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20 "Best Picture" Winners That Weren't The Best

by matsnowie • Created 14 years ago • Modified 14 years ago
The Academy Awards are not always right, and there have been a few instances where they were very wrong. These films are not necessarily bad, and many are very good; these are the Best Picture winners that I think should have been runners up. In descending order of Oscar year:
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  • Jeremy Renner in The Hurt Locker (2008)

    1. The Hurt Locker

    20082h 11mR95Metascore
    7.5 (485K)
    During the Iraq War, a Sergeant recently assigned to an army bomb squad is put at odds with his squad mates due to his maverick way of handling his work.
    DirectorKathryn BigelowStarsJeremy RennerAnthony MackieBrian Geraghty
    It's a truly great war film, and one of the best suspense thrillers of the decade, but it isn't my pick for the best picture.

    Should have gone to: INGLOURIOUS BASTERDS. Tarantino managed to rewrite history and give the Nazi party the blazing execution it deserved.
  • Anil Kapoor, Irrfan Khan, Mia Drake, Shruti Seth, Faezeh Jalali, Dev Patel, and Freida Pinto in Slumdog Millionaire (2008)

    2. Slumdog Millionaire

    20082hR84Metascore
    8.0 (895K)
    When a teenager from the slums of Mumbai is interrogated about his suspicious performance on a quiz show, he revisits various events from his past to explain how he knew all the answers.
    DirectorsDanny BoyleLoveleen TandanStarsDev PatelFreida PintoSaurabh Shukla
    A wonderful, romantic and uplifting story. I didn't agree with the people who called it the best film of the decade, and I only agree that it was one of the best films of the year.

    Should have gone to: THE DARK KNIGHT. Perhaps the Academy will redeem itself the next time a masterpiece comes out of the comic book genre, but Chris Nolan's crime epic deserved - at minimum - a nomination.
  • Michael Peña and Ashlyn Sanchez in Crash (2004)

    3. Crash

    20041h 52mR66Metascore
    7.7 (456K)
    Los Angeles citizens with vastly separate lives collide in interweaving stories of race, loss and redemption.
    DirectorPaul HaggisStarsDon CheadleSandra BullockThandiwe Newton
    A solid collection of short stories that are masterfully interwoven over a single day in LA.

    Should have gone to: BROKEBACK MOUNTAIN. I'm not as crazily anti-Crash as some people are, but Brokeback Mountain is a far more timeless film. Some day Crash will seem dated, but the cowboy romance will still be heartbreaking.
  • Richard Gere, Renée Zellweger, and Catherine Zeta-Jones in Chicago (2002)

    4. Chicago

    20021h 53mPG-1381Metascore
    7.2 (250K)
    Two death-row murderesses develop a fierce rivalry while competing for publicity, celebrity, and a sleazy lawyer's attention.
    DirectorRob MarshallStarsRenée ZellwegerCatherine Zeta-JonesRichard Gere
    This entertaining musical played around with reality by having the bulk of its songs appear as pieces of the main character's imagination.

    Should have gone to: THE HOURS. A clever musical would have been deserving back in the 1960s, but 2002 deserved something more intellectual. The triple-story of The Hours is a masterpiece of novel adaptation and story editing.
  • Gwyneth Paltrow and Joseph Fiennes in Shakespeare in Love (1998)

    5. Shakespeare in Love

    19982h 3mR87Metascore
    7.1 (239K)
    The world's greatest-ever playwright, William Shakespeare, is young, out of ideas, and short of cash, but meets his ideal woman and is inspired to write one of his most famous plays.
    DirectorJohn MaddenStarsGwyneth PaltrowJoseph FiennesGeoffrey Rush
    Improving on the Romeo and Juliet story with a witty script, Tom Stoppard wrote a prime romantic blockbuster. But...

    Should have gone to: SAVING PRIVATE RYAN. Spielberg's war epic is a movie-going workout with one of the greatest opening sequences of all time.
  • Ralph Fiennes and Kristin Scott Thomas in The English Patient (1996)

    6. The English Patient

    19962h 42mR86Metascore
    7.4 (209K)
    At the close of World War II, a young nurse tends to a badly burned plane crash victim. His past is shown in flashbacks, revealing an involvement in a fateful love affair.
    DirectorAnthony MinghellaStarsRalph FiennesJuliette BinocheWillem Dafoe
    Seen by every adult in 1996, the adaptation of Michael Ondaatje's novel was not the best picture of the year.

    Should have gone to: FARGO. The Coen brothers open with a giant lie ("based on a true story") and tell the darkest comedy ever.
  • Mel Gibson in Braveheart (1995)

    7. Braveheart

    19952h 58mR68Metascore
    8.3 (1.1M)
    Scottish warrior William Wallace leads his countrymen in a rebellion to free his homeland from the tyranny of King Edward I of England.
    DirectorMel GibsonStarsMel GibsonSophie MarceauPatrick McGoohan
    Filled with terrible accents and century-wide anachronisms, Braveheart is an entertaining epic that fails to be the piece of art that Gibson likely believes it is.

    Should have gone to: APOLLO 13. A science-based film with proper science, and a suspenseful thriller despite everyone knowing the ending; these are the marks of a great piece of filmmaking.
  • Tom Hanks in Forrest Gump (1994)

    8. Forrest Gump

    19942h 22mPG-1382Metascore
    8.8 (2.4M)
    The history of the United States from the 1950s to the '70s unfolds from the perspective of an Alabama man with an IQ of 75, who yearns to be reunited with his childhood sweetheart.
    DirectorRobert ZemeckisStarsTom HanksRobin WrightGary Sinise
    Likely the most-seen of any best picture winner, Forrest Gump is the charming film that deserved a nomination but not a win.

    Should have gone to: PULP FICTION or THE SHAWSHANK REDEMPTION. Either Tarantino's imaginative crime film or Darabont's heartwarming prison drama would have been satisfying choices for the Oscar.
  • Kevin Costner in Dances with Wolves (1990)

    9. Dances with Wolves

    19903h 1mPG-1372Metascore
    8.0 (301K)
    A lieutenant assigned to a remote Civil War outpost starts questioning his purpose after making contact with a neighboring Sioux settlement.
    DirectorKevin CostnerStarsKevin CostnerMary McDonnellGraham Greene
    Kevin Costner's epic civil war-era film is the sort of thing that feels like Oscar-bait.

    Should have gone to: GOODFELLAS. Another Scorsese masterpiece overlooked. It would have been one of the most foul-mouthed films to win the top prize (246 F-words).
  • Robert Redford and Meryl Streep in Out of Africa (1985)

    10. Out of Africa

    19852h 41mPG69Metascore
    7.1 (90K)
    In 20th-century colonial Kenya, a Danish baroness/plantation owner has a passionate love affair with a free-spirited big-game hunter.
    DirectorSydney PollackStarsMeryl StreepRobert RedfordKlaus Maria Brandauer
    Set in Africa, yet largely without black characters, the romance is well told, but not deserving of the big prize.

    Should have gone to: BRAZIL. Terry Gilliam's dystopic masterpiece wasn't even nominated, despite winning plenty of non-Oscar prizes. It's nice to think that someday the Academy will continue down the path of the last few years and go out on a limb to give the prize to something less standard.
  • Brad Davis, Ben Cross, Yves Beneyton, Colin Bruce, Ian Charleson, Dennis Christopher, Patrick Doyle, Nicholas Farrell, Daniel Gerroll, Stephen Mallatratt, Alan Polonsky, Struan Rodger, Edward Wiley, Benny Young, and David John in Chariots of Fire (1981)

    11. Chariots of Fire

    19812h 5mPG78Metascore
    7.1 (69K)
    Two British track athletes, one a determined Jew and the other a devout Christian, are driven to win in the 1924 Olympics as they wrestle with issues of pride and conscience.
    DirectorHugh HudsonStarsBen CrossIan CharlesonNicholas Farrell
    I support international cinema as much as the next film fan, but there was an alternative worth noting in the list of nominatees for 1981:

    Should have gone to: RAIDERS OF THE LOST ARK. Possibly the greatest action movie ever, the first Indiana Jones film is the kind of blockbuster entertainment that - if given the prize - would boost the Oscar telecast ratings through the roof.
  • Timothy Hutton, Donald Sutherland, and Mary Tyler Moore in Ordinary People (1980)

    12. Ordinary People

    19802h 4mR86Metascore
    7.7 (59K)
    The accidental death of the older son of an affluent family deeply strains the relationships among the bitter mother, the good-natured father and the guilt-ridden younger son.
    DirectorRobert RedfordStarsDonald SutherlandMary Tyler MooreJudd Hirsch
    An extremely close-up look at a crumbling family, Ordinary People is one of Robert Redford's greatest films. However...

    Should have gone to: RAGING BULL. When Clint Eastwood was asked about loosing the director prize to Martin Scorsese in 2006 he pointed out, "He should have won for Raging Bull." And who is going to disagree with Dirty Harry?
  • Sylvester Stallone and Talia Shire in Rocky (1976)

    13. Rocky

    19762hPG70Metascore
    8.1 (661K)
    A small-time Philadelphia boxer gets a supremely rare chance to fight the world heavyweight champion in a bout in which he strives to go the distance for his self-respect.
    DirectorJohn G. AvildsenStarsSylvester StalloneTalia ShireBurt Young
    The Wrestler and The Fighter proved that sports movies can be fun for non-sports fans, but Rocky is stuck in the boxers-only corner. Sadly dated despite its uplifting story, it didn't deserve the prize.

    Should have gone to: NETWORK or TAXI DRIVER. A frighteningly precient satire on television news or another Scorsese classic would have been better choices.
  • My Fair Lady (1964)

    14. My Fair Lady

    19642h 50mG95Metascore
    7.7 (105K)
    In 1910s London, snobbish phonetics professor Henry Higgins agrees to a wager that he can make a crude flower girl, Eliza Doolittle, presentable in high society.
    DirectorGeorge CukorStarsAudrey HepburnRex HarrisonStanley Holloway
    No amount of charming music and silly Englishness can cover up what was overlooked in 1964:

    Should have gone to: DR. STRANGELOVE OR: HOW I LEARNED TO STOP WORRYING A LOVE THE BOMB. The first of many opportunities missed by the Academy to give Stanley Kubrick a deserved award.
  • "West Side Story" (Saul Bass Poster) 1961

    15. West Side Story

    19612h 33mApproved86Metascore
    7.6 (125K)
    Two youngsters from rival New York City gangs fall in love, but tensions between their respective friends build toward tragedy.
    DirectorsJerome RobbinsRobert WiseStarsNatalie WoodGeorge ChakirisRichard Beymer
    Street gangs dancing is just silly; it didn't take Family Guy to point that out. Street gangs dancing while telling the story of Romeo and Juliet is just exhausting.

    Should have gone to: THE HUSTLER. One of many great early Paul Newman performances, the Hustler is a surprisingly shocking drama of shady characters.
  • Leslie Caron in Gigi (1958)

    16. Gigi

    19581h 55mG82Metascore
    6.6 (25K)
    Weary of the conventions of Parisian society, a rich playboy and a youthful courtesan-in-training enjoy a platonic friendship which may not stay platonic for long.
    DirectorsVincente MinnelliCharles WaltersStarsLeslie CaronMaurice ChevalierLouis Jourdan
    I'll admit I haven't seen Gigi, but none of the reviews I've read can make a case for this beating its fellow nominee.

    Should have gone to: CAT ON A HOT TIN ROOF. Another great Paul Newman role, a career best performance from Elizabeth Taylor, and a script from Tennesse Williams that managed (even under the production code) to include a controversial subtext along with the "can't look away" drama.
  • Charlton Heston, James Stewart, Gloria Grahame, Betty Hutton, Dorothy Lamour, and Cornel Wilde in The Greatest Show on Earth (1952)

    17. The Greatest Show on Earth

    19522h 32mApproved76Metascore
    6.5 (17K)
    The dramatic lives of trapeze artists, a clown, and an elephant trainer are told against a background of circus spectacle.
    DirectorCecil B. DeMilleStarsJames StewartCharlton HestonBetty Hutton
    Likely winning because of the film's superstar producer and the fact that half the voting audience appeared in the cast list, this circus production did not deserve to win.

    Should have gone to: HIGH NOON. The real-time western is a masterpiece of rising tension and Gary Cooper's leading man status.
  • Hamlet (1948)

    18. Hamlet

    19482h 34mApproved82Metascore
    7.5 (19K)
    Prince Hamlet struggles over whether or not he should kill his uncle, whom he suspects has murdered his father, the former king.
    DirectorLaurence OlivierStarsLaurence OlivierJean SimmonsJohn Laurie
    Olivier was a great actor, but his floppy-fish performance of "to be or not to be" looks sillier with every great Branagh, Gibson, and Tennant performance that follows.

    Should have gone to: THE TREASURE OF THE SIERRA MADRE. Bogart was able to shed the charming leading man of Casablanca to play one of the corrupted gold miners in John Huston's classic tale of greed and conflict.
  • Maureen O'Hara, Roddy McDowall, Sara Allgood, Donald Crisp, John Loder, Walter Pidgeon, and Evan S. Evans in How Green Was My Valley (1941)

    19. How Green Was My Valley

    19411h 58mApproved88Metascore
    7.7 (28K)
    At the turn of the century in a Welsh mining village, the Morgans, he stern, she gentle, raise coal-mining sons and hope their youngest will find a better life.
    DirectorJohn FordStarsWalter PidgeonMaureen O'HaraAnna Lee
    Nope. Didn't deserve it.

    Should have gone to: CITIZEN KANE. Welles may have been too young and his film may have been too ground-breaking, but it difficult to argue that it didn't deserve the big prize that year.
  • John Barrymore, Lionel Barrymore, Wallace Beery, Joan Crawford, and Greta Garbo in Grand Hotel (1932)

    20. Grand Hotel

    19321h 52mApproved79Metascore
    7.3 (22K)
    A group of very different individuals staying at a luxurious hotel in Berlin deal with each of their respective dramas.
    DirectorEdmund GouldingStarsGreta GarboJohn BarrymoreJoan Crawford
    Again, I haven't yet seen this film, but consider the alternative:

    Should have gone to: CITY LIGHTS. Chaplin was slow to adopt sound and this, his second-to-last silent, opens by saterizing dialogue and goes on to tell one of the most brilliantly crafted romances of the silent - or any - Hollywood era.

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