Best Supporting Actress
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Janet Leigh was the only child of a couple who often moved from town to town. Living in apartments, Janet was a bright child who skipped several grades and finished high school when she was 15. A lonely child, she would spend much of her time at movie theaters. She was a student, studying music and psychology, at the University of the Pacific until she was "discovered" while visiting her parents in Northern California. Her father was working the desk at a ski resort where her mother worked as a maid. Retired MGM actress Norma Shearer saw a picture of Janet on the front desk and asked if she could borrow it. This led to a screen test at MGM and a starring role in The Romance of Rosy Ridge (1947). MGM was looking for a young naive country girl and Janet filled the bill perfectly. She would play the young ingénue in a number of films and work with such stars as Errol Flynn, Gary Cooper, James Stewart, Orson Welles and Judy Garland. She appeared in a number of successful films, including Little Women (1949), Angels in the Outfield (1951), Scaramouche (1952), Houdini (1953) and The Black Shield of Falworth (1954), among others. Janet would appear in a variety of films, from comedies to westerns to musicals to dramas. Of her more than 50 movies, she would be remembered for the 45 minutes that she was on the screen in the small-budget thriller Psycho (1960). Directed by Alfred Hitchcock, this 1960 classic would include the shower scene that would become a film landmark. Even though her character is killed off early in the picture, she would be nominated for an Academy Award and receive a Golden Globe. Her next film would be The Manchurian Candidate (1962), in which she starred with Frank Sinatra. For the rest of the decade, her appearances in films would be rare, but she worked with Paul Newman in Harper (1966). In the 1970s she appeared on the small screen in a number of made-for-TV movies. In 1980, she appeared alongside her daughter Jamie Lee Curtis in The Fog (1980), and later, in Halloween H20: 20 Years Later (1998). Janet Leigh died at age 77 in her home in Beverly Hills, California on October 3, 2004.For "Psycho" (1960)- Actress
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In America, the early performing arts accomplishments of young Maureen FitzSimons (who we know as Maureen O'Hara) would definitely have put her in the child prodigy category. However, for a child of Irish heritage surrounded by gifted parents and family, these were very natural traits. Maureen made her entrance into this caring haven on August 17, 1920, in Ranelagh (a suburb of Dublin), Ireland. Her mother, Marguerita Lilburn FitzSimons, was an accomplished contralto. Her father, Charles FitzSimons, managed a business in Dublin and also owned part of the renowned Irish soccer team "The Shamrock Rovers." Maureen was the second of six FitzSimons children - Peggy, Florrie, Charles B. Fitzsimons, Margot Fitzsimons and James O'Hara completed this beautiful family.
Maureen loved playing rough athletic games as a child and excelled in sports. She combined this interest with an equally natural gift for performing. This was demonstrated by her winning pretty much every Feis award for drama and theatrical performing her country offered. By age 14 she was accepted to the prestigious Abbey Theater and pursued her dream of classical theater and operatic singing. This course was to be altered, however, when Charles Laughton, after seeing a screen test of Maureen, became mesmerized by her hauntingly beautiful eyes. Before casting her to star in Jamaica Inn (1939), Laughton and his partner, Erich Pommer, changed her name from Maureen FitzSimons to "Maureen O'Hara" - a bit shorter last name for the marquee.
Under contract to Laughton, Maureen's next picture was to be filmed in America (The Hunchback of Notre Dame (1939)) at RKO Pictures. The epic film was an extraordinary success and Maureen's contract was eventually bought from Laughton by RKO. At 19, Maureen had already starred in two major motion pictures with Laughton. Unlike most stars of her era, she started at the top, and remained there - with her skills and talents only getting better and better with the passing years.
Maureen has an enviable string of all-time classics to her credit that include the aforementioned "The Hunchback of Notre Dame," How Green Was My Valley (1941), Miracle on 34th Street (1947), Sitting Pretty (1948), The Quiet Man (1952), and The Parent Trap (1961). Add to this the distinction of being voted one of the five most beautiful women in the world and you have a film star who was as gorgeous as she was talented.
Although at times early in her career Hollywood didn't seem to notice, there was much more to Maureen O'Hara than her dynamic beauty. She not only had a wonderful lyric soprano voice, but she could use her inherent athletic ability to perform physical feats that most actresses couldn't begin to attempt, from fencing to fisticuffs. She was a natural athlete.
In her career Maureen starred with some of Hollywood's most dashing leading men, including Tyrone Power, John Payne, Rex Harrison, James Stewart, Henry Fonda, Brian Keith, Sir Alec Guinness and, of course, her famed pairings with "The Duke" himself, John Wayne. She starred in five films with Wayne, the most beloved being The Quiet Man (1952).
In addition to famed director John Ford, Maureen was also fortunate to have worked for some other great directors in the business: Alfred Hitchcock, William Dieterle, Henry Hathaway, Henry King, Jean Renoir, John M. Stahl, William A. Wellman, Frank Borzage, Walter Lang, George Seaton, George Sherman, Carol Reed, Delmer Daves, David Swift, Andrew V. McLaglen and Chris Columbus.
In 1968 Maureen found much deserved personal happiness when she married Charles Blair. Gen. Blair was a famous aviator whom she had known as a friend of her family for many years. A new career began for Maureen, that of a full-time wife. Her marriage to Blair, however, was again far from typical. Blair was the real-life version of what John Wayne had been on the screen. He had been a Brigadier General in the Air Force, a Senior Pilot with Pan American, and held many incredible record-breaking aeronautic achievements. Maureen happily retired from films in 1973 after making the TV movie The Red Pony (1973) (which on the prestigious Peabody Award for Excellence) with Henry Fonda. With Blair, Maureen managed Antilles Airboats, a commuter sea plane service in the Caribbean. She not only made trips around the world with her pilot husband, but owned and published a magazine, "The Virgin Islander," writing a monthly column called "Maureen O'Hara Says."
Tragically, Charles Blair died in a plane crash in 1978. Though completely devastated, Maureen pulled herself together and, with memories of ten of the happiest years of her life, continued on. She was elected President and CEO of Antilles Airboats, which brought her the distinction of being the first woman president of a scheduled airline in the United States.
Fortunately, she was coaxed out of retirement several times - once in 1991 to star with John Candy in Only the Lonely (1991) and again, in 1995, in a made-for-TV movie, The Christmas Box (1995) on CBS. In the spring of 1998, Maureen accepted the second of what would be three projects for Polson Productions and CBS: Cab to Canada (1998) - and, in October, 2000, The Last Dance (2000).
On St. Patrick's Day in 2004, she published her New York Times bestselling memoir, 'Tis Herself, co-authored with her longtime biographer and manager Johnny Nicoletti.
On November 4, 2014 Maureen was honored by a long overdue Oscar for "Lifetime Achievement" at the annual Motion Picture Arts and Sciences Governors Awards.
Maureen O'Hara was absolutely stunning, with that trademark red hair, dazzling smile and those huge, expressive eyes. She has fans from all over the world of all ages who are utterly devoted to her legacy of films and her persona as a strong, courageous and intelligent woman.For "The Parent Trap" (1961)- Actress
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Julie Christie, the British movie legend whom Al Pacino called "the most poetic of all actresses," was born in Chabua, Assam, India, on April 14, 1940, the daughter of a tea planter and his Welsh wife Rosemary, who was a painter. The young Christie grew up on her father's plantation before being sent to England for her education. Finishing her studies in Paris, where she had moved to improve her French with an eye to possibly becoming a linguist (she is fluent in French and Italian), the teenager became enamored of the freedom of the Continent. She also was smitten by the bohemian life of artists and planned on becoming an artist before she enrolled in London's Central School of Speech Training. She made her debut as a professional in 1957 as a member of the Frinton Repertory of Essex.
Christie was not fond of the stage, even though it allowed her to travel, including a professional gig in the United States. Her true métier as an actress was film, and she made her debut in the science-fiction television series A for Andromeda (1961) in 1961. Her first film was a girlfriend part in the Ealing-like comedy Crooks Anonymous (1962), which was followed up by a larger ingénue role in another comedy, The Fast Lady (1962). The producers of the James Bond series were sufficiently intrigued by the young actress to consider her for the role that subsequently went to Ursula Andress in Dr. No (1962), but dropped the idea because she was not busty enough.
Christie first worked with the man who would kick her career into high gear, director John Schlesinger, when he choose her as a replacement for the actress originally cast in Billy Liar (1963). Christie's turn in the film as the free-wheeling Liz was a stunner, and she had her first taste of becoming a symbol if not icon of the new British cinema. Her screen presence was such that the great John Ford cast her as the young prostitute in Young Cassidy (1965). Charlton Heston wanted her for his film The War Lord (1965), but the studio refused her salary demands.
Although Amercan magazines portrayed Christie as a "newcomer" when she made her breakthrough to super-stardom in Schlesinger's seminal Swinging Sixties film Darling (1965), she actually had considerable work under her professional belt and was in the process of a artistic quickening. Schlesinger called on Christie, whom he adored, to play the role of mode Diana Scott when the casting of Shirley MacLaine fell through. (MacLaine was the sister of the man who would become Christie's long-time paramour in the late 1960s and early '70s, Warren Beatty, whom some, like actor Rod Steiger, believe she gave up her career for. Her "Dr. Zhivago" co-star, Steiger -- a keen student of acting -- regretted that Christie did not give more of herself to her craft.)
As played by Christie, Diana is an amoral social butterfly who undergoes a metamorphosis from immature sex kitten to jaded socialite. For her complex performance, Christie won raves, including the Best Actress Awards from the Academy of Motion Picture Arts and Sciences and the British Film Academy. She had arrived, especially as she had followed up "Darling" with the role of Lara in two-time Academy Award-winning director David Lean's adaptation of Boris Pasternak's Doctor Zhivago (1965), one of the all-time box-office champs.
Christie was now a superstar who commanded a price of $400,000 per picture, a fact ruefully noted in Charlton Heston's diary (his studio had balked at paying her then-fee of $35,000). More interested in film as an art form than in consolidating her movie stardom, Christie followed up "Zhivago" with a dual role in Fahrenheit 451 (1966) for director François Truffaut, a director she admired. The film was hurt by the director's lack of English and by friction between Truffaut and Christie's male co-star Oskar Werner, who had replaced the the more-appropriate-for-the-role Terence Stamp. Stamp and Christie had been lovers before she had become famous, and he was unsure he could act with her, due to his own ego problems. On his part, Werner resented the attention the smitten Truffaut gave Christie. The film is an interesting failure.
Stamp overcame those ego problems to sign on as her co-star in John Schlesinger's adaptation of Thomas Hardy's Far from the Madding Crowd (1967), which also featured two great English actors, Peter Finch and Alan Bates. It is a film that is far better remembered now than when it was received in 1967. The film and her performance as the Hardy heroine Bathsheba Everdene was lambasted by film critics, many of whom faulted Christie for being too "mod" and thus untrue to one of Hardy's classic tales of fate. Some said that her contemporary Vanessa Redgrave would have been a better choice as Bathsheba, but while it is true that Redgrave is a very fine actress, she lacked the sex appeal and star quality of Christie, which makes the story of three men in love with one woman more plausible, as a film.
Although no one then knew it, the period 1967-68 represented the high-water mark of Christie's career. Fatefully, like the Hardy heroine she had portrayed, she had met the man who transformed her life, undermining her pretensions to a career as a movie star in their seven-year-long love affair, the American actor Warren Beatty. Living his life was always far more important than being a star for Beatty, who viewed the movie star profession as a "treadmill leading to more treadmills" and who was wealthy enough after Bonnie and Clyde (1967) to not have to ever work again. Christie and Beatty had visited a working farm during the production of "Madding Crowd" and had been appalled by the industrial exploitation of the animals. Thereafter, animal rights became a very important subject to Christie. They were kindred souls who remain friends four decades after their affair ended in 1974.
Christie's last box-office hit in which she was the top-liner was Petulia (1968) for Richard Lester, a film that featured one of co-star George C. Scott's greatest performances, perfectly counter-balanced by Christie's portrayal of an "arch-kook" who was emblematic of the '60s. It is one of the major films of the decade, an underrated masterpiece. Despite the presence of the great George C. Scott and the excellent Shirley Knight, the film would not work without Julie Christie. There is frankly no other actress who could have filled the role, bringing that unique presence and the threat of danger that crackled around Christie's electric aura. At this point of her career, she was poised for greatness as a star, greatness as an actress.
And she walked away.
After meeting Beatty, Julie Christie essentially surrendered any aspirations to screen stardom, or at maintaining herself as a top-drawer working actress (success at the box office being a guarantee of the best parts, even in art films.) She turned down the lead in They Shoot Horses, Don't They? (1969) and Anne of the Thousand Days (1969), two parts that garnered Oscar nominations for the second choices, Jane Fonda and Geneviève Bujold. After shooting In Search of Gregory (1969), a critical and box office flop, to fulfill her contractual obligations, she spent her time with Beatty in Calfiornia, renting a beach house at Malibu. She did return to form in Joseph Losey's The Go-Between (1971), a fine picture with a script by the great Harold Pinter, and she won another Oscar nomination as the whore-house proprietor in Robert Altman's minor classic McCabe & Mrs. Miller (1971) that she made with her lover Beatty. However, like Beatty himself, she did not seek steady work, which can be professional suicide for an actor who wants to maintain a standing in the first rank of movie stars.
At the same time, Julie Christie turned down the role of the Russian Empress in Nicholas and Alexandra (1971), another film that won the second-choice (Janet Suzman) a Best Actress Oscar nomination. Two years later, she appeared in the landmark mystery-horror film Don't Look Now (1973), but that likely was as a favor to the director, Nicolas Roeg, who had been her cinematographer on "Fahrenheit 451," "Far From the Madding Crowd" and "Petulia." In the mid '70s, her affair with Beatty came to an end, but the two remained close friends and worked together in Shampoo (1975) (which she regretted due to its depiction of women) and Heaven Can Wait (1978).
Christie was still enough of a star, due to sheer magnetism rather than her own pull at the box-office, to be offered $1 million to play the Jacqueline Kennedy Onassis character in The Greek Tycoon (1978) (a part eventually played by Jacqueline Bisset to no great acclaim). She signed for but was forced to drop out of the lead in Agatha (1979) (which was filled by Vanessa Redgrave) after she broke a wrist roller-skating (a particularly southern Californian fate!). She then signed for the female lead in American Gigolo (1980) when Richard Gere was originally attached to the picture, but dropped out when John Travolta muscled his way into the lead after making twin box-office killings as disco king Tony Manera in Saturday Night Fever (1977) and greaser Danny Zuko in Grease (1978). Christie could never have co-starred with such a camp figure of dubious talent. When Travolta himself dropped out and Gere was subbed back in, it was too late for Christe to reconsider, as the part already had been filled by model-actress Lauren Hutton. It would take 15 years for Christie and Gere to work together.
Finally, the end of the American phase of her movie career was realized when Christie turned down the part of Louise Bryant in Reds (1981), a part written by Warren Beatty with her in mind, as she felt an American should play the role. (Beatty's latest lover, Diane Keaton, played the part and won a Best Actress Oscar nomination.) Still, she remained a part of the film, Beatty's long-gestated labor of love, as it is dedicated to "Jules."
Julie Christie moved back to the UK and become the UK's answer to Jane Fonda, campaigning for various social and political causes, including animal rights and nuclear disarmament. The parts she did take were primarily driven by her social consciousness, such as appearing in Sally Potter's first feature-length film, The Gold Diggers (1983) which was not a remake of the old Avery Hopwood's old warhorse but a feminist parable made entirely by women who all shared the same pay scale. Roles in The Return of the Soldier (1982) with Alan Bates and Glenda Jackson and Merchant-Ivory's Heat and Dust (1983) seemed to herald a return to form, but Christie -- as befits such a symbol of the freedom and lack of conformity of the '60s -- decided to do it her way. She did not go "careering," even though her unique talent and beauty was still very much in demand by filmmakers.
At this point, Christie's movie career went into eclipse. Once again, she was particularly choosy about her work, so much so that many came to see her, essentially, as retired. A career renaissance came in the mid-1990s with her turn as Gertrude in Kenneth Branagh's ambitious if not wholly successful Hamlet (1996). As Christie said at the time, she didn't feel she could turn Branagh down as he was a national treasure. But the best was yet to come: her turn as the faded movie star married to handyman Nick Nolte and romanced by a younger man in Afterglow (1997), which brought her rave notices. She received her third Best Actress Oscar nomination for her performance, and showed up at the awards as radiant and uniquely beautiful as ever. Ever the iconoclast, she was visibly relieved, upon the announcement of the award, to learn that she had lost!
Christie lived with left-wing investigative journalist Duncan Campbell (a Manchester Guardian columnist) since 1979, first in Wales, then in Ojai, California, and now in London's East End, before marrying in January 2008. In addition to her film work, she has narrated many books-on-tape. In 1995, she made a triumphant return to the stage in a London revival of Harold Pinter's "Old Times", which garnered her superb reviews.
In the decade since "Afterglow," she has worked steadily on film in supporting roles. Christie -- an actress who eschewed vulgar stardom -- proved to be an inspiration to her co-star Sarah Polley, the remarkably talented Canadian actress with a leftist political bent who also abhors Hollywood. Of her co-star in No Such Thing (2001) and The Secret Life of Words (2005), Polley says that Christie is uniquely aware of her commodification by the movie industry and the mass media during the 1960s. Not wanting to be reduced to a product, she had rebelled and had assumed control of her life and career. Her attitude makes her one of Polley's heroes, who calls her one of her surrogate mothers. (Polley lost her own mother when she was 11 years old.)
Both Christie and Polley are rebels. Sarah Polley had walked off the set of the big-budget movie that was forecast as her ticket to Hollywood stardom, Almost Famous (2000), to have a different sort of life and career. She returned to her native Canada to appear in the low-budget indie The Law of Enclosures (2000), a prescient art film in that director John Greyson offset the drama with a background of a perpetual Gulf War three years before George W. Bush invaded Iraq, touching off the second-longest war in U.S. history. Taking a hiatus from acting, Polley went to Norman Jewison's Canadian Film Centre to learn to direct, and direct she has, making well-regarded shorts before launching her feature film debut, Away from Her (2006), which was shot and completed in 2006 but held for release until 2007 by its distributor.
Polley, who had longed to be a writer since she was a child actress on the set of the quaint family show Avonlea (1990) wrote the screenplay for her adaptation of Alice Munro's short story "The Bear Went Over the Mountain" with only one actress in mind: Julie Christie. Polley had first read the short story on a flight back from Iceland, where she had made "No Such Thing" with Christie, and as she read, it was Julie whom she pictured as Fiona, the wife of a one-time philandering husband, who has become afflicted with Alzheimer's disease and seeks to save her hubby the pain of looking after her by checking herself into a home.
After finishing the screenplay, it took months to get Christie to commit to making the film. Julie turned her down after reading the script and pondering it for a couple of months, saying "No" even though she liked the script. Polley then had to "twist her arm" for another couple of months. But alas, Julie has a weakness for national treasures: Just like with Branagh a decade ago, the legendary Julie Christie could not deny the Great White North's Sarah Polley, and commit she did. Polley then found out why Christie is so reticent about making movies:
"She gives all of herself to what she does. Once she said yes, she was more committed than anybody."
According to David Germain, a cinema journalist who interviewed Christie for the Associated Press, "Polley and Christie share a desire to do interesting, unusual work, which generally means staying away from Hollywood.
"'It's been a kind of greed and a kind of egotism, but it's not necessarily wanting to avoid the Hollywood thing, but in fact, it incorporates wanting to avoid the Hollywood thing, because the Hollywood thing is so inevitably not original,' Christie said. 'It's avoiding non-originality, so that means you're really down to a very small choice.'"
The collaboration between the two rebels yielded a small gem of a film. Lions Gate Films was so impressed, it purchased the American distribution rights to the film in 2006, then withheld it until the following year to build up momentum for the awards season.
Julie Christie's performance in "Away From Her" is superb, and already has garnered her the National Board of Review's Best Actress Award. She will likely receive her fourth Academy Award nomination, and quite possibly her second Oscar, for her unforgettable performance, a labor of love she did for a friend.
We, the Julie Christie fans who have waited decades for the handful of films made by the numinous star: Would we have wanted it any other way? We are the Red Sox fans of the movies, once again rewarded with a world-class masterpiece by our heroine. Perhaps, like all human beings, we want more, but we have learned over the last thirty-five years to be content with the diamonds that are Julie's leading performances that she gives just once a decade, content to feel that these are a surfeit of riches, our surfeit of riches, so great is their luminescence.For "Billy Liar!" (1963)- Actress
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Eleanor Jean Parker was born on June 26, 1922, in Cedarville, Ohio, the last of three children born to a mathematics teacher and his wife. Eleanor caught the acting bug early and began performing in school plays. She was was so serious about becoming an actor, that she attended the Rice Summer Theatre on Martha's Vineyard in Massachusetts, beginning when she was 15 years old. She was offered her first screen test by a 20th Century-Fox talent scout while attending Rice, but turned the opportunity down to gain professional stage experience in Cleveland after graduating from high school.
She moved on to California to continue her acting studies at the Pasadena Playhouse. It was there, while sitting in the audience of a play being put on at the Playhouse, that she was again offered a screen test - this time from a Warner Brothers' scout - and again declined, wanting to finish her first year at the Playhouse. When the year was up, Eleanor contacted Warner Brothers to take them up on their offer of a screen test and was signed as a contract player two days after it was shot.
She was cast in Raoul Walsh's They Died with Their Boots On (1941), but her performance was left on the cutting room floor.
She was then cast in short subjects and given other assignments typical of novice film actors, to enable them to learn their craft, such as voice-acting and appearances in other actors' screen tests. Finally, she was promoted to the B-picture unit, making her feature debut in Busses Roar (1942).
Her beauty meant she was not forgotten, and she was cast in one of Warner Brothers' biggest productions for the 1943 season, the pro-Soviet Mission to Moscow (1943), directed by Michael Curtiz and starring Walter Huston as the U.S. ambassador to the USSR. Eleanor played his daughter in the film, which became notorious in the McCarthy era for its glorification of "Uncle Joe" Stalin. The film proved significant to Eleanor, as she met a future husband on the set, Navy Lieutenant. Fred L. Losse, Navy dentist. The marriage was a brief wartime affair, lasting from March 21, 1943, to December 5, 1944.
She went back to the B's with The Mysterious Doctor (1943), then bounced back to the A-list for Between Two Worlds (1944), a remake of the Leslie Howard vehicle Outward Bound (1930) in which she played Paul Henreid's fiancee (both die from suicide, but in Hollywood logic that didn't mean they couldn't frolic together on the silver screen). Eleanor then made two more B-quickies in 1944, Crime by Night (1944) and The Last Ride (1944), before graduating to the A-list for good with Pride of the Marines (1945) with John Garfield.
In the 1946 Warner Bros. remake of Of Human Bondage (1946), she took the role that Bette Davis had made good in 1934 (ironically, at rival RKO). Though Parker would be gaining kudos and Oscar nominations by the beginning of the next decade, her portrait of Mildred was weak in comparison with Davis's dynamic performance.
Parker received the first of her three Best Actress Oscar nominations for playing a prisoner in Caged (1950), and won the best actress award at the Venice Film Festival. She was also nominated the next year for playing the cop's wife who shared a secret with the neighborhood abortionist in William Wyler's Detective Story (1951). Her third and last Oscar nod came for Interrupted Melody (1955), wherein she played an opera singer struck down by polio. She could easily have been nominated that same year for her portrayal of Frank Sinatra's faux crippled wife in Otto Preminger's brooding masterpiece The Man with the Golden Arm (1955), adapted from the novel by Nelson Algren.
Parker proved herself to be a supremely talented and very versatile lead actress. The versatility was likely one of the reasons she never quite became a major star. Audiences attending a movie starring Parker never knew quite what to expect of her; if they even remembered she was the same actress they had seen before in a different type of role in another picture. Her turns in Detective Story (1951) and The Man with the Golden Arm (1955) could not have been more different. Parker's stardom and subsequent fame (and remembrance) suffered from her focusing on being a serious actress and creating a character who fit the motion picture she was in, rather than playing a character over and over, as most actors do. She probably best remembered for the relatively tame part as the Baroness in The Sound of Music (1965).
She received an Outstanding Lead Actress Emmy nomination in 1963 for her appearance in The Eleventh Hour (1962) episode Why Am I Grown So Cold? Despite the success of The Sound of Music (1965) being completely attributed to #1 box office sensation Julie Andrews, it's probably Parker's best-remembered role.
Her appearances in such fare as The Oscar (1966) (the cast of which the Playboy Magazine reviewer derided as "has-beens and never-will-bes") and the movie adaptation of Norman Mailer's indescribable existential potboiler An American Dream (1966) with fellow Oscar-nominee Stuart Whitman signaled that Miss Parker was now inscribed on the list of the has-beens.
She had one last hurrah, winning a Golden Globe nomination in 1970 as best lead actress for her role in the TV series Bracken's World (1969), but unfortunately times had changed during the tumultuous 1960s. Her last film role was in a Farrah Fawcett bomb, Sunburn (1979). Subsequently, she appeared very infrequently on TV, most recently in Dead on the Money (1991).
Eleanor Parker retired far too soon for those who were her fans, and those who appreciated a superb actress.For "The Sound of Music" (1965)- Actress
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Anne Bancroft was born on September 17, 1931 in The Bronx, NY, the middle daughter of Michael Italiano (1905-2001), a dress pattern maker, and Mildred DiNapoli (1907-2010), a telephone operator. She made her cinema debut in Don't Bother to Knock (1952) in 1952, and over the next five years appeared in a lot of undistinguished movies such as Gorilla at Large (1954), Demetrius and the Gladiators (1954), New York Confidential (1955), Nightfall (1956) and The Girl in Black Stockings (1957). By 1957 she grew dissatisfied with the scripts she was getting, left the film business and spent the next five years doing plays on Broadway. She returned to screens in 1962 with her portrayal of Annie Sullivan in The Miracle Worker (1962), for which she won an Oscar. Bancroft went on to give acclaimed performances in The Pumpkin Eater (1964), The Slender Thread (1965), Young Winston (1972), The Prisoner of Second Avenue (1975), The Elephant Man (1980), To Be or Not to Be (1983), 84 Charing Cross Road (1987) and other movies, but her most famous role would be as Mrs. Robinson in The Graduate (1967). Her status as the "older woman" in the film is iconic, although in real life she was only eight years older than Katharine Ross and just six years older than Dustin Hoffman. Bancroft would later express her frustration over the fact that the film overshadowed her other work. Selective for much of her intermittent career, she appeared onscreen more frequently in the '90s and early '00s, playing a range of characters in such films as Love Potion No. 9 (1992), Point of No Return (1993), Home for the Holidays (1995), G.I. Jane (1997), Great Expectations (1998), Keeping the Faith (2000) and Up at the Villa (2000). She also started to make some TV films, including Deep in My Heart (1999) for which she won an Emmy. Sadly, on June 6, 2005, Bancroft passed away at the age of 73 from uterine cancer. Her death surprised many, as she had not disclosed her illness to the public. Among her survivors was her husband of 41 years, Mel Brooks, and their son Max Brooks, who was born in 1972. Her final film, the animated feature Delgo (2008), was released posthumously in 2008 and dedicated to her memory.For "The Graduate" (1967)- Actress
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A popular musical name noted on film for one delightfully feisty Cockney lass, Shani Wallis was born in 1933 in Tottenham (North London), England and initially studied at the Royal Academy of Dramatic Art on a scholarship. On stage from age 4 and performing in repertory as a young teen, she became one of the brighter young singing voices of her day. She made her West End musical debut at 18 with "Call Me Madam" at the Coliseum in 1952, and immediately established herself in the role of Princess Maria, the leading ingénue. Following other starring roles in the mediocre musicals "Happy as a King" and "Wish You Were Here," she scored again in "Wonderful Town" (1955) playing a comic soubrette, and as another spirited ingénue in "Finian's Rainbow" (1958). In-between were a number of musical-revue shows. In 1960 she replaced Tony winner Elizabeth Seal in the title role of "Irma La Douce" at London's Lyric Theatre. After the show closed, few offers came her way, so she decided to try her luck in America.
She went about rebuilding her name on the cabaret, concert, and club circuits, and added more musical roles such as "South Pacific," "The King and I" and "Bells Are Ringing" to her credits. She finally made it to Broadway in 1966, co-starring with the legendary Tessie O'Shea in "A Time For Singing," a musical version of "How Green Was My Valley." Backed by three strong numbers, she had a chance to shine in the Maureen O'Hara colleen role, but the show closed after a disappointing run of 41 performances.
A few inconsequential film roles had come her way earlier in England, including The Extra Day (1956) and Ramsbottom Rides Again (1956), not to mention a minor singing bit in Charles Chaplin's A King in New York (1957). Other than assorted variety show appearances and a televised performance supporting Carol Burnett in Once Upon a Mattress (1964), she found only a modicum of on-camera work, so it was all the more astounding when she nabbed the role of a lifetime as the ill-fated Nancy in the Oscar-winning picture Oliver! (1968). Successfully replacing the seemingly-irreplaceable Georgia Brown, Shani made a durable marquee name for herself while giving her all in the rousing "Oom-pah-Pah" number and putting her own indelible stamp on the show-stopping "As Long as He Needs Me, which is now considered her signature song. She went on to perform Nancy on the theatre stage as well.
Shani was seen only sporadically in films following this breakthrough, including the horror opus Terror in the Wax Museum (1973), for the live stage was still her first love. Over the years she has gamely performed in a number of musical staples, including "42nd Street" and "Follies," and toured with Liberace for five years during the 1980s. In 1996, she returned to England to appear in the musical "Always" at the Victoria Palace Theatre.
Shani's most recent on-camera appearances were a 2004 recurring nanny-type role on the daytime soap The Young and the Restless (1973) and a small role in the film Mojave Phone Booth (2006).
Long is married to agent and former actor Bernard Rich; their daughter Rebecca Rich is a costume designer.For "Oliver!" (1968)- Actress
- Soundtrack
Norma Crane was born on 10 November 1928 in Brooklyn, New York, USA. She was an actress, known for Fiddler on the Roof (1971), Studio One (1948) and Ben Casey (1961). She was married to Herbert Sargent. She died on 28 September 1973 in Los Angeles, California, USA.For "Fiddler on the Roof" (1971)- Actress
- Producer
- Director
Diane Keaton was born Diane Hall in Los Angeles, California, to Dorothy Deanne (Keaton), an amateur photographer, and John Newton Ignatius "Jack" Hall, a civil engineer and real estate broker. She studied Drama at Santa Ana College, before dropping out in favor of the Neighborhood Playhouse in New York. After appearing in summer stock for several months, she got her first major stage role in the Broadway rock musical "Hair". As understudy to the lead, she gained attention by not removing any of her clothing. In 1968, Woody Allen cast her in his Broadway play "Play It Again, Sam," which had a successful run. It was during this time that she became involved with Allen and appeared in a number of his films. The first one was Play It Again, Sam (1972), the screen adaptation of the stage play. That same year Francis Ford Coppola cast her as Kay in the Oscar-winning The Godfather (1972), and she was on her way to stardom. She reprized that role in the film's first sequel, The Godfather Part II (1974). She then appeared with Allen again in Sleeper (1973) and Love and Death (1975).
In 1977, she broke away from her comedy image to appear in the chilling Looking for Mr. Goodbar (1977), which won her a Golden Globe nomination. It was the same year that she appeared in what many regard as her best performance, in the title role of Annie Hall (1977), which Allen wrote specifically for her (her real last name is Hall, and her nickname is Annie), and what an impact she made. She won the Oscar and the British Award for Best Actress, and Allen won the Directors Award from the DGA. She started a fashion trend with her unisex clothes and was the poster girl for a lot of young males. Her mannerisms and awkward speech became almost a national craze. The question being asked, though, was, "Is she just a lightweight playing herself, or is there more depth to her personality?" For whatever reason, she appeared in but one film a year for the next two years and those films were by Allen. When they broke up she was next involved with Warren Beatty and appeared in his film Reds (1981), as the bohemian female journalist Louise Bryant. For her performance, she received nominations for the Academy Award and the Golden Globe. For the rest of the 1980s she appeared infrequently in films but won nominations in three of them. Attempting to break the typecasting she had fallen into, she took on the role of a confused, somewhat naive woman who becomes involved with Middle Eastern terrorists in The Little Drummer Girl (1984). To offset her lack of movie work, Diane began directing. She directed the documentary Heaven (1987), as well as some music videos. For television she directed an episode of the popular, but strange, Twin Peaks (1990).
In the 1990s, she began to get more mature roles, though she reprized the role of Kay Corleone in the third "Godfather" epic, The Godfather Part III (1990). She appeared as the wife of Steve Martin in the hit Father of the Bride (1991) and again in Father of the Bride Part II (1995). In 1993 she once again teamed with Woody Allen in Manhattan Murder Mystery (1993), which was well received. In 1995 she received high marks for Unstrung Heroes (1995), her first major feature as a director.For "The Godfather" (1972)- Actress
- Producer
- Director
Diane Keaton was born Diane Hall in Los Angeles, California, to Dorothy Deanne (Keaton), an amateur photographer, and John Newton Ignatius "Jack" Hall, a civil engineer and real estate broker. She studied Drama at Santa Ana College, before dropping out in favor of the Neighborhood Playhouse in New York. After appearing in summer stock for several months, she got her first major stage role in the Broadway rock musical "Hair". As understudy to the lead, she gained attention by not removing any of her clothing. In 1968, Woody Allen cast her in his Broadway play "Play It Again, Sam," which had a successful run. It was during this time that she became involved with Allen and appeared in a number of his films. The first one was Play It Again, Sam (1972), the screen adaptation of the stage play. That same year Francis Ford Coppola cast her as Kay in the Oscar-winning The Godfather (1972), and she was on her way to stardom. She reprized that role in the film's first sequel, The Godfather Part II (1974). She then appeared with Allen again in Sleeper (1973) and Love and Death (1975).
In 1977, she broke away from her comedy image to appear in the chilling Looking for Mr. Goodbar (1977), which won her a Golden Globe nomination. It was the same year that she appeared in what many regard as her best performance, in the title role of Annie Hall (1977), which Allen wrote specifically for her (her real last name is Hall, and her nickname is Annie), and what an impact she made. She won the Oscar and the British Award for Best Actress, and Allen won the Directors Award from the DGA. She started a fashion trend with her unisex clothes and was the poster girl for a lot of young males. Her mannerisms and awkward speech became almost a national craze. The question being asked, though, was, "Is she just a lightweight playing herself, or is there more depth to her personality?" For whatever reason, she appeared in but one film a year for the next two years and those films were by Allen. When they broke up she was next involved with Warren Beatty and appeared in his film Reds (1981), as the bohemian female journalist Louise Bryant. For her performance, she received nominations for the Academy Award and the Golden Globe. For the rest of the 1980s she appeared infrequently in films but won nominations in three of them. Attempting to break the typecasting she had fallen into, she took on the role of a confused, somewhat naive woman who becomes involved with Middle Eastern terrorists in The Little Drummer Girl (1984). To offset her lack of movie work, Diane began directing. She directed the documentary Heaven (1987), as well as some music videos. For television she directed an episode of the popular, but strange, Twin Peaks (1990).
In the 1990s, she began to get more mature roles, though she reprized the role of Kay Corleone in the third "Godfather" epic, The Godfather Part III (1990). She appeared as the wife of Steve Martin in the hit Father of the Bride (1991) and again in Father of the Bride Part II (1995). In 1993 she once again teamed with Woody Allen in Manhattan Murder Mystery (1993), which was well received. In 1995 she received high marks for Unstrung Heroes (1995), her first major feature as a director.For "The Godfather part II" (1974)- Actress
- Director
- Soundtrack
Piper Laurie was a three-time Oscar nominee, nominated by BAFTA as well as the Academy of Motion Picture Arts and Sciences for best performance by an actress in 'The Hustler' with Paul Newman.
Laurie was born Rosetta Jacobs in Detroit, Michigan, to Charlotte Sadie (Alperin) and Alfred Jacobs, a furniture dealer. She had an elder sister. Her family was of Russian Jewish and Polish Jewish descent.
Young Rosetta had been studying acting with Benno and Betomi Schnider for three years when she auditioned for Universal Studios, who signed her to a long term contract and was renamed Piper Laurie. She made more than twenty films, appearing opposite such actors as Tony Curtis, Rock Hudson and Tyrone Power.
Disgusted with the lack of serious roles, Laurie finally broke her lucrative Hollywood contract, moved to New York, lived on a budget, worked on live television and theater, and within two years changed her life and her career.
She stopped working for fifteen years after 'The Hustler' to devote her energies to the Civil Rights and anti-Vietnam War movements, feeling acting was less important. When she accepted work again she was nominated for an Academy Award as Best Supporting Actress for 'Carrie' with Sissy Spacek, and again as Best Supporting Actress in 'Children of a Lesser God' with Marlee Matlin. She won the Golden Globe for her role in the David Lynch cult favorite 'Twin Peaks' and was nominated for an Emmy for both Best Actress and Best Supporting Actress in 'Twin Peaks'.
She was nominated a total of twelve times for the Emmy, including one for the original and celebrated live broadcast of 'The Days of Wine and Roses' with Cliff Robertson, directed by John Frankenheimer, as well as for her comedic performance in 'Frasier'. She won an Emmy for her performance in 'Promise' opposite James Woods and James Garner. She was Harvard's Hasty Pudding Woman of the Year, and she also received an SFECA award for her performance as Dolly in the film 'The Grass Harp'.
In 2010, she played an elderly grandma who learns to smoke a bong in the feature film 'Hesher', with Joseph Gordon Levitt and Natalie Portman. Most recently she appeared as Grandma Hershe in White Boy Rick, starring Matthew McConaughey, and as Rose Muller in 'Snapshots', directed by Melanie Mayron. In 2013, she made her musical stage debut in 'A Little Night Music' as Madame Armfeldt.
Laurie performed on Broadway in the Tony-nominated Lincoln Center production of 'Mornings at Seven' directed by Dan Sullivan at the Lyceum Theatre. She also appeared on Broadway in the 20th Anniversary production of 'The Glass Menagerie', in which she played Laura Wingfield, with Maureen Stapleton (only 7 years older) as her mother, Amanda, at the Brooks Atkinson Theatre.
Off-Broadway, she appeared in Molly Kazan's 'Rosemary and the Alligators' and in Larry Kramer's 'The Destiny of Me'. She toured in a one-person play about Zelda Fitzgerald, written by Bill Luce. In 2010 she directed Jim Brochu in his one-man show 'Zero Hour', for which he received the Drama Desk Award for best solo performance on or off Broadway, playing Zero Mostel.
Laurie was divorced from Wall Street Journal's movie critic, Pulitzer Prize-winner Joe Morgenstern. They had a daughter. Laurie's autobiography, Learning to Live Out Loud, was published by Crown in 2011 to rave reviews and is now available as an audio book on audible.com.For "Carrie" (1976)- Actress
- Composer
- Soundtrack
The #1 Grammy-winning "I Am Woman" became not only THE anthem of the feminist movement during the radical 1970s, but also the signature song for its lovely, crop-haired, reddish-haired composer and singer Helen Reddy. Many decades later this is the hit people still remember her for, despite the fact she had a host of other "top ten" records over the course of her long career.
Helen Maxine Lamond Reddy was born in Melbourne, Australia, to showbiz parents, comedy actor/producer/writer Max Reddy and singer/soap opera actress Stella Lamond, and is the half sister to singer/actress Toni Lamond. Of English, Irish, Scottish, and Welsh ancestry, Helen began performing at the age of four at the Tivoli Theatre in Perth, Australia, touring much of her native country with her parents. She left boarding school at age 15 to work on the road singing and acting. Her musical style is best described as a light amalgam of rhythm and blues, easy rock and jazz. Her soothing, quivery vocals and equally warm appeal was instantly embraced, eventually earning her own Australian radio show. "Helen Reddy Sings" aired twice weekly on the Australian Broadcasting Commission.
In 1966 Helen won a trip to New York in an Australian Bandstand International contest and, though she met with little success during this excursion, did meet and marry second husband Jeff Wald, a manager and an agent with the William Morris talent agency. They married the following year and went to Los Angeles. Helen converted to Judaism before the marriage.
Wald worked Helen into a few performances on The Tonight Show Starring Johnny Carson (1962), fifteen appearances total, and the resulting attention earned her her first hit with a top version of "I Don't Know How to Love Him" from the Broadway rock musical "Jesus Christ Superstar" in February 1972, peaking at #13 on the Billboard hit list. Signed by Capitol Records, she enjoyed hit after hit throughout the early 1970s, with "Delta Dawn" (1973) and "Angie Baby" (1974) reaching #1.
In 1973, Helen had her own summer-replacement variety show and was a popular hostess for a time on NBC's late-night variety show The Midnight Special (1972). She tried to parlay her singing success into a film career starting with a featured role as a nun in the disaster film Airport 1975 (1974). This led to a wholesome starring role in the promising Disney children's film Pete's Dragon (1977), but it was only mildly received. . During this time, she also appeared on TV in episodes of "The Love Boat," "Fantasy Island," "The Jeffersons" (as herself), "Beast Master," "Diagnosis Murder" and a guest voice on "Family Guy." She appeared in only two more films -- a cameo in the raucous "Fat Boys" comedy Disorderlies (1987) and a featured role in the comedy crime chiller The Perfect Host (2010). A third film, a comedy "mockumentary" entitled Senior Entourage (2021), has yet been released.
In 1982, she divorced Wald and married a third time the following year to drummer Milton Ruth. Helen has ventured on into the concert and symphony orchestra forums as well as becoming a popular cabaret and nightclub attraction. In recent years she has graced a number of musical theater productions both on Broadway and in London's West End.
Over the years she was considered a primary interpreter of English playwright Willy Russell, having appeared in four productions of his one-woman show "Shirley Valentine." Other live musical productions have included "Anything Goes," "Call Me Madam," "The Mystery of Edwin Drood" and Russell's "Blood Brothers," in which she made her Broadway debut.
In 2002 she retired from the business, and moved to her native Australia to work as a practicing hypnotherapist and motivational speaker, but returned from time to time before the camera both here and abroad. In 2017, Helen was diagnosed with dementia, and then resided at the Motion Picture and Television Fund's Samuel Goldwyn Center for Behavioral Health in Woodland Hills, California. She died on September 29, 2020, in Los Angeles.For "Pete's Dragon" (1977)- Actress
- Soundtrack
One of Broadway and Hollywood's perennial and cleverer talents who tends to shine a smart, cynical light on her surroundings, Stockard Channing was born Susan Williams Antonia Stockard on February 13, 1944 in New York City to a Protestant father and a Catholic mother of Irish descent. Her parents were Mary Alice (née English) and well-to-do shipping executive Lester Napier Stockard; the latter died when his daughter was 16 and left her a sizable estate.
Channing attended the eminent Chapin School in NYC, then later attended the Madeira School, a girls' boarding school in Virginia. She majored in both literature and history at Radcliffe College, from which she graduated summa cum laude in 1965. In 1964 she married Walter Channing Jr., a businessman whose surname she kept for part of her own stage moniker after their divorce four years later.
Interested in acting, she made her stage debut in a production of "The Investigation" at the experimental Theatre Company of Boston in 1966. She went on to play a number of offbeat roles with the company. She eventually migrated to New York where she took her first Broadway bow as a chorus member and understudy in the musical version of 'Two Gentlemen of Verona' in 1971. Two years later she would take over the prime role of Julia in the L.A. national company. Other theater roles during this time included 'Adaptation/Next' (1970) 'Arsenic and Old Lace' (1970), 'Play Strindberg' (1971), and 'No Hard Feelings' (1973).
Somewhat plaintive yet magnetic and unique-looking, the dark-haired actress began first appearing in pictures with small parts in the dark comedy The Hospital (1971) and the edgy Barbra Streisand fantasy-drama Up the Sandbox (1972). Taking on the top female lead as an heiress and potential victim of shysters Jack Nicholson and Warren Beatty in Mike Nichols' comedy The Fortune (1975), the film, despite its male star power and her Golden Globe nomination, would not become the star-making hit for Channing as initially predicted.
While her next two films, (The Big Bus (1976) and Sweet Revenge (1976)), didn't get her to first base with the public either, Channing hit a major home run with the TV-movie The Girl Most Likely to... (1973), a clever black comedy written by Joan Rivers wherein she played a former ugly duckling-turned-beauty (à la plastic surgery) who decides to attract and knock off the men who cruelly cast her aside earlier. Channing found her niche with this smart, sardonic character and it would take her quite far in Hollywood.
At age 33(!), Stockard was handed the feisty role of high-school "tough girl" Betty Rizzo in the box-office film version of the hit musical Grease (1978), starring Olivia Newton-John and John Travolta. While long in the tooth for such a role (as were most of the others in the lead cast), she compelled the audience to suspend disbelief in her sly performance, which earned her a People's Choice Award (Favorite Motion Picture Supporting Actress). This blockbuster clinched her place as a top-ranking star contender.
Handed two sitcom vehicles of her own within a year on CBS, Stockard Channing in Just Friends (1979) had her playing a newly-separated wife starting life anew in another city (L.A.) while The Stockard Channing Show (1980) starred her as a divorced lady again trying to find herself in L.A. Neither caught on and lasted but a few months. Stalled at a critical juncture in her career, she decided to return to her first love -- the theater. With 'Vanities', 'Absurd Person Singular', and 'As You Like It' (as Rosalind) already on her resume, she earned fine notices on Broadway with the musical 'They're Playing Our Song', succeeding Lucie Arnaz in 1980, then garnered rave reviews as the mother of a developmentally disabled child in the New Haven production of Peter Nichols' 'A Day in the Death of Joe Egg' in 1982. The actress repeated her role on Broadway a few years later (the title now shortened to "Joe Egg") and copped the 1985 Tony Award for Best Actress in a Play. Subsequent Tony nominations came her way for her offbeat work in 'The House of Blue Leaves' (1986); 'Six Degrees of Separation' (for which she also won an Off-Broadway Obie), 'Four Baboons Adoring the Sun' (1992); and for her Eleanor of Aquitaine in 'The Lion in Winter' in 1999.
Award-worthy projects again came her way on TV. Nominated for an Emmy for the CBS miniseries Echoes in the Darkness (1987), she also won a CableACE Award for her work in Tidy Endings (1988). In film, she received Oscar and Golden Globe nominations when her stage triumph, Six Degrees of Separation (1993), was turned into a film. This was followed by a rare vulnerable role as an abused, small-town housewife in the popular drag queen dramedy To Wong Foo, Thanks for Everything! Julie Newmar (1995), a co-star role alongside Jennifer Tilly as two divorce-bound women who meet in Reno in Edie & Pen (1996), a prime role in the remake of Moll Flanders (1996) and as an eccentric aunt in the comedy/fantasy Practical Magic (1998). She also provided the voice of Barbara Gordon in several episodes of Batman Beyond (1999).
Channing has remained a highly productive, award-winning presence into the millennium on film, TV and the occasional stage. Beginning with a London Film Critics Circle Award for Best Actress in the film The Business of Strangers (2001), her other movies have included co-star or featured roles in Life or Something Like It (2002), Behind the Red Door (2003), The Divorce (2003), Must Love Dogs (2005), Sparkle (2007), Multiple Sarcasms (2010), and Pulling Strings (2013).
As part of the acclaimed cast of The West Wing (1999) as "First Lady" Abigail Bartlet, audiences were so drawn to her shrewd, classy character that producers wisely started featuring her regularly into the third season, winning both Emmy and SAG awards and a slew of nominations for this long-running role. Other awards came for social dramas. She received a second Emmy for her supporting turn as mother Judy Sheppard in The Matthew Shepard Story (2002), a docudrama about the gay-bashing murder of young Matthew Shepard, a Daytime Emmy for her role in the TV movie Jack (2004) in which she plays a wife who finds out her husband is gay, and a SAG nomination as a mother who discovers her teenage daughter is lesbian in The Truth About Jane (2000).
Stockard thought she finally found sitcom success with the series Out of Practice (2005) and was even Emmy-nominated for her role as a sharp-tongued but caring doctor. As luck would have it, however, a core audience was not to be found and the show lasted but a mere season. She fared better in a recurring part as Julianna Margulies' mother on the popular dramatic series The Good Wife (2009).
Returning to the stage, Stockard played "Lady Bracknell" in a 2010 Dublin production of 'The Importance of Being Earnest', and the following year was nominated for a Tony and Drama Desk for 'Other Desert Cities'. In 2018, she appeared in the play 'Apologia', co-starring Hugh Dancy in London.
Divorced four times, including to actor Paul Schmidt and writer/producer David Debin, she has no children. She has been in a three-decade-long relationship with cinematographer/gaffer Dan Gillham.For "Grease" (1978)- Actress
- Writer
- Producer
Considered by many critics to be the greatest living actress, Meryl Streep has been nominated for the Academy Award an astonishing 21 times, and has won it three times. Meryl was born Mary Louise Streep in 1949 in Summit, New Jersey, to Mary Wolf (Wilkinson), a commercial artist, and Harry William Streep, Jr., a pharmaceutical executive. Her father was of German and Swiss-German descent, and her mother had English, Irish, and German ancestry.
Meryl's early performing ambitions leaned toward the opera. She became interested in acting while a student at Vassar and upon graduation she enrolled in the Yale School of Drama. She gave an outstanding performance in her first film role, Julia (1977), and the next year she was nominated for her first Oscar for her role in The Deer Hunter (1978). She went on to win the Academy Award for her performances in Kramer vs. Kramer (1979) and Sophie's Choice (1982), in which she gave a heart-wrenching portrayal of an inmate mother in a Nazi death camp.
A perfectionist in her craft and meticulous and painstaking in her preparation for her roles, Meryl turned out a string of highly acclaimed performances over the next decade in great films like Silkwood (1983); Out of Africa (1985); Ironweed (1987); and A Cry in the Dark (1988). Her career declined slightly in the early 1990s as a result of her inability to find suitable parts, but she shot back to the top in 1995 with her performance as Clint Eastwood's married lover in The Bridges of Madison County (1995) and as the prodigal daughter in Marvin's Room (1996). In 1998 she made her first venture into the area of producing, and was the executive producer for the moving ...First Do No Harm (1997). A realist when she talks about her future years in film, she remarked that "...no matter what happens, my work will stand..."For "Kramer vs. Kramer" (1979)- Actress
- Soundtrack
Bronx-born character actress Cathy Moriarty was just 18 years old, fresh out of high school and had no idea that her life was about to change. Joe Pesci discovered her competing in a bathing-beauty contest at a bar. He invited her to audition for the part of Vikki LaMotta, second wife to champion boxer Jake LaMotta, portrayed by Robert De Niro, in Martin Scorsese's timeless black and white masterpiece, Raging Bull (1980). Moriarty's performance earned her an Academy Award nomination; however, shortly after appearing in the mediocre comedy, Neighbors (1981), she endured a near-fatal automobile accident which resulted in a six-year hiatus. She did not get within a mile radius of a good part until her most personally treasured role, the deliciously evil Montana Moorehead in the soap opera-parody, Soapdish (1991). Ever since, Moriarty's invigorating presence animated a variety of strong woman, all of which, incidentally, appear to be specifically written with her in mind.For "Raging Bull" (1980)- Producer
- Actress
- Additional Crew
Oprah Gail Winfrey , often known simply as Oprah, is an American talk show host, television producer, actress, author, and philanthropist. She is best known for her talk show, The Oprah Winfrey Show, broadcast from Chicago, which was the highest-rated television program of its kind in history and ran in national syndication for 25 years, from 1986 to 2011. Dubbed the "Queen of All Media", she was the richest African-American of the 20th century, was once the world's only black billionaire, and the greatest black philanthropist in U.S. history. By 2007, she was sometimes ranked as the most influential woman in the worldFor "The Color Purple" (1985)- Actress
- Soundtrack
Barbara Hershey was born Barbara Lynn Herzstein in Hollywood, California, to Melrose (Moore) and Arnold Nathan Herzstein, a horse racing columnist. Her father, born in Manhattan, was from a Jewish family (from Hungary and Russia), and her mother, originally from Arkansas, had English and Scots-Irish ancestry. Hershey was raised in a small bungalow, and had aspirations of being an actress from her earliest memories.
The multi-award-winning actress has been in some of Hollywood's most memorable films. She has been a winner of an Emmy and a Golden Globe for A Killing in a Small Town (1990). She won two consecutive Best Actress awards at the Cannes Film Festival, (which is unprecedented) for Shy People (1987) and A World Apart (1988). She won a Gemini Award for Anne of Green Gables: A New Beginning (2008) for PBS and a Lifetime Achievement Award at the Vienna International Film Festival.
Hershey was nominated for an Academy Award for The Portrait of a Lady (1996).
She's worked with some of the world's great directors, among them: Martin Scorsese, William Wyler, Woody Allen, Jane Campion and Darren Aronofsky.
The versatile actress was first discovered by a talent agent while she was attending Hollywood High School. She began working in television, The Monroes (1966), and film, With Six You Get Eggroll (1968), with Doris Day. And with roles in The Baby Maker (1970) and Boxcar Bertha (1972), Hershey quickly advanced to starring roles.
The 1980's catapulted Hershey's film career, when she starred in The Stunt Man (1980) with Peter O'Toole, The Entity (1982), The Right Stuff (1983), The Natural (1984) with Robert Redford, Hannah and Her Sisters (1986) with Woody Allen, Hoosiers (1986) with Gene Hackman, Tin Men (1987), Shy People (1987), The Last Temptation of Christ (1988), A World Apart (1988) and Beaches (1988) with Bette Midler.
Hershey returned to television in 1990 with her highly-lauded performance in A Killing in a Small Town (1990), Paris Trout (1991), Return to Lonesome Dove (1993), the British mini-series, Daniel Deronda (2002) and the last season of Chicago Hope (1994).
During the same period, Hershey remained active in features. She was nominated for an Oscar and Golden Globe for The Portrait of a Lady (1996). She also starred in Merchant-Ivory's A Soldier's Daughter Never Cries (1998) and the award-winning Australian film, Lantana (2001).
In the 2010 years, Hershey has performed in James Wan's cult-hit, Insidious (2010) and Darren Aronofsky's award-winning Black Swan (2010), playing Natalie Portman's insane mother.
Hershey resides in Los Angeles.For "Hannah and Her Sisters" (1986)- Actress
- Additional Crew
- Soundtrack
Shaw was already an accomplished theater actress when director Jim Sheridan awarded her a role in his film, My Left Foot (1989). The film is a telling of Christy Brown (Daniel Day-Lewis), an Irishman disgruntled with his confinement to a body horribly crippled by cerebral palsy but who found incredible success as an artist and writer. Shaw portrayed Eileen Cole, the doctor largely responsible for Christy's education and physical rehabilitation. Since, Shaw has received several accolades for her film and television performances.For "My Left Foot" (1989)- Actress
- Soundtrack
One of three children (she has two brothers, Greg and Don), Dianne Wiest was born in Kansas City, Missouri, USA on 28 March 1946. Her original ambition was to be a ballerina, but she was bitten by acting bug after some stage work, most notably playing Desdemona to James Earl Jones' Othello on Broadway. She made her film debut in 1980, but did not make a name for herself until her performance as Emma, a prostitute during the 1930s Depression, in Woody Allen's The Purple Rose of Cairo (1985). Allen was so impressed by Wiest's acting ability that he has directed her on four more occasions since. Under Allen's direction, Wiest won a well deserved Oscar for Best Supporting Actress, for her brilliant performance as the neurotic, wannabe actress Holly in Hannah and Her Sisters (1986). She followed her Academy Award success with performances in The Lost Boys (1987) and Bright Lights, Big City (1988) before stealing the show from the likes of Steve Martin, Mary Steenburgen, Jason Robards, Keanu Reeves and Martha Plimpton in Ron Howard's Parenthood (1989).
Playing Helen Buckman, the divorced mother of two difficult teenagers, Wiest was both touching and hilarious, and received her second Oscar nomination. Arguably her most beloved role came as Peg Boggs, the kindly Avon Lady who discovers the titular Edward Scissorhands (1990). Wiest returned to Woody Allen for Bullets Over Broadway (1994), a superb comedy film set in 1920s New York, winning her second Best Supporting Actress Oscar for her magnificent portrayal of Helen Sinclair, a boozy, glamorous and neurotic star of the stage, who could made the words "Don't speak!" the funniest sentence ever captured on film. Recently enjoying great success with witchy roles in the comedy film Practical Magic (1998) and the television miniseries The 10th Kingdom (2000), Dianne Wiest lives in New York City with her two adopted daughters, Emily and Lily.For "Edward Scissorhands" (1990)- Actress
- Producer
- Director
On January 30, 1937, renowned theatre actor Michael Redgrave was performing in a production of Hamlet in London. During the curtain call, the show's lead, Laurence Olivier, announced to the audience: "tonight a great actress was born". This was in reference to his co-star's newborn daughter, Vanessa Redgrave.
Vanessa was born in Greenwich, London, to Michael Redgrave and Rachel Kempson, both thespians. Three quarters of a century after her birth (despite numerous ups and down) this rather forward expectation has definitely been lived up to with an acclaimed actress that has won (among many others) an Academy Award, two Emmys, two Golden Globes, two Cannes Best Actress awards, a Tony, a Screen Actors Guild award, a Laurence Olivier theatre award and a BAFTA fellowship.
Growing up with such celebrated theatrical parents, great expectations were put on both herself, her brother Corin Redgrave and sister Lynn Redgrave at an early age. Shooting up early and finally reaching a height just short of 6 foot, Redgrave initially had plans to dance and perform ballet as a profession. However she settled on acting and entered the Central School of Speech and Drama in 1954 and four years later made her West End debut. In the decade of the 1960s she developed and progressed to become one of the most noted young stars of the English stage and then film. Performances on the London stage included the classics: 'A Touch of Sun', 'Coriolanus', 'A Midsummer's Night Dream', 'All's Well that Ends Well', 'As You Like It', 'The Lady from the Sea', 'The Seagull' and many others. By the mid 1960s, she had booked various film roles and matured into a striking beauty with a slim, tall frame and attractive face. In 1966 she made her big screen debut as the beautiful ex-wife of a madman in an Oscar nominated performance in the oddball comedy Morgan! (1966), as well as the enigmatic woman in a public park in desperate need of a photographer's negatives in the iconic Blow-Up (1966) and briefly appeared in an unspoken part of Anne Boleyn in the Best Picture winner of the year A Man for All Seasons (1966).
She managed to originate the title role in "The Prime of Miss Jean Brodie" the same year on the London stage (which was then adapted for the big screen a few years later, but Maggie Smith was cast instead and managed to win an Oscar for her performance). Her follow up work saw her play the lead in the box office hit adaptation Camelot (1967), a film popular with audiences but dismissed by critics, and her second Academy Award nominated performance as Isadora Duncan in the critically praised Isadora (1968).
Her rise in popularity on film also coincided with her public political involvement, she was one of the lead faces in protesting against the Vietnam war and lead a famous march on the US embassy, was arrested during a Ban-the-Bomb demonstration, publicly supported Yasar Arafat's Palestine Liberation Organization (PLO) and fought for various other human rights and particularly left wing causes. Despite her admirably independent qualities, most of her political beliefs weren't largely supported by the public. In 1971 after 3 films back to back, Redgrave suffered a miscarriage (it would have been her fourth, after Natasha Richardson, Joely Richardson and Carlo Gabriel Nero) and a break up with her then partner and father of her son, Franco Nero. This was around the same time her equally political brother Corin introduced her to the Workers Revolutionary Party, a group who aimed to destroy capitalism and abolish the monarchy. Her film career began to suffer and take the back seat as she became more involved with the party, twice unsuccessfully attempting to run as a party member for parliament, only obtaining a very small percentage of votes.
In terms of her film career at the time, she was given probably the smallest part in the huge ensemble who-dunnit hit, Murder on the Orient Express (1974) and given another thankless small part as Lola Deveraux in the Sherlock Holmes adventure The Seven-Per-Cent Solution (1976).
After a celebrated Broadway debut, she created further controversy in 1977 with her involvement in two films, firstly in Julia (1977) where she acted opposite Jane Fonda as a woman fighting Nazi oppression and narrated and featured in the documentary The Palestinian (1977) where she famously danced holding a Kalashnikov rifle. She publicly stated her condemnation of what she termed "Zionist hudlums", which outraged Jewish groups and as a result a screening of her documentary was bombed and Redgrave was personally threatened by the Jewish Defense League (JDL). Julia (1977) happened to be a huge critical success and Redgrave herself was nominated for a Best Supporting Actress Oscar, but Jewish support groups demanded her nomination to be dropped and at the event of the Academy Awards burned effigies of Redgrave and protested and picketed. Redgrave was forced to enter the event via a rear entrance to avoid harm and when she won the award she famously remarked on the frenzy causes as "Zionist hoodlums" which caused the audience to audibly gasp and boo. The speech reached newspapers the next morning and her reputation was further damaged.
It came as a surprise when CBS hired her for the part of real life Nazi camp survivor Fania Fenelon in Playing for Time (1980), despite more controversy and protesting (Fenelon herself didn't even want Redgrave to portray her) she won an Emmy for the part and the film was one of the highest rating programs of the year. Her follow up film work to her Oscar had been mostly low key but successful, performances in films such as Yanks (1979), Agatha (1979), The Bostonians (1984), Wetherby (1985) and Prick Up Your Ears (1987) further cemented her reputation as a fine actress and she received various accolades and nominations.
However mainly in the 1980s, she focused on TV films and high budget mini-series as well as theatre in both London and New York. She made headlines in 1984 when she sued the Boston Symphony Orchestra for $5 million for wrongful cancellation of her contract because of her politics (she also stated her salary was significantly reduced in Agatha (1979) for the same reason). She became more mainstream in the 1990s where she appeared in a string of high profile films but the parts often underused Redgrave's abilities or they were small cameos/5-minute parts. Highlights included Howards End (1992), Little Odessa (1994), Mission: Impossible (1996) and Cradle Will Rock (1999), as well as her leading lady parts in A Month by the Lake (1995) and Mrs Dalloway (1997).
In 2003 she finally won the coveted Tony award for her performance in 'The Long Day's Journey Into Night' and followed up with another two Tony nominated performances on Broadway, her one woman show 'The Year of Magical Thinking' in 2007 and 'Driving Miss Daisy' in 2010 which not only was extended due to high demand, but was also transferred to the West End for an additional three months in 2011.
Vanessa continues to lend her name to causes and has been notable for donating huge amounts of her own money for her various beliefs. She has publicly opposed the war in Iraq, campaigned for the closure of Guantanamo Bay, supported the rights of gays and lesbians as well as AIDs research and many other issues. She released her autobiography in 1993 and a few years later she was elected to serve as a UNICEF Goodwill Ambassador. She also famously declined the invitation to be made a Dame for her services as an actress. Many have wondered the possible heights her career could have reached if it wasn't for her outspoken views, but being a celebrity and the artificial lifestyle usually attached doesn't seem to interest Redgrave in the slightest.
Vanessa has worked with all three of her children professionally on numerous occasions (her eldest daughter, Natasha Richardson tragically died at the age of 45 due to a skiing accident) and in her mid 70s she still works regularly on television, film and theatre, delivering time and time again great performances.For "Howards End" (1992)- Actress
- Soundtrack
A veteran of stage and screen, award-winning actress Miriam Margolyes has achieved success on both sides of the Atlantic. Winner of the BAFTA Best Supporting Actress award in 1993 for The Age of Innocence (1993), she received Best Supporting Actress at the 1989 LA Critics Circle Awards for her role in Little Dorrit (1987) and a Sony Radio Award for Best Actress in 1993. She voiced "Fly, the dog" in Babe (1995).
Major credits include Yentl (1983), Little Shop of Horrors (1986), I Love You to Death (1990), End of Days (1999), Sunshine (1999), Cold Comfort Farm (1995), Cats & Dogs (2001), and Magnolia (1999). She played "Prof. Sprout" in Harry Potter and the Chamber of Secrets (2002). More recently, she appeared in Stephen Hopkins', The Life and Death of Peter Sellers (2004), Modigliani (2004), István Szabó's Being Julia (2004) and Ladies in Lavender (2004) (with Dames Maggie Smith and Judi Dench).
Memorable television credits include Old Flames (1990), Freud (1984), The Life and Loves of a She-Devil (1986), Blackadder (1982), The Girls of Slender Means (1975), Oliver Twist (1985), The History Man (1981), Vanity Fair (2004), and Supply & Demand (1997).
Stage credits include Peter Hall's Los Angeles production of "Romeo & Juliet"; "She Stoops to Conquer" and "Orpheus Descending" (both also for Peter Hall); "The Threepenny Opera" (directed by Tony Richardson); "The White Devil" at The Old Vic (for Michael Lindsay-Hogg); the Bristol Old Vic production of "The Canterbury Tales"; and her own award-winning one-woman show, "Dickens' Woman".
In the 2002 Queen's New Years Honours List, Queen Elizabeth II awarded her the OBE for her services to Drama.For "The Age of Innocence" (1993)- Actress
- Producer
- Director
Robin Gayle Wright was born in Dallas, Texas, to Gayle (Gaston), a national director at Mary Kay, and Freddie Wright, a pharmaceutical executive. She grew up in San Diego, California. She started her professional career as a model in 1980 at age 14, and worked both in Paris and Japan. After finishing high school she decided to become an actress. She got a role on the soap opera Santa Barbara (1984), for which she was nominated three times for a Daytime Emmy. During the first season of the show, she fell in love with fellow cast member Dane Witherspoon, whom she married in 1986. Meanwhile, she starred in The Princess Bride (1987), playing the title role. After leaving the cast of Santa Barbara, she got the starring role in Denial (1990) alongside Jason Patric. In 1990, she was in State of Grace (1990), where she met actor Sean Penn, by whom she had a daughter, Dylan Frances, and a son, Hopper Jack. After taking some time off, Robin was back to Hollywood with one the best roles of her career: She played Tara in The Playboys (1992). She was extremely stunning and brilliant. Then, she acted in Toys (1992) with Robin Williams, and she gave a funny performance. In 1994, Wright was in the blockbuster hit Forrest Gump (1994), with Tom Hanks. For her performance as Jenny, she got a nomination for a Golden Globe Award. She got a small role in The Crossing Guard (1995), which starred Jack Nicholson. After turning down 14 roles, she played the title role of MGM/UA's Moll Flanders (1996), directed by Pen Densham, and co-starring Morgan Freeman and Stockard Channing. She then starred in Erin Dignam's Loved (1997), with William Hurt.For "Forrest Gump" (1994)- Actress
- Writer
- Additional Crew
There is one strange, mesmerizing film scene that easily sums up the disturbing fascination Eleanor Bron brought to her characters on stage, TV and in the cinema. This is the classic fig-eating scene which she shares with Alan Bates in the Oscar-winning drama Women in Love (1969). It is not to be missed. A dark, cold-eyed beauty, the unsmiling Eleanor would typically be cast as unapproachable, unsympathetic and intensely neurotic second leads/supports in classy film drama and costumers. And yet, there was another distinct side to her as well. In direct contrast to all the murkiness usually associated with her, Eleanor was a talented writer and performer of TV series comedy!
Eleanor was born in Stanmore, London in 1938 of Eastern European Jewish descent. The family's surname was Bronstein, but abbreviated to Bron by father Sidney, an established music publisher (Bron's Orchestral Service). She was educated at the North London Collegiate School and Newnham College, Cambridge. Older brother Gerry Bron later became a record producer (his Bronze Records label handled such rock groups as Uriah Heep) while another brother became a professor of medicine.
Eleanor started her career off in comedy sharing the same stage with Peter Cook (of "Beyond the Fringe" fame) in a Cambridge Footlights revue entitled "The Last Laugh" in 1959. This led to a plethora of comedy offers, writing and performing satires and spoofs on both radio and TV from the late 60s on, including "Not So Much a Programme, More a Way of Life," "World in Ferment," "Where Was Spring", "Beyond a Joke" and "After That, This" -- often in tandem with writer John Fortune or actor/writer John Bird
Eleanor made her film debut in the prominent role of the high priestess Ahme in the Beatles' second feature film Help! (1965). In fact, she is often credited to having inspired the name of the Beatles' #1 pop song hit "Eleanor Rigby". She showed just as much promise as a doctor who comes into contact with Michael Caine's worldly lover Alfie (1966), and as part of a vacationing foursome alongside Albert Finney, Audrey Hepburn and William Daniels, who played her screen husband, in the tearjerker Two for the Road (1967). Here Eleanor shows off her "other woman" formidableness that would reappear time and again. That same year she reteamed with comedian Peter Cook, who by now was partnered successfully with Dudley Moore, in Bedazzled (1967), and was third-billed as pregnant Sandy Dennis' friend and confidante in A Touch of Love (1969) [aka "Thank You All Very Much"].
Following her excellence as Alan Bates' supercilious wife in Women in Love (1969), and after a co-starring role in the satirical farce The National Health (1973), a biting comment on England's national health program, Eleanor was little seen in film, at least for the rest of the decade. TV took a good share of her time. Her features grew more severe as time passed and her characters more gargoyle-like. Unforgettable as Joanna Lumley's horror of a mother in episodes of the vitriolic comedy Absolutely Fabulous (1992), a softer core was occasionally glimpsed, as with her Virgin Mary in The Day Christ Died (1980), and her remote but touching Edith Frank in The Attic: The Hiding of Anne Frank (1988). Back to feature films she proved as repelling as ever playing the arrogant Lady Wexmire (again opposite Peter Cook) in Black Beauty (1994) and the harsh, witchy-like Miss Minchin in A Little Princess (1995). Her film output in later years would include The House of Mirth (2000), The Heart of Me (2002), Love's Brother (2004) and the tennis comedy/drama Wimbledon (2004).
Throughout her career, Eleanor would maintain close ties with the classical and contemporary stage, giving vivid appearances in such plays as "The Doctor's Dilemma" (1966), "The Prime of Miss Jean Brodie" (1967), "Major Barbara" (1969), "A Day in the Death of Joe Egg" (1970), "Hedda Gabler" (1970), "Luv" (1971), the West End musical "The Card" (1973), "Two for the Seesaw" (1974), "The Merchant of Venice" (1975), "Private Lives" (1976), "Uncle Vanya" (1977), "The Cherry Orchard" (1978), "The Real Inspector Hound" (1985), "The Duchess of Malfi" (1985), "The Miser" (1991) and "A Delicate Balance" (1997). More recently she appeared in the musical "Twopence to Cross the Mersey" (2005) and the plays "The Clean House" (2006), "In Extremis" (2007) and "All About My Mother" (2007), and has also performed her own one-woman shows "On My Own" and "Desdemona: If You Had Only Spoken". In the 1980s she appeared frequently in Secret Policeman's Balls live benefit shows, working in tandem with her favorite, Peter Cook, and other top comic entertainers as Rowan Atkinson. She also appeared in the film version of The Secret Policeman's Other Ball (1982).
Eleanor is the author of several books -- Life and Other Punctures is an account of bicycling in France and Holland; "The Pillow Book of Eleanor Bron, or An Actress Despairs" is a collection of notes and remembrances; and "Double Take" (1996) is a romantic novel. Long married to well-known architect Cedric Price, she became his widow in 2003. They had no children.For "A Little Princess" (1995)- Actress
- Soundtrack
Barbara Hershey was born Barbara Lynn Herzstein in Hollywood, California, to Melrose (Moore) and Arnold Nathan Herzstein, a horse racing columnist. Her father, born in Manhattan, was from a Jewish family (from Hungary and Russia), and her mother, originally from Arkansas, had English and Scots-Irish ancestry. Hershey was raised in a small bungalow, and had aspirations of being an actress from her earliest memories.
The multi-award-winning actress has been in some of Hollywood's most memorable films. She has been a winner of an Emmy and a Golden Globe for A Killing in a Small Town (1990). She won two consecutive Best Actress awards at the Cannes Film Festival, (which is unprecedented) for Shy People (1987) and A World Apart (1988). She won a Gemini Award for Anne of Green Gables: A New Beginning (2008) for PBS and a Lifetime Achievement Award at the Vienna International Film Festival.
Hershey was nominated for an Academy Award for The Portrait of a Lady (1996).
She's worked with some of the world's great directors, among them: Martin Scorsese, William Wyler, Woody Allen, Jane Campion and Darren Aronofsky.
The versatile actress was first discovered by a talent agent while she was attending Hollywood High School. She began working in television, The Monroes (1966), and film, With Six You Get Eggroll (1968), with Doris Day. And with roles in The Baby Maker (1970) and Boxcar Bertha (1972), Hershey quickly advanced to starring roles.
The 1980's catapulted Hershey's film career, when she starred in The Stunt Man (1980) with Peter O'Toole, The Entity (1982), The Right Stuff (1983), The Natural (1984) with Robert Redford, Hannah and Her Sisters (1986) with Woody Allen, Hoosiers (1986) with Gene Hackman, Tin Men (1987), Shy People (1987), The Last Temptation of Christ (1988), A World Apart (1988) and Beaches (1988) with Bette Midler.
Hershey returned to television in 1990 with her highly-lauded performance in A Killing in a Small Town (1990), Paris Trout (1991), Return to Lonesome Dove (1993), the British mini-series, Daniel Deronda (2002) and the last season of Chicago Hope (1994).
During the same period, Hershey remained active in features. She was nominated for an Oscar and Golden Globe for The Portrait of a Lady (1996). She also starred in Merchant-Ivory's A Soldier's Daughter Never Cries (1998) and the award-winning Australian film, Lantana (2001).
In the 2010 years, Hershey has performed in James Wan's cult-hit, Insidious (2010) and Darren Aronofsky's award-winning Black Swan (2010), playing Natalie Portman's insane mother.
Hershey resides in Los Angeles.For "The Portrait of a Lady" (1996)- Actress
- Camera and Electrical Department
Frances Fisher began by apprenticing at the Barter Theatre in Abingdon, Virginia. She spent 14 years based in New York City, playing leads in over 30 productions of plays by such noted writers as John Arden, Noël Coward, Emily Mann, Joe Orton, Sam Shepard, William Shakespeare, Jean-Claude van Itallie, Eudora Welty and Tennessee Williams. She won a Drama Logue Award - Best Ensemble for the American Premier of Caryl Churchill's "Three More Sleepless Nights", played in the American premier of Judith Thompson's "The Crackwalker" and originated roles in Elia Kazan's "The Chain" and Arthur Miller's last play "Finishing the Picture". Besides working with Kazan and Miller, some of Ms. Fisher's more interesting theater experiences were creating roles from two great works of literature: George Orwell's "1984" and Victor Hugo's "The Hunchback of Notre Dame". Ms. Fisher worked at the Mark Taper Forum in Los Angeles alongside Annette Bening and Alfred Molina in Anton Chekhov's "The Cherry Orchard". Fisher starred in "Sexy Laundry" with Paul Ben-Victor at the Hayworth Theatre in Los Angeles. She studied with Stella Adler and became a lifetime member of the Actors Studio by actually "walking up the stairs" and auditioning for legendary acting teacher Lee Strasberg. Ms. Fisher recently completed The Host (2013), Love on the Run (2016), Red Wing (2013) and will work with Catherine Hardwicke in her new film Plush (2013) in August 2012. Ms. Fisher was honored for a Lifetime Achievement Award 2011 in her old hometown of the Pacific Palisades, California.For "Titanic" (1997)- Actress
- Producer
- Soundtrack
Joan Allen was born on August 20, 1956 in Rochelle, Illinois, the youngest of four children. She is the daughter of homemaker Dorothea Marie (Wirth) and gas station owner James Jefferson Allen. Her mother's family was German, and her father had English, Scots-Irish, and German ancestry. She attended Rochelle Township High School where she was voted most likely to succeed. Joining Chicago's famed Steppenwolf Theatre Company ensemble in 1977, she was one of the group's original members and starred in a number of its original productions. Her first major film credits included two critically-lauded supporting performances that showcased her versatility: a comedic turn in the suburban murder mystery Compromising Positions (1985) and a dramatic role as a blind woman befriended by a serial killer in Manhunter (1986). Around the same time, Allen was making a name for herself on the New York stage; she would eventually become one of the New York theater world's most honored actresses and a winner of every major prize for her work on Broadway and off. She received a Best Actress Tony Award in 1988 for her performance, opposite John Malkovich, in Lanford Wilson's Burn This and was Tony-nominated in the same category in 1989 for the title role in The Heidi Chronicles.
Continuing her work in film as well, Allen received her first Academy Award nomination for her role as Pat Nixon in Oliver Stone's Nixon (1995), for which she also won awards from seven critics' associations, including the Los Angeles Film Critics Association and the National Society of Film Critics. Allen received her second consecutive Best Supporting Actress Oscar nomination for her role in Arthur Miller's The Crucible (1996). Subsequently, her work in The Ice Storm (1997), opposite Kevin Kline and Sigourney Weaver, and in Pleasantville (1998), opposite William H. Macy and Jeff Daniels, earned her high praise and several critics' awards; she also co-starred in the action blockbuster Face/Off (1997) opposite John Travolta and Nicolas Cage. For her starring role in The Contender (2000), Allen received Best Actress nominations at the Golden Globes, the Academy Awards, the SAG Awards, and the Independent Spirit Awards.
Throughout the early 2000s Allen worked in both film and television, with roles in three of the Bourne films - The Bourne Supremacy (2004), The Bourne Ultimatum (2007), and The Bourne Legacy (2012) - as well as The Notebook (2004), The Upside of Anger (2005), and Death Race (2008). Allen also received Emmy nominations for The Mists of Avalon (2001) and for the title role in the biopic Georgia O'Keeffe (2009), for which she was also executive producer. She was also recently seen in HBO's drama series Luck (2011).
Allen married actor Peter Friedman in 1990, and the two divorced in 2002; Allen's daughter Sadie was born in 1994.For "Pleasantville" (1998)- Actress
- Director
- Producer
Helena Bonham Carter is an actress of great versatility, one of the UK's finest and most successful.
Bonham Carter was born May 26, 1966 in Golders Green, London, England, the youngest of three children of Elena (née Propper de Callejón), a psychotherapist, and Raymond Bonham Carter, a merchant banker. Through her father, she is the great-granddaughter of former Prime Minister Herbert H. Asquith, and her blue-blooded family tree also contains Barons and Baronesses, diplomats, and a director, Bonham Carter's great-uncle Anthony Asquith, who made Pygmalion (1938) and The Importance of Being Earnest (1952), among others. Cousin Crispin Bonham-Carter is also an actor. Her maternal grandfather, Eduardo Propper de Callejón, was a Spanish diplomat who was awarded the honorific Righteous Among the Nations, by Israel, for helping save Jews during World War II (Eduardo's own father was a Czech Jew). Helena's maternal grandmother, Hélène Fould-Springer, was from an upper-class Jewish family from France, Austria, and Germany, and later converted to her husband's Catholic faith.
Bonham Carter experienced family dramas during her childhood, including her father's stroke - which left him wheelchair-bound. She attended South Hampstead High School and Westminster School in London, and subsequently devoted herself to an acting career. That trajectory actually began in 1979 when, at age thirteen, she entered a national poetry writing competition and used her second place winnings to place her photo in the casting directory "Spotlight." She soon had her first agent and her first acting job, in a commercial, at age sixteen. She then landed a role in the made-for-TV movie A Pattern of Roses (1983), which subsequently led to her casting in the Merchant Ivory films A Room with a View (1985), director James Ivory's tasteful adaptation of E.M. Forster's novel, and Lady Jane (1986), giving a strong performance as the uncrowned Queen of England. She had roles in three other productions under the Merchant-Ivory banner (director Ivory, producer Ismail Merchant, and screenwriter Ruth Prawer Jhabvala): an uncredited appearance in Maurice (1987), and large roles in Where Angels Fear to Tread (1991) and Howards End (1992).
Often referred to as the "corset queen" or "English rose" because of her early work, Bonham Carter continued to surprise audiences with magnificent performances in a variety of roles from her more traditional corset-clad character in The Wings of the Dove (1997) and Shakespearian damsels to the dark and neurotic anti-heroines of Fight Club (1999). Her acclaimed performance in The Wings of the Dove (1997) earned her a Best Actress Academy Award nomination, a Golden Globe Best Actress nomination, a BAFTA Best Actress nomination, and a SAG Awards Best Actress nomination. It also won her a Best Actress Award from the National Board of Review, the Los Angeles Film Critics, the Boston Society Film Critics, the Broadcast Film Critics Association, the Texas Society of Film Critics, and the Southeastern Film Critics Association.
In the late 1990s, Bonham Carter embarked on the next phase of her career, moving from capable actress to compelling star. Audiences and critics had long been enchanted by her delicate beauty, evocative of another time and place. Her late '90s and early and mid 2000s roles included Mick Jackson's Live from Baghdad (2002), alongside Michael Keaton, receiving a nomination for both an Emmy and a Golden Globe; Paul Greengrass' The Theory of Flight (1998), in which she played a victim of motor neurone disease; Trevor Nunn's Twelfth Night (1996), in which she played Olivia; opposite Woody Allen in his Mighty Aphrodite (1995); Mort Ransen's Margaret's Museum (1995); Kenneth Branagh's Frankenstein (1994); and Franco Zeffirelli's Hamlet (1990).
Other notable credits include her appearance with Steve Martin in Novocaine (2001), Tim Burton's remake of Planet of the Apes, in which she played an ape, Thaddeus O'Sullivan's The Heart of Me (2002), opposite Paul Bettany, and Big Fish (2003), her second effort with Tim Burton, in which she appeared as a witch.
In between her films, Helena has managed a few television appearances, which include her portrayal of Jacqui Jackson in Magnificent 7 (2005), the tale of a mother struggling to raise seven children - three daughters and four autistic boys; as Anne Boleyn in the two-parter biopic of Henry VIII starring Ray Winstone; and as Morgan Le Fey, alongside Sam Neill and Miranda Richardson, in Merlin. Earlier television appearances include Michael Mann's Miami Vice (1984) as Don Johnson's junkie fiancée, and as a stripper who wins Rik Mayall's heart in Dancing Queen (1993). Helena has also appeared on stage, in productions of Trelawney of the Wells, The Barber of Seville, House of Bernarda Alba, The Chalk Garden, and Woman in White.
Bonham Carter was nominated for a Golden Globe for the fifth time for her role in partner Tim Burton's film adaptation of the Stephen Sondheim musical, Sweeney Todd: The Demon Barber of Fleet Street (2007), for which Burton and co-star Johnny Depp were also nominated. For the role, she was awarded Best Actress at the Evening Standard British Film Awards 2008. Other 2000s work includes playing Mrs Bucket in Tim Burton's massive hit Charlie and the Chocolate Factory (2005), providing the voices for the aristocratic Lady Campanula Tottington in Wallace & Gromit: The Curse of the Were-Rabbit (2005) and for the eponymous dead heroine in Tim Burton's spooky Corpse Bride (2005), and co-starring in Conversations with Other Women (2005) opposite Aaron Eckhart.
After their meeting while filming Planet of the Apes (2001), Bonham Carter and Tim Burton made seven films together. They lived in adjoining residences in London, shared a connecting hallway, and have two children: Billy Ray Burton, born in 2003, and Nell Burton, who was born in 2007. Ironically, a mutual love of Sweeney Todd was part of the initial attraction for the pair. Bonham Carter has said in numerous interviews that her audition process for the role of Mrs. Lovett was the most grueling of her career and that, ultimately, it was Sondheim who she had to convince that she was right for the role.For "Fight Club" (1999)- Actress
- Producer
Jennifer Connelly was born in the Catskill Mountains, New York, to Ilene (Schuman), a dealer of antiques, and Gerard Connelly, a clothing manufacturer. Her father had Irish and Norwegian ancestry, and her mother was from a Jewish immigrant family. Jennifer grew up in Brooklyn Heights, just across the Brooklyn Bridge from Manhattan, except for the four years her parents spent in Woodstock, New York. Back in Brooklyn Heights, she attended St. Ann's school. A close friend of the family was an advertising executive. When Jennifer was ten, he suggested that her parents take her to a modeling audition. She began appearing in newspaper and magazine ads (among them "Seventeen" magazine), and soon moved on to television commercials. A casting director saw her and introduced her to Sergio Leone, who was seeking a young girl to dance in his gangster epic Once Upon a Time in America (1984). Although having little screen time, the few minutes she was on-screen were enough to reveal her talent. Her next role after that was an episode of the British horror anthology TV series Tales of the Unexpected (1979) in 1984.
After Leone's movie, horror master Dario Argento signed her to play her first starring role in his thriller Phenomena (1985). The film made a lot of money in Europe but, unfortunately, was heavily cut for American distribution. Around the same time, she appeared in the rock video "I Drove All Night," a Roy Orbison song, co-starring Jason Priestley. She released a single called "Monologue of Love" in Japan in the mid-1980s, in which she sings in Japanese a charming little song with semi-classical instruments arrangement. On the B-side is "Message Of Love," which is an interview with music in background. She also appeared in television commercials in Japan.
She enrolled at Yale, and then transferred two years later to Stanford. She trained in classical theater and improvisation, studying with the late drama coach Roy London, Howard Fine, and Harold Guskin.
The late 1980s saw her starring in a hit and three lesser seen films. Amongst the latter was her roles in Ballet (1989), as a ballerina and in Some Girls (1988), where she played a self-absorbed college freshman. The hit was Labyrinth (1986), released in 1986. Jennifer got the job after a nationwide talent search for the lead in this fantasy directed by Jim Henson and produced by George Lucas. Her career entered in a calm phase after those films, until Dennis Hopper, who was impressed after having seen her in "Some Girls", cast Jennifer as an ingénue small-town girl in The Hot Spot (1990), based upon the 1950s crime novel "Hell Hath No Fury". It received mixed critical reviews, but it was not a box office success.
The Rocketeer (1991), an ambitious Touchstone super-production, came to the rescue. The film was an old-fashioned adventure flick about a man capable of flying with rockets on his back. Critics saw in "Rocketeer" a top-quality movie, a homage to those old films of the 1930s in which the likes of Errol Flynn starred. After "Rocketeer," Jennifer made Career Opportunities (1991), The Heart of Justice (1992), Mulholland Falls (1996), her first collaboration with Nick Nolte and Inventing the Abbotts (1997). In 1998, she was invited by director Alex Proyas to make Dark City (1998), a strange, visually stunning science-fiction extravaganza. In this movie, Jennifer played the main character's wife, and she delivered an acclaimed performance. The film itself didn't break any box-office record but received positive reviews. This led Jennifer to a contract with Fox for the television series The $treet (2000), a main part in the memorable and dramatic love-story Waking the Dead (2000) and, more important, a breakthrough part in the polemic and applauded independent Requiem for a Dream (2000), a tale about the haunting lives of drug addicts and the subsequent process of decadence and destruction. In "Requiem for a Dream," Jennifer had her career's most courageous, difficult part, a performance that earned her a Spirit Award Nomination. She followed this role with Pollock (2000), in which she played Pollock's mistress, Ruth Klingman. In 2001, Ron Howard chose her to co-star with Russell Crowe in A Beautiful Mind (2001), the film that tells the true story of John Nash, a man who suffered from mental illness but eventually beats this and wins the Nobel Prize in 1994. Jennifer played Nash's wife and won a Golden Globe, BAFTA, AFI and Oscar as Best Supporting Actress. Connelly continued her career with films including Hulk (2003), her second collaboration with Nick Nolte, Dark Water (2005), Blood Diamond (2006), The Day the Earth Stood Still (2008), He's Just Not That Into You (2009) and Noah (2014), where she did her second collaboration with both Darren Aronofsky and Russell Crowe and made her third collaboration with Nick Nolte in that same film.
Jennifer lives in New York. She is 5'7", and speaks fluent Italian and French. She enjoys physical activities such as swimming, gymnastics, and bike riding. She is also an outdoors person -- camping, hiking and walking, and is interested in quantum physics and philosophy. She likes horses, Pearl Jam, SoundGarden, Jesus Jones, and occasionally wears a small picture of the The Dalai Lama on a necklace. Her favorite colors are cobalt blue, forest green, and "very pale green/gray -- sort of like the color of the sea". She likes to draw.For "Requiem for a Dream" (2000)- Actress
- Soundtrack
One of the world's most famous and distinguished actresses, Dame Maggie Smith was born Margaret Natalie Smith in Essex. Her Scottish mother, Margaret (Hutton), worked as a secretary, and her English father, Nathaniel Smith, was a teacher at Oxford University. Smith has been married twice: to actor Robert Stephens and to playwright Beverley Cross. Her marriage to Stephens ended in divorce in 1974. She was married to Cross until his death in 1999. She had two sons with Stephens, Chris Larkin and Toby Stephens who are also actors.
Maggie Smith's career began at the Oxford Playhouse in the 1950s. She made her film debut in 1956 as one of the party guests in Child in the House (1956). She has since performed in over sixty films and television series with some of the most prominent actors and actresses in the world. These include: Othello (1965) with Laurence Olivier, The Prime of Miss Jean Brodie (1969), California Suite (1978) with Michael Caine and Jane Fonda, A Room with a View (1985), Richard III (1995) with Ian McKellen and Jim Broadbent, Franco Zeffirelli's Tea with Mussolini (1999) with Judi Dench, Joan Plowright and Cher and Gosford Park (2001) with Kristin Scott Thomas and Clive Owen, directed by Robert Altman. Maggie Smith has also been nominated for an Oscar six times and won twice, for The Prime of Miss Jean Brodie (1969) and California Suite (1978).
Smith later appeared in the very successful 'Harry Potter' franchise as the formidable Professor McGonagall as well as in Julian Fellowes' ITV drama series, Downton Abbey (2010) (2010-2011) as the Dowager Countess of Grantham.For "Gosford Park" (2001)- Actress
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Molly Parker, the extremely talented and versatile Canadian actress is best known in the United States for playing the Western widow "Alma Garret" on the cable-TV series Deadwood (2004). Raised on a commune, she described as "a hippie farm" in Pitt Meadows, B.C., Parker got the acting bug when she was 16 years old, after 13 years of ballet training. Parker's uncle was an actor, and his agent took her on as a client, enabling her to launch her career in small roles on Canadian television. She enrolled at Vancouver's Gastown Actors' Studio after she graduated from high school, and continued to act on TV in series and TV-movies while learning her craft at acting school.
Parker began attracting attention when she appeared as the daughter of a lesbian military officer in the TV-movie Serving in Silence: The Margarethe Cammermeyer Story (1995). She earned a Gemini nomination (the Canadian TV industry's equivalent of the Emmy) for her performance in the TV-movie Paris or Somewhere (1994). However, it was her debut in theatrical films that gave her her big breakthrough, playing a necrophiliac in Lynne Stopkewich's 1996 film Kissed (1996). It was "Kissed" that set Molly's career into overdrive.
A friend got her an audition for the low-budget independent feature film, and she hit if off with the director, who not only cast her, but became her friend. As the character "Sandra Larson", a poetic soul obsessed with death who engages in sexual congress with a corpse, Parker created a sympathetic character in a difficult role. The film garnered her rave revues and she won a Genie Award, the Canadian cinema's Academy Award, for her performance. She parlayed the accolades into a sustained career on film and in TV.
On TV, Parker was part of the cast of CBC-TV's six-part sitcom Twitch City (1998), playing the girlfriend of Don McKellar, which enabled her to showcase her comedic skills. Other memorable TV roles was the female rabbi on Home Box Office's series Six Feet Under (2001) and, of course, the regular role on HBO's Deadwood (2004). She has appeared in many ambitious films, including Jeremy Podeswa's The Five Senses (1999), István Szabó's Sunshine (1999) and Michael Winterbottom's Wonderland (1999). She also re-teamed with director Lynne Stopkewich for Suspicious River (2000).
Parker made waves with another provocative film with sex as its subject, director Wayne Wang's The Center of the World (2001). In the movie, Parker played a San Francisco lap dancer who becomes a paid escort to a Silicon Valley nerd. For her performance, she was nominated for an Independent Spirit Award. In 2002, she was nominated twice as best supporting actress at the Genies for her roles in the British/Canadian co-production War Bride (2001) and Bruce Sweeney's Last Wedding (2001), winning for her appearance in the latter film.
Parker's reputation as an outstanding actress is based on her assaying of strong, yet flawed, definitely complex women in character-leads and supporting parts in challenging films. Not only does she convey intelligence, but there is an unconscious elegance to her, a true inner beauty that radiates on-screen. She will be gracing the screen, both large and small, with her unique presence for many years to come.For "Pure" (2002)- Actress
- Producer
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This remarkable, one-of-a-kind actress has, since the early 1990s, intrigued film and TV audiences with her glowing, yet careworn eccentricity and old world-styled glamour. Very much in demand these days as a character player, Patricia Clarkson nevertheless continues to avoid the temptation of money-making mainstream filming while reaping kudos and acting awards in out-of-the-way projects.
The New Orleans born-and-bred performer with the given name of Patricia Davies Clarkson was born on December 29, 1959, the daughter of Arthur ("Buzz") Clarkson, a school administrator, and Jackie Clarkson, a local city politician and councilwoman. Patricia demonstrated an early interest in acting and managed to appear in a few junior high and high school-level plays while growing up. She took her basic college studies at Louisiana State University, studying speech for two years, before transferring to New York's Fordham University and graduating with honors in theatre arts.
Accepted into the prestigious Yale School of Drama graduate program, she earned her Master of Fine Arts after gracing a wide range of productions including "Electra," "Pericles," "Twelfth Night", "The Lower Depths," "The Misanthrope," "Pacific Overtures" and "La Ronde". From there she took on New York City where she attracted strong East Coast notice in 1986 for her portrayal of Corrina in "The House of Blue Leaves" and in such other plays as "Eastern Standard" (1988) and "Wolf-Man" (1989).
Known for her organic approach to acting, the flaxen-maned actress decided to try out her trademark whiskey voice in Hollywood at age 28, making her movie debut as Mrs. Eliot Ness in Brian De Palma's The Untouchables (1987) starring Kevin Costner. The following years she gained attention for playing Samantha Walker in The Dead Pool (1988) where she starred opposite Clint Eastwood's popular "Dirty Harry" character. Playing supportive, wifely types at the onset, she became a strong contender for character stardom by the mid-to-late 1990s, not only on stage but in the independent film arena.
On stage Patricia received impressive notices for her contributions to the plays "Raised in Captivity," "The Ride Down Mt. Morgan," "Three Days of Rain" and, in particular, "The Maiden's Prayer," which nabbed her both Outer Critics Circle and Drama Desk Award nominations. In 2004, she finally enacted the classic part she seemed born to play, that of Southern belle Blanche DuBois in the Kennedy Center production of "A Streetcar Named Desire". She earned glowing notices.
On camera she was offered roles of marked diversity. From the heavier dramatics of a film like Pharaoh's Army (1995), she could move deftly into light comedy, courtesy of Neil Simon in the TV-movie London Suite (1996). It was, however, her bleak, convulsive portrayal of Greta, a strung-out, heroin-happy German has-been actress, opposite a resurgent Ally Sheedy in the acclaimed art film High Art (1998) that truly put Patricia on the indie map. From this she was handed a silver plate's worth of excitingly offbeat roles. In 2003 alone, Patricia received a special acting prize at the Sundance Film Festival for her superb work in three films: as a somber, grieving artist in The Station Agent (2003), a cold-hearted cancer victim in Pieces of April (2003), and a jokey, get-with-it mom in All the Real Girls (2003). She was nominated for a "Best Supporting Actress" Oscar for the second film mentioned.
On TV Patricia received two Emmys for her recurring guest part as Frances Conroy's free-spirited sister in the acclaimed black comedy series Six Feet Under (2001). She also received the New York Film Critics Circle and the National Society of Film Critics awards for her supporting work in the gorgeous, 1950s-styled melodrama Far from Heaven (2002), as a prim and proper Stepford-wife and deceptive friend to Julianne Moore.
No matter the size, such as her extended cameos in The Green Mile (1999), All the Real Girls (2003), Miracle (2004) and Elegy (2008), Patricia manages to make the most of whatever screen time she has, often stealing scenes effortlessly. Working for director/actor Woody Allen in a small but notable role in Vicky Cristina Barcelona (2008), he was impressed enough to promote her with a lead in a subsequent film Whatever Works (2009).
More recent work includes leads and supports in the films Vincent in Brixton (2003), Legendary (2010), Friends with Benefits (2011), Learning to Drive (2014), The Bookshop (2017), Delirium (2018), Out of Blue (2018), Almost Love (2019) and as the antagonist Ava Paige in the sci-fi thrillers The Maze Runner (2014), Maze Runner: The Scorch Trials (2015) and Maze Runner: The Death Cure (2018). On TV, the never-married Patricia earned a supporting Golden Globe for her fine work in the mini-series Sharp Objects (2018) and had a strong recurring role on the political series House of Cards (2013).For "The Station Agent" (2003)- Actress
- Producer
- Writer
Cate Blanchett was born on May 14, 1969 in Melbourne, Victoria, Australia, to June (Gamble), an Australian teacher and property developer, and Robert DeWitt Blanchett, Jr., an American advertising executive, originally from Texas. She has an older brother and a younger sister. When she was ten years old, her 40-year-old father died of a sudden heart attack. Her mother never remarried, and her grandmother moved in to help her mother.
Cate graduated from Australia's National Institute of Dramatic Art in 1992 and, in a little over a year, had won both critical and popular acclaim. On graduating from NIDA, she joined the Sydney Theatre Company's production of Caryl Churchill's "Top Girls", then played Felice Bauer, the bride, in Tim Daly's "Kafka Dances", winning the 1993 Newcomer Award from the Sydney Theatre Critics Circle for her performance. From there, Blanchett moved to the role of Carol in David Mamet's searing polemic "Oleanna", also for the Sydney Theatre Company, and won the Rosemont Best Actress Award, her second award that year. She then co-starred in the ABC Television's prime time drama Heartland (1994), again winning critical acclaim. In 1995, she was nominated for Best Female Performance for her role as Ophelia in the Belvoir Street Theatre Company's production of "Hamlet". Other theatre credits include Helen in the Sydney Theatre Company's "Sweet Phoebe", Miranda in "The Tempest" and Rose in "The Blind Giant is Dancing", both for the Belvoir Street Theatre Company. In other television roles, Blanchett starred as Bianca in ABC's Bordertown (1995), as Janie Morris in G.P. (1989) and in ABC's popular series Police Rescue (1994). She made her feature film debut in Paradise Road (1997).
Cate married writer Andrew Upton in 1997. She had met him a year earlier on a movie set, and they didn't like each other at first. He thought she was aloof, and she thought he was arrogant, but then they connected over a poker game at a party, and she went home with him that night. Three weeks later he proposed marriage and they quickly married before she went off to England to play her breakthrough role in films: the title character in Elizabeth (1998) for which she won numerous awards for her performance, including the Golden Globe for Best Actress in a Drama. Cate was also nominated for an Academy Award for the role but lost out to Gwyneth Paltrow. 2001 was a particularly busy year, with starring roles in Bandits (2001), The Shipping News (2001), Charlotte Gray (2001) and playing Elf Queen Galadriel in the "Lord Of The Rings" trilogy. She also gave birth to her first child, son Dashiell, in 2001. In 2004, she gave birth to her second son Roman.
Also, in 2004, she played actress Katharine Hepburn in Martin Scorsese's film The Aviator (2004), for which she received an Academy Award as Best Supporting Actress. Two years later, she received an Academy Award nomination as Best Supporting Actress for playing a teacher having an affair with an underage student in Notes on a Scandal (2006). In 2007, she returned to the role that made her a star in Elizabeth: The Golden Age (2007). It earned her an Oscar nomination as Best Actress. She was nominated for another Oscar that same year as Best Supporting Actress for playing Bob Dylan in I'm Not There (2007). In 2008, she gave birth to her third child, son Ignatius. She and her husband became artistic directors of the Sydney Theatre Company, choosing to spend more time in Australia raising their three sons. She also purchased a multi-million dollar home in Sydney, Australia and named it Bulwarra and made extensive renovations to it. Because of her life in Australia, her film work became sporadic, until Woody Allen cast her in the title role in Blue Jasmine (2013), which won her the Academy Award as Best Actress. She ended her job as artistic director of the Sydney Theatre Company, while her husband continued there for two more years before he too resigned.
In 2015, she adopted her daughter Edith in her father's homeland of the United States. That same year, she and her husband sold their multi-million dollar home in Australia at a profit and moved to America. Reasons varied from her wanting to work more in America to wanting to familiarize herself with her late father's American heritage. She played the title role of Carol (2015), a 1950s American housewife in a lesbian affair with a younger woman, for which she received an Oscar nomination as Best Actress. While most actresses might slow down in their forties, Blanchett did the opposite by stretching her boundaries even further, such as when she played 13 different characters in Manifesto (2015) and then making her Broadway debut in 2017 in "The Present", which is her husband's adaptation of Chekhov's play "Platonov" for which she earned a Tony nomination as Best Actress in a Play. Also in 2017, she was selected for the highest honor in her birth country: the Companion of the Order of Australia (AC).For "The Aviator" (2004)- Actress
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Rachel Hannah Weisz was born on 7 March, 1970, in London, U.K., to Edith Ruth (Teich), a psychoanalyst, and George Weisz, an inventor. Her parents both came to England around 1938. Her father is a Hungarian Jewish immigrant, and her mother, from Vienna, was of Italian and Austrian Jewish heritage. Rachel has a sister, Minnie, a curator and photographer.
Rachel started modeling when she was 14, and began acting during her studies at Cambridge University. While there, she formed a theater company named "Talking Tongues", which won the Guardian Award, at the Edinburgh Festival, for its take on Neville Southall's "Washbag". Rachel went on to star on stage in the lauded Sean Mathias revival of Noël Coward's "Design For Living". It was a role that won her a vote for Most Promising Newcomer by the London Critics' Circle.
She has starred in many movies, including The Mummy (1999), Enemy at the Gates (2001) and Stealing Beauty (1996). Rachel can also be seen in the movies The Shape of Things (2003), About a Boy (2002), Constantine (2005) and The Constant Gardener (2005), for which she won an Academy Award, Golden Globe, and Screen Actors Guild Award for Best Supporting Actress.
Rachel has a son with her former partner, director Darren Aronofsky. In June 2011, she married "James Bond" actor Daniel Craig in a private ceremony in New York.For "The Constant Gardener" (2005)- Actress
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Canadian actress, writer, and comedian, Catherine O'Hara gained recognition as one of the original cast members on the Canadian television sketch comedy show SCTV (1976). On the series, she impersonated the likes of Lucille Ball, Tammy Faye Bakker, Gilda Radner, Katharine Hepburn, and Brooke Shields. O'Hara stayed with the show for its entirety (1976-1984). She went on to devote her talents to several films directed by Tim Burton, including Beetlejuice (1988), The Nightmare Before Christmas (1993) and later, Frankenweenie (2012). O'Hara also frequently collaborated with director and writer, Christopher Guest, appearing in his mockumentary films, three of which earned her awards and nominations; Waiting for Guffman (1996), Best in Show (2000), A Mighty Wind (2003), and For Your Consideration (2006). Recently, O'Hara can be seen on the Canadian television comedy series Schitt's Creek (2015). Her work in the series earned two Canadian Screen Awards for Best Lead Actress (2016 and 2017).For "For Your Consideration" (2006)- Actress
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On January 30, 1937, renowned theatre actor Michael Redgrave was performing in a production of Hamlet in London. During the curtain call, the show's lead, Laurence Olivier, announced to the audience: "tonight a great actress was born". This was in reference to his co-star's newborn daughter, Vanessa Redgrave.
Vanessa was born in Greenwich, London, to Michael Redgrave and Rachel Kempson, both thespians. Three quarters of a century after her birth (despite numerous ups and down) this rather forward expectation has definitely been lived up to with an acclaimed actress that has won (among many others) an Academy Award, two Emmys, two Golden Globes, two Cannes Best Actress awards, a Tony, a Screen Actors Guild award, a Laurence Olivier theatre award and a BAFTA fellowship.
Growing up with such celebrated theatrical parents, great expectations were put on both herself, her brother Corin Redgrave and sister Lynn Redgrave at an early age. Shooting up early and finally reaching a height just short of 6 foot, Redgrave initially had plans to dance and perform ballet as a profession. However she settled on acting and entered the Central School of Speech and Drama in 1954 and four years later made her West End debut. In the decade of the 1960s she developed and progressed to become one of the most noted young stars of the English stage and then film. Performances on the London stage included the classics: 'A Touch of Sun', 'Coriolanus', 'A Midsummer's Night Dream', 'All's Well that Ends Well', 'As You Like It', 'The Lady from the Sea', 'The Seagull' and many others. By the mid 1960s, she had booked various film roles and matured into a striking beauty with a slim, tall frame and attractive face. In 1966 she made her big screen debut as the beautiful ex-wife of a madman in an Oscar nominated performance in the oddball comedy Morgan! (1966), as well as the enigmatic woman in a public park in desperate need of a photographer's negatives in the iconic Blow-Up (1966) and briefly appeared in an unspoken part of Anne Boleyn in the Best Picture winner of the year A Man for All Seasons (1966).
She managed to originate the title role in "The Prime of Miss Jean Brodie" the same year on the London stage (which was then adapted for the big screen a few years later, but Maggie Smith was cast instead and managed to win an Oscar for her performance). Her follow up work saw her play the lead in the box office hit adaptation Camelot (1967), a film popular with audiences but dismissed by critics, and her second Academy Award nominated performance as Isadora Duncan in the critically praised Isadora (1968).
Her rise in popularity on film also coincided with her public political involvement, she was one of the lead faces in protesting against the Vietnam war and lead a famous march on the US embassy, was arrested during a Ban-the-Bomb demonstration, publicly supported Yasar Arafat's Palestine Liberation Organization (PLO) and fought for various other human rights and particularly left wing causes. Despite her admirably independent qualities, most of her political beliefs weren't largely supported by the public. In 1971 after 3 films back to back, Redgrave suffered a miscarriage (it would have been her fourth, after Natasha Richardson, Joely Richardson and Carlo Gabriel Nero) and a break up with her then partner and father of her son, Franco Nero. This was around the same time her equally political brother Corin introduced her to the Workers Revolutionary Party, a group who aimed to destroy capitalism and abolish the monarchy. Her film career began to suffer and take the back seat as she became more involved with the party, twice unsuccessfully attempting to run as a party member for parliament, only obtaining a very small percentage of votes.
In terms of her film career at the time, she was given probably the smallest part in the huge ensemble who-dunnit hit, Murder on the Orient Express (1974) and given another thankless small part as Lola Deveraux in the Sherlock Holmes adventure The Seven-Per-Cent Solution (1976).
After a celebrated Broadway debut, she created further controversy in 1977 with her involvement in two films, firstly in Julia (1977) where she acted opposite Jane Fonda as a woman fighting Nazi oppression and narrated and featured in the documentary The Palestinian (1977) where she famously danced holding a Kalashnikov rifle. She publicly stated her condemnation of what she termed "Zionist hudlums", which outraged Jewish groups and as a result a screening of her documentary was bombed and Redgrave was personally threatened by the Jewish Defense League (JDL). Julia (1977) happened to be a huge critical success and Redgrave herself was nominated for a Best Supporting Actress Oscar, but Jewish support groups demanded her nomination to be dropped and at the event of the Academy Awards burned effigies of Redgrave and protested and picketed. Redgrave was forced to enter the event via a rear entrance to avoid harm and when she won the award she famously remarked on the frenzy causes as "Zionist hoodlums" which caused the audience to audibly gasp and boo. The speech reached newspapers the next morning and her reputation was further damaged.
It came as a surprise when CBS hired her for the part of real life Nazi camp survivor Fania Fenelon in Playing for Time (1980), despite more controversy and protesting (Fenelon herself didn't even want Redgrave to portray her) she won an Emmy for the part and the film was one of the highest rating programs of the year. Her follow up film work to her Oscar had been mostly low key but successful, performances in films such as Yanks (1979), Agatha (1979), The Bostonians (1984), Wetherby (1985) and Prick Up Your Ears (1987) further cemented her reputation as a fine actress and she received various accolades and nominations.
However mainly in the 1980s, she focused on TV films and high budget mini-series as well as theatre in both London and New York. She made headlines in 1984 when she sued the Boston Symphony Orchestra for $5 million for wrongful cancellation of her contract because of her politics (she also stated her salary was significantly reduced in Agatha (1979) for the same reason). She became more mainstream in the 1990s where she appeared in a string of high profile films but the parts often underused Redgrave's abilities or they were small cameos/5-minute parts. Highlights included Howards End (1992), Little Odessa (1994), Mission: Impossible (1996) and Cradle Will Rock (1999), as well as her leading lady parts in A Month by the Lake (1995) and Mrs Dalloway (1997).
In 2003 she finally won the coveted Tony award for her performance in 'The Long Day's Journey Into Night' and followed up with another two Tony nominated performances on Broadway, her one woman show 'The Year of Magical Thinking' in 2007 and 'Driving Miss Daisy' in 2010 which not only was extended due to high demand, but was also transferred to the West End for an additional three months in 2011.
Vanessa continues to lend her name to causes and has been notable for donating huge amounts of her own money for her various beliefs. She has publicly opposed the war in Iraq, campaigned for the closure of Guantanamo Bay, supported the rights of gays and lesbians as well as AIDs research and many other issues. She released her autobiography in 1993 and a few years later she was elected to serve as a UNICEF Goodwill Ambassador. She also famously declined the invitation to be made a Dame for her services as an actress. Many have wondered the possible heights her career could have reached if it wasn't for her outspoken views, but being a celebrity and the artificial lifestyle usually attached doesn't seem to interest Redgrave in the slightest.
Vanessa has worked with all three of her children professionally on numerous occasions (her eldest daughter, Natasha Richardson tragically died at the age of 45 due to a skiing accident) and in her mid 70s she still works regularly on television, film and theatre, delivering time and time again great performances.For "Atonement" (2007)- Actress
- Producer
- Soundtrack
Viola Davis is a critically revered actress of film, television, and theater and has won rave reviews for her multitude of substantial and intriguingly diverse roles. Audiences across the United States and internationally have admired her for her work- including her celebrated, Oscar-nominated performances in The Help (2011), Doubt (2008), and her Oscar winning performance in Fences (2016). In 2015, Davis won the Emmy Award for Outstanding Performance by a Female Actor in a Drama Series for her work in ABC's How To Get Away With Murder, making her the first black woman in history to take home the award. In addition to acting, Viola currently produces alongside her husband and producing partner, Julius Tennon, through their JuVee Productions banner. Together they have produced award-garnering productions across theater, television, and film.For "Doubt" (2008)- Actress
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Vera Farmiga is an American actress who has received an Academy Award nomination for her role in Up in the Air (2009) and Primetime Emmy Award nominations for her roles in Bates Motel (2013) and When They See Us (2019).
She was born Vera Ann Farmiga, the second of seven children, on August 6, 1973, in Clifton, New Jersey, USA, to Ukrainian parents. She did not speak English until the age of six, and was raised in the Ukrainian Catholic home of her mother, Luba (Spas), a schoolteacher, and her father, Michael Farmiga, a computer systems analyst. Her younger sister is actress Taissa Farmiga, who is 21 years her junior. Young Vera was a shy, nearsighted girl, who played piano and folk danced with a Ukrainian touring company in her teens.
In 1991, she graduated from Hunterdon Central Regional High School. Farmiga initially dreamed of becoming an optometrist, but she later changed her mind and studied acting at Syracuse University's School of Performing Arts, graduating in 1995. The following year, she began her professional acting career, making her Broadway debut as an understudy in the play "Taking Sides". Her stage credits included performances in "The Tempest", "Good", "The Seagull", and in a well-reviewed off-Broadway production of "Second-Hand Smoke" (1997). That same year, she made her television debut as the female lead, opposite a then-unknown Heath Ledger, in Fox's adventure series Roar (1997).
In 1998, Farmiga made her big screen debut in the drama Return to Paradise (1998), then played the daughters of Christopher Walken in The Opportunists (1999) and Richard Gere in Autumn in New York (2000). She starred as a working-class mother struggling to keep her life and marriage together while hiding her drug addiction in Down to the Bone (2004), for which she was awarded Best Actress from the 2004 Sundance Film Festival and the Los Angeles Film Critics Association. Farmiga's acting talent shone in a range of characters, from her role as a senator's daughter in The Manchurian Candidate (2004), the wife of a mobster in Running Scared (2006), a humorous prostitute in Breaking and Entering (2006), and a police psychiatrist in The Departed (2006).
In 2010, Farmiga received an Academy Award nomination for Best Actress in a Supporting Role for her performance in Up in the Air (2009). In 2011, she made her directorial debut with the drama Higher Ground (2011), in which she also appeared in the leading role. Although the film had a limited release, Farmiga's direction and performance received attention at several festivals. In 2013, she began starring in the drama thriller series Bates Motel (2013), for which she received a Primetime Emmy Award nomination for Outstanding Lead Actress in a Drama Series in the first season. In 2019, she received a second Primetime Emmy Award nomination, this time in the Outstanding Supporting Actress in a Limited Series or Movie category, for her role in the drama miniseries When They See Us (2019).
Farmiga was formerly married to actor Sebastian Roché, whom she met during production of Roar (1997). The two eloped to the Bahamas after the series ended in 1997. They separated and subsequently divorced in 2004. On September 13, 2008, she married musician Renn Hawkey, with whom she has two children, son Fynn McDonnell (b. 2009) and daughter Gytta Lubov Hawkey (b. 2010). Farmiga lives with her family in Hudson Valley, New York. Her other activities, outside her acting profession, include reading, playing piano, boxing, jujitsu, and spending time with her pet angora goats.For "Up in the Air" (2009)- Actress
- Soundtrack
Jacqueline Ruth Weaver is an Australian theatre, film and television actress. She is known internationally for her performances in Animal Kingdom (2010) and Silver Linings Playbook (2012), both of which earned her nominations for an Academy Award for Best Supporting Actress.
Weaver emerged in the 1970s as a symbol of the Australian New Wave through her work in Ozploitation films such as Stork (1971), Alvin Purple (1973), and Petersen (1974). Weaver's other films include Picnic at Hanging Rock (1975), Magic in the Moonlight (2014), The Disaster Artist (2017), Bird Box (2018), and Poms (2019).
In 2019-20, Weaver had main roles in Bloom and Perpetual Grace, LTD, and in 2021 she had a recurring role in Season 4 of Yellowstone.
In 2005, she released her autobiography, Much Love, Jac.For "Animal Kingdom" (2010)- Actress
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- Director
On January 30, 1937, renowned theatre actor Michael Redgrave was performing in a production of Hamlet in London. During the curtain call, the show's lead, Laurence Olivier, announced to the audience: "tonight a great actress was born". This was in reference to his co-star's newborn daughter, Vanessa Redgrave.
Vanessa was born in Greenwich, London, to Michael Redgrave and Rachel Kempson, both thespians. Three quarters of a century after her birth (despite numerous ups and down) this rather forward expectation has definitely been lived up to with an acclaimed actress that has won (among many others) an Academy Award, two Emmys, two Golden Globes, two Cannes Best Actress awards, a Tony, a Screen Actors Guild award, a Laurence Olivier theatre award and a BAFTA fellowship.
Growing up with such celebrated theatrical parents, great expectations were put on both herself, her brother Corin Redgrave and sister Lynn Redgrave at an early age. Shooting up early and finally reaching a height just short of 6 foot, Redgrave initially had plans to dance and perform ballet as a profession. However she settled on acting and entered the Central School of Speech and Drama in 1954 and four years later made her West End debut. In the decade of the 1960s she developed and progressed to become one of the most noted young stars of the English stage and then film. Performances on the London stage included the classics: 'A Touch of Sun', 'Coriolanus', 'A Midsummer's Night Dream', 'All's Well that Ends Well', 'As You Like It', 'The Lady from the Sea', 'The Seagull' and many others. By the mid 1960s, she had booked various film roles and matured into a striking beauty with a slim, tall frame and attractive face. In 1966 she made her big screen debut as the beautiful ex-wife of a madman in an Oscar nominated performance in the oddball comedy Morgan! (1966), as well as the enigmatic woman in a public park in desperate need of a photographer's negatives in the iconic Blow-Up (1966) and briefly appeared in an unspoken part of Anne Boleyn in the Best Picture winner of the year A Man for All Seasons (1966).
She managed to originate the title role in "The Prime of Miss Jean Brodie" the same year on the London stage (which was then adapted for the big screen a few years later, but Maggie Smith was cast instead and managed to win an Oscar for her performance). Her follow up work saw her play the lead in the box office hit adaptation Camelot (1967), a film popular with audiences but dismissed by critics, and her second Academy Award nominated performance as Isadora Duncan in the critically praised Isadora (1968).
Her rise in popularity on film also coincided with her public political involvement, she was one of the lead faces in protesting against the Vietnam war and lead a famous march on the US embassy, was arrested during a Ban-the-Bomb demonstration, publicly supported Yasar Arafat's Palestine Liberation Organization (PLO) and fought for various other human rights and particularly left wing causes. Despite her admirably independent qualities, most of her political beliefs weren't largely supported by the public. In 1971 after 3 films back to back, Redgrave suffered a miscarriage (it would have been her fourth, after Natasha Richardson, Joely Richardson and Carlo Gabriel Nero) and a break up with her then partner and father of her son, Franco Nero. This was around the same time her equally political brother Corin introduced her to the Workers Revolutionary Party, a group who aimed to destroy capitalism and abolish the monarchy. Her film career began to suffer and take the back seat as she became more involved with the party, twice unsuccessfully attempting to run as a party member for parliament, only obtaining a very small percentage of votes.
In terms of her film career at the time, she was given probably the smallest part in the huge ensemble who-dunnit hit, Murder on the Orient Express (1974) and given another thankless small part as Lola Deveraux in the Sherlock Holmes adventure The Seven-Per-Cent Solution (1976).
After a celebrated Broadway debut, she created further controversy in 1977 with her involvement in two films, firstly in Julia (1977) where she acted opposite Jane Fonda as a woman fighting Nazi oppression and narrated and featured in the documentary The Palestinian (1977) where she famously danced holding a Kalashnikov rifle. She publicly stated her condemnation of what she termed "Zionist hudlums", which outraged Jewish groups and as a result a screening of her documentary was bombed and Redgrave was personally threatened by the Jewish Defense League (JDL). Julia (1977) happened to be a huge critical success and Redgrave herself was nominated for a Best Supporting Actress Oscar, but Jewish support groups demanded her nomination to be dropped and at the event of the Academy Awards burned effigies of Redgrave and protested and picketed. Redgrave was forced to enter the event via a rear entrance to avoid harm and when she won the award she famously remarked on the frenzy causes as "Zionist hoodlums" which caused the audience to audibly gasp and boo. The speech reached newspapers the next morning and her reputation was further damaged.
It came as a surprise when CBS hired her for the part of real life Nazi camp survivor Fania Fenelon in Playing for Time (1980), despite more controversy and protesting (Fenelon herself didn't even want Redgrave to portray her) she won an Emmy for the part and the film was one of the highest rating programs of the year. Her follow up film work to her Oscar had been mostly low key but successful, performances in films such as Yanks (1979), Agatha (1979), The Bostonians (1984), Wetherby (1985) and Prick Up Your Ears (1987) further cemented her reputation as a fine actress and she received various accolades and nominations.
However mainly in the 1980s, she focused on TV films and high budget mini-series as well as theatre in both London and New York. She made headlines in 1984 when she sued the Boston Symphony Orchestra for $5 million for wrongful cancellation of her contract because of her politics (she also stated her salary was significantly reduced in Agatha (1979) for the same reason). She became more mainstream in the 1990s where she appeared in a string of high profile films but the parts often underused Redgrave's abilities or they were small cameos/5-minute parts. Highlights included Howards End (1992), Little Odessa (1994), Mission: Impossible (1996) and Cradle Will Rock (1999), as well as her leading lady parts in A Month by the Lake (1995) and Mrs Dalloway (1997).
In 2003 she finally won the coveted Tony award for her performance in 'The Long Day's Journey Into Night' and followed up with another two Tony nominated performances on Broadway, her one woman show 'The Year of Magical Thinking' in 2007 and 'Driving Miss Daisy' in 2010 which not only was extended due to high demand, but was also transferred to the West End for an additional three months in 2011.
Vanessa continues to lend her name to causes and has been notable for donating huge amounts of her own money for her various beliefs. She has publicly opposed the war in Iraq, campaigned for the closure of Guantanamo Bay, supported the rights of gays and lesbians as well as AIDs research and many other issues. She released her autobiography in 1993 and a few years later she was elected to serve as a UNICEF Goodwill Ambassador. She also famously declined the invitation to be made a Dame for her services as an actress. Many have wondered the possible heights her career could have reached if it wasn't for her outspoken views, but being a celebrity and the artificial lifestyle usually attached doesn't seem to interest Redgrave in the slightest.
Vanessa has worked with all three of her children professionally on numerous occasions (her eldest daughter, Natasha Richardson tragically died at the age of 45 due to a skiing accident) and in her mid 70s she still works regularly on television, film and theatre, delivering time and time again great performances.For "Coriolanus" (2011)- Actress
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Dame Judi Dench was born Judith Olivia Dench in York, England, to Eleanora Olive (Jones), who was from Dublin, Ireland, and Reginald Arthur Dench, a doctor from Dorset, England. She attended Mount School in York, and studied at the Central School of Speech and Drama. She has performed with the Royal Shakespeare Company, the National Theatre, and at Old Vic Theatre. She is a ten-time BAFTA winner including Best Actress in a Comedy Series for A Fine Romance (1981) in which she appeared with her husband, Michael Williams, and Best Supporting Actress in A Handful of Dust (1988) and A Room with a View (1985). She received an ACE award for her performance in the television series Mr. and Mrs. Edgehill (1985). She was appointed an Officer of the Order of the British Empire (OBE) in 1970, a Dame Commander of the Order of the British Empire (DBE) in 1988 and a Member of the Order of the Companions of Honour (CH) in 2005.For "Skyfall" (2012)- Actress
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Lupita Amondi Nyong'o was born March 1, 1983 in Mexico City, Mexico, to Kenyan parents, Dorothy Ogada Buyu and Peter Anyang' Nyong'o. Her father, a senator, was then a visiting lecturer in political science. She was raised in Kenya. At age 16, her parents sent her back to Mexico for seven months to learn Spanish. She read film studies at Hampshire College, Massachusetts and, after working as a production assistant on several films, graduated from the Yale School of Drama's acting program. In 2013, she impressed cinema audiences in her film debut, as brutalized slave Patsey in acclaimed director Steve McQueen's 12 Years a Slave (2013). She was also the lead in MTV's award-winning drama series, Shuga (2009), appeared in the thriller Non-Stop (2014) and had roles in the big-budget films Star Wars: Episode VII - The Force Awakens (2015) and The Jungle Book (2016).
Lupita's stage credits include playing "Perdita" in "The Winter's Tale", (Yale Repertory Theater), "Sonya" in "Uncle Vanya", "Katherine" in "The Taming of the Shrew", as well as being in the original production of Michael Mitnick's "Elijah".
Lupita played the female lead, Nakia, in the 2018 superhero film Black Panther (2018).For "12 Years a Slave" (2013)- Actress
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Rene Russo was born in Burbank, California, to Shirley (Balocca), a barmaid and factory laborer, and Nino Russo. Her father, a sculptor and mechanic, left the family when Rene was just two, and thus her mother raised Rene and her sister, Toni, as a single mom. Her father was of Italian descent, and her mother was of Italian and German-English-Irish ancestry.
In junior high school, Rene was plagued with scoliosis and had to wear a full-torso brace. She was already a tall girl, which earned her the nickname "Jolly Green Giant" from her classmates. She entered Burroughs High School, along with classmate Ron Howard, and even though her brace had been removed, she was still somewhat of a loner. Unable to deal with academics and the school social scene, Rene dropped out of school in the tenth grade. Since money was tight, she began to take a variety of part-time jobs over the next 18 months, many for the free benefits. She sold refreshments at a movie theater, where she could see free movies; worked as a restaurant hostess, where her meals were free; and worked as a store cashier at Disneyland, where she had free admission. She often had two jobs at one time. Her last job, which was solely for the paycheck, was a full-time job at an eyeglass factory, inspecting contact lenses.
In 1972, the 17-year-old was attending a Rolling Stones concert when she was approached by John Crosby, a scout and manager from International Creative Management. He told her she should be a model and had test photos made of her. Within a few months, Rene signed a contract with Ford Modeling Agency and within a year had become a successful print and photographers model. Soon her modeling breakthrough came when she graced the cover of Vogue. By 1975, she had appeared on numerous magazine covers, was one of the most successful models in America, and was also starting to be seen in several TV commercials through the 1980s. She would define what a top fashion model was for years to come.
By her 30th birthday, demand for her began to dwindle, as it did for most models at that age. She did a few more commercials and then turned her back on modeling and show business for a while. Financially secure for the next several years, she began an intense period of literature and Christian theology. She also began to study theater and acting, and began appearing in theater roles at small regional theaters in Los Angeles and elsewhere in California.
Her television series debut came in 1987 with a supporting part on the short-lived TV series Sable (1987). In 1989 she made her motion picture debut with the part of the lead characters girlfriend in the film Major League (1989). Her subsequent roles were that of girlfriends and supportive wives in a few films, until her breakthrough as an Internal Affairs detective in Lethal Weapon 3 (1992). Rene Russo has been praised for her ability to hold her own against her major male co-stars, who have included Mel Gibson, Clint Eastwood, Kevin Costner and Pierce Brosnan. Two of her performances within the last few years have gotten her recognition as both a major dramatic actress and a talented character actress. One was as the mother of a kidnapped son in Ransom (1996). The other was as the cartoon femme fatale foreign spy in The Adventures of Rocky & Bullwinkle (2000). Although the latter received mixed reviews among moviegoers and critics, Russo was praised for her performance of a role originally slated for Meryl Streep in 1992. Rene Russo has been married to screenwriter Dan Gilroy since 1992, and they have one daughter, named Rose. They reside in Brentwood, California.For "Nightcrawler" (2014)- Actress
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Alicia Vikander is a Swedish actress, dancer and producer. She was born and raised in Gothenburg, Västra Götalands län, Sweden, to Maria Fahl, an actress of stage and screen, and Svante Vikander, a psychiatrist. Through her mother, she is one quarter Finnish, and had a maternal great aunt who moved from Finland to Sweden to escape World War 2. Alicia began acting as a child in minor stage productions at The Göteborg Opera, and trained as a ballet dancer at the Royal Swedish Ballet School in Stockholm, and the School of American Ballet in New York. She began her professional acting career by appearing in Swedish short films and television series, and first gained recognition in Northern Europe for her role as Josefin Björn-Tegebrandt in the TV drama Second Avenue (2007). Vikander made her feature film debut in Pure (2009), for which she won the Guldbagge Award for Best Actress. She attracted widespread recognition in 2012 for portraying Princess Ekaterina "Kitty" Alexandrovna Shcherbatskaya in Joe Wright's film adaptation of Anna Karenina (2012), and Queen Caroline Mathilde in the acclaimed Danish film A Royal Affair (2012), receiving a BAFTA Rising Star Award nomination for her breakthrough. She went on to star in the 2013 Swedish drama film Hotel (2013)and appeared in the Julian Assange biopic The Fifth Estate (2013) that same year. In 2014 and 2015, Vikander achieved global recognition and acclaim for her roles as activist Vera Brittain in Testament of Youth (2014), an AI in Ex Machina (2014), for which she was nominated for the Golden Globe and BAFTA Award for Best Supporting Actress, and painter Gerda Wegener in The Danish Girl (2015), for which she received the Academy Award and the Screen Actors Guild Award for Best Supporting Actress.For "Ex Machina" (2015)- Actress
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Born in Montana, Gladstone was raised on the Blackfeet Indian Reservation and later near Seattle, WA. She graduated with high honors from the University of Montana in 2008 with a BFA in Acting/Directing, and a minor in Native American Studies.
Gladstone was introduced to audiences in Alex and Andrew Smith's adaptation of Winter in the Blood, a NYT best seller and seminal novel by Blackfeet/Gros Ventre author James Welch. Her breakout role came in 2016 from Kelly Reichardt's Certain Women, a performance which earned her the Los Angeles Film Critics Association Award for Best Supporting Actress, Boston Society of Film Critics Award for Best Supporting Actress, as well as nominations for the Independent Spirit Award for Best Supporting Female and Gotham Independent Film Award for Breakthrough Actor.
In 2017 Gladstone joined the Oregon Shakespeare Festival acting company, and in 2020 she stared in the Yale Repertory Theater production of Mary Kathryn Nagle's Manahatta.
In 2019 Gladstone reunited with Reichardt for First Cow. The film won Best Film at the 2020 New York Film Critics Circle Awards, and was named one of the ten best films of 2020 by the National Board of Review.For "Certain Women" (2016)- Actress
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Laurie Metcalf was born June 16, 1955 in Carbondale, Illinois, the oldest of three children of Libby (Mars), a librarian, and James Metcalf, a budget director. She was raised in Edwardsville, Illinois. Laurie attended Illinois State University, where she obtained her bachelor of arts in theater in 1977. In her class were the immeasurable talents of John Malkovich, Glenne Headly, and Joan Allen. Laurie began acting at Steppenwolf Theatre Company. Her acting career in film and television began with a minor and uncredited role in Robert Altman's A Wedding (1978). In 1988, Laurie found her most memorable and successful role to date, Jacqueline "Jackie" Harris in the television series Roseanne (1988). For her performance in the series, she was nominated for two Golden Globes and won three Primetime Emmy awards.For "Lady Bird" (2017)- Actress
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Rachel Hannah Weisz was born on 7 March, 1970, in London, U.K., to Edith Ruth (Teich), a psychoanalyst, and George Weisz, an inventor. Her parents both came to England around 1938. Her father is a Hungarian Jewish immigrant, and her mother, from Vienna, was of Italian and Austrian Jewish heritage. Rachel has a sister, Minnie, a curator and photographer.
Rachel started modeling when she was 14, and began acting during her studies at Cambridge University. While there, she formed a theater company named "Talking Tongues", which won the Guardian Award, at the Edinburgh Festival, for its take on Neville Southall's "Washbag". Rachel went on to star on stage in the lauded Sean Mathias revival of Noël Coward's "Design For Living". It was a role that won her a vote for Most Promising Newcomer by the London Critics' Circle.
She has starred in many movies, including The Mummy (1999), Enemy at the Gates (2001) and Stealing Beauty (1996). Rachel can also be seen in the movies The Shape of Things (2003), About a Boy (2002), Constantine (2005) and The Constant Gardener (2005), for which she won an Academy Award, Golden Globe, and Screen Actors Guild Award for Best Supporting Actress.
Rachel has a son with her former partner, director Darren Aronofsky. In June 2011, she married "James Bond" actor Daniel Craig in a private ceremony in New York.For "The Favourite" (2018)- Actress
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The iconoclastic gifts of the highly striking and ferociously talented actress Tilda Swinton have been appreciated by art house crowds and international audiences alike. After her stunning Oscar-winning turn as a high-powered corporate attorney in the George Clooney starring and critically-lauded legal thriller Michael Clayton (2007), however, her androgynous looks and often bizarre appeal have been embraced by more mainstream crowds as well.
She was born Katherine Mathilda Swinton into a patrician Scottish military family on November 5, 1960, in London, England. Her mother, Judith Balfour, Lady Swinton (née Killen), was Australian, and her father, Major-General Sir John Swinton, an army officer, was English-born. Her ancestry is Scottish, Northern Irish, and English, including a long tapestry of prominent Scottish ancestors. Educated at an English and a Scottish boarding school, Tilda subsequently studied Social and Political Science at Cambridge University and graduated in 1983 with a degree in English Literature.
During her tenure as a student, she performed countless stage productions and proceeded to work for a season with the Royal Shakespeare Company where she appeared in such productions as "Measure for Measure." The rebel insider her, however, was strong and she left the company after a year as her approach and interests began to shift dramatically. With a pungent taste for the unique and seldom tried, Tilda found some gender-bending stage roles come her way. She portrayed Mozart in Pushkin's "Mozart and Salieri", and as a working class woman impersonating her dead husband during World War II, in Manfred Karge's "Man to Man," a role she later committed to film (Man to Man (1992)).
In 1985, the tall, slender performer with alabaster skin and carrot-topped hair began a professional association with gay experimental director Derek Jarman. She continued to live and work with the groundbreaking writer/director/cinematographer for the next nine years, involving herself in seven of his often notorious films. This quirky, highly fascinating alliance would produce such stark and radical turns as the Berlin International Film Festival winners Caravaggio (1986), The Last of England (1987), The Garden (1990) and Edward II (1991) (playing Isabella, in which she won "Best Actress" at the Venice Film Festival) and Wittgenstein (1993), as well as the films Soursweet (1988) (a movie with no spoken dialogue) and the Stockholm Film Festival Award winner Blue (1993).
Jarman succumbed to complications from AIDS in 1994. His untimely demise left a devastating void in Tilda's life for quite some time. Her most notable performance of her Jarman period, however, came from a non-Jarman film. For the vivid title role in Orlando (1992), her nobleman character lives for 400 years while changing sex from man to woman. The film, which Swinton spent years helping writer/director Sally Potter develop and finance, continues to this day to have a worldwide devoted fan following.
Over the years, Tilda has preferred art to celebrity, opening herself to experimental projects with new and untried directors and mediums, delving into the worlds of installation art and cutting-edge fashion. Consistently off-centered roles in Female Perversions (1996), Love Is the Devil: Study for a Portrait of Francis Bacon (1998), Teknolust (2002), Young Adam (2003), Broken Flowers (2005) and Béla Tarr's The Man from London (2007) have added to her mystique. Back in 1995, she delved into a performance art piece in the Serpentine Gallery, London, where she was put on display to the public for a week, asleep (or apparently so), in a glass case.
Following the birth of her twins in 1997, Tilda would leave lean for a time towards Hollywood mainstream filming. The thriller The Deep End (2001), earned her a number of critic's awards and her first Golden Globe nomination. Other visible U.S. pictures included The Beach (2000) with Leonardo DiCaprio, fantasy epic Constantine (2005) with Keanu Reeves, her Oscar-decorated performance in Michael Clayton (2007) and, of course, her iconic White Witch in The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005).
Into the millennium, Tilda continued to amaze starring in the crime drama Julia (2008) and in David Fincher's The Curious Case of Benjamin Button (2008). She learned Italian and Russian for Luca Guadagnino's I Am Love (2009), starred in the psychological thriller We Need to Talk About Kevin (2011), Wes Anderson's Moonrise Kingdom (2012) and Bong Joon Ho's Snowpiercer (2013), and earned fine notice in Terry Gilliam's The Zero Theorem (2013). She also starred in the dark romantic fantasy drama Only Lovers Left Alive (2013) directed by Jim Jarmusch, had a small role in Wes Anderson's The Grand Budapest Hotel (2014), starred in Judd Apatow's comedy Trainwreck (2015), and played a rock star in Luca Guadagnino's A Bigger Splash (2015).
Showing no signs of slowing up, Tilda continues to make creative, visual impressions in such films as the Coen Brothers' Hail, Caesar! (2016) where she reunited with Clooney and had a dual role playing twin journalists, and as the wise Asian teacher of Dr. Strange (Benedict Cumberbatch) in the Marvel Comics action film Doctor Strange (2016), while repeating the part of The Ancient One in Avengers: Endgame (2019). She gave another eccentric, unhinged performance in the action adventure message movie Okja (2017), played Betsy Trotwood in a contemporary telling of The Personal History of David Copperfield (2019) and teamed up again with writer/director Jim Jarmusch in the thoroughly offbeat fantasy horror comedy The Dead Don't Die (2019).For "The Personal History of David Copperfield" (2019)- Helena Zengel was born on 10 June 2008 in Berlin, Germany. She is an actress, known for News of the World (2020), System Crasher (2019) and Dark Blue Girl (2017).For "News of the World" (2020)
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Ruth Negga was born on 4 May 1981 in Addis Ababa, Ethiopia. She is an actress and producer, known for Loving (2016), Passing (2021) and Agents of S.H.I.E.L.D. (2013).For "Passing" (2021)