Awards for 2012

Golden Reel Award

Best Sound Editing - Sound Effects, Foley, Dialogue, ADR and Music in a Feature Documentary

WINNER

George Harrison: Living in the Material World: Philip Stockton (supervising sound editor), Allan Zaleski (sound designer), Jennifer L. Dunnington (music editor)

NOMINEES

Being Elmo: A Puppeteer's Journey: Ken Hahn (supervising sound editor), Jay Fisher (sound effects/foley editor), Kevin Bluhm (music editor)


Lemmy: Greg Olliver (supervising sound editor)

Pearl Jam Twenty: Eric R. Fischer (sound designer), Kevin Klauber (sound designer), Chris Perkel (sound designer)

Best Sound Editing - Sound Effects, Foley, Dialogue and ADR in a Feature Foreign Language Film

WINNER

The Flowers of War: Steve Burgess (supervising sound editor), Jing Tao (supervising sound editor/ sound designer), James Ashton (supervising dialogue editor), Xu Miao (foley artist), Mario Vaccaro (foley artist), Baiyang Wang (dialogue/adr editor), Wei Wang (foley editor), Yanchao Yang (foley editor), Adam Connelly (foley editor), Hongrui Ji (sound effects editor), Yinan Tu (sound effects editor), Tian Yong (sound effects editor), Chris Goodes (sound effects editor), Zheng 'Joe' Huang (sound effects editor), Robert Mackenzie (sound effects editor)

NOMINEES

Battle of Warsaw 1920: Waclaw Pilkowski (supervising sound editor), Aleksandra Pniak (supervising sound editor), Kacper Habisiak (sound designer), Maciej Tegi (sound designer), Krzysztof Jastrzab (supervising foley editor), Filip Krzemien (supervising dialogue editor), Marcin Kasinski (supervising adr editor), Henryk Zastrózny (foley artist), Mateusz Irisik (foley artist), Jacek Pajak (foley artist), Krzysztof Salwa (foley artist), Marcin Wolak (foley artist), Jan Grabos (foley editor)

Circumstance: Glenn T. Morgan (supervising sound editor), Mathew Waters (supervising sound editor)

In the Land of Blood and Honey: Becky Sullivan (supervising sound editor), Ben Wilkins (sound editor), Glynna Grimala (sound editor), Hector C. Gika (sound editor), Gayle Wesley (sound editor), Michael Hertlein (sound editor), Goro Koyama (foley artist), Andy Malcolm (foley artist)

Sarah's Key: Bruno Seznec (supervising sound editor), Alexandre Fleurant (supervising sound editor), Sebastien Marquilly (sound designer), Fabien Devillers (supervising dialogue/adr editor), Florian Fabre (foley artist)

The Skin I Live In: Pelayo Gutiérrez (supervising sound editor), Eduardo G. Castro (sound designer), Marc Orts (sound designer), César Molina (supervising dialogue editor), Álex F. Capilla (foley artist)

Elite Squad: The Enemy Within: Alessandro Laroca (supervising sound editor), Eduardo Virmond Lima (sound designer), Andre Azoubel (supervising foley editor), Débora Opolski (supervising dialogue/adr editor), Roger Hands (foley artist), Henrique Bertol (dialogue/adr editor), Anderson Tieta (sound effects editor), Priscila Pereira (sound effects editor), Lilian Nakahodo (sound effects editor), Andressa Cor (sound effects editor)

Best Sound Editing - Music in a Feature Film

WINNER

Hugo: Jennifer L. Dunnington (supervising music editor), Robert Houston (music editor), Jonathan Schultz (supervising score editor), Kirsty Whalley (score editor), Tim Starnes (additional editor)

NOMINEES

Drive: Annette Kudrak (supervising music editor)

The Girl with the Dragon Tattoo: Jonathon Stevens (supervising music editor), Ren Klyce (music editor), Marie Ebbing (music editor)

Hop: J.J. George (supervising music editor), Bryon Rickerson (music editor)

Priest: Thomas Milano (supervising music editor), Steven A. Saltzman (music editor), Cory Milano (music editor), Jaclyn Newman (music editor), Daniel Pinder (temp music editor)

Super 8: Alex Levy (supervising music editor), Paul Apelgren (music editor), Ramiro Belgardt (music editor), Will Kaplan (music editor)

Transformers: Dark of the Moon: Alex Gibson (supervising music editor), Ryan Rubin (music editor)

The Tree of Life: Dick Bernstein (supervising music editor), Peter Clarke (music editor)

Best Sound Editing - Music in a Musical Feature Film

WINNER

The Muppets: Lisa Jaime (supervising music editor), Richard Ford (music editor)

NOMINEES

Footloose: Kevin McKeever (supervising music editor)


Pina: Matthias Lempert (supervising music editor)

Best Sound Editing - Short Form Documentary

WINNER

Man Made: Joe Pizzulo (supervising sound editor), Mark Mercado (supervising dialogue/adr editor), Peter Karr (music editor)
Episode: "Bugatti Super Car"

NOMINEES

Above the Ashes: David Bondelevitch (supervising sound editor), Brandon Vaccaro (music editor), Michelle Carpenter (music editor), Alex Layne (sound effects editor)

Year of the Quarterback: Tim Alward (supervising sound editor/sound designer), Michael Orlowski (supervising sound editor), Tom Carrigan III (supervising dialogue/adr editor), Chase Heavener (music editor)
Episode: "Tim Tebow: Everything In Between"

Best Sound Editing - Special Venue

WINNER

Rocky Mountain Express: Peter Thillaye (supervising sound editor), Ed Douglas (sound designer), Karl Mohr (sound designer), Michel B. Bordeleau (supervising foley editor), Cory Mandel (music editor), Goro Koyama (foley artist), Andy Malcolm (foley artist)

NOMINEES

Tornado Alley: Michael L. McDonough (supervising sound editor/sound designer), Ryan Purcell (supervising dialogue/adr editor), Tamara Johnson (music editor), Tom Trafalski (music editor)

Wildest Weather in the Solar System: Brian Eimer (supervising sound editor/sound designer), Catalin Marin (music editor)

Best Sound Editing - Direct to Video - Live Action

WINNER

Love: Bob Kellough (supervising sound editor/sound designer), Craig Henighan (supervising sound editor), Steve Baine (foley artist), Andy Koyama (sound editor)

NOMINEES

Beethoven's Christmas Adventure: Patrick Giraudi (supervising sound editor), Michael T. Ryan (music editor), Rick Owens (foley artist), Lorita de la Cerna (foley artist), John Gilbert (dialogue editor), Peter D. Lago (sound effects editor), Alexander Pugh (sound effects editor), Steven Avila (sound effects editor), Trip Brock (foley editor)

Street Kings 2: Motor City: Eric Lalicata (supervising sound editor), Ryan Gegenheimer (sound designer), Charles Maynes (sound designer), John Sanacore (supervising foley editor), Joshua Aaron Johnson (supervising dialogue editor), Amy Felton (supervising adr editor), Cory Milano (music editor), Alex Ullrich (foley artist)

Best Sound Editing - Long Form Documentary

WINNER

Gettysburg: Brent Kiser (sound effects editor), Zach Seivers (supervising sound editor), John Maynard (sound effects editor), Rodrigo Ortiz-Parraga (supervising foley editor), Charles Maynes (Sound Effects Editor), J.M. Davey (sound effects editor) (Herzog & Company (production company))

NOMINEES

Harlistas: An American Journey: Trip Brock (supervising sound editor), Peter D. Lago (supervising sound editor/foley artist), Alex Menck (music editor), Steven Avila (sound effects editor), Alexander Pugh (sound effects editor), Brian S.M. Wroth (dialogue editor), Ben Whitver (adr editor)

Koran by Heart: Trip Brock (supervising sound editor), Tara Blume (foley artist), Steven Avila (sound effects editor), Alexander Pugh (sound effects editor), Peter D. Lago (foley editor), Brian S.M. Wroth (dialogue editor), Ben Whitver (adr editor), Greg Mauer (foley editor)

Best Sound Editing - Sound Effects and Foley in a Feature Film

WINNER

War Horse: Gary Rydstrom (supervising sound editor/sound designer), Richard Hymns (supervising sound editor), Luke Dunn Gielmuda (supervising foley editor), Dennie Thorpe (foley artist), Jana Vance (foley artist), Kyrsten Mate (sound editor), Teresa Eckton (sound editor), Timothy Nielsen (sound editor), Colette D. Dahanne (sound editor)

NOMINEES

Drive: Lon Bender (supervising sound editor), Victor Ray Ennis (supervising sound editor), Peter Zinda (sound designer/sound effects editor), Catherine Harper (foley artist), Christopher Moriana (foley artist), Damian Volpe (sound effects editor), Paul Hackner (foley editor), Kerry Ann Carmean (background editor)

Fast Five: Peter Brown (supervising sound editor), Glynna Grimala (sound designer), Stephen P. Robinson (sound designer), Paul Aulicino (supervising foley editor), Gary A. Hecker (foley artist), Katherine Rose (foley artist), Ann Scibelli (sound effects editor), Peter Staubli (sound effects editor), Tim Walston (sound effects editor), Charles Maynes (sound effects editor), Jon Title (sound effects editor), Kerry Ann Carmean (foley editor), George Pereyra (foley editor)

The Girl with the Dragon Tattoo: Ren Klyce (supervising sound editor/sound designer), Thom Brennan (supervising foley editor/sound editor), John Roesch (foley artist), Alyson Dee Moore (foley artist), David C. Hughes (sound editor), Scott Guitteau (sound editor), Kyrsten Mate (sound editor), Larry Oatfield (sound editor), Al Nelson (sound editor), Coya Elliott (sound editor)

Mission: Impossible - Ghost Protocol: Gary Rydstrom (supervising sound editor/sound designer), Richard Hymns (supervising sound editor), Luke Dunn Gielmuda (supervising foley editor), Dennie Thorpe (foley artist), Jana Vance (foley artist), Will Files (sound editor), Ken Fischer (sound editor), Dustin Cawood (sound editor), Teresa Eckton (sound editor), Pascal Garneau (sound editor)

Rise of the Planet of the Apes: Chuck Michael (supervising sound editor/sound designer), John A. Larsen (supervising sound editor), John Murray (supervising foley editor), Alicia Stevenson (foley artist), Dawn Fintor (foley artist), Dan O'Connell (foley artist), John T. Cucci (foley artist), David Grimaldi (sound effects editor), John Morris (sound effects editor), Wayne Lemmer (sound effects editor), Matthew Harrison (foley editor), Thomas W. Small (foley editor), Bruce Tanis (foley editor)

Super 8: Ben Burtt (supervising sound editor/designer), Matthew Wood (supervising sound editor/designer), Kevin Sellers (supervising foley editor), Sean England (foley artist), Ronni Brown (foley artist), David Acord (sound effects editor), Dustin Cawood (sound effects editor), Adam Kopald (sound effects editor), Steve Slanec (sound effects editor), Luke Dunn Gielmuda (foley editor), Malcolm Fife (foley editor)

Transformers: Dark of the Moon: Ethan Van der Ryn (supervising sound editor/sound designer), Erik Aadahl (supervising sound editor/sound designer), Jonathan Klein (supervising foley editor), John Roesch (foley artist), Alyson Dee Moore (foley artist), P.K. Hooker (sound effects editor), Ai-Ling Lee (sound effects editor), John Marquis (sound effects editor), Tobias Poppe (sound effects editor), Greg ten Bosch (sound effects editor), Christian Schaanning (sound effects editor), Willard Overstreet (foley editor)

Best Sound Editing - Dialogue and ADR in a Feature Film

WINNER

Super 8: Matthew Wood (supervising sound editor), Ben Burtt (supervising sound editor), Cheryl Nardi (dialogue/adr editor), Richard Quinn (dialogue/adr editor), Steve Slanec (dialogue/adr editor), Gwendolyn Yates Whittle (adr editor), Brad Semenoff (adr editor), Stuart McCowan (adr editor)

NOMINEES

War Horse: Richard Hymns (supervising sound editor), Jonathan Null (supervising dialogue/adr editor), Richard Quinn (dialogue/adr editor), Cheryl Nardi (dialogue/adr editor), Jeremy Molod (dialogue editor)

Abduction: Greg Hedgepath (supervising sound editor), William R. Dean (supervising sound editor), Daniel S. Irwin (supervising dialogue editor), Bobbi Banks (supervising adr editor)

The Help: Dennis Drummond (supervising sound editor), Kim Drummond (supervising dialogue/adr editor), Laura Graham (adr editor), Scott A. Jennings (adr editor)

Moneyball: Ron Bochar (supervising sound editor), Teri E. Dorman (supervising dialogue editor), Michael J. Benavente (supervising adr editor), David A. Arnold (dialogue/adr editor)

Quarantine 2: Terminal: Mark Lanza (supervising sound editor), Sonja Nyman (dialogue editor), Eric Raber (dialogue editor), Rick Ash (dialogue editor)

Rise of the Planet of the Apes: Chuck Michael (supervising sound editor), John A. Larsen (supervising sound editor), Helen Luttrell (supervising dialogue editor), Mildred Iatrou (supervising adr editor), Susan Dawes (dialogue editor), Jim Brookshire (adr editor), R.J. Kizer (adr editor)

The Way: Glenn T. Morgan (supervising sound editor), Peter Staubli (dialogue/adr editor), Ben Wilkins (dialogue/adr editor)

Best Sound Editing - Direct to Video - Animation

WINNER

Megamind: The Button of Doom: John Marquis (supervising sound editor), Adam Milo Smalley (music editor), Dan O'Connell (foley artist), John T. Cucci (foley artist), Tobias Poppe (sound effects editor), Jonathan Klein (foley editor), Susan Dudeck (adr editor)

NOMINEES

Dragons: Gift of the Night Fury: Jonathan Null (supervising sound editor), Al Nelson (sound designer), Chris Gridley (supervising dialogue editor), Adam Milo Smalley (music editor), Jana Vance (foley artist), Dennie Thorpe (foley artist), Josh Gold (sound effects editor), Colette D. Dahanne (sound effects editor), Frank Clary (sound effects editor)

Kung Fu Panda: Secrets of the Masters: John Marquis (supervising sound editor), Tobias Poppe (sound effects editor), Thomas Jones (adr editor), Adam Milo Smalley (music editor), Dan O'Connell (foley artist), John T. Cucci (foley artist), Jonathan Klein (foley editor)

Quest for Zhu: Rick Hinson (supervising sound editor), Lizzie Hinson (sound editor), Gary Falcone (supervising foley editor), Cynthia Merrill (foley artist), Roberto Domínguez (foley editor)

The Smurfs: A Christmas Carol: Robert L. Sephton (supervising sound editor/sound designer), F. Scott Taylor (supervising foley editor), Bernard Weiser (supervising dialogue/adr editor), Todd Bozung (music editor), Robin Harlan (foley artist), Sarah Monat (foley artist)

Best Sound Editing - Computer Interactive Entertainment

WINNER

Need for Speed: The Run: Peter Zinda (supervising sound editor), Charles Deenen (supervising sound editor), Tim Walston (sound designer), Tim Gedemer (sound designer), Frederick H. Stahly (supervising dialogue/adr editor), Gary A. Hecker (foley artist), Bryan Celano (music editor), Michael Berg (sound effects editor), Csaba Wagner (sound effects editor), Ethan Van der Ryn (sound effects editor), Stephen P. Robinson (sound effects editor), Scott Wolf (sound effects editor), Bryan Jerden (sound effects editor)

NOMINEES

Call of Duty: Modern Warfare 3: Don Veca (supervising sound editor), Mark Ganus (supervising sound editor), David Swenson (sound effects editor), Travis Naas (sound effects editor), Paul Stoughton (sound effects editor), Stephen Miller (sound effects editor), Chrissy Arya (sound effects editor), Chris Staples (sound effects editor)
Recipient: Raven Software Audio Team

Gears of War 3: Scott Martin Gershin (supervising sound editor), Mike Larson (supervising sound editor/music editor), Csaba Wagner (sound designer), Bryan Celano (sound designer), Stephen P. Robinson (sound designer), Shannon Potter (supervising foley editor), Chad Bedell (supervising dialogue/adr editor), Jeffrey Wilhoit (foley artist), James Moriana (foley artist), Brad Beaumont (sound effects editor), Masanobu 'Tomi' Tomita (sound effects editor), Peter Zinda (sound effects editor), Tim Walston (sound effects editor)

Skylanders: Spyro's Adventure: Shannon Potter (supervising sound editor), Trevor Bresaw (supervising dialogue/adr editor/music editor), James Moriana (foley artist), Jeffrey Wilhoit (foley artist), Andrew Kawczynski (music editor), Masanobu 'Tomi' Tomita (sound effects editor), Csaba Wagner (sound effects editor), Chad Bedell (sound effects editor), Eliot Connors (sound effects editor), Dutch Hill (sound effects editor)

Diablo III: Paul Menichini (supervising sound editor/sound designer), Russell Brower (supervising sound editor/music editor), David Farmer (sound designer), Michael Edward Johnson (sound designer), Joseph Lawrence (sound designer), Lucy Sustar (supervising foley editor), Chris De La Pena (supervising dialogue/adr editor), Gregg Barbanell (foley artist), Neal Acree (music editor), John Kurlander (music editor), Thomas C. Brewer (sound effects editor)
Black SoulStone "Doom" and Intro "End of Days"

Best Sound Editing - Computer Episodic Entertainment

WINNER

Aim High: Ben Whitver (supervising dialogue / adr editor), Greg Mauer (supervising foley editor), Trip Brock (supervising sound editor), Tara Blume (foley artist), Steven Avila (sound effects editor), Alexander Pugh (sound effects editor), Peter D. Lago (sound effects editor), Chris McGeary (music editor)

NOMINEES

Rick Hinson (supervising sound editor), Gary Falcone (supervising foley editor), Cynthia Merrill (foley artist), Lizzie Hinson (sound effects editor), Roberto Domínguez (foley editor)
Dagedar

Gary Falcone (supervising sound editor), Joe Pizzulo (supervising sound editor), Rick Hinson (sound designer), Roberto Domínguez (supervising foley editor), Mark Mercado (supervising dialogue/adr editor), Cynthia Merrill (foley artist), Michael J. Mangan (music editor)
Polly Pocket

Warehouse 13: Of Monsters and Men: Daniel Colman (supervising sound editor/sound designer), Jack Levy (supervising sound editor), Sam C. Lewis (supervising foley editor), Doug Madick (foley artist), Richard Partlow (foley artist), Ben Zales (music editor), Stefani Feldman (live action dialogue editor)

When You Find Me: Sean Massey (supervising sound editor), Renick Webb (sound designer), Iden Kamishin (supervising dialogue editor), Dante Reynolds (supervising adr editor), Andrew Kawczynski (music editor), Kyle Rochlin (foley artist), Vincent Guisetti (foley artist), Pamela Kahn (foley artist)

Best Sound Editing - Sound Effects, Foley, Dialogue and ADR in an Animation Feature Film

WINNER

The Adventures of Tintin: Brent Burge (supervising sound editor), Chris Ward (supervising sound editor) (supervising dialogue/adr editor), Dave Whitehead (sound designer), Craig Tomlinson (supervising foley editor), John Simpson (foley artist), Hayden Collow (sound effects editor), Matt Stutter (sound effects editor), Justin Doyle (sound effects editor), Frank Lipson (sound effects editor), Martin Kwok (dialogue editor), Jason Canovas (dialogue editor), Chris Todd (dialogue editor), Morgan Samuel (ADR editor), Justin Webster ("Snowy" effects editor)

NOMINEES

Rio: Gwendolyn Yates Whittle (supervising sound editor), Randy Thom (supervising sound editor/sound designer), Sue Fox (supervising foley editor), Dennie Thorpe (foley artist), Jana Vance (foley artist), Teresa Eckton (sound editor), Josh Gold (sound editor), Pete Horner (sound editor), Cheryl Nardi (sound editor), Luke Dunn Gielmuda (sound editor), Malcolm Fife (sound editor)

Cars 2: Michael Silvers (supervising sound editor), Tom Myers (supervising sound editor/sound designer), Pascal Garneau (supervising foley editor), Dennie Thorpe (foley artist), Jana Vance (foley artist), Steve Slanec (adr editor), Al Nelson (sound effects editor), David C. Hughes (sound effects editor), Teresa Eckton (sound effects editor), Dustin Cawood (sound effects editor), Robert Shoup (sound effects editor), Frank Clary (foley editor)

Kung Fu Panda 2: Ethan Van der Ryn (supervising sound editor), Erik Aadahl (supervising sound editor), John Marquis (sound designer), Susan Dudeck (supervising adr editor), Dan O'Connell (foley artist), John T. Cucci (foley artist), P.K. Hooker (sound effects editor), Jonathan Klein (foley editor), Willard Overstreet (foley editor)

Puss in Boots: Richard King (supervising sound editor), Christopher Flick (supervising foley editor), Jessica Gallavan (supervising dialogue/adr editor), John Roesch (foley artist), Alyson Dee Moore (foley artist), Michael W. Mitchell (sound effects editor), Jeff Sawyer (sound effects editor), Michael Babcock (sound effects editor), Roland N. Thai (sound effects editor), Mark Pappas (foley editor)

Rango: Addison Teague (supervising sound editor), Peter Miller (supervising sound editor/sound designer), Steve Slanec (supervising foley editor), Michael Silvers (supervising dialogue editor), Dennie Thorpe (foley artist), Jana Vance (foley artist), J.R. Grubbs (sound effects editor), David C. Hughes (sound effects editor), Shannon Mills (sound effects editor), Mac Smith (dialogue editor), Richard Hymns (dialogue editor), Dee Selby (foley editor), Adam Kopald (sound editor)

The Smurfs: Robert L. Sephton (supervising sound editor/sound designer), Will Files (supervising sound designer), Mark Pappas (supervising foley editor), Bernard Weiser (supervising dialogue/adr editor), Sarah Monat (foley artist), Robin Harlan (foley artist), Sean England (foley artist), Ronni Brown (foley artist), Randle Akerson (sound effects editor), Paul Berolzheimer (sound effects editor), Robert Troy (dialogue editor)

Best Sound Editing - Long Form Music in Television

WINNER

NOMINEES

12 Dates of Christmas: Lisa A. Arpino (supervising music editor), Avital Korin (music editor)

Avalon High: Lisa A. Arpino (supervising music editor)

Terra Nova: Micha Liberman (supervising music editor), Gary Krause (music editor)
Episode: "Occupation/Resistance"

Best Sound Editing - Short Form Music in Television

WINNER

Raising Hope: Sharyn Gersh (supervising music editor), Susan Ham (music editor)
Episode: "Prodigy"

NOMINEES

Camelot: Yuri Gorbachow (supervising music editor)
Episode: "Reckoning"

CSI: Miami: Skye Lewin (supervising music editor)
Episode: "Crowned"

Damages: Robert Cotnoir (supervising music editor)
Episode: "Failure Is Lonely"

Fringe: Paul Apelgren (supervising music editor)
Episode: "The Day We Died"

Justified: Lisa A. Arpino (supervising music editor)
Episode: "Brother's Keeper"

Revenge: Amber Funk (supervising music editor)
Episode: "Pilot"

Best Sound Editing - Short Form Sound Effects and Foley in Television

WINNER

Game of Thrones: Stefan Henrix (supervising sound editor), Andy Kennedy (sound designer), Steve Fanagan (supervising foley editor), Caoimhe Doyle (foley artist), Eoghan McDonnell (foley artist), Niall Brady (sound effects editor), Jon Stevenson (sound effects editor), Fiadhnait McCann (sound effects editor), Billy Quinn
Episode: "Winter is Coming"

NOMINEES

The Borgias: Jane Tattersall (supervising sound editor), Martin Gwynn Jones (foley editor), Andy Malcolm (foley artist), Goro Koyama (foley artist)
Episode: "Death, On a Pale Horse"

Breaking Bad: Kurt Nicholas Forshager (supervising sound editor), Gregg Barbanell (foley artist), Dominique Decaudain (foley artist), Mark Cookson (sound effects editor), Cormac Funge (sound effects editor), Jeffrey Cranford (sound editor)
Episode: "Faceoff"

Fringe: Thomas A. Harris (supervising sound editor), Frederick Howard (sound designer), Jerry Edemann (supervising foley editor), Richard Partlow (foley artist), Shelley Roden (foley artist), Andy Kopetzky (foley editor), Michael Ferdie (sound editor), Aleksandr Gruzdev (sound editor)
Episode: "The Day We Died"

Homeland: Mark Lanza (supervising sound editor), Jeffrey R. Whitcher (sound designer), Shawn Kennelly (supervising foley editor), Vince Nicastro (foley artist), Laura Macias (foley artist), Cathie Speakman (sound editor), Jonathan Golodner (sound editor), Rickley W. Dumm (sound editor)
Episode: "Pilot"

House M.D.: Brad North (supervising sound editor), Luis Galdames (sound designer), Craig T. Rosevear (supervising foley editor), Harry Woolway (foley editor), Michael Lyle (foley artist), Paul Stevenson (foley artist)
Episode: "Bombshells"

Rizzoli & Isles: Jeremy J. Gordon (supervising sound editor), Todd Murakami (sound designer), Brian Nichols (supervising foley editor), Noel Vought (foley artist), Jordan Wilby (sound editor), Michael Sana (sound editor), John Snider (sound editor)
Episode: "Can I Get a Witness?"

Smallville: Michael E. Lawshe (supervising sound editor), Norval D. Crutcher III (supervising sound editor), Timothy A. Cleveland (sound designer/sound effects editor), Trevor Sperry (supervising foley editor), Monette Melvin (foley artist), Rick Owens (foley artist), Paul J. Diller (sound effects editor), Robert Ramirez (sound effects editor), Marc Meyer (sound effects/foley editor)
Episode: "Dominion"

Best Sound Editing - Sound Effects, Foley, Dialogue and ADR Animation in Television

WINNER

The Penguins of Madagascar: Paulette Victor-Lifton (supervising sound editor), Jimmy Lifton (supervising sound editor), Ian Nyeste (sound designer), Aran Tanchum (supervising foley editor), Michael Petak (supervising dialogue editor), Jason Stiff (supervising adr editor), Vincent Guisetti (foley artist), Monique Reymond (foley artist), Matthew Thomas Hall (sound effects editor), Oliver Pearce (dialogue editor), D.J. Lynch (dialogue/music editor), Chris Gresham (foley editor)
Episode: "The Return of the Revenge of Dr. Blowhole"

NOMINEES

Fanboy and Chum Chum: Joe Pizzulo (supervising sound editor), Gary Falcone (supervising sound editor), Ian Nyeste (sound designer), Lawrence Reyes (sound designer), Aran Tanchum (supervising foley editor), Mishelle Fordham (supervising dialogue editor), D.J. Lynch (supervising adr editor), Vincent Guisetti (foley artist), Monique Reymond (foley artist), Jason Stiff (dialogue editor), Molly Minus (dialogue editor), Matthew Thomas Hall (sound effects editor)
Episode: "A Very Brrr-y Icemas"

Futurama: Travis Powers (supervising sound editor), Paul D. Calder (supervising dialogue editor), Chris Vallance (dialogue editor)
Episode: "Law & Oracle"

Ice Age: A Mammoth Christmas: Michael Silvers (supervising sound editor), Sue Fox (supervising foley editor), Jana Vance (foley artist), Dennie Thorpe (foley artist), Mac Smith (sound effects editor), Gwendolyn Yates Whittle (adr editor)

Kick Buttowski: Suburban Daredevil: Jeff Shiffman (supervising sound editor), Otis Van Osten (supervising sound editor), Jason Oliver (supervising dialogue/adr editor), Gerardo Gonzalez (sound effects editor), Roger Pallan (oley editor)
Episode: "Truth or Daredevil"

Kung Fu Panda: Legends of Awesomeness: Jason Stiff (supervising sound editor), Molly Minus (supervising sound editor), Rob McIntyre (sound designer), Matthew Thomas Hall (sound designer), Aran Tanchum (supervising foley editor), Anna Adams (supervising dialogue editor), Justin Brinsfield (supervising adr editor), Vincent Guisetti (foley artist), Monique Reymond (foley artist), Chris Gresham (foley editor), Matt Corey (dialogue/adr editor), Devon Bowman (dialogue editor)
Episode: "Sight for Sore Eyes"

Lego Star Wars: The Padawan Menace: Wayne Pashley (supervising sound editor/sound designer), John Simpson (supervising foley editor), Derryn Pasquill (sound editor), Jenny T. Ward (dialogue editor), Ben Beverley (dialogue editor), David White (sound effects editor), Damon Mouris (sound effects editor)

Phineas and Ferb: Robert Poole II (supervising sound editor/sound designer), Roy Braverman (supervising foley editor), Robbi Smith (supervising dialogue editor), J. Lampinen (foley artist)
Episode: "Across the 2nd Dimension"

Best Sound Editing - Long Form Dialogue and ADR in Television

WINNER

Homeland: Jeff Clark (dialogue editor), Devin Joseph (dialogue editor), Larry Goeb (dialogue editor), Craig A. Dellinger (supervising sound editor), Chato Hill (dialogue editor), Jonathan Golodner (sound designer)
Episode: "Marine One"

NOMINEES

Big Love: Susan Cahill (supervising sound editor), Jivan Tahmizian (dialogue editor), Michael Hertlein (dialogue editor)
Episode: "Where Men and Mountains Meet"

Cinema Verite: Douglas Murray (supervising sound editor), Susan Dudeck (supervising adr editor), Kim Foscato (dialogue/adr editor)

Terra Nova: Christopher Harvengt (supervising sound editor), Frank Smathers (supervising dialogue/adr editor)
Episode: "Occupation/Resistance"

The Walking Dead: Jerry Ross (supervising sound editor), Lou Thomas (supervising dialogue editor), Steffan Falesitch (dialogue editor), Karyn Foster (dialogue editor)
Episode: "What Lies Ahead"

Best Sound Editing - Short Form Dialogue and ADR in Television

WINNER

Game of Thrones: Stefan Henrix (supervising sound editor), Peter Blayney (supervising dialogue editor), Tim Hands (supervising adr editor), Iain Eyre (adr editor), Aza Hand (adr recordist)
Episode: "Cripples, Bastards and Broken Things"

NOMINEES

The Big C: Robert Getty (supervising sound editor), Chato Hill (supervising dialogue editor)
Episode: "A Little Death"

Hell on Wheels: John Kincade (supervising sound editor), Todd Niesen (dialogue editor), Shannon Beament (adr editor)
Episode: "Bread and Circuses"

Leverage: Kenneth L. Johnson (supervising sound editor), David Grant (supervising dialogue editor)
Episode: "The Van Gogh Job"

Person of Interest: Thomas DeGorter (supervising sound editor), Matt Sawelson (supervising sound editor), Maciek Malish (supervising dialogue editor), H. Jay Levine (adr editor)
Episode: "Witness"

Smallville: Michael E. Lawshe (supervising sound editor), Jessica Goodwin (supervising dialogue editor/dialogue editor), Norval D. Crutcher III (dialogue editor)
Episode: "Dominion"

Sons of Anarchy: Erich Gann (supervising sound editor), Joy Ealy (supervising dialogue editor)
Episode: "To Be, Part 2"

The Walking Dead: Jerry Ross (supervising sound editor), Lou Thomas (supervising dialogue/adr editor), Steffan Falesitch (dialogue editor)
Episode: "Save the Last One"

Best Sound Editing - Short Form Musical in Television

WINNER

Grey's Anatomy: Jennifer Barak (supervising music editor), Carli Barber (music editor), Jessica Harrison (music editor)
Episode: "The Song Beneath the Song"

NOMINEES

Glee: David Klotz (supervising music editor)
Episode: "The First Time"

The Playboy Club: Michael Dittrick (supervising), Chris Foster (music editor), Sharyn Gersh (music editor)
Episode: "Pilot"

Best Sound Editing - Long Form Sound Effects and Foley in Television

WINNER

The Walking Dead: Jerry Ross (supervising sound editor), Gregg Barbanell (foley artist), Pamela Kahn (foley artist), Tim Farrell (sound editor), Phil Barrie (sound editor), Jerry Edemann (sound editor)
Episode: "What Lies Ahead"

NOMINEES

Cinema Verite: Douglas Murray (supervising sound editor), Steve Bissinger (sound designer), Kim Foscato (supervising foley editor), Goro Koyama (foley artist), Andy Malcolm (foley artist), Larry Oatfield (sound editor), Robert Shoup (sound editor)

Homeland: Craig A. Dellinger (supervising sound editor), Jonathan Golodner (sound designer), Shawn Kennelly (supervising foley editor), Vince Nicastro (foley artist), Mark Lanza (sound editor), Mark Petersen (sound editor), Rickley W. Dumm (sound editor)
Episode: "Marine One"

Red Faction: Origins: Jack Levy (supervising sound editor), Jeff K. Brunello (sound designer), Sam C. Lewis (supervising foley editor), Doug Madick (foley artist), Ginger Geary (foley artist), Candice Baldwin (sound effects editor), Miriam Cole (foley editor)

Terra Nova: Christopher Harvengt (supervising sound editor), Richard S. Steele (sound designer), G. Michael Graham (sound designer), Bill Bell (supervising foley editor), Tim Chilton (foley artist), Jill Schachne (foley artist), Bob Costanza (sound effects editor), Mike Dickeson (sound effects editor)
Episode: "Occupation/Resistance"

Verna Fields Award

WINNER

The Pride of Wade Ellison: Jay Price (supervising sound editor), Ruth Sullivan (foley artist)

NOMINEES

Damned: Tom Drew (supervising sound editor/designer), Ruth Sullivan (foley artist)

Inferno: Peter Mulheron (supervising sound editor/sound designer), Mick Boraso (supervising foley editor), Robert Parish (supervising dialogue editor), Damien Lane (music editor), Rocky Amaranto (foley artist)

The Maiden and the Princess: Christophe Nassif (supervising sound editor/foley artist), Jesse Rosenman (sound designer), Qian Bai Hui Yang (sound designer), Jinhae Park (supervising foley editor/foley artist/sound editor), Seryna Thai (sound editor)

The Secret Number: Nicholas Cochran (supervising sound editor), Thomas J. Doolittle (supervising sound editor), Morgan Johnson (sound designer), Clayton De Wet (foley artist), Alan Koda (foley artist), Nicholas Interlandi (sound editor)

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