Awards for 2001

Golden Reel Award

Best Sound Editing - Foreign Feature

WINNER

Snatch.: unknown

NOMINEES

Billy Elliot: Zane Hayward (supervising sound editor), Stewart Henderson (adr editor/dialogue editor), Anthony Faust (foley editor)

Grizzly Falls: Tim Lewiston (supervising sound editor), Howard Eaves (sound effects editor), Vicky Brazier (foley editor), Joe Dunphy (adr editor)

High Fidelity: Peter Joly (supervising sound editor), Danny Longhurst (dialogue editor), Michael Redfern (foley editor)

The Ninth Gate: Laurent Quaglio (sound editor), Katia Boutin (adr editor)

Requiem for a Dream: Nelson Ferreira (supervising sound editor/adr editor), Craig Henighan (sound effects editor), Stephen Barden (dialogue editor), Jill Purdy (dialogue editor)

Running Free: Rodney Glenn (supervising sound editor), Michael Feinberg (foley editor), Brigitte Arnold (adr editor), Laura Lovejoy (dialogue editor)

Shadow of the Vampire: Nigel Heath (supervising sound editor), Julian Slater (sound effects editor), Arthur Graley (foley editor), James Feltham (adr editor/dialogue editor)

Best Sound Editing - Special Venue

WINNER

Pirates: Tim Archer (supervising sound editor), Bruce Nyznik (supervising sound editor), Brian Eimer (sound editor), Grant McAlpine (sound editor), Katherine Lisi (sound editor), Regan Ramos (sound editor)

NOMINEES

Adventures in Wild California: Ann Scibelli (supervising sound editor/supervising foley editor), Andrew DeCristofaro (supervising sound editor), Paul Curtis (supervising dialogue editor/supervising adr editor), Mark Lanza (sound editor), Stephen P. Robinson (sound editor), Michael Mullane (sound editor), Michael Orlowski (sound editor)

Dolphins: Ann Scibelli (supervising sound editor), Paul Curtis (supervising dialogue editor/supervising adr editor), Stephen P. Robinson (sound editor), Michael Mullane (sound editor), Brad North (sound editor), Roland N. Thai (sound editor), Nancy Nugent (sound editor)

Dragon Planet: Robert Webber (supervising sound editor), Joy Ealy (supervising dialogue editor), Mike Dickeson (sound editor), Bob Costanza (sound editor), Richard S. Steele (sound editor)

Gone in 60 Seconds: The Ride: George Watters II (supervising sound editor), Victoria Martin (supervising foley editor), Teri E. Dorman (supervising dialogue editor), Juno J. Ellis (supervising adr editor), R.J. Palmer (sound editor), F. Hudson Miller (sound editor)

The Legend of Loch Lomond: Tim Archer (supervising sound editor), Brian Eimer (supervising dialogue editor), Regan Ramos (sound editor), Katherine Lisi (sound editor), Grant McAlpine (sound editor), Julian DaBoll (sound editor)

Michael Jordan to the Max: Tim Archer (supervising sound editor), Brian Eimer (supervising sound editor), Katherine Lisi (sound editor), Grant McAlpine (sound editor), Regan Ramos (sound editor), Daniel Fernandez (sound editor)

Vital Space: Brian Eimer (supervising sound editor), Tim Archer (supervising sound editor), Regan Ramos (sound editor), Grant McAlpine (sound editor), Katherine Lisi (sound editor)

Best Sound Editing - Direct to Video - Sound Editorial

WINNER

Scooby-Doo and the Alien Invaders: Tim Gedemer (supervising sound editor), Cecil Broughton (supervising foley editor), Kerry Iverson (supervising dialogue editor), Rick Hinson (sound editor), Linda Gedemer (sound editor), Stuart Ablaza (foley editor), Jim Hearn (dialogue editor)

NOMINEES

An American Tail: The Mystery of the Night Monster: Burton Weinstein (supervising sound editor), Scott C. Kolden (sound editor), Michael C. Gutierrez (foley editor), Jay Keiser (adr editor), Michelle C. Stein (dialogue editor), Geoff McNiel (dialogue editor)

Turbulence 2: Fear of Flying: Paula Fairfield (supervising sound editor), Dorian Cheah (supervising sound editor), Robert Jackson (supervising dialogue editor/supervising adr editor), David Mann (sound editor), Benjamin L. Cook (sound editor), Michael Mullane (sound editor), Anne Slack (sound editor), Craig Jurkiewicz (sound editor), Carla Murray (sound editor), Sarah Smith (sound editor/foley editor), Jed M. Dodge (adr editor), Jason George (adr editor), David Grant (dialogue editor), Steve Scoville (dialogue editor)

The Little Mermaid 2: Return to the Sea: David E. Stone (supervising sound editor), Vanessa Theme Ament (supervising foley editor), Mary Andrews (supervising adr editor), Donald Flick (sound editor)

Pilgrim: Mark Beck (supervising sound editor), Virginia Storey (supervising foley editor), Jonas Kuhnemann (supervising dialogue editor/supervising adr editor)

Road Rage: Mark Beck (supervising sound editor), Virginia Storey (supervising foley editor), Katherine Fitzgerald (supervising dialogue editor), Scot Marshall (supervising adr editor), Steven Toepell (sound editor), Robert Carli (sound editor)

Stonebrook: David Bondelevitch (supervising sound editor/supervising dialogue editor), Greg Back (supervising foley editor), Larry Ellis (supervising adr editor), Scott Spencer (sound editor), Barry Keys (sound editor), Joseph Zappala (sound editor), Donald P. Zappala (sound editor)

Tribulation: Steve Munro (supervising sound editor), Virginia Storey (supervising foley editor), Ray Campbell (supervising dialogue editor), Tim Roberts (supervising adr editor), Colin Baxter (sound editor), Ken Cade (sound editor), David Drainie Taylor (dialogue editor)

Best Sound Editing - Music - Animation

WINNER

Chicken Run: Richard Whitfield (supervising music editor)

NOMINEES

Dinosaur: Jim Weidman (music editor), David Olson (music editor)


The Road to El Dorado: Adam Milo Smalley (supervising music editor), Vicki Hiatt (music editor)

Titan A.E.: Joshua Winget (scoring editor/music editor)

Best Sound Editing - Animated Feature

WINNER

Titan A.E.: Christopher Boyes (supervising sound editor/sound effects designer/re-recording mixer), Matthew Wood (supervising sound editor), Christopher Scarabosio (sound editor/field recordist), Andrea Gard (sound editor), Michael Ferdie (sound editor), Sandina Bailo-Lape (foley editor), Susan Sanford (foley editor), Scott Seymann (dialogue editor)

NOMINEES

Chicken Run: James Mather (supervising sound editor/foley editor), Graham Headicar (supervising sound editor), Danny Hambrook (sound effects editor), Tim Hands (dialogue editor)

Dinosaur: Christopher Boyes (supervising sound editor), Frank E. Eulner (supervising sound editor), Michele Perrone (supervising adr editor), Ethan Van der Ryn (sound editor), Scott Guitteau (sound editor), Andrea Gard (sound editor), Mark A. Hester (sound editor), James Likowski (foley editor), Joanna Laurent (foley editor), John Verbeck (foley editor)

The Emperor's New Groove: Tim Chau (supervising sound editor), Thomas Whiting (supervising adr editor), Nils C. Jensen (sound editor), David Kern (sound editor), Albert Gasser (sound editor), Donald Sylvester (sound editor)

The Road to El Dorado: Gregory King (supervising sound editor), Yann Delpuech (supervising sound effects editor), Darren King (supervising adr editor)

Rugrats in Paris: The Movie: Cameron Frankley (supervising sound editor), Beth Sterner (supervising sound editor)

Best Sound Editing - Music (Foreign & Domestic)

WINNER

High Fidelity: Michael Higham (supervising music editor), Shari Johanson (music editor), Joe Lisanti (music editor), Adrian Rhodes (re-recording mixer)

NOMINEES

Committed: Mark Jan Wlodarkiewicz (music editor/scoring editor)

Gladiator: unknown

Remember the Titans: Will Kaplan (music editor/scoring editor)

Turn It Up: Richard A. Harrison (music editor/scoring editor)

Best Sound Editing - Made for Computer Entertainment

NOMINEE

Forgotten Realms: Baldur's Gate II - Shadows of Amn: Tim Gedemer (supervising sound editor/supervising foley editor), Charles Deenen (supervising sound editor/supervising dialogue editor)

Best Sound Editing - Music - Musical Feature (Foreign & Domestic)

WINNER

Almost Famous: Carlton Kaller (music editor/scoring editor)

NOMINEES

Billy Elliot: unknown

Bring It On: Fernand Bos (music editor/scoring editor)

Coyote Ugly: Shannon Erbe (music editor)


Love's Labour's Lost: Gerard McCann (music editor/scoring editor)

Orfeu: Mark Jan Wlodarkiewicz (music editor/scoring editor)

Best Sound Editing - Dialogue & ADR, Domestic Feature Film

WINNER

Crouching Tiger, Hidden Dragon: Eugene Gearty (supervising sound editor), Kenton Jakub (supervising adr editor), Jean Tsien (supervising adr editor), Lewis Goldstein (supervising dialogue editor), Betty P. Teng (adr editor), Gina Alfano (adr editor), Hal Levinsohn (adr editor), Lisa J. Levine (adr editor), Paul Urmson (dialogue editor)

NOMINEES

Almost Famous: Michael D. Wilhoit (supervising sound editor), Laura Harris Atkinson (supervising dialogue editor), Kelly Oxford (supervising adr editor), Laura Graham (adr editor), Kimaree Long (dialogue editor)

Erin Brockovich: Larry Blake (supervising sound editor), Aaron Glascock (dialogue editor)

Gladiator: Per Hallberg (supervising sound editor), Chris Jargo (supervising adr editor), Laura Graham (adr editor), David A. Cohen (adr editor/dialogue editor), Lauren Stephens (dialogue editor), Simon Coke (dialogue editor), Lou Kleinman (dialogue editor)

Into the Arms of Strangers: Stories of the Kindertransport: Gary Rydstrom (supervising sound editor), Terry Dormand (supervising dialogue editor)

Remember the Titans: Robert L. Sephton (supervising sound editor), Christopher T. Welch (supervising dialogue editor/supervising adr editor), Julie Feiner (adr editor), Cindy Marty (dialogue editor), Gaston Biraben (dialogue editor), Suhail Kafity (dialogue editor)

Traffic: Larry Blake (supervising sound editor), Aaron Glascock (dialogue editor)

U-571: Jon Johnson (supervising sound editor), Val Kuklowsky (supervising adr editor), Petra Bach (adr editor), Michele Perrone (adr editor), Robert Troy (dialogue editor)

Best Sound Editing - Sound Effects & Foley, Domestic Feature Film

WINNER

Gladiator: Per Hallberg (supervising sound editor), Craig S. Jaeger (supervising foley editor), Christopher Assells (sound editor), Dino Dimuro (sound editor), Jon Title (sound editor), Randy Kelley (sound editor), Dan Hegeman (sound editor), Richard Dwan Jr. (sound editor), Lou Kleinman (sound editor), Scott Martin Gershin (sound editor), Mark P. Stoeckinger (sound editor)

NOMINEES

Cast Away: Dennis Leonard (supervising sound editor), Randy Thom (supervising sound editor), Andrea Gard (supervising foley editor), Sue Fox (supervising foley editor), David C. Hughes (sound editor), Ken Fischer (sound editor), Stephen Kearney (sound editor)

Gone in Sixty Seconds: George Watters II (supervising sound editor), Victoria Martin (supervising foley editor), R.J. Palmer (sound editor), F. Hudson Miller (sound editor), Suhail Kafity (sound editor), Gary Wright (sound editor), Adam Kopald (sound editor), David A. Arnold (sound editor), Piero Mura (sound editor), Todd Toon (sound editor), Matthew Harrison (foley editor), James Likowski (foley editor), Fred Burke (foley editor)

Mission: Impossible II: Mark P. Stoeckinger (supervising sound editor), Bryan Bowen (sound editor), Tony Lamberti (sound editor), Alan Rankin (sound editor), Geoffrey G. Rubay (sound editor), Scott Wolf (sound editor), Thomas W. Small (supervising foley editor), Tammy Fearing (foley editor), Scott Curtis (foley editor), Glenn T. Morgan (foley editor), Dino Dimuro (foley editor)

The Patriot: Per Hallberg (supervising sound editor), Craig S. Jaeger (supervising foley editor), Christopher Assells (sound editor), Dino Dimuro (sound editor), Dan Hegeman (sound editor), Randy Kelley (sound editor), Harry Cohen (sound editor), Scott Sanders (sound editor), David Baldwin (sound editor), Peter Staubli (sound editor), Lou Kleinman (sound editor), Paul Jyrälä (sound editor)

The Perfect Storm: Wylie Stateman (supervising sound editor), Kelly Cabral (supervising sound editor), Jon Title (sound editor), Wade Wilson (sound editor), Scott Sanders (sound editor), Randy Kelley (sound editor), Hector C. Gika (sound editor), Scott Martin Gershin (sound editor), Valerie Davidson (sound editor), Stu Bernstein (sound editor), Kerry Ann Carmean (sound editor)

Space Cowboys: Alan Robert Murray (supervising sound editor), Bub Asman (supervising sound editor), Michael Dressel (supervising foley editor), Steve Mann (sound editor), Howard Neiman (sound editor), Gary Krivacek (sound editor), Glenn Hoskinson (sound editor), Anthony Milch (sound editor), Jason King (sound editor), David Farmer (sound editor), Phil Benson (sound editor), Ken Fischer (sound editor), Teresa Eckton (sound editor)

U-571: Jon Johnson (supervising sound editor), Miguel Rivera (supervising foley editor), Keith Bilderbeck (sound editor), Angelo Palazzo (sound editor), Guy Tsujimoto (sound editor), Tim Gedemer (sound editor), Brian W. Jennings (sound editor), Sandy Gendler (sound editor), Charles Maynes (sound editor), Bruce Stubblefield (foley editor), Donald Sylvester (foley editor)

Crouching Tiger, Hidden Dragon: Eugene Gearty (supervising sound editor), Jen Ralston (supervising foley editor), Blake Leyh (sound editor), Benjamin Cheah (sound editor)

X-Men: John A. Larsen (supervising sound editor), John Morris (supervising foley editor), Steve Boeddeker (sound editor), Craig Berkey (sound editor), Richard Burton (sound editor), David C. Hughes (sound editor), Ethan Van der Ryn (sound editor), Jay Wilkinson (sound editor), Beau Borders (sound editor), Andy Kopetzky (foley editor)

Best Sound Editing - Television Animation - Music

WINNER

Mickey Mouse Works: Jason Oliver (music editor), Liz Lachman (scoring editor)
For episode "Donald's Lighthouse/How To Take Care Of Your Yard".

NOMINEES

Buzz Lightyear of Star Command: Brian F. Mars (music editor), Dominick Certo (music editor/scoring editor)
For episode "Return To Karn".

Pepper Ann: Nick Carr (music editor), Liz Lachman (scoring editor)
For episode "The Great Beyond/Jaybirds Of A Feather".

The Simpsons: Bob Beecher (music editor)
For episode "Last Tap Dance In Springfield".

SpongeBob SquarePants: Nick Carr (music editor)
For episode "Fools In April/Neptune's Spatula".

Best Sound Editing - Television Episodic - Music

WINNER

Ally McBeal: Sharyn Gersh (music editor), Jennifer Barak (music editor)
For episode "The Musical, Almost".

NOMINEES

Bette: Chris Ledesma (music editor)
For episode "The Color of Roses".

Buffy the Vampire Slayer: Fernand Bos (music editor/scoring editor)
For episode "Superstar".

Queer as Folk: Yuri Gorbachow (music editor)
For episode #1.

The Sopranos: Kathryn Dayak (music editor)
For episode "Commendatori".

Undressed: Brian Bulman (music editor)
For episode #330.

Xena: Warrior Princess: Philip Tallman (music editor)
For episode "Coming Home".

Best Sound Editing - Television Episodic - Dialogue & ADR

WINNER

Third Watch: Walter Newman (supervising sound editor), Constance A. Kazmer (supervising dialogue editor), John F. Reynolds (supervising adr editor), Lou Kleinman (sound editor)
For episode "Jimmy's Mountain".

NOMINEES

City of Angels: John Kincade (supervising sound editor), Todd Niesen (sound editor)
For episode "Nathan's Hot Dog".

Deadline: Lee Dragu (supervising sound editor), Michael Jacobi (supervising adr editor), Marty Vites (sound editor), Steve Berger (sound editor), Andrew Spencer Dawson (sound editor), Tom Jaeger (sound editor)
For episode "Howl".

ER: Walter Newman (supervising sound editor), Darleen Stoker (supervising dialogue editor), Thomas A. Harris (supervising adr editor), Karyn Foster (sound editor)
For episode "May Day".

Law & Order: Special Victims Unit: Jeffrey Kaplan (supervising sound editor/supervising adr editor), Norval D. Crutcher III (supervising dialogue editor)
For episode "Baby Killer".

Providence: Robb Navrides (supervising sound editor/supervising adr editor), Andrew Spencer Dawson (supervising dialogue editor)
For episode "The Gift".

Touched by an Angel: Bill Bell (supervising sound editor), Tim Terusa (supervising dialogue editor/supervising adr editor), Anton Holden (sound editor), Joy Ealy (sound editor), Michael Lyle (sound editor), Randal S. Thomas (sound editor), Rusty Tinsley (sound editor), Rick Crampton (sound editor)
For episode "Finger of God".

The West Wing: Walter Newman (supervising sound editor), Thomas A. Harris (supervising sound editor/supervising adr editor), Catherine Flynn (supervising dialogue editor), Jessica Goodwin (sound editor)
For episode "What Kind Of Day Has It Been".

Best Sound Editing - Television Animated Series - Sound

WINNERS

Courage the Cowardly Dog: Michael Geisler (supervising sound editor), Peter Roos (supervising dialogue editor), Norval D. Crutcher III (sound editor), Jason Piatt (sound editor)
For episode "Courage In The Big Stinkin' City".
Tied with SpongeBob SquarePants.

SpongeBob SquarePants: Timothy J. Borquez (supervising sound editor/re-recording mixer), Jeff Hutchins (supervising sound editor), Eric Freeman (sound editor/re-recording mixer), Roy Braverman (sound editor), Gabriel Rosas (dialogue editor), Monett Holderer (foley artist) (certificate), Andrea Anderson (mixer) (certificate)
For episode "Rock Bottom/Arrgh".
Tied with Courage the Cowardly Dog.

NOMINEES

Buzz Lightyear of Star Command: Jennifer Mertens (supervising sound editor), Michael Gollom (supervising sound editor), Otis Van Osten (sound editor), Rick Hammel (sound editor), Eric Hertsguaard (dialogue editor)
For episode "Enemy Without A Face".

Family Guy: Bob Newlan (supervising sound editor), Andrew Ellerd (sound editor), Erik Aadahl (sound editor), Michael Babcock (sound editor), Jeff Sawyer (sound editor), Helen Luttrell (foley editor/dialogue editor)
For episode "He's Too Sexy For His Fat".

Johnny Bravo: Glenn Oyabe (supervising sound editor/supervising foley editor), Kerry Iverson (supervising dialogue editor), Jesse Aruda (sound editor), John Bires (sound editor)
For episodes "Johnny Bravo Affair/Biosphere Johnny/Spa Spaz".

Max Steel: Michael Warner (supervising sound editor), Kris Daly (supervising foley editor), Roshaun Hawley (supervising dialogue editor)
For episode "Steel Vs. Steel".

Mickey Mouse Works: Jennifer Mertens (supervising sound editor), Michael Gollom (sound editor), Bill Kean (sound editor), Otis Van Osten (sound editor), Jason Oliver (dialogue editor)

Roughnecks: The Starship Troopers Chronicles: Robert Duran (supervising sound editor), Robert Poole II (sound editor), Kris Daly (foley editor), Robbi Smith (dialogue editor)
For episode "Metamorphosis".

Best Sound Editing - Television Mini-Series - Effects & Foley

WINNER

Dune: Jay Wilkinson (supervising sound editor), Erik Aadahl (sound editor), Andrew Ellerd (sound editor), Bruce Tanis (sound editor), Victor Iorillo (sound editor)

NOMINEES

In the Beginning: Joe Melody (supervising sound editor), G. Michael Graham (supervising sound editor), Anton Holden (sound editor), Tim Terusa (sound editor), Rick Crampton (sound editor), Mark Steele (sound editor), Mark Friedgen (sound editor), Mike Dickeson (sound editor), Bob Costanza (sound editor), Adriane Marfiak (sound editor), Lou Thomas (sound editor), Richard S. Steele (sound editor), Bill Bell (sound editor)

Jackie Bouvier Kennedy Onassis: Andrew DeCristofaro (supervising sound editor), Michael Payne (supervising sound editor), Jeffrey R. Whitcher (sound editor), Stephen P. Robinson (sound editor), Michael Orlowski (sound editor)

Nuremberg: Richard Cadger (supervising sound editor), Paul Shikata (sound editor)

Anne of Green Gables: The Continuing Story: Mark Beck (supervising sound editor), Doug Hubert (sound editor)

On the Beach: Brent Burge (supervising sound editor), Mark Perry (supervising sound editor), Gerry Long (supervising foley editor), Rory Martin (sound editor), Dino Giacomin (sound editor)

Sally Hemings: An American Scandal: Joe Melody (supervising sound editor), Mark Friedgen (supervising sound editor), Anton Holden (sound editor), Tim Terusa (sound editor), Mark Steele (sound editor), Rick Crampton (sound editor), Michael Lyle (sound editor), Rusty Tinsley (sound editor), Adriane Marfiak (sound editor), Mike Dickeson (sound editor), Richard S. Steele (sound editor), Gary Macheel (sound editor), Bob Costanza (sound editor), Scott C. Kolden (sound editor)

Best Sound Editing - Television Episodic - Effects & Foley

WINNER

The Fugitive: Michael E. Lawshe (supervising sound editor), Rick Camera (sound editor), Timothy A. Cleveland (sound editor), David M. Horton (sound editor), David Werntz (sound editor), Darren Wright (sound editor), Otis Van Osten (sound editor)
For the pilot.

NOMINEES

Buffy the Vampire Slayer: Cindy Rabideau (supervising sound editor), Mike Marchain (supervising foley editor), Mark Cleary (sound editor), Daniel Tripoli (sound editor), Raymond E. Spiess III (sound editor)
For episode "Fool For Love".

CSI: Crime Scene Investigation: Mace Matiosian (supervising sound editor), David Rawlinson (supervising sound editor), David F. Van Slyke (sound editor)
For the pilot.

ER: Walter Newman (supervising sound editor), Darren Wright (sound editor), Rick Camera (sound editor)
For episode "All In The Family".

Nash Bridges: Albert Ibbotson (supervising sound editor), Mark L. Mangino (supervising sound editor), Jim Yant (supervising foley editor), Craig T. Rosevear (sound editor), Charles Rychwalski (sound editor), John Peccatiello (foley editor)
For episode "End Game".

The Others: Mace Matiosian (supervising sound editor), Guy Tsujimoto (sound editor), Eric Williams (sound editor), Harry Cohen (sound editor)
For episode "Eyes".

Seven Days: Wilson Dyer (supervising sound editor/supervising foley editor), Kevin Fisher (sound editor), Jay Keiser (sound editor), Todd Niesen (sound editor)
For episode "Tracker".

The Sopranos: Anna MacKenzie (supervising sound editor), Rick Hinson (sound editor), Mike Marchain (sound editor)
For episode "Knight In White Satin Armor".

Third Watch: Walter Newman (supervising sound editor), Rick Hromadka (sound editor), David Werntz (sound editor)
For episode "Jimmy's Mountain".

Best Sound Editing - Television Movies and Specials - Effects & Foley

WINNER

The Virginian: William H. Angarola (supervising sound editor), Rick Hinson (supervising sound editor), Mike Marchain (sound editor), Cindy Rabideau (sound editor), Thomas DeGorter (sound editor)

NOMINEES

For All Time: Mark Friedgen (supervising sound editor), Kristi Johns (supervising adr editor), Anton Holden (sound editor), Tim Terusa (sound editor), Rusty Tinsley (sound editor), Michael Lyle (sound editor), Bill Bell (sound editor), Mike Dickeson (sound editor), Bob Costanza (sound editor), Gary Macheel (sound editor), Richard S. Steele (sound editor)

Freedom Song: John Leveque (supervising sound editor), Shawn Sykora (supervising foley editor), Steve Mann (sound editor), Anthony Milch (sound editor)

Noriega: God's Favorite: William H. Angarola (supervising sound editor), Rick Hinson (supervising sound editor), Mike Marchain (sound editor), Cindy Rabideau (sound editor), Anna MacKenzie (sound editor)

Operation Sandman: Robert Webber (supervising sound editor), Bill Bell (supervising dialogue editor), Suzanne Angel (supervising adr editor), Paul N.J. Ottosson (sound editor), Adriane Marfiak (sound editor), Bob Costanza (sound editor), Richard S. Steele (sound editor), Joy Ealy (sound editor), Anton Holden (sound editor), Scott C. Kolden (sound editor), Tim Terusa (sound editor), Michael Lyle (sound editor), Les Wolf (sound editor)

Race Against Time: Bob Newlan (supervising sound editor), Michael Babcock (sound editor)

Ready to Run: John Benson (supervising sound editor), Michael Babcock (sound editor), Andrew Ellerd (sound editor), Erik Aadahl (sound editor)

Witchblade: Michael E. Lawshe (supervising sound editor), Timothy A. Cleveland (sound editor), Paul J. Diller (sound editor), Kenneth Young (sound editor), Eric Cameron Hosmer (sound editor), Rick Hromadka (sound editor), Wayne O'Brien (sound editor), Kerry Malony (foley editor)

Best Sound Editing - Television Mini-Series - Dialogue & ADR

WINNER

Nuremberg: Richard Cadger (supervising sound editor/supervising dialogue editor), Ronayne Higginson (adr editor)

NOMINEES

Dune: Jay Wilkinson (supervising sound editor), Bob Newlan (supervising dialogue editor), R.J. Palmer (supervising adr editor), Ulrika Akander (sound editor), Sonya Henry (sound editor), Helen Luttrell (sound editor), David Beadle (sound editor), David Grecu (sound editor), Patrick Hogan (sound editor), Jeff Rosen (sound editor), Larry Goeb (sound editor)

Jackie Bouvier Kennedy Onassis: Andrew DeCristofaro (supervising sound editor), Michael Payne (supervising sound editor), Paul Curtis (dialogue editor/supervising adr editor/sound editor), Nancy Nugent (sound editor), John C. Stuver (sound editor)

Anne of Green Gables: The Continuing Story: Jonas Kuhnemann (supervising sound editor/supervising dialogue editor/supervising adr editor)

On the Beach: Brent Burge (supervising sound editor), Mark Perry (supervising sound editor), James Harvey (supervising dialogue editor), Gavin Myers (supervising dialogue editor), Dino Giacomin (supervising adr editor), Ian MacWilliams (adr editor)

Best Sound Editing - Television Movies and Specials - Dialogue & ADR

WINNER

Noriega: God's Favorite: William H. Angarola (supervising sound editor/supervising adr editor), Anna MacKenzie (supervising sound editor/supervising dialogue editor), Rick Hinson (sound editor), Mike Marchain (sound editor), Maciek Malish (sound editor), Ray Spiess (sound editor), Barbara Issak (dialogue editor), Tami Treadwell (adr recordist)

NOMINEES

Dark Angel: Jerry Edemann (supervising sound editor/supervising dialogue editor/supervising adr editor), Barbara Issak (sound editor), Marty Stein (sound editor), Tiffany S. Griffith (sound editor), Raymond E. Spiess III (sound editor), David Melhase (sound editor)
For the pilot.

The Darkling: Kyle Wright (supervising sound editor/supervising dialogue editor/supervising adr editor), Steve Burger (sound editor), Tom Jaeger (adr editor)

Frankie & Hazel: Tony Gort (supervising sound editor/supervising dialogue editor)

The Huntress: Kyle Wright (supervising sound editor/supervising dialogue editor/supervising adr editor), Peter Myles (sound editor), Stacey Nakasone (sound editor), Robb Navrides (sound editor)
For episode "Pilot (#1.0)".

The Miracle Worker: John Benson (supervising sound editor/supervising adr editor), Sonya Henry (supervising dialogue editor), John Green (sound editor)

The Ultimate Christmas Present: Stephen Grubbs (supervising sound editor/supervising dialogue editor/supervising adr editor), Sonya Henry (sound editor), Patrick Hogan (sound editor), John Green (sound editor)

The Virginian: William H. Angarola (supervising sound editor/supervising dialogue editor/supervising adr editor), Anna MacKenzie (sound editor)

Witchblade: Michael E. Lawshe (supervising sound editor/supervising adr editor), Jennifer Mertens (supervising sound editor), Virginia Cook-McGowan (supervising dialogue editor), Jessica Goodwin (adr editor), Bruce M. Honda (dialogue editor)

Best Sound Editing - Television Movies and Specials (including Mini-Series) - Music

WINNER

The Sandy Bottom Orchestra: Stephen M. Rowe (music editor/scoring editor/scoring mixer)

NOMINEES




For All Time: Chris Ledesma (music editor), Bob Beecher (music editor)


Hendrix: David Bondelevitch (music editor)

Verna Fields Award

NOMINEE

Meta: Joseph Tsai (sound editor), Aaron Gleason (sound editor)
University of Southern California.

Career Achievement Award

WINNER

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