-boiled NYC detective "John McClane" in the monster hit Die Hard (1988), in which Willis' character single-handedly battled a gang of ruthless international thieves in a Los Angeles skyscraper. He reprised the role of McClane in the sequel, Die Hard 2 (1990), set at a snowbound Washington's Dulles International Airport as a group of renegade Special Forces soldiers seek to repatriate a corrupt South American general. Excellent box office returns demanded a further sequel Die Hard with a Vengeance (1995), this time co-starring Samuel L. Jackson as a cynical Harlem shop owner unwittingly thrust into assisting McClane during a terrorist bombing campaign on a sweltering day in New York.
Willis found time out from all the action mayhem to provide the voice of "Mikey" the baby in the very popular family comedies Look Who's Talking (1989), and its sequel Look Who's Talking Too (1990) also starring John Travolta and Kirstie Alley. Over the next decade, Willis starred in some very successful films, some very offbeat films and some unfortunate box office flops. The Bonfire of the Vanities (1990) and Hudson Hawk (1991) were both large scale financial disasters that were savaged by the critics, and both are arguably best left off the CVs of all the actors involved, however Willis was still popular with movie audiences and selling plenty of theatre tickets with the hyper-violent The Last Boy Scout (1991), the darkly humored Death Becomes Her (1992) and the mediocre police thriller Striking Distance (1993).
During the 1990s, Willis also appeared in several independent and low budget productions that won him new fans and praise from the critics for his intriguing performances working with some very diverse film directors. He appeared in the oddly appealing North (1994), as a cagey prizefighter in the Quentin Tarantino directed mega-hit Pulp Fiction (1994), the Terry Gilliam directed apocalyptic thriller 12 Monkeys (1995), the Luc Besson directed sci-fi opus The Fifth Element (1997) and the M. Night Shyamalan directed spine-tingling epic The Sixth Sense (1999).
Willis next starred in the gangster comedy The Whole Nine Yards (2000), worked again with "hot" director M. Night Shyamalan in the less than gripping Unbreakable (2000), and in two military dramas, Hart's War (2002) and Tears of the Sun (2003) that both failed to really fire with movie audiences or critics alike. However, Willis bounced back into the spotlight in the critically applauded Frank Miller graphic novel turned movie Sin City (2005), the voice of "RJ" the scheming raccoon in the animated hit Over the Hedge (2006) and "Die Hard" fans rejoiced to see "John McClane" return to the big screen in the high tech Live Free or Die Hard (2007) aka "Die Hard 4.0".
Willis was married to actress Demi Moore for approximately thirteen years and they share custody to their three daughters.- Actor
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Mickey Rourke was born Phillip Andre Rourke, Jr. on September 16, 1952, in Schenectady, New York, the son of Annette Elizabeth (Cameron) and Philip Andre Rourke. His father was of Irish and German descent, and his mother was of mostly English and French-Canadian ancestry. When he was six years old, his parents divorced. A year later, his mother married Eugene Addis, a Miami Beach police officer, and moved to Miami Shores, Florida. After graduating from Horace Mann Junior High School, Rourke's family moved to a house located on 47th Street and Prairie Avenue in Miami Beach. In 1969 Rourke attended Miami Beach Senior High School, where he played second-string first baseman under coach Skip Bertman. He also acted in a school play, "The Serpent," directed by legendary "Teacher To The Stars" Jay W. Jensen.
In 1971 he graduated from Miami Beach Senior High School, and after working for a short time as a bus boy at the famed Forge Restaurant on Miami Beach, Rourke moved back to New York to seek out a career in acting.
Rourke's teenage years were more aimed toward sports more than acting. He took up self-defense training at the Boys Club of Miami. It was there he learned boxing skills and decided on an amateur career. At the age of 12, Rourke won his first boxing match as an 118-pound bantamweight, defeating Javier Villanueva. Some of his early matches were fought as Andre Rourke. He continued his boxing training at the famed 5th Street Gym in Miami Beach, soon joining the Police Athletic League boxing program. In 1969 Rourke, now weighing 140 pounds, sparred with former World Welterweight champion Luis Rodriguez. Rodriguez was the number one-rated middleweight boxer in the world and was training for his match with world champion Nino Benvenuti. Rourke claims to have received a concussion in this sparring match.
In 1971, at the Florida Golden Gloves, Rourke received another concussion from a boxing match. Doctors told him to take a year off and rest. In 1972 Rourke knocked out Ron Robinson in 18 seconds and John Carver in 39 seconds. On Aug. 20, 1973, Rourke knocked out 'Sherman "Big Train"' Bergman' in 31 seconds. Shortly after, Rourke decided to retire from amateur boxing.
From 1964 to 1973, Rourke compiled an amateur boxing record of 27 wins (17 by knockout) and 3 defeats. At one point, he reportedly scored 12 consecutive first-round knockouts. As an amateur, Rourke had been friendly with pro-boxer Tommy Torino. When Rourke decided to return to boxing as a professional in 1991, Torino promoted some of Rourke's fights. Rourke was trained by former pro-boxer Freddie Roach at Miami Beach's 5th Street Gym and the Outlaw Boxing Club Gym in Los Angeles. He made $250 for his pro debut, but by the end of his second year of boxing, he had earned a million dollars. In June 1994, Rourke appeared on the cover of World Boxing Magazine. He sparred with world champions James Toney, John David Jackson, and Tommy Morrison.
Rourke wished to have 16 professional fights and then fight for a world title. However, he retired in 1994 after eight bouts and never got his desired title fight. His boxing career resulted in severe facial injuries that required a number of operations to repair his damaged face. Rourke went back to acting but worked in relative obscurity until he won a Golden Globe Award for his role as Randy "The Ram" Robinson in The Wrestler (2008). He was nominated for Best Actor, as well, but lost.- Actor
- Producer
- Stunts
Wesley Trent Snipes was born in Orlando, Florida, to Marian (Long), a teacher's assistant, and SMSGT Wesley Rudolph Snipes, an aircraft engineer. He grew up on the streets of the South Bronx in New York City, where he very early decided that dance and the theatre were to be his career. He attended the High School for the Performing Arts (popularized in Fame (1980)). But dreams of the musical theater (and maybe a few commercials) faded when his mother moved to Orlando, Florida before he could graduate. Fortune would have it that he along with two friends and his "Drama class" teachers Mr. S Porro and K. Rugerio, would start a bus-n-truck theatre company (Struttin Street Stuff) be instrumental in his high schools (Jones High) induction into the International Thespian Society, Orlando Chapter and help lay the foundation for what would become Dr. Phillips High Schools theatre arts program. Musical theatre rooted Snipes performed song-n-dance, puppetry, and acrobatics in city parks, dinner clubs, and performing arts centers around central Florida. As a recipient of a Victor Borge Scholarship, Snipes left Orlando and entered the world-renowned professional theatre arts program at SUNY Purchase in New York, now Purchase College, where he honed his theatrical performance and martial arts skills. Graduating with a BFA, he went on to co-star in a few soap operas and nighttime dramas, peppered in between critical acclaim performances Broadway. It was there in a Broadway theater An agent saw him on stage and invited him to audition for his first feature film role.
Goldie Hawn Wildcats (1986). Athletic roles such as that gave way to dramatic roles such as that gave way to tough guy roles as in New Jack City (1991), and to the action hero in Passenger 57 (1992). Wesley feels that at least with the Hollywood heavyweights he must be doing something right - Sylvester Stallone, Robert De Niro, Dennis Hopper and Sean Connery all had veto power over casting and all approved his role. Wesley also founded Amen Ra Films Production Company, and is a Multi System Combat Arts Black Belt Holder IT Technologist & VC.- Producer
- Director
- Actor
A graduate of Wesleyan University, Michael Bay spent his 20s working on advertisements and music videos. His first projects after film school were in the music video business. He created music videos for Tina Turner, Meat Loaf, Lionel Richie, Wilson Phillips, Donny Osmond and Divinyls. His work won him recognition and a number of MTV award nominations. He also filmed advertisements for Nike, Reebok, Coca-Cola, Budweiser and Miller Lite. He won the Grand Prix Clio for Commercial of the Year for his "Got Milk/Aaron Burr" commercial. At Cannes, he has won the Gold Lion for The Best Beer campaign for Miller Lite, as well as the Silver for "Got Milk". In 1995, Bay was honored by the Directors Guild of America as Commercial Director of the Year. That same year, he also directed his first feature film, Bad Boys (1995), starring Will Smith and Martin Lawrence, which grossed more than $160 million, worldwide. His follow-up film, The Rock (1996), starring Sean Connery and Nicolas Cage, was also hugely successful, making Bay the director du jour.- Director
- Producer
- Writer
Zachary Edward "Zack" Snyder (born March 1, 1966) is an American film director, film producer, and screenwriter, best known for action and science fiction films. Snyder made his feature film debut with the 2004 remake Dawn of the Dead and has gone on to be known for his comic book movies and superhero films, including 300 (2007), Watchmen (2009), Man of Steel (2013) and its upcoming sequel, Batman v Superman: Dawn of Justice (2016). Snyder is the co-founder of Cruel and Unusual Films, a production company he established in 2004, alongside his wife Deborah Snyder and producing partner Wesley Coller.- Writer
- Producer
- Director
Director, writer, and producer Lilly Wachowski was born in 1967 in Chicago, the daughter of Lynne, a nurse and painter, and Ron, a businessman. Lilly was educated at Kellogg Elementary School in Chicago, before moving on to Whitney M. Young High School. After graduating from high school, she attended Emerson College in Boston but dropped out.
Lilly teamed up with her older sibling, Lana Wachowski, and began working on films. Their first script was optioned and formed the basis for the film Assassins (1995). The Wachowskis went on to make their directorial debut with the self-written Bound (1996), which was well-received. They followed this with the smash hit The Matrix (1999) and went on to produce two successful sequels, The Matrix Reloaded (2003) and The Matrix Revolutions (2003).
Other projects include scripting and producing the cult hit V for Vendetta (2005), a live-action version of a Japanese anime series; Speed Racer (2008); Cloud Atlas (2012); and the ambitious epic Jupiter Ascending (2015).- Writer
- Producer
- Director
Lana Wachowski and her sister Lilly Wachowski, also known as the Wachowskis, are the duo behind such ground-breaking movies as The Matrix (1999) and Cloud Atlas (2012). Born to mother Lynne, a nurse, and father Ron, a businessman of Polish descent, Wachowski grew up in Chicago and formed a tight creative relationship with her sister Lilly. After the siblings dropped out of college, they started a construction business and wrote screenplays. Their 1995 script, Assassins (1995), was made into a movie, leading to a Warner Bros contract. After that time, the Wachowskis devoted themselves to their movie careers. In 2012, during interviews for Cloud Atlas and in her acceptance speech for the Human Rights Campaign's Visibility Award, Lana spoke about her experience of being a transgender woman, sacrificing her much cherished anonymity out of a sense of responsibility. Lana is known to be extremely well-read, loves comic books and exploring ideas of imaginary worlds, and was inspired by Stanley Kubrick's 2001: A Space Odyssey (1968) in creating Cloud Atlas.- Actor
- Writer
- Producer
Van Damme was born Jean-Claude Camille François Van Varenberg in Berchem-Sainte-Agathe, Brussels, Belgium, to Eliana and Eugène Van Varenberg, an accountant. "The Muscles from Brussels" started martial arts at the age of eleven. His father introduced him to martial arts when he saw his son was physically weak. At the age of 12, Van Damme began his martial arts training at Centre National De Karate (National Center of Karate) under the guidance of Master Claude Goetz in Ixelles, Belgium. Van Damme trained for 4 years and earned a spot on the Belgium Karate Team. He won the European professional karate association's middleweight championship as a teenager, and also beat the 2nd best karate fighter in the world. His goal was to be number one but got sidetracked when he left his hometown of Brussels. In 1976 at the age of sixteen, Jean-Claude started his Martial Arts fight career.
Over the next 6-years, he competed in both full-contact and semi-contact matches. He debuted under his birth name of Jean Claude Van Varenberg. In his first match, Jean-Claude was staggered by a round-house kick thrown by fellow countryman, Toon Van Oostrum in Brussels, Belgium. Van Damme was badly stunned, but came back to knockout Van Oostrum moments later. In 1977, at the WAKO Open International in Antwerp, Belgium, Jean-Claude lost a decision to fellow team mate Patrick Teugels in a semi-contact match. At the 1978 Challenge De Espoirs Karate Tournament (1st Trials),Jean-Claude placed 2nd in the semi-contact division. He defeated twenty-five opponents during the week long tournament, but lost in the finals to Angelo Spataro from the Naha Club. Later in 1978, Jean-Claude lost a 3-round match for the Belgium Lightweight Championship (semi-contact) to his fellow team-mate to Patrick Teugels.
In 1979, Jean-Claude traveled to the United States of America, to Tampa, Florida. In his first and only match against a United States opponent, Van Damme faced 'Sherman 'Big Train'Bergman', a kick-boxer from Miami Beach, Florida. For the first and only time in his career, Jean-Claude was knocked to the canvas after absorbing a powerful left hook from Bergman. However, Jean-Claude climbed off the canvas and with a perfectly timed ax-kick, knocked Bergman out in 56 seconds of the first round. Jean-Claude was a member of the Belgium team which competed on December 26, 1979 at the La Coupe Fancois Persoons Karate Tournament which was sanctioned by the Federation bruxelloise de Karate. Van Damme's final match victory enabled his team to win the European Team Karate Championship. In Full-Contact karate, Jean-Claude knocked out England's Micheal Heming in 46 seconds of the first round. In 1980, Van Damme knocked out France's Georges Verlugels in 2 rounds of a match fought under kick-boxing rules. Jean-Claude wanted to defeat his rival Patrick Teugels. At the Forest Nationals in Brussels, on March 8, 1980, Jean-Claude knocked Teugels down and Teugels suffered a nose injury and was unable to continue. Jean-Claude was awarded a first round victory.
Jean-Claude retired from martial arts in 1982, following a knockout over Nedjad Gharbi in Brussels,Belgium. Jean-Claude posted a 18-1 (18 knockouts) Kickboxing record, and a Semi-Contact record of 41-4. He came to Hong Kong at the age of 19 for the first time and felt insured to do action movies in Hong Kong. In 1981 Van Damme moved to Los Angeles. He took English classes while working as carpet layer, pizza delivery man, limo driver, and thanks to Chuck Norris he got a job as a bouncer at a club. Norris gave Van Damme a small role in the movie Missing in Action (1984), but it wasn't good enough to get anybody's attention. Then in 1984 he got a role as a villain named Ivan in the low-budget movie No Retreat, No Surrender (1985). Then one day, while walking on the streets, Jean-Claude spotted a producer for Cannon Pictures, and showed some of his martial arts abilities which led to a role in Bloodsport (1988). But the movie, filmed in Hong Kong, was so bad when it was completed, it was shelved for almost two years. It might have never been released if Van Damme did not help them to recut the film and begged producers to release it. They finally released the film, first in Malaysia and France and then into the U.S. Shot on a meager 1.5 million dollar budget, it became a U.S box-office hit in the spring of 1988. It made about 30 million worldwide and audiences supported this film for its new sensational action star Jean-Claude Van Damme.
His martial arts assets, highlighted by his ability to deliver a kick to an opponent's head during a leaping 360-degree turn, and his good looks led to starring roles in higher budgeted movies like Cyborg (1989), Lionheart (1990), Double Impact (1991) and Universal Soldier (1992). In 1994, he scored with his big breakthrough $100 million worldwide hit Timecop (1994). But in the meantime, his personal life was coming apart. A divorce, followed by a new marriage, followed by another divorce. It began to show up in his career when his projects began to tank at the box office - The Quest (1996), which he directed; Maximum Risk (1996) and Double Team (1997). The three films made less than $50 million combined. In 1999 he remarried his ex-wife Gladys Portugues and restarted his lost career to attain new goals. With help from his family he faced his problems and made movies like Replicant (2001), Derailed (2002), and In Hell (2003) which did averagely in box office terms, but he tried to give his fans the best, his acting in those movies got better, more emotional and each movie was basically in different action tones.- Actor
- Producer
- Director
Dolph Lundgren was born as Hans Lundgren in Stockholm, Sweden, to Sigrid Birgitta (Tjerneld), a language teacher, and Karl Johan Hugo Lundgren, an engineer and economist for the Swedish government. He lived in Stockholm until the age of 13, when he moved in with his grandparents in Nyland, Ångermanland, Sweden. Despite an early interest in music and the fine arts, Dolph decided to follow in his father's footsteps and pursue an Engineering degree. After having completed his military service, he enrolled at the Royal Institute of Technology in Stockholm.
It was in the military when Dolph first came in contact with the martial arts. Five years later, he had become a world-class competitor in Japanese Karate and was deeply involved with a discipline that was to become an important part of his life. After graduating High School, Dolph spent considerable time studying in the United States and abroad on various academic scholarships. He attended Washington State University and Clemson University in South Carolina. In 1982, he received a scholarship to complete his Masters Degree in Chemical Engineering at the University of Sydney, Australia. In 1983, he was awarded a Fulbright scholarship to the Massachusetts Institute of Technology in Boston, one of the world's top engineering schools.
However, that same year, he decided to move to New York City and take up acting. He changed his forename to Dolph. He started studying drama at the Warren Robertson Theatre Workshop in Manhattan, not knowing how quickly his life was about to change. His film debut came in A View to a Kill (1985). However, it was his performance in Rocky IV (1985) later that year that definitely got him noticed. After a 9-month audition process among 5,000 hopefuls, he was cast opposite writer-director Sylvester Stallone, as his Russian opponent, "Ivan Drago". Following the success of Rocky IV (1985), Lundgren moved to Los Angeles and has since starred in more than 30 feature films.
Lundgren portrayed the classic action-heroic lead in such films as Gary Goddard's Masters of the Universe (1987), Showdown in Little Tokyo (1991) co-starring Brandon Lee and Blackjack (1998), by Hong-Kong action legend, John Woo. Lundgren has also continued to turning in memorable performances as the main adversary to other action-stars, most notably in Universal Soldier (1992) opposite Jean-Claude Van Damme, directed by Roland Emmerich, as well as Robert Longo's Johnny Mnemonic (1995) opposite Keanu Reeves. In February 2004, Lundgren directed his first feature film, the thriller The Defender (2004), in which he also starred. In 2005, he directed and starred in yet another feature, The Russian Specialist (2005) (a.k.a "The Russian Specialist").
In January 2006, he finished principal photography of The Final Inquiry (2006), a joint Italian/American/Spanish co-production, directed by Giulio Base, appearing opposite, among others, Daniele Liotti, Max von Sydow and F. Murray Abraham. In 2006, Lundgren starred in Diamond Dogs (2007), a Chinese/American co-production filmed on location in Mongolia. In 2007, he directed a modern day western shot in Texas, Missionary Man (2007). In 2009, he completed two new directorial efforts, the action-packed Command Performance (2009), which showcases Lundgren's longtime musical talents as a drummer; and the neo-noir thriller Icarus (2010). Lundgren also reunited with co-stars Jean-Claude Van Damme and Sylvester Stallone for Universal Soldier: Regeneration (2009) and the highly anticipated action blockbuster, The Expendables (2010).
Lundgren managed to not let his Hollywood career stand in the way of his athletic background. He has been awarded his Third Degree Black Belt by the World Karate Organization in Tokyo. His accomplishments include being the Captain of the Swedish National Karate Team, as well as a Champion of the Swedish, European and Australian Heavyweight Division titles. Lundgren still regularly performs Karate exhibitions at international tournaments worldwide. In addition, he was selected by the U.S. Olympic Committee to serve as Team Leader of the 1996 U.S. Olympic Pentathlon Team during the Atlanta Games. He is actively involved in promoting the image of this sport. His production company, Thor Pictures, is developing several projects in which he will produce, star and/or direct. He is also a founding member of "Group of Eight", a New York theater group started in 1994.
Lundgren has reportedly been working on a fitness book and sports wear line for men, the creation and launch of a new eponymous brand, a licensing, media and publishing program, and the development of future entertainment and media projects. Lundgren was married to Anette Qviberg-Lundgren, an interior decorator and fashion designer, until their divorce in 2011. They had two daughters together.- Actor
- Producer
- Stunts
Jason Statham was born in Shirebrook, Derbyshire, to Eileen (Yates), a dancer, and Barry Statham, a street merchant and lounge singer. He was a Diver on the British National Diving Team and finished twelfth in the World Championships in 1992. He has also been a fashion model, black market salesman and finally of course, actor. He received the audition for his debut role as Bacon in Lock, Stock and Two Smoking Barrels (1998) through French Connection, for whom he was modeling. They became a major investor in the film and introduced Jason to Guy Ritchie, who invited him to audition for a part in the film by challenging him to impersonate an illegal street vendor and convince him to purchase fake jewelry. Jason must have been doing something right because after the success of Lock, Stock and Two Smoking Barrels (1998) he teamed up again with Guy Ritchie for Snatch (2000), with co-stars including Brad Pitt, Dennis Farina and Benicio Del Toro. After Snatch (2000) came Turn It Up (2000) with US music star Ja Rule, followed by a supporting actor role in the sci-fi film Ghosts of Mars (2001), Jet Li's The One (2001) and another screen partnership with Vinnie Jones in Mean Machine (2001) under Guy Ritchie's and Matthew Vaughn's SKA Films. Finally in 2002 he was cast as the lead role of Frank Martin in The Transporter (2002). Jason was also in the summer 2003 blockbuster remake of The Italian Job (1969), The Italian Job (2003), playing Handsome Rob.
Throughout the 2000s, Statham became a star of juicy action B-films, most significantly Crank (2006) and Crank: High Voltage (2009), and also War (2007), opposite Jet Li, and The Bank Job (2008) and Death Race (2008), among others. In the 2010s, his reputation for cheeky and tough leading performances led to his casting as Lee Christmas in The Expendables (2010) and its sequels, the comedy Spy (2015), and as (apparently) reformed villain Deckard Shaw in Fast & Furious 6 (2013), Furious 7 (2015), The Fate of the Furious (2017), and Fast & Furious Presents: Hobbs & Shaw (2019). Apart from these blockbusters, he continued headlining B-films such as Homefront (2013).
In 2017, he had his first child, a son with his partner, model Rosie Huntington-Whiteley.- Actor
- Writer
- Soundtrack
Chow Yun Fat is a charismatic, athletically built and energetic Asian-born film star who first came to the attention of western audiences via his roles in the high-octane/blazing guns action films of maverick HK director John Woo.
Chow was born in 1955 on the quiet island of Lamma, part of the then-British colony of Hong Kong, near its famous Victoria Harbour. His mother was a vegetable farmer and cleaning lady, and his father worked on a Shell Oil Company tanker. Chow's family moved to urban Hong Kong in 1965 and in early 1973, Chow attended a casting call for TVB, a division of Shaw Bros. productions. With his good looks and easy-going style, Chow was originally a heartthrob actor in non-demanding TV and film roles. However, his popularity increased with his appearance as white-suited gangster Hui Man-Keung in the highly popular drama TV series Shanghai Beach (1980).
In 1985, Chow started receiving acclaim for his work and scored the Golden Horse (Best Actor) Award in Taiwan and another Best Actor Award from the Asian Pacific Film Festival for his performance in Hong Kong 1941 (1984). With these accolades, Chow came to the attention of Woo, who cast Chow in the fast-paced gangster film A Better Tomorrow (1986) (aka "A Better Tomorrow"). The rest, as they say, is history. The film was an enormous commercial success, and Chow's influence on young Asian males was not dissimilar to the adulation given to previous Asian film sensations such as Bruce Lee or Jackie Chan. Nearly every young guy in Hong Kong ran out and bought himself a "Mark Coat," as they became known--a long, heavy woolen coat worn by Chow in the movie (although it is is actually very unsuited to Hong Kong's hot and humid climate).
Further hard-edged roles in more John Woo crime films escalated Chow's popularity even higher, and fans all over the world flocked to see A Better Tomorrow II (1987) (aka "A Better Tomorrow 2"), The Killer (1989) (aka "The Killer"), and Hard Boiled (1992) (aka "Hard Boiled"). With the phenomenal global interest in the HK action genre, Chow was enticed to the United States and appeared in The Replacement Killers (1998) with Mira Sorvino, The Corruptor (1999) with Mark Wahlberg, and, for a change of pace, in the often-filmed romantic tale of Anna and the King (1999).
Chow then returned to the Asian cinema circuit and starred in the critically lauded kung fu epic Crouching Tiger, Hidden Dragon (2000) (aka "Crouching Tiger, Hidden Dragon"). His wide appeal can be seen in his "boy next door" type of personality and his ability to play such a broad spectrum of roles from a comedic buffoon to a lovestruck Romeo to a trigger-happy professional killer. A highly entertaining and gifted actor with dynamic on-screen presence, Chow continues to remain in strong demand in many film markets.- Producer
- Director
- Writer
Tsui Hark recently became the fourth Chinese film director to join the board of judges for the 57th Cannes Film Festival in the feature films category this year.
An internationally acclaimed visionary director, Tsui started making experimental movies with 8mm film when he was only 13. After graduating from the University of Texas in Austin, majoring in film, he returned to Hong Kong in 1977 and landed a job working in television. In 1979 he directed his film debut, The Butterfly Murders (1979). It raised a lot of attention, and was hailed by many as the start of a new wave in Hong Kong cinema. After making numerous critically and successful films, he co-founded his own production house, Film Workshop, with his wife, Nansun Shi, in 1984. Although the company was intended to be contemporary, it went on to become one of the most successful production companies in Hong Kong, having produced such classics of Hong Kong cinema as _Sinnui yauwan (1987)_ and A Better Tomorrow (1986), which was directed by John Woo and starred the amazing Chow Yun-Fat.
Considered the master of kung-fu action films, Tsui Hark's The Swordsman (1990), _Xiao ao jiang hu zhi dong fang bu bai (1991)_, Dragon Inn (1992) and Once Upon a Time in China (1991) created a new era and standard for the "wuxia" genre that has now become a trend in filmmaking.- Actor
- Music Department
- Producer
Tony Leung Chiu Wai was born in Hong Kong on 27 June 1962. He and his younger sister were raised by their mother after his father left them. In 1982, after passing the training courses of TVB, Tony became a TV actor and became famous for his comedy style in such TV shows as Tales of a Eunuch (1983) or The Proud Twins (1979). However, he didn't limit himself to television and began showing his versatility in films like My Heart Is That Eternal Rose (1989) and A City of Sadness (1989). After he starred in several movies directed by 'Kar wai Wong'; such as Chungking Express (1994) and Happy Together (1997), he gained more respect as an actor and finally received the Best Actor Award at the Cannes International Film Festival for his outstanding performance in In the Mood for Love (2000). In addition to his acting career, he is also known as a singer.- Producer
- Actor
- Stunts
Hong Kong's cheeky, lovable and best-known film star, Jackie Chan endured many years of long, hard work and multiple injuries to establish international success after his start in Hong Kong's manic martial arts cinema industry.
Jackie was born Kong-sang Chan on April 7, 1954, on Hong Kong's famous Victoria Peak, to Charles and Lee-Lee Chan, and the family immigrated to Canberra, Australia, in early 1960. The young Jackie was less than successful scholastically, so his father sent him back to Hong Kong to attend the rigorous China Drama Academy, one of the Peking Opera schools. Chan excelled at acrobatics, singing and martial arts and eventually became a member of the "Seven Little Fortunes" performing troupe and began lifelong friendships with fellow martial artists / actors Sammo Kam-Bo Hung and Biao Yuen. Chan journeyed back and forth to visit his parents and work in Canberra, but eventually he made his way back to Hong Kong as his permanent home. In the early 1970s, Chan commenced his movie career and interestingly appeared in very minor roles in two films starring then rising martial arts superstar Bruce Lee: Fist of Fury (1972) (aka "The Chinese Connection"), and the Warner Bros. production Enter the Dragon (1973). Not long after Lee's untimely death, Chan was often cast in films cashing in on the success of Bruce Lee by utilizing words like "fist", "fury" or "dragon" in their US release titles.
Chan's own film career was off and running and he swiftly appeared in many low-budget martial arts films that were churned out at a rapid-fire pace by Hong Kong studios eager to satisfy the early 1970s boom in martial-arts cinema. He starred in Shaolin Wooden Men (1976), To Kill with Intrigue (1977), Half a Loaf of Kung Fu (1978) and Magnificent Bodyguards (1978), which all fared reasonably well at the cinemas. However, he scored a major breakthrough with the action comedy Drunken Master (1978), which has become a cult favorite among martial arts film fans. Not too long after this, Chan made his directorial debut with The Young Master (1980) and then "Enter the Dragon" producer Robert Clouse lured Jackie to the United States for a film planned to break Jackie into the lucrative US market. Battle Creek Brawl (1980) featured Jackie competing in a "toughest Street fighter" contest set in 1940s Texas; however, Jackie was unhappy with the end result, and it failed to fire with US audiences. In a further attempt to get his name known in the United States, Jackie was cast alongside Burt Reynolds, Sir Roger Moore and Dean Martin in the Hal Needham-directed car chase film The Cannonball Run (1981). Regrettably, Jackie was cast as a Japanese race driver and his martial arts skills are only shown in one small sequence near the film's conclusion. Stateside success was still a few years away for Jackie Chan!
Undeterred, he returned to East Asia to do what he did best--make jaw-dropping action films loaded with amazing stunt work. Chan and his legendary stunt team were without parallel in their ability to execute the most incredible fight scenes and action sequences, and the next decade would see some of their best work. Chan paired with the dynamic Sammo Kam-Bo Hung to star in Winners & Sinners (1983), Project A (1983), Wheels on Meals (1984), My Lucky Stars (1985) (aka "Winners & Sinners 2"), Twinkle Twinkle Lucky Stars (1985) (aka "Winners & Sinners 3"). Chan then journeyed back to the United States for another shot at that market, starring alongside Danny Aiello in The Protector (1985), filmed in Hong Kong and New York. However, as with previous attempts, Jackie felt the US director--in this case, James Glickenhaus--failed to understand his audience appeal and the film played to lukewarm reviews and box-office receipts. However, Jackie did decide to "harden" up his on-screen image somewhat and his next film, Police Story (1985) was a definite departure from previously light-hearted martial arts fare, and his fans loved the final product!
This was quickly followed up with the Raiders of the Lost Ark (1981)-influenced Armour of God (1986), during filming of which Jackie mistimed a leap from a wall to a tree on location in Yugoslavia and fell many quite a few feet onto his head, causing a skull fracture. It was another in a long line of injuries that Chan has suffered as a result of doing his own stunt work, and he was soon back in front of the cameras. Project A 2 (1987), Police Story 2 (1988), Miracles: The Canton Godfather (1989) (aka "Mr. Canton and Lady Rose)", Armour of God 2: Operation Condor (1991) (aka "Armour of God 2") and Supercop (1992) (aka "Police Story 3") were all sizable hits for Jackie, escalating his status to phenomenal heights in Asia, and to his loyal fanbase around the globe. US success was now just around the corner for the hard-working Jackie Chan, and it arrived in the form of the action film Rumble in the Bronx (1995) (though it was actually filmed in Canada) that successfully blended humor and action to make a winning formula in US theaters.
Jackie did not waste any time and went to work on First Strike (1996) (aka "Police Story 4"), Mr. Nice Guy (1997), Who Am I? (1998), which all met with positive results at the international box office. Jackie then went to work in his biggest-budget US production, starring alongside fast-talking comedian Chris Tucker in the action comedy Rush Hour (1998). The film was a bigger hit than "Rumble in the Bronx" and firmly established Jackie as a bona fide star in the United States. Jackie then paired up with rising talent Owen Wilson to star in Shanghai Noon (2000) and its sequel, Shanghai Knights (2003), and re-teamed with Tucker in Rush Hour 2 (2001), as well as starring in The Tuxedo (2002), The Medallion (2003) and the delightful Around the World in 80 Days (2004). Not one to forget his loyal fanbase, Jackie returned to more gritty and traditional fare with New Police Story (2004) and The Myth (2005). The multi-talented Chan (he is also a major recording star in Asia) shows no sign of slowing down and has long since moved out of the shadow of Bruce Lee, to whom he was usually compared early in his career.
Chan is truly one of the international film industry's true maverick actor / director / stuntman / producer combinations - he has done this the hard way, and always his way to achieve his dreams and goals to be an international cinematic star. Off screen, he has been directly involved in many philanthropic ventures providing financial assistance to schools and universities around the world. He is a UNICEF GoodWill Ambassador, and he has campaigned against animal abuse and pollution and assisted with disaster relief efforts to the 2004 Indian Ocean Tsunami victims.- Actor
- Writer
- Additional Crew
Bruce Lee remains the greatest icon of martial arts cinema and a key figure of modern popular media. Had it not been for Bruce Lee and his movies in the early 1970s, it's arguable whether or not the martial arts film genre would have ever penetrated and influenced mainstream North American and European cinema and audiences the way it has over the past four decades. The influence of East Asian martial arts cinema can be seen today in so many other film genres including comedies, action, drama, science fiction, horror and animation... and they all have their roots in the phenomenon that was Bruce Lee.
Lee was born Lee Jun Fan November 27, 1940 in San Francisco, the son of Lee Hoi Chuen, a singer with the Cantonese Opera. Approximately one year later, the family returned to Kowloon in Hong Kong and at the age of five, a young Bruce begins appearing in children's roles in minor films including The Birth of Mankind (1946) and Fu gui fu yun (1948). At the age of 12, Bruce commenced attending La Salle College. Bruce was later beaten up by a street gang, which inspired him to take up martial arts training under the tutelage of Sifu Yip Man who schooled Bruce in wing chun kung fu for a period of approximately five years. This was the only formalized martial arts training ever undertaken by Lee. The talented and athletic Bruce also took up cha-cha dancing and, at age 18, won a major dance championship in Hong Kong.
However, his temper and quick fists got him in trouble with the Hong Kong police on numerous occasions. His parents suggested that he head off to the United States. Lee landed in San Francisco's Chinatown in 1959 and worked in a close relative's restaurant. He eventually made his way to Seattle, Washington, where he enrolled at university to study philosophy and found the time to practice his beloved kung fu techniques. In 1963, Lee met Linda Lee Cadwell (aka Linda Emery) (later his wife) and also opened his first kung fu school at 4750 University Way. During the early half of the 1960s, Lee became associated with many key martial arts figures in the United States, including kenpo karate expert Ed Parker and tae kwon do master Jhoon Rhee. He made guest appearances at notable martial arts events including the Long Beach Nationals. Through one of these tournaments Bruce met Hollywood hair-stylist Jay Sebring who introduced him to television producer William Dozier. Based on the runaway success of Batman (1966), Dozier was keen to bring the cartoon character the Green Hornet to television and was on the lookout for an East Asian actor to play the Green Hornet's sidekick, Kato. Around this time Bruce also opened a second kung fu school in Oakland, California and relocated to Oakland to be closer to Hollywood.
Bruce's screen test was successful, and The Green Hornet (1966) starring Van Williams aired in 1966-1967 with mixed success. His fight scenes were sometimes obscured by unrevealing camera angles, but his dedication was such that he insisted his character behave like a perfect bodyguard, keeping his eyes on whoever might be a threat to his employer except when the script made this impossible. The show was canceled after only one season (twenty-six episodes), but by this time Lee was receiving more fan mail than the series' nominal star. He then opened a third branch of his kung fu school in Los Angeles and began providing personalized martial arts training to celebrities including film stars Steve McQueen and James Coburn as well as screenwriter Stirling Silliphant. In addition he refined his prior knowledge of wing chun and incorporated aspects of other fighting styles such as traditional boxing and Okinawan karate. He also developed his own unique style Jeet Kune Do (Way of the Intercepting Fist). Another film opportunity then came his way as he landed the small role of a stand over man named Winslow Wong who intimidates private eye James Garner in Marlowe (1969). Wong pays a visit to Garner and proceeds to demolish the investigator's office with his fists and feet, finishing off with a spectacular high kick that shatters the light fixture. With this further exposure of his talents, Bruce then scored several guest appearances as a martial arts instructor to blind private eye James Franciscus on the television series Longstreet (1971).
With his minor success in Hollywood and money in his pocket, Bruce returned for a visit to Hong Kong and was approached by film producer Raymond Chow who had recently started Golden Harvest productions. Chow was keen to utilize Lee's strong popularity amongst young Chinese fans, and offered him the lead role in The Big Boss (1971). In it, Lee plays a distant cousin coming to join relatives working at an ice house, where murder, corruption, and drug-running lead to his character's adventures and display of Kung-Fu expertise. The film was directed by Wei Lo, shot in Thailand on a very low budget and in terrible living conditions for cast and crew. However, when it opened in Hong Kong the film was an enormous hit. Chow knew he had struck box office gold with Lee and quickly assembled another script entitled Fist of Fury (1972). The second film (with a slightly bigger budget) was again directed by Wei Lo and was set in Shanghai in the year 1900, with Lee returning to his school to find that his beloved master has been poisoned by the local Japanese karate school. Once again he uncovers the evildoers and sets about seeking revenge on those responsible for murdering his teacher and intimidating his school. The film features several superb fight sequences and, at the film's conclusion, Lee refuses to surrender to the Japanese police and seemingly leaps to his death in a hail of police bullets.
Once more, Hong Kong streets were jammed with thousands of fervent Chinese movie fans who could not get enough of the fearless Bruce Lee, and his second film went on to break the box office records set by the first! Lee then set up his own production company, Concord Productions, and set about guiding his film career personally by writing, directing and acting in his next film, The Way of the Dragon (1972). A bigger budget meant better locations and opponents, with the new film set in Rome, Italy and additionally starring hapkido expert In-shik Hwang, karate legend Robert Wall and seven-time U.S. karate champion Chuck Norris. Bruce plays a seemingly simple country boy sent to assist at a cousin's restaurant in Rome and finds his cousins are being bullied by local thugs for protection.
By now, Lee's remarkable success in East Asia had come to the attention of Hollywood film executives and a script was hastily written pitching him as a secret agent penetrating an island fortress. Warner Bros. financed the film and also insisted on B-movie tough guy John Saxon starring alongside Lee to give the film wider appeal. The film culminates with another show-stopping fight sequence between Lee and the key villain, Han, in a maze of mirrors. Shooting was completed in and around Hong Kong in early 1973 and in the subsequent weeks Bruce was involved in completing overdubs and looping for the final cut. Various reports from friends and co-workers cite that he was not feeling well during this period and on July 20, 1973 he lay down at the apartment of actress Betty Ting Pei after taking a headache medicine called Equagesic and was later unable to be revived. A doctor was called and Lee was taken to hospital by ambulance and pronounced dead that evening. The official finding was death due to a cerebral edema, caused by a reaction to the headache tablet Equagesic.
Fans worldwide were shattered that their virile idol had passed at such a young age, and nearly thirty thousand fans filed past his coffin in Hong Kong. A second, much smaller ceremony was held in Seattle, Washington and Bruce was laid to rest at Lake View Cemetary in Seattle with pall bearers including Steve McQueen, James Coburn and Dan Inosanto. Enter the Dragon (1973) was later released in the mainland United States, and was a huge hit with audiences there, which then prompted National General films to actively distribute his three prior movies to U.S. theatres... each was a box office smash.
Fans throughout the world were still hungry for more Bruce Lee films and thus remaining footage (completed before his death) of Lee fighting several opponents including Dan Inosanto, Hugh O'Brian and Kareem Abdul-Jabbar was crafted into another film titled Game of Death (1978). The film used a lookalike and shadowy camera work to be substituted for the real Lee in numerous scenes. The film is a poor addition to the line-up and is only saved by the final twenty minutes and the footage of the real Bruce Lee battling his way up the tower. Amazingly, this same shoddy process was used to create Game of Death II (1980), with a lookalike and more stunt doubles interwoven with a few brief minutes of footage of the real Bruce Lee.
Tragically, his son Brandon Lee, an actor and martial artist like his father, was killed in a freak accident on the set of The Crow (1994). Bruce Lee was not only an amazing athlete and martial artist but he possessed genuine superstar charisma and through a handful of films he left behind an indelible impression on the tapestry of modern cinema.- Actor
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Born on February 1, 1965 to Bruce Lee (Martial Arts idol) and Linda Lee Cadwell. Brother to Shannon Lee. In 1970-71, they moved to Hong Kong, where Brandon lived until age eight, becoming fluent in Cantonese. By the time he was able to walk, he was already involved in learning about martial arts from his father.
Brandon attended high school in Los Angeles, where he realized that he had also inherited acting ability along with his martial arts skills. In 1983, he was expelled from school because of misbehavior, but received his diploma at Miraleste High School. He continued his education and interest in acting at Emerson College in Massachusetts, where he majored in theatre. Having chosen an acting career, he studied at the Strasberg Academy, with Eric Morris in New York and in Los Angeles, and in Lynette Katselas' class in Los Angeles.
His first professional job as an actor came at age twenty, when casting director Lynn Stalmaster asked him to read for a CBS television film, Kung Fu: The Movie (1986). Lee's first role in a feature film was Legacy of Rage (1986) (aka "Legacy of Rage" (1986)) for D.M. Films of Hong Kong, followed by a co-starring role in Showdown in Little Tokyo (1991). He was also in Rapid Fire (1992), and The Crow (1994). He turned down offers to be in Dragon: The Bruce Lee Story (1993).
Brandon died (while filming) at the age of 28, of what is to be believed, a brain hemorrhage on the set of The Crow (1994). The film crew shot a scene in which it was decided to use a gun without consent from the weapons coordinator, who had been sent home early that night. They handed Michael Massee the gun loaded with full power blanks and shot the scene, unaware that a bullet had become dislodged from a previous shot and had lodged itself in the barrel. Upon shooting of the scene the blank round forced the bullet out the barrel striking Brandon Lee. The crew only noticed when Lee was slow getting up. The doctors worked desperately for five hours, but it was no use. The bullet had lodged itself in Mr Lee's lower spine. He was pronounced dead at 1:04 P.M. the next day. He was supposed to marry Eliza Hutton on April 17, 1993. His body was flown to Seattle to be buried beside his father in Lake View Cemetery.- Actor
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Jet Li born Li Lian Jie in Beijing, China. He started training at the Beijing wushu academy (wushu is China's national sport, largely a performance version of various martial art styles) at age eight. He won five gold medals in the Chinese championships, his first when he was only 11. In his teens, he was already a national coach, and before he was 20 he had starred in his first movie: The Shaolin Temple (1982), which started the 1980s Kung-Fu boom in mainland China. He relocated to Hong Kong, where he was the biggest star of the early 1990s Kung-Fu boom. His first directorial effort was Born to Defense (1988).- Actor
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Donnie Yen was born in Guangzhou, China. His mother, Bow-sim Mark, was a kung fu master and his father, Kylster Yen, a newspaper editor and amateur musician. When Donnie was just two years old, the family moved to Hong Kong and then, when he was 11, to Boston, Massachusetts.
There, Master Bow-sim Mark became a pioneer for Chinese martial arts in America, and it was only natural that her only son was trained from early childhood in the same skills. At the same time, Donnie was influenced by his parents' love of music and reached a high level of proficiency as a pianist. All these interests would have a manifest influence on Yen's later life.
In his teens, Donnie defined his own persona by rebelling against his parents edicts. Beyond the limitations of his mother's school, Yen began training in various different fighting arts, including Japanese karate, Korean taekwondo and western boxing. Donnie also took up hip-hop and break-dancing. At the same time, he began spending his nights in Boston's notorious Combat Zone. Given that he was by now a serious practitioner of modern Wu Shu, his parents decided to send him to Beijing to train at the Chinese capital's famed Wu Shu academy.
It was when Yen returned to Hong Kong en route back to Boston that he met the famed martial arts movie director Yuen Woo-ping.
Donnie exploded onto the Hong Kong movie scene when he was cast in the lead role of director Yuen Woo-ping's 'Drunken Tai Chi'. His debut film immediately established him as a viable leading man, and Yen has remained a major figure in Chinese action cinema to this day.
Yen skills as a street dancer were to the fore in his second starring role, 'Mismatched Couples', in which he showed off his breakdance moves, as well as his general athleticism. This slapstick romantic comedy was produced by Hong Kong's prestigious Cinema City studio.
Donnie was subsequently signed by the newly formed D&B Films, and cast in the hit cop actioner 'Tiger Cage'. In this movie, and his follow-up features for the company ('In the Line of Duty 4', 'Tiger Cage 2'), Yen showed off his own unique form of contemporary screen combat, a form that included elements of rapid fire kicking, Western boxing and grappling moves.
Having established a worldwide fan base, Yen moved on to star in a string of independent Asian action features before director Tsui Hark tapped him to co-star in 'Once Upon A Time In China 2'. The film's two action highlights saw Donnie's character duel the legendary martial arts master Wong Fei-hung, played by his old friend Jet Li. The film brought Yen his first real attention as a thespian and he was nominated in the Best Supporting Actor category at that year's Hong Kong Film Awards.
Tsui Hark went on to produce a remake of King Hu's classic 'New Dragon Inn', which provided another showcase role for Donnie as the film's apparently invincible villain.
Donnie was reunited with director Yuen Woo-ping for 'Iron Monkey', a film which brought Yen's acting and action skills both into focus. In 'Iron Monkey', Yen played the father of Wong Fei-hung, and its success prefigured that which he would later enjoy as another pugilistic patriarch in 'Ip Man'. Donnie collaborated with Yuen on the action for the film, designing a new on-screen interpretation of Wong Fei-hung's classic 'Shadowless Kick'.
'Iron Monkey' was all the more remarkable in that, years after its Asian release, it was acquired by the American studio Miramax, re-cut, re-scored and given a wide release in US theatres. After premieres in New York and Los Angeles, the film enjoyed great acclaim from the American critics, and won a prize at that year's Taurus Awards, an event held to celebrate action in cinema.
After working on a number of independent features, Yen went on to enjoy huge success on the small screen when he accepted a lucrative offer from Hong Kong's ATV to film a series based on the Bruce Lee classic 'Fist of Fury'. The show was the top-rated action drama show around the region, and was subsequently re-edited for international distribution on video.
Donnie went on to make his directorial debut with 'Legend of the Wolf', a stylish period actioner that even attracted the attention of legendary American film-maker Francis Coppola. The film, about an amnesiac warrior returning to his home village, has become a bona fide cult classic.
As director, Donnie followed 'Legend of the Wolf' with a very different venture, 'Ballistic Kiss', an urban thriller about a conflicted assassin. The film played at the prestigious Udine Festival in Italy, and took home awards at several other events, including the Japanese Yubari International Action Film Festival.
Donnie's body of work had by then attracted the attention of Hollywood, and Yen was approached to choreograph the action for the mainstream franchise films 'Highlander: Endgame' and 'Blade 2'. After a period where he was based in Los Angeles, Donnie returned East by way of the West when Jackie Chan requested that Yen play his nemesis in the hit 'Shanghai Knights', a shoot that took the star from Prague to London.
Yen returned to China to co-star in director Zhang Yimou's epic wu xia master work 'Hero'. Yen's duel with Jet Li brought his skills to the emerging Mainland Chinese theatrical audience, and paved the way for Donnie to become the country's biggest action star. The film received a wide US theatrical release from Miramax, and remains one of the most successful foreign language titles ever distributed in the America market.
Donnie returned to Hong Kong to choreograph the smash hit fantasy-horror-comedy 'The Twins Effect', and went on to enjoy his most productive partnership with a director. Beginning with the cop actioner 'SPL', Donnie teamed with helmer Wilson Yip for a series of very different films that Yen would star in and action choreograph and Yip would direct. Star and director subsequently teamed to create the comic book inspired fantasy actioner 'Dragon Tiger Gate' and the gritty police thriller 'Flashpoint', in which Donnie created what fans feel is the definitive on-screen MMA action scene. Yen was to return to this hard-hitting, urban action style for the later 'Special ID'.
Donnie now found himself in demand as a leading man in a series of prestigious period actioners produced for the Chinese market. 'Seven Swords' premiered at the Venice Film Festival, and proved a hit with worldwide audiences. The film was released in North America by The Weinstein Company's Dragon Dynasty label, and remains its biggest hit.
Yen also attracted rave reviews when he played an honorable general in 'An Empress and her Warriors' and an offbeat ghost-buster in Gordon Chan's 'Painted Skin'.
Yen took his career to a new level when he accepted producer Raymond Wong's suggestion that he play Bruce Lee's teacher, 'Ip Man', in an eponymous film relating the life of the great master. The film was a huge success in Hong Kong and China, and 'Ip Man' went on to find favor with audiences worldwide. Donnie also received a Best Actor nomination at the Hong Kong Film Awards.
'Ip Man' confirmed Donnie's position as China's greatest action hero, and he was immediately signed to lead a strong ensemble cast for Teddy Chen's 'Bodyguards and Assassins', produced by Peter Chan. Besides his on-screen performance, Donnie was also called on to choreograph the dynamic duel between himself and MMA champion Cung Le. The movie went on to sweep the board at the Hong Kong Film Awards winning Best Film, among many other prizes. Yen himself was nominated for Best Actor at the Chinese Hundred Flower awards.
Yen followed this with 'Ip Man 2', a rare example of a sequel that proved a match for its predecessor. The film followed Ip's life journey to Hong Kong, where he faces both rival kung fu masters, led by the film's choreographer, Sammo Hung, and a brutal foreign boxer, portrayed by the late Darren Shahlavi. 'Ip Man 2' was the biggest local hit of the year in China, and enjoyed a limited theatrical release in the US.
The film's success led to Donnie being cast as a number of legendary Chinese heroes: He played General Qin-long in Daniel Lee's '14 Blades', Guan Yu in 'The Lost Bladesman' and reprised Bruce Lee's Chen Zhen role in Andrew Lau's 'Legend of the Fist'. Yen also used the lighter side of his screen persona to good effect in two installments of the hit Hong Kong comedy movie series 'Alls Well Ends Well'.
Yen was cast opposite Tang Wei and Takeshi Kaneshiro in director Peter Chan's 'Wu Xia' (aka 'Dragon'), a dark, elegant period martial arts murder mystery. The film premiered to great acclaim at the 2011 Cannes Film Festival, and subsequently received a North American theatrical release from The Weinstein Company.
Donnie Yen played 'The Monkey King' in a hit reimagining of the Chinese classic. Donnie starred opposite screen legend Chow Yun-fat in the film, which smashed box office records in Mainland China.
Showing his versatility, Yen went on to play a kung fu master facing challenges in the modern era in director Teddy Chen's 'Kung Fu Jungle'. The movie, which premiered at the London Film Festival, paid tribute to the great history of Hong Kong martial arts cinema.
During the shooting of his ambitious, time travel themed action fantasy 'Iceman 3D', Yen was approached to revitalize the greatest brand in the history of Chinese martial arts cinema. 'Crouching Tiger, Hidden Dragon: Sword of Destiny' was shot primarily on location in New Zealand, with Yen in the lead role. The world class creative team gathered by producer Harvey Weinstein included legendary kung fu film director Yuen Woo-ping, acclaimed directors Peter Berg and Morten Tyldum (as producers), 'X-Men' series DP Tom Sigel as well as the Oscar-winning production, costume and FX designers from the 'Lord of the Rings' and 'Hobbit' film series.
The film debuted in most international territories as a Netflix Original movie, making it the most widely seen wu xia of all time. 'Crouching Tiger, Hidden Dragon: The Sword of Destiny' also played at selected Imax theatres in North America, and enjoyed a wide theatrical release in China, where it was screened in its 3D version.
Yen reteamed with his former mentor Yuen Woo-ping for the hugely popular 'Ip Man 3'. The film, with Wilson Ip as director and Yuen as choreographer, pitted the title character against legendary boxing champion Mike Tyson. The film out-performed all the previous movies featuring the character of Ip Man, smashing box office records throughout Asia. Following a high profile Los Angeles premiere, 'Ip Man 3' enjoyed a Los Angeles premiere and a US theatrical release, earning rave reviews in the mainstream American media.
Having conquered every territory beneath the Asian skies, Donnie accepted an invitation to join the cast of an entry in the world's biggest film franchise. In 'Rogue One: A Star Wars Story', Yen plays one of the Rebel warriors responsible for the theft of the Death Star plans, the adventure that, within the 'Star Wars' universe, leads to the events of the very first film in the series. The film was shot primarily at the famed Elstree Studios in England.
Donnie had a role opposite Vin Diesel and his fellow Asian action star, Tony Jaa, in xXx: Return of Xander Cage (2017), which filmed in Toronto, Canada.
Now firmly established as a leading player across the globe, Donnie Yen continues to present a unique blend of Eastern experience and Western innovation, of musical grace with martial impact, from Hong Kong to a galaxy far, far away....
Donnie is one of the leading martial arts choreographers in the world of action cinema. His skills behind the camera began developing from his early days in the industry, and he was very much involved with the action choreography of his films for D&B Films. He received his first full action directing credit on the Michelle Yeoh, kung fu drama 'Wing Chun', in which he also starred.
Yen further developed his style of choreography in the high pressure world of Hong Kong television, where he created the action for his hit series 'Kung Fu Master' and 'Fist of Fury', and as a low-budget film-maker, when he directed, starred in and choreographed the movies 'Legend of the Wolf' and 'Ballistic Kiss'.
It was after Yen had helmed his first two Chinese features that Hollywood made its first serious bid for his services. He was signed to co-star in and action direct 'Highlander: Endgame', the latest in a series of fantasy actioners. The film, which starred Adrian Paul and Christopher Lambert, was produced by the US studio Dimension, and enjoyed a successful worldwide theatrical release.
Having relocated to Los Angeles, Yen paid his dues by directing action scenes for the Dimension action thriller 'Stormbreaker' and providing the fight sequences for the German TV series 'The Puma'.
Donnie agreed to both action direct and cameo in the major New Line action franchise entry 'Blade 2', starring Wesley Snipes. The film, directed by Guillermo del Toro, was a huge hit, earning almost twice the box office of the original 'Blade'.
Returning to Hong Kong, Yen found he now had a major contribution to make behind the camera, co-directing the SFX action adventure 'The Twins Effect'. The film, which starred two of China's top pop idols, told the tale of young vampire hunters with well-honed martial arts skills. A huge hit for Emperor, the film earned Yen his first Best Action Director prize at the Hong Kong Film Awards.
'The Twins Effect' saw Donnie start to introduce elements of MMA (Mixed Martial Arts) in his film fight scenes. He took the on-screen depiction of the style to new heights with the film 'SPL', released in the US as 'Kill Zone'. Yen's final reel duel with Sammo Hung is now regarded as a classic of the genre. The film won Donnie his second Best Action Choreography prize at the Hong Kong Film Awards.
He took his on-screen depiction of MMA to new heights in 'Flashpoint', which featured an even longer and more intense final showdown, this time between Yen and 'Matrix Reloaded' actor Collin Chou. The film won Donnie his third Best Action Choreography prize at the Hong Kong Film Awards, as well as a prize for Best Action in a Foreign Language Film at the Taurus Awards.
Yen explored different styles of screen combat when he choreographed the stunning kung fu fights for the period actioners 'Legend of the Fist' and 'The Lost Bladesman', the fantasy combat for 'The Monkey King' and the time travel adventure 'Iceman Cometh 3D'.
Many fans feel that Yen delivered his best choreographic work to date in Peter Chan's masterful 'Wu Xia', released in the US as 'Dragon'. The film saw Donnie bring his own unique flair to classical Shaw Bros style kung fu action.
Donnie brought traditional Chinese martial arts into the modern era with 'Kung Fu Jungle', for which his work won yet another Best Choreography prize at the Hong Kong Film Awards.
Away from the cameras, Yen entered into the most rewarding partnership of his life when he married former beauty queen, Cissy Wang. The couple now has two children, a girl and boy, Jasmine and James.- Director
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Ringo Lam was born on 8 December 1955 in Hong Kong. He was a director and writer, known for City on Fire (1987), Full Alert (1997) and Wild City (2015). He died on 29 December 2018 in Hong Kong, China.- Director
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Wong Kar-wai (born 17 July 1956) is a Hong Kong Second Wave filmmaker, internationally renowned as an auteur for his visually unique, highly stylised, emotionally resonant work, including Ah fei zing zyun (1990), Dung che sai duk (1994), Chung Hing sam lam (1994), Do lok tin si (1995), Chun gwong cha sit (1997), 2046 (2004) and My Blueberry Nights (2007), Yi dai zong shi (2013). His film Fa yeung nin wa (2000), starring Maggie Cheung and Tony Leung, garnered widespread critical acclaim. Wong's films frequently feature protagonists who yearn for romance in the midst of a knowingly brief life and scenes that can often be described as sketchy, digressive, exhilarating, and containing vivid imagery. Wong was the first Chinese director to win the Best Director Award of Cannes Film Festival (for his work Chun gwong cha sit in 1997). Wong was the President of the Jury at the 2006 Cannes Film Festival, which makes him the only Chinese person to preside over the jury at the Cannes Film Festival. He was also the President of the Jury at the 63rd Berlin International Film Festival in February 2013. In 2006, Wong accepted the National Order of the Legion of Honour: Knight (Highest Degree) from the French Government. In 2013, Wong accepted Order of Arts and Letters: Commander (Highest Degree) by the French Minister of Culture.- Actress
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Ziyi Zhang is a Chinese actress and model. She is best known for Crouching Tiger, Hidden Dragon (2000), Rush Hour 2 (2001), Hero (2002), House of Flying Daggers (2004), and Memoirs of a Geisha (2005).
She made her feature film debut in The Road Home (1999).
For her work in Memoirs of a Geisha she was nominated for an Golden Globe for Best Actress.- Actor
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Ken Watanabe was born on October 21, 1959 in Uonuma, Japan. Both of his parents were teachers: his mother taught general education and his dad taught calligraphy. He became interested in acting at the age of 24, when a director of England's National Theater Company, where he was studying, told him that acting was his special gift. In 1978, he moved to Tokyo to pursue acting. He drew the attention of the critics when Yukio Ninagawa, a famous Japanese director, chose him for the lead role in one of his plays, even though Ken was still an acting student. He made his first TV appearance in 1982. His big career breakthrough came when he was chosen to play the lead in the Japanese national TV drama series called "Dokugan ryu Masamune". He played a samurai leader hero, making him a household name in Japan. In 1989, he collapsed while filming a movie in Canada due to leukemia. He made a miraculous comeback & co-starred with Tom Cruise in The Last Samurai (2003), which pushed him to the center stage of Hollywood.
Ken has a daughter, model, actress, & singer Anne Watanabe, & a son. He's an avid fan of Hanshin Tigers (Japanese professional baseball team) & Kobe Steel rugby team. He loves noodles.- Actor
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Hiroyuki Sanada was born on October 12, 1960 in Tokyo. He made his film debut when he was 5 in Rokyoku komori-uta (1965) (Shin'ichi Chiba played the lead role.) His father died when he was 11. He joined Japan Action Club, organized & run by Sonny Chiba, when he was 12. He 1st became famous as an action star for his role in Yagyu Clan Conspiracy (1978) but is now known as one of the most talented actors in Japan. From 1999-2000, he played the fool in an English-language production of "King Lear" w/ members of the Royal Shakespeare Co as the 1st Japanese actor to act w/ the RSC. He received an honorary MBE (Member of the British Empire) for this work. He & Satomi Tezuka split after 7 years in 1997.- Actor
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Scott Edward Adkins was born on June 17, 1976 in Sutton Coldfield, England, into a family that for generations were butchers. Along with his elder brother Craig, he was raised by their parents, John and Janet (Sanders) Adkins, in a loving middle-class family. Scott attended Bishop Vesey's Grammar School in Sutton Coldfield. Probably not the best of students, he used to sneak downstairs after his parents had gone to bed and watch films all night then fall asleep during lessons. A natural athlete, Scott enjoyed a variety of sports as he grew up, but when he was 10 years old, he accompanied his father and brother to the local Judo club. The attraction was instantaneous. Idolising stars such as Bruce Lee and Jean-Claude Van Damme, Scott began to train everyday. He took over his Dad's garage and turned it into his own Dojo. He even had a shrine to Bruce Lee in there that he would bow to. He remembers being mugged on a bus when he was around 13 and that really kicked his training into overdrive. He wasn't ever going to let that happen again. At the age of 14, Scott went on to train in Tae Kwon Do under the instruction of Ron Sergiew with the T.A.G.B. After a few years, he moved on to Kickboxing under Anthony Jones. He is now a fully trained Kickboxing Instructor for the P. K. A. A self confessed "film junkie" Scott's attention was drawn to acting through the Hollywood Greats. He enrolled in a drama class at Sutton Coldfield College. Being a shy lad he initially found it difficult to be put on stage in front of an audience. Finally, at the age of 21, Scott was offered a place at the prestigious Webber Douglas Academy of Dramatic Art. However, as an impoverished student, he found it hard to make ends meet without a grant and was forced to leave without completing the course. Very dejected he thought that was the end.
His first break came when he was offered a role in a Hong Kong martial arts film called Extreme Challenge (2001) (aka Extreme Challenge). Spotted by Head of The Hong Kong Stuntmen Association and director Wei Tung and English-born Hong Kong movie expert Bey Logan, Adkins found himself in the East for the first time. Scott got the chance to work with some of Hong Kong cinema's leading action directors including Woo-Ping Yuen, Corey Yuen, Sammo Kam-Bo Hung and the legendary Jackie Chan. Acting roles started to come in and he was offered a guest role in BBC's Doctors (2000) filmed at Birmingham's Pebble Mill. A few episodes in BBC's EastEnders (1985) and City Central (1998), and a lead role in Sky One comedy drama Mile High (2003) followed by a regular role in BBC's Holby City (1999) as Bradley Hume, the assistant General Manager of Holby General.
Starring roles in feature films soon followed with his portrayal of Talbot in Special Forces (2003) and Yuri Boyka" in Undisputed 2: Last Man Standing (2006). It was this film that broke him into the mainstream with his villainous portrayal of a Russian MMA underground fighter Boyka in what has been hailed as one of the best American made Martial Arts films of recent times. Along with lead actor Michael Jai White, fight coordinator J.J. Perry and the slick direction of Isaac Florentine this movie has some unbelievably heart stopping fight scenes. After this Scott has had guest starring roles in bigger budget films like The Bourne Ultimatum (2007) and The Tournament (2009), and played Jean-Claude Van Damme's main adversary in Sony Pictures The Shepherd (2008).- Actress
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Emma Charlotte Duerre Watson was born in Paris, France, to British parents, Jacqueline Luesby and Chris Watson, both lawyers. She moved to Oxfordshire when she was five, where she attended the Dragon School. From the age of six, Emma knew that she wanted to be an actress and, for a number of years, she trained at the Oxford branch of Stagecoach Theatre Arts, a part-time theatre school where she studied singing, dancing and acting. By the age of ten, she had performed and taken the lead in various Stagecoach productions and school plays.
In 1999, casting began for Harry Potter and the Sorcerers Stone (2001), the film adaptation of British author J.K. Rowling's bestselling novel. Casting agents found Emma through her Oxford theatre teacher. After eight consistent auditions, producer David Heyman told Emma and fellow applicants, Daniel Radcliffe and Rupert Grint, that they had been cast for the roles of the three leads, Hermione Granger, Harry Potter and Ron Weasley. The release of Harry Potter and the Sorcerer's Stone (2001) was Emma's cinematic screen debut. The film broke records for opening-day sales and opening-weekend takings and was the highest-grossing film of 2001. Critics praised the film and the performances of the three leading young actors. The highly distributed British newspaper, 'The Daily Telegraph', called her performance "admirable". Later, Emma was nominated for five awards for her performance in the film, winning the Young Artist Award for Leading Young Actress in a Feature Film.
After the release of the first film of the highly successful franchise, Emma became one of the most well-known actresses in the world. She continued to play the role of Hermione Granger for nearly ten years, in all of the following Harry Potter films: Harry Potter and the Sorcerer's Stone (2001), Harry Potter and the Chamber of Secrets (2002), Harry Potter and the Prisoner of Azkaban (2004), Harry Potter and the Goblet of Fire (2005), Harry Potter and the Order of the Phoenix (2007), Harry Potter and the Half-Blood Prince (2009), Harry Potter and the Deathly Hallows: Part 1 (2010), and Harry Potter and the Deathly Hallows: Part 2 (2011). Emma acquired two Critics' Choice Award nominations from the Broadcast Film Critics Association for her work in Harry Potter And The Prisoner Of Azkaban and Harry Potter And The Goblet Of Fire. The completion of the seventh and eight movies saw Emma receive nominations in 2011 for a Nickelodeon Kids' Choice Award, and for Best Actress at the Jameson Empire Awards. The Harry Potter franchise won the BAFTA for Outstanding British Contribution to Cinema in February 2011.
2011 saw Emma in Simon Curtis's My Week with Marilyn (2011), alongside a stellar cast of Oscar nominees including Michelle Williams as Marilyn Monroe and Kenneth Branagh as Sir Laurence Olivier, in addition to Eddie Redmayne, Dame Judi Dench, Dougray Scott, Zoe Wanamaker, Toby Jones and Dominic Cooper. Chronicling a week in Marilyn Monroe's life, the film featured Emma in the supporting role of Lucy, a costume assistant to Colin Clark (Redmayne). The film was released by The Weinstein Company and was nominated for a Golden Globe for Best Motion Picture - Comedy or Musical. In 2012 Emma was seen in Stephen Chbosky's adaptation of his coming-of-age novel The Perks of Being a Wallflower (2012), starring opposite Logan Lerman and Ezra Miller. This independent drama centered around Charlie (Lerman), an introverted freshman who is taken under the wings of two seniors (Watson and Miller) who welcome him to the real world. The film premiered at the 2012 Toronto International Film Festival and received rave reviews. The film won the People's Choice Award for Favourite Dramatic Movie and Emma also picked up the People's Choice Award for Favourite Dramatic Movie Actress. Emma was awarded a second time for this role with the Best Supporting Actress Award at the San Diego Film Critics Society Awards where the film also won the Best Ensemble Performance Award.
In summer 2013, Emma starred in Sofia Coppola's American satirical black comedy crime film, The Bling Ring (2013), opposite Katie Chang and Israel Broussard. The film took inspiration from real events and followed a group of teenagers who, obsessed with fashion and fame, burgled the homes of celebrities in Los Angeles. The film opened the Un Certain Regard section of the 2013 Cannes Film Festival. Emma also appeared in a cameo role as herself in Seth Rogen's apocalypse comedy This Is The End (2013). The film tells the story about what happens to some of Hollywood's best loved celebrities when the apocalypse strikes during a party at James Franco's house.
In 2014, Emma was seen in Darren Aronofsky's Noah (2014), opposite Russell Crowe, Jennifer Connelly, Ray Winstone, Douglas Booth, Logan Lerman, and Anthony Hopkins. The film told the epic, biblical tale of Noah and the ark. Emma plays the role of Ila, a young woman who develops a close relationship with Noah's son, Shem (Booth). Noah made an outstanding $300m since its release in March. In 2015, Emma starred in Regression (2015), written and directed by Alejandro Amenábar and Occultum Luciferus. Also headlined by Oscar-nominated Ethan Hawke, and set in Minnesota in 1990, Regression tells the story of Detective Bruce Kenner (Hawke), who investigates the case of young Angela, played by Emma, who accuses her father of sexual abuse.
In 2012, Emma was honored with the Calvin Klein Emerging Star Award at the ELLE Women in Hollywood Awards. In 2013, Emma was awarded the Trailblazer Award at the MTV Movie Awards in April and was honored with the GQ Woman of the Year Award at the GQ Awards in September. Further to her acting career, Emma is a Goodwill Ambassador for the UN, promoting gender equality and the empowerment of women. Emma graduated from Brown University in May 2014.
In 2017, Emma starred in the live-action Disney fantasy Beauty and the Beast (2017), one of the biggest movies of all time in the U.S., and the dramatic thriller The Circle (2017).- Producer
- Actress
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Charlize Theron was born in Benoni, a city in the greater Johannesburg area, in South Africa, the only child of Gerda Theron (née Maritz) and Charles Theron. She was raised on a farm outside the city. Theron is of Afrikaner (Dutch, with some French Huguenot and German) descent, and Afrikaner military figure Danie Theron was her great-great-uncle.
Theron received an education as a ballet dancer and has danced both the "Swan Lake" and "The Nutcracker". There was not much work for a young actress or dancer in South Africa, so she soon traveled to Europe and the United States, where she got a job at the Joffrey Ballet in New York. She was also able to work as a photo model. However, an injured knee put a halt to her dancing career.
In 1994, her mother bought her a one-way ticket to Los Angeles, and Charlize started visiting all of the agents on Hollywood Boulevard, but without any luck. She went to a bank to cash a check for $500 she received from her mother, and became furious when she learned that the bank would not cash it because it was an out-of-state check. She made a scene and an agent gave her his card, in exchange for learning American English, which she did by watching soap operas on television.
Her first role was in the B-film Children of the Corn III: Urban Harvest (1995), a non-speaking part with three seconds of screen time. Her next role was as Helga Svelgen in 2 Days in the Valley (1996), which landed her the role of Tina Powers in That Thing You Do! (1996). Since then, she has starred in movies like The Devil's Advocate (1997), Mighty Joe Young (1998), The Cider House Rules (1999), The Legend of Bagger Vance (2000) and The Italian Job (2003). On February 29, 2004, she won her first Academy Award, a Best Actress Oscar for her performance in Monster (2003).- Actress
- Producer
Swedish actress Noomi Rapace was born in Hudiksvall, Gävleborgs län, Sweden to Swedish actress Nina Norén and Spanish Flamenco singer Rogelio de Badajoz (Rogelio Durán). Her parents did not stay together, and when she was five she moved to Iceland with her mother and stepfather, where she lived for three years. When she was eight she was cast in a small role in the Icelandic film 'Í skugga hrafnsins', and this sparked her love of acting. At 15 she left home and joined the Stockholm Theatre School.
Rapace won the recurring role of Lucinda Gonzales in the Swedish TV series Tre kronor (1994), and also became a respected stage performer. She won critical acclaim for playing the leading role in 2007's Daisy Diamond (2007). In 2009, Rapace came to the attention of international audiences for her portrayal of Lisbeth Salander in The Girl with the Dragon Tattoo (2009). Her performance was widely praised, and she won the Best Actress prize at Sweden's prestigious Guldbagge Awards. She went on to reprise the role in the sequels, The Girl Who Played with Fire (2009) and The Girl Who Kicked the Hornet's Nest (2009).
Rapace made her English-language film debut in Guy Ritchie's Sherlock Holmes: A Game of Shadows (2011) alongside Robert Downey Jr. She was also cast as Elizabeth Shaw in Ridley Scott's Prometheus (2012).- Actor
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Guy Edward Pearce was born October 5, 1967 in Cambridgeshire, England, UK to Margaret Anne and Stuart Graham Pearce. His father was born in Auckland, New Zealand, to English and Scottish parents, while Guy's mother is English. Pearce and his family initially traveled to Australia for two years, after his father was offered the position of Chief test pilot for the Australian Government. Guy was just 3-years-old. After deciding to stay in Australia and settling in the Victorian city of Geelong, Guy's father was killed 5 years later in an aircraft test flight, leaving Guy's mother, a schoolteacher, to care for him and his older sister, Tracy.
Having little interest in subjects at school like math or science, Guy favored art, drama and music. He joined local theatre groups at a young age and appeared in such productions as "The King and I," "Fiddler on the Roof," and "The Wizard of Oz." In 1985, just two days after his final high school exam, Guy started a four-year stint as "Mike Young" on the popular Aussie soap Neighbours (1985). At age 20, Guy appeared in his first film, Heaven Tonight (1989), then, after a string of appearances in film, television and on the stage, he won the role of an outrageous drag queen in The Adventures of Priscilla, Queen of the Desert (1994).
Most recently, he has amazed film critics and audiences, alike, with his magnificent performances in L.A. Confidential (1997), Memento (2000), The Proposition (2005), Factory Girl (2006), The Hurt Locker (2008), The King's Speech (2010) and the HBO mini-series, Mildred Pierce (2011). Next to acting, Guy has had a life-long passion for music and songwriting.
Guy likes to keep his private life very private. He lives in Melbourne, Australia, which is also where he married his childhood sweetheart, Kate Mestitz in March 1997.- Actor
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John Christopher "Johnny" Depp II was born on June 9, 1963 in Owensboro, Kentucky, to Betty Sue Palmer (née Wells), a waitress, and John Christopher Depp, a civil engineer. He was raised in Florida. He dropped out of school when he was 15, and fronted a series of music-garage bands, including one named 'The Kids'. When he married Lori A. Depp, he took a job as a ballpoint-pen salesman to support himself and his wife. A visit to Los Angeles, California, with his wife, however, happened to be a blessing in disguise, when he met up with actor Nicolas Cage, who advised him to turn to acting, which culminated in Depp's film debut in the low-budget horror film, A Nightmare on Elm Street (1984), where he played a teenager who falls prey to dream-stalking demon Freddy Krueger.
In 1987 he shot to stardom when he replaced Jeff Yagher in the role of undercover cop Tommy Hanson in the popular TV series 21 Jump Street (1987). In 1990, after numerous roles in teen-oriented films, his first of a handful of great collaborations with director Tim Burton came about when Depp played the title role in Edward Scissorhands (1990). Following the film's success, Depp carved a niche for himself as a serious, somewhat dark, idiosyncratic performer, consistently selecting roles that surprised critics and audiences alike. He continued to gain critical acclaim and increasing popularity by appearing in many features before re-joining with Burton in the lead role of Ed Wood (1994). In 1997 he played an undercover FBI agent in the fact-based film Donnie Brasco (1997), opposite Al Pacino; in 1998 he appeared in Fear and Loathing in Las Vegas (1998), directed by Terry Gilliam; and then, in 1999, he appeared in the sci-fi/horror film The Astronaut's Wife (1999). The same year he teamed up again with Burton in Sleepy Hollow (1999), brilliantly portraying Ichabod Crane.
Depp has played many characters in his career, including another fact-based one, Insp. Fred Abberline in From Hell (2001). He stole the show from screen greats such as Antonio Banderas in the finale to Robert Rodriguez's "mariachi" trilogy, Once Upon a Time in Mexico (2003). In that same year he starred in the marvelous family blockbuster Pirates of the Caribbean: The Curse of the Black Pearl (2003), playing a character that only the likes of Depp could pull off: the charming, conniving and roguish Capt. Jack Sparrow. The film's enormous success has opened several doors for his career and included an Oscar nomination. He appeared as the central character in the Stephen King-based movie, Secret Window (2004); as the kind-hearted novelist James Barrie in the factually-based Finding Neverland (2004), where he co-starred with Kate Winslet; and Rochester in the British film, The Libertine (2004). Depp collaborated again with Burton in a screen adaptation of Roald Dahl's novel, Charlie and the Chocolate Factory (2005), and later in Alice in Wonderland (2010) and Dark Shadows (2012).
Off-screen, Depp has dated several female celebrities, and has been engaged to Sherilyn Fenn, Jennifer Grey, Winona Ryder and Kate Moss. He was married to Lori Anne Allison in 1983, but divorced her in 1985. Depp has two children with his former long-time partner, French singer/actress Vanessa Paradis: Lily-Rose Melody, born in 1999 and John Christopher "Jack" III, born in 2002. He married actress/producer Amber Heard in 2015, divorcing a few years later.- Actress
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French actress and model Eva Gaëlle Green was born on July 6, 1980, in Paris, France. Her father, Walter Green, is a dentist who appeared in the 1966 film Au hasard Balthazar (1966). Her mother, Marlène Jobert, is an actress turned children's book writer. Eva's mother was born in Algeria, of French, Spanish, and Sephardic Jewish heritage (during that time, Algeria was part of France), and Eva's father is of Swedish, French, and Breton descent. She has a fraternal twin sister, Joy. Eva left French school at 17. She switched to the American School in France for one year. She left the American School and studied acting at Saint Paul Drama School in Paris for three years, then had a 10-week polishing course at the Weber Douglas Academy of dramatic Art in London. She returned to Paris as an accomplished young actress, and played on stage in several theater productions: "La Jalousie en Trois Fax" and "Turcaret". There, she caught the eye of director Bernardo Bertolucci. Green followed a recommendation to work on her English. She studied for two months with an English coach before doing The Dreamers (2003) with Bernardo Bertolucci. During their work, Bertolucci described Green as being "so beautiful it's indecent".
Green won critical acclaim for her role in The Dreamers (2003). After "The Dreamers", Green played the love interest of cult French gentleman-thief, Arsène Lupin (2004), opposite Romain Duris. In 2005, she co-starred, opposite Orlando Bloom and Liam Neeson, in Kingdom of Heaven (2005), produced and directed by Ridley Scott. The film brought her a wider international exposure. She turned down the femme fatale role in The Black Dahlia (2006), that went to Hilary Swank, because she didn't want to end up typecast after her role in "The Dreamers". Instead, Eva accepted the prestigious role of "Vesper Lynd", one of three Bond girls, opposite Daniel Craig, in Casino Royale (2006) and became the fifth French actress to play a James Bond girl, after Claudine Auger in Thunderball (1965), Corinne Cléry in Moonraker (1979), Carole Bouquet in For Your Eyes Only (1981) and Sophie Marceau in The World Is Not Enough (1999). She achieved international recognition for the film, one of the highest-grossing Bond movies ever.
Since then, Green has starred in the films Dark Shadows (2012), 300: Rise of an Empire (2014), Sin City: A Dame to Kill For (2014), and Miss Peregrine's Home for Peculiar Children (2016). She also starred as Vanessa Ives in Showtime's horror drama Penny Dreadful (2014). Her performance in the series earned her a nomination for Best Actress in a Television Series - Drama at the 73rd Golden Globe Awards.
Since her school years, Green has been a cosmopolitan multilingual and multicultural person. Yet, since her father always lived in France with them and her mother, she and her twin sister can't speak Swedish. She developed a wide scope of interests beyond her acting profession and became an aspiring art connoisseur and an avid museum visitor. Her other activities, outside of acting, include playing and composing music, cooking at home, walking her terrier, and collecting art. She shares time between her two residencies, one is in Paris, France, and one in London, England.- Actress
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Angelina Jolie is an Academy Award-winning actress who rose to fame after her role in Girl, Interrupted (1999), playing the title role in the "Lara Croft" blockbuster movies, as well as Mr. & Mrs. Smith (2005), Wanted (2008), Salt (2010) and Maleficent (2014). Off-screen, Jolie has become prominently involved in international charity projects, especially those involving refugees. She often appears on many "most beautiful women" lists, and she has a personal life that is avidly covered by the tabloid press.
Jolie was born Angelina Jolie Voight in Los Angeles, California. In her earliest years, Angelina began absorbing the acting craft from her actor parents, Jon Voight, an Oscar-winner, and Marcheline Bertrand, who had studied with Lee Strasberg. Her good looks may derive from her ancestry, which is German and Slovak on her father's side, and French-Canadian, Dutch, Polish, and remote Huron, on her mother's side. At age eleven, Angelina began studying at the Lee Strasberg Theatre Institute, where she was seen in several stage productions. She undertook some film studies at New York University and later joined the renowned Met Theatre Group in Los Angeles. At age 16, she took up a career in modeling and appeared in some music videos.
In the mid-1990s, Jolie appeared in various small films where she got good notices, including Hackers (1995) and Foxfire (1996). Her critical acclaim increased when she played strong roles in the made-for-TV movies True Women (1997), and in George Wallace (1997) which won her a Golden Globe Award and an Emmy nomination. Jolie's acclaim increased even further when she played the lead role in the HBO production Gia (1998). This was the true life story of supermodel Gia Carangi, a sensitive wild child who was both brazen and needy and who had a difficult time handling professional success and the deaths of people who were close to her. Carangi became involved with drugs and because of her needle-using habits she became, at the tender age of 26, one of the first celebrities to die of AIDS. Jolie's performance in Gia (1998) again garnered a Golden Globe Award and another Emmy nomination, and she additionally earned a SAG Award.
Angelina got a major break in 1999 when she won a leading role in the successful feature The Bone Collector (1999), starring alongside Denzel Washington. In that same year, Jolie gave a tour de force performance in Girl, Interrupted (1999) playing opposite Winona Ryder. The movie was a true story of women who spent time in a psychiatric hospital. Jolie's role was reminiscent of Jack Nicholson's character in One Flew Over the Cuckoo's Nest (1975), the role which won Nicholson his first Oscar. Unlike "Cuckoo", "Girl" was a small film that received mixed reviews and barely made money at the box office. But when it came time to give out awards, Jolie won the triple crown -- "Girl" propelled her to win the Golden Globe Award, the SAG Award and the Academy Award for best leading actress in a supporting role.
With her newfound prominence, Jolie began to get in-depth attention from the press. Numerous aspects of her controversial personal life became news. At her wedding to her Hackers (1995) co-star Jonny Lee Miller, she had displayed her husband's name on the back of her shirt painted in her own blood. Jolie and Miller divorced, and in 2000, she married her Pushing Tin (1999) co-star Billy Bob Thornton. Jolie had become the fifth wife of a man twenty years her senior. During her marriage to Thornton, the spouses each wore a vial of the other's blood around their necks. That marriage came apart in 2002 and ended in divorce. In addition, Jolie was estranged from her famous father, Jon Voight.
In 2000, Jolie was asked to star in Lara Croft: Tomb Raider (2001). At first, she expressed disinterest, but then decided that the required training for the athletic role was intriguing. The eponymous character was drawn from a popular video game. Lara Croft was a female cross between Indiana Jones and James Bond. When the movie was released, critics were unimpressed with the final product, but critical acclaim wasn't the point of the movie. The public paid $275 million for theater tickets to see a buffed up Jolie portray the adventuresome Lara Croft. Jolie's father Jon Voight appeared in the movie, and during filming there was a brief rapprochement between father and daughter.
One of the Lara Croft movie's filming locations was Cambodia. While there, Jolie witnessed the natural beauty, culture and poverty of that country. She considered this an eye opening experience, and so began the humanitarian chapter of her life. Jolie began visiting refugee camps around the world and came to be formally appointed as a Goodwill Ambassador for the United Nations High Commissioner for Refugees (UNHCR). Some of her experiences were written and published in her popular book "Notes from My Travels" whose profits go to UNHCR.
Jolie has stated that she now plans to spend most of her time in humanitarian efforts, to be financed by her actress salary. She devotes one third of her income to savings, one third to living expenses and one third to charity. In 2002, Angelina adopted a Cambodian refugee boy named Maddox, and in 2005, adopted an Ethiopian refugee girl named Zahara. Jolie's dramatic feature film Beyond Borders (2003) parallels some of her real life humanitarian experiences although, despite the inclusion of a romance between two westerners, many of the movie's images were too depressingly realistic -- the movie was not popular among critics or at the box office.
In 2004, Jolie began filming Mr. & Mrs. Smith (2005) with co-star Brad Pitt. The movie became a major box office success. There were rumors that Pitt and Jolie had an affair while filming Mr. and Mrs. Smith. Jolie insisted that because her mother had been hurt by adultery, she herself could never participate in an affair with a married man, therefore there had been no affair with Pitt at that time. Nonetheless, Pitt separated from his wife Jennifer Aniston in January 2005 and, in the months that followed, he was frequently seen in public with Jolie, apparently as a couple. Pitt's divorce was finalized later in 2005.
Jolie and Pitt announced in early 2006 that they would have a child together, and Jolie gave birth to daughter Shiloh that May. They also adopted a three-year-old Vietnamese boy named Pax. The couple, who married in 2014 and divorced in 2019, continue to pursue movie and humanitarian projects, and now have a total of six children. She was appointed Honorary Dame Commander of the Order of St. Michael and St. George at the 2014 Queen's Birthday Honours for her services to United Kingdom foreign policy and the campaign to end warzone sexual violence.- Actress
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Milla Jovovich is a Ukrainian-American actress, supermodel, fashion designer, singer and public figure, who was on the cover of more than a hundred magazines, and starred in such films as The Fifth Element (1997), Ultraviolet (2006), and the Resident Evil (2002) franchise.
Milica Bogdanovna Jovovich was born on December 17, 1975 in Kyiv, Ukrainian SSR, Soviet Union (now in Ukraine). Her Serbian father, Bogdan Jovovich, was a medical doctor in Kyiv. There, he met her mother, Galina Jovovich (née Loginova), a Russian actress. At the age of 5, in 1981, Milla emigrated with her parents from the Soviet Union, moving first to London, UK, then to Sacramento, California, and eventually settled in Los Angeles. There her parents worked as house cleaners for the household of director Brian De Palma. Her parents separated, and eventually divorced, because her father was arrested and spent several years in prison.
Young Milla Jovovich was brought up by her single mother in Los Angeles. In addition to her native Ukrainian, she also speaks Russian and English. However, in spite of her cosmopolitan background, Milla was ostracized by some of her classmates, as a kid who emigrated from the Soviet Union amidst the paranoia of the Cold War. Many emotional scars had affected her behavior, but she eventually emerged as a resilient, multi-talented, albeit rebellious and risk-taking girl. She was coached by her actress mother since her childhood, first at home, then studied music, ballet, and acting in Los Angeles.
She shot to international fame after she was spotted by the photographer Richard Avedon at the age of 11, and was featured in Revlon's "Most Unforgettable Women in the World" advertisements, and on the cover of the Italian fashion magazine 'Lei' which was her first cover shoot. She made her first professional model contract at the age of 12, and soon made it to the cover of 'The Face', 'Vogue', 'Cosmopolitan' and many other magazines. In 1994, she appeared on the cover of 'High Times' in the UK, at the age of 18. The total number of her magazine covers worldwide was over one hundred by 2004, and keeps counting. In 2004, she made $10.4 million, becoming the highest paid supermodel in the world.
Milla appeared in ad campaigns for Chanel, Versace, Emporio Armani, Donna Karen, DKNY, Celine, P&K, H&H, and continues her role as the worldwide spokesperson and model for L'Oreal. Thanks to their continued success with Milla, Giorgio Armani chose her to be the face of his fragrance, Night. In addition to Armani's fragrance, Milla was the face for Calvin Klein's Obsession and Christian Dior's Poison for over 10 years and has most recently become the new face for Donna Karan's Cashmere Mist fragrance, which debuts in August 2009. Milla continues to shoot with the fashion industry's most sought after photographers, including Peter Lindbergh, Mario Sorrenti, Craig McDean and Inez & Vinoodh.
Milla made her acting debut in the Disney Channel movie The Night Train to Kathmandu (1988) and she made guest appearances on television series including Married... with Children (1987) (in 1989 as a French exchange student), Paradise (1988) and Parker Lewis Can't Lose (1990). In 1988, at age 12, she made her film debut credited as Milla in a supporting role in Two Moon Junction (1988) by writer/director Zalman King. During the 1980s and early 1990s, she played several supporting roles as a teenage actress in film and on television, then starred in Return to the Blue Lagoon (1991). In 1997, she co-starred opposite Bruce Willis in the sci-fi blockbuster The Fifth Element (1997), then she starred as the title character of The Messenger: The Story of Joan of Arc (1999).
In the early 2000s, Milla had a few years of uncertainty in her acting career due to the uneven quality of her films, as well as some hectic events in her private life. She appeared with Mel Gibson in Wim Wenders' The Million Dollar Hotel (2000) which premiered at the Berlin Film Festival. She went on to co-star with Wes Bentley and Sarah Polley in The Claim (2000) and in Ben Stiller's spoof of the world of models and high-fashion, Zoolander (2001).
Milla achieved box office success in the U.S. and around the world with the action-packed thriller, Resident Evil (2002), based on the wildly popular video game, Resident Evil. It was written and directed by Paul W.S. Anderson. Milla reprised her role as the zombie slaying heroine, Alice, in Resident Evil: Apocalypse (2004), Resident Evil: Extinction (2007), Resident Evil: Afterlife (2010), Resident Evil: Retribution (2012), and again in Resident Evil: The Final Chapter (2016) A seventh resident Evil movie is in pre-production.
She received glowing reviews opposite Oscar-winner Adrien Brody and Illeana Douglas in Dummy (2002) which premiered at the Toronto Film Festival. In the spring of 2006, Milla returned to the big screen as action heroine, Violet, in the futuristic film Ultraviolet (2006) directed by Kurt Wimmer.
Focusing on her personal sense of style, her love of fashion led Milla and her friend and business partner, Carmen Hawk, to launch their Jovovich-Hawk clothing line, which achieved instant acclaim in the domestic and international fashion world. The fresh, unique line garnered the attention of red carpet watchers and fashion magazines, including American Vogue, who featured Jovovich-Hawk on their coveted list of "10 Things to Watch Out for in 2005." A student of voice and guitar since she was very young, Milla began writing songs for her first record at the age of 15.
Her first album, "The Divine Comedy", was released by EMI Records in 1994. Informed by her experiences as a child growing up as a Russian emigrant in the Red-bashing Reagan era, the introspective European-folkish debut drew favorable reviews for Milla's songwriting and performing. She continues to write music, and has had songs featured on several film soundtracks. She has been writing music and lyrics to her song-demos, playing her guitar and sampling other sounds from her computer, and allowing free download and remix of her songs from her website.
Charitable work also plays a major part in Milla's life. She has served as Master of Ceremonies and co-chaired with Elizabeth Taylor for the amfAR and Cinema Against AIDS event at the Venice Film Festival, and has been heavily involved with The Ovarian Cancer Research Fund, as well as The Wildlands Project.
For many years Milla Jovovich has been maintaining a healthier lifestyle, practicing yoga and meditation, trying to avoid junk food, and cooking for herself. Since she was a little girl, Milla has been writing a private diary, a habit she learned from her mother. She has been keeping a record of many good and bad facts of her life, her travels, her relationships, and all important ideas and events in her career, planning eventually to publish an autobiography. After dissolution of her two previous marriages, Milla Jovovich became engaged to film director Paul W.S. Anderson; their daughter, Ever Anderson, was born on November 3, 2007. They got married on August 22, 2009. Their second daughter, Dashiel Edan, was born on April 1, 2015.- Writer
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Roland Emmerich is a German film director and producer of blockbuster films like The Day After Tomorrow (2004), Godzilla (1998), Independence Day (1996) and The Patriot (2000). Before fame, he originally wanted to be a production designer, but decided to be a director, after watching the original Star Wars: Episode IV - A New Hope (1977). Emmerich began his career in his native Germany. In his youth, he pursued painting and sculpting. While enrolled in the director's program at film school in Munich, his student film The Noah's Ark Principle (1984) went on to open the 1984 Berlin Film Festival. The feature became a huge success and was sold to more than 20 countries. In an amazing trivia, he directed his first feature, The Noah's Ark Principle (1984), in 1984. He is openly gay and a campaigner for the LGBT community.
A director/writer/producer with a flair for special effects-driven action, German Roland Emmerich made himself at home in blockbuster-hungry 1990s Hollywood. Born and educated in West Germany, Emmerich studied production design as well as direction at the Munich Film and Television School. After his student film, The Noah's Ark Principle, debuted at the 1984 Berlin Film Festival, Emmerich formed his production company Centropolis and directed supernatural fantasies Making Contact (1986) and Ghost Chase (1987), and the straight-to-video action film Moon 44 (1990). On the latter, he met actor Dean Devlin who subsequently switched jobs to become Emmerich's writing and producing partner once Emmerich set up shop in Hollywood.
After making his solo Hollywood debut directing Jean-Claude Van Damme in the cyborg action fest Universal Soldier (1992), Emmerich and Devlin revealed a talent for conjuring A-level action spectacles out of B-movie scenarios with their first film together, Stargate (1994). A space odyssey mixing ancient Egyptiana and high-tech wizardry, Stargate became an unexpected hit. Emmerich hit his blockbuster stride with his next film, Independence Day (1996). With its eye-popping destruction of major cities and climactic annihilation of a spacecraft via portable computer, Independence Day blew away its summer movie competition on the strength of its visual flash. Geared to repeat with the endlessly- and creatively-hyped version of Godzilla (1998), Emmerich instead faced the conundrum of directing a $100 million grossing film that did not live up to box office expectations. Emmerich and Devlin next turned their epic visions to the decidedly lower-tech (but still CGI-enhanced) action of the American Revolution in the Mel Gibson summer vehicle The Patriot (2000).- Writer
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Paul W.S. Anderson gained a fair bit of notoriety in his native England when he directed the ultra-violent Shopping (1994) (which he also wrote), starring Jude Law and Sean Pertwee in a story about thieves who steal by ramming a car into storefronts. The film was banned in some cinemas in England, and became a direct-to-video slightly edited release in the United States.
Shopping (1994) allowed Anderson to get the chance to direct Mortal Kombat (1995), an adaptation of the hit video game, which showcased his directorial trademarks - visually stunning scenery and quick-cut editing. The film did well enough for him to choose his next project, which was Soldier (1998) with Warner Bros., with Kurt Russell in the lead. Unfortunately, Russell decided at the time to go on hiatus, pushing the release date of that film into 1998. In the meantime, Anderson directed Event Horizon (1997) from a script by Philip Eisner, which featured Anderson regulars Sean Pertwee and Jason Isaacs. The science fiction/horror film, a Gothic horror version of Solaris (1972), was stylish and scary, but was critically panned and did not do well in the box office, which Anderson blamed on studio-enforced cuts to the story. (Anderson has promised a Director's Cut, though none has been announced as of yet).
Soldier (1998) didn't fare well with critics and box office either, and Anderson's planned 2000 remake of Death Race 2000 (1975) was canceled. This forced him to think smaller, which led to The Sight (2000), a supernatural mystery movie that was a minor hit. He then resurfaced to direct another video game adaption, Resident Evil (2002). Long rumored among fans to be a choice comeback vehicle for zombie grandfather George A. Romero, the writing and directing credits eventually transferred to Anderson. He next was given the helm for the long-awaited film adaption of the popular Dark Horse comic book, Alien vs. Predator (2004).- Actor
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One of the greatest actors of all time, Robert De Niro was born on August 17, 1943 in Manhattan, New York City, to artists Virginia (Admiral) and Robert De Niro Sr. His paternal grandfather was of Italian descent, and his other ancestry is Irish, English, Dutch, German, and French. He was trained at the Stella Adler Conservatory and the American Workshop. De Niro first gained fame for his role in Bang the Drum Slowly (1973), but he gained his reputation as a volatile actor in Mean Streets (1973), which was his first film with director Martin Scorsese. He received an Academy Award for Best Supporting Actor for his role in The Godfather Part II (1974) and received Academy Award nominations for best actor in Taxi Driver (1976), The Deer Hunter (1978) and Cape Fear (1991). He received the Academy Award for Best Actor for his role as Jake LaMotta in Raging Bull (1980).
De Niro has earned four Golden Globe Award nominations for Best Actor - Motion Picture Musical or Comedy, for his work in New York, New York (1977), opposite Liza Minnelli, Midnight Run (1988), Analyze This (1999) and Meet the Parents (2000). Other notable performances include Brazil (1985), The Untouchables (1987), Backdraft (1991), Frankenstein (1994), Heat (1995), Casino (1995) and Jackie Brown (1997). At the same time, he also directed and starred in such films as A Bronx Tale (1993) and The Good Shepherd (2006). De Niro has also received the AFI Lifetime Achievement Award in 2003 and the Golden Globe Cecil B. DeMille Award in 2010.
As of 2022, De Niro is 79-years-old. He has never retired from acting, and continues to work regularly in mostly film.- Actor
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Alfredo James "Al" 'Pacino established himself as a film actor during one of cinema's most vibrant decades, the 1970s, and has become an enduring and iconic figure in the world of American movies.
He was born April 25, 1940 in Manhattan, New York City, to Italian-American parents, Rose (nee Gerardi) and Sal Pacino. They divorced when he was young. His mother moved them into his grandparents' home in the South Bronx. Pacino found himself often repeating the plots and voices of characters he had seen in the movies. Bored and unmotivated in school, he found a haven in school plays, and his interest soon blossomed into a full-time career. Starting onstage, he went through a period of depression and poverty, sometimes having to borrow bus fare to succeed to auditions. He made it into the prestigious Actors Studio in 1966, studying under Lee Strasberg, creator of the Method Approach that would become the trademark of many 1970s-era actors.
After appearing in a string of plays in supporting roles, Pacino finally attained success off-Broadway with Israel Horovitz's "The Indian Wants the Bronx", winning an Obie Award for the 1966-67 season. That was followed by a Tony Award for "Does the Tiger Wear a Necktie?" His first feature films made little departure from the gritty realistic stage performances that earned him respect: he played a drug addict in The Panic in Needle Park (1971) after his film debut in Me, Natalie (1969). The role of Michael Corleone in The Godfather (1972) was one of the most sought-after of the time: Robert Redford, Warren Beatty, Jack Nicholson, Ryan O'Neal, Robert De Niro and a host of other actors either wanted it or were mentioned, but director Francis Ford Coppola wanted Pacino for the role.
Coppola was successful but Pacino was reportedly in constant fear of being fired during the very difficult shoot. The film was a monster hit that earned Pacino his first Academy Award nomination for Best Supporting Actor. However, instead of taking on easier projects for the big money he could now command, Pacino threw his support behind what he considered tough but important films, such as the true-life crime drama Serpico (1973) and the tragic real-life bank robbery film Dog Day Afternoon (1975). He was nominated three consecutive years for the "Best Actor" Academy Award. He faltered slightly with Bobby Deerfield (1977), but regained his stride with And Justice for All (1979), for which he received another Academy Award nomination for Best Actor. Unfortunately, this would signal the beginning of a decline in his career, which produced flops like Cruising (1980) and Author! Author! (1982).
Pacino took on another vicious gangster role and cemented his legendary status in the ultra-violent cult film Scarface (1983), but a monumental mistake was about to follow. Revolution (1985) endured an endless and seemingly cursed shoot in which equipment was destroyed, weather was terrible, and Pacino fell ill with pneumonia. Constant changes in the script further derailed the project. The Revolutionary War-themed film, considered among the worst films ever made, resulted in awful reviews and kept him off the screen for the next four years. Returning to the stage, Pacino did much to give back and contribute to the theatre, which he considers his first love. He directed a film, The Local Stigmatic (1990), but it remains unreleased. He lifted his self-imposed exile with the striking Sea of Love (1989) as a hard-drinking policeman. This marked the second phase of Pacino's career, being the first to feature his now famous dark, owl eyes and hoarse, gravelly voice.
Returning to the Corleones, Pacino made The Godfather Part III (1990) and earned raves for his first comedic role in the colorful adaptation Dick Tracy (1990). This earned him another Academy Award nomination for Best Supporting Actor, and two years later he was nominated for Glengarry Glen Ross (1992). He went into romantic mode for Frankie and Johnny (1991). In 1992, he finally won the Academy Award for Best Actor for his amazing performance in Scent of a Woman (1992). A mixture of technical perfection (he plays a blind man) and charisma, the role was tailor-made for him, and remains a classic.
The next few years would see Pacino becoming more comfortable with acting and movies as a business, turning out great roles in great films with more frequency and less of the demanding personal involvement of his wilder days. Carlito's Way (1993) proved another gangster classic, as did the epic crime drama Heat (1995) directed by Michael Mann and co-starring Robert De Niro. He directed the film adaptation of Shakespeare's Looking for Richard (1996). During this period, City Hall (1996), Donnie Brasco (1997) and The Devil's Advocate (1997) all came out. Reteaming with Mann and then Oliver Stone, he gave commanding performances in The Insider (1999) and Any Given Sunday (1999).
In the 2000s, Pacino starred in a number of theatrical blockbusters, including Ocean's Thirteen (2007), but his choice in television roles (the vicious, closeted Roy Cohn in the HBO miniseries Angels in America (2003) and his sensitive portrayal of Jack Kevorkian, in the television movie You Don't Know Jack (2010)) are reminiscent of the bolder choices of his early career. Each television project garnered him an Emmy Award for Outstanding Lead Actor in a Miniseries or a Movie.
Never wed, Pacino has a daughter, Julie Marie, with acting teacher Jan Tarrant, and a set of twins with former longtime girlfriend Beverly D'Angelo. His romantic history includes Jill Clayburgh, Veruschka von Lehndorff, Carole Mallory, Debra Winger, Tuesday Weld, Marthe Keller, Carmen Cervera, Kathleen Quinlan, Lyndall Hobbs, Penelope Ann Miller, and a two-decade intermittent relationship with "Godfather" co-star Diane Keaton. He currently lives with Argentinian actress Lucila Solá, who is 36 years his junior.
As of 2022, Pacino is 82-years-old. He has never retired from acting, and continues to appear regularly in film.- Actor
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Michael Jai White is an American actor and martial artist who has appeared in numerous films and television series. He is the first African American to portray a major comic book superhero in a major motion picture, having starred as Al Simmons, the protagonist in the 1997 film Spawn. White portrayed Jax Briggs in Mortal Kombat: Legacy (2011). White also portrayed boxer Mike Tyson in the 1995 HBO television movie Tyson.- Actor
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Max von Sydow was born Carl Adolf von Sydow on April 10, 1929 in Lund, Skåne, Sweden, to a middle-class family. He was the son of Baroness Maria Margareta (Rappe), a teacher, and Carl Wilhelm von Sydow, an ethnologist and folklore professor. His surname traces back to his partial German ancestry.
When he was in high school, he and a few fellow students, including Yvonne Lombard, started a theatre club which encouraged his interest in acting. After conscription, he began to study at the Royal Dramatic Theatre's acting school (1948-1951), together with Lars Ekborg, Margaretha Krook and Ingrid Thulin. His first role was as Nils the crofter in Alf Sjöberg's Only a Mother (1949). After graduation, he worked at the city theatres in Norrköping and Malmö.
His work in the movies by Ingmar Bergman (especially The Seventh Seal (1957), including the iconic scenes in which he plays chess with Death) made him well-known internationally, and he started to get offers from abroad. His career abroad began with him playing Jesus in The Greatest Story Ever Told (1965); Hawaii (1966) and The Quiller Memorandum (1966). Since then, his career includes very different kind of characters, like Karl Oskar Nilsson in The Emigrants (1971); Father Lankester Merrin in The Exorcist (1973); Joubert the assassin in Three Days of the Condor (1975), Emperor Ming in Flash Gordon (1980); the villain Ernst Stavro Blofeld in the Never Say Never Again (1983); Liet-Kynes in Dune (1984) the artist Frederick in Hannah and Her Sisters (1986); Lassefar in Pelle the Conqueror (1987), for which he received his first Academy Award nomination; Dr. Peter Ingham in Awakenings (1990); Lamar Burgess in Minority Report (2002) and The Renter in Extremely Loud & Incredibly Close (2011), which earned him his second Academy Award nomination.
He became one of Sweden's most admired and professional actors, and is the only male Swedish actor to receive an Oscar nomination. He was nominated twice: for Pelle the Conqueror (1987) in 1988 and for Extremely Loud & Incredibly Close (2011) in 2012. He received the Guldbagge Award for Best Director in his directing debut, the drama film Ved vejen (1988). In 2016, he joined the sixth season of the HBO series Game of Thrones (2011) as the Three-eyed Raven, which earned him his Primetime Emmy Award nomination.
Max von Sydow died on March 8, 2020, in Provence, France, and was survived by his wife Catherine Brelet and four children. He was 90.- Actor
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Sir Christopher Frank Carandini Lee was perhaps the only actor of his generation to have starred in so many films and cult saga. Although most notable for personifying bloodsucking vampire, Dracula, on screen, he portrayed other varied characters on screen, most of which were villains, whether it be Francisco Scaramanga in the James Bond film, The Man with the Golden Gun (1974), or Count Dooku in Star Wars: Episode II - Attack of the Clones (2002), or as the title monster in the Hammer Horror film, The Mummy (1959).
Lee was born in 1922 in London, England, where he and his older sister Xandra were raised by their parents, Contessa Estelle Marie (Carandini di Sarzano) and Geoffrey Trollope Lee, a professional soldier, until their divorce in 1926. Later, while Lee was still a child, his mother married (and later divorced) Harcourt George St.-Croix (nicknamed Ingle), who was a banker. Lee's maternal great-grandfather was an Italian political refugee, while Lee's great-grandmother was English opera singer Marie (Burgess) Carandini.
After attending Wellington College from age 14 to 17, Lee worked as an office clerk in a couple of London shipping companies until 1941 when he enlisted in the Royal Air Force during World War II. Following his release from military service, Lee joined the Rank Organisation in 1947, training as an actor in their "Charm School" and playing a number of bit parts in such films as Corridor of Mirrors (1948). He made a brief appearance in Laurence Olivier's Hamlet (1948), in which his future partner-in-horror Peter Cushing also appeared. Both actors also appeared later in Moulin Rouge (1952) but did not meet until their horror films together.
Lee had numerous parts in film and television throughout the 1950s. He struggled initially in his new career because he was discriminated as being taller than the leading male actors of his time and being too foreign-looking. However, playing the monster in the Hammer film The Curse of Frankenstein (1957) proved to be a blessing in disguise, since the was successful, leading to him being signed on for future roles in Hammer Film Productions.
Lee's association with Hammer Film Productions brought him into contact with Peter Cushing, and they became good friends. Lee and Cushing often than not played contrasting roles in Hammer films, where Cushing was the protagonist and Lee the villain, whether it be Van Helsing and Dracula respectively in Horror of Dracula (1958), or John Banning and Kharis the Mummy respectively in The Mummy (1959).
Lee continued his role as "Dracula" in a number of Hammer sequels throughout the 1960s and into the early 1970s. During this time, he co-starred in The Hound of the Baskervilles (1959), and made numerous appearances as Fu Manchu, most notably in the first of the series The Face of Fu Manchu (1965), and also appeared in a number of films in Europe. With his own production company, Charlemagne Productions, Ltd., Lee made Nothing But the Night (1973) and To the Devil a Daughter (1976).
By the mid-1970s, Lee was tiring of his horror image and tried to widen his appeal by participating in several mainstream films, such as The Private Life of Sherlock Holmes (1970), The Three Musketeers (1973), The Four Musketeers: Milady's Revenge (1974), and the James Bond film The Man with the Golden Gun (1974).
The success of these films prompted him in the late 1970s to move to Hollywood, where he remained a busy actor but made mostly unremarkable film and television appearances, and eventually moved back to England. The beginning of the new millennium relaunched his career to some degree, during which he has played Count Dooku in Star Wars: Episode II - Attack of the Clones (2002) and as Saruman the White in the Lord of the Rings trilogy. Lee played Count Dooku again in Star Wars: Episode III - Revenge of the Sith (2005), and portrayed the father of Willy Wonka, played by Johnny Depp, in the Tim Burton film, Charlie and the Chocolate Factory (2005).
On 16 June 2001, he was created a Commander of the Order of the British Empire in recognition of his services to drama. He was created a Knight Bachelor on 13 June 2009 in the Queen's Birthday Honours List for his services to drama and charity. In addition he was made a Commander of the Order of St John on 16 January 1997.
Lee died at the Chelsea and Westminster Hospital on 7 June 2015 at 8:30 am after being admitted for respiratory problems and heart failure, shortly after celebrating his 93rd birthday there. His wife delayed the public announcement until 11 June, in order to break the news to their family.- Producer
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Born in 15 March 1959 as Renny Lauri Mauritz Harjola, he is the most successful Finnish film director in the history of Hollywood.
Harlin started his career in film business in the beginning of 1980s when he was directing commercials and company films for companies like Shell. Later he worked as a buyer for Finnish film distributor and met Finnish Markus Selin in Los Angeles. They became friends and started writing a screenplay called "Arctic Heat". The project started fast and soon they had Chuck Norris signed on leading role for the film. But with money problems shooting schedule didn't hold and Norris left the project, but Selin and Harlin got Mike Norris for the leading role. They wrote new script, Born American (1986), and got financial help from USA. In the year 1986 Born American (1986) was finished and the most expensive Finnish film ever opened in USA in over 1,000 theaters and reached no 9.
The film wasn't successful in Finland, where it was banned. Harlin moved to Los Angeles and got a job from Halloween (1978) producer Irwin Yablans who offered him script of "Prison" to film. Film was made with low budget and distributed with only 42 copies. In the same year 1988 he got a job from New Line Cinema to direct A Nightmare on Elm Street 4: The Dream Master (1988) after meeting producer Robert Shaye numerous times, who at the first didn't want Harlin to direct the film. It became the highest-grossing film in the series, though its budget was seven times greater than the original "A Nightmare on Elm Street" film.
20th Century Fox wanted Harlin to direct the Andrew Dice Clay rock'n roll comedy The Adventures of Ford Fairlane (1990) and also a sequel to Die Hard (1988). Harlin made the both, but only Die Hard 2 (1990) was commercially successful, with over 239 million dollar worldwide gross. Next he directed Cliffhanger (1993) with Sylvester Stallone which made $255 million worldwide and was nominated for 3 Oscar's. Before Cliffhanger (1993) Harlin was hired to direct "Alien³" but he left the project because of creative differences.
His next film Cutthroat Island (1995) was a pirate film made with $100 million budget. Unfortunately it came out without good promotion and flopped badly. It made only $10 million in USA and for a time became the biggest flop in Hollywood history. But for Harlin, it wasn't a total loss.
The Long Kiss Goodnight (1996) was a critical success, but was a box office flop, grossing only $30 million domestically with a $65 million budget.
In year 1998, Warner Bros. wanted a summer blockbuster for the year 1999 and Renny Harlin was the right name to direct. Deep Blue Sea (1999) came to theaters after costing 60 million dollars to film and made $160 million worldwide. The film never hit the top spot in the USA but still grossed $73 millions in the USA alone.
Harlin was hired to direct Exorcist: The Beginning (2004) after John Frankenheimer left the job and died shortly after it, and Paul Schrader was fired. Producers knew that Harlin could made a blockbuster even with the weak script, and so he did. With $50 million budget the film opened in number 1 and grossed $80 million worldwide.
Probably most liked Harlin's film Mindhunters (2004) was released in 2004 after years post-production. It was released in USA in 2005 in over 1,000 theaters but it only reached 10th place. In 9 weeks it grossed only $4 million dollars.
The Covenant (2006) was released in 2006. With non-famous (but attractive) actors, the film hit the top in its opening weekend and became a successful film. With a $20 million budget, it grossed $37 million worldwide and DVD sale brought $20 million more.- Director
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John McTiernan was born on 8 January 1951 in Albany, New York, USA. He is a director and producer, known for Die Hard (1988), Rollerball (2002) and Last Action Hero (1993). He has been married to Gail Sistrunk since 2012. He was previously married to Kate Harrington, Donna Dubrow and Carol Land.- Actor
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British actor Jeremy Irons was born in Cowes, Isle of Wight, a small island off the south coast of England. He is the son of Barbara Anne Brereton (Sharpe) and Paul Dugan Irons, an accountant. Young Jeremy didn't prove very fond of figures. He visited mainland England only once a year. He wound up being grounded when his family settled down in Hertfordshire. At the age of 13 he enrolled in Sherborne School, Dorset, where he could practice his favorite sport, horse-riding. Before becoming an actor, he had considered a veterinarian surgeon's career.
He trained at the Bristol Old Vic School for two years, then joined Bristol Old Vic repertory company where he gained experience working in everything from Shakespeare to contemporary dramas. He moved to London in 1971 and had a number of jobs before landing the role of "John the Baptist" in the hit musical "Godspell". He went on to have a successful early career in the West End theatre and on TV, and debuted on-screen in Nijinsky (1980). In the early 80s, he gained international attention with his starring role in the Granada Television serial adaptation of Evelyn Waugh's classic novel Brideshead Revisited (1981), after which he was much in demand as a romantic leading man. He went on to a steady film career. In 1984, he debuted on Broadway opposite: Glenn Close in Tom Stoppard's "The Real Thing" and, in the mid-80s, he appeared in three lead roles with the Royal Shakespeare Company.
Once described as 'the thinking woman's pin up', he has made his name in thought provoking films such as David Cronenberg's Dead Ringers (1988), for which he won the New York Critics Best Actor Award. He gained a Golden Globe Award in addition to an Oscar for Best Actor in 1990 for his role as Claus von Bulow in Reversal of Fortune (1990) alongside Glenn Close. Among his many achievements, his role as Professor Higgins in Loewe-Lerner's famous musical "My Fair Lady" mustn't be forgotten. It was in London, back in 1987.
He is married to actress Sinéad Cusack, with whom he appeared in Waterland (1992) and in the Royal Shakespeare Company plays. He appeared with his son Samuel Irons and his father-in-law Cyril Cusack in the film Danny the Champion of the World (1989). His son Max Irons is also an actor.- Actor
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Zachary David Alexander Efron was born October 18, 1987 in San Luis Obispo, California, to Starla Baskett, a secretary, and David Efron, an electrical engineer. He has a younger brother, Dylan. The surname "Efron", which is Hebrew and a Biblical place name, comes from Zac's Polish Jewish paternal grandfather.
Zac was raised in Arroyo Grande, CA. He took his first step toward acting at the age of eleven, after his parents noticed his singing ability. Singing and acting lessons soon led to an appearance in a production of "Gypsy" that ran 90 performances, and he was hooked. After appearing on-stage in "Peter Pan", "Auntie Mame", "Little Shop of Horrors" and "The Music Man", guest parts quickly followed on television series, including Firefly (2002), ER (1994), CSI: Miami (2002), NCIS (2003), and The Guardian (2001). After guest-starring in several episodes of Summerland (2004), Zac joined the regular cast as girl-crazy Cameron Bale. He also starred in several pilots, such as The Big Wide World of Carl Laemke (2003) and Triple Play (2004), and played an autistic child in the television film Miracle Run (2004), alongside Mary-Louise Parker and Aidan Quinn. He graduated from Arroyo Grande High School in June 2006.
Efron came to fame for starring in the Disney Channel original film High School Musical (2006), for which he won the Teen Choice Award for Breakout Star. He returned to the role of Troy Bolton in High School Musical 2 (2007), which broke cable TV records with 17.5 million viewers.
He had the lead roles in the fantasy romance Charlie St. Cloud (2010) and the comedy 17 Again (2009), both from director Burr Steers, and as the lovable Link Larkin in 2007's smash hit musical Hairspray (2007), directed by Adam Shankman. As part of the all-star cast, he shared a Critics Choice Award for Best Acting Ensemble and the 2007 Hollywood Film Festival Award for Ensemble of the Year, and was honored with a Screen Actors Guild Award® nomination for Outstanding Motion Picture Cast. In addition, he won an MTV Movie Award for Breakthrough Performance.
Efron then starred in Richard Linklater's Me and Orson Welles (2008), an adaptation of the novel by Robert Kaplow, which premiered to rave reviews at the 2008 Toronto Film Festival. That same year, he led Kenny Ortega's High School Musical 3: Senior Year (2008), which set a box office record for the highest grossing opening weekend for a musical. In 2012, Efron took the lead in The Lucky One (2012), a film adaptation of the Nicholas Sparks novel, playing a marine who returns to North Carolina after serving in Iraq in search for the unknown woman he believes was his good luck charm during the war. He also lent his voice to the animated feature Dr. Seuss' The Lorax (2012), and co-starred in Lee Daniels' thriller The Paperboy (2012), alongside Nicole Kidman, John Cusack, Matthew McConaughey and Scott Glenn, as well as Josh Radnor's Liberal Arts (2012), which premiered to rave reviews at the Sundance Film Festival. Another indie film he co-starred in, At Any Price (2012), was released in 2013.
Most recently, Zac starred with Seth Rogen in the hit comedy film Neighbors (2014), headlined the 2015 drama We Are Your Friends (2015), carried three 2016 comedies, Dirty Grandpa (2016), Neighbors 2: Sorority Rising (2016), and Mike and Dave Need Wedding Dates (2016), and starred opposite Hugh Jackman and Zendaya in the musical drama The Greatest Showman (2017), about showman P. T. Barnum. The latter title was a sleeper hit in the winter of 2017, becoming Zac's highest-grossing live action film in the U.S.
Zac's 2019 roles include a supporting part in Harmony Korine's The Beach Bum (2019), and playing serial killer Ted Bundy in Joe Berlinger's biographical drama Extremely Wicked, Shockingly Evil and Vile (2019).
Efron's favorite sports include golf, skiing, rock climbing, and snowboarding. He added surfing after spending days on the beach for "Summerland." He played the piano at home. He has also fixed up two cars in his spare time, a Delorean and '65 Mustang convertible, both treasured hand-me-downs from his even-more-treasured grandfather.- Actress
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Hannah Dakota Fanning was born on the 23rd of February 1994, in Conyers, Georgia, USA, to Heather Joy (Arrington) and Steven Fanning. Her mother played professional tennis, and her father, now an electronics salesman, played minor league baseball. She is of German, Irish, English, French, and Channel Islander descent. Before her debut into the cinematic world, Dakota did her own acting around her house. She was very active for her age, and often put a blanket under her shirt and pretended to be having a baby, using her younger sister, Elle Fanning, who is also an actress now, as the baby. Dakota went to a playhouse near her home, where the children that attended put on a play every week to show to their parents. But the people running the playhouse noticed that Dakota stood out, and advised her parents to take her to an agency. They believed that she was extremely talented.
The Fanning family were advised to spend six weeks in Los Angeles, a long way from their home in Georgia. But there Dakota managed to get her first work; to star in a national Tide commercial. She was chosen out of many, many other children.
The family then decided to move to Los Angeles permanently, for it looked like Dakota's career was looking very good. After they moved, Dakota signed with a professional agency, and soon won a role in the movie Tomcats (2001). She then went onto a small project called Father Xmas (2001) as Clairee.
But Dakota's big break-through was yet to come. She auditioned for one of the main characters in I Am Sam (2001), and the director and the rest of the crew were amazed by her extraordinary talent. Dakota was cast, and starred in the movie as Lucy Diamond Dawson, alongside major Hollywood stars Sean Penn and Michelle Pfeiffer.
After I Am Sam (2001) her talent was immediately recognized around the world. She went straight onto Trapped (2002) as Abby Jennings, alongside Charlize Theron, then played the younger version of Reese Witherspoon in 2002's Sweet Home Alabama (2002) But Dakota still had two more movies to come in 2002. Firstly she got a huge role in Steven Spielberg's Taken (2002), the mini-TV series, and narrated the ten whole episodes, as well as having a part. This was a little more challenging, as she was playing a troubled alien child, but she managed to do brilliantly. Her last movie for 2002 was the children's movie Hansel & Gretel (2002) as Katie.
2003 was also a brilliant year for Dakota, as she starred in a number of exciting projects. Firstly, it was as Sally Walden in The Cat in the Hat (2003) with Mike Myers, then she played Lorraine "Ray" Schleine, a bratty little girl, in the sweet comedy Uptown Girls (2003) alongside Brittany Murphy. She then voiced preschool Kim in Kim Possible: A Sitch in Time (2003).
In 2004, Dakota appeared in the violent thriller, Man on Fire (2004), alongside Denzel Washington. Her reviews were excellent.
First in 2005 was Nine Lives (2005), as Maria, then the chilling Hide and Seek (2005) alongside Robert De Niro. By now, she was the busiest child actress in Hollywood, with a resume to die for. Her younger sister, (Elle Fanning), had also been discovered a few years earlier.
After Hide and Seek (2005) came War of the Worlds (2005), which was one of her major movies out of everything she'd worked in. Not only did it make her more popular, but she got to play the daughter of A-list Hollywood actor Tom Cruise. They had four very successful premieres; the first in Tokyo, Japan, the second in France, the third in London, England and the fourth in New York, USA. The reviews were outstanding, especially Dakota's. She then voiced Lilo in Lilo & Stitch 2: Stitch Has a Glitch (2005).- Producer
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Timothy Walter Burton was born in Burbank, California, to Jean Rae (Erickson), who owned a cat-themed gift shop, and William Reed Burton, who worked for the Burbank Park and Recreation Department. He spent most of his childhood as a recluse, drawing cartoons, and watching old movies (he was especially fond of films with Vincent Price). When he was in the ninth grade, his artistic talent was recognized by a local garbage company, when he won a prize for an anti-litter poster he designed. The company placed this poster on all of their garbage trucks for a year. After graduating from high school, he attended California Institute of the Arts. Like so many others who graduated from that school, Burton's first job was as an animator for Disney.
His early film career was fueled by almost unbelievable good luck, but it's his talent and originality that have kept him at the top of the Hollywood tree. He worked on such films as The Fox and the Hound (1981) and The Black Cauldron (1985), but had some creative differences with his colleagues. Nevertheless, Disney recognized his talent, and gave him the green light to make Vincent (1982), an animated short about a boy who wanted to be just like Vincent Price. Narrated by Price himself, the short was a critical success and won several awards. Burton made a few other short films, including his first live-action film, Frankenweenie (1984). A half-hour long twist on the tale of Frankenstein, it was deemed inappropriate for children and wasn't released. But actor Paul Reubens (aka Pee-Wee Herman) saw Frankenweenie (1984), and believed that Burton would be the right man to direct him in his first full-length feature film, Pee-wee's Big Adventure (1985). The film was a surprise success, and Burton instantly became popular. However, many of the scripts that were offered to him after this were essentially just spin-offs of the film, and Burton wanted to do something new.
For three years, he made no more films, until he was presented with the script for Beetlejuice (1988). The script was wild and wasn't really about anything, but was filled with such artistic and quirky opportunities, Burton couldn't say no. Beetlejuice (1988) was another big hit, and Burton's name in Hollywood was solidified. It was also his first film with actor Michael Keaton. Warner Bros. then entrusted him with Batman (1989), a film based on the immensely popular comic book series of the same name. Starring Michael Keaton and Jack Nicholson, the film was the most financially successful film of the year and Burton's biggest box-office hit to date. Due to the fantastic success of his first three films, he was given the green light to make his next film, any kind of film he wanted. That film was Edward Scissorhands (1990), one of his most emotional, esteemed and artistic films to date. Edward Scissorhands (1990) was also Burton's first film with actor Johnny Depp. Burton's next film was Batman Returns (1992), and was darker and quirkier than the first one, and, while by no means a financial flop, many people felt somewhat disappointed by it. While working on Batman Returns (1992), he also produced the popular The Nightmare Before Christmas (1993), directed by former fellow Disney Animator Henry Selick. Burton reunited with Johnny Depp on the film Ed Wood (1994), a film showered with critical acclaim, Martin Landau won an academy award for his performance in it, and it is very popular now, but flopped during its initial release. Burton's subsequent film, Mars Attacks! (1996), had much more vibrant colors than his other films. Despite being directed by Burton and featuring all-star actors including Jack Nicholson, Glenn Close, Pierce Brosnan and Michael J. Fox, it received mediocre reviews and wasn't immensely popular at the box office, either.
Burton returned to his darker and more artistic form with the film Sleepy Hollow (1999), starring Johnny Depp, Christina Ricci and Casper Van Dien. The film was praised for its art direction and was financially successful, redeeming Burton of the disappointment many had felt by Mars Attacks! (1996). His next film was Planet of the Apes (2001), a remake of the classic of the same name. The film was panned by many critics but was still financially successful. While on the set of Planet of the Apes (2001), Burton met Helena Bonham Carter, with whom he has two children. Burton directed the film Big Fish (2003) - a much more conventional film than most of his others, it received a good deal of critical praise, although it disappointed some of his long-time fans who preferred the quirkiness of his other, earlier films. Despite the fluctuations in his career, Burton proved himself to be one of the most popular directors of the late 20th century. He directed Johnny Depp once again in Charlie and the Chocolate Factory (2005), a film as quirky anything he's ever done.- Producer
- Actor
- Composer
American actor Mark Wahlberg is one of a handful of respected entertainers who successfully made the transition from teen pop idol to acclaimed actor. A Best Supporting Actor Oscar nominee for The Departed (2006) who went on to receive positive critical reviews for his performance in The Fighter (2010), Wahlberg also is a solid comedy actor, proven by his starring role in Ted (2012).
Mark Robert Michael Wahlberg was born June 5, 1971 in a poor working class district, Dorchester, of Boston, Massachusetts. He is the son of Alma Elaine (Donnelly), a nurse's aide and clerk, and Donald Edward Wahlberg, a delivery driver. Wahlberg is the youngest of nine children. He is of Swedish (from his paternal grandfather), French-Canadian, English, Irish and Scottish, descent. The large Wahlberg brood didn't have a lot growing up, especially after his parents divorced when he was eleven. The kids crammed into a three-bedroom apartment, none of them having very much privacy. Mark's mother has said that after the divorce, she became very self-absorbed with her own life. She has blamed herself for her son's subsequent problems and delinquency. Wahlberg dropped out of high school at age fourteen (but later got his GED) to pursue a life of petty crime and drugs. He'd spend his days scamming and stealing, working on the odd drug deal before treating himself to the substances.
The young man also had a violent streak - one which was often aimed at minorities. At age sixteen, he was convicted of assault against two Vietnamese men after he had tried to rob them. As a result of his assault conviction, he was sentenced to serve 50 days in prison at Deer Island penitentiary. Whilst there, he began working out to pass time and, when he emerged at the end of his sentence, he had gone from being a scrawny young kid to a buff young man. Wahlberg also credits jail time as being his motivation to improve his lifestyle and leave crime behind him.
Around this time, his older brother Donnie Wahlberg had become an overnight teen idol as a member of the 1980s boy band New Kids on the Block. A precursor to the boy-band craze, the group was dominating the charts and were on top of their game. Mark himself had been an original member of the band but had backed out early on - uncomfortable with the squeaky clean image of the group. Donnie used his connections in the music business to help his little brother secure a recording contract, and soon the world was introduced to Marky Mark and the Funky Bunch, with Wahlberg as a bad-boy rapper who danced in his boxers. Despite a lack of singing ability, promoters took to his dance moves and a physique they knew teenage girls would love.
Donnie scripted some easy songs for Mark, who collected a troupe of dancers and a DJ to become his "Funky Bunch" and "Marky Mark and the Funky Bunch" was born. His debut album, "Music for the People", was a smash hit, which was propelled along by the rapper's willingness to disrobe down to boxer-briefs on stage, not to mention several catchy tunes. Teenage girls thrilled to the rapping "bad boy". Record producer David Geffen saw in Wahlberg a cash-cow of marketing ability. After speaking to designer Calvin Klein, Marky Mark was set up as the designer's chief underwear model.
His scantily clad figure soon adorned billboards across the nation. Ironically, while the New Kids on the Block's fame was dwindling as audiences tired of their syrupy lyrics, "Marky Mark's" bad boy image was becoming even more of a commodity. He was constantly in the headlines (often of the tabloids) after multiple scandals. In 1992, he released a book dedicated to his penis. Wahlberg was constantly getting into rumored fights, most memorably with Madonna and her entourage at a Los Angeles party. While things were always intense, they were relatively harmless and made for enjoyable reading for the public. However, when the story of his arrest for assault (and the allegations of racism) broke in the press, things took on a decidedly darker note. People were not amused. Soon after, while on a British talk show along with rapper Shabba Ranks, he got into even more trouble. After Ranks made the statement that gays should be crucified, Wahlberg was accused of condoning the comments by his silence. Marky Mark was suddenly surrounded by charges of brutality, homophobia and racial hatred. His second album, "You Gotta Believe", had not been faring well and, after the charges surfaced, it plummeted from the charts.
Adding to the hoopla, Wahlberg was brought to court for allegedly assaulting a security guard. He was ordered to make amends by appearing in a series of anti-bias advertisements. Humbled and humiliated by his fall from grace in the music world, Wahlberg decided to pursue another angle, acting. He dropped the "Marky Mark" moniker and became known simply as Mark Wahlberg. His first big screen role came in Penny Marshall's Renaissance Man (1994). Despite the name change, many people snickered at the idea of the has-been rapper thinking he could make it as an actor. From the get-go, he was proving them wrong. In Renaissance Man (1994), he gave an utterly charming performance as a simple but sincere army recruit. What naysayers remained found it increasingly difficult to write Mark Wahlberg off as he delivered one fine performance after another. He blew them away in the controversial The Basketball Diaries (1995) and chilled them in Fear (1996) as every father's worst nightmare.
The major turning point in Wahlberg's career came with the role of troubled porn star Dirk Diggler in Paul Thomas Anderson's Boogie Nights (1997). Since then, Wahlberg has chosen roles that demonstrate a wide range of dramatic ability, starring in critically acclaimed dramas such as Three Kings (1999) and The Perfect Storm (2000), popcorn flicks like Planet of the Apes (2001) and Contraband (2012), and even indies such as I Heart Huckabees (2004).
Wahlberg was the executive producer of such television series as Boardwalk Empire (2010), In Treatment (2008) and the highly successful comedy Entourage (2004), which was partly based on his experiences in Hollywood.
Wahlberg and his wife Rhea Durham have four children.- Producer
- Actor
- Writer
Willard Carroll "Will" Smith II (born September 25, 1968) is an American actor, comedian, producer, rapper, and songwriter. He has enjoyed success in television, film, and music. In April 2007, Newsweek called him "the most powerful actor in Hollywood". Smith has been nominated for five Golden Globe Awards, two Academy Awards, and has won four Grammy Awards.
In the late 1980s, Smith achieved modest fame as a rapper under the name The Fresh Prince. In 1990, his popularity increased dramatically when he starred in the popular television series The Fresh Prince of Bel-Air. The show ran for six seasons (1990-96) on NBC and has been syndicated consistently on various networks since then. After the series ended, Smith moved from television to film, and ultimately starred in numerous blockbuster films. He is the only actor to have eight consecutive films gross over $100 million in the domestic box office, eleven consecutive films gross over $150 million internationally, and eight consecutive films in which he starred open at the number one spot in the domestic box office tally.
Smith is ranked as the most bankable star worldwide by Forbes. As of 2014, 17 of the 21 films in which he has had leading roles have accumulated worldwide gross earnings of over $100 million each, five taking in over $500 million each in global box office receipts. As of 2014, his films have grossed $6.6 billion at the global box office. He has received Best Actor Oscar nominations for Ali and The Pursuit of Happyness.
Smith was born in West Philadelphia, the son of Caroline (Bright), a Philadelphia school board administrator, and Willard Carroll Smith, Sr., a refrigeration engineer. He grew up in West Philadelphia's Wynnefield neighborhood, and was raised Baptist. He has three siblings, sister Pamela, who is four years older, and twins Harry and Ellen, who are three years younger. Smith attended Our Lady of Lourdes, a private Catholic elementary school in Philadelphia. His parents separated when he was 13, but did not actually divorce until around 2000.
Smith attended Overbrook High School. Though widely reported, it is untrue that Smith turned down a scholarship to attend the Massachusetts Institute of Technology (MIT); he never applied to college because he "wanted to rap." Smith says he was admitted to a "pre-engineering [summer] program" at MIT for high school students, but he did not attend. According to Smith, "My mother, who worked for the School Board of Philadelphia, had a friend who was the admissions officer at MIT. I had pretty high SAT scores and they needed black kids, so I probably could have gotten in. But I had no intention of going to college."
Smith started as the MC of the hip-hop duo DJ Jazzy Jeff & The Fresh Prince, with his childhood friend Jeffrey "DJ Jazzy Jeff" Townes as producer, as well as Ready Rock C (Clarence Holmes) as the human beat box. The trio was known for performing humorous, radio-friendly songs, most notably "Parents Just Don't Understand" and "Summertime". They gained critical acclaim and won the first Grammy awarded in the Rap category (1988).
Smith spent money freely around 1988 and 1989 and underpaid his income taxes. The Internal Revenue Service eventually assessed a $2.8 million tax debt against Smith, took many of his possessions, and garnished his income. Smith was nearly bankrupt in 1990, when the NBC television network signed him to a contract and built a sitcom, The Fresh Prince of Bel-Air, around him.
The show was successful and began his acting career. Smith set for himself the goal of becoming "the biggest movie star in the world", studying box office successes' common characteristics.
Smith's first major roles were in the drama Six Degrees of Separation (1993) and the action film Bad Boys (1995) in which he starred opposite Martin Lawrence.
In 1996, Smith starred as part of an ensemble cast in Roland Emmerich's Independence Day. The film was a massive blockbuster, becoming the second highest grossing film in history at the time and establishing Smith as a prime box office draw. He later struck gold again in the summer of 1997 alongside Tommy Lee Jones in the summer hit Men in Black playing Agent J. In 1998, Smith starred with Gene Hackman in Enemy of the State.
He turned down the role of Neo in The Matrix in favor of Wild Wild West (1999). Despite the disappointment of Wild Wild West, Smith has said that he harbors no regrets about his decision, asserting that Keanu Reeves's performance as Neo was superior to what Smith himself would have achieved, although in interviews subsequent to the release of Wild Wild West he stated that he "made a mistake on Wild Wild West. That could have been better."
In 2005, Smith was entered into the Guinness Book of World Records for attending three premieres in a 24-hour time span.
He has planned to star in a feature film remake of the television series It Takes a Thief.
On December 10, 2007, Smith was honored at Grauman's Chinese Theatre on Hollywood Boulevard. Smith left an imprint of his hands and feet outside the world-renowned theater in front of many fans. Later that month, Smith starred in the film I Am Legend, released December 14, 2007. Despite marginally positive reviews, its opening was the largest ever for a film released in the United States during December. Smith himself has said that he considers the film to be "aggressively unique". A reviewer said that the film's commercial success "cemented [Smith's] standing as the number one box office draw in Hollywood." On December 1, 2008, TV Guide reported that Smith was selected as one of America's top ten most fascinating people of 2008 for a Barbara Walters ABC special that aired on December 4, 2008.
In 2008 Smith was reported to be developing a film entitled The Last Pharaoh, in which he would be starring as Taharqa. It was in 2008 that Smith starred in the superhero movie Hancock.
Men in Black III opened on May 25, 2012 with Smith again reprising his role as Agent J. This was his first major starring role in four years.
On August 19, 2011, it was announced that Smith had returned to the studio with producer La Mar Edwards to work on his fifth studio album. Edwards has worked with artists such as T.I., Chris Brown, and Game. Smith's most recent studio album, Lost and Found, was released in 2005.
Smith and his son Jaden played father and son in two productions: the 2006 biographical drama The Pursuit of Happyness, and the science fiction film After Earth, which was released on May 31, 2013.
Smith starred opposite Margot Robbie in the romance drama Focus. He played Nicky Spurgeon, a veteran con artist who takes a young, attractive woman under his wing. Focus was released on February 27, 2015. Smith was set to star in the Sci-Fic thriller Brilliance, an adaptation of Marcus Sakey's novel of the same name scripted by Jurassic Park writer David Koepp. But he left the project.
Smith played Dr. Bennet Omalu of the Brain Injury Research Institute in the sports-drama Concussion, who became the first person to discover chronic traumatic encephalopathy (CTE) in a football player's brain. CTE is a degenerative disease caused by severe trauma to the head that can be discovered only after death. Smith's involvement is mostly due to his last-minute exit from the Sci-Fi thriller-drama Brilliance. Concussion was directed by Peter Landesman and-bead filmed in Pittsburgh, according to the Pittsburgh Tribune-Review. It received $14.4 million in film tax credits from Pennsylvania. Principal photography started on October 27, 2014. Actress Gugu Mbatha-Raw played his wife. Omalu served as a consultant.
As of November 2015, Smith is set to star in the independent drama Collateral Beauty, which will be directed by David Frankel. Smith will play a New York advertising executive who succumbs to an deep depression after a personal tragedy.
Nobel Peace Prize Concert December 11, 2009, in Oslo, Norway: Smith with wife Jada and children Jaden and Willow Smith married Sheree Zampino in 1992. They had one son, Trey Smith, born on November 11, 1992, and divorced in 1995. Trey appeared in his father's music video for the 1998 single "Just the Two of Us". He also acted in two episodes of the sitcom All of Us, and has appeared on The Oprah Winfrey Show and on the David Blaine: Real or Magic TV special.
Smith married actress Jada Koren Pinkett in 1997. Together they have two children: Jaden Christopher Syre Smith (born 1998), his co-star in The Pursuit of Happyness and After Earth, and Willow Camille Reign Smith (born 2000), who appeared as his daughter in I Am Legend. Smith and his brother Harry own Treyball Development Inc., a Beverly Hills-based company named after Trey. Smith and his family reside in Los Angeles, California.
Smith was consistently listed in Fortune Magazine's "Richest 40" list of the forty wealthiest Americans under the age of 40.- Actor
- Producer
- Writer
Jamie Foxx is an American actor, singer and comedian. He won an Academy Award for Best Actor, BAFTA Award for Best Actor in a Leading Role, and Golden Globe Award for Best Actor in a Musical or Comedy, for his work in the biographical film Ray (2004). The same year, he was nominated for the Academy Award for Best Supporting Actor for his role in the action film Collateral (2004). Other prominent acting roles include the title role in the film Django Unchained (2012), the supervillain Electro in The Amazing Spider-Man 2 (2014), and William Stacks in the modern version of Annie (2014).
Jamie Foxx was born Eric Marlon Bishop in Terrell, Texas, to Louise Annette Talley and Darrell Bishop, who worked as a stockbroker and had later changed his name to Shahid Abdula. His mother was an adopted child. When her marriage to his father failed, his maternal grandparents, Mark and Estelle Talley, stepped in and, at age seven months, adopted Jamie too. He has said that he had a very rigid upbringing that placed him in the Boy Scouts and the church choir. During high school, he played quarterback for his high school team and was good enough that he got press in Dallas newspapers. He studied music in college. He released a music album, "Peep This" (1994), and sings the theme song for his movie, Any Given Sunday (1999). However, in 1989, his life changed when a girlfriend challenged him to get up onstage at the Comedy Club. In fact, he says he took his androgynous stage name because he learned that women got preference for mike time on open stage nights. That led to his being cast on Roc (1991) and In Living Color (1990).
Foxx had his own WB television show from 1996 to 2001, the sitcom The Jamie Foxx Show (1996), in which he played Jamie King Jr. Foxx is also a Grammy Award-winning musician, producing four albums which have charted highly on the US Billboard 200: "Unpredictable" (2005), which topped the chart, "Intuition" (2008), "Best Night of My Life" (2010), and "Hollywood: A Story of a Dozen Roses" (2015). In 2012, Foxx starred in the title role of the Quentin Tarantino written and directed Django Unchained (2012). Foxx starred alongside his Ray co-star Kerry Washington, as well as Christoph Waltz, Leonardo DiCaprio and Samuel L. Jackson. In 2013, Foxx was cast as President James Sawyer in White House Down (2013) alongside Channing Tatum. The following year, Foxx appeared as the villain Electro in The Amazing Spider-Man 2 (2014), and co-starred with Quvenzhané Wallis in Annie (2014), Sony's Will Smith and Jay-Z produced update of the comic strip-turned-musical.
He has two children, including Corinne Foxx, (born 1994), who resides with her mother.- Actress
- Producer
- Director
Though most famous for her role as Isabella "Bella" Swan in The Twilight (2008) Saga, Kristen Stewart has been a working actor since her early years in Los Angeles, California. Her parents, John Stewart and Jules Stewart, both work in film and television. The family includes three boys, Kristen's older brother Cameron Stewart and two adopted brothers Dana and Taylor. Kristen is of English, Scottish, and Ashkenazi Jewish descent.
After a talent scout caught her grade school performance in a play at the age of eight, she appeared on television in a few small roles. Her first significant role came when she was cast as Sam Jennings in The Safety of Objects (2001). Soon after that, she starred alongside Jodie Foster in the hit drama, Panic Room (2002) and was nominated for a Young Artist Award.
Praised for her Panic Room performance, she went on to join the cast of Cold Creek Manor (2003) as the daughter of Dennis Quaid and Sharon Stone. Though the film did not do well at the box office, she received another nomination for a Young Artist Award. After appearing in a handful of movies and a Showtime movie called Speak (2004), Stewart was cast in the role of a teenage singer living in a commune in Sean Penn's Into the Wild (2007), a critically acclaimed biopic. A third Young Artist Award nomination resulted in a win for this role. She also appeared in Mary Stuart Masterson's The Cake Eaters (2007) that same year.
Just 17, Stewart took on the starring role in Twilight (2008) which was based on a series of the same name written by Stephenie Meyer, the novel already had a huge following and the film opened to fans anxious to see the vampire romance brought to life. Awarded the MTV Movie Award for Best Female Performance, Stewart's turn as Bella continued in the sequels The Twilight Saga: New Moon (2009) and The Twilight Saga: Eclipse (2010). The final installments of the series started filming in late 2010, and were released the following years, as The Twilight Saga: Breaking Dawn - Part 1 (2011) and The Twilight Saga: Breaking Dawn - Part 2 (2012).
Despite her stratospheric launch into stardom with the Twilight films, she stayed true to her roots by working on a number of indie projects, including Adventureland (2009) (filmed prior to the Twilight series) and Welcome to the Rileys (2010). And she took on the daunting task of playing hard rocker Joan Jett in Floria Sigismondi's The Runaways (2010) alongside Dakota Fanning. Stewart received praise for her acting and musical performances and later won the 2010 BAFTA Rising Star Award and best actress at the Milan International Film Festival for Welcome to the Rileys (2010).
Stewart worked on several other leading roles between the Twilight Saga installments including the #1 summer box office hit, Snow White and the Huntsman (2012), and the Cannes selection On the Road (2012). She also performed in the Sundance drama Camp X-Ray (2014), Cannes selection Clouds of Sils Maria (2014), for which she won a César Award, and the Lionsgate action comedy, American Ultra (2015), also starring Jesse Eisenberg, the Adventureland duo. She also delivered an acclaimed turn opposite Academy Award-winner Julianne Moore in Still Alice (2014). For the remainder of the decade, Kristen alternated choice supporting roles, such as Billy Lynn's Long Halftime Walk (2016) and Café Society (2016), with starring roles in films about historical figures, including Lizzie (2018) and Seberg (2019), and special effects/action thrillers Charlie's Angels (2019) and Underwater (2020).
Kristen had a change-of-pace role in the romantic comedy Happiest Season (2020), about an LGBT+ couple, and received universal acclaim, and her first Oscar nomination, for Best Actress, for her performance as Princess Diana in Pablo Larraín's Spencer (2021). Moving deeper into the 2020s, she is working on David Cronenberg's thriller Crimes of the Future (2022).
Stewart lives in Los Angeles, California.- Writer
- Producer
- Director
Certainly idiosyncratic as a writer, Cameron Crowe has created a series of scripts that, while liked by the critics, were considered offbeat and difficult to market.
Cameron Bruce Crowe was born in Palm Springs, California, to Alice Marie Crowe (née George), a teacher and activist, and James A. Crowe, a real estate/telephone business owner. Cameron began his writing career as a 15-year-old high-school student, with articles on music submitted to Rolling Stone magazine, and only a few years later had his first script, for Fast Times at Ridgemont High (1982). This movie was important for more than his career - his future wife Nancy Wilson had a small role in the film. Music remained important to him, with the rock band Pearl Jam playing a bit role in Singles (1992) well before they were "discovered". His next movie, Jerry Maguire (1996), took over five years to develop - a chance photograph of a football player and his agent was the initial inspiration. It took some 20 drafts and near terminal discouragement that he would ever get it right before the film finally made it to the screen. And this time his wife composed the music.- Actress
- Producer
- Soundtrack
Emily Jean "Emma" Stone was born on November 6, 1988 in Scottsdale, Arizona to Krista Jean Stone (née Yeager), a homemaker & Jeffrey Charles "Jeff" Stone, a contracting company founder and CEO. She is of Swedish, German & British Isles descent. Stone began acting as a child as a member of the Valley Youth Theatre in Phoenix, Arizona, where she made her stage debut in a production of Kenneth Grahame's "The Wind in the Willows". She appeared in many more productions through her early teens until, at the age of fifteen, she decided that she wanted to make acting her career.
The official story is that she made a PowerPoint presentation, backed by Madonna's "Hollywood" and itself entitled "Project Hollywood", in an attempt to persuade her parents to allow her to drop out of school and move to Los Angeles. The pitch was successful and she and her mother moved to LA with her schooling completed at home while she spent her days auditioning.
She had her TV breakthrough when she won the part of Laurie Partridge in the VH1 talent/reality show In Search of the Partridge Family (2004) which led to a number of small TV roles in the following years. Her movie debut was as Jules in Superbad (2007) and, after a string of successful performances, her leading role as Olive in Easy A (2010) established her as a star.- Actor
- Producer
- Additional Crew
Patrick Wayne Swayze was born on August 18, 1952 in Houston, Texas, to Patsy Swayze (née Yvonne Helen Karnes), a choreographer, and Jesse Wayne Swayze, a chemical plant engineer draftsman. His mother owned a dance school in Houston, where Patrick was also a student. His father passed away in 1982. He graduated from Waltrip High School in Houston, and attended San Jacinto College in Pasadena, Texas. He married actress/dancer Lisa Niemi on June 12, 1975, whom he had known when she was 15 and a student at his mother's dance school. His New York City dance training included the Harkness Ballet School and Joffrey Ballet School. He first danced professionally as "Prince Charming" in "Disney on Parade". After a stint as "Danny Zuko" in the original Broadway production of "Grease", he made his film debut with a small role in Skatetown U.S.A. (1979). He made his television debut in 1981 on M*A*S*H (1972), as a soldier diagnosed with leukemia.
After many supporting roles in films and a lead role in the TV mini-series North & South: Book 1, North & South (1985), he landed his breakthrough role as dance instructor "Johnny Castle" in the hit film Dirty Dancing (1987), for which he received a Golden Globe nomination. He received a second nomination for his portrayal of "Sam Wheat" in the blockbuster Ghost (1990). Ghost (1990) was the highest-grossing film of 1990, and at one point, the fourth highest-grossing film of all time. Unfortunately, he did not capitalize on its success. His subsequent films like City of Joy (1992), Tall Tale (1995), Black Dog (1998), and Waking Up in Reno (2002) did not fare well with critics or audiences. In December 2003, he returned to Broadway as a replacement for the lead role of "Billy Flynn" in the acclaimed revival of John Kander & Fred Ebb's musical, "Chicago". The production also went on tour in several cities of the United States, including Los Angeles. In January 2008, he was diagnosed with pancreatic cancer. He fought the illness for well over a year and was able to continue working, but died on September 14, 2009.- Actor
- Producer
- Writer
Kurt Vogel Russell was born on March 17, 1951 in Springfield, Massachusetts and raised in Thousand Oaks, California to Louise Julia Russell (née Crone), a dancer & Bing Russell, an actor. He is of English, German, Scottish and Irish descent. His first roles were as a child on television series, including a lead role on the Western series The Travels of Jaimie McPheeters (1963). Russell landed a role in the Elvis Presley movie, It Happened at the World's Fair (1963), when he was eleven years old. Walt Disney himself signed Russell to a 10-year contract, and, according to Robert Osborne, he became the studio's top star of the 1970s. Having voiced adult Copper in the animated Disney film The Fox and the Hound (1981), Russell is one of the few famous child stars in Hollywood who has been able to continue his acting career past his teen years.
Kurt spent the early 1970s playing minor league baseball. In 1979, he gave a classic performance as Elvis Presley in John Carpenter's ABC TV movie Elvis (1979), and married the actress who portrayed Priscilla Presley in the film, Season Hubley. He was nominated for an Emmy Award for the role. He followed with roles in a string of well-received films, including Used Cars (1980) and Silkwood (1983), for which he was nominated for the Golden Globe Award for Best Supporting Actor - Motion Picture. During the 1980s, he starred in several films by director Carpenter; they created some of his best-known roles, including the infamous anti-hero Snake Plissken in the futuristic action film Escape from New York (1981) (and later in its sequel Escape from L.A. (1996)), Antarctic helicopter pilot R.J. MacReady in the horror film The Thing (1982), and Jack Burton in the fantasy film Big Trouble in Little China (1986), all of which have since become cult classics.
In 1983, he became reacquainted with Goldie Hawn (who appeared with him in The One and Only, Genuine, Original Family Band (1968)) when they worked together on Swing Shift (1984). The two have lived together ever since. They made another film together, Garry Marshall's comedy Overboard (1987). His other 1980s titles include The Best of Times (1986), Tequila Sunrise (1988), Winter People (1989) and Tango & Cash (1989).
In 1991, he headlined the firefighter drama Backdraft (1991), he starred as Wyatt Earp in the Western film Tombstone (1993), and had a starring role as Colonel Jack O'Neil in the science fiction film Stargate (1994). In the mid-2000s, his portrayal of U.S. Olympic hockey coach Herb Brooks in Miracle (2004) won the praise of critics. In 2006, he appeared in the disaster-thriller Poseidon (2006), and in 2007, in Quentin Tarantino's Death Proof (2007) segment from the film Grindhouse (2007). Russell appeared in The Battered Bastards of Baseball (2014), a documentary about his father and the Portland Mavericks, which debuted at the Sundance Film Festival in 2014. Russell starred in the Western films Bone Tomahawk (2015) and The Hateful Eight (2015), and had a leading role in the dramatization Deepwater Horizon (2016). He also co-starred in the action sequels Furious 7 (2015) and The Fate of the Furious (2017).
Russell and Goldie Hawn live on a 72-acre retreat, Home Run Ranch, outside of Aspen. He has two sons, Boston Russell (from his marriage to Hubley) and Wyatt Russell (with Hawn). He also raised Hawn's children, actors Oliver Hudson and Kate Hudson, who consider him their father. Russell is also an avid gun enthusiast, a hunter and a staunch supporter of the Second Amendment of the United States Constitution. He is also an FAA-licensed private pilot holding single/multi-engine and instrument ratings, and is an Honorary Board Member of the humanitarian aviation organization Wings of Hope.- Actor
- Additional Crew
- Producer
Henry William Dalgliesh Cavill was born on the Bailiwick of Jersey, a British Crown dependency in the Channel Islands. His mother, Marianne (Dalgliesh), a housewife, was also born on Jersey, and is of Irish, Scottish and English ancestry. Henry's father, Colin Richard Cavill, a stockbroker, is of English origin (born in Chester, England). Henry is the second youngest son, with four brothers. He was privately educated at St. Michael's Preparatory School in Saint Saviour, Jersey before attending Stowe School in Buckinghamshire, England.
His interest in acting started at an early age with school play renditions of Shakespeare's "A Midsummer Night's Dream", and Sonny LaTierri in "Grease". He also starred and directed Shakespeare's "Hamlet" in the BBC documentary "40 Minutes". It was at age 17 when Henry was discovered by casting directors at school who were looking for a young boy to play Albert Mondego in The Count of Monte Cristo (2002). He went on to star in Vendetta (2001), appear in BBC's The Inspector Lynley Mysteries (2001), the television film Goodbye, Mr. Chips (2002), and the television series Midsomer Murders (1997).
When Henry was 20 years old, he gained starring roles in I Capture the Castle (2003), Hellraiser: Hellworld (2005), Red Riding Hood (2006) and Tristan + Isolde (2006). He also had a minor role in the fantasy-adventure epic Stardust (2007) alongside Sienna Miller and Ben Barnes. During 2007-2010, Henry had a leading role on the television series The Tudors (2007) as Charles Brandon, 1st Duke of Suffolk. The series was a success and was nominated for a Golden Globe Award in 2007 and won an Emmy Award in 2008. Entertainment Weekly named him "Most Dashing Duke".
He also starred in Blood Creek (2006) and Woody Allen's comedy film Whatever Works (2009). On January 30, 2011, it was announced that Henry Cavill had been cast as the next Superman in Man of Steel (2013), making him the first non-American actor to play Superman. The movie was directed by Zach Snyder, produced by Christopher Nolan, and scripted by David S. Goyer. On November 7, 2011, Henry starred in Tarsem Singh's fantasy-adventure epic Immortals (2011) alongside Mickey Rourke, Freida Pinto and Luke Evans. On September 7, 2012, Henry starred in the action-thriller Cold Light of Day (2003) alongside Bruce Willis and Sigourney Weaver.
On June 10, 2013, Man of Steel (2013) kicked off its world premiere in New York City followed by London, Bailiwick of Jersey, Sicily, Madrid, Shanghai, Sydney and Tokyo. The movie became the highest-grossing Superman film to date, and the second-highest-grossing reboot of all time behind The Amazing Spider-Man (2012). Glamour magazine ranked him the #1 "Sexiest Man". In August 2014, Henry became the Ambassador for Durrell Wildlife Park and created a website and social media called #CavillConservation to help raise funds and awareness for his love of animals and conservation. On November 3, 2014, it was announced that Cavill, his brother Charlie, and London-based producer Rex Glensy, have formed their own British production company, Promethean Productions.
On August 7, 2015, The Man from U.N.C.L.E. (2015) began its premiere tour with a people's premiere at the famous Somerset House in London, followed by its world premiere in New York City, then Toronto, and Rio de Janeiro. Cavill reprised his role as Superman in Batman v Superman: Dawn of Justice (2016) and Justice League (2017).