Top 100 all time best actress of bollywood

Madhuri Dixit is one of the most acclaimed actors and Kathak dancers Bollywood have ever witnessed. Born in a Marathi Brahmin Koknastha family to Mr. Shankar and Mrs. Snehlata, Madhuri Dixit has two sisters Rupa, Bharti, and brother Ajit. She performed decently well in her academics and aspired to become a Microbiologist which made her pursue the subject from Mumbai's Sathaye College, formerly known as Parle College; but within six months she opted out from college to pursue her career in Bollywood. Though she debuted with 'Abodh' in 1984, it's with 'Tezaab' (1988), a romantic thriller caste opposite Anil Kapoor, where she started garnering fame and popularity. She earned her first nomination of Filmfare Best Actress with this movie and it was also the highest grossing film in that year. Her performance in 'Ek Do Tin' made every heart groove to the beats of the song. During this time, Madhuri also got featured on Debonair and she was also featured as the cover girl on 1986 Filmfare edition. Since then she has graced more than 72 movies with her stupendous performances.

After 'Tejaab', Madhuri Dixit once again was paired with Anil Kapoor for Subhash Ghai's 'Ram Lakhan'(1989) which went on to be a super hit and the second highest grossing movie of the year. In her next 'Prem Pratigya' she received critical acclamation for her performance and earned her second nomination for Filmfare Best Actress Award. Dixit continued her success with her fourth pairing with Anil Kapoor in Vidhu Vinod Chopra's drama 'Parinda'. In 1990, Madhuri starred in the romantic drama 'Dil' opposite Aamir Khan. The film became the biggest box office hit of the year and made her one of the leading actresses of Bollywood. Her performance in 'Dil' also earned her the first Filmfare Best Actress Award of her career. She was also seen in the dramas 'Sailaab' opposite Aditya Pancholi and 'Kishen Kanhaiya' opposite Anil Kapoor. The following year in 1991, she starred in the super-hit movie 'Saajan' opposite Salman Khan and Sanjay Dutt which also earned her the fourth nomination for the Filmfare Best Actress Award. In 1992, Dixit featured in the film 'Beta' once again opposite Anil Kapoor which won her the second Filmfare Best Actress Award. Following the film's success, Dixit became famously known as the "Dhak Dhak Girl" for her performance on the song "Dhak Dhak Karne Laga".

In 1993, Dixit starred in the super-hit film 'Khalnayak; opposite Sanjay Dutt and Jackie Shroff. Her portrayal of the police officer Ganga earned her critical acclaim and a sixth nomination for the Filmfare Best Actress Award and became the year's second highest grossing film. In 1994, Dixit starred in 'Anjaam', being paired with Shahrukh Khan for the first time. Dixit's performance of a revenge-seeking wife and mother earned her a seventh nomination for the Filmfare Best Actress Award. She was praised for her performance, even though the film was an average performer at the box office. Her next was 'Hum Aapke Hain Koun' opposite Salman Khan. The film became one of the biggest hits & the highest grossing Bollywood film after its theatrical run and held this record for 7 years till the release of 'Gadar: Ek Prem Katha' (2001). Madhuri was awarded her third Filmfare Best Actress Award for the film. 1995 witnessed Dixit star in the hit film 'Raja' opposite Sanjay Kapoor. The film became the fourth highest grosser of the year and its success was attributed to her immense popularity. Her next release was David Dhawan's 'Yaraana' opposite Rishi Kapoor, in which she played a dancer on the run from her abusive lover. Both films earned her nominations for the Filmfare Best Actress Award.

After a not so successful year in 1996 with films like 'Prem Granth' and 'Rajkumar'Madhuri Dixit bounced back with Prakash Jha's 'Mrityudand' in 1997 followed by Yash Chopra's 'Dil to Pagal Hai' (1997), opposite Shahrukh Khan and Karisma Kapoor. Her performance in 'Dil toh Pagal Hai' fetched her the fourth Filmfare Best Actress Award. The film also proved to be a success at the box office. However, her career growth slowed down with films like Wajood (1998) and Aarzoo (1999). In 2000, Madhuri starred in Rajkumar Santoshi's 'Pukar' opposite Anil Kapoor which earned her twelfth nomination for the Filmfare Best Actress Award. She then played the title character in 'Gaja Gamini' In 2001, Dixit starred in Deepak Shivdasani's love triangle 'Yeh Raaste Hain Pyaar Ke' opposite Ajay Devgan and Preity Zinta, followed by reuniting with Rajkumar Santoshi in the multi-starer 'Lajja' (2001). Dixit was nominated for the Filmfare Award for Best Supporting Actress for Lajja. In 2002, Dixit starred in a lead role in the love triangle film 'Hum Tumhare Hain Sanam' opposite Shahrukh Khan and Salman Khan. Madhuri Dixit's next release was Sanjay Leela Bhansali's period romance 'Devdas', co-starring Shahrukh Khan and Aishwarya Rai. Devdas was chosen as India's official entry for the Academy Award for Best Foreign Language Film and received a nomination for the BAFTA Award for Best Film Not in the English Language. Dixit won the Filmfare Best supporting actress award for the film. It turned out to be her last film for a while as she shifted to Denver, U.S.A with her husband Dr. Shriram Madhav Nene, a Cardiovascular Surgeon. She subsequently became a proud mother of two sons (Arin and Ryan) in March 2003 and March 8, 2005, respectively.

In 2006, Dixit returned to India with her family and acted in Anil Mehta's dance film 'Aaja Nachle' (2007). It was her first release in five years and her performance was appreciated by critics and also earned her the nomination for the Filmfare Best Actress Award.

In 2008, she was also awarded the prestigious 'Bharat Ratna' for her contribution to Indian cinema by the Government of India. In 2011, Dixit was felicitated with the Filmfare Special Award for completing 25 years in the film industry.

In 2012, she was seen in the comedy 'Dedh Ishqiya' (2014), a sequel to Ishqiya (2010) opposite Naseeruddin Shah, Arshad Warsi, and Huma Qureshi. The film opened to a positive response from critics who called it "one of the year's most important releases". The film also earned her the fourteenth nomination for Filmfare Award for Best Actress. Her next release of the year was the debuted director Soumik Sen's 'Gulaab Gang' alongside Juhi Chawla.

Madhuri Dixit made her debut in Marathi cinema both as an actor & Producer in 2018. She played the lead in 'Bucket List' and produced "15th August" which is slated for a Netflix worldwide released in 2019. She has also lent her voice for the Netflix original 'Mowgli'.

In (2019) she was seen reunited with Anil Kapoor after 17years on screen in a comedy, action and adventure movie 'Total Dhamaal' the third sequel of 'Dhamaal' (2007). In the same year, she also a part of Dharma productions 'Kalank' a period drama film directed by Abhishekh Varman starring along with Sanjay Dutt, Varun Dhawan, Aditya Roy Kapur, Alia Bhatt, and Sonakshi Sinha.

Madhuri Dixit is also associated with various philanthropic activities. She is associated with UNICEF since 2014 to advocate the rights of children, prevent child labor and child trafficking. She was appointed as the brand ambassador for the Beti Bachao Beti Padhao campaign by the Government of India in 2015 that aspires to create awareness and upgrade the efficiency of welfare services intended for girls.

Dixit made her first appearance on television as a host for India's first reality show Kahin Na Kahin Koi Hai on Sony TV followed by Jhalak Dikhla Ja & Dance Deewane.

Arguably the most beautiful artiste to ever grace the Indian screen, Madhubala rose from humble beginnings to become the most captivating star India has ever produced. Madhubala was born Mumtaz Jehan Begum on Valentine's Day 1933, in a poor, conservative family of Pathan Muslims in Delhi, a part of a prolific brood of sisters, and entered the world of films at the tender age of eight. After about five years of playing child roles, Madhubala got her first break in a lead role in Neel Kamal (1947), produced anddirected by her mentor, veteran filmmaker Kidar Sharma. At the age of 14, she played a romantic lead against another fledgling star, Raj Kapoor, and Madhubala had finally arrived on the Indian screen. Over the next two years she had blossomed into a truly rapturous beauty (which earned her the sobriquet of the Venus Of the Indian Screen) and with the movie Mahal (1949), literally overnight, she was a superstar.

It has been often said that her beauty overshadowed her acting talents, which to an extent is true; however this was more due to poor judgement than lack of talent. Being encumbered by a large family to support, and forever living under the domination of an imperious father who, she made several poor choices in movies which seriously undermined her credibility as a serious performer, to the extent of being labelled "box-office poison". However, her more or less dismal repertoire in the 50s was marked by spots of true brilliance - movies like Tarana (1951), Mr. & Mrs. '55 (1955) and of course her swansong Mughal-E-Azam (1960) showcased her remarkable talents as a serious artiste across several genres and revealed what this ethereal beauty was truly capable of.

Sadly, she was plagued by a persistent heart disease that confined her to a bed for almost nine torturous years, and eventually claimed her life on February 23 1969, nine days after her 36th birthday. In this short life, she had made over 70 movies, and to this day remains one of the most enduring legends of Indian cinema.

Nargis was born on June 1, 1929 as Fatima Rashid in Rawalpindi, British India, daughter to Jaddanbai and Uttamchand Mohanchand, a former Hindu Mohyal Brahmin who converted to Islam as Abdul Rashid. Her mother was a well-known dancer, singer, actor, composer, and director. This is what paved the way for Fatima to become a child artiste (Baby Nargis) as early as 1935. She was the half-sister of Bollywood actors, Anwar Hussain and Akhtar Hussain.

Nargis, and actor Raj Kapoor formed a reel romantic couple. It is well known that they had an off-screen romance. Raj, who was already married, refused to divorce his wife and marry Nargis.

After playing the mother of Sunil Dutt in the movie 'Mother India', she subsequently married him on March 11, 1958 . She had three children, namely Bollywood actor, Sanjay Dutt, and two daughters, Priya, and Anju. Her son Sanjay was married to actress Richa Sharma, who passed away due to cancer. They have a daughter named Trishala. His second wife was Rhea Pillai whom he subsequently divorced. He is now married to Manyata Dutt, formerly known as Dilnawaz Shaikh. They are the parents of twins, Iqra and Shahraan. Her daughter, Anju, is married to Bollywood actor, Kumar Gaurav, who is the son of actor Rajendra Kumar. Her husband, Sunil, Dutt, went on to win a seat in the Indian Parliament, and after his passing, their daughter, Priya, won his vacant seat.

Nargis passed away due to pancreatic cancer on May 3, 1981.

Sridevi was born on August 13, 1963 in her father's hometown of Sivakasi, Tamil Nadu, India. Her mother was from Tirupati, Andhra Pradesh. So Sridevi grew up speaking Telugu and Tamil. She has a sister named Srilatha and a stepbrother named Satish. Her dad passed away during the year 1991, while her mom died during 1997.

She started her career at a very early age in 1967 as a child artiste in a Tamil movie 'Kandhan Karunai'. She also starred as a child actress in a Telugu movie 'Bangarakka' in 1977, and in a Malyalam movie 'Kumara Sambhavan' in 1969.

She made her foray on the Bollywood tinsel screen in 1975 as a child actor with the smash-hit 'Julie' in which she played the younger sister of the lead actress. Thereafter she started to act in adult roles in Hindi only from 1979. She appeared in 63 movies in Hindi; 62 in Telugu; 58 in Tamil; and 21 in Malyalam - in a career that has spanned from 1967 through to 2007.

Sridevi established strong onscreen pair with Kamal Hasan in Tamil films from 1977-1983 and then with Jeetendra in Hindi Films from 1983-1988 which helped her get foothold in Hindi films. Her initial claim to fame was appearing as romantic interest to established stars NTR, ANR, Krishna Ghattamaneni,Vishnuvardhan in Telugu and Kannada films from 1978-1985.She has four hits with Rajesh Khanna and then from late 80's till 1996 her pair with Anil Kapoor was popular. But she became popular all over India, thanks to Tamil films' remakes in Hindi in 1983-1990 which were produced and directed by the same team which had made the southern version first and in these films she was cast opposite Rajesh Khanna or Jeetendra.

She has also appeared in the TV series 'Malini Iyer', judged a TV show 'Kaboom' as well as appeared in numerous print and TV ads. She is also on the Board of Directors of the Asian Academy of Film & Television.

Sridevi went on to get married to her co-star, Anil Kapoor's older brother, Boney, on June 2, 1996. They are now parents of two daughters: Jhanvi and Khushi.

She made a comeback to films with "English Vinglish" in 2012.

She passed away on 24 February 2018 by accidental drowning in bathtub during her stay at the hotel Jumeirah Emirates Towers, Dubai UAE, when she was attending the wedding of Bollywood actor Mohit Marwah in Dubai, UAE. She was 54 years old.

The Empress of Indian Cinema!

A Sweetheart of 1950s, & The Undisputed Goddess of 1960s Bollywood, Meena Kumari bestrode the movies like few women in history have!

Combing enchanting grace, amazingly heart-melting expression, & consistently solid progressive content base, this Giant of Cinema will remain immortal as perhaps the greatest feminine incarnation of filmdom!

Born in 1933 into a poor Parsee theatre family of Ali Bux and actor-dancer Prabhavati Devi (converted to Iqbal Begum) (Prabhavati's mother's first husband till death, incidentally, being the cousin of Rabindranath Tagore, Prabhavati in turn borne of her second husband, a very famous Urdu poet of Meerut, from where she migrated to pursue a career in music) in Bombay, Maharashtra, India, she entered films to support her family in difficult times.

She was six when hired for Leatherface (1939) in 1939 by Vijay Bhatt and named Baby Meena. Later she became Meena Kumari when cast for Bhatt's Baiju Bawra (1952).

She did mythological films with Homi Wadia and then comedies like Miss Mary (1957). She became personified as the archetypal good Hindu wife through many roles, long suffering and always true to the man. She excelled at tragedy and was often shown in a white sari carrying the film with her emotive acting. She was also thought to be the only actress who could sell a film on the strength of her name alone. Her major films are Daaera (1953), Baiju Bawra (1952), 0046164, and of course her most well known film, Pakeezah (1972). She was married to Kamal Amrohi with whom she started making "Pakeezah". They separated in 1964.

She was also an accomplished Urdu writer and had several poems published by Gulzar after her death. She battled alcoholism and loneliness and finally died, alone, in 1972.

Waheeda Rehmaan combined the classic Tamil-Islamic beauty with an extraordinary grace, talent and a truly transcendent appeal that ranked her among the pantheon of Bollywood's elite actresses. And few could dance better than she could!

She was born into a traditional Tamil Urdu speaking Muslim family on 3 February 1938, in Chengalpattu,Tamil Nadu. Growing up, she was trained in dancing, especially the Bharatnatyam dance. Her first films were Jayasimha (1955) and Rojulu Marayi (1955), both in Telegu and Kalam Mari Pochu in Tamil. These films became a huge success and established her as a hit-heroine, but it was a song Eruvaaka Sagaroranno Chinnanna in the Rojulu Marayi that got Rehman recognition in South. During success party of Rojulu Marayi, Guru Dutt noticed her and cast her in CID. The result was one of the most stunning debuts ever made in a Hindi film. As a mysterious woman named Kamini, she added a thrill to the whole film and it remains one of the most seductive and memorable roles of her career.

Amazed (and enraptured) by her beauty and talent, Guru Dutt cast her in 5 films. Thus, Rehman gave a mesmerizing performance in Thirst (1957) as Gulab, the prostitute with a heart of gold, and she stole the hearts of audiences as Jameela, a shy Muslim girl in the romance Chaudhvin Ka Chand (1960). But by then she was involved in an affair with Guru Dutt and this affair led to the disintegration of Dutt's marriage - and soon the two of them broke apart after their last collaboration, Sahib Bibi Aur Ghulam (1962).

Moving on after Guru Dutt, Rehman worked with the acclaimed director Satyajit Ray in The Expedition (1962) and consolidated her position as a top Bollywood star with her commercial successes Bees Saal Baad (1962) and _Kohra (1964)_. With Devanand she did 7 films and 5 were super-hits. Then she did _Guide (1965/I)_ - a film that took her to the peak of her career. In the conservative 1960s, Rosie was a daring role for Waheeda to play, and yet the gamble paid off - her performance as Rosie, a woman who leaves her husband for her lover, is ranked as her best ever! And to think that when she did the film, she was certain she would never, ever be able to do another film again!

She had commercial films like Ram Aur Shyam (1967) and Patthar Ke Sanam (1967) proved to be huge successes and had 4 hits with Sunil Dutt in 60's Ek Phool Char Kaante, Mujhe Jeene Do, Meri Bhabhi and Darpan but her offbeat films Teesri Kasam (1966) and Reshma Aur Shera (1971) bombed, in spite of her critically acclaimed performances in those films. Her 3 films with Rajendra Kumar though critically acclaimed became box-office flops and her films with Dharmendra between 1967-1973 bombed. Then she acted in Khamoshi opposite Rajesh Khanna which became her career's biggest hit.In 1974, Rehman married Kamaljit, her hero in Shagoon(1964) a businessman who had earlier tried to make it in films and moved to Bangalore.

After her marriage she cut down acting assignments, preferring to market her own brand of breakfast cereal and lead a contented life in a Bangalore farmhouse. She turned to supporting roles and did 24 films as supporting actress from 1976-1994. After her husband's death in 2000, she again started appearing in 9 films as elderly woman.

Nutan Samarth was born on June 4 1936 to poet Kumarsen Samarth and his actress wife 'Shobhana' as the eldest of their four children (a younger sister is the actress Tanuja Samarth). Her parents separated when she was a small child. 13-year-old Nutan made her debut in K. Asif's "Hamari Beti". She was a beauty queen as well, being crowned Miss Mussorie in 1952. Success at so young an age was trying, and Nutan temporarily quit films in the 50s to move to Switzerland. She returned, married Commander Rajnish Bahl, and began the most innovative and successful faze of her career. She made her mark as a versatile actress able to portray comedy, drama, and romance with equal skill. Nutan was awarded a record-breaking 5 Filmfare awards for Best Actress and one for Outstanding Performance. Her career declined during the 70s and 80s and she spent much of her time collecting rare artefacts and spending time with her family. Nutan died of cancer in February 1991.

Bhanurekha was born in the Tamil-speaking Ganesan household on October 10, 1954. Her dad was the popular Tamil actor, Gemini, while her mom was a popular Telugu actress, Pushpavalli. She has seven sisters and one brother. One of her sisters is Dr. Kamala Selvaraj, while another one, Radha, lives in San Francisco with a son named Naveed, who is being readied to act in Bollywood movies.

No stranger to the tinsel screen, Bhanurekha acted in a Telugu movie 'Rangula Ratnam' as Baby Bhanurekha along with her mom during 1966, which was subsequently re-made and released in Hindi during 1976 as Rangila Ratan (1976). She acted in one more Telugu as well as one Kannada movie (Amma Kosam and Goadalli CID 999 respectively) before re-locating to Bombay.

Due to her background, she ended up being very gloomy and pessimistic during her early years. She get a chance to debut in Bollywood movies during 1970 with Sawan Bhadon (1970) opposite Navin Nischol with a screen name of Rekha. Inability to speak Hindi, a dusky complexion as well as her weight did not exactly add to her assets in a predominantly fair-skinned, Hindi-speaking North-Indian film industry.

She decided to take matters seriously, took Yoga, shed those extra pounds, learned Hindi and dancing, and thus was born a new and much improved Rekha - who went on to deliver one box office hit after another for example Nagin (1976), Muqaddar Ka Sikandar (1978), Mr. Natwarlal (1979), Khubsoorat (1980), Umrao Jaan (1981), Khoon Bhari Maang (1988) amongst others. In her later years she has taken up character roles and appeared as a mother, even a grandmother in Krrish (2006).

Her slim, slender looks got her many admirers, including well established Bollywood actors such as Kiran Kumar , Jeetendra, Vinod Mehra, and Amitabh Bachchan'. In 2004, in a television interview with Simi Garewal, she rejected a long-standing rumor that she was once married to Vinod Mehra. She referred to him as a well-wisher and stated that her only marriage was to a businessman, Mukesh Aggarwal. This marriage ended when Mukesh killing himself shortly thereafter, leaving her a widow. She has never remarried.

She likes to surf the Internet, has written biographies of actresses like Zeenat Aman, and Salma Agha on IMDb, likes to collect old photographs and postcards, mimic people, watch movies, and practices Yoga regularly, read comics like Archie and Dennie the Menace, and is a vegetarian. She now lives with her Secretary, Farzana, and pets in a self-owned bungalow in Bandra (West)in Mumbai.

Hema was born in the Tamil-speaking Chakravarthy household on October 16, 1948 in Ammankudi, Tamil Nadu. Her dad's name is V.S.R. Chakravarthy and her mom, Jaya, was a film producer. She was enrolled in the Chennai-based Andhra Mahila Sabha.

After performing as a dancer in a 1961 regional movie, she was rejected by Tamil Director, C.V.Sridhar, during 1964 when she first attempted to act, on the grounds that she was too thin to be heroine in Venniradai and the role went to Venniradai Nirmala. Later Hema performed in the song Singara Therukku Selai sung by Seergazhi Govindrajan and L.R.Eshwari as a supporting actor from the 1963 Tamil film Idhu Sathiyam starring S.A.Asokan as the hero. But Hema persisted, debuted opposite Raj Kapoor in 'Sapnon Ka Saudagar' just 4 years after her rejection but the movie was a flop.

Thereafter there has no been looking back for this attractive Libran, who went to star in close to 155 movies; who also produced and directed two movies, and also directed a TV serial 'Noopur'.

After turning down marriage proposals from Sanjeev Kumar and Jeetendra, she met with hot fellow actor, Dharmendra, both were attracted to each other and wanted to get married. Dharmendra, who was already married to Prakash Kaur, and had two sons, Sunny and Bobby, could not marry Hema as Prakash refused to divorce him. According to the Hindu Marriage Act, a Hindu cannot marry a second time while the first wife is still alive. Dharmendra belongs to a Arya Samaj Hindu Punjabi Jatt family.

She had a hit on-screen pairing with Dharmendra, Shashi Kapoor and Dev Anand in the 70's and, post-marriage, she had 8 hits opposite Rajesh Khanna in 1980-87. Dharmendra Hema Malini were paired in lead roles romantically in 31 films but have worked in 35 films. Of them 20 were hits and 15 were flops. Interestingly Rajesh Khanna-Hema Malini pair had 2 hits in early 70's and then 3 unfortunate flops in late 70's after which pair was written off but in eighties they gave 8 blockbusters as a pair. In all Hema has 10 hits with Rajesh Khanna.

On August 21, 1979, both Hema and Dharmendra converted to Islam, changed their names to Aisha Bi R. Chakravarty and Dilawar Khan Kewal Krishn respectively, and got married in accordance with Islamic rites. Three years after their marriage, Hema subsequently gave birth to Esha and then later to Ahana. Esha is an actress in her own rights. The trio, well proficient in the arts of Bharatnatyam dance form, have performed together at a number of dance events and concerts.

Hema is a member of the right-winged Bharatiya Janata Party, and became a member of the Rajya Sabha, the upper house of the Indian Parliament.

She was amongst the first actresses to wear bell-bottom and shirts in Hindi movies, and is also amongst the few who have kept their word of not wearing any revealing outfits in public. Hema, who is also called 'Dream Girl' continues to act in movies as of 2013.

Kajol Devgn is a well-known Bollywood actress known for her exceptional performances on screen. She attended St. Joseph's Convent School in Panchgani and was actively involved in extra-curricular activities such as dancing. In her early teens, Kajol was supposed to make her debut as an actress in a movie directed by her mother, Tanuja, but the project was cancelled. She eventually made her acting debut at the age of sixteen with the film Bekhudi (1992), while still in school. Later, she quit school to pursue a full-time career in the film industry.

She made her debut with Rahul Rawail's Bekhudi (1992) in 1992. Her film career flourished with commercial successes like Baazigar (1993), Yeh Dillagi (1994), Dilwale Dulhania Le Jayenge (1995), and Kuch Kuch Hota Hai (1998), which established her as a leading star in the 1990s. She was appreciated critically for her role in Gupt: The Hidden Truth (1997) and as an avenger in Dushman (1998). Another blockbuster Kabhi Khushi Kabhie Gham... (2001) won her multiple awards, after which she took a break. She returned to the industry after a brief period with the romantic thriller Fanaa (2006).

She was cast in My Name Is Khan (2010) in 2010 opposite Shah Rukh Khan - it was widely appreciated by critics worldwide. Kajol and Shah Rukh Khan became the first Indian actors to be invited by NASDAQ to open the NYSE American to promote My Name Is Khan (2010). She was also appreciated for her performance in Dilwale (2015) - it also featured other renowned stars like Shah Rukh Khan, Varun Dhawan, and Kriti Sanon. She was also cast in the period film Tanhaji: The Unsung Warrior (2020) in 2020.

She also appeared in the social drama Tribhanga (2021), her first collaboration with Netflix.

She holds a managerial position at Devgn Entertainment and Software Ltd., And as the supervisor, she launched the filmmaking-related portal Cineexplore in 2000. Devgn established another company, Ajay Devgn Films, in 2009.

She appeared with Ajay Devgn, and her mother Tanuja as the supervisor in Zee TV's 2008 reality show Rock-N-Roll Family. She was named a part-time public broadcaster Prasar Bharati member in 2016.

The Chief Minister of Maharashtra Devendra Fadnavis honored her with the Swabhimani Mumbaikar Awards. She was also included on Forbes India's "Celebrity 100", a list based on the income and popularity of India's celebrities, in 2012, 2013, and 2017.

She has won 23 awards, including 6 Filmfare Awards, 5 Screen Awards, 4 Zee Cine Awards, 1 Stardust Award and 1 Bengal Film Journalists' Association Award, and one Bollywood Movie Award till the year 2021. She was also honored with the Rajiv Gandhi Award for her contribution to Indian cinema in 2002. Kajol was listed in the Box Office India's "Top Actresses" for five consecutive years (1995-1999), topping the list in 1998.

In 2001 and 2006, she was featured in Rediff annual "Top Bollywood Actresses" listing. And in 2007, she received Karamveer Puraskar, presented by the Mumbai Pradesh Young Congress, for her social work in helping educate unprivileged children.

During the shooting of Gundaraj in 1994, Kajol and Ajay Devgn started dating. They eventually tied the knot on 24th February 1999 in a traditional Maharashtrian wedding ceremony held at Devgn's residence.

Vyjayanthimala was born to actress and dancer Vasundhara Devi in a Tamil-speaking family in Chennai, India, on August 13, 1933.

At the age of 4, she got the rare chance of performing a dance before the Pope. Then at the age of 15, while in her final year at school, she was signed-up by family friend, M.V. Raman, for a role in a Tamil film 'Vazhkai'. This movie was successful at the box office and was re-made in Hindi during 1951 and released as 'Bahaar'.

Since her entry into films from 1949, this actress, who is also proficient in Bharat Natyam, has appeared in approximately 62 movies, the majority of them in the Hindi language. Her career spanned from 1949 through to 1989. She has received a total of five awards for her performances in 'Devdas', 'Sadhna', 'Ganga Jamuna', and 'Sangam', as well as a lifetime achievement award during 1995.

Her dance numbers, such as 'Hothon Pe Aisi Baat Main Dabake Chali Aai...', 'Man Doley Mera Tan Doley...'; 'Chad Gaiyo Paapi Bichua...'; 'Main Ka Karu Ram Mujhey Buddha Mil Gaya' continue to be popular even today. She made waves when she appeared in a fire red swimsuit in 'Sangam'. She also paved the way for other South Indian actresses, like Hema Malini, Rekha, Sridevi, etc. to make a transition to Bollywood. Her career was managed by her grandmother, Yadugiri Devi.

She married Raj Kapoor's personal physician, Dr. Chamanlal Bali after he divorced his first wife and re-located to Chennai, where she gave birth to a son, actor Suchindra Bali.

After quitting films, Vyjantimala took up shrimp farming, opened up a dance academy, even took an active interest in politics, and with the backing of Indira Gandhi's Congress Party was elected Member of Parliament during the 1980s. She chose to quit politics due to principled differences during 1999.

After the passing of her husband, she now resides in Chennai, with her son, who is an aspiring actor in his own right, and has removed herself completely from Bollywood, in particular, and movies in general, though she could have easily continued on for another decade.

One of her hits 'Naya Daur', originally in Black & White, has now been colorized, and re-released.

In 2007, she published her autobiography titled "Bonding," where she revealed that she didn't have an affair with Raj Kapoor, her leading man and director from "Sangam" (1964).

In 2011, her son Suchindra and daughter-in-law Nandini presented her with a grandchild named Swara.

A Bengali actress who achieved success young, Sharmila appeared in numerous Bengali classics before making the jump to Hindi cinema, which first made her a romantic actress and later a legendary actress thanks to her intense films opposite Superstar Rajesh Khanna. A distant relative of poet Rabindranath Tagore, she is also the wife of His Highness Mansur Ali Khan Pataudi, Nawab of Pataudi, with whom she has three children, actor Saif Ali Khan born 16 August 1970, Saba and Soha Ali Khan, born 4 October 1978. Her pairing with Shammi Kapoor made her famous in the sixties but as an actress she evolved and became popular due to different films, each belonging to different genre, she did opposite the Superstar Rajesh Khanna.The pair gave 6 box office blockbusters and 3 unfortunate box office flops which were critically acclaimed films. Sharmila's pairing opposite male actors Rajesh Khanna, Dharmendra and Shashi Kapoor was loved by the audiences, though Khanna-Sharmila pair remained the most popular with both critics and audience.

Rani Mukerji is an Indian actress who works in Hindi films. Noted for her versatility, she is the recipient of multiple accolades, including seven Filmfare Awards. Mukerji has featured in listings of the highest-paid actresses of the 2000s.

Mukerji make her debut in her father directorial Bengali film Biyer Pool (1996). Her first Hindi film was the drama film Raja Ki Aayegi Bharat (1997). Mukerji first commercial success film was Ghulam (1998) which paired her with actor Aamir Khan, and followed by the worldwide blockbuster Kuch Kuch Hota Hai (1998) make her first collaboration with Shah Rukh Khan.

Mukerjis is known for her versatility. Her performances often sited as the most iconic and remarkable role in Hindi cinema. She established her career in the early 2000s with successful films including Saathiya (2002), Chalte Chalte (2003), Hum Tum (2004), Veer Zaara (2004), Bunty Aur Babli (2005), and Black (2005) later to be her best performance of her life time career.

Following the birth of her child, Mukerji took a four-year hiatus to focus on her daughter and was persuaded by her husband, Aditya Chopra, to return to acting. Mukerji makes her comeback with the all-time blockbuster film Hichki in 2018, which emerged as her highest-grossing release film of all time. She is continued her acting career with successful thriller Mardaani 2 (2019) and the drama Mrs. Chatterjee vs Norway (2023).

In April 1948 Jabalpur-based, Bengali-speaking Indira and Tarun Kumar Bhaduri were blessed with a child they named Jaya, and enrolled in the St. Joseph's Convent School in Bhopal.

Her acting career started when she was 15 in a Bengali film Mahanagar. She became an actress in her own right in Bollywood after the release of Guddi. She went on to star in many Hindi language films, including blockbusters like Jawani Diwani, Uphaar, Anamika, Abhimaan, Sholay, Bawarchi, Chupke Chupke Zanjeer just to name a few. Her acting spanned from 1963 to 1981. She also wrote the script of Shahenshah.

She married Amitabh Srivastav alias Bachchan, and subsequently gave birth to Shweta and Abhishek. Amitabh is the son of Sikh-Hindu parents, namely Teji and Harivansh Rai Srivastav alias Bachchan.

Jaya quit acting after 1981. Then her married life faced considerable upheavals especially with the much-publicized affair of her husband with Bollywood actress, Rekha. Then their lives were disrupted when Amitabh was seriously injured by a blow from actor, Puneet Issar, while filming 'Coolie', which almost took his life.

The family suffered another setback in 2005 when her asthmatic husband was admitted in Lilavati Hospital after complains of severe pains in his abdomen.

Her husband did recover, and both husband, wife, Abhishek, and his new bride, continue to dominate Bollywood with their screen presence. Jaya has also received a number of awards recognizing her talents in Bollywood.

Juhi was born in the Chawla family on November 13, 1967 in Ludhiana, Punjab, India, and is the daughter of Punjabi-speaking dad, Dr. S. Chawla and Gujarati-speaking mom, Mona. She has a brother named Sanjeev. Her mother passed away in an accident during the year 1998 while Juhi was filming 'Duplicate'.

After completing her school in Ludhiana, the Chawla family moved to Bombay, Maharashtra, India, where Juhi attended at Sydenham College. After graduating, she entered in the Miss India competition and was crowned 'Miss India 1984', taking over from Miss India 1983, Rekha Hande.

Her first appearance on the tinsel screen was as Zarina in the 1986 release 'Sultanat'. She shot to fame after the release of 'Qayamat Se Qayamat Tak' opposite Aamir Khan. As of August 2007, she has been bestowed with three awards for her performance in 'Hum Hain Rahi Pyar Ke', 'Duplicate', and '3 Deewarein'.

Juhi got married to multi-millionaire industrialist, Jai Mehta during the year 1998. Since then the couple have a daughter, Jhanvi, and son, Arjun.

Juhi continues to act in movies, and also makes appearances in many off-beat movies, rather than the mainstream cinema with which she started her career. She also appears in a number of TV ad commercials.

Tabu is an Indian actress. She has mainly acted in Hindi films, though she has also starred in Telugu, Tamil, Malayalam, Marathi and Bengali-language films, as well as one American film. She has won the National Film Award for Best Actress twice, and holds the record for the most wins of Filmfare's Critics Award for Best Female Performer, with four. With few exceptions, she is best known for acting in artistic, low-budget films that go on to garner more critical appreciation than substantial box-office figures. Her appearances in commercially successful films were few, and her parts in these films were small, such as Border (1997), Saajan Chale Sasural (1996), Biwi No. 1 (1999) and Hum Saath-Saath Hain (1999). Her most notable performances include Maachis (1996), Virasat (1997), Hu Tu Tu (1999), Astitva (2000), Chandni Bar (2001), Maqbool (2003) and Cheeni Kum (2007). Her leading role in Mira Nair's American film The Namesake (2006) also drew major praise.

Regarded as one of the most talented Indian actresses of her generation, Tabu is known to be selective about her film roles. She was awarded the Padma Shri, India's fourth highest civilian award, in 2011 by the Government of India for her contributions towards the arts.

Suraiya was born on 15 June 1929 in Lahore, Punjab, British India [now Pakistan]. She was an actress and composer, known for Anmol Ghadi (1946), Jeet (1949) and Dastan (1950). She died on 31 January 2004 in Mumbai, Maharashtra, India.

One of the leading lights of the 1965-1990's Indian New Wave, Shabana Azmi (alongside the late Smita Patil) was one of the main female actors who dominated the films of the so-called "Parallel Cinema" in India in the 1970s and 1980s. Born to noted Urdu progressive poet and lyricist Kaifi Azmi and theatre actress Shaukat Azmi, Shabana has acted in films by virtually all of India's most famous art-house directors including Shyam Benegal, Satyajit Ray, Mrinal Sen, Aparna Sen and others, as well as in commercial and middle-of-the-road Hindi films, where she has essayed several strong female characters (e.g., in The Death Sentence: Mrityu Dand (1997) and Godmother (1999)). Shabana Azmi was paired opposite Rajesh Khanna in 7 successful films.She is noted for her naturalness and intensity on-screen, matched by her fierce advocacy of the rights of women, minorities and slum-dwellers off-screen, both through activism and in her role as a Member of Parliament, where her consistent stand in defense of liberal values and the freedom of expression is noteworthy. She has also acted on stage to considerable acclaim, most notably in Tumhari Amrita with Farookh Sheikh. She is married to noted scriptwriter and lyricist Javed Akhtar.

Smita Patil, born in Pune, Maharashtra, India, was a highly acclaimed Indian actress known for her exceptional performances in Hindi and Marathi cinema. Regarded as one of the finest actresses in Indian cinema, Smita Patil's career was marked by her ability to portray a wide range of characters with authenticity and depth.

Smita Patil began her acting career in Marathi theater before making her film debut with the Marathi film "Shyamchi Aai" (1974). She gained attention for her breakthrough performance in Shyam Benegal's "Manthan" (1976), which marked the beginning of her collaboration with the renowned filmmaker. Smita Patil went on to work in several of Benegal's films, including "Bhumika" (1977), for which she received the National Film Award for Best Actress.

Her impactful performances in films such as "Aakrosh" (1980), "Chakra" (1981), and "Umbartha" (1982) solidified her position as one of the leading actresses in Indian cinema. Smita Patil was known for choosing roles that challenged societal norms and highlighted social issues. Her ability to infuse realism into her characters and convey emotions with authenticity set her apart.

Smita Patil also made significant contributions to parallel cinema, working with directors like Govind Nihalani ("Ardh Satya," 1983), Shyam Benegal ("Mandi," 1983), and G. Aravindan ("Chidambaram," 1985). Her collaboration with commercial filmmakers, including Ramesh Sippy in "Shakti" (1982) and Prakash Mehra in "Namak Halaal" (1982), showcased her versatility across genres.

Beyond her acting career, Smita Patil was actively involved in social and political causes. She was known for her advocacy of women's rights and her commitment to addressing issues affecting marginalized communities.

Tragically, Smita Patil's life was cut short when she passed away on December 13, 1986, at the age of 31, shortly after giving birth to her son Prateik Babbar. Despite her short-lived career, Smita Patil's impact on Indian cinema remains enduring, and she is remembered as a trailblazer who elevated the art of acting with her remarkable talent and meaningful contributions.

Manisha Koirala (born 16 August 1970) is a Nepali actress who mainly appears in Bollywood, though she has worked in several South Indian and her native country's films. Noted for her acting prowess, Koirala is the recipient of several accolades, including four Filmfare Awards-and is one of India's most well-known actresses. Critics have noted that her niche as an actor remains unharmed irrespective of her commercial potent. Manisha was born into the politically prominent Koirala family, in which several of her family members went on to rule the nation, but she did not aspire to pursue a career in politics. A stint in modeling opened a career path in films, and she made her Bollywood debut with the top-grossing production Saudagar (1991). In spite of initial struggle to leave a mark, she went on to establish herself as one of the leading actresses in the 1990s with such films as 1942: A Love Story (1994), Akele Hum Akele Tum (1995), Agni Sakshi (1996) and Gupt (1997). Koirala gained particular recognition for her willingness to experiment with a variety of strong, dramatic roles, and she delivered several acclaimed performances in a range of films that did well with critics, including Bombay (1995), Khamoshi: The Musical (1996), Dil Se.. (1998), Mann (1999), Lajja (2001), Company (2002), and Escape from Taliban (2003). These films brought Koirala several awards and nominations, including three Filmfare Critics Awards for Best Actress, a South Filmfare Award for Best Actress, and a Star Screen Award Best Actress, among others. This was followed by a major period of decline when most of her films failed to do well. Her work in the Malyalam drama Elektra, the anthology film I Am (both 2010), and the romantic comedy Mappillai (2011) was received well, but she took a break from acting in 2012 to return three years later with the psychological thriller Chehere: A Modern Day Classic (2015).

She was appointed as the Goodwill Ambassador for the United Nations Population Fund in 1999 and 2015, and was involved in the relief works after the Nepal earthquake 2015. She promotes various causes such as women's rights, prevention of violence against women, prevention of human trafficking and cancer awareness.

Manisha was seen back on the Silver Screen with Sunaina Bhattnagar's Dear Maya. Manisha received appreciation from her fans and industry from across the whole of India. She has been seen doing some amazing motivational and social events.

She was one of the speakers along side Dalai Lama and CM of Andhra Pradesh at the Womens's Parliament, Amravati. She advocated on how we need more women in our board rooms, court rooms, schools and universities to make policies for women and that women should stand in solidarity for each other. Manisha's TEDx talk touched hearts of millions of people and she has received appreciation from across worldwide for same. She spoke about her struggle with cancer and her brave victory as a warrior and highly advocates on how focusing from early day on our personal health can do wonders. Her philosophy is to focus on mind, body and soul rather than just physical body to stay fit and positive.

Born into Bombay filmdom's legendary Kapoor clan, Karisma Kapoor made her film debut with Prem Qaidi (1991) opposite Harish. Her next big hit was Anari (1993) and during this time she made news with a fight with her Andaz Apna Apna (1994) co-star, actress Raveena Tandon. She had a series of hit comedies between 1994 and 1997 starting with Raja Babu (1994) and ending with Hero No. 1 (1997) with Govinda and director David Dhawan. She hit the big time with the super success of Raja Hindustani (1996) and further consolidated her career with Dil To Pagal Hai (1997). Today she is the reigning mega-star of Hindi cinema leaving her contemporaries like Manisha Koirala and Raveena Tandon far behind. In Fiza (2000) she surprised many with an excellent performance showing great emotional range and depth.

Jayaprada was born as Lalita Rani in a middle class household to Krishna and Neelavani in Rajahmundry, Andhra Pradesh on April 3, 1962. She was a small town girl with dreams of becoming a doctor. Her mother enrolled her in dance and music classes when she was seven years old, in addition to going to a regular school. Even though, her father and uncle were film financiers, her initial break into films didn't come through them. She was discovered dancing on stage at a school function when she was just fourteen years old. Character actor Prabhakar Reddy gave her the name of Jayaprada and introduced her in a three minute song in the Telugu film, "Bhoomi Kosam" (1976). That immediately led her to longer roles in "Devude Digivaste" (1975) and "Naaku Swatantram Vachindhi" (1976). The floodgates opened. Major film directors, such as Bapu, K. Vishwanath and K.Balachander, approached her with quality projects. She immediately became a huge star in Telugu films as diverse as the color-drenched, big-budget "Seeta Kalyanam" (1976) to the stark, naturalistic black-and-white film "Antuleeni Katha" (1976), where she won a special acting award for her unforgettable dramatic performance. But it was her dancing skills and nuanced acting style as a mute girl that made K. Vishwanath's "Siri Siri Muvva" (1976) into a timeless classic. It would also be her passport into Hindi films as K. Vishwanath remade it into "Sargam" (1979) and made her a overnight star in Bollywood as well. She earned her first Filmfare nomination as Best Actress for the film, and it would become one of her favorite films. She stalled on doing more Hindi films for two years as she wasn't fluent in the language. But she became fluent in Hindi, as well as Tamil, Kannada, Malayalam and Bengali, and had hit films in all these languages. She endeared audiences with her sincere portrayal of Amitabh Bachchan's girlfriend in her next favorite film "Sharabi" (1984), which became another big hit and earned her second Filmfare nomination as Best Actress. K. Vishwanath directed her to her third Filmfare nomination as Best Actress for her other favorite film "Sanjog" (1985). But some of her best performances would go unrewarded. In the Telugu film directed by K.Balachander, "47 Rojulu" (1981) showed Jayaprada as a innocent girl duped by her husband in Paris, France, and her struggle to escape from him. But in Hindi films, she usually played the traditionally dressed, docile, obedient wife, and while that image led to hit films, it also eventually tired her audiences. She also seemed bored and indifferent with no new challenges ahead as she had already made her other favorite films: the Hindi films "Sur Sangam" (1985) and "Tohfa" (1984), the Telugu film "Sagara Sangamam" (1983), the Kannada films "Sanadi Appanna" (1977) and "Kavi Ratna Kalidasa" (1983). The only excitement came from her personal life when she met her husband film producer Srikant Nahata. They started out as friends as he was already a married man with children. But it turned into love when he stood by her because of her income tax problems. She was branded the "other woman," especially since Nahata wouldn't leave his wife. So she ended up marrying him in 1986, and he has continued to be married to both women. In 1994, she also became a politician by joining the Telugu Desam Party. A few years later, a rift developed with the political party and she was deeply hurt when she was no longer in the party. She also didn't have any major films lined up. But she kept up with her many social and humanitarian causes, especially related to poor women and children. She also became tough and strong and forged on ahead by joining a different political party in a different state, Uttar Pradesh. She won the election with the slogan line, "Andhra is my janambhoomi but Uttar Pradesh is my karmbhoomi." She also started making films playing stronger, mature roles. In "Deh," she played an older woman having an affair with a much younger man. She also wrote and directed "Class Medal," a Telugu film that starred her sister's son Siddharth and produced by her brother Rajababu. She didn't forget her first love, dancing, and did a dance ballet in 2005 that won her great acclaim. And she also dabbled in playback singing and even recorded an album with music composer Bappi Lahiri. In 2008, she received the Filmfare Lifetime Achievement Award for her long and plentiful contribution to the South Indian film industry. Having three careers (acting, dancing, politics), and a husband, left her no time to have children of her own, even though she has expressed a desire to have children. So far, she has shown no desire to give up her three careers and in fact, stated that she'll be as hardworking and dedicated in the future as she is now.

Fearless Nadia was born Mary Evans in Perth, Australia. She accompanied her family to India as a child. She began working in the circus in the early 1930s, where she took the name Fearless Nadia. The tall, blue-eyed, blonde began her film career several years later in Hindi language films in India. She was best known for portraying the masked, cloaked adventuress "Hunterwali" (A.K.A. "The Lady Hunter") in 1935. She appeared in over 50 films in India. She married her long-time producer-director Homi Wadia in the early 1960s and retired from films.

Sahibzadi Zohra Begum Mumtaz-ullah Khan, better known as Zohra Sehgal, was born into a Sunni Muslim Rohilla Pathan family of Rampur, Uttar Pradesh, on 27th April, 1912 in Rampur, Uttar Pradesh, India. However, unlike most other children of traditional households, Zohra Sehgal was a tomboy, who enjoyed climbing trees and playing games. Always rebellious, she saw in her teens Uday Shankar perform in Dehra Dun, during a vacation there, and that acted as the turning point of her life.

She traveled all the way across India, West Asia and Europe by car with an uncle who was close to her. On her return, she was sent, clad in a burqa, to Queen Mary's Girls College, Lahore, a place of higher learning for daughters of aristocratic families. After she finished her college, she joined Uday Shankar's dance troupe, and traveled to Japan, West Asia, Europe and America. During this time, she met Kameshwar Sehgal, a Hindu and eight years younger to herself, and fell in love with him. After initial opposition from her parents, the couple got married, and in spite of Kameshwar's willingness to convert to Islam to marry Zohra, nobody insisted on it. The two had a civil marriage in August 1942. (As Khushwant Singh noted, Jawaharlal Nehru was to attend the wedding reception, but he was arrested a couple of days earlier for supporting Gandhi's Quit India Movement.

The couple first worked in Uday Shankar's dance institute at Almora.When it shut down, they migrated to Lahore and founded their own Dance Institute. However, the growing communal tension prior to the Partition of India made them feel unwelcome, and they went to Bombay, where Zohra joined Prithviraj Kapur's theater as a stage actress and worked there for 14 years.

They had two children, who had the choice of being Hindu or Muslim. For a while they accepted both, then discarded them. By that time, Zohra became an atheist. Her husband was all along a 'non-religious' man.

Zohra had acted on the stage in different parts of India, including plays performed for jails inmates. According to Khushwant Singh, she once stayed back to witness an execution in the Ferozepore jail after staging a play there.

After her husband's suicide, Zohra first moved to Delhi, and then went to London. When she did not get roles as a dancer or an actress, she took on odd jobs like working in the India Tea Centre. Then she got her first break in the films and was signed by Arthur Rank and Merchant Ivory productions.

In India, she became well-known after the appeared in the TV series Mullah Naseeruddin. She has since appeared in many Bollywood as British (mostly British Indian) movies.

Devika Rani Chaudhuri, usually known as Devika Rani (30 March 1908 - 9 March 1994), was an actress in Indian films who was active during the 1930s and 1940s. Widely acknowledged as the first lady of Indian cinema, Devika Rani had a successful film career that spanned 10 years.

Born into a wealthy, anglicized Indian family, Devika Rani was sent to boarding school in England at age nine and grew up in that country. In 1928, she met Himanshu Rai, an Indian film-producer, and married him the following year. She assisted in costume design and art direction for Rai's experimental silent film A Throw of Dice (1929). Both of them then went to Germany and received training in film-making at UFA Studios in Berlin.The couple returned to India in 1934, where Himanshu Rai along with Rajnarayan Dube established a production studio, Bombay Talkies, in partnership with certain other people. The studio produced several successful films over the next 5-6 years, and Devika Rani played the lead role in many of them. Her on-screen pairing with Ashok Kumar became popular in India.

Following Rai's death in 1940, Rajnarayan Dube gave the charge and responsibility of the studio to Devika Rani as she produced some more films with her late husband's associates, namely her manager Sashadhar Mukherjee and Ashok Kumar. As mentioned in the book written by KM Srivastava, Sashadhar Mukherjee questioned the character of Devika Rani and used to pass insulting comments on her. Following these events of baseless accusations by her manager Sashadhar Mukherjee and several conflicts with him, In 1945, disappointed Devika Rani retired from films, married the Russian painter Svetoslav Roerich and moved to his estate on the outskirts of Bangalore, thereafter leading a very reclusive life for the next five decades. Her persona, no less than her film roles, were considered socially unconventional. Her awards include the Padma Shri (1958), Dadasaheb Phalke Award (1970) and the Soviet Land Nehru Award (1990).

Devika Rani was one of the founders of Bombay Talkies along with Himanshu Rai and Rajnarayan Dube. The Bombay Talkies Studios' story is full of magic and color. In the '30s, the movie business was supposed to be a 'dirty business'. People would talk about movies, but many wouldn't even consider going to watch one. This would be similar to people talking about gold prices but seldom buying it. Even though movies did make people curious, its reputation as a professional field was bad. There seemed to be a lack of respect for the profession because it was being considered the domain of undesirable sections of the then Indian society. Due to this lack of respect and understanding for the profession, financiers during those times would face an impossible challenge when it came to getting returns on their investment.

It was during this hunt for financiers that Himanshu Rai came in contact with Abhimanyu Prasad Singh, a close friend of Seth Badriprasad Dube, who was a well-known financier. He introduced Himanshu Rai, a London return actor/ theatre artist to Seth Badriprasad Dube with a dream of making a cinema company but Seth Badriprasad declined the proposal of funding Himanshu Rai because Seth Badriprasad had once financed the first Indian Talkie film Alam Ara which didn't earn him any profit and he made an opinion that only actors and directors get fame but the financier doesn't get profits. During that era, the film business was not considered money earning business. It was more about the passion for cinema and getting fame. Because of this fact, Seth Badriprasad Dube declined the proposal of financing Himanshu Rai.

Abhimanyu Singh spoke next to Seth Badriprasad's son Shri. Rajnarayan Dube. He was a young and dynamic businessman who operated a successful company called Dube Industries, which he had founded in 1929. Shri. Dube was born on 10th October 1910 at Kalighat in Kolkata and was an ardent devotee of Maa Kali. He was influenced by the power of art and creativity at a young age. Both men met at the Taj Mahal Hotel in Colaba, Mumbai (Bombay), and discussed an initial investment amount of Rs. 25 lakhs. However, Himanshu Rai couldn't convince Rajnarayan Dube to invest the amount because of the dismal returns on investment that the Indian movie industry offered. At this point, it would seem that Bombay Talkies would never come to be, but things have a way of working out in unexpected ways.

A few months passed by and Himanshu Rai had grown increasingly despondent because it was becoming impossible to raise investment for his movie company. In his depression, the man attempted suicide but was unsuccessful. Shri. Rajnarayan Dube got wind of this through Abhimanyu Prasad Singh and wondered about this man, one who so completely and wholeheartedly believed in the power of cinema and talking pictures that he did not see fit to continue living if he couldn't follow his dreams. Rajnarayan Dube decided that Himanshu Rai was onto something here and finalized the investment with him soon after. In doing this, Shri. Rajnarayan Dube went deliberately against the advice of his father, Seth Badriprasad Dube, who felt that this would not be a good investment choice. In doing this, Shri. Rajnarayan Dube gave birth to the Indian Film Industry, which has now gone on to become a huge cultural and financial force in the country.

At the very nascent age of the cinema Rajnarayan Dube's Bombay Talkies was born in India when other contemporary film companies of the world such as Warner Bros. Entertainment, Universal Pictures, 20th Century Fox, Paramount Pictures were born and brought up to create cinematic magic for the world audience, but Bombay Talkies (under the command of Girish Ghanshyam Dube), is the only premier film company which has made a charismatic comeback and repeating its old pride and glory after sixty-three years of utter darkness.

Cinematic Giant and Pillar of Indian Cinema, Rajnarayan Dube founded the Legendary Film Company, The Bombay Talkies Studios along with its associate companies Bombay Talkies Laboratories and Bombay Talkies Pictures as individual proprietorship companies. At the same time to add more people, he established the first public limited film company of India The Bombay Talkies Limited (ltd.) in 1934, although all companies were commonly known as Bombay Talkies. As Himanshu Rai and Devika Rani were actors they were given some shares of the company as their remuneration. Some films were produced under the banner of The Bombay Talkies Limited also, but most of the films were produced under The Bombay Talkies Studios and Bombay Talkies Pictures. The Bombay Talkies Studios also successfully Distributed, Processed, and Promoted films of other producers and banners other than their own films. All the films were financed by Rajnarayan Dube in his individual capacity as the owner of his proprietorship finance company Dube Industries (Estd. 1929).

On 15 April, 1934, Bombay Talkies began operations. The movie company was named by Shri. Dube's mother, Smt. Gayatri Devi. Though Light of Asia and Karma a concept which Himanshu Rai built during his days in Europe, it was released in 1925 and 1933 respectively. As the release went unnoticed, Rajnarayan Dube re-released them and the first films to come out of the stables were Light of Asia (Prem Sanyas) and Karma in 1934. It was followed by Jawani ki Hawa, Achhut Kanya and Jeevan Naiya. The movie company-operated along with the principle of keeping the creative aspects and business aspects separate. Shri. Rajnarayan Dube would look into the business end of things and both Himanshu Rai and Devika Rani would immerse themselves in the creative pursuit. This approach gave rise to some of the most technically impressive films seen this side of the planet. The technical prowess was due to the movie studio employing German and other European technicians, prominent among them being Franz Osten.

In his book, Bombay Talkies - Pillar of Indian Cinema, Late. KM Srivastava mentioned that Rajnarayan Dube's Bombay Talkies was single-handedly responsible for making the careers of some of the leading talents in the golden age of Indian cinema. Besides Himanshu Rai and Devika Rani, the company gave the world Ashok Kumar, Leela Chitnis, Madhubala (who began as a child artist and was given her stage name by Rajnarayan Dube himself, Dilip Kumar, Raj Kapoor, Dev Anand, Leela Chitnis, David Abraham Cheulkar, Phani Majumdar, Gyan Mukherjee, K.A. Abbas, Saadat Hasan Manto, Nabendu Ghosh, Hansa Wadkar, Uttam Kumar, Kedar Sharma, Gemini Ganesan, P.L. Santoshi, Shakti Samanta, Niranjan Pal, Pt. Narendra Sharma, Kishor Sahu, P. Jairaj, Asit Sen, Mumtaj Ali, Nalini Jaywant, Kamini Kaushal, Snehprabha, Joseph Wirsching, Kanan Devi, Famous Bengali Novelist Sharat Chandra Chattopadhyay, Shaheed Lateef, Sita Devi, Abhi Bhattacharya, R.D. Mathur, Aghajani Kashmiri, Kamal Bose, Pran, Usha Kiran, Renuka Devi, Great Writer Munshi Premchand (Written 2 Films for Bombay Talkies), Mukri, Bhagwati Charan Verma, Mehmood, Kishore Kumar, Kamal Amrohi, Guru Dutt, Suraiya, Bimal Roy, Nitin Bose, Salil Chowdhary, Kavi Pradeep, Franz Osten, Hrishikesh Mukherjee, Sashadhar Mukherjee, Asha Bhonsle, Lata Mangeshkar, Satyajit Ray, Amiya Chakravarti, S. D. Burman, Manna Dey, Saraswati Devi (who was the first woman music director of Asia). All in all, Bombay Talkies gave the world 280 of the most talented movie professionals in the last century.

Under the command of Rajnarayan Dube, Bombay Talkies had Produced & processed 450 films like Achhut Kannya, Kismet, Bandhan, Mahal, Jhoola, Jeevan Naiya, Neel Kamal, Baadbaan, Daag, Majboor, Drishtidan (Bengali), Izzat, Prem Kahani, Punarmilan, Aawaz, Pratima, Raj Mahal, Apnapan, Anyaya, Roti, Farar, Ziddi, Mashal, Azad, Jwar Bhata, Basant, Sangram, Patita, Bhabi (1938), Durga, Kala Patthar, Indian Lady, Jeevan Prabhat, HamariBaat, Anand, Aurangzeb, Bemisaal, Mamta, Sipahi, Milan, Naya Sansar, Anjaan, Adalat, Aandolan, Zindagi, Zamindar, Kanjoos, Ravan, Raja Rani, Phaansi, Kasam, Parakh, Dhobi Doctor, Deewana, Darpan, Dr. Kumar, Maa, Khamosh, Nauka Doobi, Talaq, Zakhmi, Maharaja, Nirmala, Vilayati Babu, Dushman, Khandani, Puraskar, Tawaif, Asha, Aandhi, Sadma, Anaath, Loafer, Muqaddar, Prem Kahani, Vachan, Lahore to Calcutta, Navjeevan, Ramdhari B.A., Saudagar, Ghajini, Hero, Sawa Lakh, Pratima, Bulandi, Char Aankhen, Chanakya, Nakli Heera, Lahore, Rail Ka Dibba, Dost, Chhoti Si Duniya, Cinema and many more.

While Himanshu Rai's original vision for a movie production house sowed the seeds for the formation of Indian cinema as an industry, Shri. Rajnarayan Dube single-handedly architected the business angle of the entire industry which was yet to come. He supported various new theatres such as BN Sircar's New Theatres in Calcutta, V Shantaram's Prabhat Pictures, Homi Wadia's Wadia Movietone, Sohrab Modi's Minerva Movietone, LV Prasad's Prasad Labs and Pictures (Prasad was an ex-technician from Bombay Talkies), SS Vasan's Gemini Pictures and Mehboob Khan's theatres, Tarachand Barjatya's Rajshri Productions (Barjatya served as a distribution manager for Bombay Talkies for the period of seven years), Sashadhar Mukherjee's (Filmalaya Studio). Shri. Dube financed these fledgling companies and made them stronger. In essence, he builds the entire movie ecosystem in the country. Everyone whom Shri. Dube supported, went on to build a name for themselves in the industry.

Shri. Rajnarayan Dube had a big vision for Indian Cinema. He wanted Indian film making to be a respectable profession. He thus stipulated that Bombay Talkies would only hire graduates. He hoped this move would legitimize the Indian film industry of the thirties and forties, and it certainly did. Besides this, Shri. Dube also wanted the Indian film industry to be inclusive of Indians from all states and sectors of life. Even though the movie company worked with European technicians, Shri. Dube would bring on Indian technicians and make sure that they learned the art of movie-making. He also brought a lot of Indian writers on-board so that movies could have an Indian cultural sensitivity and thus could appeal to a large number of people. This move gave rise to a whole new Indian profession, movie making! This seemed to be a good move in the light of circumstances that were yet to arrive.

During one scene in the movie Karma, there was a minute-long kissing scene between Himanshu Rai & Devika Rani onscreen. During the re-release, some extra controversial scenes were shot at that time for the sake of sensational purpose. This caused quite a stir in Indian society then Seth Badriprasad Dube's father of Shri. Rajnarayan Dube was furious about the scene. Himanshu Rai apologized and held his ears' and said that it would not happen again. After that incident, Shri. Dube however, resolved to screen all films by himself before they could be released. He was a Brahmin and a conservative and strictly discouraged smoking, drinking and other vices in the studio premises. He was also a very caring employer for those pioneering people who worked at Bombay Talkies. He made sure that Education, Rent, Food, and other daily necessities were provided free of cost to employees of Bombay Talkies. He also championed the rights of the movie industry by setting up Unions and Associations such as IMPPA (of which Bombay Talkies was the first member) Several people along with Rajnarayan Dube, Himanshu Rai, and Devika Rani were responsible for the formation of IMPPA. He also helped grow the regional film industry. He staunchly supported Marathi, Hindi, Bengali, Assamese, Oriya, Gujarati and Southern cinema. If it wasn't for Shri. Dube, the Indian movie industry would have resembled other Southeast Asian movie industries from Pakistan, Bangladesh, Sri Lanka and Nepal. Bollywood today is big enough to compete with Hollywood movies.

During the Second World War, Bombay Talkies was struggling. The war had made things very difficult in many ways. The company had several movies on the floor but they could not get them finished because the crucial German technicians had been arrested and detained by the British Government. At this point, 15-20 films were on the production floor and were stalled pretty badly. Himanshu Rai suffered a nervous breakdown as a result of this and passed away in 1940. Bombay Talkies had just lost its crucial co-founder on whose vision the entire company stood to be successful. Shri. Rajnarayan Dube decided that Rai's vision for Indian cinema would continue and he again invested four lakhs ten thousand rupees into the venture. This injected some much-needed blood into the company and a new era of Indian film making began. Shri. Dube decided that from that moment on, Bombay Talkies would only hire Indian technicians and production professionals.

In this second phase, the company boomed and went on to a very productive cinematic run. 1943 hit Kismet was getting rave reviews everywhere and managed to run in theatres for 3 and a half years in over 90% of the Indian theatres! By comparing the value of gold and land by today's standards, the movie made the equivalent of Rs. 40000 crores. Not one movie has broken this record in terms of business. By 1954, Bombay Talkies had put its name to a huge amount of work. It had produced & processed 450 films, had introduced over 280 new talents, built 400 theatres across the country. With the historical grand success of Bombay Talkies, the legendary film company under the influence of Rajnarayan Dube had now processed more than 450 films of outside and likeminded producers and made more than 250 film projects for the new and needy producers. As the success of Bombay Talkies was going sky-high the clash of ego between the giants also started roaring high? The three companies which solely belongs to Rajnarayan Dube, The Bombay Talkies Studios, Bombay Talkies Laboratories and Bombay Talkies Pictures were doing fine but the fourth company The Bombay Talkies Limited, which was established by him to include more people and more talents was becoming a platform to project nasty ego clashes of the directors and management of the company. Instead of being devoted to filmmaking and cinema they devoted their energy and talent for spreading rumours and objectionable stories. At this time Shri. Rajnarayan Dube decided that he and his company had arrived at the goal that they had set out to complete two decades earlier. Indian films were now a major force in terms of communication and entertainment in post-independence India. Shri. Dube shut down his sole proprietorship companies The Bombay Talkies Studios, Bombay Talkies Laboratories and Bombay Talkies Pictures in 1954 so that he could pay more attention to other aspects of his business and continued to distribute and finance films. The fate of the limited company, The Bombay Talkies Limited, which was established to include more people and more talents, got entrapped in selfish motives and litigation. Since 1953, complicated legal battles have been going on in different courts till date. Among all odds and misfortune, of the past time Bombay Talkies became a dream only to be in memories, the artists and technicians, whom Bombay Talkies made living legends in their own lives, who became national and international personalities by virtue of their own right, became world famous. But there was no one to take notice of Bombay Talkies.

With the noble intention and the purpose of promotion, protection, and projection of ancient divine culture globally Girish Ghanshyam Dube Revived Bombay Talkies after six decades with full glory and pride. With the historical revival of the legendary Bombay talkies, Girish Ghanshyam Dube paid his heartfelt tribute to his grandfather, pillar of Indian Cinema Rajnarayan Dube along with Himanshu Rai, Devika Rani, and many great filmmakers, artists and technicians. Girish Ghanshyam Dube brought his idol, Chandrashekhar Azad, from the darkness of history and presented him for the first time in the larger than life manner. Rashtraputra first patriotic film based on the life and times of the greatest revolutionary Chandrashekhar Azad was screened at the 72nd Cannes film festival, France. The international audience connected with the patriotic and nationalistic thoughts of the great son of mother India through Rashtraputra. After Rashtraputra Girish Ghanshyam Dube created and released the first mainstream Sanskrit film of the world Cinema, Aham Brahmasmi to promote, protect & project Devbhasha Sanskrit worldwide and to preach Bramhavakya of Vedas to every corner of the World.

Many film-makers followed Rajnarayan Dube as a fortune for them, like in his Book, 'Bombay Talkies - Pillar of Indian Cinema', Senior Most Journalist of India Late. KM Srivastava mentioned Prakash Mehra, one of the legendary filmmakers of India who got the first chance to direct a movie named, Haseena Maan Jayegi, starring Shashi Kapoor. The film got stuck because of lack of budget. Later, popular actor Shashi Kapoor advised him to acquaint with Shri. Rajnarayan Dube; "He is the person who will appreciate your talent and help you out from the issue". Rajnarayan Dube said yes to him and the film triumphed magnificently. The same incident happened with Prakash Mehra in the film Samadhi which was starred by Dharmendra. Rajnarayan Dube helped him and got a huge applause. Because of such incidents, Prakash Mehra followed Rajnarayan Dube as a deity and he was always thankful to him. Then he gave back to back hits like Zanjeer, Khoon Pasina, Hera Pheri with the help of Rajnarayan Dube. After his establishment he didn't face financial trouble but still, he used to take one hundred and one rupees as goodwill from Rajnarayan Dube for his later hits like Muqaddar Ka Sikandar, Laawaris, Jaadugar and many more.

Recently in an event, Mr. Chandra Shekhar Pusalkar Phalke, grandson of the father of Indian Cinema Dada Saheb Phalke said, "With the establishment and work culture of Bombay Talkies, Rajnarayan Dube has played a great historic role in nurturing and developing the Indian film industry. He gave it the form of an organised industry and made it be accepted as a respectful form of art by the civilised society." He further added, "Like Dada Saheb Phalke, Rajnarayan Dube also faced all kinds of conflicts and the result of his immense struggle is visible like a World Heritage Site in the form of Bombay Talkies today. He strongly affirmed, If Mr. Rajnarayan Dube was not there, there would be no Himanshu Rai, neither Devika Rani nor there would be Bombay Talkies."

Numerous people have written books about Bombay Talkies and Rajnarayan Dube like Multiple editions of a book written by Mohammad Zahid Ahmed titled as The Man Behind Indian Cinema, which was launched in The United States of America on 19th June 2016. The last edition of the book mentions that The truth behind "The Bombay Talkies ltd" and commercial Indian cinema lies beneath the biography of Mr. Rajnarayan Dube. The novels unfold the truth of Indian cinema and the history that people made without any substantial evidence. Many news reports and media tries to recreate the fact about Indian cinema.

History witnessed the success and fall of the pillar of Indian cinema and the disasters of broken fire in the Bombay talkies studio campus many times. Negatives, important documents along with props and properties of filmmaking got burned and became ashes. Multiple researches were done on Indian Cinema and Bombay Talkies, numerous books were read on Bombay Talkies, only information on released films were obtained but no vital information could be gathered. Every book mentioned contradictory information on Bombay Talkies, only a few names were mentioned related to Bombay Talkies and its foundation. From the very ashes of history the senior most and respected film journalist K M Srivastava recollected the truths and facts of Bombay Talkies. K M Srivastava's career spanning fifty years, he has done a great service to the students of cinema by researching Bombay Talkies. K M Srivastava has disclosed nearly each and every aspect of Bombay Talkies in his historical book Bombay talkies - the pillar of Indian cinema, that how London return flop Actor Himanshu Rai got to finance his films, how he met Rajnarayan dube and how the actors and actresses of that time rose to glory. All the needful information was available in this book. The book is now the authentic prime source of inspiration, information and knowledge about Bombay talkies and that magnificent era. K M Srivastava's work contains more authentic information than any other source available. K M Srivastava documented nearly everything in detail in his research book on Bombay talkies. He has interviewed most of the legends who were associated with Bombay talkies. He was the eye-witness of most of the events along with his fellow journalists. The intense and comprehensive research book Bombay talkies - the pillar of Indian cinema - 3rd Edition written by senior journalist K M Srivastava was released by Chandrashekhar Pusalkar Phalke, the grandson of father of Indian cinema Dada Sahab Phalke on On 19 May 2018.

In his 52 years long career, It is the third time that senior most Journalist Of Indian Cinema , K M Srivastava wrote Bombay Talkies History in the book, Bombay talkies - the pillar of Indian cinema.

The event was organized by Manika Sanstha. The guests and speakers of the event were senior editor of Madhuri Magazine, Sudeep, Rashtriya Sahara editor, senior journalist and narrator Harish Pathak, senior film actors Surendra Pal, Gajendra Chauhan and actress Asema Bhatt. The program was conducted by Devmani Pandey and incorporated by Amar Tripathi. A large number of friends of the literary world were present on the occasion. Chief Guest at the book launch event, Mr. Chandrashekhar Pusalkar Phalke, grandson of the father of Indian Cinema Dada Sahab Phalke said, "With the establishment and work culture of Bombay Talkies, Rajnarayan Dube has played a great historic role in nurturing and developing Indian film industry. He gave it the form of an organised industry and made it to be accepted as a respectful form of art by the civilised society." He further added, "Like Dada Sahab Phalke, Rajnarayan Dube also faced all kinds of conflicts and the result of his immense struggle is visible like a World Heritage Site in the form of Bombay Talkies today. He strongly affirmed, If Mr. Rajnarayan Dube was not there, there would be no Himanshu Rai, neither Devika Rani nor there would be Bombay Talkies."

The detailed history on Bombay Talkies and Indian cinema, can be found in the Books, The Man behind Indian Cinema by Mohammad Zahid Ahmed and Bombay Talkies - Pillar of Indian Cinema by KM Srivastava.