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Greatest Femmes Fatales in Classic Film Noir

by lankalion • Created 14 years ago • Modified 10 years ago
A femme fatale is a mysterious and seductive woman whose charms ensnare her lovers in bonds of irresistible desire, often leading them into compromising, dangerous, and deadly situations. She is an archetype of literature and art. Her ability to entrance and hypnotize her victim with a spell was in the earliest stories seen as being literally supernatural, hence the most prosaic femme fatale today is still described as having a power akin to an enchantress, vampire, witch, or demon.
The phrase is French for "deadly woman". A femme fatale tries to achieve her hidden purpose by using feminine wiles such as beauty, charm, and sexual allure. In some situations, she uses lying or coercion rather than charm. She may also be (or imply to be) a victim, caught in a situation from which she cannot escape; The Lady from Shanghai (a 1947 film noir) is one such example.
Although typically villainous, femmes fatales have also appeared as antiheroines in some stories, and some even repent and become heroines by the end of the tale. In social life, the femme fatale tortures her lover in an asymmetrical relationship, denying confirmation of her affection. She usually drives him to the point of obsession and exhaustion so that he is incapable of making rational decisions.
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  • 45 titles
  • I Wake Up Screaming (1941)

    1. I Wake Up Screaming

    19411h 22mApproved
    7.2 (5.7K)
    Why is Inspector Ed Cornell trying to railroad Frankie Christopher for the murder of model Vicky Lynn?
    DirectorH. Bruce HumberstoneStarsBetty GrableVictor MatureCarole Landis
    I Wake Up Screaming (1941) is a black-and-white suspense film starring Betty Grable, Victor Mature, and Carole Landis. The film is an early example of the film noir style.[1] It is based on the novel with the same title by Steve Fisher, with a screenplay by Fisher and Dwight Taylor. It was one of the few times Betty Grable had a straight dramatic role in a picture.
  • Humphrey Bogart and Mary Astor in The Maltese Falcon (1941)

    2. The Maltese Falcon

    19411h 40mApproved97Metascore
    7.9 (171K)
    San Francisco private detective Sam Spade takes on a case that involves him with three eccentric criminals, a gorgeous liar and their quest for a priceless statuette, with the stakes rising after his partner is murdered.
    DirectorJohn HustonStarsHumphrey BogartMary AstorGladys George
    The Maltese Falcon is a 1941 Warner Bros. film based on the novel of the same name by Dashiell Hammett and a remake of the 1931 film of the same name. Written and directed by John Huston, the film stars Humphrey Bogart as private investigator Sam Spade; Mary Astor as his femme fatale client; Gladys George, who received third billing despite having a relatively minor role; Peter Lorre; and Sydney Greenstreet in his film debut. The film was Huston's directorial debut and was nominated for three Academy Awards.
  • Edward G. Robinson, Barbara Stanwyck, and Fred MacMurray in Double Indemnity (1944)

    3. Double Indemnity

    19441h 47mApproved95Metascore
    8.3 (175K)
    An insurance representative is seduced by a dissatisfied housewife into a scheme of insurance fraud and murder that arouses the suspicion of his colleague, a claims investigator.
    DirectorBilly WilderStarsFred MacMurrayBarbara StanwyckEdward G. Robinson
    Double Indemnity is a 1944 American film noir, directed by Billy Wilder, co-written by Wilder and Raymond Chandler, and produced by Buddy DeSylva and Joseph Sistrom. The script was based on James M. Cain's 1935 novella of the same title which originally appeared as an eight part serial in Liberty magazine. The film stars Fred MacMurray as an insurance salesman, Barbara Stanwyck as a provocative housewife who wishes her husband were dead, and Edward G. Robinson as a claims adjuster whose job is to find phony claims. The term double indemnity refers to a clause in certain life insurance policies that doubles the payout in cases when death is caused by accidental means.
  • Dick Powell and Claire Trevor in Murder, My Sweet (1944)

    4. Murder, My Sweet

    19441h 35mApproved
    7.5 (16K)
    After being hired to find an ex-con's former girlfriend, Philip Marlowe is drawn into a deeply complex web of mystery and deceit.
    DirectorEdward DmytrykStarsDick PowellClaire TrevorAnne Shirley
    Murder, My Sweet is a 1944 American film noir directed by Edward Dmytryk, and starring Dick Powell, Claire Trevor, and Anne Shirley. The film was released in the United Kingdom under the title Farewell, My Lovely, which is the title of the 1940 Raymond Chandler novel it is based on, and also the film's original American title.
  • Laura (1944)

    5. Laura

    19441h 28mApproved
    7.9 (54K)
    A police detective falls in love with the woman whose murder he is investigating.
    DirectorsOtto PremingerRouben MamoulianStarsGene TierneyDana AndrewsClifton Webb
    Laura is a 1944 American film noir directed by Otto Preminger. It stars Gene Tierney, Dana Andrews and Clifton Webb. The screenplay by Jay Dratler, Samuel Hoffenstein, and Elizabeth Reinhardt is based on the 1943 novel of the same title by Vera Caspary.
    In 1999, Laura was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant". The American Film Institute ranked the film #73 on AFI's 100 Years...100 Thrills, the score #7 in AFI's 100 Years of Film Scores, and it was ranked the fourth best film in the mystery genre in AFI's 10 Top 10.
  • Edward G. Robinson and Joan Bennett in The Woman in the Window (1944)

    6. The Woman in the Window

    19441h 47mApproved
    7.6 (19K)
    A reserved professor meets a model and gets mixed up in murder.
    DirectorFritz LangStarsEdward G. RobinsonJoan BennettRaymond Massey
    The Woman in the Window (1944) is a film noir directed by Fritz Lang that tells the story of psychology professor Richard Wanley (Edward G. Robinson) who meets and becomes enamored with a young femme fatale.
    Based on J. H. Wallis' novel Once Off Guard, the story features two surprise twists at the end. Scriptwriter Nunnally Johnson founded International Pictures (his own independent production company) after writing successful films such as The Grapes of Wrath (1940) and other John Ford films, and chose The Woman in the Window as its premiere project. Director Fritz Lang substituted the film's dream ending in place of the originally scripted suicide ending, to conform with the moralistic Production Code of the time.
  • Claudia Drake, Edmund MacDonald, Tom Neal, and Ann Savage in Detour (1945)

    7. Detour

    19451h 6mApproved
    7.3 (21K)
    The life of Al Roberts, a pianist in a New York nightclub, turns into a nightmare when he decides to hitchhike to Los Angeles to visit his girlfriend.
    DirectorEdgar G. UlmerStarsTom NealAnn SavageClaudia Drake
    Detour (1945) is a film noir cult classic that stars Tom Neal, Ann Savage, Claudia Drake and Edmund MacDonald. The movie was adapted by Martin Goldsmith and Martin Mooney (uncredited) from Goldsmith's novel and was directed by Edgar G. Ulmer. The 68-minute film was released by the Producers Releasing Corporation (PRC), one of the so-called "poverty row" film studios in mid-twentieth century Hollywood.
  • Dana Andrews, Linda Darnell, and Alice Faye in Fallen Angel (1945)

    8. Fallen Angel

    19451h 38mApproved
    7.0 (6.9K)
    A slick con man arrives in a small town looking to make some money, but soon gets more than he bargained for.
    DirectorOtto PremingerStarsAlice FayeDana AndrewsLinda Darnell
    Fallen Angel is a 1945 black-and-white film noir directed by Otto Preminger, with cinematography by Joseph LaShelle, who had also worked with Preminger on Laura a year before. The film features Alice Faye, Dana Andrews, Linda Darnell, and Charles Bickford. It was the last film Faye made as a major Hollywood star. Disappointed at how studio boss Darryl F. Zanuck cut her role out of the picture, Faye left the studio the day after a preview screening, and did not make another film until State Fair (1962).
  • Gene Tierney, Jeanne Crain, and Cornel Wilde in Leave Her to Heaven (1945)

    9. Leave Her to Heaven

    19451h 50mApproved
    7.6 (16K)
    A writer falls in love with a young socialite and they're soon married, but her obsessive love for him threatens to be the undoing of them both as well as everyone around them.
    DirectorJohn M. StahlStarsGene TierneyCornel WildeJeanne Crain
    Leave Her to Heaven is a 1945 American 20th Century Fox Technicolor film noir motion picture starring Gene Tierney, Cornel Wilde, Jeanne Crain, with Vincent Price, Darryl Hickman, and Chill Wills. The story revolves around a femme fatale who entraps a husband and commits several crimes motivated by her insane jealousy.
    The story was adapted for the screen by Jo Swerling, having been based on the best selling novel of the same name authored by Ben Ames Williams. The film was directed by John M. Stahl. Tierney received an Oscar nomination as Best Actress in a Leading Role for this film. The film grossed over $5,000,000 and was Fox's highest-grossing picture of the 1940s.
  • Eve Arden, Joan Crawford, Ann Blyth, Bruce Bennett, and Zachary Scott in Mildred Pierce (1945)

    10. Mildred Pierce

    19451h 51mApproved88Metascore
    7.9 (30K)
    A hard-working mother inches towards disaster as she divorces her husband and starts a successful restaurant business to support her spoiled daughter.
    DirectorMichael CurtizStarsJoan CrawfordJack CarsonZachary Scott
    Mildred Pierce is a 1945 Warner Bros. feature film starring Joan Crawford, Ann Blyth, Jack Carson, Zachary Scott, and Eve Arden in a film noir tale about a long-suffering mother and her ungrateful daughter. The screenplay by Ranald MacDougall, William Faulkner, and Catherine Turney was based upon the 1941 novel Mildred Pierce by James M. Cain. The film was directed by Michael Curtiz and produced by Jerry Wald with Jack L. Warner as executive producer.
    Mildred Pierce was Crawford's first starring film for Warner Bros. after leaving MGM, and won her the Academy Award for Best Actress.
  • Edward G. Robinson, Joan Bennett, and Dan Duryea in Scarlet Street (1945)

    11. Scarlet Street

    19451h 42mApproved
    7.7 (20K)
    A man in mid-life crisis befriends a young woman, though her fiancé persuades her to con him out of the fortune they mistakenly assume he possesses.
    DirectorFritz LangStarsEdward G. RobinsonJoan BennettDan Duryea
    Scarlet Street is a 1945 American film noir directed by Fritz Lang and based on the French novel La Chienne (The Bitch) by Georges de La Fouchardière, that previously had been dramatized on stage by André Mouëzy-Éon, and cinematically as La Chienne (1931) by director Jean Renoir.
    The principal actors Edward G. Robinson, Joan Bennett, and Dan Duryea, had earlier appeared together in The Woman in the Window (1944) also directed by Fritz Lang. The three were re-teamed for Scarlet Street. The film was later featured in an episode of Cinema Insomnia.
  • Lauren Bacall and Humphrey Bogart in The Big Sleep (1946)

    12. The Big Sleep

    19461h 54mApproved86Metascore
    7.9 (93K)
    Private detective Philip Marlowe is hired by a wealthy family. Before the complex case is over, he's seen murder, blackmail--and what might be love.
    DirectorHoward HawksStarsHumphrey BogartLauren BacallJohn Ridgely
    The Big Sleep is a 1946 film noir directed by Howard Hawks, the first film version of Raymond Chandler's 1939 novel of the same name. It stars Humphrey Bogart as detective Philip Marlowe and Lauren Bacall as the female lead in a film about the "process of a criminal investigation, not its results." William Faulkner, Leigh Brackett, and Jules Furthman co-wrote the screenplay.
    In 1997, the U.S. Library of Congress deemed this film "culturally, historically, or aesthetically significant," and added it to the National Film Registry.
  • The Blue Dahlia (1946)

    13. The Blue Dahlia

    19461h 36mApproved
    7.1 (10K)
    An ex-bomber pilot is suspected of murdering his unfaithful wife.
    DirectorGeorge MarshallStarsAlan LaddVeronica LakeWilliam Bendix
    The Blue Dahlia (1946) is an American film noir directed by George Marshall and written by Raymond Chandler. A navy officer returns home to an unfaithful wife, who is later murdered. The film marks the third pairing of stars Alan Ladd and Veronica Lake.
  • Robert Armstrong, Jean Gillie, Sheldon Leonard, Edward Norris, and Herbert Rudley in Decoy (1946)

    14. Decoy

    19461h 16mApproved
    6.7 (2.3K)
    A mortally-wounded female gangster recounts how she and her gang revived an executed killer from the gas chamber to try to find out where he buried a fortune in cash.
    DirectorJack BernhardStarsJean GillieEdward NorrisRobert Armstrong
    Decoy is a 1946 American film noir. Directed by Jack Bernhard, the film stars Jean Gillie, Edward Norris, Robert Armstrong, Henry Rudley, Sheldon Leonard and Marjorie Woodwarth. The film was produced by Jack Bernhard and Bernard Brandt as a Jack Bernhard Production, with a screenplay by Ned Young, based on an original story by Stanley Rubin.
    Decoy is a showcase of how film noir can do so much with so little. Short-lived Jean Gillie stars as one of the film genre's toughest femme fatales, a drop-dead beauty who chemically revives her sweetheart-in-crime after he gets the gas chamber. She's after money, not love: he knows where the loot is stashed
  • Rita Hayworth in Gilda (1946)

    15. Gilda

    19461h 50mApproved
    7.6 (37K)
    A small-time gambler hired to work in a Buenos Aires casino discovers his employer's new wife is his former lover.
    DirectorCharles VidorStarsRita HayworthGlenn FordGeorge Macready
    Gilda (1946) is a black-and-white film noir directed by Charles Vidor. It stars Glenn Ford and Rita Hayworth in her signature role as the ultimate femme fatale. The film was noted for cinematographer Rudolph Mate's lush photography, costume designer Jean Louis' wardrobe for Hayworth (particularly for the dance numbers), and choreographer Jack Cole's staging of "Put the Blame on Mame" and "Amado Mio", sung by Anita Ellis.
  • Burt Lancaster, Ava Gardner, William Conrad, and Charles McGraw in The Killers (1946)

    16. The Killers

    19461h 43mApproved
    7.7 (25K)
    Hit men arrive in a small New Jersey town to kill an unresisting victim, and insurance investigator Reardon uncovers his past involvement with beautiful, deadly Kitty Collins.
    DirectorRobert SiodmakStarsBurt LancasterAva GardnerEdmond O'Brien
    The Killers is a 1946 American film noir. It is based in part on the short story of the same name by Ernest Hemingway. The film was directed by Robert Siodmak and features Burt Lancaster in his screen debut, as well as Ava Gardner, Edmond O'Brien, and Sam Levene. An uncredited John Huston and Robert Brooks co-wrote the screenplay, which was credited to Anthony Veiller.
    In 2008, The Killers was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".
  • Lana Turner and John Garfield in The Postman Always Rings Twice (1946)

    17. The Postman Always Rings Twice

    19461h 53mApproved84Metascore
    7.4 (24K)
    A married woman and a drifter fall in love and plot to murder her husband.
    DirectorTay GarnettStarsLana TurnerJohn GarfieldCecil Kellaway
    The Postman Always Rings Twice is a 1946 drama-film noir based on the 1934 The Postman Always Rings Twice novel by James M. Cain. This adaptation of the novel is the best known, featuring Lana Turner, John Garfield, Cecil Kellaway, Hume Cronyn, Leon Ames, and Audrey Totter. It was directed by Tay Garnett, with a score written by George Bassman and Erich Zeisl (the latter uncredited).
    This version was the third filming of The Postman Always Rings Twice, but the first under the novel's original title and the first in English. Previously, the novel had been filmed as Le Dernier Tournant (The Last Turning) in France in 1939, and as Ossessione (Obsession) in Italy in 1942.
  • Kirk Douglas, Van Heflin, Barbara Stanwyck, and Lizabeth Scott in The Strange Love of Martha Ivers (1946)

    18. The Strange Love of Martha Ivers

    19461h 56mApproved
    7.4 (12K)
    A man is reunited with his childhood friend and her husband who believes he knows the truth about the death of her rich aunt years earlier.
    DirectorLewis MilestoneStarsBarbara StanwyckVan HeflinLizabeth Scott
    The Strange Love of Martha Ivers is a black-and-white film noir released in the United States in 1946, starring Barbara Stanwyck, Van Heflin, Lizabeth Scott and Kirk Douglas in his film debut. The movie is based on the short story "Love Lies Bleeding" by playwright John Patrick, using the pseudonym Jack Patrick, and was produced by Hal B. Wallis. The screenplay was written by Robert Rossen and Robert Riskin, who was not credited, and was directed by Lewis Milestone. The film was entered into the 1947 Cannes Film Festival.
  • Walter Slezak, Lawrence Tierney, and Claire Trevor in Born to Kill (1947)

    19. Born to Kill

    19471h 32mApproved
    7.2 (6.4K)
    A calculating divorcée risks her chances at wealth and security with a man she doesn't love by getting involved with the hotheaded murderer romancing her foster sister.
    DirectorRobert WiseStarsClaire TrevorLawrence TierneyWalter Slezak
    Born to Kill is a 1947 film noir starring Lawrence Tierney and directed by Robert Wise. It was the first film noir to be directed by Wise, who later directed The Set-Up (1949), The Captive City (1952), and Odds Against Tomorrow (1959). The film also features Claire Trevor, Walter Slezak, and Elisha Cook Jr.
  • Dead Reckoning (1946)

    20. Dead Reckoning

    19461h 40mApproved51Metascore
    7.0 (9.4K)
    A soldier runs away to avoid receiving the Medal of Honor, so his buddy gets permission to investigate. Romance and death soon follow.
    DirectorJohn CromwellStarsHumphrey BogartLizabeth ScottMorris Carnovsky
    Dead Reckoning is a 1947 Columbia Pictures film noir starring Humphrey Bogart and Lizabeth Scott and featuring Morris Carnovsky. It was directed by John Cromwell and written by Steve Fisher and Oliver H.P. Garrett based on a story by Gerald Drayson Adams and Sidney Biddell.
  • Jayne Meadows, Robert Montgomery, and Audrey Totter in Lady in the Lake (1946)

    21. Lady in the Lake

    19461h 45mApproved
    6.5 (6.7K)
    The female editor of a crime magazine hires Phillip Marlowe to find the wife of her boss. The private detective soon finds himself involved in murder.
    DirectorRobert MontgomeryStarsRobert MontgomeryAudrey TotterLloyd Nolan
    Lady in the Lake is a 1947 American noir film that marked the directorial debut of actor Robert Montgomery who also starred in the film. It was an adaptation of the 1944 Raymond Chandler novel The Lady in the Lake. The picture features Audrey Totter, Lloyd Nolan, Tom Tully, Leon Ames and Jayne Meadows. Chandler, a twice Oscar nominated screenwriter who did not author the screenplay for this or any other screen adaptations of his own novels, surprisingly disdained Montgomery's ambition to create a cinematic version of the first person narrative style of his Phillip Marlowe novels.
  • Robert Mitchum and Jane Greer in Out of the Past (1947)

    22. Out of the Past

    19471h 37mApproved85Metascore
    8.0 (43K)
    A private eye escapes his past to run a gas station in a small town, but his past catches up with him. Now he must return to the big city world of danger, corruption, double crosses, and duplicitous dames.
    DirectorJacques TourneurStarsRobert MitchumJane GreerKirk Douglas
    Out of the Past (originally released in the United Kingdom as Build My Gallows High) is a 1947 film noir directed by Jacques Tourneur and starring Robert Mitchum, Jane Greer, and Kirk Douglas. The film was adapted by Daniel Mainwaring (using the pseudonym Geoffrey Homes), with uncredited revisions by Frank Fenton and James M. Cain, from his novel Build My Gallows High (also written as Homes).
    The film is considered by film historians to be a superb example of film noir, due to its convoluted, dreamlike storyline and its chiaroscuro cinematography (cinematographer Nicholas Musuraca also shot Tourneur's Cat People). In 1991, Out of the Past was added to the United States National Film Registry as being deemed "culturally, historically, or aesthetically significant."
  • Gregory Peck, Ethel Barrymore, Charles Laughton, Charles Coburn, Ann Todd, Louis Jourdan, and Alida Valli in The Paradine Case (1947)

    23. The Paradine Case

    19472h 5mApproved
    6.5 (13K)
    A happily married London barrister falls in love with the accused poisoner he is defending.
    DirectorAlfred HitchcockStarsGregory PeckAnn ToddCharles Laughton
    The Paradine Case is a 1947 American courtroom drama film, set in England, directed by Alfred Hitchcock and produced by David O. Selznick. The screenplay was written by Selznick and an uncredited Ben Hecht, from an adaptation by Alma Reville and James Bridie of the novel by Robert Smythe Hichens. The film stars Gregory Peck, Ann Todd, Alida Valli, Charles Laughton, Charles Coburn, Ethel Barrymore and Louis Jourdan. It tells of an English barrister who falls in love with a woman who is accused of murder, and how it affects his relationship with his wife.
  • Joan Bennett, Charles Bickford, and Robert Ryan in The Woman on the Beach (1947)

    24. The Woman on the Beach

    19471h 11mApproved
    6.4 (2.8K)
    A Coast Guardsman suffering from Post-Traumatic Stress Disorder becomes involved with a beautiful and enigmatic seductress married to a blind painter.
    DirectorJean RenoirStarsJoan BennettRobert RyanCharles Bickford
    The Woman on the Beach (1947) is a film noir directed by Jean Renoir, released by RKO Radio Pictures, and starring Robert Ryan, Joan Bennett, and Charles Bickford.
  • John Garfield, Beatrice Pearson, and Marie Windsor in Force of Evil (1948)

    25. Force of Evil

    19481h 19mApproved89Metascore
    7.2 (8K)
    An unethical lawyer who wants to help his older brother becomes a partner with a client in the numbers racket.
    DirectorAbraham PolonskyStarsJohn GarfieldThomas GomezBeatrice Pearson
    Force of Evil (1948) is a film noir directed by Abraham Polonsky who had already achieved a name for himself as a scriptwriter, most notably for the gritty boxing film Body and Soul (1947). Like Body and Soul it starred John Garfield. The movie was adapted by Abraham Polonsky and Ira Wolfert from Wolfert's novel Tucker's People.
    In 1994, Force of Evil was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".

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