The Greatest Actors
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Born in London, England, Daniel Michael Blake Day-Lewis is the second child of Cecil Day-Lewis, Poet Laureate of the U.K., and his second wife, actress Jill Balcon. His maternal grandfather was Sir Michael Balcon, an important figure in the history of British cinema and head of the famous Ealing Studios. His older sister, Tamasin Day-Lewis, is a documentarian. His father was of Northern Irish and English descent, and his mother was Jewish (from a family from Latvia and Poland). Daniel was educated at Sevenoaks School in Kent, which he despised, and the more progressive Bedales in Petersfield, which he adored. He studied acting at the Bristol Old Vic School. Daniel made his film debut in Sunday Bloody Sunday (1971), but then acted on stage with the Bristol Old Vic and Royal Shakespeare Companies and did not appear on screen again until 1982, when he landed his first adult role, a bit part in Gandhi (1982). He also appeared on British television that year in Frost in May (1982) and How Many Miles to Babylon? (1982). Notable theatrical performances include Another Country (1982-83), Dracula (1984) and The Futurists (1986).
His first major supporting role in a feature film was in The Bounty (1984), quickly followed by My Beautiful Laundrette (1985) and A Room with a View (1985). The latter two films opened in New York on the same day, offering audiences and critics evidence of his remarkable range and establishing him as a major talent. The New York Film Critics named him Best Supporting Actor for those performances. In 1986, he appeared on stage in Richard Eyre's "The Futurists" and on television in Eyre's production of The Insurance Man (1986). He also had a small role in a British/French film, Nanou (1986). In 1987, he assumed leading-man status in Philip Kaufman's The Unbearable Lightness of Being (1988), followed by a comedic role in the unsuccessful Stars and Bars (1988). His brilliant performance as Christy Brown in Jim Sheridan's My Left Foot (1989) won him numerous awards, including the Academy Award for Best Actor.
He returned to the stage to work again with Eyre, as Hamlet at the National Theater, but was forced to leave the production close to the end of its run because of exhaustion, and has not appeared on stage since. He took a hiatus from film as well until 1992, when he starred in The Last of the Mohicans (1992), a film that met with mixed reviews but was a great success at the box office. He worked with American director Martin Scorsese in The Age of Innocence (1993), based on Edith Wharton's novel. Subsequently, he teamed again with Jim Sheridan to star in In the Name of the Father (1993), a critically acclaimed performance that earned him another Academy Award nomination. His next project was in the role of John Proctor in father-in-law Arthur Miller's play The Crucible (1996), directed by Nicholas Hytner. He worked with Scorsese again to star in Gangs of New York (2002), another critically acclaimed performance that earned him another Academy Award nomination for Best Actor.
Day-Lewis's wife, Rebecca Miller, offered him the lead role in her film The Ballad of Jack and Rose (2005), in which he played a dying man with regrets over how his wife had evolved and over how he had brought up his teenage daughter. During filming, he arranged to live separate from his wife to achieve the "isolation" needed to focus on his own character's reality. The film received mixed reviews. In 2007, he starred in director Paul Thomas Anderson's loose adaptation of Upton Sinclair's novel "Oil!", titled There Will Be Blood (2007). Day-Lewis received the Academy Award for Best Actor, BAFTA Award for Best Actor in a Leading Role, Golden Globe Award for Best Actor - Motion Picture Drama, Screen Actors Guild Award for Outstanding Performance by a Male Actor in a Leading Role, and a variety of film critics' circle awards for the role. In 2009, Day-Lewis starred in Rob Marshall's musical adaptation Nine (2009) as film director Guido Contini. He was nominated for the Golden Globe Award for Best Actor - Motion Picture Musical or Comedy and the Satellite Award for Best Actor - Motion Picture Musical or Comedy.- Actor
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Anthony Hopkins was born on December 31, 1937, in Margam, Wales, to Muriel Anne (Yeats) and Richard Arthur Hopkins, a baker. His parents were both of half Welsh and half English descent. Influenced by Richard Burton, he decided to study at College of Music and Drama and graduated in 1957. In 1965, he moved to London and joined the National Theatre, invited by Laurence Olivier, who could see the talent in Hopkins. In 1967, he made his first film for television, A Flea in Her Ear (1967).
From this moment on, he enjoyed a successful career in cinema and television. In 1968, he worked on The Lion in Winter (1968) with Timothy Dalton. Many successes came later, and Hopkins' remarkable acting style reached the four corners of the world. In 1977, he appeared in two major films: A Bridge Too Far (1977) with James Caan, Gene Hackman, Sean Connery, Michael Caine, Elliott Gould and Laurence Olivier, and Maximilian Schell. In 1980, he worked on The Elephant Man (1980). Two good television literature adaptations followed: Othello (1981) and The Hunchback of Notre Dame (1982). In 1987 he was awarded with the Commander of the order of the British Empire. This year was also important in his cinematic life, with 84 Charing Cross Road (1987), acclaimed by specialists. In 1993, he was knighted.
In the 1990s, Hopkins acted in movies like Desperate Hours (1990) and Howards End (1992), The Remains of the Day (1993) (nominee for the Oscar), Legends of the Fall (1994), Nixon (1995) (nominee for the Oscar), Surviving Picasso (1996), Amistad (1997) (nominee for the Oscar), The Mask of Zorro (1998), Meet Joe Black (1998) and Instinct (1999). His most remarkable film, however, was The Silence of the Lambs (1991), for which he won the Oscar for Best Actor. He also got a B.A.F.T.A. for this role.- Actor
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John Gavin Malkovich was born in Christopher, Illinois, to Joe Anne (Choisser), who owned a local newspaper, and Daniel Leon Malkovich, a state conservation director. His paternal grandparents were Croatian. In 1976, Malkovich joined Chicago's Steppenwolf Theatre, newly founded by his friend Gary Sinise. After that, it would take seven years before Malkovich would show up in New York and win an Obie in Sam Shepard's play "True West". In 1984, Malkovich would appear with Dustin Hoffman in the Broadway revival of "Death of a Salesman", which would earn him an Emmy when it was made into a made-for-TV movie the next year. His big-screen debut would be as the blind lodger in Places in the Heart (1984), which earned him an Academy Award Nomination for best supporting actor. Other films would follow, including The Killing Fields (1984) and The Glass Menagerie (1987), but he would be well remembered as Vicomte de Valmont in Dangerous Liaisons (1988). Playing against Michelle Pfeiffer and Glenn Close in a costume picture helped raise his standing in the industry. He would be cast as the psychotic political assassin in Clint Eastwood's In the Line of Fire (1993), for which he would be nominated for both the Academy Award and the Golden Globe. In 1994, Malkovich would portray the sinister Kurtz in the made-for-TV movie Heart of Darkness (1993), taking the story to Africa as it was originally written. Malkovich has periodically returned to Chicago to both act and direct.- Actor
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Mel Columcille Gerard Gibson was born January 3, 1956 in Peekskill, New York, USA, as the sixth of eleven children of Hutton Gibson, a railroad brakeman, and Anne Patricia (Reilly) Gibson (who died in December of 1990). His mother was Irish, from County Longford, while his American-born father is of mostly Irish descent.
Mel and his family moved to Australia in the late 1960s, settling in New South Wales, where Mel's paternal grandmother, contralto opera singer Eva Mylott, was born. After high school, Mel studied at the University of New South Wales in Sydney, performing at the National Institute of Dramatic Arts alongside future film thespians Judy Davis and Geoffrey Rush.
After college, Mel had a few stints on stage and starred in a few TV shows. Eventually, he was chosen to star in the films Mad Max (1979) and Tim (1979), co-starring Piper Laurie. The small budgeted Mad Max made him known worldwide, while Tim garnered him an award for Best Actor from the Australian Film Institute (equivalent to the Oscar).
Later, he went on to star in Gallipoli (1981), which earned him a second award for Best Actor from the AFI. In 1980, he married Robyn Moore and had seven children. In 1984, Mel made his American debut in The Bounty (1984), which co-starred Anthony Hopkins.
Then in 1987, Mel starred in what would become his signature series, Lethal Weapon (1987), in which he played "Martin Riggs". In 1990, he took on the interesting starring role in Hamlet (1990), which garnered him some critical praise. He also made the more endearing Forever Young (1992) and the somewhat disturbing The Man Without a Face (1993). 1995 brought his most famous role as "Sir William Wallace" in Braveheart (1995), for which he won two Oscars for Best Picture and Best Director.
From there, he made such box office hits as The Patriot (2000), Ransom (1996), and Payback (1999). Today, Mel remains an international superstar mogul, continuously topping the Hollywood power lists as well as the Most Beautiful and Sexiest lists.- Actor
- Director
- Producer
Alfredo James "Al" 'Pacino established himself as a film actor during one of cinema's most vibrant decades, the 1970s, and has become an enduring and iconic figure in the world of American movies.
He was born April 25, 1940 in Manhattan, New York City, to Italian-American parents, Rose (nee Gerardi) and Sal Pacino. They divorced when he was young. His mother moved them into his grandparents' home in the South Bronx. Pacino found himself often repeating the plots and voices of characters he had seen in the movies. Bored and unmotivated in school, he found a haven in school plays, and his interest soon blossomed into a full-time career. Starting onstage, he went through a period of depression and poverty, sometimes having to borrow bus fare to succeed to auditions. He made it into the prestigious Actors Studio in 1966, studying under Lee Strasberg, creator of the Method Approach that would become the trademark of many 1970s-era actors.
After appearing in a string of plays in supporting roles, Pacino finally attained success off-Broadway with Israel Horovitz's "The Indian Wants the Bronx", winning an Obie Award for the 1966-67 season. That was followed by a Tony Award for "Does the Tiger Wear a Necktie?" His first feature films made little departure from the gritty realistic stage performances that earned him respect: he played a drug addict in The Panic in Needle Park (1971) after his film debut in Me, Natalie (1969). The role of Michael Corleone in The Godfather (1972) was one of the most sought-after of the time: Robert Redford, Warren Beatty, Jack Nicholson, Ryan O'Neal, Robert De Niro and a host of other actors either wanted it or were mentioned, but director Francis Ford Coppola wanted Pacino for the role.
Coppola was successful but Pacino was reportedly in constant fear of being fired during the very difficult shoot. The film was a monster hit that earned Pacino his first Academy Award nomination for Best Supporting Actor. However, instead of taking on easier projects for the big money he could now command, Pacino threw his support behind what he considered tough but important films, such as the true-life crime drama Serpico (1973) and the tragic real-life bank robbery film Dog Day Afternoon (1975). He was nominated three consecutive years for the "Best Actor" Academy Award. He faltered slightly with Bobby Deerfield (1977), but regained his stride with And Justice for All (1979), for which he received another Academy Award nomination for Best Actor. Unfortunately, this would signal the beginning of a decline in his career, which produced flops like Cruising (1980) and Author! Author! (1982).
Pacino took on another vicious gangster role and cemented his legendary status in the ultra-violent cult film Scarface (1983), but a monumental mistake was about to follow. Revolution (1985) endured an endless and seemingly cursed shoot in which equipment was destroyed, weather was terrible, and Pacino fell ill with pneumonia. Constant changes in the script further derailed the project. The Revolutionary War-themed film, considered among the worst films ever made, resulted in awful reviews and kept him off the screen for the next four years. Returning to the stage, Pacino did much to give back and contribute to the theatre, which he considers his first love. He directed a film, The Local Stigmatic (1990), but it remains unreleased. He lifted his self-imposed exile with the striking Sea of Love (1989) as a hard-drinking policeman. This marked the second phase of Pacino's career, being the first to feature his now famous dark, owl eyes and hoarse, gravelly voice.
Returning to the Corleones, Pacino made The Godfather Part III (1990) and earned raves for his first comedic role in the colorful adaptation Dick Tracy (1990). This earned him another Academy Award nomination for Best Supporting Actor, and two years later he was nominated for Glengarry Glen Ross (1992). He went into romantic mode for Frankie and Johnny (1991). In 1992, he finally won the Academy Award for Best Actor for his amazing performance in Scent of a Woman (1992). A mixture of technical perfection (he plays a blind man) and charisma, the role was tailor-made for him, and remains a classic.
The next few years would see Pacino becoming more comfortable with acting and movies as a business, turning out great roles in great films with more frequency and less of the demanding personal involvement of his wilder days. Carlito's Way (1993) proved another gangster classic, as did the epic crime drama Heat (1995) directed by Michael Mann and co-starring Robert De Niro. He directed the film adaptation of Shakespeare's Looking for Richard (1996). During this period, City Hall (1996), Donnie Brasco (1997) and The Devil's Advocate (1997) all came out. Reteaming with Mann and then Oliver Stone, he gave commanding performances in The Insider (1999) and Any Given Sunday (1999).
In the 2000s, Pacino starred in a number of theatrical blockbusters, including Ocean's Thirteen (2007), but his choice in television roles (the vicious, closeted Roy Cohn in the HBO miniseries Angels in America (2003) and his sensitive portrayal of Jack Kevorkian, in the television movie You Don't Know Jack (2010)) are reminiscent of the bolder choices of his early career. Each television project garnered him an Emmy Award for Outstanding Lead Actor in a Miniseries or a Movie.
Never wed, Pacino has a daughter, Julie Marie, with acting teacher Jan Tarrant, and a set of twins with former longtime girlfriend Beverly D'Angelo. His romantic history includes Jill Clayburgh, Veruschka von Lehndorff, Carole Mallory, Debra Winger, Tuesday Weld, Marthe Keller, Carmen Cervera, Kathleen Quinlan, Lyndall Hobbs, Penelope Ann Miller, and a two-decade intermittent relationship with "Godfather" co-star Diane Keaton. He currently lives with Argentinian actress Lucila Solá, who is 36 years his junior.
As of 2022, Pacino is 82-years-old. He has never retired from acting, and continues to appear regularly in film.- Actor
- Producer
- Director
One of the greatest actors of all time, Robert De Niro was born on August 17, 1943 in Manhattan, New York City, to artists Virginia (Admiral) and Robert De Niro Sr. His paternal grandfather was of Italian descent, and his other ancestry is Irish, English, Dutch, German, and French. He was trained at the Stella Adler Conservatory and the American Workshop. De Niro first gained fame for his role in Bang the Drum Slowly (1973), but he gained his reputation as a volatile actor in Mean Streets (1973), which was his first film with director Martin Scorsese. He received an Academy Award for Best Supporting Actor for his role in The Godfather Part II (1974) and received Academy Award nominations for best actor in Taxi Driver (1976), The Deer Hunter (1978) and Cape Fear (1991). He received the Academy Award for Best Actor for his role as Jake LaMotta in Raging Bull (1980).
De Niro has earned four Golden Globe Award nominations for Best Actor - Motion Picture Musical or Comedy, for his work in New York, New York (1977), opposite Liza Minnelli, Midnight Run (1988), Analyze This (1999) and Meet the Parents (2000). Other notable performances include Brazil (1985), The Untouchables (1987), Backdraft (1991), Frankenstein (1994), Heat (1995), Casino (1995) and Jackie Brown (1997). At the same time, he also directed and starred in such films as A Bronx Tale (1993) and The Good Shepherd (2006). De Niro has also received the AFI Lifetime Achievement Award in 2003 and the Golden Globe Cecil B. DeMille Award in 2010.
As of 2022, De Niro is 79-years-old. He has never retired from acting, and continues to work regularly in mostly film.- Actor
- Director
- Writer
Marlon Brando is widely considered the greatest movie actor of all time, rivaled only by the more theatrically oriented Laurence Olivier in terms of esteem. Unlike Olivier, who preferred the stage to the screen, Brando concentrated his talents on movies after bidding the Broadway stage adieu in 1949, a decision for which he was severely criticized when his star began to dim in the 1960s and he was excoriated for squandering his talents. No actor ever exerted such a profound influence on succeeding generations of actors as did Brando. More than 50 years after he first scorched the screen as Stanley Kowalski in the movie version of Tennessee Williams' A Streetcar Named Desire (1951) and a quarter-century after his last great performance as Col. Kurtz in Francis Ford Coppola's Apocalypse Now (1979), all American actors are still being measured by the yardstick that was Brando. It was if the shadow of John Barrymore, the great American actor closest to Brando in terms of talent and stardom, dominated the acting field up until the 1970s. He did not, nor did any other actor so dominate the public's consciousness of what WAS an actor before or since Brando's 1951 on-screen portrayal of Stanley made him a cultural icon. Brando eclipsed the reputation of other great actors circa 1950, such as Paul Muni and Fredric March. Only the luster of Spencer Tracy's reputation hasn't dimmed when seen in the starlight thrown off by Brando. However, neither Tracy nor Olivier created an entire school of acting just by the force of his personality. Brando did.
Marlon Brando, Jr. was born on April 3, 1924, in Omaha, Nebraska, to Marlon Brando, Sr., a calcium carbonate salesman, and his artistically inclined wife, the former Dorothy Julia Pennebaker. "Bud" Brando was one of three children. His ancestry included English, Irish, German, Dutch, French Huguenot, Welsh, and Scottish; his surname originated with a distant German immigrant ancestor named "Brandau." His oldest sister Jocelyn Brando was also an actress, taking after their mother, who engaged in amateur theatricals and mentored a then-unknown Henry Fonda, another Nebraska native, in her role as director of the Omaha Community Playhouse. Frannie, Brando's other sibling, was a visual artist. Both Brando sisters contrived to leave the Midwest for New York City, Jocelyn to study acting and Frannie to study art. Marlon managed to escape the vocational doldrums forecast for him by his cold, distant father and his disapproving schoolteachers by striking out for The Big Apple in 1943, following Jocelyn into the acting profession. Acting was the only thing he was good at, for which he received praise, so he was determined to make it his career - a high-school dropout, he had nothing else to fall back on, having been rejected by the military due to a knee injury he incurred playing football at Shattuck Military Academy, Brando Sr.'s alma mater. The school booted Marlon out as incorrigible before graduation.
Acting was a skill he honed as a child, the lonely son of alcoholic parents. With his father away on the road, and his mother frequently intoxicated to the point of stupefaction, the young Bud would play-act for her to draw her out of her stupor and to attract her attention and love. His mother was exceedingly neglectful, but he loved her, particularly for instilling in him a love of nature, a feeling which informed his character Paul in Last Tango in Paris (1972) ("Last Tango in Paris") when he is recalling his childhood for his young lover Jeanne. "I don't have many good memories," Paul confesses, and neither did Brando of his childhood. Sometimes he had to go down to the town jail to pick up his mother after she had spent the night in the drunk tank and bring her home, events that traumatized the young boy but may have been the grain that irritated the oyster of his talent, producing the pearls of his performances. Anthony Quinn, his Oscar-winning co-star in Viva Zapata! (1952) told Brando's first wife Anna Kashfi, "I admire Marlon's talent, but I don't envy the pain that created it."
Brando enrolled in Erwin Piscator's Dramatic Workshop at New York's New School, and was mentored by Stella Adler, a member of a famous Yiddish Theatre acting family. Adler helped introduce to the New York stage the "emotional memory" technique of Russian theatrical actor, director and impresario Konstantin Stanislavski, whose motto was "Think of your own experiences and use them truthfully." The results of this meeting between an actor and the teacher preparing him for a life in the theater would mark a watershed in American acting and culture.
Brando made his debut on the boards of Broadway on October 19, 1944, in "I Remember Mama," a great success. As a young Broadway actor, Brando was invited by talent scouts from several different studios to screen-test for them, but he turned them down because he would not let himself be bound by the then-standard seven-year contract. Brando would make his film debut quite some time later in Fred Zinnemann's The Men (1950) for producer Stanley Kramer. Playing a paraplegic soldier, Brando brought new levels of realism to the screen, expanding on the verisimilitude brought to movies by Group Theatre alumni John Garfield, the predecessor closest to him in the raw power he projected on-screen. Ironically, it was Garfield whom producer Irene Mayer Selznick had chosen to play the lead in a new Tennessee Williams play she was about to produce, but negotiations broke down when Garfield demanded an ownership stake in "A Streetcar Named Desire." Burt Lancaster was next approached, but couldn't get out of a prior film commitment. Then director Elia Kazan suggested Brando, whom he had directed to great effect in Maxwell Anderson's play "Truckline Café," in which Brando co-starred with Karl Malden, who was to remain a close friend for the next 60 years.
During the production of "Truckline Café," Kazan had found that Brando's presence was so magnetic, he had to re-block the play to keep Marlon near other major characters' stage business, as the audience could not take its eyes off of him. For the scene where Brando's character re-enters the stage after killing his wife, Kazan placed him upstage-center, partially obscured by scenery, but where the audience could still see him as Karl Malden and others played out their scene within the café set. When he eventually entered the scene, crying, the effect was electric. A young Pauline Kael, arriving late to the play, had to avert her eyes when Brando made this entrance as she believed the young actor on stage was having a real-life conniption. She did not look back until her escort commented that the young man was a great actor.
The problem with casting Brando as Stanley was that he was much younger than the character as written by Williams. However, after a meeting between Brando and Williams, the playwright eagerly agreed that Brando would make an ideal Stanley. Williams believed that by casting a younger actor, the Neanderthalish Kowalski would evolve from being a vicious older man to someone whose unintentional cruelty can be attributed to his youthful ignorance. Brando ultimately was dissatisfied with his performance, though, saying he never was able to bring out the humor of the character, which was ironic as his characterization often drew laughs from the audience at the expense of Jessica Tandy's Blanche Dubois. During the out-of-town tryouts, Kazan realized that Brando's magnetism was attracting attention and audience sympathy away from Blanche to Stanley, which was not what the playwright intended. The audience's sympathy should be solely with Blanche, but many spectators were identifying with Stanley. Kazan queried Williams on the matter, broaching the idea of a slight rewrite to tip the scales back to more of a balance between Stanley and Blanche, but Williams demurred, smitten as he was by Brando, just like the preview audiences.
For his part, Brando believed that the audience sided with his Stanley because Jessica Tandy was too shrill. He thought Vivien Leigh, who played the part in the movie, was ideal, as she was not only a great beauty but she WAS Blanche Dubois, troubled as she was in her real life by mental illness and nymphomania. Brando's appearance as Stanley on stage and on screen revolutionized American acting by introducing "The Method" into American consciousness and culture. Method acting, rooted in Adler's study at the Moscow Art Theatre of Stanislavsky's theories that she subsequently introduced to the Group Theatre, was a more naturalistic style of performing, as it engendered a close identification of the actor with the character's emotions. Adler took first place among Brando's acting teachers, and socially she helped turn him from an unsophisticated Midwestern farm boy into a knowledgeable and cosmopolitan artist who one day would socialize with presidents.
Brando didn't like the term "The Method," which quickly became the prominent paradigm taught by such acting gurus as Lee Strasberg at the Actors Studio. Brando denounced Strasberg in his autobiography "Songs My Mother Taught Me" (1994), saying that he was a talentless exploiter who claimed he had been Brando's mentor. The Actors Studio had been founded by Strasberg along with Kazan and Stella Adler's husband, Harold Clurman, all Group Theatre alumni, all political progressives deeply committed to the didactic function of the stage. Brando credits his knowledge of the craft to Adler and Kazan, while Kazan in his autobiography "A Life" claimed that Brando's genius thrived due to the thorough training Adler had given him. Adler's method emphasized that authenticity in acting is achieved by drawing on inner reality to expose deep emotional experience
Interestingly, Elia Kazan believed that Brando had ruined two generations of actors, his contemporaries and those who came after him, all wanting to emulate the great Brando by employing The Method. Kazan felt that Brando was never a Method actor, that he had been highly trained by Adler and did not rely on gut instincts for his performances, as was commonly believed. Many a young actor, mistaken about the true roots of Brando's genius, thought that all it took was to find a character's motivation, empathize with the character through sense and memory association, and regurgitate it all on stage to become the character. That's not how the superbly trained Brando did it; he could, for example, play accents, whereas your average American Method actor could not. There was a method to Brando's art, Kazan felt, but it was not The Method.
After A Streetcar Named Desire (1951), for which he received the first of his eight Academy Award nominations, Brando appeared in a string of Academy Award-nominated performances - in Viva Zapata! (1952), Julius Caesar (1953) and the summit of his early career, Kazan's On the Waterfront (1954). For his "Waterfront" portrayal of meat-headed longshoreman Terry Malloy, the washed-up pug who "coulda been a contender," Brando won his first Oscar. Along with his iconic performance as the rebel-without-a-cause Johnny in The Wild One (1953) ("What are you rebelling against?" Johnny is asked. "What have ya got?" is his reply), the first wave of his career was, according to Jon Voight, unprecedented in its audacious presentation of such a wide range of great acting. Director John Huston said his performance of Marc Antony was like seeing the door of a furnace opened in a dark room, and co-star John Gielgud, the premier Shakespearean actor of the 20th century, invited Brando to join his repertory company.
It was this period of 1951-54 that revolutionized American acting, spawning such imitators as James Dean - who modeled his acting and even his lifestyle on his hero Brando - the young Paul Newman and Steve McQueen. After Brando, every up-and-coming star with true acting talent and a brooding, alienated quality would be hailed as the "New Brando," such as Warren Beatty in Kazan's Splendor in the Grass (1961). "We are all Brando's children," Jack Nicholson pointed out in 1972. "He gave us our freedom." He was truly "The Godfather" of American acting - and he was just 30 years old. Though he had a couple of failures, like Désirée (1954) and The Teahouse of the August Moon (1956), he was clearly miscast in them and hadn't sought out the parts so largely escaped blame.
In the second period of his career, 1955-62, Brando managed to uniquely establish himself as a great actor who also was a Top 10 movie star, although that star began to dim after the box-office high point of his early career, Sayonara (1957) (for which he received his fifth Best Actor Oscar nomination). Brando tried his hand at directing a film, the well-reviewed One-Eyed Jacks (1961) that he made for his own production company, Pennebaker Productions (after his mother's maiden name). Stanley Kubrick had been hired to direct the film, but after months of script rewrites in which Brando participated, Kubrick and Brando had a falling out and Kubrick was sacked. According to his widow Christiane Kubrick, Stanley believed that Brando had wanted to direct the film himself all along.
Tales proliferated about the profligacy of Brando the director, burning up a million and a half feet of expensive VistaVision film at 50 cents a foot, fully ten times the normal amount of raw stock expended during production of an equivalent motion picture. Brando took so long editing the film that he was never able to present the studio with a cut. Paramount took it away from him and tacked on a re-shot ending that Brando was dissatisfied with, as it made the Oedipal figure of Dad Longworth into a villain. In any normal film Dad would have been the heavy, but Brando believed that no one was innately evil, that it was a matter of an individual responding to, and being molded by, one's environment. It was not a black-and-white world, Brando felt, but a gray world in which once-decent people could do horrible things. This attitude explains his sympathetic portrayal of Nazi officer Christian Diestl in the film he made before shooting One-Eyed Jacks (1961), Edward Dmytryk's filming of Irwin Shaw's novel The Young Lions (1958). Shaw denounced Brando's performance, but audiences obviously disagreed, as the film was a major hit. It would be the last hit movie Brando would have for more than a decade.
One-Eyed Jacks (1961) generated respectable numbers at the box office, but the production costs were exorbitant - a then-staggering $6 million - which made it run a deficit. A film essentially is "made" in the editing room, and Brando found cutting to be a terribly boring process, which was why the studio eventually took the film away from him. Despite his proved talent in handling actors and a large production, Brando never again directed another film, though he would claim that all actors essentially direct themselves during the shooting of a picture.
Between the production and release of One-Eyed Jacks (1961), Brando appeared in Sidney Lumet's film version of Tennessee Williams' play "Orpheus Descending," The Fugitive Kind (1960) which teamed him with fellow Oscar winners Anna Magnani and Joanne Woodward. Following in Elizabeth Taylor's trailblazing footsteps, Brando became the second performer to receive a $1-million salary for a motion picture, so high were the expectations for this re-teaming of Kowalski and his creator (in 1961 critic Hollis Alpert had published a book "Brando and the Shadow of Stanley Kowalski"). Critics and audiences waiting for another incendiary display from Brando in a Williams work were disappointed when the renamed The Fugitive Kind (1960) finally released. Though Tennessee was hot, with movie versions of Cat on a Hot Tin Roof (1958) and Suddenly, Last Summer (1959) burning up the box office and receiving kudos from the Academy of Motion Picture Arts & Sciences, The Fugitive Kind (1960) was a failure. This was followed by the so-so box-office reception of One-Eyed Jacks (1961) in 1961 and then by a failure of a more monumental kind: Mutiny on the Bounty (1962), a remake of the famed 1935 film.
Brando signed on to Mutiny on the Bounty (1962) after turning down the lead in the David Lean classic Lawrence of Arabia (1962) because he didn't want to spend a year in the desert riding around on a camel. He received another $1-million salary, plus $200,000 in overages as the shoot went overtime and over budget. During principal photography, highly respected director Carol Reed (an eventual Academy Award winner) was fired, and his replacement, two-time Oscar winner Lewis Milestone, was shunted aside by Brando as Marlon basically took over the direction of the film himself. The long shoot became so notorious that President John F. Kennedy asked director Billy Wilder at a cocktail party not "when" but "if" the "Bounty" shoot would ever be over. The MGM remake of one of its classic Golden Age films garnered a Best Picture Oscar nomination and was one of the top grossing films of 1962, yet failed to go into the black due to its Brobdingnagian budget estimated at $20 million, which is equivalent to $120 million when adjusted for inflation.
Brando and Taylor, whose Cleopatra (1963) nearly bankrupted 20th Century-Fox due to its huge cost overruns (its final budget was more than twice that of Brando's Mutiny on the Bounty (1962)), were pilloried by the show business press for being the epitome of the pampered, self-indulgent stars who were ruining the industry. Seeking scapegoats, the Hollywood press conveniently ignored the financial pressures on the studios. The studios had been hurt by television and by the antitrust-mandated divestiture of their movie theater chains, causing a large outflow of production to Italy and other countries in the 1950s and 1960s in order to lower costs. The studio bosses, seeking to replicate such blockbuster hits as the remakes of The Ten Commandments (1956) and Ben-Hur (1959), were the real culprits behind the losses generated by large-budgeted films that found it impossible to recoup their costs despite long lines at the box office.
While Elizabeth Taylor, receiving the unwanted gift of reams of publicity from her adulterous romance with Cleopatra (1963) co-star Richard Burton, remained hot until the tanking of her own Tennessee Williams-renamed debacle Boom! (1968), Brando from 1963 until the end of the decade appeared in one box-office failure after another as he worked out a contract he had signed with Universal Pictures. The industry had grown tired of Brando and his idiosyncrasies, though he continued to be offered prestige projects up through 1968.
Some of the films Brando made in the 1960s were noble failures, such as The Ugly American (1963), The Appaloosa (1966) and Reflections in a Golden Eye (1967). For every "Reflections," though, there seemed to be two or three outright debacles, such as Bedtime Story (1964), Morituri (1965), The Chase (1966), A Countess from Hong Kong (1967), Candy (1968), The Night of the Following Day (1969). By the time Brando began making the anti-colonialist picture Burn! (1969) in Colombia with Gillo Pontecorvo in the director's chair, he was box-office poison, despite having worked in the previous five years with such top directors as Arthur Penn, John Huston and the legendary Charles Chaplin, and with such top-drawer co-stars as David Niven, Yul Brynner, Sophia Loren and Taylor.
The rap on Brando in the 1960s was that a great talent had ruined his potential to be America's answer to Laurence Olivier, as his friend William Redfield limned the dilemma in his book "Letters from an Actor" (1967), a memoir about Redfield's appearance in Burton's 1964 theatrical production of "Hamlet." By failing to go back on stage and recharge his artistic batteries, something British actors such as Burton were not afraid to do, Brando had stifled his great talent, by refusing to tackle the classical repertoire and contemporary drama. Actors and critics had yearned for an American response to the high-acting style of the Brits, and while Method actors such as Rod Steiger tried to create an American style, they were hampered in their quest, as their king was lost in a wasteland of Hollywood movies that were beneath his talent. Many of his early supporters now turned on him, claiming he was a crass sellout.
Despite evidence in such films as The Appaloosa (1966) and Reflections in a Golden Eye (1967) that Brando was in fact doing some of the best acting of his life, critics, perhaps with an eye on the box office, slammed him for failing to live up to, and nurture, his great gift. Brando's political activism, starting in the early 1960s with his championing of Native Americans' rights, followed by his participation in the Southern Christian Leadership Conference's March on Washington in 1963, and followed by his appearance at a Black Panther rally in 1968, did not win him many admirers in the establishment. In fact, there was a de facto embargo on Brando films in the recently segregated (officially, at least) southeastern US in the 1960s. Southern exhibitors simply would not book his films, and producers took notice. After 1968, Brando would not work for three years.
Pauline Kael wrote of Brando that he was Fortune's fool. She drew a parallel with the latter career of John Barrymore, a similarly gifted thespian with talents as prodigious, who seemingly threw them away. Brando, like the late-career Barrymore, had become a great ham, evidenced by his turn as the faux Indian guru in the egregious Candy (1968), seemingly because the material was so beneath his talent. Most observers of Brando in the 1960s believed that he needed to be reunited with his old mentor Elia Kazan, a relationship that had soured due to Kazan's friendly testimony naming names before the notorious House un-American Activities Committee. Perhaps Brando believed this, too, as he originally accepted an offer to appear as the star of Kazan's film adaptation of his own novel, The Arrangement (1969). However, after the assassination of Martin Luther King, Brando backed out of the film, telling Kazan that he could not appear in a Hollywood film after this tragedy. Also reportedly turning down a role opposite box-office king Paul Newman in a surefire script, Butch Cassidy and the Sundance Kid (1969), Brando decided to make Burn! (1969) with Pontecorvo. The film, a searing indictment of racism and colonialism, flopped at the box office but won the esteem of progressive critics and cultural arbiters such as Howard Zinn. He subsequently appeared in the British film The Nightcomers (1971), a prequel to "Turn of the Screw" and another critical and box office failure.
Kazan, after a life in film and the theater, said that, aside from Orson Welles, whose greatness lay in film making, he only met one actor who was a genius: Brando. Richard Burton, an intellectual with a keen eye for observation if not for his own film projects, said that he found Brando to be very bright, unlike the public perception of him as a Terry Malloy-type character that he himself inadvertently promoted through his boorish behavior. Brando's problem, Burton felt, was that he was unique, and that he had gotten too much fame too soon at too early an age. Cut off from being nurtured by normal contact with society, fame had distorted Brando's personality and his ability to cope with the world, as he had not had time to grow up outside the limelight.
Truman Capote, who eviscerated Brando in print in the mid-'50s and had as much to do with the public perception of the dyslexic Brando as a dumbbell, always said that the best actors were ignorant, and that an intelligent person could not be a good actor. However, Brando was highly intelligent, and possessed of a rare genius in a then-deprecated art, acting. The problem that an intelligent performer has in movies is that it is the director, and not the actor, who has the power in his chosen field. Greatness in the other arts is defined by how much control the artist is able to exert over his chosen medium, but in movie acting, the medium is controlled by a person outside the individual artist. It is an axiom of the cinema that a performance, as is a film, is "created" in the cutting room, thus further removing the actor from control over his art. Brando had tried his hand at directing, in controlling the whole artistic enterprise, but he could not abide the cutting room, where a film and the film's performances are made. This lack of control over his art was the root of Brando's discontent with acting, with movies, and, eventually, with the whole wide world that invested so much cachet in movie actors, as long as "they" were at the top of the box-office charts. Hollywood was a matter of "they" and not the work, and Brando became disgusted.
Charlton Heston, who participated in Martin Luther King's 1963 March on Washington with Brando, believes that Marlon was the great actor of his generation. However, noting a story that Brando had once refused a role in the early 1960s with the excuse "How can I act when people are starving in India?," Heston believes that it was this attitude, the inability to separate one's idealism from one's work, that prevented Brando from reaching his potential. As Rod Steiger once said, Brando had it all, great stardom and a great talent. He could have taken his audience on a trip to the stars, but he simply would not. Steiger, one of Brando's children even though a contemporary, could not understand it. When James Mason' was asked in 1971 who was the best American actor, he had replied that since Brando had let his career go belly-up, it had to be George C. Scott, by default.
Paramount thought that only Laurence Olivier would suffice, but Lord Olivier was ill. The young director believed there was only one actor who could play godfather to the group of Young Turk actors he had assembled for his film, The Godfather of method acting himself - Marlon Brando. Francis Ford Coppola won the fight for Brando, Brando won - and refused - his second Oscar, and Paramount won a pot of gold by producing the then top-grossing film of all-time, The Godfather (1972), a gangster movie most critics now judge one of the greatest American films of all time. Brando followed his iconic portrayal of Don Corleone with his Oscar-nominated turn in the high-grossing and highly scandalous Last Tango in Paris (1972) ("Last Tango in Paris"), the first film dealing explicitly with sexuality in which an actor of Brando's stature had participated. He was now again a top ten box office star and once again heralded as the greatest actor of his generation, an unprecedented comeback that put him on the cover of "Time" magazine and would make him the highest-paid actor in the history of motion pictures by the end of the decade. Little did the world know that Brando, who had struggled through many projects in good faith during the 1960s, delivering some of his best acting, only to be excoriated and ignored as the films did not do well at the box office, essentially was through with the movies.
After reaching the summit of his career, a rarefied atmosphere never reached before or since by any actor, Brando essentially walked away. He would give no more of himself after giving everything as he had done in Last Tango in Paris (1972)," a performance that embarrassed him, according to his autobiography. Brando had come as close to any actor to being the "auteur," or author, of a film, as the English-language scenes of "Tango" were created by encouraging Brando to improvise. The improvisations were written down and turned into a shooting script, and the scripted improvisations were shot the next day. Pauline Kael, the Brando of movie critics in that she was the most influential arbiter of cinematic quality of her generation and spawned a whole legion of Kael wannabes, said Brando's performance in Last Tango in Paris (1972) had revolutionized the art of film. Brando, who had to act to gain his mother's attention; Brando, who believed acting at best was nothing special as everyone in the world engaged in it every day of their lives to get what they wanted from other people; Brando, who believed acting at its worst was a childish charade and that movie stardom was a whorish fraud, would have agreed with Sam Peckinpah's summation of Pauline Kael: "Pauline's a brilliant critic but sometimes she's just cracking walnuts with her ass." He probably would have done so in a simulacrum of those words, too.
After another three-year hiatus, Brando took on just one more major role for the next 20 years, as the bounty hunter after Jack Nicholson in Arthur Penn's The Missouri Breaks (1976), a western that succeeded neither with the critics or at the box office. Following The Godfather and Tango, Brando's performance was disappointing for some reviewers, who accused him of giving an erratic and inconsistent performance. In 1977, Brando made a rare appearance on television in the miniseries Roots: The Next Generations (1979), portraying George Lincoln Rockwell; he won a Primetime Emmy Award for Outstanding Supporting Actor in a Miniseries or a Movie for his performance. In 1978, he narrated the English version of Raoni (1978), a French-Belgian documentary film directed by Jean-Pierre Dutilleux and Luiz Carlos Saldanha that focused on the life of Raoni Metuktire and issues surrounding the survival of the indigenous Indian tribes of north central Brazil.
Later in his career, Brando concentrated on extracting the maximum amount of capital for the least amount of work from producers, as when he got the Salkind brothers to pony up a then-record $3.7 million against 10% of the gross for 13 days work on Superman (1978). Factoring in inflation, the straight salary for "Superman" equals or exceeds the new record of $1 million a day Harrison Ford set with K-19: The Widowmaker (2002). He agreed to the role only on assurance that he would be paid a large sum for what amounted to a small part, that he would not have to read the script beforehand, and his lines would be displayed somewhere off-camera. Brando also filmed scenes for the movie's sequel, Superman II, but after producers refused to pay him the same percentage he received for the first movie, he denied them permission to use the footage.
Before cashing his first paycheck for Superman (1978), Brando had picked up $2 million for his extended cameo in Francis Ford Coppola's Apocalypse Now (1979) in a role, that of Col. Kurtz, that he authored on-camera through improvisation while Coppola shot take after take. It was Brando's last bravura star performance. He co-starred with George C. Scott and John Gielgud in The Formula (1980), but the film was another critical and financial failure. Years later though, he did receive an eighth and final Oscar nomination for his supporting role in A Dry White Season (1989) after coming out of a near-decade-long retirement. Contrary to those who claimed he now only was in it for the money, Brando donated his entire seven-figure salary to an anti-apartheid charity. He then did an amusing performance in the comedy The Freshman (1990), winning rave reviews. He portrayed Tomas de Torquemada in the historical drama 1492: Conquest of Paradise (1992), but his performance was denounced and the film was another box office failure. He made another comeback in the Johnny Depp romantic drama Don Juan DeMarco (1994), which co-starred Faye Dunaway as his wife. He then appeared in The Island of Dr. Moreau (1996), co-starring Val Kilmer, who he didn't get along with. The filming was an unpleasant experience for Brando, as well as another critical and box office failure.
Brando had first attracted media attention at the age of 24, when "Life" magazine ran a photo of himself and his sister Jocelyn, who were both then appearing on Broadway. The curiosity continued, and snowballed. Playing the paraplegic soldier of The Men (1950), Brando had gone to live at a Veterans Administration hospital with actual disabled veterans, and confined himself to a wheelchair for weeks. It was an acting method, research, that no one in Hollywood had ever heard of before, and that willingness to experience life.- Producer
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Few actors in the world have had a career quite as diverse as Leonardo DiCaprio's. DiCaprio has gone from relatively humble beginnings, as a supporting cast member of the sitcom Growing Pains (1985) and low budget horror movies, such as Critters 3 (1991), to a major teenage heartthrob in the 1990s, as the hunky lead actor in movies such as Romeo + Juliet (1996) and Titanic (1997), to then become a leading man in Hollywood blockbusters, made by internationally renowned directors such as Martin Scorsese and Christopher Nolan.
Leonardo Wilhelm DiCaprio was born in Los Angeles, California, the only child of Irmelin DiCaprio (née Indenbirken) and former comic book artist George DiCaprio. His father is of Italian and German descent, and his mother, who is German-born, is of German, Ukrainian and Russian ancestry. His middle name, "Wilhelm", was his maternal grandfather's first name. Leonardo's father had achieved minor status as an artist and distributor of cult comic book titles, and was even depicted in several issues of American Splendor, the cult semi-autobiographical comic book series by the late 'Harvey Pekar', a friend of George's. Leonardo's performance skills became obvious to his parents early on, and after signing him up with a talent agent who wanted Leonardo to perform under the stage name "Lenny Williams", DiCaprio began appearing on a number of television commercials and educational programs.
DiCaprio began attracting the attention of producers, who cast him in small roles in a number of television series, such as Roseanne (1988) and The New Lassie (1989), but it wasn't until 1991 that DiCaprio made his film debut in Critters 3 (1991), a low-budget horror movie. While Critters 3 (1991) did little to help showcase DiCaprio's acting abilities, it did help him develop his show-reel, and attract the attention of the people behind the hit sitcom Growing Pains (1985), in which Leonardo was cast in the "Cousin Oliver" role of a young homeless boy who moves in with the Seavers. While DiCaprio's stint on Growing Pains (1985) was very short, as the sitcom was axed the year after he joined, it helped bring DiCaprio into the public's attention and, after the sitcom ended, DiCaprio began auditioning for roles in which he would get the chance to prove his acting chops.
Leonardo took up a diverse range of roles in the early 1990s, including a mentally challenged youth in What's Eating Gilbert Grape (1993), a young gunslinger in The Quick and the Dead (1995) and a drug addict in one of his most challenging roles to date, Jim Carroll in The Basketball Diaries (1995), a role which the late River Phoenix originally expressed interest in. While these diverse roles helped establish Leonardo's reputation as an actor, it wasn't until his role as Romeo Montague in Baz Luhrmann's Romeo + Juliet (1996) that Leonardo became a household name, a true movie star. The following year, DiCaprio starred in another movie about doomed lovers, Titanic (1997), which went on to beat all box office records held before then, as, at the time, Titanic (1997) became the highest grossing movie of all time, and cemented DiCaprio's reputation as a teen heartthrob. Following his work on Titanic (1997), DiCaprio kept a low profile for a number of years, with roles in The Man in the Iron Mask (1998) and the low-budget The Beach (2000) being some of his few notable roles during this period.
In 2002, he burst back into screens throughout the world with leading roles in Catch Me If You Can (2002) and Gangs of New York (2002), his first of many collaborations with director Martin Scorsese. With a current salary of $20 million a movie, DiCaprio is now one of the biggest movie stars in the world. However, he has not limited his professional career to just acting in movies, as DiCaprio is a committed environmentalist, who is actively involved in many environmental causes, and his commitment to this issue led to his involvement in The 11th Hour, a documentary movie about the state of the natural environment. As someone who has gone from small roles in television commercials to one of the most respected actors in the world, DiCaprio has had one of the most diverse careers in cinema. DiCaprio continued to defy conventions about the types of roles he would accept, and with his career now seeing him leading all-star casts in action thrillers such as The Departed (2006), Shutter Island (2010) and Christopher Nolan's Inception (2010), DiCaprio continues to wow audiences by refusing to conform to any cliché about actors.
In 2012, he played a mustache twirling villain in Django Unchained (2012), and then tragic literary character Jay Gatsby in The Great Gatsby (2013) and Jordan Belfort in The Wolf of Wall Street (2013).
DiCaprio is passionate about environmental and humanitarian causes, having donated $1,000,000 to earthquake relief efforts in 2010, the same year he contributed $1,000,000 to the Wildlife Conservation Society.- Actor
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Since his screen debut as a young Amish farmer in Peter Weir's Witness (1985), Viggo Mortensen's career has been marked by a steady string of well-rounded performances.
Mortensen was born in New York City, to Grace Gamble (Atkinson) and Viggo Peter Mortensen, Sr. His father was Danish, his mother was American, and his maternal grandfather was Canadian. His parents met in Norway. They wed and moved to New York, where Viggo, Jr. was born, before moving to South America, where Viggo, Sr. managed chicken farms and ranches in Venezuela and Argentina. Two more sons were born, Charles and Walter, before the marriage grew increasingly unhappy. When Viggo was seven, his parents sent him to the St. Paul's boarding school, in the Córdoba Sierras, in Argentina. Then, at age eleven, his parents divorced. His mother moved herself and the children back to her home state of New York.
Viggo attended Watertown High School, and became a very good student and athlete. He graduated in 1976 and went on to St. Lawrence University in Canton, New York. After graduation, he moved to Denmark - driven by the need for a defining purpose in life. He began writing poetry and short stories while working many odd jobs, from dock worker to flower seller. In 1982, he fell in love and followed his girlfriend back to New York City, hoping for a long romance and a writing career. He got neither. In New York, Viggo found work waiting tables and tending bar and began taking acting classes, studying with Warren Robertson. He appeared in several plays and movies, and eventually moved to Los Angeles, where his performance in "Bent" at the Coast Playhouse earned him a Drama-logue Critic's Award.
He made his film debut with a small part in Witness (1985). He appeared in Salvation! (1987) and married his co-star, Exene Cervenka. The two had a son, Henry Mortensen. But after nearly eleven years of marriage, the couple divorced.
In 1999, Viggo got a phone call about a movie he did not know anything about: "The Lord of the Rings." At first, he didn't want to do it, because it would mean time away from his son. But Henry, a big fan of the books, told his father he shouldn't turn down the role. Viggo accepted the part and immediately began work on the project, which was already underway. Eventually, the success of "The Lord of the Rings" made him a household name - a difficult consequence for the ever private and introspective Viggo.
Critics have continually recognized his work in over thirty movies, including such diverse projects as Jane Campion's The Portrait of a Lady (1996), Sean Penn's The Indian Runner (1991), Brian De Palma's Carlito's Way (1993), Ridley Scott's G.I. Jane (1997), Tony Scott's Crimson Tide (1995), Andrew Davis's A Perfect Murder (1998), Ray Loriga's My Brother's Gun (1997), Tony Goldwyn's A Walk on the Moon (1999), and Peter Farrelly's Green Book (2018).
Mortensen is also an accomplished poet, photographer and painter.- Actor
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Russell Ira Crowe was born in Wellington, New Zealand, to Jocelyn Yvonne (Wemyss) and John Alexander Crowe, both of whom catered movie sets. His maternal grandfather, Stanley Wemyss, was a cinematographer. Crowe's recent ancestry includes Welsh (where his paternal grandfather was born, in Wrexham), English, Irish, Scottish, Norwegian, Swedish, Italian, and Maori (one of Crowe's maternal great-grandmothers, Erana Putiputi Hayes Heihi, was Maori).
Crowe's family moved to Australia when he was a small child, settling in Sydney, and Russell got the acting bug early in life. Beginning as a child star on a local Australian TV show, Russell's first big break came with two films ... the first, Romper Stomper (1992), gained him a name throughout the film community in Australia and the neighboring countries. The second, The Sum of Us (1994), helped put him on the American map, so to speak. Sharon Stone heard of him from Romper Stomper (1992) and wanted him for her film, The Quick and the Dead (1995). But filming on The Sum of Us (1994) had already begun. Sharon is reported to have held up shooting until she had her gunslinger-Crowe, for her film. With The Quick and the Dead (1995) under his belt as his first American film, the second was offered to him soon after. Virtuosity (1995), starring Denzel Washington, put Russell in the body of a Virtual Serial Killer, Sid6.7 ... a role unlike any he had played so far. Virtuosity (1995), a Sci-Fi extravaganza, was a fun film and, again, opened the door to even more American offers. L.A. Confidential (1997), Russell's third American film, brought him the US fame and attention that his fans have felt he deserved all along. Missing the Oscar nod this time around, he didn't seem deterred and signed to do his first film with The Walt Disney Company, Mystery, Alaska (1999). He achieved even more success and awards for his performances in Gladiator (2000), for which he won the Academy Award for Best Actor, and A Beautiful Mind (2001).- Actor
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Preeminent British classical actor of the first post-Olivier generation, Derek Jacobi was knighted in 1994 for his services to the theatre, and, in fact, is only the second to enjoy the honor of holding TWO knighthoods, Danish and English (Olivier was the other). Modest and unassuming in nature, Jacobi's firm place in theatre history centers around his fearless display of his characters' more unappealing aspects, their great flaws, eccentricities and, more often than not, their primal torment.
Jacobi was born in Leytonstone, London, England, the only child of Alfred George Jacobi, a department store manager, and Daisy Gertrude (Masters) Jacobi, a secretary. His paternal great-grandfather was German (from Hoxter, Germany). His interest in drama began while quite young. He made his debut at age six in the local library drama group production of "The Prince and the Swineherd" in which he appeared as both the title characters. In his teens he attended Leyton County High School and eventually joined the school's drama club ("The Players of Leyton").
Derek portrayed Hamlet at the English National Youth Theatre prior to receiving his high school diploma, and earned a scholarship to the University of Cambridge, where he initially studied history before focusing completely on the stage. A standout role as Edward II at Cambridge led to an invite by the Birmingham Repertory in 1960 following college graduation. He made an immediate impression wherein his Henry VIII (both in 1960) just happened to catch the interest of Olivier himself, who took him the talented actor under his wing. Derek became one of the eight founding members of Olivier's National Theatre Company and gradually rose in stature with performances in "The Royal Hunt of the Sun," "Othello" (as Cassio) and in "Hay Fever", among others. He also made appearances at the Chichester Festival and the Old Vic.
It was Olivier who provided Derek his film debut, recreating his stage role of Cassio in Olivier's acclaimed cinematic version of Othello (1965). Olivier subsequently cast Derek in his own filmed presentation of Chekhov's Three Sisters (1970). On TV Derek was in celebrated company playing Don John in Much Ado About Nothing (1967) alongside Maggie Smith and then-husband Robert Stephens; Derek had played the role earlier at the Chichester Festival in 1965. After eight eventful years at the National Theatre, which included such sterling roles as Touchstone in "As You Like It", Jacobi left the company in 1971 in order to attract other mediums. He continued his dominance on stage as Ivanov, Richard III, Pericles and Orestes (in "Electra"), but his huge breakthrough would occur on TV. Coming into his own with quality support work in Man of Straw (1972), The Strauss Family (1972) and especially the series The Pallisers (1974) in which he played the ineffectual Lord Fawn, Derek's magnificence was presented front and center in the epic BBC series I, Claudius (1976). His stammering, weak-minded Emperor Claudius was considered a work of genius and won, among other honors, the BAFTA award.
Although he was accomplished in The Day of the Jackal (1973) and The Odessa File (1974), films would place a distant third throughout his career. Stage and TV, however, would continue to illustrate his classical icon status. Derek took his Hamlet on a successful world tour throughout England, Egypt, Sweden, Australia, Japan and China; in some of the afore-mentioned countries he was the first actor to perform the role in English. TV audiences relished his performances as Richard II (1978) and, of course Hamlet, Prince of Denmark (1980).
After making his Broadway bow in "The Suicide" in 1980, Derek suffered from an alarming two-year spell of stage fright. He returned, however, and toured as part of the Royal Shakespeare Company (1982-1985) with award-winning results. During this period he collected Broadway's Tony Award for his Benedick in "Much Ado about Nothing"; earned the coveted Olivier, Drama League and Helen Hayes awards for his Cyrano de Bergerac; and earned equal acclaim for his Prospero in "The Tempest" and Peer Gynt. In 1986, he finally made his West End debut in "Breaking the Code" for which he won another Helen Hayes trophy; the play was then brought to Broadway.
For the rest of the 80s and 90s, he laid stage claim to such historical figures as Lord Byron, Edmund Kean and Thomas Becket. On TV he found resounding success (and an Emmy nomination) as Adolf Hitler in Inside the Third Reich (1982), and finally took home the coveted Emmy opposite Anthony Hopkins in the WWII drama The Tenth Man (1988). He won a second Emmy in an unlikely fashion by spoofing his classical prowess on an episode of "Frasier" (his first guest performance on American TV), in which he played the unsubtle and resoundingly bad Shakespearean actor Jackson Hedley.
Kenneth Branagh was greatly influenced by mentor Jacobi and their own association would include Branagh's films Henry V (1989), Dead Again (1991), and Hamlet (1996), the latter playing Claudius to Branagh's Great Dane. Derek also directed Branagh in the actor's Renaissance Theatre Company's production of "Hamlet". In the 1990s Derek returned to the Chichester Festival, this time as artistic director, and made a fine showing in the title role of Uncle Vanya (1996).
More heralded work of late include profound portrayals of the anguished titular painter in Love Is the Devil: Study for a Portrait of Francis Bacon (1998), the role of Gracchus in the popular, Oscar-winning film Gladiator (2000), and sterling performances in such films as Two Men Went to War (2002), Bye Bye Blackbird (2005), The Riddle (2007), Endgame (2009), The King's Speech (2010), Jail Caesar (2012), and as the King in Cinderella (2015). Continuing to mesmerize on the stage, he has turned in superb performances in "Uncle Vanya" (2000), Friedrich Schiller's "Don Carlos" (2005), _A Voyage 'Round My Father (2006), "Twelfth Night" (2009) and the title role in "King Lear" (2010). On the British TV series front, he has commanded more recent attention in the title role of a crusading monk in the mystery series Mystery!: Cadfael (1994), as Lord Pirrie in Titanic: Blood and Steel (2012), as Alan in Last Tango in Halifax (2012), and as Stuart Bixby in Vicious (2013).
He and his life-time companion of three decades, Richard Clifford, filed as domestic partners in England in 2006. Clifford, a fine classical actor and producer in his own right, has shared movie time with Jacobi in Little Dorrit (1987), Henry V (1989), and the TV version of Cyrano de Bergerac (1985).- Actor
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Liam Neeson was born on June 7, 1952 in Ballymena, Northern Ireland, to Katherine (Brown), a cook, and Bernard Neeson, a school caretaker. He was raised in a Catholic household. During his early years, Liam worked as a forklift operator for Guinness, a truck driver, an assistant architect and an amateur boxer. He had originally sought a career as a teacher by attending St. Mary's Teaching College, Newcastle. However, in 1976, Neeson joined the Belfast Lyric Players' Theater and made his professional acting debut in the play "The Risen People". After two years, Neeson moved to Dublin's Abbey Theater where he performed the classics. It was here that he was spotted by director John Boorman and was cast in the film Excalibur (1981) as Sir Gawain, his first high-profile film role.
Through the 1980s Neeson appeared in a handful of films and British TV series - including The Bounty (1984), A Woman of Substance (1984), The Mission (1986), and Duet for One (1986) - but it was not until he moved to Hollywood to pursue larger roles that he began to get noticed. His turn as a mute homeless man in Suspect (1987) garnered good reviews, as did supporting roles in The Good Mother (1988) and High Spirits (1988) - though he also starred in the best-to-be-forgotten Satisfaction (1988), which also featured a then-unknown Julia Roberts - but leading man status eluded him until the cult favorite Darkman (1990), directed by Sam Raimi. From there, Neeson starred in Under Suspicion (1991) and Ethan Frome (1992), was hailed for his performance in Woody Allen's Husbands and Wives (1992), and ultimately was picked by Steven Spielberg to play Oskar Schindler in Schindler's List (1993). The starring role in the Oscar-winning Holocaust film brought Neeson Academy Award, BAFTA and Golden Globe nominations for Best Actor.
Also in 1993, he made his Broadway debut with a Tony-nominated performance in "Anna Christie", in which he co-starred with his future wife Natasha Richardson. The next year, the two also starred opposite Jodie Foster in the movie Nell (1994), and were married in July of that year. Leading roles as the 18th century Scottish Highlander Rob Roy (1995) and the Irish revolutionary leader Michael Collins (1996) followed, and soon Neeson was solidified as one of Hollywood's top leading men. He starred in the highly-anticipated Star Wars: Episode I - The Phantom Menace (1999) as Qui-Gon Jinn, received a Golden Globe nomination for Kinsey (2004), played the mysterious Ducard in Christopher Nolan's Batman Begins (2005), and provided the voice for Aslan in The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005).
Neeson found a second surprise career as an action leading man with the release of Taken (2008) in early 2009, an unexpected box office hit about a retired CIA agent attempting to rescue his daughter from being sold into prostitution. However, less than two months after the release of the film, tragedy struck when his wife Natasha Richardson suffered a fatal head injury while skiing and passed away days afterward. Neeson returned to high-profile roles in 2010 with two back-to-back big-budget films, Clash of the Titans (2010) and The A-Team (2010), and returned to the action genre with Unknown (2011), The Grey (2011), Battleship (2012) and Taken 2 (2012), as well as the sequel Wrath of the Titans (2012).
Neeson was awarded Officer of the Order of the British Empire in the 1999 Queen's New Year's Honours List for his services to drama. He has two sons from his marriage to Richardson: Micheal Richard Antonio Neeson (born June 22, 1995) and Daniel Jack Neeson (born August 27, 1996).- Actor
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Richard St John Harris was born on October 1, 1930 in Limerick, Ireland, to a farming family, one of nine children born to Mildred (Harty) and Ivan Harris. He attended Crescent College, a Jesuit school, and was an excellent rugby player, with a strong passion for literature. Unfortunately, a bout of tuberculosis as a teenager ended his aspirations to a rugby career, but he became fascinated with the theater and skipped a local dance one night to attend a performance of "Henry IV". He was hooked and went on to learn his craft at the London Academy of Music and Dramatic Art (LAMDA), then spent several years in stage productions. He debuted on screen in Shake Hands with the Devil (1959) and quickly scored regular work in films, including The Wreck of the Mary Deare (1959), The Night Fighters (1960) and a good role as a frustrated Australian bomber pilot in The Guns of Navarone (1961).
However, his breakthrough performance was as the quintessential "angry young man" in the sensational drama This Sporting Life (1963), which scored him an Oscar nomination. He then appeared in the WW II commando tale The Heroes of Telemark (1965) and in the Sam Peckinpah-directed western Major Dundee (1965). He next showed up in Hawaii (1966) and played King Arthur in Camelot (1967), a lackluster adaptation of the famous Broadway play. Better performances followed, among them a role as a reluctant police informer in The Molly Maguires (1970) alongside Sir Sean Connery. Harris took the lead role in the violent western A Man Called Horse (1970), which became something of a cult film and spawned two sequels. As the 1970s progressed, Harris continued to appear regularly on screen; however, the quality of the scripts varied from above average to woeful.
His credits during this period included directing himself as an aging soccer player in The Hero (1970); the western The Deadly Trackers (1973); the big-budget "disaster" film Juggernaut (1974); the strangely-titled crime film 99 and 44/100% Dead! (1974); with Connery again in Robin and Marian (1976); Gulliver's Travels (1977); a part in the Jaws (1975); Orca (1977) and a nice turn as an ill-fated mercenary with Richard Burton and Roger Moore in the popular action film The Wild Geese (1978).
The 1980s kicked off with Harris appearing in the silly Bo Derek vanity production Tarzan the Ape Man (1981) and the remainder of the decade had him appearing in some very forgettable productions. However, the luck of the Irish was once again to shine on Harris's career and he scored rave reviews (and another Oscar nomination) for The Field (1990). He then locked horns with Harrison Ford as an IRA sympathizer in Patriot Games (1992) and got one of his best roles as gunfighter English Bob in the Clint Eastwood western Unforgiven (1992). Harris was firmly back in vogue and rewarded his fans with more wonderful performances in Wrestling Ernest Hemingway (1993); Cry, the Beloved Country (1995); The Great Kandinsky (1995) and This Is the Sea (1997). Further fortune came his way with a strong performance in the blockbuster Gladiator (2000) and he became known to an entirely new generation of film fans as Albus Dumbledore in the mega-successful Harry Potter and the Sorcerer's Stone (2001) and Harry Potter and the Chamber of Secrets (2002). His final screen role was as "Lucius Sulla" in Caesar (2002).
Harris died of Hodgkin's disease, also known as Hodgkin's lymphoma, in London on October 25, 2002, aged 72.- Actor
- Soundtrack
Robert Oliver Reed was an English actor known for his well-to-do, macho image and "hellraiser" lifestyle. His notable films include The Trap (1966), playing Bill Sikes in the Best Picture Oscar winner Oliver! (1968), Women in Love (1969), Hannibal Brooks (1969), The Devils (1971), Revolver (1973), portraying Athos in The Three Musketeers (1973) and The Four Musketeers (1974); the lover/stepfather in Tommy (1975), The Brood (1979), Lion of the Desert (1981), Castaway (1986), The Adventures of Baron Munchausen (1988), Funny Bones (1995) and Gladiator (2000).- Actor
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- Executive
Michael Fassbender is an Irish actor who was born in Heidelberg, Germany, to a German father, Josef, and an Irish mother, Adele (originally from Larne, County Antrim, in Northern Ireland). Michael was raised in the town of Killarney, Co. Kerry, in south-west Ireland, where his family moved to when he was two years old. His parents ran a restaurant (his father is a chef).
Fassbender is based in London, England, and became known in the U.S. after his role in the Quentin Tarantino's Inglourious Basterds (2009). In 2011, Fassbender debuted as the Marvel antihero Magneto in the prequel X-Men: First Class (2011); he would go on to share the role with Ian McKellen in X-Men: Days of Future Past (2014). Also in 2011, Fassbender's performance as a sex addict in Shame (2011) received critical acclaim. He won the Volpi Cup for Best Actor at the Venice Film Festival and was nominated for Golden Globe and BAFTA Awards. In 2013, his role as slave owner Edwin Epps in slavery epic 12 Years a Slave (2013) was similarly praised, earning him his first Oscar nomination, for Best Supporting Actor. 12 Years a Slave marked Fassbender's third collaboration with Steve McQueen, who also directed Hunger and Shame. In 2013, Fassbender appeared in another Ridley Scott film, The Counselor (2013). In 2015, he portrayed Steve Jobs (2015) in the Danny Boyle-directed biopic of the same name, and played Macbeth (2015) in Justin Kurzel's adaptation of William Shakespeare's play. For the former, he has received Academy Award, BAFTA, Golden Globe and SAG nominations for Best Actor. As well as acting, Fassbender produced the 2015 western Slow West (2015), which he also starred in.- Actor
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Geoffrey Roy Rush was born on July 6, 1951, in Toowoomba, Queensland, Australia, to Merle (Bischof), a department store sales assistant, and Roy Baden Rush, an accountant for the Royal Australian Air Force. His mother was of German descent and his father had English, Irish, and Scottish ancestry. He was raised in Brisbane, Queensland, after his parents split up.
Rush attended Everton Park State High School during his formative years. His early interest in the theatre led to his 1971 stage debut at age 20 in "Wrong Side of the Moon" with the Queensland Theatre Company.
Known for his classical repertory work over the years, he scored an unexpected hit with his Queensland role as Snoopy in the musical "You're a Good Man, Charlie Brown". A few years later he moved to France to study but subsequently returned to his homeland within a short time and continued work as both actor and director with the Queensland company ("June and the Paycock," "Aladdin," "Godspell," "Present Laughter," "The Rivals"). In the 1980s Rush became a vital member of the State Theatre Company of South Australia and showed an equally strong range there in such productions as "Revenger's Tragedy," "A Midsummer Night's Dream," "Mother Courage...and Her Children," "Blood Wedding," "Pal Joey," "Twelfth Night" and as The Fool in "King Lear".
Rush made an inauspicious debut in films with the feature Hoodwink (1981), having little more than a bit part, and didn't carry off his first major role until playing Sir Andrew Aguecheek in a movie production of Twelfth Night (1986). Yet, he remained a durable presence on stage with acclaimed productions in "The Diary of a Madman" in 1989 and "The Government Inspector" in 1991.
Rush suffered a temporary nervous breakdown in 1992 due to overwork and anguish over his lack of career advancement. Resting for a time, he eventually returned to the stage. Within a few years film-goers finally began taking notice of Geoffrey after his performance in Children of the Revolution (1996). This led to THE role of a lifetime as the highly dysfunctional piano prodigy David Helfgott in Shine (1996). Rush's astonishing tour-de-force performance won him every conceivable award imaginable, including the Oscar, Golden Globe, British Film Award and Australian Film Institute Award.
"Shine" not only put Rush on the international film map, but atypically on the Hollywood "A" list as well. His rather homely mug was made fascinating by a completely charming, confident and captivating demeanor; better yet, it allowed him to more easily dissolve into a number of transfixing historical portrayals, notably his Walsingham in Elizabeth (1998) and Leon Trotsky in Frida (2002). He's also allowed himself to have a bit of hammy fun in such box office escapism as Mystery Men (1999), House on Haunted Hill (1999), The Banger Sisters (2002), Finding Nemo (2003) and Pirates of the Caribbean: The Curse of the Black Pearl (2003). More than validating his early film success, two more Oscar nominations came his way in the same year for Quills (2000) (best actor) and Shakespeare in Love (1998) (support actor) in 2000. Geoffrey's amazing versatility continued into the millennium with his portrayal of the manic, volatile comedy genius Peter Sellers in the biopic The Life and Death of Peter Sellers (2004). He also merited attention as Lionel Logue in The King's Speech (2010), Basil Hunter in The Eye of the Storm (2011), Hans Hubermann in The Book Thief (2013), artist/sculptor Alberto Giocometti in Final Portrait (2017) and Michael Kingley Storm Boy (2019).
Rush's intermittent returns to the stage have included productions of "Marat-Sade," "Uncle Vanya," "Oleanna," "Hamlet" and "The Small Poppies". In 2009 he made his Broadway debut in "Exit the King" co-starring Susan Sarandon. His marriage (since 1988) to Aussie classical actress Jane Menelaus produced daughter Angelica (1992) and son James (1995). Menelaus, who has also performed with the State Theatre of South Australia, has co-starred on stage with Rush in "The Winter's Tale" (1987), "Troilus and Cressida" (1989) and "The Importance of Being Earnest" (as Gwendolyn to his Jack Worthing). She also had featured roles in a few of his films, including Quills (2000) and The Eye of the Storm (2011).- Actor
- Producer
- Writer
Jack Nicholson, an American actor, producer, director and screenwriter, is a three-time Academy Award winner and twelve-time nominee. Nicholson is also notable for being one of two actors - the other being Michael Caine - who have received an Oscar nomination in every decade from the '60s through the '00s.
Nicholson was born on April 22, 1937, in Neptune, New Jersey. He was raised believing that his grandmother was his mother, and that his mother, June Frances Nicholson, a showgirl, was his older sister. He discovered the truth in 1975 from a Time magazine journalist who was researching a profile on him. His real father is believed to have been either Donald Furcillo, an Italian American showman, or Eddie King (Edgar Kirschfeld), born in Latvia and also in show business. Jack's mother's ancestry was Irish, and smaller amounts of English, German, Scottish, and Welsh.
Nicholson made his film debut in a B-movie titled The Cry Baby Killer (1958). His rise in Hollywood was far from meteoric, and for years, he sustained his career with guest spots in television series and a number of Roger Corman films, including The Little Shop of Horrors (1960).
Nicholson's first turn in the director's chair was for Drive, He Said (1971). Before that, he wrote the screenplay for The Trip (1967), and co-wrote Head (1968), a vehicle for The Monkees. His big break came with Easy Rider (1969) and his portrayal of liquor-soaked attorney George Hanson, which earned Nicholson his first Oscar nomination. Nicholson's film career took off in the 1970s with a definitive performance in Five Easy Pieces (1970). Nicholson's other notable work during this period includes leading roles in Roman Polanski's noir masterpiece Chinatown (1974) and One Flew Over the Cuckoo's Nest (1975), for which he won his first Best Actor Oscar.
The 1980s kicked off with another career-defining role for Nicholson as Jack Torrance in Stanley Kubrick's adaptation of Stephen King's novel The Shining (1980). A string of well-received films followed, including Terms of Endearment (1983), which earned Nicholson his second Oscar; Prizzi's Honor (1985), and The Witches of Eastwick (1987). He portrayed another renowned villain, The Joker, in Tim Burton's Batman (1989). In the 1990s, he starred in such varied films as A Few Good Men (1992), for which he received another Oscar nomination, and a dual role in Mars Attacks! (1996).
Although a glimpse at the darker side of Nicholson's acting range reappeared in The Departed (2006), the actor's most recent roles highlight the physical and emotional complications one faces late in life. The most notable of these is the unapologetically misanthropic Melvin Udall in As Good as It Gets (1997), for which he won his third Oscar. Shades of this persona are apparent in About Schmidt (2002), Something's Gotta Give (2003), and The Bucket List (2007). In addition to his Academy Awards and Oscar nominations, Nicholson has seven Golden Globe Awards, and received a Kennedy Center Honor in 2001. He also became one of the youngest actors to receive the American Film Institute's Life Achievement award in 1994.
Nicholson has six children by five different women: Jennifer Nicholson (b. 1963) from his only marriage to Sandra Knight, which ended in 1966; Caleb Goddard (b. 1970) with Five Easy Pieces (1970) co-star Susan Anspach, who was automatically adopted by Anspach's then-husband Mark Goddard; Honey Hollman (b. 1982) with Danish supermodel Winnie Hollman; Lorraine Nicholson (b. 1990) and Ray Nicholson (b. 1992) with minor actress Rebecca Broussard; and Tessa Gourin (b. 1994) with real estate agent Jennine Marie Gourin. Nicholson's longest relationship was the 17 nonmonogamous years he spent with Anjelica Huston; this ended when Broussard announced she was pregnant with his child.- Actor
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Christian Charles Philip Bale was born in Pembrokeshire, Wales, UK on January 30, 1974, to English parents Jennifer "Jenny" (James) and David Bale. His mother was a circus performer and his father, who was born in South Africa, was a commercial pilot. The family lived in different countries throughout Bale's childhood, including England, Portugal, and the United States. Bale acknowledges the constant change was one of the influences on his career choice.
His first acting job was a cereal commercial in 1983; amazingly, the next year, he debuted on the West End stage in "The Nerd". A role in the 1986 NBC mini-series Anastasia: The Mystery of Anna (1986) caught Steven Spielberg's eye, leading to Bale's well-documented role in Empire of the Sun (1987). For the range of emotions he displayed as the star of the war epic, he earned a special award by the National Board of Review for Best Performance by a Juvenile Actor.
Adjusting to fame and his difficulties with attention (he thought about quitting acting early on), Bale appeared in Kenneth Branagh's 1989 adaptation of Shakespeare's Henry V (1989) and starred as Jim Hawkins in a TV movie version of Treasure Island (1990). Bale worked consistently through the 1990s, acting and singing in Newsies (1992), Swing Kids (1993), Little Women (1994), The Portrait of a Lady (1996), The Secret Agent (1996), Metroland (1997), Velvet Goldmine (1998), All the Little Animals (1998), and A Midsummer Night's Dream (1999). Toward the end of the decade, with the rise of the Internet, Bale found himself becoming one of the most popular online celebrities around, though he, with a couple notable exceptions, maintained a private, tabloid-free mystique.
Bale roared into the next decade with a lead role in American Psycho (2000), director Mary Harron's adaptation of the controversial Bret Easton Ellis novel. In the film, Bale played a murderous Wall Street executive obsessed with his own physicality - a trait for which Bale would become a specialist. Subsequently, the 10th Anniversary issue for "Entertainment Weekly" crowned Bale one of the "Top 8 Most Powerful Cult Figures" of the past decade, citing his cult status on the Internet. EW also called Bale one of the "Most Creative People in Entertainment", and "Premiere" lauded him as one of the "Hottest Leading Men Under 30".
Bale was truly on the Hollywood radar at this time, and he turned in a range of performances in the remake Shaft (2000), Captain Corelli's Mandolin (2001), the balmy Laurel Canyon (2002), and Reign of Fire (2002), a dragons-and-magic commercial misfire that has its share of defenders.
Two more cult films followed: Equilibrium (2002) and The Machinist (2004), the latter of which gained attention mainly due to Bale's physical transformation - he dropped a reported 60+ pounds for the role of a lathe operator with a secret that causes him to suffer from insomnia for over a year.
Bale's abilities to transform his body and to disappear into a character influenced the decision to cast him in Batman Begins (2005), the first chapter in Christopher Nolan's definitive trilogy that proved a dark-themed narrative could resonate with audiences worldwide. The film also resurrected a character that had been shelved by Warner Bros. after a series of demising returns, capped off by the commercial and critical failure of Batman & Robin (1997). A quiet, personal victory for Bale: he accepted the role after the passing of his father in late 2003, an event that caused him to question whether he would continue performing.
Bale segued into two indie features in the wake of Batman's phenomenal success: The New World (2005) and Harsh Times (2005). He continued working with respected independent directors in 2006's Rescue Dawn (2006), Werner Herzog's feature version of his earlier, Emmy-nominated documentary, Little Dieter Needs to Fly (1997). Leading up to the second Batman film, Bale starred in The Prestige (2006), the remake of 3:10 to Yuma (2007), and a reunion with director Todd Haynes in the experimental Bob Dylan biography, I'm Not There (2007).
Anticipation for The Dark Knight (2008) was spun into unexpected heights with the tragic passing of Heath Ledger, whose performance as The Joker became the highlight of the sequel. Bale's graceful statements to the press reminded us of the days of the refined Hollywood star as the second installment exceeded the box-office performance of its predecessor.
Bale's next role was the eyebrow-raising decision to take over the role of John Connor in the Schwarzenegger-less Terminator Salvation (2009), followed by a turn as federal agent Melvin Purvis in Michael Mann's Public Enemies (2009). Both films were hits but not the blockbusters they were expected to be.
For all his acclaim and box-office triumphs, Bale would earn his first Oscar in 2011 in the wake of The Fighter (2010)'s critical and commercial success. Bale earned the Best Supporting Actor award for his portrayal of Dicky Eklund, brother to and trainer of boxer "Irish" Micky Ward, played by Mark Wahlberg. Bale again showed his ability to reshape his body with another gaunt, skeletal transformation.
Bale then turned to another auteur, Yimou Zhang, for the epic The Flowers of War (2011), in which Bale portrayed a priest trapped in the midst of the Rape of Nanking. Bale earned headlines for his attempt to visit with Chinese civil-rights activist Chen Guangcheng, which was blocked by the Chinese government.
Bale capped his role as Bruce Wayne/Batman in The Dark Knight Rises (2012); in the wake of the Aurora, Colorado tragedy, Bale made a quiet pilgrimage to the state to visit with survivors of the attack that left theatergoers dead and injured. He also starred in the thriller Out of the Furnace (2013) with Crazy Heart (2009) writer/director Scott Cooper, and the drama-comedy American Hustle (2013), reuniting with David O. Russell.
Bale will re-team with The New World (2005) director Terrence Malick for two upcoming projects: Knight of Cups (2015) and an as-yet-untitled drama.
In his personal life, he devotes time to charities including Greenpeace and the World Wildlife Foundation. He lives with his wife, Sibi Blazic, and their two children.- Actor
- Producer
- Art Department
Jeffrey Leon Bridges was born on December 4, 1949 in Los Angeles, California, the son of well-known film and TV star Lloyd Bridges and his long-time wife Dorothy Dean Bridges (née Simpson). He grew up amid the happening Hollywood scene with big brother Beau Bridges. Both boys popped up, without billing, alongside their mother in the film The Company She Keeps (1951), and appeared on occasion with their famous dad on his popular underwater TV series Sea Hunt (1958) while growing up. At age 14, Jeff toured with his father in a stage production of "Anniversary Waltz". The "troublesome teen" years proved just that for Jeff and his parents were compelled at one point to intervene when problems with drugs and marijuana got out of hand.
He recovered and began shaping his nascent young adult career appearing on TV as a younger version of his father in the acclaimed TV- movie Silent Night, Lonely Night (1969), and in the strange Burgess Meredith film The Yin and the Yang of Mr. Go (1970). Following fine notices for his portrayal of a white student caught up in the racially-themed Halls of Anger (1970), his career-maker arrived just a year later when he earned a coming-of-age role in the critically-acclaimed ensemble film The Last Picture Show (1971). The Peter Bogdanovich- directed film made stars out off its young leads (Bridges, Timothy Bottoms, Cybill Shepherd) and Oscar winners out of its older cast (Ben Johnson, Cloris Leachman). The part of Duane Jackson, for which Jeff received his first Oscar-nomination (for "best supporting actor"), set the tone for the types of roles Jeff would acquaint himself with his fans -- rambling, reckless, rascally and usually unpredictable).
Owning a casual carefree handsomeness and armed with a perpetual grin and sly charm, he started immediately on an intriguing 70s sojourn into offbeat filming. Chief among them were his boxer on his way up opposite a declining Stacy Keach in Fat City (1972); his Civil War-era conman in the western Bad Company (1972); his redneck stock car racer in The Last American Hero (1973); his young student anarchist opposite a stellar veteran cast in Eugene O'Neill's The Iceman Cometh (1973); his bank-robbing (also Oscar-nominated) sidekick to Clint Eastwood in Thunderbolt and Lightfoot (1974); his aimless cattle rustler in Rancho Deluxe (1975); his low-level western writer who wants to be a real-life cowboy in Hearts of the West (1975); and the brother of an assassinated President who pursues leads to the crime in Winter Kills (1979). All are simply marvelous characters that should have propelled him to the very top rungs of stardom...but strangely didn't.
Perhaps it was his trademark ease and naturalistic approach that made him somewhat under appreciated at that time when Hollywood was run by a Dustin Hoffman, Robert De Niro and Al Pacino-like intensity. Neverthless, Jeff continued to be a scene-stealing favorite into the next decade, notably as the video game programmer in the 1982 science-fiction cult classic Tron (1982), and the struggling musician brother vying with brother Beau Bridges over the attentions of sexy singer Michelle Pfeiffer in The Fabulous Baker Boys (1989). Jeff became a third-time Oscar nominee with his highly intriguing (and strangely sexy) portrayal of a blank-faced alien in Starman (1984), and earned even higher regard as the ever-optimistic inventor Preston Tucker in Tucker: The Man and His Dream (1988).
Since then Jeff has continued to pour on the Bridges magic on film. Few enjoy such an enduring popularity while maintaining equal respect with the critics. The Fisher King (1991), American Heart (1992), Fearless (1993), The Big Lebowski (1998) (now a cult phenomenon) and The Contender (2000) (which gave him a fourth Oscar nomination) are prime examples. More recently he seized the moment as a bald-pated villain as Robert Downey Jr.'s nemesis in Iron Man (2008) and then, at age 60, he capped his rewarding career by winning the elusive Oscar, plus the Golden Globe and Screen Actor Guild awards (among many others), for his down-and-out country singer Bad Blake in Crazy Heart (2009). Bridges next starred in Tron: Legacy (2010), reprising one of his more famous roles, and received another Oscar nomination for Best Actor for his role in the Western remake True Grit (2010). In 2014, he co-produced and starred in an adaptation of the Lois Lowry science fiction drama The Giver (2014).
Jeff has been married since 1977 to non-professional Susan Geston (they met on the set of Rancho Deluxe (1975)). The couple have three daughters, Isabelle (born 1981), Jessica (born 1983), and Hayley (born 1985). He hobbies as a photographer on and off his film sets, and has been known to play around as a cartoonist and pop musician. His ancestry is English, and smaller amounts of Scots-Irish (Northern Irish), Irish, Swiss-German, and German.- Actor
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- Director
Sean Penn is a powerhouse film performer capable of intensely moving work, who has gone from strength to strength during a colourful film career, and who has drawn much media attention for his stormy private life and political viewpoints.
Sean Justin Penn was born in Los Angeles, California, the second son of actress Eileen Ryan (née Annucci) and director, actor, and writer Leo Penn. His brother was actor Chris Penn. His father was from a Lithuanian Jewish/Russian Jewish family, and his mother is of half Italian and half Irish descent.
Penn first appeared in roles as strong-headed or unruly youths such as the military cadet defending his academy against closure in Taps (1981), then as fast-talking surfer stoner Jeff Spicoli in Fast Times at Ridgemont High (1982).
Fans and critics were enthused about his obvious talent and he next contributed a stellar performance alongside Timothy Hutton in the Cold War spy thriller The Falcon and the Snowman (1985), followed by a teaming with icy Christopher Walken in the chilling At Close Range (1986). The youthful Sean then paired up with his then wife, pop diva Madonna in the woeful, and painful, Shanghai Surprise (1986), which was savaged by the critics, but Sean bounced back with a great job as a hot-headed young cop in Colors (1988), gave another searing performance as a US soldier in Vietnam committing atrocities in Casualties of War (1989) and appeared alongside Robert De Niro in the uneven comedy We're No Angels (1989). However, the 1990s was the decade in which Sean really got noticed by critics as a mature, versatile and accomplished actor, with a string of dynamic performances in first-class films.
Almost unrecognisable with frizzy hair and thin rimmed glasses, Penn was simply brilliant as corrupt lawyer David Kleinfeld in the Brian De Palma gangster movie Carlito's Way (1993) and he was still in trouble with authority as a Death Row inmate pleading with a caring nun to save his life in Dead Man Walking (1995), for which he received his first Oscar nomination. Sean then played the brother of wealthy Michael Douglas, involving him in a mind-snapping scheme in The Game (1997) and also landed the lead role of Sgt. Eddie Walsh in the star-studded anti-war film The Thin Red Line (1998), before finishing the 1990s playing an offbeat jazz musician (and scoring another Oscar nomination) in Sweet and Lowdown (1999).
The gifted and versatile Sean had also moved into directing, with the quirky but interesting The Indian Runner (1991), about two brothers with vastly opposing views on life, and in 1995 he directed Jack Nicholson in The Crossing Guard (1995). Both films received overall positive reviews from critics. Moving into the new century, Sean remained busy in front of the cameras with even more outstanding work: a mentally disabled father fighting for custody of his seven-year-old daughter (and receiving a third Oscar nomination) for I Am Sam (2001); an anguished father seeking revenge for his daughter's murder in the gut-wrenching Clint Eastwood-directed Mystic River (2003) (for which he won the Oscar as Best Actor); a mortally ill college professor in 21 Grams (2003) and a possessed businessman in The Assassination of Richard Nixon (2004).
Certainly Sean Penn is one of Hollywood's most controversial, progressive and gifted actors.- Actor
- Producer
- Animation Department
Sean Bean's career since the eighties spans theatre, radio, television and movies. Bean was born in Handsworth, Sheffield, South Yorkshire, to Rita (Tuckwood) and Brian Bean. He worked for his father's welding firm before he decided to become an actor. He attended RADA in London and appeared in a number of West End stage productions including RSC's "Fair Maid of the West" (Spencer), (1986) and "Romeo and Juliet" (1987) (Romeo) , as well as "Deathwatch" (Lederer) (1985) at the Young Vic and "Killing the Cat" (Danny) (1990) at the Theatre Upstairs.
This soulful, green-eyed blonde's roles are so varied that his magnetic persona convincing plays angst-ridden villains, as in Clarissa (1991), passionate lovers like Mellors in Lady Chatterley (1993), rough-and-ready soldiers such as Richard Sharpe, heart wrenching warriors as the emotionally torn Boromir in "The Lord of the Rings," and noble Greeks, like Odysseus in Troy (2004), where his very presence in the film adds grace and validity to the rest of the movie. Recently, he did a turn in Shakespeare's "Macbeth," where as the principal lead, he so transfixed the audience that the show was extended in London and critically acclaimed. Bean, however, remains himself, a man's man, and in the glitzy world of movies this is a rare thing indeed. Bean resides in London where he enjoys raising his beautiful daughters, his beloved football, and the occasional pint.
Bean has three daughters, Lorna, Molly and Evie.- Actor
- Producer
An oddly fascinating bloke with prominent bony cheeks and rawboned figure, Peter William (Pete) Postlethwaite was born on February 16, 1946 and was a distinguished character actor on stage, TV and film. Growing up the youngest of four siblings in a Catholic family in Warrington, Lancashire (near Liverpool) in middle-class surroundings to working-class parents, he attended St Mary's University (London). However, while completing his studies, he developed an interest in theatre, to the chagrin of his father, who wanted his children to find secure positions in life.
A drama teacher initially at a Catholic girls convent school, he decided to follow his acting instincts full-time and gradually built up an impressive array of classical stage credits via repertory, including the Bristol Old Vic Drama School, and in stints with Liverpool Everyman, Manchester Royal Exchange and the Royal Shakespeare Company. By the 1980s he was ready to branch out into film and TV, giving a startling performance as a wife abuser in the Distant Voices, Still Lives (1988).
By 1993 he had crossed over into Hollywood parts and earned his first Oscar nomination for his superb role as Daniel Day-Lewis' father in In the Name of the Father (1993). Other quality roles came his way with The Usual Suspects (1995), Brassed Off (1996), and Amistad (1997). He did fine work on television in Sharpe's Company (1994), Lost for Words (1999), and The Sins (2000). Postlethwaite worked equally both in the UK and abroad, and avoided the public limelight for the most part, except for occasional displays of political activism.
Postlethwaite lived quietly out of the spotlight in England and continued on in films with roles in The Shipping News (2001), The Limit (2004), Dark Water (2005), The Omen (2006), Ghost Son (2007) and Solomon Kane (2009). In 2010, he was seen in Clash of the Titans (2010), Inception (2010) and The Town (2010).
Postlewaite died on January 2, 2011, at age 64, of pancreatic cancer. He was surrounded by his wife and son, and by his daughter from a prior relationship.- Actor
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Brendan Gleeson was born in Dublin, Ireland, to Pat and Frank Gleeson. From a very young age, he loved to learn, especially reading classical text in and outside the classroom. He took great attention to Irish play writers such as Samuel Beckett, which eventually led to him performing in his high school play production of "Waiting for Godot", and paying great attention to detail in his high school drama classes. Upon finishing 12th grade, he spent a couple of years with the Dublin Shakespeare Festival, and under the advice of a director there, headed across to London and auditioned for drama schools. Soon to follow, he was invited to audition for the Royal Shakespeare Company in Stratford upon Avon, and spent a couple of seasons back in England on the stage. He then, at the age of thirty five, decided to audition for films in the UK and began to build a very respectable resume playing many different diverse characters.
He made his debut as a quarryman in The Field (1990). He had several small roles in major Hollywood movies based in Ireland, such as Far and Away (1992) and Into the West (1992). Memorably played historical Irish figure "Michael Collins" in The Treaty (1991). Made his breakthrough in Scottish themed Braveheart (1995), which was largely filmed in Ireland, opposite Mel Gibson. He played Gibson's right-hand man "Hamish". Since then, he has appeared in numerous major films such as Mission: Impossible II (2000), Lake Placid (1999), Turbulence (1997). He has made a name for himself taking the titular role in The General (1998), based on the life of Irish criminal "Martin Cahill", for which he won the Boston Society of Film Critics Award. He appears in director John Boorman's film The Tailor of Panama (2001) as well as Martin Scorsese's Gangs of New York (2002) and Steven Spielberg's A.I. Artificial Intelligence (2001).
Ever since, he has continued to bring his huge stage presence to the screen, always delivering the character in full development to his audience. He is married to his lovely wife, Mary, since 1982. They have four sons.- Actor
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American actor, filmmaker and activist Edward Harrison Norton was born on August 18, 1969, in Boston, Massachusetts, and was raised in Columbia, Maryland.
His mother, Lydia Robinson "Robin" (Rouse), was a foundation executive and teacher of English, and a daughter of famed real estate developer James Rouse, who developed Columbia, MD; she passed away of brain cancer on March 6, 1997. His father, Edward Mower Norton, was an environmental lawyer and conservationist, who works for the National Trust for Historic Preservation. Edward has two younger siblings, James and Molly.
From the age of five onward, the Yale graduate (majoring in history) was interested in acting. At the age of eight, he would ask his drama teacher what his motivation in a scene was. He attended theater schools throughout his life, and eventually managed to find work on stage in New York as a member of the Signature players, who produced the works of playwright and director Edward Albee. Around the time when he was appearing in Albee's Fragments, in Hollywood, they were looking for a young actor to star opposite Richard Gere in a new courtroom thriller, Primal Fear (1996). The role was offered to Leonardo DiCaprio but he turned it down. Gere was on the verge of walking away from the project, fed up with the wait for a young star to be found, when Edward auditioned and won the role over 2000 other hopefuls. Before the film was even released, his test screenings for the part were causing a Hollywood sensation, and he was soon offered roles in Woody Allen's Everyone Says I Love You (1996) and The People vs. Larry Flynt (1996). Edward won the Golden Globe for Best Actor in a Supporting Role and received an Oscar nomination for Best Supporting Actor for his performance in Primal Fear (1996). In 1998, Norton gained 30 pounds of muscle and transformed his look into that of a monstrous skinhead for his role as a violent white supremacist in American History X (1998). This performance earned him his second Oscar nomination, this time for Best Actor.
He received his third Oscar nomination, for Best Supporting Actor, for his work in Birdman or (The Unexpected Virtue of Ignorance) (2014). His most prominent roles also include the critically acclaimed Everyone Says I Love You (1996), The People vs. Larry Flynt (1996), Fight Club (1999), Red Dragon (2002), 25th Hour (2002), Kingdom of Heaven (2005), The Illusionist (2006), Moonrise Kingdom (2012), and The Grand Budapest Hotel (2014). He has also directed and co-written films, including his directorial debut, Keeping the Faith (2000). He has done uncredited work on the scripts for The Score (2001), Frida (2002), and The Incredible Hulk (2008).
Alongside his work in cinema, Norton is an environmental and social activist, and is a member of the board of trustees of Enterprise Community Partners, a non-profit organization for developing affordable housing founded by his grandfather James Rouse.- Actor
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Clinton Eastwood Jr. was born May 31, 1930 in San Francisco, to Clinton Eastwood Sr., a bond salesman and later manufacturing executive for Georgia-Pacific Corporation, and Ruth Wood (née Margret Ruth Runner), a housewife turned IBM clerk. He grew up in nearby Piedmont. At school Clint took interest in music and mechanics, but was an otherwise bored student; this resulted in being held back a grade. In 1949, the year he is said to have graduated from high school, his parents and younger sister Jeanne moved to Seattle. Clint spent a couple years in the Pacific Northwest himself, operating log broncs in Springfield, Oregon, with summer gigs life-guarding in Renton, Washington. Returning to California in 1951, he did a two-year stint at Fort Ord Military Reservation and later enrolled at L.A. City College, but dropped out to pursue acting.
During the mid-1950s he landed uncredited bit parts in such B-films as Revenge of the Creature (1955) and Tarantula (1955) while digging swimming pools and driving a garbage truck to supplement his income. In 1958, he landed his first consequential acting role in the long-running TV show Rawhide (1959) with Eric Fleming. Although only a secondary player the first seven seasons, he was promoted to series star when Fleming departed--both literally and figuratively--in its final year, along the way becoming a recognizable face to television viewers around the country.
Eastwood's big-screen breakthrough came as The Man with No Name in Sergio Leone's trilogy of excellent spaghetti westerns: A Fistful of Dollars (1964), For a Few Dollars More (1965), and The Good, the Bad and the Ugly (1966). The movies were shown exclusively in Italy during their respective copyright years with Enrico Maria Salerno providing the voice of Eastwood's character, finally getting American distribution in 1967-68. As the last film racked up respectable grosses, Eastwood, 37, rose from a barely registering actor to sought-after commodity in just a matter of months. Again a success was the late-blooming star's first U.S.-made western, Hang 'Em High (1968). He followed that up with the lead role in Coogan's Bluff (1968) (the loose inspiration for the TV series McCloud (1970)), before playing second fiddle to Richard Burton in the World War II epic Where Eagles Dare (1968) and Lee Marvin in the bizarre musical Paint Your Wagon (1969). In Two Mules for Sister Sara (1970) and Kelly's Heroes (1970), Eastwood leaned in an experimental direction by combining tough-guy action with offbeat humor.
1971 proved to be his busiest year in film. He starred as a sleazy Union soldier in The Beguiled (1971) to critical acclaim, and made his directorial debut with the classic erotic thriller Play Misty for Me (1971). His role as the hard edge police inspector in Dirty Harry (1971), meanwhile, boosted him to cultural icon status and helped popularize the loose-cannon cop genre. Eastwood put out a steady stream of entertaining movies thereafter: the westerns Joe Kidd (1972), High Plains Drifter (1973) and The Outlaw Josey Wales (1976) (his first of six onscreen collaborations with then live-in love Sondra Locke), the Dirty Harry sequels Magnum Force (1973) and The Enforcer (1976), the action-packed road adventures Thunderbolt and Lightfoot (1974) and The Gauntlet (1977), and the prison film Escape from Alcatraz (1979). He branched out into the comedy genre in 1978 with Every Which Way But Loose (1978), which became the biggest hit of his career up to that time; taking inflation into account, it still is. In short, The Eiger Sanction (1975) notwithstanding, the 1970s were nonstop success for Eastwood.
Eastwood kicked off the 1980s with Any Which Way You Can (1980), the blockbuster sequel to Every Which Way but Loose. The fourth Dirty Harry film, Sudden Impact (1983), was the highest-grossing film of the franchise and spawned his trademark catchphrase: "Make my day." He also starred in Bronco Billy (1980), Firefox (1982), Tightrope (1984), City Heat (1984), Pale Rider (1985) and Heartbreak Ridge (1986), all of which were solid hits, with Honkytonk Man (1982) being his only commercial failure of the period. In 1988, he did his fifth and final Dirty Harry movie, The Dead Pool (1988). Although it was a success overall, it did not have the box office punch the previous films had. About this time, with outright bombs like Pink Cadillac (1989) and The Rookie (1990), it seemed Eastwood's star was declining as it never had before. He then started taking on low-key projects, directing Bird (1988), a biopic of Charlie Parker that earned him a Golden Globe, and starring in and directing White Hunter Black Heart (1990), an uneven, loose biopic of John Huston (both films had a limited release).
Eastwood bounced back big time with his dark western Unforgiven (1992), which garnered the then 62-year-old his first ever Academy Award nomination (Best Actor), and an Oscar win for Best Director. Churning out a quick follow-up hit, he took on the secret service in In the Line of Fire (1993), then accepted second billing for the first time since 1970 in the interesting but poorly received A Perfect World (1993) with Kevin Costner. Next was a love story, The Bridges of Madison County (1995), where Eastwood surprised audiences with a sensitive performance alongside none other than Meryl Streep. But it soon became apparent he was going backwards after his brief revival. Subsequent films were credible, but nothing really stuck out. Absolute Power (1997) and Space Cowboys (2000) did well enough, while True Crime (1999) and Blood Work (2002) were received badly, as was Midnight in the Garden of Good and Evil (1997), which he directed but didn't appear in.
Eastwood surprised again in the mid-2000s, returning to the top of the A-list with Million Dollar Baby (2004). Also starring Hilary Swank and Morgan Freeman, the hugely successful drama won four Academy Awards, including Best Picture and Best Director for Eastwood. He scored his second Best Actor nomination, too. His next starring vehicle, Gran Torino (2008), earned almost $30 million in its opening weekend and was his highest grosser unadjusted for inflation. 2012 saw him in a rare lighthearted movie, Trouble with the Curve (2012), as well as a reality show, Mrs. Eastwood & Company (2012).
Between acting jobs, he chalked up an impressive list of credits behind the camera. He directed Mystic River (2003) (in which Sean Penn and Tim Robbins gave Oscar-winning performances), Flags of Our Fathers (2006), Letters from Iwo Jima (2006) (nominated for the Best Picture Oscar), Changeling (2008) (a vehicle for Angelina Jolie), Invictus (2009) (again with Freeman), Hereafter (2010), J. Edgar (2011), Jersey Boys (2014), American Sniper (2014) (2014's top box office champ), Sully (2016) (starring Tom Hanks as hero pilot Chesley Sullenberger) and The 15:17 to Paris (2018). Back on screens after a considerable absence, he played an unlikely drug courier in The Mule (2018), which reached the top of the box office with a nine-figure gross, then directed Richard Jewell (2019). At age 91, Eastwood made history as the oldest actor to star above the title in a movie with the release of Cry Macho (2021).
Away from the limelight, Eastwood has led an aberrant existence and is described by biographer Patrick McGilligan as a cunning manipulator of the media. His convoluted slew of partners and children are now somewhat factually acknowledged, but for the first three decades of his celebrity, his personal life was kept top secret, and several of his families were left out of the official narrative. The actor refuses to disclose his exact number of offspring even to this day. He had a longtime relationship with similarly abstruse co-star Locke (who died aged 74 in 2018, though for her entire public life she masqueraded about being younger), and has fathered at least eight children by at least six different women in an unending string of liaisons, many of which overlapped. He has been married only twice, however, with a mere three of his progeny coming from those unions.
His known children are: Laurie Murray (b. 1954), whose mother is unidentified; Kimber Eastwood (b. 1964) with stuntwoman Roxanne Tunis; Kyle Eastwood (b. 1968) and Alison Eastwood (b. 1972) with his first ex-wife, Margaret Neville Johnson; Scott Eastwood (b. 1986) and Kathryn Eastwood (b. 1988) with stewardess Jacelyn Reeves; Francesca Eastwood (b. 1993) with actress Frances Fisher; and Morgan Eastwood (b. 1996) with his second ex-wife, Dina Eastwood. The entire time that he lived with Locke she was legally married to sculptor Gordon Anderson.
Eastwood has real estate holdings in Bel-Air, La Quinta, Carmel-by-the-Sea, Cassel (in remote northern California), Idaho's Sun Valley and Kihei, Hawaii.- Actor
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Blue-eyed Vincent Cassel was born in Paris to a leading actor father, Jean-Pierre Cassel, and a journalist mother, Sabine Litique. Often labeled as a tough guy because of his roles, eclectic choices and talent have made of him a star of European cinema. First in La haine (1995), the young actor, actually coming from upper classes, succeeded to express the despair of a social class living in the suburbs of towns. This veracity in his play comes from the fact that he was in fact since years in connection with many hip-hop artists from the rising generation, (his own brother was leader of a legendary french rap group). Then the success of The Crimson Rivers (2000), where he plays a young French cop alongside Jean Reno, made of him "the man to count on." He never hid his taste for rap music, break dance, Capoeira, Brasil and his endless energy, but Vincent is also a family man, married to Monica Bellucci, his Italian co-star from The Apartment (1996) (aka The Apartment); and recently a father.- Actor
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When hunky, twenty-year-old heart-throb Heath Ledger first came to the attention of the public in 1999, it was all too easy to tag him as a "pretty boy" and an actor of little depth. He spent several years trying desperately to sway this image, but this was a double-edged sword. His work comprised nineteen films, including 10 Things I Hate About You (1999), The Patriot (2000), A Knight's Tale (2001), Monster's Ball (2001), Ned Kelly (2003), The Brothers Grimm (2005), Lords of Dogtown (2005), Brokeback Mountain (2005), Casanova (2005), Candy (2006), I'm Not There (2007), The Dark Knight (2008) and The Imaginarium of Doctor Parnassus (2009). He also produced and directed music videos and aspired to be a film director.
Heath Ledger was born on the fourth of April 1979, in Perth, Western Australia, to Sally (Ramshaw), a teacher of French, and Kim Ledger, a mining engineer who also raced cars. His ancestry was Scottish, English, Irish, and Sephardi Jewish. As the story goes, in junior high school it was compulsory to take one of two electives, either cooking or drama. As Heath could not see himself in a cooking class he tried his hand at drama. Heath was talented, however the rest of the class did not acknowledge his talent. When he was seventeen he and a friend decided to pack up, leave school, take a car and rough it to Sydney. Heath believed Sydney to be the place where dreams were made or, at least, where actors could possibly get their big break. Upon arriving in Sydney with a purported sixty-nine cents to his name, Heath tried everything to get a break.
His first real acting job came in a low-budget movie called Blackrock (1997), a largely unimpressive cliché; an adolescent angst film about one boy's struggle when he learns his best mate raped a girl. He only had a very small role in the film. After that small role Heath auditioned for a role in a T.V. show called Sweat (1996) about a group of young Olympic hopefuls. He was offered one of two roles, one as a swimmer, another as a gay cyclist. Heath accepted the latter because he felt to really stand out as an actor one had to accept unique roles that stood out from the bunch. It got him small notice, but unfortunately the show was quickly axed, forcing him to look for other roles. He was in Home and Away (1988) for a very short period, in which he played a surfer who falls in love with one of the girls of Summer Bay. Then came his very brief role in Paws (1997), a film which existed solely to cash in on guitar prodigy Nathan Cavaleri's brief moment of fame, where he was the hottest thing in Australia. Heath played a student in the film, involved in a stage production of a Shakespeare play, in which he played "Oberon". A very brief role, this offered him a small paycheck but did nothing to advance his career. Then came Two Hands (1999). He went to the U.S. trying to audition for film roles, showcasing his brief role in Roar (1997) opposite then unknown Vera Farmiga.
Then Australian director Gregor Jordan auditioned him for the lead in Two Hands (1999), which he got. An in your face Aussie crime thriller, Two Hands (1999) was outstanding and helped him secure a role in 10 Things I Hate About You (1999). After that, it seemed Heath was being typecast as a young hunk, which he did not like, so he accepted a role in a very serious war drama The Patriot (2000).
What followed was a stark inconsistency of roles, Ledger accepting virtually every single character role, anything to avoid being typecast. Some met with praise, like his short role in Monster's Ball (2001), but his version of Ned Kelly (2003) was an absolute flop, which led distributors hesitant to even release it outside Australia. Heath finally had deserved success with his role in Brokeback Mountain (2005). For his portrayal of Ennis Del Mar in in the film, Ledger won the New York Film Critics Circle Award for Best Actor and Best International Actor from the Australian Film Institute, and was nominated for the BAFTA Award for Best Actor in a Leading Role and for the Academy Award for Best Actor.
Ledger was found dead on January 22, 2008 in his apartment in the Manhattan neighborhood of SoHo, with a bottle of prescription sleeping pills near-by. It was concluded weeks later that he died of an accidental overdose of prescription drugs that included pain-killers, sleeping pills and anti-anxiety medication. His death occurred during editing of The Dark Knight (2008) and in the midst of filming his last role as Tony in The Imaginarium of Doctor Parnassus (2009).
Posthumously, he shared the 2007 Independent Spirit Robert Altman Award with the rest of the ensemble cast, the director, and the casting director for the film I'm Not There (2007), which was inspired by the life and songs of American singer-songwriter Bob Dylan. In the film, Ledger portrayed a fictional actor named Robbie Clark, one of six characters embodying aspects of Dylan's life and persona.
A few months before his death, Ledger had finished filming his performance as the Joker in 'The Dark Knight (2008). His untimely death cast a somber shadow over the subsequent promotion of the $185 million Batman production. Ledger received more than thirty posthumous accolades for his critically acclaimed performance as the Joker, the psychopathic clown prince of crime, in the film, including the Academy Award for Best Supporting Actor, a Best Actor International Award at the 2008 Australian Film Institute Awards (for which he is the second actor to win an acting award posthumously after Peter Finch who won an Oscar for Network (Best Actor 1977)), the 2008 Los Angeles Film Critics Association Award for Best Supporting Actor, the 2009 Golden Globe Award for Best Supporting Actor - Motion Picture, and the 2009 BAFTA Award for Best Supporting Actor.- Actor
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Max von Sydow was born Carl Adolf von Sydow on April 10, 1929 in Lund, Skåne, Sweden, to a middle-class family. He was the son of Baroness Maria Margareta (Rappe), a teacher, and Carl Wilhelm von Sydow, an ethnologist and folklore professor. His surname traces back to his partial German ancestry.
When he was in high school, he and a few fellow students, including Yvonne Lombard, started a theatre club which encouraged his interest in acting. After conscription, he began to study at the Royal Dramatic Theatre's acting school (1948-1951), together with Lars Ekborg, Margaretha Krook and Ingrid Thulin. His first role was as Nils the crofter in Alf Sjöberg's Only a Mother (1949). After graduation, he worked at the city theatres in Norrköping and Malmö.
His work in the movies by Ingmar Bergman (especially The Seventh Seal (1957), including the iconic scenes in which he plays chess with Death) made him well-known internationally, and he started to get offers from abroad. His career abroad began with him playing Jesus in The Greatest Story Ever Told (1965); Hawaii (1966) and The Quiller Memorandum (1966). Since then, his career includes very different kind of characters, like Karl Oskar Nilsson in The Emigrants (1971); Father Lankester Merrin in The Exorcist (1973); Joubert the assassin in Three Days of the Condor (1975), Emperor Ming in Flash Gordon (1980); the villain Ernst Stavro Blofeld in the Never Say Never Again (1983); Liet-Kynes in Dune (1984) the artist Frederick in Hannah and Her Sisters (1986); Lassefar in Pelle the Conqueror (1987), for which he received his first Academy Award nomination; Dr. Peter Ingham in Awakenings (1990); Lamar Burgess in Minority Report (2002) and The Renter in Extremely Loud & Incredibly Close (2011), which earned him his second Academy Award nomination.
He became one of Sweden's most admired and professional actors, and is the only male Swedish actor to receive an Oscar nomination. He was nominated twice: for Pelle the Conqueror (1987) in 1988 and for Extremely Loud & Incredibly Close (2011) in 2012. He received the Guldbagge Award for Best Director in his directing debut, the drama film Ved vejen (1988). In 2016, he joined the sixth season of the HBO series Game of Thrones (2011) as the Three-eyed Raven, which earned him his Primetime Emmy Award nomination.
Max von Sydow died on March 8, 2020, in Provence, France, and was survived by his wife Catherine Brelet and four children. He was 90.- Actor
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Kevin Norwood Bacon was born on July 8, 1958 in Philadelphia, Pennsylvania, to Ruth Hilda (Holmes), an elementary school teacher, and Edmund Norwood Bacon, a prominent architect who was on the cover of Time Magazine in November 1964.
Kevin's early training as an actor came from The Manning Street. His debut as the strict Chip Diller in National Lampoon's Animal House (1978) almost seems like an inside joke, but he managed to escape almost unnoticed from that role. Diner (1982) became the turning point after a couple of television series and a number of less-than-memorable movie roles. In a cast of soon-to-be stars, he more than held his end up, and we saw a glimpse of the real lunatic image of The Bacon. He also starred in Footloose (1984), She's Having a Baby (1988), Tremors (1990) with Fred Ward, Flatliners (1990), and Apollo 13 (1995).
Bacon is married to actress Kyra Sedgwick, with whom he has 2 children.- Choi Min-shik first made a name for himself in theater before breaking into the film world with a role in Park Chong-won's acclaimed film 'Our Twisted Hero' (1992). In the mid-nineties he continued to act in theater productions as well as in several TV dramas, including Moon Over Seoul with Han Seok-gyu. 1997 marked his return to motion pictures, with a role as a tough-talking police investigator in Song Neung-han's No. 3 (1997). His biggest role came in 1999, when he was cast in Korea's most successful film ever, Shiri (1999). His portrayal of a North Korean agent garnered him much praise and a Best Actor Award from the 1999 domestic Grand Bell Awards.
After starring in a theater production of Hamlet in spring of 1999, Choi took on the role of a husband who discovers his wife's infidelity in Happy End (1999), and in early 2001 starred as a third-rate gangster opposite Hong Kong actress Cecilia Cheung in the acclaimed Failan (2001). In 2003 he starred in the now classic Oldboy (2003). - Actor
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Donald Frank Cheadle was born in Kansas City, Missouri, on November 29, 1964. His childhood found him moving from city to city with his family: mother Bettye (née North), a teacher; father Donald Frank Cheadle Sr., a clinical psychologist; sister Cindy; and brother Colin. After graduating from high school in Denver, Colorado, Cheadle attended and graduated from the California Institute of the Arts with a bachelor¹s degree in fine arts. Encouraged by his college friends, he attended a variety of auditions and landed a recurring role on the hit series Fame (1982), which led to feature film roles in Dennis Hopper's Colors (1988) and John Irvin's Hamburger Hill (1987).
Early in his career, Cheadle was named Best Supporting Actor by the Los Angeles Film Critics for his breakout performance opposite Denzel Washington in Devil in a Blue Dress (1995). His subsequent film credits include Traitor (2008), an international thriller that he produced, starring opposite Guy Pearce; Kasi Lemmons's Talk to Me (2007), with Chiwetel Ejiofor; the 2006 Oscar-winning Best Picture, Crash (2004), which Cheadle also produced; Hotel Rwanda (2004), for which his performance garnered Oscar, Golden Globe, Broadcast Film Critics and Screen Actors Guild award nominations for Best Actor; Steven Soderbergh's Ocean's Eleven (2001), Ocean's Twelve (2004) and Ocean's Thirteen (2007), starring Brad Pitt and George Clooney; Mike Binder's Reign Over Me (2007) with Adam Sandler; the Academy Award-winning Traffic (2000) and Out of Sight (1998), with George Clooney and Jennifer Lopez, both films also directed by Soderbergh; Paul Thomas Anderson's acclaimed Boogie Nights (1997) with Julianne Moore and Mark Wahlberg; Bulworth (1998), directed by and starring Warren Beatty; Swordfish (2001), with John Travolta and Halle Berry; Mission to Mars (2000) with Tim Robbins and Gary Sinise; John Singleton's Rosewood (1997), for which Cheadle earned an NAACP Image Award nomination; Brett Ratner's The Family Man (2000), starring Nicolas Cage; and the independent features Manic (2001) and Things Behind the Sun (2001).
Cheadle was honored by the CineVegas Film Festival and the Los Angeles Film Festival and received ShoWest's Male Star of the Year award. He is also well-recognized for his television work, including his portrayal of Sammy Davis Jr. in HBO's The Rat Pack (1998), for which he received a Golden Globe Award and a Best Supporting Actor Emmy nomination. That same year, he also received an Emmy nomination for his starring role in HBO's adaptation of the best-selling novel A Lesson Before Dying (1999), opposite Cicely Tyson and Mekhi Phifer.
He also starred for HBO in Eriq La Salle's Rebound: The Legend of Earl 'The Goat' Manigault (1996). Cheadle's TV series credits include his two-year stint in David E. Kelley's acclaimed series Picket Fences (1992), a guest-starring role on ER (1994) (earning yet another Emmy nomination) and a regular role on The Golden Palace (1992) He also starred in the live television broadcast of Fail Safe (2000) opposite George Clooney, James Cromwell, Brian Dennehy, Richard Dreyfuss, and Harvey Keitel. He also co-executive produced the TV version of Crash (2008).
His most recent big-screen appearances have been in Antoine Fuqua's ensemble crime thriller Brooklyn's Finest (2009) and Jon Favreau's Iron Man 2 (2010), another mainstream breakthrough where he played Lt. Col. James 'Rhodey' Rhodes, replacing Terrence Howard from the first film. The Guard (2011), an art-house hit directed by John Michael McDonagh and co-starring Brendan Gleeson, followed.
Cheadle stars in House of Lies (2012) on Showtime. Late in 2012, he was seen in Flight (2012), Robert Zemeckis's return to live-action filmmaking. In 2013, he reprised his role as Rhodey in Iron Man 3 (2013). Among his projects in development is a movie based on the life of jazz legend Miles Davis.
A talented musician who plays saxophone, writes music and sings, he is also an accomplished stage actor and director and was nominated for a Grammy Award in 2004 for Best Spoken Word Album for his narration/dramatization of the Walter Mosley novel 'Fear Itself.'
Other notable off-stage achievements include the 2007 BET Humanitarian Award for the cause of the people of Darfur and Rwanda, and sharing the Summit Peace Award by the Nobel Peace Prize Laureates in Rome with George Clooney for their work in Darfur.- Actor
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Stephen Rea was born in Belfast, Northern Ireland. He attended Belfast High School and the Queen's University, where he studied English. He later trained at the Abbey Theatre School in Dublin. In 1970s, he acted in the Focus Company in Dublin with the talented Gabriel Byrne and Colm Meaney. After several stage, television and film appearances, he came to international success with his performance in The Crying Game (1992). He was nominated an Oscar for Best Actor.- Actor
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Sam Rockwell was born on November 5, 1968, in San Mateo, California, the only child of two actors, Pete Rockwell and Penny Hess. The family moved to New York when he was two years old, living first in the Bronx and later in Manhattan. When Sam was five years old, his parents separated, at which point he and his father moved to San Francisco, where he subsequently grew up, while summers and other times were spent with his mother in New York.
He made his acting debut when he was ten years old, alongside his mother, and later attended J Eugene McAteer High School in a program called SOTA. While still in high school, he got his first big break when he appeared in the independent film Clownhouse (1989). The plot revolved around three escaped mental patients who dressed up as clowns and terrorized three brothers home alone--Sam played the eldest of the brothers. His next big break was supposed to have come when he was slated to star in a short-lived NBC TV-series called Dream Street (1989), but he was soon fired.
After graduating from high school, Sam returned to New York for good and for two years he had private training at the William Esper Acting Studio. During this period he appeared in a variety of roles, such as the ABC Afterschool Specials (1972): Over the Limit (1990) (TV) and HBO's Lifestories: Families in Crisis (1992): Dead Drunk: The Kevin Tunell Story (Season 1 Episode 7: 15 March 1993); the head thug in Teenage Mutant Ninja Turtles (1990); and a guest-star turn in an Emmy Award-winning episode of Law & Order (1990), while working a string of regular day jobs and performing in plays.
In 1994, a Miller Ice beer commercial finally enabled him to quit his other jobs to concentrate on his acting career, which culminated in him having five movies out by 1996: Basquiat (1996); The Search for One-eye Jimmy (1994); Glory Daze (1995); Mercy (1995); and Box of Moonlight (1996). It was the latter film that would prove to be his real break-out in the industry. In Tom DiCillo's film, he found himself playing an eccentric named the Kid, a man-child living in a half-built mobile home in the middle of nowhere with a penchant for dressing like Davy Crockett, who manages to bring some much-needed chaos into the life of an electrical engineer played by John Turturro. The movie was not a box-office success, but it managed to generate a great deal of critical acclaim for itself and Sam.
In 1997, he found himself the star of another critically lauded film, Lawn Dogs (1997). Once again, he portrayed a societal outcast as Trent, a working-class man living in a trailer, earning a living mowing lawns inside a wealthy, gated Kentucky community. Trent soon finds himself befriended by 10-year-old Devon (Mischa Barton), and the movie deals with the difficulties in their friendship and the outside world. He also gave strong performances in the quirky independent comedy Safe Men (1998), in which he plays one half of a pretty awful singing duo (the other half being played by Steve Zahn) that gets mistaken for two safecrackers by Jewish gangsters; and the offbeat hitman trainee in Jerry and Tom (1998) against Joe Mantegna.
After a few smaller appearances in films such as Woody Allen's Celebrity (1998) and the modern version of A Midsummer Night's Dream (1999), in which he played Francis Flute, he had larger roles in two of the bigger hit movies to emerge: The Green Mile (1999) and Galaxy Quest (1999), wowing audiences and critics alike with his chameleon-like performances as a crazed killer in the former and a goofy actor in the latter.
More recently, he appeared in another string of mainstream films, most notably as Eric Knox in Charlie's Angels (2000) and as Zaphod Beeblebrox in The Hitchhiker's Guide to the Galaxy (2005), while continuing to perform in smaller independent movies. After more than ten years in the business, Sam has earned his success. In 2018, he won an Academy Award for Best Supporting Actor as a troubled police deputy in Three Billboards Outside Ebbing, Missouri (2017).- Actor
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Colin Farrell is one of Ireland's biggest stars in Hollywood and abroad. His film presence has been filled with memorable roles that range from an inwardly tortured hit man, to an adventurous explorer, a determined-but-failing writer, and the greatest military leader in history.
Farrell was born on May 31, 1976 in Castleknock, Dublin, Ireland to Rita (Monaghan) and Eamon Farrell. His father and uncle were both professional athletes, and briefly it looked like Farrell would follow in their footsteps. Farrell auditioned for a part in the Irish boy band Boyzone, unsuccessfully. After dropping out of the Gaiety School of Acting, Farrell was cast in Ballykissangel (1996), a BBC television drama. "Ballykissangel" was not his first onscreen role. Farrell had previously been in The War Zone (1999), directed by Tim Roth and had appeared in the independent film Drinking Crude (1997). Farrell was soon to move on to bigger things.
Exchanging his thick Dublin accent for a light Texas drawl, Farrell acted in the gritty Tigerland (2000), directed by Joel Schumacher. Starring Farrell among a number of other budding young actors, the film portrays a group of new recruits being trained for the war in Vietnam. Farrell played the arrogant soldier Boz, drafted into the army and completely spiteful of authority. The film was praised by critics but made little money at the box office. It was Farrell's first big role on film, and certainly not his last. Farrell followed up with American Outlaws (2001), where he played the notorious outlaw Jesse James with Scott Caan, son of legendary actor James Caan, in the role of Cole Younger. The film was a box-office flop and a critical failure. Immediately, Farrell returned to the war drama film that had made him famous. Co-starring in the war film Hart's War (2002) opposite Bruce Willis, Farrell played the young officer captured by the enemy. The film was another failure. Farrell struck gold when he was cast in the Steven Spielberg film Minority Report (2002) that same year. Set in a futuristic time period, Farrell played the character Danny Witwer, a young member of the Justice Department who is sent after Tom Cruise's character. The film was a smash hit, and praised by critics.
Farrell continued this success when he reunited with Joel Schumacher on the successful thriller Phone Booth (2002). Farrell played the role of the victim who is harassed by an unseen killer (Kiefer Sutherland) and is made to reveal his sins to the public. 2003 was a big year for Farrell. He starred in the crime thriller The Recruit (2003) as a young CIA man mentored by an older CIA veteran (Al Pacino). Pacino later stated that Farrell was the best actor of his generation. Farrell certainly continued to be busy that year with Daredevil (2003), which actually allowed him to keep his thick Irish accent. The film was another success for Farrell, as was the crime film S.W.A.T. (2003) where Farrell starred opposite Samuel L. Jackson and LL Cool J. Farrell also acted in the Irish black comedy film Intermission (2003) and appeared another Irish film Veronica Guerin (2003) which reunited him with Joel Schumacher once again. The following year, Farrell acted in what is his most infamous film role yet: the title role in the mighty Oliver Stone film epic Alexander (2004), which is a character study of Alexander the Great as he travels across new worlds and conquers all the known world before him. Farrell donned a blond wig and retained his Irish accent, and gave a fine performance as Alexander. However, both he and the film were criticized. Despite being one of the highest grossing films internationally and doing a good job at the DVD sales, Farrell did not come out of the experience without a few hurts. Farrell attempted to rebound with his historical film The New World (2005). Reuniting with "Alexander" star Christopher Plummer, and also acting with Christian Bale, Farrell played the brave explorer John Smith, who would make first contacts with the Native peoples. The film did not do well at the box office, though critics praised the film's stunning appearance and cinematography.
Farrell returned to act in Michael Mann's film Miami Vice (2006) alongside Jamie Foxx. The film was a film adaptation of the famous television series, and did reasonably well at the box office. Farrell also acted in Ask the Dust (2006) with Salma Hayek and Donald Sutherland, though the film did not receive much distribution. The next year, Farrell acted alongside Ewan McGregor in the Woody Allen film Cassandra's Dream (2007) which received mixed reviews from critics. Farrell followed up with the hilarious black comedy In Bruges (2008). Written and directed by Irish theatre director Martin McDonagh, the film stars Farrell and Brendan Gleeson as two Irish hit men whose latest assignment went wrong, leaving them to hide out in Bruges, Belgium. The film has been one of Farrell's most praised work, and he was nominated for a Golden Globe. As well as In Bruges (2008), Farrell acted alongside Edward Norton in the crime film Pride and Glory (2008) which was not as successful as the former film. As well as working with charity, and speaking at the Special Olympics World Games in 2007, he has donated his salary for Terry Gilliam's The Imaginarium of Doctor Parnassus (2009) to Heath Ledger's little daughter (who was left nothing in a will that had not been updated in time). Ledger had originally been cast in the film and was replaced by Farrell, Johnny Depp and Jude Law. The film was a critical and financial success, and Farrell also played a small role in Crazy Heart (2009) which had the Dubliner playing a country singer. Farrell even sang a few songs for the film's soundtrack. As well as those small roles, Farrell took the lead role in the war film Triage (2009). Farrell incredibly lost forty-four pounds to play the role of a war photographer who must come to terms with what he has experienced in Kurdistan. While the film was finely made, with excellent performances from all involved, the film has received almost no distribution.
Farrell's other leading role that year was in Neil Jordan's Irish film Ondine (2009). In recent years, he co-starred in the comedy horror film Fright Night (2011), the science fiction action film Total Recall (2012), both remakes, and McDonagh's second feature, and the black comedy crime film Seven Psychopaths (2012). Since the mid-2000s, Farrell has cleaned up his act, and far from being a Hollywood hell raiser and party animal, he has shown himself to be a respectable and very talented actor.
He also starred in The Lobster (2015) and The Killing of a Sacred Deer (2017), both directed by Yorgos Lanthimos. For The Lobster he was nominated for a Golden Globe.- Actor
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Screen legend, superstar, and the man with the most famous blue eyes in movie history, Paul Leonard Newman was born on January 26, 1925, in Cleveland, Ohio, the second son of Arthur Sigmund Newman (died 1950) and Theresa Fetsko (died 1982). His elder brother was Arthur S. Newman Jr., named for their father, a Jewish businessman who owned a successful sporting goods store and was the son of emigrants from Poland and Hungary. Newman's mother (born Terézia Fecková, daughter of Stefan Fecko and Mária Polenak) was a Roman Catholic Slovak from Homonna, Pticie (former Austro-Hungarian Empire), who became a practicing Christian Scientist. She and her brother, Newman's uncle Joe, had an interest in the creative arts, and it rubbed off on him. He acted in grade school and high school plays. The Newmans were well-to-do and Paul Newman grew up in affluent Shaker Heights. Before he became an actor, Newman ran the family sporting goods store in Cleveland, Ohio.
By 1950, the 25-year-old Newman had been kicked out of Ohio University, where he belonged to the Phi Kappa Tau fraternity, for unruly behavior (denting the college president's car with a beer keg), served three years in the United States Navy during World War II as a radio operator, graduated from Ohio's Kenyon College, married his first wife, Jacqueline "Jackie" Witte (born 1929), and had his first child, Scott. That same year, his father died. When he became successful in later years, Newman said if he had any regrets it would be that his father was not around to witness his success. He brought Jackie back to Shaker Heights and he ran his father's store for a short period. Then, knowing that wasn't the career path he wanted to take, he moved Jackie and Scott to New Haven, Connecticut, where he attended Yale University's School of Drama.
While doing a play there, Newman was spotted by two agents, who invited him to come to New York City to pursue a career as a professional actor. After moving to New York, he acted in guest spots for various television series and in 1953 came a big break. He got the part of understudy of the lead role in the successful Broadway play "Picnic". Through this play, he met actress Joanne Woodward (born 1930), who was also an understudy in the play. While they got on very well and there was a strong attraction, Newman was married and his second child, Susan, was born that year. During this time, Newman was accepted into the much admired and popular New York Actors Studio, although he did not actually audition.
In 1954, a film Newman was very reluctant to do was released, The Silver Chalice (1954). He considered his performance in this costume epic to be so bad that he took out a full-page ad in a trade paper apologizing for it to anyone who might have seen it. He had always been embarrassed about the film and reveled in making fun of it. He immediately wanted to return to the stage, and performed in "The Desperate Hours". In 1956, he got the chance to redeem himself in the film world by portraying boxer Rocky Graziano in Somebody Up There Likes Me (1956), and critics praised his performance. In 1957, with a handful of films to his credit, he was cast in The Long, Hot Summer (1958), co-starring Joanne Woodward.
During the shooting of this film, they realized they were meant to be together and by now, so did his then-wife Jackie, who gave Newman a divorce. He and Woodward wed in Las Vegas in January 1958. They went on to have three daughters together and raised them in Westport, Connecticut. In 1959, Newman received his first Academy Award nomination for Best Actor, in Cat on a Hot Tin Roof (1958). The 1960s would bring Newman into superstar status, as he became one of the most popular actors of the decade, and garnered three more Best Actor Oscar nominations, for The Hustler (1961), Hud (1963) and Cool Hand Luke (1967). In 1968, his debut directorial effort Rachel, Rachel (1968) was given good marks, and although the film and Woodward were nominated for Oscars, Newman was not nominated for Best Director. However, he did win a Golden Globe Award for his direction.
1969 brought the popular screen duo of Newman and Robert Redford together for the first time when Butch Cassidy and the Sundance Kid (1969) was released. It was a box office smash. Through the 1970s, Newman had hits and misses from such popular films as The Sting (1973) and The Towering Inferno (1974) to lesser known films as The Life and Times of Judge Roy Bean (1972) to a cult classic Slap Shot (1977). After the death of his only son, Scott, in 1978, Newman's personal life and film choices moved in a different direction. His acting work in the 1980s and on is what is often most praised by critics today. He became more at ease with himself and it was evident in The Verdict (1982) for which he received his sixth Best Actor Oscar nomination and, in 1987, finally received his first Oscar for The Color of Money (1986), almost thirty years after Woodward had won hers. Friend and director of Somebody Up There Likes Me (1956), Robert Wise accepted the award on Newman's behalf as the actor did not attend the ceremony.
Films were not the only thing on his mind during this period. A passionate race car driver since the early 1970s (despite being color-blind), he was co-founder of Newman-Haas racing in 1982, and also founded "Newman's Own", a successful line of food products that has earned in excess of $100 million, every penny of which Newman donated to charity. He also started The Hole in the Wall Gang Camps, an organization for children with serious illness. He was as well known for his philanthropic ways and highly successful business ventures as he was for his legendary actor status.
Newman's marriage to Woodward lasted a half-century. Connecticut was their primary residence after leaving Hollywood and moving East in 1960. Renowned for his sense of humor, in 1998 he quipped that he was a little embarrassed to see his salad dressing grossing more than his movies. During his later years, he still attended races, was much involved in his charitable organizations, and in 2006, he opened a restaurant called Dressing Room, which helps out the Westport Country Playhouse, a place in which Newman took great pride. In 2007, while the public was largely unaware of the serious illness from which he was suffering, Newman made some headlines when he said he was losing his invention and confidence in his acting abilities and that acting was "pretty much a closed book for me". A smoker for many years, Newman died on September 26, 2008, aged 83, from lung cancer.- Actor
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Often mistaken for an American because of his skill at imitating accents, actor Tim Roth was born Timothy Simon Roth on May 14, 1961 in Lambeth, London, England. His mother, Ann, was a teacher and landscape painter. His father, Ernie, was a journalist who had changed the family name from "Smith" to "Roth"; Ernie was born in Brooklyn, New York, to an immigrant family of Irish ancestry.
Tim grew up in Dulwich, a middle-class area in the south of London. He demonstrated his talent for picking up accents at an early age when he attended school in Brixton, where he faced persecution from classmates for his comfortable background and quickly perfected a cockney accent to blend in. He attended Camberwell Art College and studied sculpture before he dropped out and pursued acting.
The blonde actor's first big break was the British TV movie Made in Britain (1982). Roth made a huge splash in that film as a young skinhead named Trevor. He next worked with director Mike Leigh on Meantime (1983), which he has counted among his favorite projects. He debuted on the big screen when he filled in for Joe Strummer in the Stephen Frears neo-noir The Hit (1984). Roth gained more attention for his turn as Vincent Van Gogh in Vincent & Theo (1990) and his work opposite Gary Oldman in Rosencrantz & Guildenstern Are Dead (1990).
He moved to Los Angeles in search of work and caught the eye of young director Quentin Tarantino. Tarantino had envisioned Roth as a possible Mr. Blonde or Mr. Pink in his heist flick Reservoir Dogs (1992), but Roth campaigned for the role of Mr. Orange instead, and ultimately won the part. It proved to be a huge breakthrough for Roth, as audiences found it difficult to forget his performance as a member of a group of jewelry store robbers who is slowly bleeding to death. Tarantino cast Roth again in the landmark film Pulp Fiction (1994). Roth and actress Amanda Plummer played a pair of robbers who hold up a restaurant. 1995 saw the third of Roth's collaborations with Tarantino, a surprisingly slapstick performance in the anthology film Four Rooms (1995). That same year Roth picked up an Academy Award nomination for his campy turn as a villain in the period piece Rob Roy (1995).
Continuing to take on disparate roles, Roth did his own singing (with an American accent to boot) in the lightweight Woody Allen musical Everyone Says I Love You (1996). He starred opposite Tupac Shakur in Shakur's last film, the twisted comedy Gridlock'd (1997). The pair received positive critical notices for their comic chemistry. Standing in contrast to the criminals and baddies that crowd his CV, Roth's work as the innocent, seafaring pianist in the Giuseppe Tornatore film The Legend of 1900 (1998) became something of a fan favorite. Grittier fare followed when Roth made his directorial debut with The War Zone (1999), a frank, critically acclaimed drama about a family torn apart by incest. He made his next high-profile appearance as an actor as General Thade, an evil simian in the Tim Burton remake of Planet of the Apes (2001). Roth was, of course, all but unrecognizable in his primate make-up.
Roth has continued to enjoy a mix of art house and mainstream work, including everything from the lead role in Francis Ford Coppola's esoteric Youth Without Youth (2007) to becoming "The Abomination" in the special effects-heavy blockbuster The Incredible Hulk (2008). Roth took his first major American television role when he signed on to the Fox-TV series Lie to Me (2009)- Actor
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Striking Irish actor Cillian Murphy was born in Douglas, the oldest child of Brendan Murphy, who works for the Irish Department of Education, and a mother who is a teacher of French. He has three younger siblings. Murphy was educated at Presentation Brothers College, Cork. He went on to study law at University College Cork, but dropped out after about a year. During this time, Murphy also pursued an interest in music, playing guitar in various bands. Upon leaving University, Murphy joined the Corcadorca Theater Company in Cork, and played the lead role in "Disco Pigs", amongst other plays.
Various film roles followed, including a film adaptation of Disco Pigs (2001). However, his big film break came when he was cast in Danny Boyle's 28 Days Later (2002), which became a surprise international hit. This performance earned him nominations for Best Newcomer at the Empire Awards and Breakthrough Male Performance at the MTV Movie Awards.
Murphy went on to supporting roles in high-profile films such as Cold Mountain (2003) and Girl with a Pearl Earring (2003), and then was cast in two villain roles: Dr. Jonathan Crane, aka The Scarecrow, in Batman Begins (2005) and Jackson Rippner in Red Eye (2005). Although slight in nature for a villain, Murphy's piercing blue eyes helped to create creepy performances and critics began to take notice. Manhola Dargis of the New York Times cited Murphy as a "picture-perfect villain", while David Denby of The New Yorker noted he was both "seductive" and "sinister".
Later that year, Murphy starred as Patrick "Kitten" Braden, an Irish transgender woman in search of her mother in Neil Jordan's Breakfast on Pluto (2005), a film adaptation of the Pat McCabe novel. Although the film was not a box office success, Murphy was nominated for a Golden Globe for Best Actor in a Comedy or Musical and he won Best Actor for the Irish Film and Television Academy Awards.
The following year, Murphy starred in Ken Loach's The Wind that Shakes the Barley (2006). The film was the most successful independent Irish film and won the Palm D'Or at the 2006 Cannes Film Festival. Murphy continued to take roles in a number of independent films, and also reprised his role as the Scarecrow in Christopher Nolan's The Dark Knight (2008). Nolan is known for working with actors in multiple films, and cast Murphy in Inception (2010) as Robert Fischer, the young heir of the multi-billion dollar empire, who was the target of DiCaprio's dream team. His most well-known work is starring as Thomas Shelby in the British TV show Peaky Blinders beginning in 2013.
Murphy continues to appear in high-profile films such as In Time (2011), Red Lights (2012), and The Dark Knight Rises (2012), the final film in Nolan's Batman trilogy.
Murphy is married to Yvonne McGuinness, an artist. The couple have two sons, Malachy and Aran.- Actor
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Mickey Rourke was born Phillip Andre Rourke, Jr. on September 16, 1952, in Schenectady, New York, the son of Annette Elizabeth (Cameron) and Philip Andre Rourke. His father was of Irish and German descent, and his mother was of mostly English and French-Canadian ancestry. When he was six years old, his parents divorced. A year later, his mother married Eugene Addis, a Miami Beach police officer, and moved to Miami Shores, Florida. After graduating from Horace Mann Junior High School, Rourke's family moved to a house located on 47th Street and Prairie Avenue in Miami Beach. In 1969 Rourke attended Miami Beach Senior High School, where he played second-string first baseman under coach Skip Bertman. He also acted in a school play, "The Serpent," directed by legendary "Teacher To The Stars" Jay W. Jensen.
In 1971 he graduated from Miami Beach Senior High School, and after working for a short time as a bus boy at the famed Forge Restaurant on Miami Beach, Rourke moved back to New York to seek out a career in acting.
Rourke's teenage years were more aimed toward sports more than acting. He took up self-defense training at the Boys Club of Miami. It was there he learned boxing skills and decided on an amateur career. At the age of 12, Rourke won his first boxing match as an 118-pound bantamweight, defeating Javier Villanueva. Some of his early matches were fought as Andre Rourke. He continued his boxing training at the famed 5th Street Gym in Miami Beach, soon joining the Police Athletic League boxing program. In 1969 Rourke, now weighing 140 pounds, sparred with former World Welterweight champion Luis Rodriguez. Rodriguez was the number one-rated middleweight boxer in the world and was training for his match with world champion Nino Benvenuti. Rourke claims to have received a concussion in this sparring match.
In 1971, at the Florida Golden Gloves, Rourke received another concussion from a boxing match. Doctors told him to take a year off and rest. In 1972 Rourke knocked out Ron Robinson in 18 seconds and John Carver in 39 seconds. On Aug. 20, 1973, Rourke knocked out 'Sherman "Big Train"' Bergman' in 31 seconds. Shortly after, Rourke decided to retire from amateur boxing.
From 1964 to 1973, Rourke compiled an amateur boxing record of 27 wins (17 by knockout) and 3 defeats. At one point, he reportedly scored 12 consecutive first-round knockouts. As an amateur, Rourke had been friendly with pro-boxer Tommy Torino. When Rourke decided to return to boxing as a professional in 1991, Torino promoted some of Rourke's fights. Rourke was trained by former pro-boxer Freddie Roach at Miami Beach's 5th Street Gym and the Outlaw Boxing Club Gym in Los Angeles. He made $250 for his pro debut, but by the end of his second year of boxing, he had earned a million dollars. In June 1994, Rourke appeared on the cover of World Boxing Magazine. He sparred with world champions James Toney, John David Jackson, and Tommy Morrison.
Rourke wished to have 16 professional fights and then fight for a world title. However, he retired in 1994 after eight bouts and never got his desired title fight. His boxing career resulted in severe facial injuries that required a number of operations to repair his damaged face. Rourke went back to acting but worked in relative obscurity until he won a Golden Globe Award for his role as Randy "The Ram" Robinson in The Wrestler (2008). He was nominated for Best Actor, as well, but lost.- Actor
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Ciarán Hinds was born in Belfast, Northern Ireland on February 9, 1953. He was one of five children and the only son. His father was a doctor who hoped to have Ciarán follow in his footsteps, but that was not to be. It was his mother Moya, an amateur actress, who was the real influence behind his decision to become an actor. Though he did enroll in Law at Queens' University of Belfast, he left that in order to train in acting at RADA. He began his stage career at the Glasgow Citizens' Theatre as a pantomime horse in the production of "Cinderella". Staying with the company for several years, he starred in a number of productions, including playing the lead roles in "Arsenic and Old Lace" and "Faust". His stage career has included working with The Field Day Company and a number of world tours. He has starred in a number of productions with the Royal Shakespeare Company, including a world tour in the title role of "Richard III". Hinds' film career began in 1981 in the movie Excalibur (1981), which boasted a cast rich in talented actors including Liam Neeson, Gabriel Byrne and Patrick Stewart. In-between his movie work, he's amassed a large number of television credits. Playing such classic characters as "Mr. Rochester" in Jane Eyre (1997), and "Captain Wentworth" in Persuasion (1995) has increased his popularity and most definitely given him much increased recognition. As for his personal life, you won't be likely to see his name in the weekly tabloids. He likes to keep his private life private. It is known that he is in a long-term, committed relationship with a French-Vietnamese actress named Hélène Patarot and they have a daughter together and live in Paris. He is in very high demand and his reputation as a quality, professional actor is sure to keep him busy for as long as he chooses.- Actor
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Jamie Foxx is an American actor, singer and comedian. He won an Academy Award for Best Actor, BAFTA Award for Best Actor in a Leading Role, and Golden Globe Award for Best Actor in a Musical or Comedy, for his work in the biographical film Ray (2004). The same year, he was nominated for the Academy Award for Best Supporting Actor for his role in the action film Collateral (2004). Other prominent acting roles include the title role in the film Django Unchained (2012), the supervillain Electro in The Amazing Spider-Man 2 (2014), and William Stacks in the modern version of Annie (2014).
Jamie Foxx was born Eric Marlon Bishop in Terrell, Texas, to Louise Annette Talley and Darrell Bishop, who worked as a stockbroker and had later changed his name to Shahid Abdula. His mother was an adopted child. When her marriage to his father failed, his maternal grandparents, Mark and Estelle Talley, stepped in and, at age seven months, adopted Jamie too. He has said that he had a very rigid upbringing that placed him in the Boy Scouts and the church choir. During high school, he played quarterback for his high school team and was good enough that he got press in Dallas newspapers. He studied music in college. He released a music album, "Peep This" (1994), and sings the theme song for his movie, Any Given Sunday (1999). However, in 1989, his life changed when a girlfriend challenged him to get up onstage at the Comedy Club. In fact, he says he took his androgynous stage name because he learned that women got preference for mike time on open stage nights. That led to his being cast on Roc (1991) and In Living Color (1990).
Foxx had his own WB television show from 1996 to 2001, the sitcom The Jamie Foxx Show (1996), in which he played Jamie King Jr. Foxx is also a Grammy Award-winning musician, producing four albums which have charted highly on the US Billboard 200: "Unpredictable" (2005), which topped the chart, "Intuition" (2008), "Best Night of My Life" (2010), and "Hollywood: A Story of a Dozen Roses" (2015). In 2012, Foxx starred in the title role of the Quentin Tarantino written and directed Django Unchained (2012). Foxx starred alongside his Ray co-star Kerry Washington, as well as Christoph Waltz, Leonardo DiCaprio and Samuel L. Jackson. In 2013, Foxx was cast as President James Sawyer in White House Down (2013) alongside Channing Tatum. The following year, Foxx appeared as the villain Electro in The Amazing Spider-Man 2 (2014), and co-starred with Quvenzhané Wallis in Annie (2014), Sony's Will Smith and Jay-Z produced update of the comic strip-turned-musical.
He has two children, including Corinne Foxx, (born 1994), who resides with her mother.