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Born in New Jersey and raised in Brooklyn, Richard Burton Matheson first became a published author while still a child, when his stories and poems ran in the "Brooklyn Eagle". A lifelong reader of fantasy tales, he made his professional writing bow in 1950 when his short story "Born of Man and Woman"? appeared in "The Magazine of Fantasy and Science Fiction"; Matheson turned out a number of highly regarded horror, fantasy and mystery stories throughout that decade. He broke into films in 1956, adapting his novel "The Shrinking Man" for the big-screen The Incredible Shrinking Man (1957).- Writer
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Richard Christian Matheson was born on 14 October 1953 in Santa Monica, California, USA. He is a writer and producer, known for Amazing Stories (1985), Loose Cannons (1990) and Three O'Clock High (1987).- Writer
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A former boxer, paratrooper and general all-around angry young man, Rod Serling was one of the radical new voices that made the "Golden Age" of television. Long before The Twilight Zone (1959), he was known for writing such high-quality scripts as "Patterns" and "Requiem for a Heavyweight," both later turned into films (Patterns (1956) and Requiem for a Heavyweight (1962)). The Twilight Zone (1959) featured forays into controversial grounds like racism, Cold War paranoia and the horrors of war. His maverick attitude eventually drove him from regular network television.- Writer
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Considered one of the pioneer screenwriters of the action genre, Black made his mark with his Lethal Weapon (1987) screenplay. He also collaborated on the story of the sequel, Lethal Weapon 2 (1989). Each successive script he turned in had a higher price attached it, from The Last Boy Scout (1991) to The Long Kiss Goodnight (1996), and in between a re-write on the McTiernan/Schwarzenegger Last Action Hero (1993) script.- Actor
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Jonas Chernick co-wrote, produced and starred in the sci-fi comedy feature film James vs. His Future Self (2019), which won four awards at the Toronto After Dark Film Festival, and was nominated for four Canadian Screen Awards. That same year, he starred in The Prague Orgy (2019), adapted from the Philip Roth novel, had a recurring role on the CBC / Netflix hit series Workin' Moms (2017) and was a guest star on the CTV / NBC hit series Transplant (2020). Chernick wrote, produced and starred in Borealis (2015), which won awards at the Vancouver International Film Festival and the Canadian Film Fest, was the Opening Night Film of the Brooklyn Film Festival, and was nominated for a Canadian Screen Award. He also wrote, produced and starred in An Awkward Sexual Adventure (2012), which had its world premiere at the Toronto International Film Festival and was subsequently named one of TIFF's Top Ten Films of 2012. It went on to win awards at the Calgary International Film Festival, the Whistler Film Festival and the Canadian Comedy Awards, and Jonas was nominated for an ACTRA Award for Outstanding Male Performance for his work in the film. He won a Canadian Screen Award for Best Lead Performance in a Mini-Series for his portrayal of Daniel Addison on the CBC's critically acclaimed The Best Laid Plans (2014), and co-wrote and starred in Lucid (2005), a feature film that premiered at TIFF and won the City TV Award for Best Western Canadian Feature Film at the Vancouver International Film Festival. Jonas won a Gemini Award and was nominated for an ACTRA Award for his work as "Slade" on the hit CBC drama series The Border (2008). His recent roles include the feature films How to Plan an Orgy in a Small Town (2015), A Swingers Weekend (2017), Blood Pressure (2012) and the upcoming Cinema of Sleep (2021), appearances on TV's Fargo (2014), Private Eyes (2016), Covert Affairs (2010) and Dark Matter (2015).- Writer
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Charles Beaumont was the pseudonym for Charles Leroy Nutt, born on Chicago's North Side on January 2 1929. He also occasionally wrote under the names Charles McNutt and E.T. Beaumont (the latter apparently based on the name of a Texas town). Tragically short-lived, Beaumont was a dynamic and imaginative author and screenwriter of macabre, cautionary tales -- frequently tinged with black humour -- blending the genres of science-fiction, fantasy and horror. With the sole exception of Rod Serling, he was the single most important creative force in the early years of The Twilight Zone (1959), responsible for many classic episodes, including "Perchance to Dream" (adapted from his original story, first published in 'Playboy' magazine in November 1958), "Printer's Devil" (from "The Devil, You Say?", his very first story, published in 'Amazing Stories', January 1951), "The Jungle" ('If' magazine, December 1954) and "In His Image" (one of the stories from his collection "Yonder", published in 1958). Much of Beaumont's early work was published in an anthology entitled "The Hunger and Other Stories", by Putnam in 1957. He also scripted or co-scripted several movies, including Roger Corman's The Premature Burial (1962), The Haunted Palace (1963) (Beaumont only took the title from the poem by Edgar Allan Poe, adapting the actual story from H.P. Lovecraft's novel "The Case of Charles Dexter Ward") and The Masque of the Red Death (1964). He also wrote an earlier script for Queen of Outer Space (1958) as a spoof, later ruefully commenting, that neither the director nor the cast seemed to have noticed that fact.
Beaumont had an extremely troubled childhood, which he later referred to as "one big Charles Addams cartoon". His mentally unstable mother at one time dressed him in girl's clothes and killed one of his pets as a form of punishment (this later inspired his short story "Miss Gentillbelle"). He was eventually farmed out to the care of five widowed aunts, who operated a boarding house and regaled young Charles with nightly tales, detailing the peculiar demise of each of their husbands. Somehow, perhaps unsurprisingly, young Charles developed his macabre sense of humour.
He first became interested in science fiction in his teens. He found school entirely boring, dropping out in the tenth grade. Then came a brief stint in the U.S. Army, but he was discharged after just three months for medical reasons (back problems). With little success, he tried his hand at acting, then sold illustrations to pulp magazines, worked as a railroad clerk in Mobile, Alabama; as an animator at MGM, even as a dishwasher. By the time he was twenty, he wrote prolifically, but remained unable to sell any of his first seventy-two stories, until the science-fiction magazine 'Amazing Stories' showed interest in "The Devil, You Say?", which was eventually published in early 1951. By the end of the decade, he had successfully segued into writing for films and television.
In 1964, at the height of his creative abilities, Beaumont was struck down by a savage illness (a combination of Pick's disease and early-onset Alzheimer's) which sadly claimed his life three years later at the age of thirty-eight.- Producer
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Elizabeth Hunter is known for Jumping the Broom (2011), Abducted: The Carlina White Story (2012) and The Fighting Temptations (2003). She has been married to Jordan Walker-Pearlman since 25 April 2015.- Writer
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Avid reader Charlie Kaufman wrote plays and made short films as a young student. He moved from Massapequa, New York to West Hartford, Connecticut in 1972 where he attended high school. As a comedic actor, he performed in school plays and, after graduation, he enrolled at Boston University but soon transferred NYU to study film. Charlie worked in the circulation department of the Star Tribune, in Minneapolis, in the late 1980s and moved to Los Angeles in 1991, where he was hired to write for the TV sitcom Get a Life (1990). He went on to write comedy sketches and a variety of TV show episodes. Between writing assignments, he wrote the inventive screenplay Being John Malkovich (1999), which created Hollywood interest and the attention of producer Steve Golin. Charlie works at home in Pasadena, California, where he lives with his wife Denise and children.- Writer
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Born in Liverpool, England, UK, Clive Barker is an English writer, director, and visual artist, best known for his works in the genres of horror and dark fantasy. His mother Joan Ruby (née Revill) was a painter and school welfare officer and his father Leonard Barker was a personnel director for an industrial relations firm. He studied English and philosophy at the University of Liverpool. His first artistic endeavors took place while at school, where he was a part of students' theatre. In the early days of his artistic career, he supported himself by working as a male prostitute. In 1978 he co-founded a theatre group called The Dog Company, among whose members was Doug Bradley who later went on to star in Barker's Hellraiser movie series. In 1985 he published his debut novel, The Damnation Game, and the same year he wrote his first feature movie scripts: Underworld (1985) and Rawhead Rex (1986). The end effect of these two movies disappointed Barker so much that he decided to adapt his prose into a movie he would direct himself, leading to the creation of Hellraiser (1987). The movie achieved cult status and turned into a multimedia franchise, although Barker lost control over it at one point, only to regain it in 2020. In addition to his work in literature and movies, he is also a visual artist, often illustrating his own books and was involved in a number of television, comic book, and visual arts projects.- Writer
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William Shakespeare's birthdate is assumed from his baptism on April 25. His father John was the son of a farmer who became a successful tradesman; his mother Mary Arden was gentry. He studied Latin works at Stratford Grammar School, leaving at about age 15. About this time his father suffered an unknown financial setback, though the family home remained in his possession. An affair with Anne Hathaway, eight years his senior and a nearby farmer's daughter, led to pregnancy and a hasty marriage late in 1582. Susanna was born in May of 1583, twins Hamnet and Judith in January of 1585. By 1592 he was an established actor and playwright in London though his "career path" afterward (fugitive? butcher? soldier? actor?) is highly debated. When plague closed the London theatres for two years he apparently toured; he also wrote two long poems, "Venus and Adonis" and "The Rape of Lucrece". He may have spent this time at the estate of the Earl of Southampton. By December 1594 he was back in London as a member of the Lord Chamberlain's Men, the company he stayed with the rest of his life. In 1596 he seems to have purchased a coat of arms for his father; the same year Hamnet died at age 11. The following year he purchased the grand Stratford mansion New Place. A 1598 edition of "Love's Labors" was the first to bear his name, though he was already regarded as England's greatest playwright. He is believed to have written his "Sonnets" during the 1590s. In 1599 he became a partner in the new Globe Theatre, the company of which joined the royal household on the accession of James in 1603. That is the last year in which he appeared in a cast list. He seems to have retired to Stratford in 1612, where he continued to be active in real estate investment. The cause of his death is unknown.- Writer
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Harold Pinter, the 2005 Nobel Laureate for Literature, was born October 10, 1930, in London's working-class Hackney district to Hyman and Frances Pinter, Eastern European Jews who had immigrated to the United Kingdom from Portugal. Hyman (known as "Jack") was a tailor specializing in women's clothing and Frances was a homemaker. The Pinters, whose families hailed from Odessa and Poland in the Russian Empire, were part of a wave of Jewish emigration to the UK at the turn of the last century. It was a community that revered learning and culture. The Pinter family was close, and young Harold was traumatized when, at the outbreak of World War II, he was evacuated from London to Cornwall with other London children for a year to avoid becoming casualties of German aerial bombing.
Pinter has said that his encounter with anti-Semitism while growing up was the fuse that ignited the organic process leading him to becoming a playwright. As the Nobel Prize citation attests, Pinter developed into the greatest English dramatist of the post-World War II era. The young Pinter studied acting at the Royal Academy of Dramatic Art and the Central School of Speech and Drama. In 1950 he published several poems and began working as a professional actor. Under the stage name David Baron, he toured the Republic of Ireland with Anew McMaster's Shakespearean repertory company in 1951-52. Significantly for Pinter's future, 1951 not only marked the debut of his career as a professional actor but also marked the first performance of future Nobel Literature Laureate Samuel Beckett's absurdist masterpiece "Waiting for Godot." He next appeared with Sir Donald Wolfit's theatrical company at the King's Theatre, Hammersmith, for the 1953- 54 season before becoming a player with various provincial repertory companies, including the Birmingham Rep, until he gave himself over full-time to playwriting in 1959.
Two significant events that would change Great Britain forever occurred during his apprenticeship in provincial rep: (1) the Suez Crisis of 1955 that shattered the UK's pretensions to empire in a post-colonial world and doomed the imperial generations represented by Prime Minister Anthony Eden and his mentor Winston Churchill, and (2) the 1956 premiere of John Osborne's play "Look Back in Anger." The shattering of the United Kingdom's complacency over imperialism meant that many successful people of Pinter's generation, who normally would have become Tories upon achieving some modicum of success, were disillusioned and drifted towards Labour and the left. No longer would a working- class person, if he so chose, have to be ashamed or stymied if \eschewing becoming middle-class or bourgeois. Osborne's play was the seminal work of the "kitchen-sink" school of drama that would dominate English theater for a decade, in which working-class life and struggles were dramatized. The hegemony of this school of theater was such that for the first time, a working-class or provincial accent became something treasured, something to be proud of, as the former world was set firmly upon its head. Even the great Laurence Olivier turned his back on the commercial theater to assay Osbourne's Archie Rice, a down-at-the-heels music hall performer, in "The Entertainer" (1957).
The kitchen-sink drama was a movement that Pinter would not be a part of, though it did open the doors for working-class writers who, unlike the working class-born Noël Coward, had no interest in becoming bourgeois. The other major element in the cultural milieu that forged Pinter was the Cold War, the absurdity of facing doomsday everyday under the threat of The Bomb (the USSR had acquired the means to produce a bomb through its atomic spy ring and exploded its first A-bomb in 1949, thus ending the US monopoly on nuclear weapons and making the Korean war, the suppression of an East Berlin uprising and the squashing of the Hungarian Revolution practical, if not possible). The Cold War gave legitimacy to the rise of the police state, not in totalitarian countries but in the use of police-state tactics in the western industrial democracies. To quote American poet' Charles Bukowski', this was an era marked by "War All The Time," not between two superpower behemoths but in everyday human relations, poisoned as they were by the Cold War climate of absurdity, paranoia and imminent holocaust.
In 1953 the accused "atomic spies" Julius Rosenberg and Ethel Rosenberg were executed in the United States when President Dwight D. Eisenhower, the man who had overseen the liberation of Europe as Supreme Allied Commander fighting the Nazi totalitarian menace, had refused clemency for even Ethel, the mother of two small boys. It was a domestic drama -- a woman's loyalty to her husband, her loss of not only her life but the Issac-like evocative sacrifice of any normal life for her two children when Eisenhower-Jehovah refused to stay the executioner's hand -- that had combined with the felicities of affairs of state and world power politics. The question of whether they were guilty or innocent--not proven beyond a doubt in 1951, when they had been convicted in a trial that was compared by many to the Stalinist show-trials that had occurred in the Soviet Union and still occurred in the satellite countries of the Warsaw Pact after World War II - gave rise to an overwhelming fundamental question: What is real? Reality, as Hannah Arendt had put it in "The Human Condition," is socially defined; that is a given. But how about when that reality no longer makes sense, when the individual cannot partake of the consensus demanded of him in the 1950s, whether conservative, middle-class, haute bourgeoisie or radical left as dictated by some flaming Red party boss - a person struggling with his own life? How does he answer the question: What is real? It is a question that Pinter took upon himself to answer, and answered by showing us there is no answer. In this quest, a genius arrived on the world stage in the form of a player who decided to craft his own words, for himself and his post-Holocaust, pre-Holocaust audience. When life stops making sense, as it did in the 1940s when the global war against fascism left 50 million dead and the modern industrial state was tasked with the exigencies of mass- murder, and as it did in the 1950s when, under the aegis of combating another totalitarian system a domestic fascism in kind if not degree arose in the Anglo-Saxon countries with their great gravital pull towards conformity within a shell of consumerism, it still behooves a human being to try to understand the human condition.
In 1957 Bristol University staged Pinter's first play "The Room." He had told a friend who worked in Bristol University's drama department an idea he had for a play. The friend was so enamored of the idea that he commissioned the work, with the proviso that a script be ready within a week. Though he didn't believe he could meet his friend's demands, Pinter wrote the one-act play in four days. "The Room" had all the hallmarks of what would become known as "Pinteresque," in that it had a mundane situation that gradually filled with menace and mystery through the author's deliberate omission of an explanation or motivation for the action on stage. It is ironic perhaps that an actor would rid his script of motivation as "motivation" is the Holy Grail of inwardly-directed actors such as those tutored in "The Method" in America, but it was emblematic of the times that stated motivations frequently masked other, starker, more id-like drives in people or in nation-states that were beyond human comprehension in terms of being rational. Modern society had become irrational, and motivations post-Freud could be understood as a manifestation of Thanatos, the Death Instinct. Imminent violence and power plays would become other leitmotifs of Pinter's oeuvre.
Pinter wrote a second one-act play in 1957, "The Dumb Waiter," an absurdist drama concerning two hit men employed by a secret organization to kill an unknown victim. It was with this play that Pinter added an element of black comedy, mostly through his brilliant use of dialog, which not only elucidated the killers' growing anxiety but underscored the very absurdity of their situation. The play would not be performed until 1960, after the staging of his first two full-length plays, one a flop, and one a hit. His first full-length play, "The Birthday Party," debuted at the Arts Theatre in Cambridge in 1958. In the play the apathetic Stanley, the denizen of a dilapidated boarding house, is visited by two men. The audience never learns their motivation, but knows that Stanley is terrified of them. They organize a birthday party for Stanley, who insists that it is not his birthday. Pinter is following in the footsteps of the great absurdist Samuel Beckett in that he steadfastly refuses to give clear motivations to his characters, or rational explanations for the sake of his audience (Pinter and Beckett became friends). The play, now considered a masterpiece, flopped on its initial London run after being savaged by critics. It was revived after Pinter's second full-length play, 1960's "The Caretaker," established him as a major force in the English-language theater.
His early plays were rooted in the absurdism that became the major theatrical paradigm on the European stage in the third quarter of the 20th century, after the horrors of the war and the Holocaust. The early plays that made his reputation such as "The Homecoming" (1964) and his middle-period work such as "No Man's Land" (1976) have been called "comedies of menace." Typically, they use what at first seems like an innocent situation and develop it into an absurd and threatening environment through actions that usually are inexplicable to the audience and sometimes even to the other characters in the play. A Pinter drama is dark and claustrophobic. His language is full of menacing pauses. The lives of Pinter's characters usually are revealed to be stunted by guilt and horror. The duality and absurdity of Pinter's theatrical world-view gave rise to the adjective "Pinteresque," which took its place next to "Kafkaesque," a product of the horrors of the first quarter of the century (Pinter would write the screenplay for an adaption of Franz Kafka's "The Trial".)
Beginning in the 1960s, Pinter further enhanced his reputation as a writer with his screenplays, particular his work with Joseph Losey in The Servant (1963) and Accident (1967) (Losey planned an adaptation of Marcel Proust's "Le Temps Retrouve" and commissioned Pinter to write the screenplay. The film was never made by Losey, but Pinter's screenplay was subsequently published to great acclaim). His later screenplays, including his last produced work with Losey, The Go-Between (1971), are, ironically, noted for their clarity. He was twice nominated for the Academy Award as a screenwriter, for his adaptation of John Fowles' labyrinthine novel into the film The French Lieutenant's Woman (1981) and for Betrayal (1983), his adaptation of his own play. Such was the respect that Pinter was held that Elia Kazan, one of the great film directors, complained in his autobiography "A Life" (1988) that The Last Tycoon (1976) producer Sam Spiegel had such reverence for Pinter that he would not let Kazan change his script.
After the great plays of his early and mid-period, Pinter became more overtly political. His later plays, which generally are shorter than the plays from the period in which he made his reputation, typically address political subjects and often are allegories on oppression. In the late 1970s Pinter became more outspoken on political issues and is decidedly of the left. He is passionately committed to human rights and is not shy about bringing examples of oppression from client states sponsored by the Anglo-Saxon democracies to the public's attention. In 2002 Pinter experienced what he described as a "personal nightmare" when he had to undergo chemotherapy to treat a case of cancer of the esophagus. The ordeal, which has been ongoing for three years, triggered a personal metamorphosis in the man. "I've been through the valley of the shadow of death," Pinter explained about his quickening. "While in many respects I have certain characteristics that I had, I'm also a very changed man."
In early 2005 Pinter declared in a radio interview that he was retiring as a dramatist in favor of writing poetry: "I think I've stopped writing plays now, but I haven't stopped writing poems. I've written 29 plays. Isn't that enough?" Pinter has become an outspoken critic of war. He was a bitter critic of the US-led intervention against Slobodan Milosevic's Serbia during President Bill Clinton's administration and an even harsher critic of the US-led war in Iraq. The fiercely anti- war Pinter has accused President George W. Bush of being a "mass-murderer" and has called British Prime Minister Tony Blair a "deluded idiot" for supporting US foreign policy. Pinter claimed immediately after the 9/11 attacks on New York City and the Pentagon that they were a requited revenge for the destruction wrought on Afghanistan and Iraq by US imperialism and its anti-Taliban policies and sanctions on Iraq. He has publicly denounced the retaliatory U.S. invasion of Afghanistan and the unprovoked 2003 invasion of Iraq. Pinter likens the Bush administration and Bush's America to Adolf Hitler and Nazi Germany, claiming the US is bent on world hegemony. Controversially, he has declared that the only difference between Nazi Germany and the Stalinist Soviet Union is that the US is more hypocritical and has better public relations.
One cannot fault Pinter, in the political ring, for being inconsistent or for jumping on a bandwagon. The man, as well as the artist, is a person that sticks to his convictions. The award of the Nobel Prize for Literature to Pinter just after he celebrated his 75th birthday was completely unexpected by pundits handicapping the award. Turkish writer Orhan Pamuk and Syrian poet Adonis were considered the front-runners, as European writers recently had dominated the award (Pinter's Nobel Prize makes it nine out of ten times in the past ten years that a European writer has won, and the second time in the past five years an English writer has banged the gong), and it was felt the Academy would recognize a writer from another continent, particularly one from Asia Minor. Thus, the award can be seen as a not-so-veiled criticism of the United States in general and President George W. Bush in particular by the Swedish Academy. Because of Pinter's renouncing of the form of which he was a master and his anointment of himself as a poet, in light of his volume of poetry, "War" (2003) that denounces the Iraq War frequently in vulgar, raw and unrythmic poetry that poses no threat to William Butler Yeats or W.H. Auden or Robert Frost or Stevens, one must consider that the Swedish Academy was giving the world's highest prize for literature at least in part to a poet whose latest work was fiercely anti-American and anti-imperialist.
Despite being highly controversial, Pinter -- who was appointed a Commander of the British Empire in 1966 (one step down from a knighthood, an honor he subsequently turned down) -- was named a Companion of Honour in 2002, an honor that does not carry a title. In addition to writing poetry, acting and directing in the theater, Pinter serves as the chairman of the Gaieties Cricket Club, an affiliate of he Club Cricket Conference. He also is active in the Cuba Solidarity Campaign, an organization that supports Fidel Castro, who remains the #1 bugaboo of the United States after Islamic terrorists, just slightly ahead of fellow hemispheric boogeyman Hugo Chávez, a recent arriviste on the world stage. He also is a member of the International Committee to Defend Slobodan Milosevic, an organization that appeals for the freedom of Slobodan Milosevic on the grounds that NATO's war against Milosevic's Yugoslavia was unjustified under international law.- Producer
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Terry McMillan was born on October 18, 1951, to Madeline Washington Tilman and Edward McMillan. She grew up in Port Huron, Michigan. Her parents divorced when she was thirteen and her father died three years later. McMillan's mother supported her family by working nights at a factory.- Writer
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Cormac McCarthy was born on 20 July 1933 in Providence, Rhode Island, USA. He was a writer and producer, known for The Road (2009), No Country for Old Men (2007) and The Counselor (2013). He was married to Jennifer Claire Winkley, Anne DeLisle and Lee Holleman. He died on 13 June 2023 in Santa Fe, New Mexico, USA.- TJ Dawe was born and raised in Vancouver, BC. He studied theatre at the University of Victoria, earning a BFA in Acting. While touring the circuit of Canadian Fringe Festivals he discovered the culture of self-created theatre, and has been writing and performing his own work ever since. He written and toured more than a dozen autobiographical monologues, and has co-created as many more plays and monologues with others, including Toothpaste and Cigars, co-written with Mike Rinaldi, which has become What If/The F Word.
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Henrik Ibsen was born on March 20th in Stockmannsgerden in Skien. His mother was Marichen and his father was Knud, a merchant. On 1835 his father gave up his business and the family moved to Venstop, a farm in Gjerpen. In 1843 he confirmed in Gjerpen church and left home in order to apprentice to Jens Aarup Reinmann, chemist. Three years later his first son was born by Else Sophie Jesdatter. On 1849 he wrote Catiline which was published a year later. On September 26, 1850 the first Ibsen staging in history took place; the one-act The Burial Mound was performed at Cristiania Theater. Two years later he started directing productions at Det norske Theater in Bergen. From 1853 to 1877 he wrote the plays St. John's night, Lady Inger, The feast at Solhoug, Olaf Liliekrans, The Vikings at Helgeland, Love's comedy, The pretenders, Brand, Peer Gynt, The League of Youth, Emperor and Galilean and Pillars of Society and the poems Life on the Upland, Terje Vigen and Balloon letter to a Swedish lady. Meanwhile he married Suzannah Thoresen in 1858 and his second son Sigurg was born a year later. In 1878 he moved to Rome where he lived for seven years. There he started writing the circle of his 11 last plays that made him classic; A Doll's House (1879), Ghosts (1881), An Enemy of the people (1882), The Wild Duck (1884), Rosmersholm (1886), The Lady from the Sea (1888), Hedda Gabler (1890), The Master Builder (1892), Little Ejolf (1894) John Gabriel Borkman (1896) and his last one When We Dead Awaken (1898). The same year large-scale celebrations took place in Christiania, Copenhagen and Stockholm for his 70th birthday. Two years later he had his first stroke. On May 23rd 1906 he died.- Writer
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August Wilson once dropped out of school, disillusioned after having been unjustly accused of plagiarism by a racist instructor who could not fathom the artistic and intellectual genius of a then young Black male writer. Wilson was not disillusioned forever. Having now completed a decade by decade cycle of seven plays that illustrate the complexity, problems, and beauty of Black American life, Wilson sits at the pinnacle of American playwrights who have achieved world-renown. He first became involved in theatre in the late 1960s when he co-founded the Black Horizons Theater which was a community theatre located in Pittsburgh, PA, USA. His first professional production was "Black Bart and the Sacred Hills" which was based on an earlier series of poems. "Black Bart..." was produced at St. Paul's Penumbra Theatre in 1981. Wilson's breakthrough occurred when Lloyd Richards--then Dean and Artistic Director of the Yale Repertory Theatre--brought Wilson to the Eugene O'Neill National Playwrights Conference and premiered his plays at the Yale Repertory Theatre in New Haven, Connecticut, USA. Richards, the only Black American at Yale to have a Department Chair named for him, was a major influence on and expert collaborator with Wilson, who used Yale as a workshop for developing many of his productions. To date, his plays have been staged on Broadway and at regional theatres across the United States. He has won Pulitzer Prizes for "Fences" (1987) and "The Piano Lesson" (1990) and New York Drama Critics Circle Awards for "Ma Rainey's Black Bottom", "Fences", "Joe Turner's Come and Gone", "The Piano Lesson", "Two Trains Running", and "Seven Guitars". His most recent works include "Jitney" and "King Hedley II". He has been honored with Rockefeller and Guggenheim Fellowships in Playwrighting; is an Alumnus of New Dramatists and a Member of the American Academy of Arts and Sciences, further demonstrating an artistic, intellectual, and literary profundity that has assured him a permanent and prominent place in the history of American Theatre.- Daniel Waters is known for I Still See You (2018) and I Am Thor (2015).
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Daniel Waters was born on 10 November 1962 in Cleveland, Ohio, USA. He is a writer and producer, known for Heathers (1988), Hudson Hawk (1991) and Sex and Death 101 (2007).- Writer
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Born in St. Catharines, Ontario, Canada, Dave was the eldest son of John and Moreen Thomas. John Thomas (deceased) was a PHD in Philosophy (Duke), noted medical ethicist, head of Philosophy Department at McMaster University, and author of several books including: "Matters of Life and Death," "Well and Good," "Medical Ethic and Human Life." Moreen Thomas (living) was a church organist for 30 years and noted composer of church music. Brother, Ian Thomas is a noted Canadian musician and composer whose songs have been covered by bands like America, Chicago, Air Supply (Russell Hitchcock & Graham Russell), Bette Midler, and Manfred Mann.
Starting his career at ad agency McCann Erickson, after one year, Dave became the head writer of the Coca-Cola account. He then moved from the Toronto office to New York at the request of agency client Coca-Cola. Dave left advertising after three years to work at Second City Company in Toronto with Dan Aykroyd, John Candy, Gilda Radner, and Eugene Levy. He subsequently co-founded NBC's critically acclaimed comedy series SCTV (1976), along with co-stars Harold Ramis, Catherine O'Hara (I), Eugene Levy, Andrea Martin, and John Candy. During the show's five-year run, Dave won an Emmy Award, 4 Emmy nominations for his comedy writing, an ACTRA Award for Best Variety Performer and the Earl Grey Award in 1993.
With Rick Moranis, Dave co-created the infamous McKenzie Brothers and co-starred in the cult hit comedy film Strange Brew (1983) (MGM). Strange Brew won the Golden Reel Award for the highest box office grossing movie in Canada in 1983. The duo won Gold and Platinum Albums and a Grammy nomination. Since the film's release in 1982, the McKenzie Brothers have become a 20-year-plus enduring franchise, and Thomas and Moranis have licensed the characters to the following companies -- NBC, CBC, Polygram, MGM, Pizza Hut, Mr. Lubbe, Miller Brewing, Molsons Brewing, Todd McFarlane Toys and Disney.
Dave has written, directed, produced, and co-starred in television shows for all the major networks -- most notably The Dave Thomas Comedy Show (1990) (CBS) and Grace Under Fire (1993) (ABC). He was co-creator and co-executive producer of America's Funniest People (1990) (ABC). He wrote and directed the M.O.W. Ghost Mom (1993) (Fox) starring Jean Stapleton and Geraint Wyn Davies and starred in the M.O.W.'s Kids in the Woods (Disney) and Picture Perfect (1995) (ABC). He has voiced animated shows like The Simpsons (1989), Duckman, Catdog, Dilbert, Animaniacs, Justice League of America for Warners and Tarzan for Disney. He has appeared in numerous feature films, including Stripes with Bill Murray and Harold Ramis, Spies Like Us (1985) (Dave was also co-writer with Aykroyd) with Chevy Chase and Dan Aykroyd, The Experts (1989) (Dave directed) starring John Travolta and Kelly Preston, Boris & Natasha with Sally Kellerman, Coneheads with Dan Aykroyd, and most recently Rat Race with John Cleese, Whoopi Goldberg, and Cuba Gooding Jr.. In 2001, Dave played a featured role in the theatrical features Who's Your Daddy and Call Me Irresponsible (Norstar). Dave is currently voicing a major role along with Joaquin Phoenix and Rick Moranis in the upcoming full-length Disney animated feature Bears due for theatrical release in 2004. In 1996, Mr. Thomas wrote a book, "SCTV Behind the Scenes". It is currently in its second printing. Mr. Thomas' production company, Maple Palm Productions, produced an Ace nominated comedy special for Showtime entitled The Time Travels of Henry Osgood starring Bronson Pinchot, Catherine O'Hara (I), John Candy, Martin Short, and Joe Flaherty, a special for CBS in 1990 entitled "Standup at Forty" starring Gary Shandling, Bonnie Hunt, Martin Short, George Plimpton and Richard Belzer. In 1992 Maple Palm produced another comedy special, this time for ABC entitled "Inside American's Unsolved Mysteries". In 1994, Maple Palm produced a reality pilot for ABC entitled Family Challenge (1995). ABC elected not to pick up the series, so Maple Palm produced 130 hour-long episodes of Family Challenge (1995) for the Family Channel with Woody Fraser. In 1999, Maple Palm Productions and Dave Thomas produced Ambushed (1998) a movie for HBO, starring Courtney B. Vance, Virginia Madsen, and David Keith, directed by Ernest R. Dickerson. Ambushed (1998) was the highest rated television show in its time slot when it first aired in 1999. Currently, Dave is a partner in Animax Interactive, an online production company creating sponsored interactive content and designing Web Pages for such companies as Ford, Twentieth Century Fox, Warner Brothers and Verizon. Dave lives in Malibu, California with his wife Kim and four children John, Emily, Harry and Charlie.- Actress
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Maya Angelou was an American poet, singer, memoirist, and civil rights activist. She published seven autobiographies, three books of essays, several books of poetry, and is credited with a list of plays, movies, and television shows spanning over 50 years. She received dozens of awards and more than 50 honorary degrees. Maya Angelou is best known for her series of seven autobiographies, which focus on her childhood and early experiences. The first, I Know Why the Caged Bird Sings (1969), tells of her life up to the age of 17 and brought her international recognition and acclaim.
With the publication of I Know Why the Caged Bird Sings, Angelou publicly discussed aspects of her personal life. She was respected as a spokesperson for black people and women, and her works have been considered a defense of black culture. Her works are widely used in schools and universities worldwide, although attempts have been made to ban her books from some libraries. Angelou's most celebrated works have been labeled as autobiographical fiction, but many critics consider them to be autobiographies. She made a deliberate attempt to challenge the common structure of the autobiography by critiquing, changing and expanding the genre.- Producer
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Born in Puducherry, India, and raised in the suburban Penn Valley area of Philadelphia, Pennsylvania, M. Night Shyamalan is a film director, screenwriter, producer, and occasional actor, known for making movies with contemporary supernatural plots.
He is the son of Jayalakshmi, a Tamil obstetrician and gynecologist, and Nelliate C. Shyamalan, a Malayali doctor. His passion for filmmaking began when he was given a Super-8 camera at age eight, and even at that young age began to model his career on that of his idol, Steven Spielberg. His first film, Praying with Anger (1992), was based somewhat on his own trip back to visit the India of his birth. He raised all the funds for this project, in addition to directing, producing and starring in it. Wide Awake (1998), his second film, he wrote and directed, and shot it in the Philadelphia-area Catholic school he once attended--even though his family was of a different religion, they sent him to that school because of its strict discipline.
Shyamalan gained international recognition when he wrote and directed 1999's The Sixth Sense (1999), which was a commercial success and later nominated for six Academy Awards, including Best Picture, Best Director and Best Original Screenplay. Shyamalan team up again with Bruce Willis in the film Unbreakable (2000), released in 2000, which he also wrote and directed.
His major films include the science fiction thriller Signs (2002), the psychological thriller The Village (2004), the fantasy thriller Lady in the Water (2006), The Happening (2008), The Last Airbender (2010), After Earth (2013), and the horror films The Visit (2015) and Split (2016).- Writer
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While she is now best known for her book "Gentlemen Prefer Blondes," Anita Loos was one of Hollywood's foremost early screenwriters. She began writing screen scenarios for the 'Biograph Company' at an early age (though not 12, as she later claimed), and the first to be produced, The New York Hat (1912), was not only directed by the legendary D.W. Griffith but starred another of Hollywood's future heavyweights: Mary Pickford. After working for some years with Griffith (including writing the surtitles for his epic Intolerance (1916), she began to work for Douglas Fairbanks, whom she had championed in his early days in Hollywood.
Her husband and collaborator John Emerson convinced her to quit screenwriting for the sake of his own pride -- nevertheless, fate intervened in the form of "Gentlemen Prefer Blondes," an unassuming book she had compiled from a series of magazine stories she had based on the predilection of then-famous intellectual H.L. Mencken to be dazzled by gold-digging ditzes. The book was a surprise smash all over the world, later spawning a sequel ("But Gentlemen Marry Brunettes"), which became a not particularly successful silent movie but later a hugely successful film starring Marilyn Monroe and Jane Russell, and a hit Broadway musical.
This success, and the on-again, off-again nature of her marriage to Emerson allowed her to re-enter the film industry, where she worked on such classics as San Francisco (1936), The Women (1939), and Jean Harlow's Red-Headed Woman (1932). In her later years, she also wrote several pieces for the theater, eventually regaining fame via a number of movie memoirs, including "A Girl Like I" and "Kiss Hollywood Goodbye." These are today as well known for their colorful treatment of the truth as for their witty observations on the early days of Hollywood.- Writer
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Born into a wealthy and influential English family, Ian Fleming spent his early years attending top British schools such as Eton and Sandhurst military academy. He took to writing while schooling in Kitzbuhel, Austria, and upon failing the entrance requirements for Foreign Service joined the news agency Reuters as a journalist -- winning the respect of his peers for his coverage of a "show trial" in Russia of several Royal Engineers on espionage charges. Fleming briefly worked in the financial sector for the family bank, but just prior to the Second World War, was recruited into British Naval Intelligence where he excelled, shortly achieving the rank of Commander. When the war ended, Fleming retired to Jamaica where he built a house called "Goldeneye," took up writing full-time and created the character that would make him famous -- British Secret Service agent James Bond, in a novel called "Casino Royale." Fleming spent the rest of his life writing and traveling the world, but as his Bond character reached new heights of popularity on movie screens, Fleming was in ailing health. He died of a heart attack (his second) in England in August 1964 at the age of 56.