555 movies for cinephiles

Log in to copy items to your own lists.
The Seventh Seal (1957)
    1 2 3 4 5 6 7 8 9 10 8.2/10 X  
A man seeks answers about life, death, and the existence of God as he plays chess against the Grim Reaper during the Black Plague. (96 mins.)
Director: Ingmar Bergman
“ In many ways, Ingmar Bergman's "The Seventh Seal'' (1957) has more in common with the silent film than with the modern films that followed it--including his own. Perhaps that is why it is out of fashion at the moment. Long considered one of the masterpieces of cinema, it is now a little embarrassing to some viewers, with its stark imagery and its uncompromising subject, which is no less than the absence of God.

Films are no longer concerned with the silence of God but with the chattering of men. We are uneasy to find Bergman asking existential questions in an age of irony, and Bergman himself, starting with "Persona'' (1966), found more subtle ways to ask the same questions. But the directness of "The Seventh Seal'' is its strength: This is an uncompromising film, regarding good and evil with the same simplicity and faith as its hero./Roger Ebert ” - Evgeny Legedin
Nosferatu (1922)
    1 2 3 4 5 6 7 8 9 10 8.0/10 X  
Vampire Count Orlok expresses interest in a new residence and real estate agent Hutter's wife. (94 mins.)
Director: F.W. Murnau
“ Murnau's film is about all of the things we worry about at 3 in the morning--cancer, war, disease, madness. It suggests these dark fears in the very style of its visuals. Much of the film is shot in shadow. It doesn't scare us, but it haunts us. It shows not that vampires can jump out of shadows, but that evil can grow there, nourished on death./Roger Ebert ” - Evgeny Legedin
Seven Samurai (1954)
    1 2 3 4 5 6 7 8 9 10 8.7/10 X  
A poor village under attack by bandits recruits seven unemployed samurai to help them defend themselves. (207 mins.)
Director: Akira Kurosawa
“ The movie is long (207 minutes), with an intermission, and yet it moves quickly because the storytelling is so clear, there are so many sharply defined characters, and the action scenes have a thrilling sweep. Nobody could photograph men in action better than Kurosawa. One of his particular trademarks is the use of human tides, sweeping down from higher places to lower ones, and he loves to devise shots in which the camera follows the rush and flow of an action, instead of cutting it up into separate shots./Roger Ebert ” - Evgeny Legedin
Andrei Rublev (1966)
    1 2 3 4 5 6 7 8 9 10 8.4/10 X  
The life, times and afflictions of the fifteenth-century Russian iconographer. (205 mins.)
“ No director makes greater demands on our patience. Yet his admirers are passionate and they have reason for their feelings: Tarkovsky consciously tried to create art that was great and deep. He held to a romantic view of the individual able to transform reality through his own spiritual and philosophical strength. /Roger Ebert ” - Evgeny Legedin
Raging Bull (1980)
    1 2 3 4 5 6 7 8 9 10 8.3/10 X  
An emotionally self-destructive boxer's journey through life, as the violence and temper that leads him to the top in the ring destroys his life outside it. (129 mins.)
Director: Martin Scorsese
“ "Raging Bull'' is not a film about boxing but about a man with paralyzing jealousy and sexual insecurity, for whom being punished in the ring serves as confession, penance and absolution./Roger Ebert ” - Evgeny Legedin
Amarcord (1973)
    1 2 3 4 5 6 7 8 9 10 8.0/10 X  
A series of comedic and nostalgic vignettes set in a 1930s Italian coastal town. (123 mins.)
“ If ever there was a movie made entirely out of nostalgia and joy, by a filmmaker at the heedless height of his powers, that movie is Federico Fellini's "Amarcord." The title means "I remember" in the dialect of Rimini, the seaside town of his youth, but these are memories of memories, transformed by affection and fantasy and much improved in the telling. Here he gathers the legends of his youth, where all of the characters are at once larger and smaller than life -- flamboyant players on their own stages./Roger Ebert ” - Evgeny Legedin
2001: A Space Odyssey (1968)
    1 2 3 4 5 6 7 8 9 10 8.3/10 X  
Humanity finds a mysterious, obviously artificial object buried beneath the Lunar surface and, with the intelligent computer H.A.L. 9000, sets off on a quest. (149 mins.)
Director: Stanley Kubrick
“ The genius is not in how much Stanley Kubrick does in “2001: A Space Odyssey,'' but in how little. This is the work of an artist so sublimely confident that he doesn't include a single shot simply to keep our attention. He reduces each scene to its essence, and leaves it on screen long enough for us to contemplate it, to inhabit it in our imaginations. Alone among science-fiction movies, “2001'' is not concerned with thrilling us, but with inspiring our awe./Roger Ebert ” - Evgeny Legedin
Au Revoir Les Enfants (1987)
    1 2 3 4 5 6 7 8 9 10 8.1/10 X  
A French boarding school run by priests seems to be a haven from World War II until a new student arrives. He becomes the roommate of top student in his class. Rivals at first, the roommates form a bond and share a secret. (104 mins.)
Director: Louis Malle
“ There is such exhilaration in the heedless energy of the schoolboys. They tumble up and down stairs, stand on stilts for playground wars, eagerly study naughty postcards, read novels at night by flashlight, and are even merry as they pour into the cellars during an air raid. One of the foundations of Louis Malle's "Au Revoir, les Enfants" (1987) is how naturally he evokes the daily life of a French boarding school in 1944. His central story shows young life hurtling forward; he knows, because he was there, that some of these lives will be exterminated./Roger Ebert ” - Evgeny Legedin
Persona (1966)
    1 2 3 4 5 6 7 8 9 10 8.1/10 X  
A nurse is put in charge of a mute actress and finds that their personas are melding together. (85 mins.)
Director: Ingmar Bergman
“ "Persona" (1966) is a film we return to over the years, for the beauty of its images and because we hope to understand its mysteries. It is apparently not a difficult film: Everything that happens is perfectly clear, and even the dream sequences are clear--as dreams. But it suggests buried truths, and we despair of finding them./Roger Ebert ” - Evgeny Legedin
The Passion of Joan of Arc (1928)
    1 2 3 4 5 6 7 8 9 10 8.3/10 X  
A chronicle of the trial of Jeanne d'Arc on charges of heresy, and the efforts of her ecclesiastical jurists to force Jeanne to recant her claims of holy visions. (110 mins.)
Director: Carl Th. Dreyer
“ You cannot know the history of silent film unless you know the face of Renee Maria Falconetti. In a medium without words, where the filmmakers believed that the camera captured the essence of characters through their faces, to see Falconetti in Dreyer's "The Passion of Joan of Arc'' (1928) is to look into eyes that will never leave you./Roger Ebert ” - Evgeny Legedin
Belle de Jour (1967)
    1 2 3 4 5 6 7 8 9 10 7.8/10 X  
A frigid young housewife decides to spend her midweek afternoons as a prostitute. (101 mins.)
Director: Luis Bunuel
“ It is possibly the best-known erotic film of modern times, perhaps the best. That's because it understands eroticism from the inside-out--understands how it exists not in sweat and skin, but in the imagination./Roger Ebert ” - Evgeny Legedin
The Big Lebowski (1998)
    1 2 3 4 5 6 7 8 9 10 8.2/10 X  
"The Dude" Lebowski, mistaken for a millionaire Lebowski, seeks restitution for his ruined rug and enlists his bowling buddies to help get it. (117 mins.)
Director: Joel Coen
“ "The Big Lebowski" is about an attitude, not a story. It's easy to miss that, because the story is so urgently pursued. It involves kidnapping, ransom money, a porno king, a reclusive millionaire, a runaway girl, the Malibu police, a woman who paints while nude and strapped to an overhead harness, and the last act of the disagreement between Vietnam veterans and Flower Power. It has more scenes about bowling than anything else./Roger Ebert ” - Evgeny Legedin
Aguirre, the Wrath of God (1972)
    1 2 3 4 5 6 7 8 9 10 8.0/10 X  
In the 16th century, the ruthless and insane Don Lope de Aguirre leads a Spanish expedition in search of El Dorado. (93 mins.)
Director: Werner Herzog
“ Werner Herzog's “Aguirre, the Wrath of God'' (1973) is one of the great haunting visions of the cinema. It tells the story of the doomed expedition of the conquistador Gonzalo Pizarro, who in 1560 and 1561 led a body of men into the Peruvian rain forest, lured by stories of the lost city. The opening shot is a striking image: A long line of men snakes its way down a steep path to a valley far below, while clouds of mist obscure the peaks. These men wear steel helmets and breastplates, and carry their women in enclosed sedan-chairs. They are dressed for a court pageant, not for the jungle.

The music sets the tone. It is haunting, ecclesiastical, human and yet something else. It is by Florian Fricke, whose band Popol Vuh (named for the Mayan creation myth) has contributed the soundtracks to many Herzog films. For this opening sequence, Herzog told me, “We used a strange instrument, which we called a 'choir-organ.' It has inside it three dozen different tapes running parallel to each other in loops. ... All these tapes are running at the same time, and there is a keyboard on which you can play them like an organ so that [it will] sound just like a human choir but yet, at the same time, very artificial and really quite eerie.''/Roger Ebert ” - Evgeny Legedin
Ali: Fear Eats the Soul (1974)
    1 2 3 4 5 6 7 8 9 10 8.1/10 X  
An almost accidental romance is kindled between a German woman in her mid-sixties and a Moroccan migrant worker around twenty-five years younger. They abruptly decide to marry, appalling everyone around them. (94 mins.)
“ The film is powerful but very simple. It is based on a melodrama, but Fassbinder leaves out all of the highs and lows, and keeps only the quiet desperation in the middle. The two characters are separated by race and age, but they have one valuable thing in common: They like one another, and care for one another, in a world that otherwise seems coldly indifferent./Roger Ebert ” - Evgeny Legedin
Army of Shadows (1969)
    1 2 3 4 5 6 7 8 9 10 8.2/10 X  
An account of underground resistance fighters in Nazi-occupied France. (145 mins.)
“ Jean-Pierre Melville's "Army of Shadows" is about members of the French Resistance who persist in the face of despair. Rarely has a film shown so truly that place in the heart where hope lives with fatalism. It is not a film about daring raids and exploding trains, but about cold, hungry, desperate men and women who move invisibly through the Nazi occupation of France. Their army is indeed made of shadows: They use false names, they have no addresses, they can be betrayed in an instant by a traitor or an accident. They know they will probably die./Roger Ebert ” - Evgeny Legedin
The Battle of Algiers (1966)
    1 2 3 4 5 6 7 8 9 10 8.1/10 X  
In the 1950s, fear and violence escalate as the people of Algiers fight for independence from the French government. (121 mins.)
“ Pontecorvo's film remains even today a triumph of realistic production values. Filming on location in Algiers, using the real locations in the European quarter and the Casbah (which sheltered the FLN), he achieved such a convincing actuality that he found it necessary to issue a disclaimer: There is "not one foot" of documentary or newsreel footage in his two hours of film. Everything was shot live, even riot scenes in which police battle civilian demonstrators./Roger Ebert ” - Evgeny Legedin
Come and See (1985)
    1 2 3 4 5 6 7 8 9 10 8.3/10 X  
After finding an old rifle, a young boy joins the Soviet resistance movement against ruthless German forces and experiences the horrors of World War II. (142 mins.)
Director: E. Klimov
“ It's said that you can't make an effective anti-war film because war by its nature is exciting, and the end of the film belongs to the survivors. No one would ever make the mistake of saying that about Elem Klimov's "Come and See." This 1985 film from Russia is one of the most devastating films ever about anything, and in it, the survivors must envy the dead./Roger Ebert ” - Evgeny Legedin
Blade Runner (1982)
    1 2 3 4 5 6 7 8 9 10 8.2/10 X  
A blade runner must pursue and try to terminate four replicants who stole a ship in space and have returned to Earth to find their creator. (117 mins.)
Director: Ridley Scott
“ This is a seminal film, building on older classics like "Metropolis" or "Things to Come," but establishing a pervasive view of the future that has influenced science fiction films ever since. Its key legacies are: Giant global corporations, environmental decay, overcrowding, technological progress at the top, poverty or slavery at the bottom -- and, curiously, almost always a film noir vision. Look at "Dark City," "Total Recall," "Brazil," "12 Monkeys" or "Gattaca" and you will see its progeny./Roger Ebert ” - Evgeny Legedin
Dekalog (1989 Mini-Series)
    1 2 3 4 5 6 7 8 9 10 9.1/10 X  
Ten television drama films, each one based on one of the Ten Commandments. (572 mins.)
“ Ten commandments, 10 films. Krzysztof Kieslowski sat for months in his small, smoke-filled room in Warsaw writing the scripts with a lawyer he'd met in the early 1980s, during the Solidarity trials.
The settings are much the same: gray exteriors, in winter for the most part, small apartments, offices. The faces are where the life of the films resides.

These are not characters involved in the simpleminded struggles of Hollywood plots. They are adults, for the most part outside organized religion, faced with situations in their own lives that require them to make moral choices. You shouldn't watch the films all at once, but one at a time. Then if you are lucky and have someone to talk with, you discuss them, and learn about yourself. Or if you are alone, you discuss them with yourself, as so many of Kieslowski's characters do./Roger Ebert ” - Evgeny Legedin
Viridiana (1961)
    1 2 3 4 5 6 7 8 9 10 8.3/10 X  
Viridiana, a young nun about to take her final vows, pays a visit to her widowed uncle at the request of her Mother Superior. (90 mins.)
Director: Luis Buñuel
“ The film is deliberate and controlled. It is funny in that way where you rarely laugh aloud but expand in mental amusement. It is elegantly photographed; each shot conveys something concrete and specific, which is to be expected from a fetishist. It makes no clear and precise statement, but instead conveys Buñuel's notion that our base natures are always waiting to pounce. ” - Evgeny Legedin
Yojimbo (1961)
    1 2 3 4 5 6 7 8 9 10 8.3/10 X  
A crafty ronin comes to a town divided by two criminal gangs and decides to play them against each other to free the town. (110 mins.)
Director: Akira Kurosawa
“ In "Yojimbo" (1961), director Akira Kurosawa combines the samurai story with the Western, so that the main street could be in any frontier town, the samurai could be a gunslinger, and the locals could have been lifted from John Ford's stock company. The great Toshiro Mifune plays virtually the same character in "Yojimbo" and the later "Sanjuro." ” - Evgeny Legedin
Vertigo (1958)
    1 2 3 4 5 6 7 8 9 10 8.4/10 X  
A San Francisco detective suffering from acrophobia investigates the strange activities of an old friend's wife, all the while becoming dangerously obsessed with her. (128 mins.)
“ 'Vertigo'' (1958), which is one of the two or three best films Hitchcock ever made, is the most confessional, dealing directly with the themes that controlled his art. It is *about* how Hitchcock used, feared and tried to control women. He is represented by Scottie (James Stewart), a man with physical and mental weaknesses (back problems, fear of heights), who falls obsessively in love with the image of a woman--and not any woman, but the quintessential Hitchcock woman. When he cannot have her, he finds another woman and tries to mold her, dress her, train her, change her makeup and her hair, until she looks like the woman he desires. He cares nothing about the clay he is shaping; he will gladly sacrifice her on the altar of his dreams./Roger Ebert ” - Evgeny Legedin
Pan's Labyrinth (2006)
    1 2 3 4 5 6 7 8 9 10 8.2/10 X  
In the falangist Spain of 1944, the bookish young stepdaughter of a sadistic army officer escapes into an eerie but captivating fantasy world. (118 mins.)
“ "Pan's Labyrinth" is one of the greatest of all fantasy films, even though it is anchored so firmly in the reality of war. On first viewing, it is challenging to comprehend a movie that on the one hand provides fauns and fairies, and on the other hand creates an inhuman sadist in the uniform of Franco's fascists. The fauns and fantasies are seen only by the 11-year-old heroine, but that does not mean she's "only dreaming;" they are as real as the fascist captain who murders on the flimsiest excuse. The coexistence of these two worlds is one of the scariest elements of the film; they both impose sets of rules that can get an 11-year-old killed./Roger Ebert ” - Evgeny Legedin
Solaris (1972)
    1 2 3 4 5 6 7 8 9 10 8.1/10 X  
A psychologist is sent to a station orbiting a distant planet in order to discover what has caused the crew to go insane. (167 mins.)
“ The films of Russian director Andrei Tarkovsky are more like environments than entertainments. It's often said they're too long, but that's missing the point: He uses length and depth to slow us down, to edge us out of the velocity of our lives, to enter a zone of reverie and meditation. When he allows a sequence to continue for what seems like an unreasonable length, we have a choice. We can be bored, or we can use the interlude as an opportunity to consolidate what has gone before, and process it in terms of our own reflections./Roger Ebert ” - Evgeny Legedin
The Silence (1963)
    1 2 3 4 5 6 7 8 9 10 8.1/10 X  
Two sisters and 13-year old boy travel in a fictitious foreign country. The older sister gets sick and the three move into a hotel. (96 mins.)
Director: Ingmar Bergman
“ Two women and a boy share a compartment on a train. It is an unhappy journey, and we sense tension and dislike between the women. The boy wanders out into the corridor, stares at other passengers, watches as another train passes by, its cars carrying armored tanks. The train stops in an unnamed city, and the three check into a hotel. So begins Ingmar Bergman's "The Silence" (1963), the third part of his "Silence of God" trilogy./Roger Ebert ” - Evgeny Legedin
Senso (1954)
    1 2 3 4 5 6 7 8 9 10 7.7/10 X  
A troubled and neurotic Italian Countess betrays her entire country for a self-destructive love affair with an Austrian Lieutenant. (123 mins.)
“ Visconti's "Senso" (1954) opens in an opera house and in a way never leaves it. This is a passionate and melodramatic romance, with doomed lovers, posturing soldiers, secret meetings at midnight , bold adultery and dramatic deaths./Roger Ebert ” - Evgeny Legedin
Last Year at Marienbad (1961)
    1 2 3 4 5 6 7 8 9 10 7.9/10 X  
In a strange and isolated chateau, a man becomes acquainted with a woman and insists that they have met before. (94 mins.)
Director: Alain Resnais
“ I hadn't seen "Marienbad'' in years, and when I saw the new digitized video disc edition in a video store, I reached out automatically: I wanted to see it again, to see if it was silly or profound, and perhaps even to recapture an earlier self--a 19-year-old who hoped Truth could be found in Art.

Viewing the film again, I expected to have a cerebral experience, to see a film more fun to talk about than to watch. What I was not prepared for was the voluptuous quality of ``Marienbad,'' its command of tone and mood, its hypnotic way of drawing us into its puzzle, its austere visual beauty. Yes, it involves a story that remains a mystery, even to the characters themselves. But one would not want to know the answer to this mystery. Storybooks with happy endings are for children. Adults know that stories keep on unfolding, repeating, turning back on themselves, on and on until that end that no story can evade./Roger Ebert ” - Evgeny Legedin
Barry Lyndon (1975)
    1 2 3 4 5 6 7 8 9 10 8.1/10 X  
An Irish rogue wins the heart of a rich widow and assumes her dead husband's aristocratic position in 18th-century England. (184 mins.)
Director: Stanley Kubrick
“ Stanley Kubrick's "Barry Lyndon," received indifferently in 1975, has grown in stature in the years since and is now widely regarded as one of the master's best. It is certainly in every frame a Kubrick film: technically awesome, emotionally distant, remorseless in its doubt of human goodness. Based on a novel published in 1844, it takes a form common in the 19th century novel, following the life of the hero from birth to death. The novel by Thackeray, called the first novel without a hero, observes a man without morals, character or judgment, unrepentant, unredeemed. Born in Ireland in modest circumstances, he rises through two armies and the British aristocracy with cold calculation./Roger Ebert ” - Evgeny Legedin
Citizen Kane (1941)
    1 2 3 4 5 6 7 8 9 10 8.4/10 X  
Following the death of a publishing tycoon, news reporters scramble to discover the meaning of his final utterance. (119 mins.)
Director: Orson Welles
“ The film's construction shows how our lives, after we are gone, survive only in the memories of others, and those memories butt up against the walls we erect and the roles we play./Roger Ebert ” - Evgeny Legedin
The Earrings of Madame de... (1953)
    1 2 3 4 5 6 7 8 9 10 8.1/10 X  
In the Paris of the late 19th century, Louise, wife of a general, sells the earrings her husband gave... (105 mins.)
Director: Max Ophüls
“ ''The Earrings of Madame de...,'' directed in 1953 by Max Ophuls, is one of the most mannered and contrived love movies ever filmed. It glitters and dazzles, and beneath the artifice it creates a heart, and breaks it. The film is famous for its elaborate camera movements, its graceful style, its sets, its costumes and of course its jewelry. It stars Danielle Darrieux, Charles Boyer and Vittorio De Sica, who effortlessly embody elegance. It could have been a mannered trifle. We sit in admiration of Ophuls' visual display, so fluid and intricate. Then to our surprise we find ourselves caring./Roger Ebert ” - Evgeny Legedin
The Exterminating Angel (1962)
    1 2 3 4 5 6 7 8 9 10 8.2/10 X  
The guests at an upper-class dinner party find themselves unable to leave. (95 mins.)
Director: Luis Buñuel
“ Luis Bunuel's "The Exterminating Angel'' (1962) is a macabre comedy, a mordant view of human nature that suggests we harbor savage instincts and unspeakable secrets. Take a group of prosperous dinner guests and pen them up long enough, he suggests, and they'll turn on one another like rats in an overpopulation study./Roger Ebert ” - Evgeny Legedin
If.... (1968)
    1 2 3 4 5 6 7 8 9 10 7.7/10 X  
In this allegorical story, a revolution led by pupil Mick Travis takes place at an old established private school in England. (111 mins.)
Ikiru (1952)
    1 2 3 4 5 6 7 8 9 10 8.3/10 X  
A bureaucrat tries to find a meaning in his life after he discovers he has terminal cancer. (143 mins.)
Director: Akira Kurosawa
L'Atalante (1934)
    1 2 3 4 5 6 7 8 9 10 7.9/10 X  
Newly married couple Juliette and a ship captain Jean struggle through marriage as they travel on the L'atalante along with the captain's first mate Le père Jules and a cabin boy. (89 mins.)
Director: Jean Vigo
“ To live happily ever after with the one you love, you must be able to live with them at all. It is not that simple. Little problems must be worked out. She does not like cats on the table while she is eating. He has a closet filled with a year's dirty laundry. She treasures their private moments together. He treasures his best friend, who is bearded and garrulous and arrives at meals in an undershirt. She wants to see Paris. He worries about his work. You see how it is.

Jean Vigo's "L'Atalante" (1934) tells such a love story. It is on many lists of the greatest films, a distinction that obscures how down to earth it is, how direct in its story of a new marriage off to a shaky start./Roger Ebert ” - Evgeny Legedin
Metropolis (1927)
    1 2 3 4 5 6 7 8 9 10 8.3/10 X  
In a futuristic city sharply divided between the working class and the city planners, the son of the city's mastermind falls in love with a working class prophet who predicts the coming of a savior to mediate their differences. (153 mins.)
Director: Fritz Lang
“ The movie has a plot that defies common sense, but its very discontinuity is a strength. It makes "Metropolis'' hallucinatory--a nightmare without the reassurance of a steadying story line. Few films have ever been more visually exhilarating./Roger Ebert ” - Evgeny Legedin
Mon oncle Antoine (1971)
    1 2 3 4 5 6 7 8 9 10 7.7/10 X  
Set in cold rural Quebec at Christmas time, we follow the coming of age of a young boy and the life... (104 mins.)
Director: Claude Jutra
“ The key action in Claude Jutra's "Mon Oncle Antoine" (1971) takes place over a period of 24 hours in a Quebec mining town. Although the film begins earlier in the year, everything comes to a focus beginning on the morning of Christmas Eve and closing on the dawn of Christmas. During that time, a young boy has had his life forever changed. This beloved Canadian film is rich in characters, glowing with life in the midst of death./Roger Ebert ” - Evgeny Legedin
Fellini Satyricon (1969)
    1 2 3 4 5 6 7 8 9 10 7.0/10 X  
A series of disjointed mythical tales set in first century Rome. (128 mins.)
“ "Fellini Satyricon" is always described as a film about ancient Rome, but it may be one of the best films about the Summer of Love--not celebrating it, but displaying the process of its collapse. What is fun for a summer can be hard work for a lifetime./Roger Ebert ” - Evgeny Legedin
Le Samouraï (1967)
    1 2 3 4 5 6 7 8 9 10 8.1/10 X  
After killing a night-club owner, professional hitman Jef Costello is seen by witnesses. His efforts to provide himself with an alibi fail and more and more he gets driven into a corner. (105 mins.)
“ Like a painter or a musician, a filmmaker can suggest complete mastery with just a few strokes. Jean-Pierre Melville involves us in the spell of "Le Samourai" (1967) before a word is spoken. He does it with light: a cold light, like dawn on an ugly day. And color: grays and blues. And actions that speak in place of words./Roger Ebert ” - Evgeny Legedin
The Gospel According to St. Matthew (1964)
    1 2 3 4 5 6 7 8 9 10 7.9/10 X  
The life of Jesus Christ according to the Gospel of Matthew. Pasolini shows Christ as a marxist avant-la-lettre and therefore uses half of the text of Matthew. (137 mins.)
“ Pasolini's is one of the most effective films on a religious theme I have ever seen, perhaps because it was made by a nonbeliever who did not preach, glorify, underline, sentimentalize or romanticize his famous story, but tried his best to simply record it./Roger Ebert ” - Evgeny Legedin
Sansho the Bailiff (1954)
    1 2 3 4 5 6 7 8 9 10 8.4/10 X  
In Medieval Japan a compassionate governor is sent into exile. His wife and children try to join him, but are separated, and the children grow up amid suffering and oppression. (124 mins.)
Director: Kenji Mizoguchi
“ Kenji Mizoguchi's "Sansho the Bailiff," one of the best of all Japanese films, is curiously named after its villain, and not after any of the characters we identify with. The bristle-bearded slavemaster Sansho is at the center of two journeys, one toward him, one away, although the early travelers have no suspicion of their destination. He is as heartless a creature as I have seen on the screen./Roger Ebert ” - Evgeny Legedin
Psycho (1960)
    1 2 3 4 5 6 7 8 9 10 8.5/10 X  
A Phoenix secretary embezzles $40,000 from her employer's client, goes on the run, and checks into a remote motel run by a young man under the domination of his mother. (109 mins.)
“ What makes "Psycho" immortal, when so many films are already half-forgotten as we leave the theater, is that it connects directly with our fears: Our fears that we might impulsively commit a crime, our fears of the police, our fears of becoming the victim of a madman, and of course our fears of disappointing our mothers./Roger Ebert ” - Evgeny Legedin
Picnic at Hanging Rock (1975)
    1 2 3 4 5 6 7 8 9 10 7.6/10 X  
During a rural picnic, a few students and a teacher from an Australian girls' school vanish without a trace. Their absence frustrates and haunts the people left behind. (115 mins.)
Director: Peter Weir
“ On a drowsy St. Valentine's Day in 1900, a party of girls from a strict boarding school in Australia goes on a day's outing to Hanging Rock, a geological outcropping not far from their school. Three of the girls and one of their teachers disappear into thin air. One of them is found a week or so later, but can remember almost nothing. The others are never found.

On this foundation, Peter Weir's "Picnic at Hanging Rock" (1975) constructs a film of haunting mystery and buried sexual hysteria. It also employs two of the hallmarks of modern Australian films: beautiful cinematography and stories about the chasm between settlers from Europe and the mysteries of their ancient new home./Roger Ebert ” - Evgeny Legedin
Videodrome (1983)
    1 2 3 4 5 6 7 8 9 10 7.3/10 X  
A sleazy cable-TV programmer begins to see his life and the future of media spin out of control in a very unusual fashion when he acquires a new kind of programming for his station. (87 mins.)
Singin' in the Rain (1952)
    1 2 3 4 5 6 7 8 9 10 8.3/10 X  
A silent film production company and cast make a difficult transition to sound. (103 mins.)
“ There is no movie musical more fun than "Singin' in the Rain,'' and few that remain as fresh over the years. Its originality is all the more startling if you reflect that only one of its songs was written new for the film, that the producers plundered MGM's storage vaults for sets and props, and that the movie was originally ranked below "An American in Paris,'' which won a best picture Oscar. The verdict of the years knows better than Oscar: "Singin' in the Rain'' is a transcendent experience, and no one who loves movies can afford to miss it./Roger Ebert ” - Evgeny Legedin
Kwaidan (1964)
    1 2 3 4 5 6 7 8 9 10 8.0/10 X  
A collection of four Japanese folk tales with supernatural themes. (183 mins.)
Paths of Glory (1957)
    1 2 3 4 5 6 7 8 9 10 8.5/10 X  
After refusing to attack an enemy position, a general accuses the soldiers of cowardice and their commanding officer must defend them. (88 mins.)
Director: Stanley Kubrick
“ Stanley Kubrick's "Paths of Glory" (1957) closes with a scene that doesn't seem organic to the movie. We've seen harrowing battlefield carnage, a morally rotten court-martial, French army generals corrupt and cynical beyond all imagining, and now what do we see? Drunken soldiers, crowded into a bistro, banging their beer steins on the tables as the owner brings a frightened German girl onstage.

He makes lascivious remarks about her figure and cruel ones about her lack of talent, but she has been captured and must be forced to perform. Hoots and whistles arise from the crowd. The frightened girl begins to sing. The noise from the crowd dies away. Her tremulous voice fills the room. She sings "The Faithful Hussar." A hush falls, and some of the soldiers begin to hum the notes; they know the song but not the words.
If the singing of "La Marseillaise" in a bar in "Casablanca" was a call to patriotism, this scene is an argument against it. It creates a moment of quiet and tenderness in the daily horror these soldiers occupy -- a world in which generals casually estimated that 55 percent of these very men might be killed in a stupid attack and found that acceptable.

Songs at the ends of dramas usually make us feel better. They are part of closure. This song at the end of this movie makes us feel more forlorn. It is not a release, but a twist of Kubrick's emotional knife. When Truffaut famously said that it was impossible to make an anti-war movie, because action argues in favor of itself, he could not have been thinking of "Paths of Glory," and no wonder: Because of its harsh portrait of the French army, the film was banned in France until 1975./Roger Ebert ” - Evgeny Legedin
Notorious (1946)
    1 2 3 4 5 6 7 8 9 10 8.0/10 X  
A woman is asked to spy on a group of Nazi friends in South America. How far will she have to go to ingratiate herself with them? (101 mins.)
“ The film is rich with other elegant shots, the most famous beginning with the camera on a landing high above the entrance hall of Sebastian's mansion in Rio. It ends, after one unbroken movement, with a closeup of a key in Alicia's nervously twisting hand. The key will open the wine cellar, where Devlin (posing as a guest) will join Alicia in trying to find Sebastian's secret. One of the bottles contains not wine but a radioactive substance used in bombs. Of course, it could contain anything--maps, codes, diamonds--because it is a MacGuffin (Hitchcock's name for that plot element that everyone is concerned about, although it hardly matters what it is)./Roger Ebert ” - Evgeny Legedin
Red Beard (1965)
    1 2 3 4 5 6 7 8 9 10 8.3/10 X  
In 19th century Japan, a rough tempered yet charitable town doctor trains a young intern. (185 mins.)
Director: Akira Kurosawa
“ "Red Beard" is a long and deliberate film, as it must be, because the lessons of the great doctor cannot be ticked off in vignettes. Doctors need to watch awhile at deathbeds, and learn know the patients. We need to observe how a man who thinks of himself as flawed can be wholly good. And how a man who has an unearned high opinion of himself can learn goodness through humility. I believe this film should be seen by every medical student. Like Kurosawa's masterpiece, "Ikiru" (1952), it fearlessly regards the meanings of life, and death./roger Ebert ” - Evgeny Legedin
Lawrence of Arabia (1962)
    1 2 3 4 5 6 7 8 9 10 8.4/10 X  
The story of T.E. Lawrence, the English officer who successfully united and lead the diverse, often warring, Arab tribes during World War I in order to fight the Turks. (216 mins.)
Director: David Lean
“ What a bold, mad act of genius it was, to make ''Lawrence of Arabia,'' or even think that it could be made. In the words years later of one of its stars, Omar Sharif: ''If you are the man with the money and somebody comes to you and says he wants to make a film that's four hours long, with no stars, and no women, and no love story, and not much action either, and he wants to spend a huge amount of money to go film it in the desert--what would you say?''/Roger Ebert ” - Evgeny Legedin
Ivan the Terrible, Part II (1958)
    1 2 3 4 5 6 7 8 9 10 7.7/10 X  
As Ivan the Terrible attempts to consolidate his power by establishing a personal army, his political rivals, the Russian boyars, plot to assassinate their Tsar. (88 mins.)
“ The two parts of Eisenstein's "Ivan the Terrible" are epic in scope, awesome in visuals, and nonsensical in story. It is one of those works that has proceeded directly to the status of Great Movie without going through the intermediate stage of being a good movie. I hope earnest students of cinema will forgive me when I say every serious movie lover should see it -- once./Roger Ebert ” - Evgeny Legedin
The Killing (1956)
    1 2 3 4 5 6 7 8 9 10 8.0/10 X  
Crooks plan and execute a daring race-track robbery. (85 mins.)
Director: Stanley Kubrick
“ Stanley Kubrick considered "The Killing" (1956) to be his first mature feature, after a couple of short warm-ups. He was 28 when it was released, having already been an obsessed chess player, a photographer for Look magazine and a director of "March of Time" newsreels. It's tempting to search here for themes and a style he would return to in his later masterpieces, but few directors seemed so determined to make every one of his films an individual, free-standing work. Seeing it without his credit, would you guess it was by Kubrick? Would you connect "Dr. Strangelove" with "Barry Lyndon?"/Roger Ebert ” - Evgeny Legedin
La Dolce Vita (1960)
    1 2 3 4 5 6 7 8 9 10 8.1/10 X  
A series of stories following a week in the life of a philandering paparazzo journalist living in Rome. (174 mins.)
“ I have heard theories that Federico Fellini's "La Dolce Vita'' catalogs the seven deadly sins, takes place on the seven hills of Rome, and involves seven nights and seven dawns, but I have never looked into them, because that would reduce the movie to a crossword puzzle. I prefer it as an allegory, a cautionary tale of a man without a center./Roger Ebert ” - Evgeny Legedin
Night Moves (1975)
    1 2 3 4 5 6 7 8 9 10 7.2/10 X  
Los Angeles private detective Harry Moseby is hired by a client to find her runaway teenage daughter and he stumbles upon a case of murder and artifact smuggling. (100 mins.)
Director: Arthur Penn
“ Arthur Penn's "Night Moves" is about an old-fashioned private eye who says and does all the expected things while surrounded by a plot he completely fails to understand.

Harry Moseby is played by Gene Hackman as a man who, in 1975 Los Angeles, still seems to be taking his cues from old film noir movies. The glass on his office door says:



... and there is an understated romanticism in that curt wording that fits with his battered desk and the arched window that looks down, no doubt, on mean streets. His wife is always after him to join a big detective agency and enter the modern world, but he likes the life of a free-lancer, tooling around in his aging Mustang, jotting down license plate numbers in his little spiral notebook./Roger Ebert ” - Evgeny Legedin
Se7en (1995)
    1 2 3 4 5 6 7 8 9 10 8.6/10 X  
Two detectives, a rookie and a veteran, hunt a serial killer who uses the seven deadly sins as his modus operandi. (127 mins.)
Director: David Fincher
“ It is almost always raining in the city. Somerset, the veteran detective, wears a hat and raincoat. Mills, the kid who has just been transferred into the district, walks bare-headed in the rain as if he'll be young forever. On their first day together, they investigate the death of a fat man they find face-down in a dish of pasta. On a return visit to the scene, the beams of their flashlights point here and there in the filthy apartment, picking out a shelf lined with dozens of cans of Campbell's Tomato Sauce. Not even a fat man buys that much tomato sauce.

This grim death sets the tone for David Fincher's "Seven," one of the darkest and most merciless films ever made in the Hollywood mainstream. It will rain day after day. They will investigate death after death. There are words scrawled at the crime scenes; the fat man's word is on the wall behind his refrigerator: Gluttony. After two of these killings Mills realizes they are dealing with a serial killer, who intends every murder to punish one of the Seven Deadly Sins.

This is as formulaic as an Agatha Christie whodunit. But "Seven" takes place not in the genteel world of country house murders, but in the lives of two cops, one who thinks he has seen it all and the other who has no idea what he is about to see. Nor is the film about detection; the killer turns himself in when the film still has half an hour to go. It's more of a character study, in which the older man becomes a scholar of depravity and the younger experiences it in an pitiable and personal way. A hopeful quote by Hemingway was added as a voice-over after preview audiences found the original ending too horrifying. But the original ending is still there, and the quote plays more like a bleak joke. The film should end with Freeman's "see you around." After the devastating conclusion, the Hemingway line is small consolation./Roger Ebert ” - Evgeny Legedin
Tokyo Story (1953)
    1 2 3 4 5 6 7 8 9 10 8.3/10 X  
An old couple visit their children and grandchildren in the city; but the children have little time for them. (136 mins.)
Director: Yasujirô Ozu
“ No story could be simpler. An old couple come to the city to visit their children and grandchildren. Their children are busy, and the old people upset their routines. In a quiet way, without anyone admitting it, the visit goes badly. The parents return home. A few days later, the grandmother dies. Now it is the turn of the children to make a journey.

From these few elements Yasujiro Ozu made one of the greatest films of all time. "Tokyo Story" (1953) lacks sentimental triggers and contrived emotion; it looks away from moments a lesser movie would have exploited. It doesn't want to force our emotions, but to share its understanding. It does this so well that I am near tears in the last 30 minutes. It ennobles the cinema. It says, yes, a movie can help us make small steps against our imperfections./Roger Ebert ” - Evgeny Legedin
Withnail & I (1987)
    1 2 3 4 5 6 7 8 9 10 7.8/10 X  
London, 1969 - two 'resting' (unemployed and unemployable) actors, Withnail and Marwood, fed up with damp... (107 mins.)
Director: Bruce Robinson
“ Why does the film, which I have made sound so depressing, remain so popular after more than 20 years? It achieves a kind of transcendence in its gloom. It is uncompromisingly, sincerely, itself. It is not a lesson or a lecture, it is funny but in a consistent way that it earns, and it is unforgettably acted. Bruce Robinson saw such times, survived them and remembers them not with bitterness but fidelity. In Withnail, he creates one of the iconic figures in modern films. Most of us may have known someone like Withnail. It is likely that Withnail never knew someone like us. His mind was elsewhere./Roger Ebert ” - Evgeny Legedin
Ugetsu (1953)
    1 2 3 4 5 6 7 8 9 10 8.2/10 X  
A tale of ambition, family, love, and war set in the midst of the Japanese Civil Wars of the sixteenth century. (96 mins.)
Director: Kenji Mizoguchi
“ Two brothers, one consumed by greed, the other by envy. In a time when the land is savaged by marauding armies, they risk their families and their lives to pursue their obsessions. Kenji Mizoguchi's "Ugetsu" (1953) tells their stories in one of the greatest of all films -- one which, along with Kurosawa's "Rashomon," helped introduce Japanese cinema to Western audiences. The heroes are rough-hewn and consumed by ambition, but the film style is elegant and mysterious, and somehow we know before we are told that this is a ghost story./Roger Ebert ” - Evgeny Legedin
    1 2 3 4 5 6 7 8 9 10 8.1/10 X  
A harried movie director retreats into his memories and fantasies. (138 mins.)
Ivan's Childhood (1962)
    1 2 3 4 5 6 7 8 9 10 8.1/10 X  
In WW2, twelve year old Soviet orphan Ivan Bondarev works for the Soviet army as a scout behind the German lines and strikes a friendship with three sympathetic Soviet officers. (95 mins.)
Brazil (1985)
    1 2 3 4 5 6 7 8 9 10 8.0/10 X  
A bureaucrat in a retro-future world tries to correct an administrative error and himself becomes an enemy of the state. (132 mins.)
Director: Terry Gilliam
On the Waterfront (1954)
    1 2 3 4 5 6 7 8 9 10 8.2/10 X  
An ex-prize fighter turned longshoreman struggles to stand up to his corrupt union bosses. (108 mins.)
Director: Elia Kazan
Nights of Cabiria (1957)
    1 2 3 4 5 6 7 8 9 10 8.2/10 X  
A waifish prostitute wanders the streets of Rome looking for true love but finds only heartbreak. (110 mins.)
Blow-Up (1966)
    1 2 3 4 5 6 7 8 9 10 7.7/10 X  
A mod London photographer finds something very suspicious in the shots he has taken of a mysterious beauty in a desolate park. (111 mins.)
Kes (1969)
    1 2 3 4 5 6 7 8 9 10 7.8/10 X  
A young, English working-class boy spends his free time caring for and training his pet falcon. (110 mins.)
Director: Kenneth Loach
Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964)
    1 2 3 4 5 6 7 8 9 10 8.5/10 X  
An insane general triggers a path to nuclear holocaust that a war room full of politicians and generals frantically try to stop. (95 mins.)
Director: Stanley Kubrick
The Ballad of Narayama (1983)
    1 2 3 4 5 6 7 8 9 10 7.9/10 X  
In a poor 19th century rural Japanese village, everyone who reaches the age of 70 has to climb a nearby mountain to die. An old woman is getting close to the cut-off age, and we follow her last days with her family. (130 mins.)
Director: Shôhei Imamura
Badlands (1973)
    1 2 3 4 5 6 7 8 9 10 7.9/10 X  
An impressionable teenage girl from a dead-end town and her older greaser boyfriend embark on a killing spree in the South Dakota badlands. (94 mins.)
Director: Terrence Malick
Klute (1971)
    1 2 3 4 5 6 7 8 9 10 7.2/10 X  
A small-town detective searching for a missing man has only one lead: a connection with a New York prostitute. (114 mins.)
Director: Alan J. Pakula
Point Blank (1967)
    1 2 3 4 5 6 7 8 9 10 7.4/10 X  
After being double-crossed and left for dead, a mysterious man named Walker single-mindedly tries to retrieve the rather inconsequential sum of money that was stolen from him. (92 mins.)
Director: John Boorman
A Clockwork Orange (1971)
    1 2 3 4 5 6 7 8 9 10 8.3/10 X  
In future Britain, charismatic delinquent Alex DeLarge is jailed and volunteers for an experimental aversion therapy developed by the government in an effort to solve society's crime problem - but not all goes according to plan. (136 mins.)
Director: Stanley Kubrick
Crash (1996)
    1 2 3 4 5 6 7 8 9 10 6.4/10 X  
After getting into a serious car accident, a TV director discovers an underground sub-culture of scarred, omnisexual car-crash victims who use car accidents and the raw sexual energy they produce to try to rejuvenate his sex life with his wife. (100 mins.)
Three Colors: Blue (1993)
    1 2 3 4 5 6 7 8 9 10 8.0/10 X  
A woman struggles to find a way to live her life after the death of her husband and child. (98 mins.)
Juliet of the Spirits (1965)
    1 2 3 4 5 6 7 8 9 10 7.7/10 X  
Visions, memories, and mysticism all help a 40-something woman to find the strength to leave her cheating husband. (137 mins.)
Accattone (1961)
    1 2 3 4 5 6 7 8 9 10 7.9/10 X  
A pimp with no other means to provide for himself finds his life spiraling out of control when his prostitute is sent to prison. (120 mins.)
The Discreet Charm of the Bourgeoisie (1972)
    1 2 3 4 5 6 7 8 9 10 8.0/10 X  
A surreal, virtually plotless series of dreams centered around six middle-class people and their consistently interrupted attempts to have a meal together. (102 mins.)
Director: Luis Bunuel
The 400 Blows (1959)
    1 2 3 4 5 6 7 8 9 10 8.1/10 X  
Moving story of a young boy who, left without attention, delves into a life of petty crime. (99 mins.)
Nosferatu the Vampyre (1979)
    1 2 3 4 5 6 7 8 9 10 7.6/10 X  
Jonathan and Lucy live in Wismar and the Count wants a house there. Varna is a port on the Black Sea, close to Dracula's castle. (107 mins.)
Director: Werner Herzog
Band of Outsiders (1964)
    1 2 3 4 5 6 7 8 9 10 7.9/10 X  
Two crooks with a fondness for old Hollywood B-movies convince a languages student to help them commit a robbery. (95 mins.)
Last Tango in Paris (1972)
    1 2 3 4 5 6 7 8 9 10 7.2/10 X  
A young Parisian woman meets a middle-aged American businessman who demands their clandestine relationship be based only on sex. (129 mins.)
Taxi Driver (1976)
    1 2 3 4 5 6 7 8 9 10 8.3/10 X  
A mentally unstable Vietnam War veteran works as a night-time taxi driver in New York City where the perceived decadence and sleaze feeds his urge for violent action, attempting to save a preadolescent prostitute in the process. (113 mins.)
Director: Martin Scorsese
My Own Private Idaho (1991)
    1 2 3 4 5 6 7 8 9 10 7.1/10 X  
Two best friends living on the streets of Portland as hustlers embark on a journey of self discovery and find their relationship stumbling along the way. (104 mins.)
Director: Gus Van Sant
Peeping Tom (1960)
    1 2 3 4 5 6 7 8 9 10 7.8/10 X  
A young man murders women, using a movie camera to film their dying expressions of terror. (101 mins.)
Director: Michael Powell
The Leopard (1963)
    1 2 3 4 5 6 7 8 9 10 8.1/10 X  
The Prince of Salina, a noble aristocrat of impeccable integrity, tries to preserve his family and class amid the tumultuous social upheavals of 1860's Sicily. (187 mins.)
La Strada (1954)
    1 2 3 4 5 6 7 8 9 10 8.1/10 X  
A care-free girl is sold to a traveling entertainer, consequently enduring physical and emotional pain along the way. (108 mins.)
Purple Noon (1960)
    1 2 3 4 5 6 7 8 9 10 7.8/10 X  
Tom Ripley is a talented mimic, moocher, forger and all-around criminal improviser; but there's more to Tom Ripley than even he can guess. (118 mins.)
Director: René Clément
Hiroshima Mon Amour (1959)
    1 2 3 4 5 6 7 8 9 10 8.0/10 X  
A French actress filming an anti-war film in Hiroshima has an affair with a married Japanese architect as they share their differing perspectives on war. (90 mins.)
Director: Alain Resnais
Red Desert (1964)
    1 2 3 4 5 6 7 8 9 10 7.7/10 X  
In a bleak rundown industrial area a young woman, Giuliana, tries to cope with life. She's married to... (117 mins.)
A History of Violence (2005)
    1 2 3 4 5 6 7 8 9 10 7.5/10 X  
A mild-mannered man becomes a local hero through an act of violence, which sets off repercussions that will shake his family to its very core. (96 mins.)
Apocalypse Now (1979)
    1 2 3 4 5 6 7 8 9 10 8.5/10 X  
During the Vietnam War, Captain Willard is sent on a dangerous mission into Cambodia to assassinate a renegade colonel who has set himself up as a god among a local tribe. (153 mins.)
Director: Francis Coppola
Performance (1970)
    1 2 3 4 5 6 7 8 9 10 7.0/10 X  
Chas, a violent and psychotic East London gangster needs a place to lie low after a hit that should never have been carried out... (105 mins.)
Stagecoach (1939)
    1 2 3 4 5 6 7 8 9 10 7.9/10 X  
A group of people traveling on a stagecoach find their journey complicated by the threat of Geronimo and learn something about each other in the process. (96 mins.)
Director: John Ford
Johnny Guitar (1954)
    1 2 3 4 5 6 7 8 9 10 7.7/10 X  
After helping a wounded gang member, a strong-willed female saloon owner is wrongly suspected of murder and bank robbery by a lynch mob. (110 mins.)
Director: Nicholas Ray
Kagemusha (1980)
    1 2 3 4 5 6 7 8 9 10 8.0/10 X  
A petty thief with an utter resemblance to a samurai warlord is hired as the lord's double. When the warlord later dies the thief is forced to take up arms in his place. (180 mins.)
Director: Akira Kurosawa
Harakiri (1962)
    1 2 3 4 5 6 7 8 9 10 8.7/10 X  
An elder ronin samurai arrives at a feudal lord's home and requests an honorable place to commit suicide. But when the ronin inquires about a younger samurai who arrived before him things take an unexpected turn. (133 mins.)
Nostalgia (1983)
    1 2 3 4 5 6 7 8 9 10 8.2/10 X  
The Russian poet Andrei Gorchakov, accompanied by guide and translator Eugenia, is traveling through... (125 mins.)
Breaking the Waves (1996)
    1 2 3 4 5 6 7 8 9 10 7.9/10 X  
Oilman Jan is paralyzed in an accident. His wife, who prayed for his return, feels guilty; even more, when Jan urges her to have sex with another. (159 mins.)
Director: Lars Von Trier
Fanny and Alexander (1982)
    1 2 3 4 5 6 7 8 9 10 8.1/10 X  
Two young Swedish children experience the many comedies and tragedies of their family, the Ekdahls. (188 mins.)
Director: Ingmar Bergman
Ashes and Diamonds (1958)
    1 2 3 4 5 6 7 8 9 10 7.9/10 X  
During the German occupation noble, bourgeois and worker's partisan groups lived in peace with another. On the first day of freedom they start to fight each other. In these fights is weaved a most tender love story. (103 mins.)
Director: Andrzej Wajda
Rosemary's Baby (1968)
    1 2 3 4 5 6 7 8 9 10 8.0/10 X  
A young couple move into an apartment, only to be surrounded by peculiar neighbors and occurrences. When the wife becomes mysteriously pregnant, paranoia over the safety of her unborn child begins to control her life. (136 mins.)
Director: Roman Polanski
Beauty and the Beast (1946)
    1 2 3 4 5 6 7 8 9 10 8.0/10 X  
A beautiful young woman takes her father's place as the prisoner of a mysterious beast, who wishes to marry her. (96 mins.)
Director: Jean Cocteau