Favortie Male Performances
My Favorite Male Performances of all time in no particular order.
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Probably best-remembered for his turbulent personal life with Elizabeth Taylor (whom he married twice), Richard Burton was nonetheless also regarded as an often brilliant British actor of the post-WWII period.
Burton was born Richard Walter Jenkins in 1925 into a Welsh (Cymraeg)-speaking family in Pontrhydyfen to Edith Maude (Thomas) and Richard Walter Jenkins, a coal miner. The twelfth of thirteen children, his mother died while he was a toddler and his father later abandoned the family, leaving him to be raised by an elder sister, Cecilia. An avid fan of Shakespeare, poetry and reading, he once said "home is where the books are". He received a scholarship to Oxford University to study acting and made his first stage appearance in 1944.
His first film appearances were in routine British movies such as Woman of Dolwyn (1949), Waterfront Women (1950) and Green Grow the Rushes (1951). Then he started to appear in Hollywood movies such as My Cousin Rachel (1952), The Robe (1953) and Alexander the Great (1956), added to this he was also spending considerable time in stage productions, both in the UK and USA, often to splendid reviews. The late 1950s was an exciting and inventive time in UK cinema, often referred to as the "British New Wave", and Burton was right in the thick of things, and showcased a sensational performance in Look Back in Anger (1959). He also appeared with a cavalcade of international stars in the World War II magnum opus The Longest Day (1962), and then onto arguably his most "notorious" role as that of Marc Antony opposite Elizabeth Taylor in the hugely expensive Cleopatra (1963). This was, of course, the film that kick-started their fiery and passionate romance (plus two marriages), and the two of them appeared in several productions over the next few years including The V.I.P.s (1963), The Sandpiper (1965), the dynamic Who's Afraid of Virginia Woolf? (1966) and The Taming of The Shrew (1967), as well as box office flops like The Comedians (1967). Burton did better when he was off on his own giving higher caliber performances, such as those in Becket (1964), the film adaptation of the Tennessee Williams play The Night of the Iguana (1964), the brilliant espionage thriller The Spy Who Came in from the Cold (1965) and alongside Clint Eastwood in the World War II action adventure film Where Eagles Dare (1968).
His audience appeal began to decline somewhat by the end of the 1960s as fans turned to younger, more virile male stars, however Burton was superb in Anne of the Thousand Days (1969) as King Henry VIII, he put on a reasonable show in the boring Raid on Rommel (1971), was over the top in the awful Villain (1971), gave sleepwalking performances in Hammersmith Is Out (1972) and Bluebeard (1972), and was wildly miscast in the ludicrous The Assassination of Trotsky (1972).
By the early 1970s, quality male lead roles were definitely going to other stars, and Burton found himself appearing in some movies of dubious quality, just to pay the bills and support family, including Divorce His - Divorce Hers (1973) (his last on-screen appearance with Taylor), The Klansman (1974), Brief Encounter (1974), Jackpot (1974) (which was never completed) and Exorcist II: The Heretic (1977). However, he won another Oscar nomination for his excellent performance as a concerned psychiatrist in Equus (1977). He appeared with fellow acting icons Richard Harris and Roger Moore in The Wild Geese (1978) about mercenaries in South Africa. While the film had a modest initial run, over the past thirty-five years it has picked up quite a cult following. His final performances were as the wily inquisitor "O'Brien" in the most recent film version of George Orwell's dystopian 1984 (1984), in which he won good reviews, and in the TV mini series Ellis Island (1984). He passed away on August 5, 1984 in Celigny, Switzerland from a cerebral hemorrhage.Whos Afraid of Virginia Woolf?- Actor
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Despite being one of the finest actors of his generation, Peter Finch will be remembered as much for his reputation as a hard-drinking, hell-raising womanizer as for his performances on the screen. He was born in London in 1916 and went to live in Sydney, Australia, at the age of ten. There, he worked in a series of dead-end jobs before taking up acting, his film debut being in the mediocre comedy The Farmer Goes to Town (1938). He made his stage debut as a comedian's stooge in 1939. Laurence Olivier spotted him and persuaded him to return to Britain to perform classic roles on the stage. Finch then had an affair with Olivier's wife, Vivien Leigh. Despite being married three times, Finch also had highly-publicized affairs with actresses Kay Kendall and Mai Zetterling. Finch soon switched to film after suffering appalling stage fright. As a screen actor, he won five BAFTA awards and his talent was beyond doubt. His two finest roles, the only two for which he received Oscar nominations, were as the homosexual Jewish doctor in Sunday Bloody Sunday (1971) and as the "mad prophet of the air-waves" in Network (1976). He died a couple of months before being awarded the Oscar for Best Performance by an Actor in a Leading Role in Network (1976) and was the first actor to have won the award posthumously.Network- Actor
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Stocky, genial-looking supporting actor Ned Beatty was once hailed by Daily Variety as the "busiest actor in Hollywood."
Ned Thomas Beatty was born in Louisville, Kentucky, to Margaret (Fortney) and Charles William Beatty. He grew up fishing and working on farms. His hometown of St. Matthews, Kentucky, is hardly the environment to encourage a career in the entertainment industry, though, so when asked, "How did you get into show business?" Beatty responded, "By hanging out with the wrong crowd." That "crowd" includes some of the industry's most prominent names, such as John Huston, Steven Spielberg, Robert Altman, Paul Newman, Richard Burton, Charlton Heston, Marlon Brando and Robert Redford.
Beatty garnered praise from both critics and peers as a dedicated actor's actor. He started as a professional performer at age ten, when he earned pocket money singing in gospel quartets and a barber shop. The big city and bright lights did not come easy, though. The first ten years of Beatty's career were spent at the Barter Theater in Abingdon, Virginia. He then moved on to the Erie Playhouse in Pennsylvania, the Playhouse Theater in Houston, Texas, and the prestigious Arena Stage Company in Washington, D.C. He was also a member of Shakespeare in Central Park, Louisville, Kentucky. Later, he appeared in the Broadway production of "The Great White Hope". At the Mark Taper Forum in Los Angeles, he won rave reviews when he starred in "The Accidental Death of an Anarchist."
In 1971, Beatty was chosen by director John Boorman for the role of Bobby Trippe in the hit film/backwoods nightmare Deliverance (1972). Co-star Burt Reynolds and Beatty struck up a friendship, and Ned was then cast by Burt in several other films together, including White Lightning (1973), W.W. and the Dixie Dancekings (1975), and the abysmal Stroker Ace (1983). Ned's talents were also noticed by others in Hollywood and he was cast in many key productions of the 1970s turning in stellar performance, including an Academy Award nomination of Best Supporting Actor for his role in Network (1976). Beatty was also marvelous in Nashville (1975), under fire from a crazed sniper in The Deadly Tower (1975), an undercover FBI man in the action comedy Silver Streak (1976), as Lex Luthor's bumbling assistant, Otis, in the blockbuster Superman (1978) ... and he returned again with Gene Hackman to play Otis and Lex Luthor again in Superman II (1980).
Beatty continued to remain busy throughout the 1980s with appearances in several big budget television productions including The Last Days of Pompeii (1984). However, the overall caliber of the productions in general did not match up to those he had appeared in during the 1970s. Nonetheless, Beatty still shone in films including The Big Easy (1986) and The Fourth Protocol (1987). Into the 1990s, Beatty's work output swung between a mixture of roles in family orientated productions (Gulliver's Travels (1996), Back to Hannibal: The Return of Tom Sawyer and Huckleberry Finn (1990), etc.) taking advantage of his "fatherly" type looks, but he could still accentuate a hard edge, and additionally was cast in Radioland Murders (1994) and Just Cause (1995). His many other films include The Toy (1982), All the President's Men (1976), Wise Blood (1979), Rudy (1993), Spring Forward (1999), Hear My Song (1991) -- for which he earned a Golden Globe nomination for Best Supporting Actor -- Prelude to a Kiss (1992), He Got Game (1998) and Cookie's Fortune (1999). Beatty's numerous television credits include three years on the NBC series Homicide: Life on the Street (1993), Streets of Laredo (1995) and The Boys (1993).
Beatty received an Emmy Award nomination for Best Actor for his performance in Friendly Fire (1979) opposite Carol Burnett, and a Best Supporting Actor nomination for Family Channel's Magic Hour: Tom Alone (1989). Other notable credits include The Wool Cap (2004), The Execution of Private Slovik (1974), A Woman Called Golda (1982), Pray TV (1982), the miniseries Robert Kennedy and His Times (1985), Lockerbie: A Night Remembered (1998) and T Bone N Weasel (1992). He also had a recurring role on Roseanne (1988) and performed musically on television specials for Dolly Parton and The Smothers Brothers.
In 2001, Beatty returned to his theatrical roots starring in London's West End revival production of Tennessee Williams' "Cat on a Hot Tin Roof" with Brendan Fraser. He also appeared in the production on Broadway in 2003/2004 with Jason Patric and Ashley Judd. In 2006, Beatty completed three features to be released next year: The Walker (2007); Paul Schrader's film also starring Woody Harrelson, Kristin Scott Thomas and Lily Tomlin; Paramount Pictures' Shooter (2007) starring Mark Wahlberg; and Charlie Wilson's War (2007), Mike Nichols's film with Tom Hanks, Philip Seymour Hoffman and Julia Roberts. Also in the 21st century, Beatty turned out a terrific performance in the popular Where the Red Fern Grows (2003). Blessed with eight children, Ned Beatty enjoyed golf and playing the bass guitar. He gave himself until the age of 70 to become proficient at both. He died at age 83 of natural causes on June 13, 2021 in Los Angeles, California.Network- Actor
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Billy Wilder proclaimed William Holden to be "the ideal motion picture actor". For almost four decades, the handsome, affable 'Golden Holden' was among Hollywood's most durable and engaging stars. He was born William Franklin Beedle Jr., one of three sons to a high school English teacher, Mary Blanche (Ball), and a chemical and fertilizer analyst, William Franklin Beedle, head of the George W. Gooch Laboratories in Pasadena. His father, a keen physical fitness enthusiast, taught young Bill the art of tumbling and boxing. During his days as a student at South Pasadena High, he also became adept at team sports (football and baseball), learned to ride and shoot and to be proficient on piano, clarinet and drums.
To his father's chagrin, Bill had no inclination of following in dad's footsteps, though he did major in chemistry at Pasadena Junior College. A trip to New York and Broadway had set Bill's path firmly on an acting career. He had already performed in school plays and lent his voice to several radio plays in Los Angeles by the time he was spotted by a Paramount talent scout (playing the part of octogenarian Eugene Curie) at the Pasadena Workshop Theatre. In early 1938, he was offered a six-month studio contract for a weekly salary of $50. Naturally, the name Beedle had to go. Several alternatives were bandied around -- including Randolph Carey and Taylor Randolph - until the head of Paramount's publicity department settled on the name Holden (based on a personal friend who was an associate editor at the L.A. Times, also named Bill).
Having joined Paramount's Golden Circle Club of promising young actors, Bill was now groomed for stardom. However, it was a loan-out to Columbia that secured him his breakthrough role. He was the sixty-sixth actor to audition for the part of an Italian violinist forced to become a boxer in Golden Boy (1939). His earlier training as a junior pugilist proved somewhat beneficial but it was self-effacing co-star Barbara Stanwyck who turned out to be most instrumental in helping him rehearse and overcoming his nerves to act alongside her and thespians Lee J. Cobb and Adolphe Menjou. The picture was a minor hit and Columbia consequently acquired half his contract. For the next few years, Bill continued playing wholesome, guy-next-door types and rookie servicemen in pictures like Our Town (1940), I Wanted Wings (1941) (which was the making of 'peek-a-boo' star Veronica Lake) and The Fleet's In (1942). His salary had been enhanced and he now earned $150 a week. In July 1941, he married 25-year old actress Brenda Marshall, who commanded five times his income.
In 1942, he enlisted in the Officers Candidate School in Florida, graduating as an Air Force second lieutenant. He spent the next three years on P.R. duties and making training films for the Office of Public Information. One of his brothers, a naval pilot, was shot down and killed over the Pacific in 1943. After war's end, he was demobbed and returned to Hollywood to resume playing similar characters in similar movies. He later commented that he found "no interest or enjoyment" in portraying the same type of "nice-guy meaningless roles in meaningless movies". That was to change - along with his image - when he was invited to play the part of caddish, down-on-his-luck scriptwriter Joe Gillis in Sunset Boulevard (1950). The brilliantly acidulous screenplay was by Charles Brackett and director Billy Wilder (from their story A Can of Beans) and the story was narrated in flashback by Bill's character, opening with Gillis floating face-down in the swimming pool of a decrepit mansion "of the kind crazy people bought in the 20s".
With Sunset Boulevard (1950), Holden had effectively graduated from leading man to leading actor. No longer typecast, he was now allowed more hard-edged or even morally ambiguous roles: a self-serving, cynical prisoner-of-war in Stalag 17 (1953) (for which he won an Academy Award); an unemployed drifter who disrupts and changes the lives (particularly of womenfolk) in a small Kansas town, in Picnic (1955); a happy-go-lucky gigolo (who, as Billy Wilder explained the part to Bill, gets the sports car while Bogey -- Humphrey Bogart -- gets the girl), in the delightful Sabrina (1954); and an ill-fated U.S. Navy pilot in The Bridges at Toko-Ri (1954), set during the Korean War. Clever dialogue and the Holden likability factor also improved what potentially could have turned out dull or maudlin in pictures like Forever Female (1953) and Love Is a Many-Splendored Thing (1955).
Already one of the highest paid stars of the 1950s, Holden received 10% of the gross for The Bridge on the River Kwai (1957), making him an instant multi-millionaire. He invested much of his earnings in various enterprises, even a radio station in Hong Kong. At the end of the decade, he relocated his family to Geneva, Switzerland, but spent more and more of his own time globetrotting. In the 1960s, Holden founded the exclusive Mount Kenya Safari Club with oil billionaire Ray Ryan and Swiss financier Carl Hirschmann. His fervent advocacy of wildlife conservation now consumed more of his time than his acting. His films, consequently, dropped in quality.
Drinking ever more heavily, he also started to show his age. By the time he appeared as the leader of an outlaw gang on their last roundup in Sam Peckinpah's The Wild Bunch (1969), his face was so heavily lined that someone likened it to 'a map of the United States.' He still had a couple more good performances in him, in The Towering Inferno (1974) and Network (1976), until his shock death from blood loss due to a fall at his apartment while intoxicated. In 1982, actress Stefanie Powers, with whom he had been in a relationship since 1972, helped set up the William Holden Wildlife Foundation and the William Holden Wildlife Education Center in Kenya. Bill also has a star on the Hollywood Walk of Fame. His wanderlust has left traces of him all over the world.Network- Actor
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One of the greatest actors of all time, Robert De Niro was born on August 17, 1943 in Manhattan, New York City, to artists Virginia (Admiral) and Robert De Niro Sr. His paternal grandfather was of Italian descent, and his other ancestry is Irish, English, Dutch, German, and French. He was trained at the Stella Adler Conservatory and the American Workshop. De Niro first gained fame for his role in Bang the Drum Slowly (1973), but he gained his reputation as a volatile actor in Mean Streets (1973), which was his first film with director Martin Scorsese. He received an Academy Award for Best Supporting Actor for his role in The Godfather Part II (1974) and received Academy Award nominations for best actor in Taxi Driver (1976), The Deer Hunter (1978) and Cape Fear (1991). He received the Academy Award for Best Actor for his role as Jake LaMotta in Raging Bull (1980).
De Niro has earned four Golden Globe Award nominations for Best Actor - Motion Picture Musical or Comedy, for his work in New York, New York (1977), opposite Liza Minnelli, Midnight Run (1988), Analyze This (1999) and Meet the Parents (2000). Other notable performances include Brazil (1985), The Untouchables (1987), Backdraft (1991), Frankenstein (1994), Heat (1995), Casino (1995) and Jackie Brown (1997). At the same time, he also directed and starred in such films as A Bronx Tale (1993) and The Good Shepherd (2006). De Niro has also received the AFI Lifetime Achievement Award in 2003 and the Golden Globe Cecil B. DeMille Award in 2010.
As of 2022, De Niro is 79-years-old. He has never retired from acting, and continues to work regularly in mostly film.Raging Bull- Actor
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Lead and supporting actor of the American stage and films, with sandy colored hair, and pale complexion. He won an Oscar as Best Supporting Actor for his performance in The Deer Hunter (1978), and has been seen in mostly character roles, often portraying psychologically unstable individuals, though that generalization would not do justice to Walken's depth and breadth of performances.
Walken was born in Astoria, Queens, New York. His mother, Rosalie (Russell), was a Scottish emigrant, from Glasgow. His father, Paul Wälken, was a German emigrant, from Horst, who ran Walken's bakery. Christopher learned his stage craft, including dancing, at Hofstra University & ANTA, and picked up a Theatre World award for his performance in the revival of the Tennessee Williams play "The Rose Tattoo". Walken then first broke through into cinema in 1969 appearing in Me and My Brother (1968), before appearing alongside Sean Connery in the sleeper heist movie The Anderson Tapes (1971). His eclectic work really came to the attention of critics in 1977 with his intense portrayal of Diane Keaton suicidal younger brother in Annie Hall (1977), and then he scooped the Best Supporting Actor Academy Award in 1977 for his role as Nick in the electrifying The Deer Hunter (1978). Walken was lured back by The Deer Hunter (1978) director Michael Cimino for a role in the financially disastrous western Heaven's Gate (1980), before moving onto surprise audiences with his wonderful dance skills in Pennies from Heaven (1981), taking the lead as a school teacher with telepathic abilities in the Stephen King inspired The Dead Zone (1983) and then as billionaire industrialist Max Zorin trying to blow up Silicon Valley in the 007 adventure A View to a Kill (1985). Looking at many of Walken's other captivating screen roles, it is easy to see the diversity of his range and even his droll comedic talents with humorous appearances in Biloxi Blues (1988), Wayne's World 2 (1993), Joe Dirt (2001), Mousehunt (1997) and America's Sweethearts (2001). Most recently, he continued to surprise audiences again with his work as a heart broken and apologetic father to Leonardo DiCaprio in Catch Me If You Can (2002).The Deer Hunter- Director
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Victor Sjöström was born on September 20, 1879, and is the undisputed father of Swedish film, ranking as one of the masters of world cinema. His influence lives on in the work of Ingmar Bergman and all those directors, both Swedish and international, influenced by his work and the works of directors whom he himself influenced.
As a boy Sjöström was close to his mother, who died during childbirth when he was seven years old. Biographers see this truncated relationship as being essential to the evolution of his dramatic trope of strong-willed, independent women in his films. He was masterful at eliciting sensitive performances from actresses, such as that of Lillian Gish in his American classic The Wind (1928).
The teenaged Sjöström loved the theater, but after his education he turned to business, becoming a donut salesman. Fortunately for the future of Swedish cinema, he was a flop as a salesman, and turned to the theater, becoming an actor and then director. The Swedish film company Svenska Bio hired him and fellow stage director Mauritz Stiller to helm pictures, and from 1912-15 he directed 31 films. Only three of them survive (it is estimated that approximately 150,000 films, or 80% of the total silent-era production, has been lost). He directed Ingeborg Holm (1913), considered the first classic of Swedish cinema.
Despite the exigencies of working in an industrial art form, most Svenska Bio films of this period are embarrassments in an artistic sense--turgid melodramas, absurd romances and shaggy dog-style comedies--and there is no reason to think that the director didn't helm his share of such fare. Even taking that into account, Sjöström managed to develop a personal style. The reason he became internationally famous (and wooed by Hollywood) was the richness of his films, which were full of psychological subtleties and natural symbolism that was integrated into the works as a whole. He dealt with such major themes as guilt, redemption and the rapidly evolving place of women in society.
His 1920 film The Phantom Carriage (1921) (a.k.a. "Thy Soul Shall Bear Witness") was an internationally acclaimed masterpiece, and Goldwyn Pictures hired him to direct Name the Man! (1924) (Goldwayn was folded into Metro-Goldwyn-Mayer in 1924, where he worked until shortly after the advent of sound). Sjöström's name was changed to "Victor Seastrom" (a phonetic pronunciation in a country with limited word fonts), and he became a major American director, a pro-to David Lean, who was renowned for balancing artistic expression with a concern for what would play at the box office. His first MGM film was the Lon Chaney melodrama He Who Gets Slapped (1924). It was not only a critical success but a huge hit, getting the new studio off onto a sound footing.
He was highly respected by MGM chief Louis B. Mayer and by production head Irving Thalberg, who shared Sjöström's concerns with art that did not exclude profit. Sjöström became one of the most highly paid directors in Hollywood, reaching his peak at the end of the silent era (when the silent film reached its maturation as an art form) with two collaborations with Lillian Gish: The Scarlet Letter (1926) and "The Wind" (1926), his last masterpiece.
He departed Hollywood for Sweden after A Lady to Love (1930), returning one last time to helm Under the Red Robe (1937) for 20th Century-Fox, and although he made two movies in Sweden in the intervening years, his career as a director basically ended with the sound era. He returned to his first avocation, acting in Swedish films, in the 1930s, '40s and '50s. In his later years he was a mentor to Ingmar Bergman and gave a remarkable performance in Bergman's masterpiece "Wild Strawberries" (1957), for which he won the National Board of Review's Best Actor Award. In his professional life he was a workaholic, and in his private life was reticent about his films and his fame and remained intensely devoted to his wife Edith Erastoff and his family.
Victor Sjöström died on January 3, 1960, at the age of 80.Wild Strawberries- Actor
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William Clark Gable was born on February 1, 1901 in Cadiz, Ohio, to Adeline (Hershelman) and William Henry Gable, an oil-well driller. He was of German, Irish, and Swiss-German descent. When he was seven months old, his mother died, and his father sent him to live with his maternal aunt and uncle in Pennsylvania, where he stayed until he was two. His father then returned to take him back to Cadiz. At 16, he quit high school, went to work in an Akron, Ohio, tire factory, and decided to become an actor after seeing the play "The Bird of Paradise". He toured in stock companies, worked oil fields and sold ties. On December 13, 1924, he married Josephine Dillon, his acting coach and 15 years his senior. Around that time, they moved to Hollywood, so that Clark could concentrate on his acting career. In April 1930, they divorced and a year later, he married Maria Langham (a.k.a. Maria Franklin Gable), also about 17 years older than him.
While Gable acted on stage, he became a lifelong friend of Lionel Barrymore. After several failed screen tests (for Barrymore and Darryl F. Zanuck), Gable was signed in 1930 by MGM's Irving Thalberg. He had a small part in The Painted Desert (1931) which starred William Boyd. Joan Crawford asked for him as co-star in Dance, Fools, Dance (1931) and the public loved him manhandling Norma Shearer in A Free Soul (1931) the same year. His unshaven lovemaking with bra-less Jean Harlow in Red Dust (1932) made him MGM's most important star.
His acting career then flourished. At one point, he refused an assignment, and the studio punished him by loaning him out to (at the time) low-rent Columbia Pictures, which put him in Frank Capra's It Happened One Night (1934), which won him an Academy Award for his performance. The next year saw a starring role in Call of the Wild (1935) with Loretta Young, with whom he had an affair (resulting in the birth of a daughter, Judy Lewis). He returned to far more substantial roles at MGM, such as Fletcher Christian in Mutiny on the Bounty (1935) and Rhett Butler in Gone with the Wind (1939).
After divorcing Maria Langham, in March 1939 Clark married Carole Lombard, but tragedy struck in January 1942 when the plane in which Carole and her mother were flying crashed into Table Rock Mountain, Nevada, killing them both. A grief-stricken Gable joined the US Army Air Force and was off the screen for three years, flying combat missions in Europe. When he returned the studio regarded his salary as excessive and did not renew his contract. He freelanced, but his films didn't do well at the box office. He married Sylvia Ashley, the widow of Douglas Fairbanks, in 1949. Unfortunately this marriage was short-lived and they divorced in 1952. In July 1955 he married a former sweetheart, Kathleen Williams Spreckles (a.k.a. Kay Williams) and became stepfather to her two children, Joan and Adolph ("Bunker") Spreckels III.
On November 16, 1959, Gable became a grandfather when Judy Lewis, his daughter with Loretta Young, gave birth to a daughter, Maria. In 1960, Gable's wife Kay discovered that she was expecting their first child. In early November 1960, he had just completed filming The Misfits (1961), when he suffered a heart attack, and died later that month, on November 16, 1960. Gable was buried shortly afterwards in the shrine that he had built for Carole Lombard and her mother when they died, at Forest Lawn Cemetery.
In March 1961, Kay Gable gave birth to a boy, whom she named John Clark Gable after his father.Gone with the Wind- Actor
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Kevin Spacey Fowler, better known by his stage name Kevin Spacey, is an American actor of screen and stage, film director, producer, screenwriter and singer. He began his career as a stage actor during the 1980s before obtaining supporting roles in film and television. He gained critical acclaim in the early 1990s that culminated in his first Academy Award for Best Supporting Actor for the neo-noir crime thriller The Usual Suspects (1995), and an Academy Award for Best Actor for midlife crisis-themed drama American Beauty (1999).
His other starring roles have included the comedy-drama film Swimming with Sharks (1994), psychological thriller Seven (1995), the neo-noir crime film L.A. Confidential (1997), the drama Pay It Forward (2000), the science fiction-mystery film K-PAX (2001)
In Broadway theatre, Spacey won a Tony Award for his role in Lost in Yonkers. He was the artistic director of the Old Vic theatre in London from 2004 until stepping down in mid-2015. Since 2013, Spacey has played Frank Underwood in the Netflix political drama series House of Cards. His work in House of Cards earned him Golden Globe Award and Emmy Award nominations for Best Actor.
As enigmatic as he is talented, Kevin Spacey for years kept the details of his private life closely guarded. As he explained in a 1998 interview with the London Evening Standard, "the less you know about me, the easier it is to convince you that I am that character on screen. It allows an audience to come into a movie theatre and believe I am that person". In October 2017, he ended many years of media speculation about his personal life by confirming that he had had sexual relations with both men and women but now identified as gay.
There are, however, certain biographical facts to be had - for starters, Kevin Spacey Fowler was the youngest of three children born to Kathleen Ann (Knutson) and Thomas Geoffrey Fowler, in South Orange, New Jersey. His ancestry includes Swedish (from his maternal grandfather) and English. His middle name, "Spacey," which he uses as his stage name, is from his paternal grandmother. His mother was a personal secretary, his father a technical writer whose irregular job prospects led the family all over the country. The family eventually settled in southern California, where young Kevin developed into quite a little hellion - after he set his sister's tree house on fire, he was shipped off to the Northridge Military Academy, only to be thrown out a few months later for pinging a classmate on the head with a tire. Spacey then found his way to Chatsworth High School in the San Fernando Valley, where he managed to channel his dramatic tendencies into a successful amateur acting career. In his senior year, he played "Captain von Trapp" opposite classmate Mare Winningham's "Maria" in "The Sound of Music" (the pair later graduated as co-valedictorians). Spacey claims that his interest in acting - and his nearly encyclopedic accumulation of film knowledge - began at an early age, when he would sneak downstairs to watch the late late show on TV. Later, in high school, he and his friends cut class to catch revival films at the NuArt Theater. The adolescent Spacey worked up celebrity impersonations (James Stewart and Johnny Carson were two of his favorites) to try out on the amateur comedy club circuit.
He briefly attended Los Angeles Valley College, then left (on the advice of another Chatsworth classmate, Val Kilmer) to join the drama program at Juilliard. After two years of training he was anxious to work, so he quit Juilliard sans diploma and signed up with the New York Shakespeare Festival. His first professional stage appearance was as a messenger in the 1981 production of "Henry VI".
Festival head Joseph Papp ushered the young actor out into the "real world" of theater, and the next year Spacey made his Broadway debut in Henrik Ibsen's "Ghosts". He quickly proved himself as an energetic and versatile performer (at one point, he rotated through all the parts in David Rabe's "Hurlyburly"). In 1986, he had the chance to work with his idol and future mentor, Jack Lemmon, on a production of Eugene O'Neill's "Long Day's Journey Into Night". While his interest soon turned to film, Spacey would remain active in the theater community - in 1991, he won a Tony Award for his turn as "Uncle Louie" in Neil Simon's Broadway hit "Lost in Yonkers" and, in 1999, he returned to the boards for a revival of O'Neill's "The Iceman Cometh".
Spacey's film career began modestly, with a small part as a subway thief in Heartburn (1986). Deemed more of a "character actor" than a "leading man", he stayed on the periphery in his next few films, but attracted attention for his turn as beady-eyed villain "Mel Profitt" on the TV series Wiseguy (1987). Profitt was the first in a long line of dark, manipulative characters that would eventually make Kevin Spacey a household name: he went on to play a sinister office manager in Glengarry Glen Ross (1992), a sadistic Hollywood exec in Swimming with Sharks (1994), and, most famously, creepy, smooth-talking eyewitness Verbal Kint in The Usual Suspects (1995).
The "Suspects" role earned Spacey an Oscar for Best Supporting Actor and catapulted him into the limelight. That same year, he turned in another complex, eerie performance in David Fincher's thriller Se7en (1995) (Spacey refused billing on the film, fearing that it might compromise the ending if audiences were waiting for him to appear). By now, the scripts were pouring in. After appearing in Al Pacino's Looking for Richard (1996), Spacey made his own directorial debut with Albino Alligator (1996), a low-key but well received hostage drama. He then jumped back into acting, winning critical accolades for his turns as flashy detective Jack Vincennes in L.A. Confidential (1997) and genteel, closeted murder suspect Jim Williams in Midnight in the Garden of Good and Evil (1997). In October 1999, just four days after the dark suburban comedy American Beauty (1999) opened in US theaters, Spacey received a star on the Hollywood Walk of Fame. Little did organizers know that his role in Beauty would turn out to be his biggest success yet - as Lester Burnham, a middle-aged corporate cog on the brink of psychological meltdown, he tapped into a funny, savage character that captured audiences' imaginations and earned him a Best Actor Oscar.
No longer relegated to offbeat supporting parts, Spacey seems poised to redefine himself as a Hollywood headliner. He says he's finished exploring the dark side - but, given his attraction to complex characters, that mischievous twinkle will never be too far from his eyes.
In February 2003 Spacey made a major move back to the theatre. He was appointed Artistic Director of the new company set up to save the famous Old Vic theatre, The Old Vic Theatre Company. Although he did not undertake to stop appearing in movies altogether, he undertook to remain in this leading post for ten years, and to act in as well as to direct plays during that time. His first production, of which he was the director, was the September 2004 British premiere of the play Cloaca by Maria Goos (made into a film, Cloaca (2003)). Spacey made his UK Shakespearean debut in the title role in Richard II in 2005. In 2006 he got movie director Robert Altman to direct for the stage the little-known Arthur Miller play Resurrection Blues, but that was a dismal failure. However Spacey remained optimistic, and insisted that a few mistakes are part of the learning process. He starred thereafter with great success in Eugene O'Neill's A Moon for the Misbegotten along with Colm Meaney and Eve Best, and in 2007 that show transferred to Broadway. In February 2008 Spacey put on a revival of the David Mamet 1988 play Speed-the-Plow in which he took one of the three roles, the others being taken by Jeff Goldblum and Laura Michelle Kelly.
In 2013, Spacey took on the lead role in an original Netflix series, House of Cards (2013). Based upon a British show of the same name, House of Cards is an American political drama. The show's first season received a Primetime Emmy Award nomination to include Outstanding lead actor in a drama series. In 2017, he played a memorable role as a villain in the action thriller Baby Driver (2017).American Beauty- Actor
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In 1976, if you had told fourteen-year-old Franciscan seminary student Thomas Cruise Mapother IV that one day in the not too distant future he would be Tom Cruise, one of the top 100 movie stars of all time, he would have probably grinned and told you that his ambition was to join the priesthood. Nonetheless, this sensitive, deeply religious youngster who was born in 1962 in Syracuse, New York, was destined to become one of the highest paid and most sought after actors in screen history.
Tom is the only son (among four children) of nomadic parents, Mary Lee (Pfeiffer), a special education teacher, and Thomas Cruise Mapother III, an electrical engineer. His parents were both from Louisville, Kentucky, and he has German, Irish, and English ancestry. Young Tom spent his boyhood always on the move, and by the time he was 14 he had attended 15 different schools in the U.S. and Canada. He finally settled in Glen Ridge, New Jersey with his mother and her new husband. While in high school, Tom wanted to become a priest but pretty soon he developed an interest in acting and abandoned his plans of becoming a priest, dropped out of school, and at age 18 headed for New York and a possible acting career. The next 15 years of his life are the stuff of legends. He made his film debut with a small part in Endless Love (1981) and from the outset exhibited an undeniable box office appeal to both male and female audiences.
With handsome movie star looks and a charismatic smile, within 5 years Tom Cruise was starring in some of the top-grossing films of the 1980s including Top Gun (1986); The Color of Money (1986), Rain Man (1988) and Born on the Fourth of July (1989). By the 1990s he was one of the highest-paid actors in the world earning an average 15 million dollars a picture in such blockbuster hits as Interview with the Vampire: The Vampire Chronicles (1994), Mission: Impossible (1996) and Jerry Maguire (1996), for which he received an Academy Award Nomination for best actor. Tom Cruise's biggest franchise, Mission Impossible, has also earned a total of 3 billion dollars worldwide. Tom Cruise has also shown lots of interest in producing, with his biggest producer credits being the Mission Impossible franchise.
In 1990 he renounced his devout Catholic beliefs and embraced The Church of Scientology claiming that Scientology teachings had cured him of the dyslexia that had plagued him all of his life. A kind and thoughtful man well known for his compassion and generosity, Tom Cruise is one of the best liked members of the movie community. He was married to actress Nicole Kidman until 2001. Thomas Cruise Mapother IV has indeed come a long way from the lonely wanderings of his youth to become one of the biggest movie stars ever.Magnolia (but everything else he did is crap)- Actor
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Eldred Gregory Peck was born on April 5, 1916 in La Jolla, California, to Bernice Mae (Ayres) and Gregory Pearl Peck, a chemist and druggist in San Diego. He had Irish (from his paternal grandmother), English, and some German, ancestry. His parents divorced when he was five years old. An only child, he was sent to live with his grandmother. He never felt he had a stable childhood. His fondest memories are of his grandmother taking him to the movies every week and of his dog, which followed him everywhere. He studied pre-med at UC-Berkeley and, while there, got bitten by the acting bug and decided to change the focus of his studies. He enrolled in the Neighborhood Playhouse in New York and debuted on Broadway after graduation. His debut was in Emlyn Williams' play "The Morning Star" (1942). By 1943, he was in Hollywood, where he debuted in the RKO film Days of Glory (1944).
Stardom came with his next film, The Keys of the Kingdom (1944), for which he was nominated for an Academy Award. Peck's screen presence displayed the qualities for which he became well known. He was tall, rugged and heroic, with a basic decency that transcended his roles. He appeared in Alfred Hitchcock's Spellbound (1945) as an amnesia victim accused of murder. In The Yearling (1946), he was again nominated for an Academy Award and won the Golden Globe. He was especially effective in westerns and appeared in such varied fare as David O. Selznick's critically blasted Duel in the Sun (1946), the somewhat better received Yellow Sky (1948) and the acclaimed The Gunfighter (1950). He was nominated again for the Academy Award for his roles in Gentleman's Agreement (1947), which dealt with anti-Semitism, and Twelve O'Clock High (1949), a story of high-level stress in an Air Force bomber unit in World War II.
With a string of hits to his credit, Peck made the decision to only work in films that interested him. He continued to appear as the heroic, larger-than-life figures in such films as Captain Horatio Hornblower (1951) and Moby Dick (1956). He worked with Audrey Hepburn in her debut film, Roman Holiday (1953). Peck finally won the Oscar, after four nominations, for his performance as lawyer Atticus Finch in To Kill a Mockingbird (1962). In the early 1960s, he appeared in two darker films than he usually made, Cape Fear (1962) and Captain Newman, M.D. (1963), which dealt with the way people live. He also gave a powerful performance as Captain Keith Mallory in The Guns of Navarone (1961), one of the biggest box-office hits of that year.
In the early 1970s, he produced two films, The Trial of the Catonsville Nine (1972) and The Dove (1974), when his film career stalled. He made a comeback playing, somewhat woodenly, Robert Thorn in the horror film The Omen (1976). After that, he returned to the bigger-than-life roles he was best known for, such as MacArthur (1977) and the monstrous Nazi Dr. Josef Mengele in the huge hit The Boys from Brazil (1978). In the 1980s, he moved into television with the miniseries The Blue and the Gray (1982) and The Scarlet and the Black (1983). In 1991, he appeared in the remake of his 1962 film, playing a different role, in Martin Scorsese's Cape Fear (1991). He was also cast as the progressive-thinking owner of a wire and cable business in Other People's Money (1991).
In 1967, Peck received the Academy's Jean Hersholt Humanitarian Award. He was also been awarded the US Presidential Medal of Freedom. Always politically progressive, he was active in such causes as anti-war protests, workers' rights and civil rights. In 2003, his Peck's portrayal of Atticus Finch was named the greatest film hero of the past 100 years by the American Film Institute. Gregory Peck died at age 87 on June 12, 2003 in Los Angeles, California.To Kill a Mockingbird- Actor
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Nicolas Cage was born Nicolas Kim Coppola in Long Beach, California, the son of comparative literature professor August Coppola (whose brother is director Francis Ford Coppola) and dancer/choreographer Joy Vogelsang. He is of Italian (father) and Polish and German (mother) descent. Cage changed his name early in his career to make his own reputation, succeeding brilliantly with a host of classic, quirky roles by the late 1980s.
Initially studying theatre at Beverly Hills High School (though he dropped out at seventeen), he secured a bit part in Fast Times at Ridgemont High (1982) - most of which was cut, dashing his hopes and leading to a job selling popcorn at the Fairfax Theater, thinking that would be the only route to a movie career, but a job reading lines with actors auditioning for uncle Francis's Rumble Fish (1983) landed him a role in that film, followed by the romantic lead in Valley Girl (1983), which was released first and truly launched his career.
His one-time passion for method acting reached a personal limit when he smashed a street-vendor's remote-control car to achieve the sense of rage needed for his gangster character in The Cotton Club (1984).
In his early 20s, he dated Jenny Wright for two years and later linked to Uma Thurman. After a relationship of several years with Christina Fulton, a model, they split amicably and share custody of a son, Weston Cage (b. 1990). He also has a son with his ex-wife, Alice Kim Cage.Adaptation.- Actor
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James Maitland Stewart was born on May 20, 1908, in Indiana, Pennsylvania, to Elizabeth Ruth (Johnson) and Alexander Maitland Stewart, who owned a hardware store. He was of Scottish, Ulster-Scots, and some English descent. Stewart was educated at a local prep school, Mercersburg Academy, where he was a keen athlete (football and track), musician (singing and accordion playing), and sometime actor.
In 1929, he won a place at Princeton University, where he studied architecture with some success and became further involved with the performing arts as a musician and actor with the University Players. After graduation, engagements with the University Players took him around the northeastern United States, including a run on Broadway in 1932. But work dried up as the Great Depression deepened, and it was not until 1934, when he followed his friend Henry Fonda to Hollywood, that things began to pick up.
After his first screen appearance in Art Trouble (1934), Stewart worked for a time for MGM as a contract player and slowly began making a name for himself in increasingly high-profile roles throughout the rest of the 1930s. His famous collaborations with Frank Capra, in You Can't Take It with You (1938), Mr. Smith Goes to Washington (1939), and, after World War II, It's a Wonderful Life (1946) helped to launch his career as a star and to establish his screen persona as the likable everyman.
Having learned to fly in 1935, he was drafted into the United States Army in 1940 as a private (after twice failing the medical for being underweight). During the course of World War II, he rose to the rank of colonel, first as an instructor at home in the United States, and later on combat missions in Europe. He remained involved with the United States Air Force Reserve after the war and officially retired in 1968. In 1959, he was promoted to brigadier general, becoming the highest-ranking actor in U.S. military history.
Stewart's acting career took off properly after the war. During the course of his long professional life, he had roles in some of Hollywood's best-remembered films, starring in a string of Westerns, bringing his everyman qualities to movies like The Man Who Shot Liberty Valance (1962)), biopics (The Stratton Story (1949), The Glenn Miller Story (1954), and The Spirit of St. Louis (1957), for instance, thrillers (most notably his frequent collaborations with Alfred Hitchcock), and even some screwball comedies.
On June 25, 1997, a thrombosis formed in his right leg, leading to a pulmonary embolism, and a week later on July 2, 1997, surrounded by his children, James Stewart died at age 89 at his home in Beverly Hills, California. His last words to his family were, "I'm going to be with Gloria now".Vertigo- Actor
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Oscar-winning character actor Martin Landau was born on June 20, 1928, in Brooklyn, New York. At age 17, he was hired by the New York Daily News to work in the promotions department before he became a staff cartoonist and illustrator. In his five years on the paper, he served as the illustrator for Billy Rose's "Pitching Horseshoes" column. He also worked for cartoonist Gus Edson on "The Gumps" comic strip. Landau's major ambition was to act and, in 1951, he made his stage debut in "Detective Story" at the Peaks Island Playhouse in Peaks Island, Maine. He made his off-Broadway debut that year in "First Love".
Landau was one of 2,000 applicants who auditioned for Lee Strasberg's Actors Studio in 1955; only he and Steve McQueen were accepted. Landau was a friend of James Dean and McQueen, in a conversation with Landau, mentioned that he knew Dean and had met Landau. When Landau asked where they had met, McQueen informed him he had seen Landau riding on the back of Dean's motorcycle into the New York City garage where he worked as a mechanic.
Landau acted during the mid-1950s in the television anthologies Playhouse 90 (1956), Studio One (1948), The Philco Television Playhouse (1948), Kraft Theatre (1947), Goodyear Playhouse (1951), and Omnibus (1952). He began making a name for himself after replacing star Franchot Tone in the 1956 off-Broadway revival of Anton Chekhov's "Uncle Vanya," a famous production that helped put off-Broadway on the New York theatrical map.
In 1957, he made a well-received Broadway debut in the play "Middle of the Night." As part of the touring company with star Edward G. Robinson, he made it to the West Coast. He made his movie debut in Pork Chop Hill (1959), but scored on film as the heavy in Alfred Hitchcock's classic thriller North by Northwest (1959), in which he was shot on top of Mount Rushmore while sadistically stepping on the fingers of Cary Grant, who was holding on for dear life to the cliff face. He also appeared in the blockbuster Cleopatra (1963), the most expensive film ever made up to that time, which nearly scuttled 20th Century-Fox and engendered one of the great public scandals, the Elizabeth Taylor-Richard Burton love affair that overshadowed the film itself. Despite the difficulties with the film, Landau's memorable portrayal in the key role of Rufio was highly favored by the audience and instantly catapulted his popularity.
In 1963, Landau played memorable roles in two episodes of the science-fiction anthology series The Outer Limits (1963), The Bellero Shield (1964), and The Man Who Was Never Born (1963). He was Gene Roddenberry's first choice to play Mr. Spock on Star Trek (1966), but the role went to Leonard Nimoy, who later replaced Landau on Mission: Impossible (1966), the show that really made Landau famous. Landau originally was not meant to be a regular on the series, which co-starred his wife Barbara Bain, whom he had married in 1957. His character, Rollin Hand, was supposed to make occasional, recurring appearances, on Mission: Impossible (1966), but when the producers had problems with star Steven Hill, Landau was used to take up the slack. Landau's characterization was so well-received and so popular with the audience, he was made a regular. Landau received Emmy nominations as Outstanding Lead Actor in a Drama Series for each of the three seasons he appeared. In 1968, he won the Golden Globe award as Best Male TV Star.
Eventually, he quit the series in 1969 after a salary dispute when the new star, Peter Graves, was given a contract that paid him more than Landau, whose own contract stated he would have parity with any other actor on the show who made more than he did. The producers refused to budge and he and Bain, who had become the first actress in the history of television to be awarded three consecutive Emmy Awards (1967-69) while on the show, left the series, ostensibly to pursue careers in the movies. The move actually held back their careers, and Mission: Impossible (1966) went on for another four years with other actors.
Landau appeared in support of Sidney Poitier in They Call Me Mister Tibbs! (1970), the less-successful sequel to the Oscar-winning In the Heat of the Night (1967), but it did not generate more work of a similar caliber. He starred in the television movie Welcome Home, Johnny Bristol (1972) on CBS, playing a prisoner of war returning to the United States from Vietnam. The following year, he shot a pilot for NBC for a proposed show, "Savage." Though it was directed by emerging wunderkind Steven Spielberg, NBC did not pick up the show. Needing work, Landau and Bain moved to England to play the leading roles in the syndicated science-fiction series Space: 1999 (1975).
Landau's and Bain's careers stalled after Space: 1999 (1975) went out of production, and they were reduced to taking parts in the television movie The Harlem Globetrotters on Gilligan's Island (1981). It was the nadir of both their careers, and Bain's acting days and their marriage were soon over. Landau, one of the most talented character actors in Hollywood, and one not without recognition, had bottomed out career-wise. In 1983, he was stuck in low-budget sci-fi and horror movies such as The Being (1981), a role far beneath his talent.
His career renaissance got off to a slow start with a recurring role in the NBC sitcom Buffalo Bill (1983), starring Dabney Coleman. On Broadway, he took over the title role in the revival of "Dracula" and went on the road with the national touring company. Finally, his career renaissance began to gather momentum when Francis Ford Coppola cast him in a critical supporting role in his Tucker: The Man and His Dream (1988), for which Landau was nominated for an Academy Award as Best Supporting Actor. He won his second Golden Globe for the role. The next year, he received his second consecutive Best Supporting Actor Oscar nomination for his superb turn as the adulterous husband in Woody Allen's Crimes and Misdemeanors (1989). He followed this up by playing famed Nazi hunter Simon Wiesenthal in the TNT movie Max and Helen (1990). However, the summit of his post-Mission: Impossible (1966) career was about to be scaled. He portrayed Bela Lugosi in Tim Burton's biopic Ed Wood (1994) and won glowing reviews. For his performance, he won the Best Supporting Actor Oscar. Martin Landau, the superb character actor, finally had been recognized with his profession's ultimate award. His performance, which also won him his third Golden Globe, garnered numerous awards in addition to the Oscar and Golden Globe, including top honors from the New York Film Critics Circle and the National Society of Film Critics. Landau continued to play a wide variety of roles in motion pictures and on television, turning in a superb performance in a supporting role in The Majestic (2001). He received his fourth Emmy nomination in 2004 as Outstanding Guest Actor in a Drama Series for Without a Trace (2002).
Martin Landau was honored with his own star on the Hollywood Walk of Fame, located at 6801 Hollywood Boulevard.
Martin Landau died in Los Angeles, California on July 15, 2017.Crimes and Misdemeanors- Actor
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Max von Sydow was born Carl Adolf von Sydow on April 10, 1929 in Lund, Skåne, Sweden, to a middle-class family. He was the son of Baroness Maria Margareta (Rappe), a teacher, and Carl Wilhelm von Sydow, an ethnologist and folklore professor. His surname traces back to his partial German ancestry.
When he was in high school, he and a few fellow students, including Yvonne Lombard, started a theatre club which encouraged his interest in acting. After conscription, he began to study at the Royal Dramatic Theatre's acting school (1948-1951), together with Lars Ekborg, Margaretha Krook and Ingrid Thulin. His first role was as Nils the crofter in Alf Sjöberg's Only a Mother (1949). After graduation, he worked at the city theatres in Norrköping and Malmö.
His work in the movies by Ingmar Bergman (especially The Seventh Seal (1957), including the iconic scenes in which he plays chess with Death) made him well-known internationally, and he started to get offers from abroad. His career abroad began with him playing Jesus in The Greatest Story Ever Told (1965); Hawaii (1966) and The Quiller Memorandum (1966). Since then, his career includes very different kind of characters, like Karl Oskar Nilsson in The Emigrants (1971); Father Lankester Merrin in The Exorcist (1973); Joubert the assassin in Three Days of the Condor (1975), Emperor Ming in Flash Gordon (1980); the villain Ernst Stavro Blofeld in the Never Say Never Again (1983); Liet-Kynes in Dune (1984) the artist Frederick in Hannah and Her Sisters (1986); Lassefar in Pelle the Conqueror (1987), for which he received his first Academy Award nomination; Dr. Peter Ingham in Awakenings (1990); Lamar Burgess in Minority Report (2002) and The Renter in Extremely Loud & Incredibly Close (2011), which earned him his second Academy Award nomination.
He became one of Sweden's most admired and professional actors, and is the only male Swedish actor to receive an Oscar nomination. He was nominated twice: for Pelle the Conqueror (1987) in 1988 and for Extremely Loud & Incredibly Close (2011) in 2012. He received the Guldbagge Award for Best Director in his directing debut, the drama film Ved vejen (1988). In 2016, he joined the sixth season of the HBO series Game of Thrones (2011) as the Three-eyed Raven, which earned him his Primetime Emmy Award nomination.
Max von Sydow died on March 8, 2020, in Provence, France, and was survived by his wife Catherine Brelet and four children. He was 90.The Virgin Spring- Actor
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Anthony Quinn was born Antonio Rodolfo Quinn Oaxaca (some sources indicate Manuel Antonio Rodolfo Quinn Oaxaca) on April 21, 1915, in Chihuahua, Mexico, to Manuela (Oaxaca) and Francisco Quinn, who became an assistant cameraman at a Los Angeles (CA) film studio. His paternal grandfather was Irish, and the rest of his family was Mexican.
After starting life in extremely modest circumstances in Mexico, his family moved to Los Angeles, where he grew up in the Boyle Heights and Echo Park neighborhoods. He played in the band of evangelist Aimee Semple McPherson as a youth and as a deputy preacher. He attended Polytechnic High School and later Belmont High, but eventually dropped out. The young Quinn boxed (which stood him in good stead as a stage actor, when he played Stanley Kowalski in "A Streetcar Named Desire" to rave reviews in Chicago), then later studied architecture under Frank Lloyd Wright at the great architect's studio, Taliesin, in Arizona. Quinn was close to Wright, who encouraged him when he decided to give acting a try. Made his credited film debut in Parole! (1936). After a brief apprenticeship on stage, Quinn hit Hollywood in 1936 and picked up a variety of small roles in several films at Paramount, including an Indian warrior in The Plainsman (1936), which was directed by the man who later became his father-in-law, Cecil B. DeMille.
As a contract player at Paramount, Quinn's roles were mainly ethnic types, such as an Arab chieftain in the Bing Crosby-Bob Hope comedy, Road to Morocco (1942). As a Mexican national (he did not become an American citizen until 1947), he was exempt from the draft. With many other actors in military service during WWII, he was able to move up into better supporting roles. He married DeMille's daughter Katherine DeMille, which afforded him entrance to the top circles of Hollywood society. He became disenchanted with his career and did not renew his Paramount contract despite the advice of others, including his father-in-law, with whom he did not get along (whom Quinn reportedly felt had never accepted him due to his Mexican roots; the two men were also on opposite ends of the political spectrum) but they eventually were able to develop a civil relationship. Quinn returned to the stage to hone his craft. His portrayal of Stanley Kowalski in "A Streetcar Named Desire" in Chicago and on Broadway (where he replaced the legendary Marlon Brando, who is forever associated with the role) made his reputation and boosted his film career when he returned to the movies.
Brando and Elia Kazan, who directed "Streetcar" on Broadway and on film (A Streetcar Named Desire (1951)), were crucial to Quinn's future success. Kazan, knowing the two were potential rivals due to their acclaimed portrayals of Kowalski, cast Quinn as Brando's brother in his biographical film of Mexican revolutionary Emiliano Zapata, Viva Zapata! (1952). Quinn won the Best Supporting Actor Academy Award for 1952, making him the first Mexican-American to win an Oscar. It was not to be his lone appearance in the winner's circle: he won his second Supporting Actor Oscar in 1957 for his portrayal of Paul Gauguin in Vincente Minnelli's biographical film of Vincent van Gogh, Lust for Life (1956), opposite Kirk Douglas. Over the next decade Quinn lived in Italy and became a major figure in world cinema, as many studios shot films in Italy to take advantage of the lower costs ("runaway production" had battered the industry since its beginnings in the New York/New Jersey area in the 1910s). He appeared in several Italian films, giving one of his greatest performances as the circus strongman who brutalizes the sweet soul played by Giulietta Masina in her husband Federico Fellini's masterpiece The Road (1954). He met his second wife, Jolanda Addolori, a wardrobe assistant, while he was in Rome filming Barabbas (1961).
Alternating between Europe and Hollywood, Quinn built his reputation and entered the front rank of character actors and character leads. He received his third Oscar nomination (and first for Best Actor) for George Cukor's Wild Is the Wind (1957). He played a Greek resistance fighter against the Nazi occupation in the monster hit The Guns of Navarone (1961) and received kudos for his portrayal of a once-great boxer on his way down in Rod Serling's Requiem for a Heavyweight (1962). He went back to playing ethnic roles, such as an Arab warlord in David Lean's masterpiece Lawrence of Arabia (1962), and he played the eponymous lead in the "sword-and-sandal" blockbuster Barabbas (1961). Two years later, he reached the zenith of his career, playing Zorba the Greek in the film of the same name (a.k.a. Zorba the Greek (1964)), which brought him his fourth, and last, Oscar nomination as Best Actor. The 1960s were kind to him: he played character leads in such major films as The Shoes of the Fisherman (1968) and The Secret of Santa Vittoria (1969). However, his appearance in the title role in the film adaptation of John Fowles' novel, The Magus (1968), did nothing to save the film, which was one of that decade's notorious turkeys.
In the 1960s, Quinn told Life magazine that he would fight against typecasting. Unfortunately, the following decade saw him slip back into playing ethnic types again, in such critical bombs as The Greek Tycoon (1978). He starred as the Hispanic mayor of a southwestern city on the short-lived television series The Man and the City (1971), but his career lost its momentum during the 1970s. Aside from playing a thinly disguised Aristotle Onassis in the cinematic roman-a-clef The Greek Tycoon (1978), his other major roles of the decade were as Hamza in the controversial The Message (1976) (a.k.a. "Mohammad, Messenger of God"); as the Italian patriarch in The Inheritance (1976); yet another Arab in Caravans (1978); and as a Mexican patriarch in The Children of Sanchez (1978). In 1983, he reprised his most famous role, Zorba the Greek, on Broadway in the revival of the musical "Zorba" for 362 performances (opposite Lila Kedrova, who had also appeared in the film, and won an Oscar for Best Supporting Actress for her performance). His career slowed during the 1990s but he continued to work steadily in films and television, including an appearance with frequent film co-star Maureen O'Hara in Only the Lonely (1991).
Quinn lived out the latter years of his life in Bristol, Rhode Island, where he spent most of his time painting and sculpting. Beginning in 1982, he held numerous major exhibitions in cities such as Vienna, Paris, and Seoul. He died in a hospital in Boston at age 86 from pneumonia and respiratory failure linked to his battle with throat cancer.La Strada- Actor
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Alfredo James "Al" 'Pacino established himself as a film actor during one of cinema's most vibrant decades, the 1970s, and has become an enduring and iconic figure in the world of American movies.
He was born April 25, 1940 in Manhattan, New York City, to Italian-American parents, Rose (nee Gerardi) and Sal Pacino. They divorced when he was young. His mother moved them into his grandparents' home in the South Bronx. Pacino found himself often repeating the plots and voices of characters he had seen in the movies. Bored and unmotivated in school, he found a haven in school plays, and his interest soon blossomed into a full-time career. Starting onstage, he went through a period of depression and poverty, sometimes having to borrow bus fare to succeed to auditions. He made it into the prestigious Actors Studio in 1966, studying under Lee Strasberg, creator of the Method Approach that would become the trademark of many 1970s-era actors.
After appearing in a string of plays in supporting roles, Pacino finally attained success off-Broadway with Israel Horovitz's "The Indian Wants the Bronx", winning an Obie Award for the 1966-67 season. That was followed by a Tony Award for "Does the Tiger Wear a Necktie?" His first feature films made little departure from the gritty realistic stage performances that earned him respect: he played a drug addict in The Panic in Needle Park (1971) after his film debut in Me, Natalie (1969). The role of Michael Corleone in The Godfather (1972) was one of the most sought-after of the time: Robert Redford, Warren Beatty, Jack Nicholson, Ryan O'Neal, Robert De Niro and a host of other actors either wanted it or were mentioned, but director Francis Ford Coppola wanted Pacino for the role.
Coppola was successful but Pacino was reportedly in constant fear of being fired during the very difficult shoot. The film was a monster hit that earned Pacino his first Academy Award nomination for Best Supporting Actor. However, instead of taking on easier projects for the big money he could now command, Pacino threw his support behind what he considered tough but important films, such as the true-life crime drama Serpico (1973) and the tragic real-life bank robbery film Dog Day Afternoon (1975). He was nominated three consecutive years for the "Best Actor" Academy Award. He faltered slightly with Bobby Deerfield (1977), but regained his stride with And Justice for All (1979), for which he received another Academy Award nomination for Best Actor. Unfortunately, this would signal the beginning of a decline in his career, which produced flops like Cruising (1980) and Author! Author! (1982).
Pacino took on another vicious gangster role and cemented his legendary status in the ultra-violent cult film Scarface (1983), but a monumental mistake was about to follow. Revolution (1985) endured an endless and seemingly cursed shoot in which equipment was destroyed, weather was terrible, and Pacino fell ill with pneumonia. Constant changes in the script further derailed the project. The Revolutionary War-themed film, considered among the worst films ever made, resulted in awful reviews and kept him off the screen for the next four years. Returning to the stage, Pacino did much to give back and contribute to the theatre, which he considers his first love. He directed a film, The Local Stigmatic (1990), but it remains unreleased. He lifted his self-imposed exile with the striking Sea of Love (1989) as a hard-drinking policeman. This marked the second phase of Pacino's career, being the first to feature his now famous dark, owl eyes and hoarse, gravelly voice.
Returning to the Corleones, Pacino made The Godfather Part III (1990) and earned raves for his first comedic role in the colorful adaptation Dick Tracy (1990). This earned him another Academy Award nomination for Best Supporting Actor, and two years later he was nominated for Glengarry Glen Ross (1992). He went into romantic mode for Frankie and Johnny (1991). In 1992, he finally won the Academy Award for Best Actor for his amazing performance in Scent of a Woman (1992). A mixture of technical perfection (he plays a blind man) and charisma, the role was tailor-made for him, and remains a classic.
The next few years would see Pacino becoming more comfortable with acting and movies as a business, turning out great roles in great films with more frequency and less of the demanding personal involvement of his wilder days. Carlito's Way (1993) proved another gangster classic, as did the epic crime drama Heat (1995) directed by Michael Mann and co-starring Robert De Niro. He directed the film adaptation of Shakespeare's Looking for Richard (1996). During this period, City Hall (1996), Donnie Brasco (1997) and The Devil's Advocate (1997) all came out. Reteaming with Mann and then Oliver Stone, he gave commanding performances in The Insider (1999) and Any Given Sunday (1999).
In the 2000s, Pacino starred in a number of theatrical blockbusters, including Ocean's Thirteen (2007), but his choice in television roles (the vicious, closeted Roy Cohn in the HBO miniseries Angels in America (2003) and his sensitive portrayal of Jack Kevorkian, in the television movie You Don't Know Jack (2010)) are reminiscent of the bolder choices of his early career. Each television project garnered him an Emmy Award for Outstanding Lead Actor in a Miniseries or a Movie.
Never wed, Pacino has a daughter, Julie Marie, with acting teacher Jan Tarrant, and a set of twins with former longtime girlfriend Beverly D'Angelo. His romantic history includes Jill Clayburgh, Veruschka von Lehndorff, Carole Mallory, Debra Winger, Tuesday Weld, Marthe Keller, Carmen Cervera, Kathleen Quinlan, Lyndall Hobbs, Penelope Ann Miller, and a two-decade intermittent relationship with "Godfather" co-star Diane Keaton. He currently lives with Argentinian actress Lucila Solá, who is 36 years his junior.
As of 2022, Pacino is 82-years-old. He has never retired from acting, and continues to appear regularly in film.Dog Day Afternoon- Actor
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Popular British character actor Tom Wilkinson was born in Leeds, West Yorkshire, England, and came from a long line of urban farmers. He was the son of Marjorie (Percival) and Thomas Wilkinson. Economic hardships forced his family to move to Canada for a few years when Wilkinson was a child; then, after he had returned to England, he attended and graduated from the University of Kent at Canterbury with a degree in English and American Literature.
Wilkinson first became active in film and television in the mid-1970s, but did not become familiar to an international audience until 1997. That was when he starred as one of six unemployed workers who strip for cash in Best Picture nominee The Full Monty (1997), and went on to win a BAFTA for Best Performance by an Actor in a Supporting Role. That same year, he was featured in Oscar and Lucinda (1997) and Wilde (1997). Wilkinson was also shown to memorable effect as a theatre financier with acting aspirations in Best Picture winner Shakespeare in Love (1998).
Over the next few years, Wilkinson would become more popular, especially with American audiences, with such roles as General Cornwallis alongside Mel Gibson in the blockbuster The Patriot (2000) and as the grief-stricken father, Matt Fowler, in the critically acclaimed Best Picture nominee In the Bedroom (2001). For his role in that movie, he received an Academy Award nomination for Best Actor in a Leading Role.
Since then, Wilkinson has made memorable appearances in Eternal Sunshine of the Spotless Mind (2004), Batman Begins (2005), The Exorcism of Emily Rose (2005), Valkyrie (2008), Duplicity (2009), The Ghost Writer (2010), The Debt (2010) and The Best Exotic Marigold Hotel (2011), among others. Wilkinson also received his second Academy Award nomination for his acclaimed role in Michael Clayton (2007).
Wilkinson won an Emmy Award for his work as Benjamin Franklin in HBO's John Adams (2008) mini-series. The same year, he received an Emmy nomination for his role in HBO movie Recount (2008), and has also received Emmy nominations for Normal (2003) and The Kennedys (2011).
Wilkinson had two children, Alice and Molly, with his wife Diana Hardcastle.Michael Clayton- Actor
- Soundtrack
Spencer Tracy was the second son born on April 5, 1900, to truck salesman John Edward and Caroline Brown Tracy in Milwaukee, Wisconsin. While attending Marquette Academy, he and classmate Pat O'Brien quit school to enlist in the Navy at the start of World War I. Tracy was still at Norfolk Navy Yard in Virginia at the end of the war. After playing the lead in the play "The Truth" at Ripon College he decided that acting might be his career.
Moving to New York, Tracy and O'Brien, who'd also settled on a career on the stage, roomed together while attending the Academy of Dramatic Arts. In 1923 both got nonspeaking parts as robots in "R.U.R.", a dramatization of the groundbreaking science fiction novel by Czech author Karel Capek. Making very little money in stock, Tracy supported himself with jobs as bellhop, janitor and salesman until John Ford saw his critically acclaimed performance in the lead role in the play "The Last Mile" (later played on film by Clark Gable) and signed him for The William Fox Film Company's production of Up the River (1930). Despite appearing in sixteen films at that studio over the next five years, Tracy was never able to rise to full film star status there, in large part because the studio was unable to match his talents to suitable story material.
During that period the studio itself floundered, eventually merging with Darryl F. Zanuck, Joseph Schenck and William Goetz's William 20th Century Pictures to become 20th Century-Fox). In 1935 Tracy signed with MGM under the aegis of Irving Thalberg and his career flourished. He became the first actor to win back-to-back Best Actor Oscars for Captains Courageous (1937) and, in a project he initially didn't want to star in, Boys Town (1938).
During Tracy's nearly forty-year film career, he was nominated for his performances in San Francisco (1936), Father of the Bride (1950), Bad Day at Black Rock (1955), The Old Man and the Sea (1958), Inherit the Wind (1960), Judgment at Nuremberg (1961), and Guess Who's Coming to Dinner (1967).
Tracy had a brief romantic relationship with Loretta Young in the mid-1930s, and a lifelong one with Katharine Hepburn beginning in 1942 after they were first paired in Woman of the Year by director George Stevens. Tracy's strong Roman Catholic beliefs precluded his divorcing wife Louise, though they mostly lived apart. Tracy suffered from severe alcoholism and diabetes (from the late 1940s), which led to his declining several tailor-made roles in films that would become big hits with other actors in those roles. Although his drinking problems were well known, he was considered peerless among his colleagues (Tracy had a well-deserved reputation for keeping co-stars on their toes for his oddly endearing scene-stealing tricks), and remained in demand as a senior statesman who nevertheless retained box office clout. Two weeks after completion of Stanley Kramer's Guess Who's Coming to Dinner (1967), during which he suffered from lung congestion, Spencer Tracy died of a heart attack.Guess Who's Coming Home for Dinner- Actor
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Nicolas Cage was born Nicolas Kim Coppola in Long Beach, California, the son of comparative literature professor August Coppola (whose brother is director Francis Ford Coppola) and dancer/choreographer Joy Vogelsang. He is of Italian (father) and Polish and German (mother) descent. Cage changed his name early in his career to make his own reputation, succeeding brilliantly with a host of classic, quirky roles by the late 1980s.
Initially studying theatre at Beverly Hills High School (though he dropped out at seventeen), he secured a bit part in Fast Times at Ridgemont High (1982) - most of which was cut, dashing his hopes and leading to a job selling popcorn at the Fairfax Theater, thinking that would be the only route to a movie career, but a job reading lines with actors auditioning for uncle Francis's Rumble Fish (1983) landed him a role in that film, followed by the romantic lead in Valley Girl (1983), which was released first and truly launched his career.
His one-time passion for method acting reached a personal limit when he smashed a street-vendor's remote-control car to achieve the sense of rage needed for his gangster character in The Cotton Club (1984).
In his early 20s, he dated Jenny Wright for two years and later linked to Uma Thurman. After a relationship of several years with Christina Fulton, a model, they split amicably and share custody of a son, Weston Cage (b. 1990). He also has a son with his ex-wife, Alice Kim Cage.Leaving Las Vegas- Actor
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Being the son of an acting father, Oscar Johanson, it isn't surprising that he wanted to be an actor already as a child. However, he first worked as a baker's apprentice, in a barber shop or in the docks. After the conscription he got his first role, a bit part on the theater Lilla Teatern in Stockholm, while he took acting lessons. One of his early roles was against Gösta Ekman, one of the best Swedish actors of that day. In the autumn 1933 he became a student at the Royal Dramatic Theater's acting school, along with Ingrid Bergman, Signe Hasso and the girl who was to become his lifelong wife, Lillie Björnstrand. After graduation they found employment at the Swedish Theater in Vasa, Finland. After two years of stage acting they returned to Sweden and outmost poverty. Besides small time stage acting he was only offered bit parts in the movies. In 1943 he made his breakthrough debut with Night in the Harbor (1943). During WW2 he also made his first work with Ingmar Bergman on the theater: August Strindberg's play Spöksonaten. He mainly appeared in light comedies until the movies that made him internationally famous: Ingmar Bergman's Sawdust and Tinsel (1953), A Lesson in Love (1954) and Smiles of a Summer Night (1955). He became a close friend of Mr. Bergman. The 1960s was less successful and when his contract with Svensk Filmindustri (SF) ended, it wasn't renewed. Instead he made TV-theater, theater in Sweden and movies in Italy almost until his death. Other interesting movies with him are Kristin kommenderar (1946), Soldat Bom (1948) and Secrets of Women (1952).Winter Light- Actor
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Kevin Kline was born in St. Louis, Missouri, to Margaret and Robert Joseph Kline, who owned several stores. His father was of German Jewish descent and his mother was of Irish ancestry. After attending Indiana University in Bloomington, Kline studied at the Juilliard School in New York. In 1972, Kline joined the Acting Company in New York which was run by John Houseman. With this company, Kline performed Shakespeare across the country. On the stage, Kline has won two Tony Awards for his work in the musicals "On the Twentieth Century" (1978) and "The Pirates of Penzance" (1981). After working on the Television soap Search for Tomorrow (1951), Kline went to Hollywood where his first film was Sophie's Choice (1982). He was nominated for a Golden Globe for his performance. His work in the ensemble cast of The Big Chill (1983) would again be highly successful, so that when Lawrence Kasdan wrote Silverado (1985), Kline would again be part of the cast. With his role as Otto "Don't call me Stupid!" West in the film A Fish Called Wanda (1988), Kline would win the Oscar for Supporting Actor. Kline could play classic roles such as Hamlet in Hamlet (1990); or a swashbuckling actor like Douglas Fairbanks in Chaplin (1992); or a comedic role in Soapdish (1991). In all the films that he has worked in, it is hard to find a performance that is not well done. In 1989, Kline married actress Phoebe Cates.A Fish Called Wanda- Actor
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Often credited as the greatest comedian of all time, Peter Sellers was born Richard Henry Sellers to a well-off acting family in 1925 in Southsea, a suburb of Portsmouth. He was the son of Agnes Doreen "Peg" (Marks) and William "Bill" Sellers. His parents worked in an acting company run by his grandmother. His father was Protestant and his mother was Jewish (of both Ashkenazi and Sephardi background). His parents' first child had died at birth, so Sellers was spoiled during his early years. He enlisted in the Royal Air Force and served during World War II. After the war he met Spike Milligan, Harry Secombe and Michael Bentine, who would become his future workmates.
After the war, he set up a review in London, which was a combination of music (he played the drums) and impressions. Then, all of a sudden, he burst into prominence as the voices of numerous favorites on the BBC radio program "The Goon Show" (1951-1960), and then making his debut in films in Penny Points to Paradise (1951) and Down Among the Z Men (1952), before making it big as one of the criminals in The Ladykillers (1955). These small but showy roles continued throughout the 1950s, but he got his first big break playing the dogmatic union man, Fred Kite, in I'm All Right Jack (1959). The film's success led to starring vehicles into the 1960s that showed off his extreme comic ability to its fullest. In 1962, Sellers was cast in the role of Clare Quilty in the Stanley Kubrick version of the film Lolita (1962) in which his performance as a mentally unbalanced TV writer with multiple personalities landed him another part in Kubrick's Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964) in which he played three roles which showed off his comic talent in play-acting in three different accents; British, American, and German.
The year 1964 represented a peak in his career with four films in release, all of them well-received by critics and the public alike: Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964), for which he was Oscar nominated, The Pink Panther (1963), in which he played his signature role of the bumbling French Inspector Jacques Clouseau for the first time, its almost accidental sequel, A Shot in the Dark (1964), and The World of Henry Orient (1964). Sellers was on top of the world, but on the evening of April 5, 1964, he suffered a nearly fatal heart attack after inhaling several amyl nitrites (also called 'poppers'; an aphrodisiac-halogen combination) while engaged in a sexual act with his second wife Britt Ekland. He had been working on Billy Wilder's Kiss Me, Stupid (1964). In a move Wilder later regretted, he replaced Sellers with Ray Walston rather than hold up production. By October 1964, Sellers made a full recovery and was working again.
The mid-1960s were noted for the popularity of all things British, from the Beatles music (who were presented with their Grammy for Best New Artist by Sellers) to the James Bond films, and the world turned to Sellers for comedy. What's New Pussycat (1965) was another big hit, but a combination of his ego and insecurity was making Sellers difficult to work with. When the James Bond spoof Casino Royale (1967) ran over budget and was unable to recoup its costs despite an otherwise healthy box-office take, Sellers received some of the blame. He turned down an offer from United Artists for the title role in Inspector Clouseau (1968), but was angry when the production went ahead with Alan Arkin in his place. His difficult reputation and increasingly erratic behavior, combined with several less successful films, took a toll on his standing. By 1970, he had fallen out of favor. He spent the early years of the new decade appearing in such lackluster B films as Where Does It Hurt? (1972) and turning up more frequently on television as a guest on The Dean Martin Show (1965) and a Glen Campbell TV special.
In 1974, Inspector Clouseau came to Sellers rescue when Sir Lew Grade expressed an interest in a TV series based on the character. Clouseau's creator, writer-director Blake Edwards, whose career had also seen better days, convinced Grade to bankroll a feature film instead, and The Return of the Pink Panther (1975) was a major hit release during the summer of Jaws (1975) and restored both men to prominence. Sellers would play Clouseau in two more successful sequels, The Pink Panther Strikes Again (1976) and Revenge of the Pink Panther (1978), and Sellers would use his newly rediscovered clout to realize his dream of playing Chauncey Gardiner in a film adaptation of Jerzy Kosinski's novel "Being There". Sellers had read the novel in 1972, but it took seven years for the film to reach the screen. Being There (1979) earned Sellers his second Oscar nomination, but he lost to Dustin Hoffman for Kramer vs. Kramer (1979).
Sellers struggled with depression and mental insecurities throughout his life. An enigmatic figure, he often claimed to have no identity outside the roles that he played. His behavior on and off the set and stage became more erratic and compulsive, and he continued to frequently clash with his directors and co-stars, especially in the mid-1970s when his physical and mental health, together with his continuing alcohol and drug problems, were at their worst. He never fully recovered from his 1964 heart attack because he refused to take traditional heart medication and instead consulted with 'psychic healers'. As a result, his heart condition continued to slowly deteriorate over the next 16 years. On March 20, 1977, Sellers barely survived another major heart attack and had a pacemaker surgically implanted to regulate his heartbeat which caused him further mental and physical discomfort. However, he refused to slow down his work schedule or consider heart surgery which might have extended his life by several years.
On July 25, 1980, Sellers was scheduled to have a reunion dinner in London with his Goon Show partners, Spike Milligan and Harry Secombe. However, at around 12 noon on July 22, Sellers collapsed from a massive heart attack in his Dorchester Hotel room and fell into a coma. He died in a London hospital just after midnight on July 24, 1980 at age 54. He was survived by his fourth wife, Lynne Frederick, and three children: Michael, Sarah and Victoria. At the time of his death, he was scheduled to undergo an angiography in Los Angeles on July 30 to see if he was eligible for heart surgery.
His last movie, The Fiendish Plot of Dr. Fu Manchu (1980), completed just a few months before his death, proved to be another box office flop. Director Blake Edwards' attempt at reviving the Pink Panther series after Sellers' death resulted in two panned 1980s comedies, the first of which, Trail of the Pink Panther (1982), deals with Inspector Clouseau's disappearance and was made from material cut from previous Pink Panther films and includes interviews with the original casts playing their original characters.Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb- Actor
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Multi-talented and unconventional actor/director regarded by many as one of the true "enfant terribles" of Hollywood who led an amazing cinematic career for more than five decades, Dennis Hopper was born on May 17, 1936, in Dodge City, Kansas. The young Hopper expressed interest in acting from a young age and first appeared in a slew of 1950s television shows, including Medic (1954), Cheyenne (1955) and Sugarfoot (1957). His first film role was in Rebel Without a Cause (1955), quickly followed by Giant (1956) and Gunfight at the O.K. Corral (1957). Hopper actually became good friends with James Dean and was shattered when Dean was killed in a car crash in September 1955.
Hopper portrayed a young Napoléon Bonaparte (!) in the star-spangled The Story of Mankind (1957) and regularly appeared on screen throughout the 1960s, often in rather undemanding parts, usually as a villain in westerns such as True Grit (1969) and Hang 'Em High (1968). However, in early 1969, Hopper, fellow actor Peter Fonda and writer Terry Southern, wrote a counterculture road movie script and managed to scrape together $400,000 in financial backing. Hopper directed the low-budget film, titled Easy Rider (1969), starring Fonda, Hopper and a young Jack Nicholson. The film was a phenomenal box-office success, appealing to the anti-establishment youth culture of the times. It changed the Hollywood landscape almost overnight and major studios all jumped onto the anti-establishment bandwagon, pumping out low-budget films about rebellious hippies, bikers, draft dodgers and pot smokers. However, Hopper's next directorial effort, The Last Movie (1971), was a critical and financial failure, and he has admitted that during the 1970s he was seriously abusing various substances, both legal and illegal, which led to a downturn in the quality of his work. He appeared in a sparse collection of European-produced films over the next eight years, before cropping up in a memorable performance as a pot-smoking photographer alongside Marlon Brando and Martin Sheen in Francis Ford Coppola's Vietnam War epic Apocalypse Now (1979). He also received acclaim for his work in both acting and direction for Out of the Blue (1980).
With these two notable efforts, the beginning of the 1980s saw a renaissance of interest by Hollywood in the talents of Dennis Hopper and exorcising the demons of drugs and alcohol via a rehabilitation program meant a return to invigorating and provoking performances. He was superb in Rumble Fish (1983), co-starred in the tepid spy thriller The Osterman Weekend (1983), played a groovy school teacher in My Science Project (1985), was a despicable and deranged drug dealer in River's Edge (1986) and, most memorably, electrified audiences as foul-mouthed Frank Booth in the eerie and erotic David Lynch film Blue Velvet (1986). Interestingly, the offbeat Hopper was selected in the early 1980s to provide the voice of "The StoryTeller" in the animated series of "Rabbit Ears" children's films based upon the works of Hans Christian Andersen!
Hopper returned to film direction in the late 1980s and was at the helm of the controversial gang film Colors (1988), which was well received by both critics and audiences. He was back in front of the cameras for roles in Super Mario Bros. (1993), got on the wrong side of gangster Christopher Walken in True Romance (1993), led police officer Keanu Reeves and bus passenger Sandra Bullock on a deadly ride in Speed (1994) and challenged gill-man Kevin Costner for world supremacy in Waterworld (1995). The enigmatic Hopper continued to remain busy through the 1990s and into the new century with performances in All the Way (2003), The Keeper (2004) and Land of the Dead (2005).
As well as his acting/directing talents, Hopper was a skilled photographer and painter, having had his works displayed in galleries in both the United States and overseas. He was additionally a dedicated and knowledgeable collector of modern art and had one of the most extensive collections in the United States. Dennis died of prostate cancer on May 29, 2010, less than two weeks after his 74th birthday.Blue Velvet- Actor
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Popular British character actor Tom Wilkinson was born in Leeds, West Yorkshire, England, and came from a long line of urban farmers. He was the son of Marjorie (Percival) and Thomas Wilkinson. Economic hardships forced his family to move to Canada for a few years when Wilkinson was a child; then, after he had returned to England, he attended and graduated from the University of Kent at Canterbury with a degree in English and American Literature.
Wilkinson first became active in film and television in the mid-1970s, but did not become familiar to an international audience until 1997. That was when he starred as one of six unemployed workers who strip for cash in Best Picture nominee The Full Monty (1997), and went on to win a BAFTA for Best Performance by an Actor in a Supporting Role. That same year, he was featured in Oscar and Lucinda (1997) and Wilde (1997). Wilkinson was also shown to memorable effect as a theatre financier with acting aspirations in Best Picture winner Shakespeare in Love (1998).
Over the next few years, Wilkinson would become more popular, especially with American audiences, with such roles as General Cornwallis alongside Mel Gibson in the blockbuster The Patriot (2000) and as the grief-stricken father, Matt Fowler, in the critically acclaimed Best Picture nominee In the Bedroom (2001). For his role in that movie, he received an Academy Award nomination for Best Actor in a Leading Role.
Since then, Wilkinson has made memorable appearances in Eternal Sunshine of the Spotless Mind (2004), Batman Begins (2005), The Exorcism of Emily Rose (2005), Valkyrie (2008), Duplicity (2009), The Ghost Writer (2010), The Debt (2010) and The Best Exotic Marigold Hotel (2011), among others. Wilkinson also received his second Academy Award nomination for his acclaimed role in Michael Clayton (2007).
Wilkinson won an Emmy Award for his work as Benjamin Franklin in HBO's John Adams (2008) mini-series. The same year, he received an Emmy nomination for his role in HBO movie Recount (2008), and has also received Emmy nominations for Normal (2003) and The Kennedys (2011).
Wilkinson had two children, Alice and Molly, with his wife Diana Hardcastle.In the Bedroom