Awards for 2016

Golden Reel Award

Best Sound Editing - Music in a Feature Film

WINNER

Star Wars: The Force Awakens: Ramiro Belgardt (supervising music editor), Paul Apelgren (music editor)

NOMINEES

Creed: Ronald J. Webb (music editor)

Jupiter Ascending: Paul Apelgren (supervising music editor), Daniel Pinder (music editor), Alex Levy (music editor)

Jurassic World: Paul Apelgren (music editor), Alex Levy (music editor)

Mad Max: Fury Road: Bob Badami (supervising music editor), Ryan Rubin (music editor), Katrina Schiller (music editor), Alex Gibson (music editor)

Mission: Impossible - Rogue Nation: John Finklea (supervising music editor), Simon Changer (music editor), Michael Higham (music editor)

The Martian: Tony Lewis (music editor), Richard Whitfield (music editor)

The Revenant: Joseph S. DeBeasi (music editor), Richard Henderson (music editor), Martín Hernández (music editor), Steven A. Saltzman (music editor), Curt Sobel (music editor), Terry Wilson (music editor)

Best Sound Editing - Foreign Feature

NOMINEE

Days of Grace: Fernando Cámara (sound mixer), Julien Perez (re-recording mixer), Vincent Arnardi (re-recording mixer)

Best Sound Editing - Music in a Musical Feature Film

WINNER

NOMINEES

Pitch Perfect 2: Amanda Goodpaster (supervising music editor), Brett Pierce (music editor)

Straight Outta Compton: Jason Ruder (music editor), Bryan Lawson (music editor)

Best Sound Editing - Special Venue

WINNER

Journey to Space: Brian Eimer (supervising sound editor, sound designer), Josh Vamos (supervising dialogue/adr editor), Michael Bonini (sound effects editor), Max Braverman (music editor), Keith Munson (music editor)

NOMINEES

Brian Eimer (supervising sound editor, sound designer, dialogue/adr editor), Colin Campbell II (sound effects editor), Klaus Badelt (supervising music editor), Christopher Carmichael (music editor)
Alien Attack

Humpback Whales: Andrew DeCristofaro (supervising sound editor), Dan O'Connell (foley artist), John T. Cucci (foley artist), Michael Payne (sound effects editor), David Esparza (sound effects editor), Laura Harris Atkinson (dialogue/adr editor)

The Great Chicago Adventure: Tom Haigh (supervising sound editor, dialogue/adr editor, music editor), Ana de Irisarri (foley artist, sound effects editor), Nick Anello (foley artist, sound effects editor), Don Arbuckle (sound effects editor, music editor)

Robots: Brian Eimer (supervising sound editor, sound designer, dialogue/adr editor), Jo Caron (foley supervisor), Colin Campbell II (sound effects editor)

Best Sound Editing - Direct to Video - Live Action

WINNER

All the Wilderness: Steven Avila (supervising sound editor), Trip Brock (supervising sound editor), Ian Shedd (supervising dialogue editor), Ben Whitver (supervising adr editor), Sanaa Cannella (foley artist), Matt Salib (foley artist), Alexander Pugh (sound effects editor), Rickley W. Dumm (sound effects editor), Jackie Johnson (dialogue/adr editor), Terry Boyd Jr. (foley editor), Kenny Woods (music editor)

NOMINEES

7 Minutes: Trip Brock (supervising sound editor), Steven Avila (sound designer), Ian Shedd (supervising dialogue editor), Ben Whitver (supervising adr editor, dialogue/adr editor), Terry Boyd Jr. (foley artist), Matt Salib (foley artist), Raymond Park (sound effects editor), Alexander Pugh (sound effects editor)

Listening: David Barber (supervising sound editor, sound effects editor), David Kitchens (supervising sound editor, foley artist), Steve Urban (sound designer), Gonzalo Espinoza (supervising foley editor, supervising adr editor), Ben Zarai (supervising dialogue editor), Sean Gray (sound effects editor, dialogue/adr editor), Edward White (supervising music editor)

Last Shift: Michael Orlowski (supervising sound editor), Dave Chmela (supervising sound editor), Colin Hart (sound designer), Lee Riley (sound designer), Tara Blume (foley artist), Joy Elett (sound effects editor), Jeff King (sound effects editor), Ben Conley (sound effects editor), James Rouse (sound effects editor), Ryan Maguire (foley editor), Adam Barber (music editor)

Lost River: Lon Bender (supervising sound editor), Greg Hedgepath (supervising dialogue editor), Robert Fernandez (supervising dialogue editor), Geordy Sincavage (foley supervisor), Jason Tregoe Newman (supervising music editor), Kris Fenske (sound designer), Huldar Freyr Arnarson (sound designer), Vincent Guisetti (foley artist), Tara Blume (foley artist), Allan Zaleski (sound effects editor), Jonah Guelzo (sound effects editor), Scott Wolf (sound effects editor), Peter Staubli (sound effects editor), Daniel S. Irwin (dialogue/adr editor), Paul Hackner (dialogue/adr editor), Ryan Wassil (foley editor), Dan Kenyon (foley editor)

War Pigs: Carlos Sanches (supervising sound editor), Gregory M. Gerlich (supervising dialogue editor), Phillip Raves (supervising foley editor), Alex Kharlamov (supervising music editor), Charles Maynes (sound designer, sound effects editor), Matthew Thomas Hall (sound designer, sound effects editor), Scott Evan Anderson (foley artist), Joshua Aaron Johnson (sound effects editor), David M. Cowan (dialogue/adr editor), Stephanie Brown (dialogue/adr editor), Matt Vowles (dialogue/adr editor)

We Are Still Here: Eric Lalicata (supervising sound editor), Tom Boykin (supervising sound editor), Dan Snow (supervising sound editor), Brian Dunlop (supervising dialogue editor), Ryan Gegenheimer (sound designer), Tara Blume (foley artist)

Best Sound Editing - Sound Effects, Foley, Dialogue and ADR in a Foreign Feature Film

WINNER

Son of Saul: Tamás Zányi (supervising sound editor, sound designer, supervising foley editor, supervising dialogue/adr editor, foley artist, sound effects editor, music editor), Tamás Beke (foley artist), Tamás Székely (sound effects editor)

NOMINEES

Days of Grace: Frédéric Le Louet (supervising sound editor, sound designer, supervising music editor), Enrique Greiner (supervising sound editor, sound designer), Laurent Chassaigne (supervising foley editor), Eric Dounce (supervising adr editor, sound effects editor), Eduardo Castillo (supervising dialogue editor, dialogue/adr editor), Gadou Naudin (foley artist), Cedric Denooz (sound effects editor, music editor), Frederic Devanlay (sound effects editor), Diana Fonseca (sound effects editor), Manu Guiot (music editor)

Northmen - A Viking Saga: Markus Glunz (supervising sound editor), Peter Staubli (supervising sound editor), Benjamin Krbetschek (sound designer), Christoph Ulbich (sound designer), Felix Andriessens (supervising adr editor), Dominik Schleier (supervising dialogue editor), Michael Stancyk (foley artist), Max Bauer (foley artist), Laura Plock (sound effects editor), Dietrich Körner (sound effects editor), David Rusitschka (sound effects editor), Jonathan Feurich (music editor)

Unfreedom: Resul Pookutty (supervising sound editor, supervising dialogue editor, supervising adr editor, sound designer), Amrit Pritam Dutta (supervising sound editor, sound designer), Vijay Kumar (supervising dialogue editor, supervising foley editor, sound effects editor), Wayne Sharpe (supervising music editor), Karnail Singh (foley artist), Sajjan Choudhary (foley artist), Arunav Dutta (sound effects editor), Sampath Alwar (sound effects editor), Racchit Malhotra (dialogue/adr editor), Aravind Vijayakumar (dialogue/adr editor), Varun Visoi (foley editor)

Best Sound Editing - Sound Effects and Foley in a Feature Film

WINNERS

Mad Max: Fury Road: Mark A. Mangini (supervising sound editor), Scott Hecker (supervising sound editor), Wayne Pashley (supervising sound editor), Stuart Morton (supervising foley editor), David White (sound designer), Julian Slater (sound designer), John Simpson (foley artist), Blair Slater (foley artist), Fabian Sanjurjo (sound effects editor), Cate Cahill (sound effects editor), Christopher S. Aud (sound effects editor), Chuck Michael (sound effects editor), Rick Lisle (sound effects editor), Andrew Miller (sound effects editor), Emma Mitchell (sound effects editor), Alicia Slusarski (sound effects editor), Mario Gabrieli (sound effects editor), Nigel Christensen (sound effects editor), Phil Barrie (sound effects editor), Michael W. Mitchell (sound effects editor), Jared Dwyer (sound effects editor)
Tied with The Revenant.

The Revenant: Martín Hernández (supervising sound editor), Randy Thom (supervising sound editor), Lon Bender (supervising sound editor), Jon Title (sound designer), Geordy Sincavage (supervising foley editor), Todd Toon (additional supervising sound editor), Mark Larry (sound effects editor), Dino Dimuro (sound effects editor), Adam Kopald (sound effects editor), Pernell L. Salinas (sound effects editor), William R. Dean (sound effects editor), D. Chris Smith (sound effects editor), Hector C. Gika (sound effects editor), Dave McMoyler (sound effects editor), Stephen P. Robinson (sound effects editor), Nancy MacLeod (foley editor), Ryan Wassil (foley editor), Aran Tanchum (foley editor), Katherine Rose (foley artist), Gretchen Thoma (foley artist), Rick Owens (foley artist), Vincent Guisetti (foley artist), Catherine Harper (foley artist), Gregg Barbanell (foley artist), Andrea Gard (foley artist)
Tied with Mad Max: Fury Road.

NOMINEES

Jurassic World: Al Nelson (supervising sound editor, sound designer), Gwendolyn Yates Whittle (supervising sound editor), Pete Horner (sound designer), Nia Hansen (supervising foley editor), Jana Vance (foley artist), Dennie Thorpe (foley artist), Scott Guitteau (sound effects editor), Benjamin A. Burtt (sound effects editor), Pascal Garneau (sound effects editor)

Sicario: Alan Robert Murray (supervising sound editor), Tom Ozanich (sound designer), Christopher Flick (supervising foley editor), Dan O'Connell (foley artist), John T. Cucci (foley artist), Bub Asman (sound effects editor), Jason King (sound effects editor), Roland N. Thai (sound effects editor), Kevin Murray (sound effects editor)

Southpaw: Mandell Winter (supervising sound editor), David Esparza (sound designer), John Sanacore (supervising foley editor), Amy Kane (foley artist), Anita Cannella (foley artist), Ryan Collins (sound effects editor)

The Martian: Oliver Tarney (supervising sound editor, sound designer), Michael Fentum (sound designer), Hugo Adams (supervising foley editor), Andrea King (foley artist), Jack Stew (foley artist), James Harrison (sound effects editor), Mark Taylor (sound effects editor)

Ant-Man: Shannon Mills (supervising sound editor), Daniel Laurie (supervising sound editor), James Likowski (supervising foley editor), David Farmer (sound designer), David C. Hughes (sound designer), Dan O'Connell (foley artist), John T. Cucci (foley artist), Sean England (foley artist), Ronni Brown (foley artist), Josh Gold (sound effects editor), Jack Whittaker (sound effects editor), Bob Kellough (sound effects editor), Nia Hansen (sound effects editor), Jeremy Bowker (sound effects editor), Dee Selby (foley editor)

Star Wars: The Force Awakens: Matthew Wood (supervising sound editor), David Acord (supervising sound editor), Frank Rinella (supervising foley editor), Ben Burtt (sound designer), Gary Rydstrom (sound designer), Andrea Gard (foley artist), Ronni Brown (foley artist), Jana Vance (foley artist), Kimberly Patrick (foley artist), Dennie Thorpe (foley artist), Margie O'Malley (foley artist), E.J. Holowicki (sound effects editor), Teresa Eckton (sound effects editor), Dee Selby (foley editor), Jonathan Borland (foley editor), Kevin Sellers (foley editor)

Best Sound Editing - Dialogue and ADR in a Feature Film

WINNER

Bridge of Spies: Richard Hymns (supervising sound editor), Gary Rydstrom (supervising sound editor), Brian Chumney (supervising dialogue editor), Steve Slanec (supervising adr editor)

NOMINEES

Room: Niall Brady (supervising sound editor, dialogue/adr editor), Peter Blayney (dialogue/adr editor)

Sicario: Alan Robert Murray (supervising sound editor), Curt Schulkey (supervising dialogue/adr editor), Matthew E. Taylor (dialogue/adr editor), Kevin Murray (dialogue/adr editor)

The Martian: Oliver Tarney (supervising sound editor), Rachael Tate (supervising dialogue/adr editor)

Mad Max: Fury Road: Mark A. Mangini (supervising sound editor), Scott Hecker (supervising sound editor), Kira Roessler (supervising dialogue editor), Mark Franken (supervising dialogue editor), Wayne Pashley (supervising adr editor), Sonal Joshi (dialogue editor), Danielle Wiessner (dialogue editor), Yulia Akerholt (adr editor), Derryn Pasquill (adr editor), Ines Richter (adr editor), Mia Stewart (adr editor), Beth Bezzina (adr editor), Michael Magill (adr editor), Curt Schulkey (adr editor)

Star Wars: The Force Awakens: Matthew Wood (supervising sound editor), David Acord (supervising sound editor), Cheryl Nardi (dialogue/adr editor), Brad Semenoff (dialogue/adr editor), Richard Quinn (adr editor)

Straight Outta Compton: Mark P. Stoeckinger (supervising sound editor), Greg Hedgepath (supervising sound editor), Michele Perrone (supervising dialogue editor), Bobbi Banks (supervising adr editor), Laura Graham (dialogue/adr editor), Kerry Dean Williams (dialogue/adr editor), Daniel S. Irwin (dialogue editor)

The Revenant: Martín Hernández (supervising sound editor), Randy Thom (supervising sound editor), Lon Bender (supervising sound editor), Lisa J. Levine (supervising dialogue editor), Shane Hayes (dialogue/adr editor), Paul Hackner (dialogue/adr editor), Dror Mohar (dialogue editor), Larry Kemp (dialogue editor), Brian Chumney (dialogue editor), John C. Stuver (dialogue editor), Christopher T. Welch (dialogue editor), Laura Graham (adr editor), Michele Perrone (adr editor), Julie Feiner (adr editor), G.W. Brown (adr editor)

Best Sound Editing - Direct to Video - Animation

WINNER

Tinker Bell and the Legend of the NeverBeast: Todd Toon (supervising sound editor, sound designer), Thomas Whiting (supervising dialogue editor), Charles Martin Inouye (supervising music editor), Martyn Zub (sound designer, sound effects editor), John Roesch (foley artist), Shelley Roden (foley artist), Adam Kopald (sound effects editor), Charles W. Ritter (sound effects editor), Charlie Campagna (sound effects editor), Pernell L. Salinas (sound effects editor), Jim Harrison (music editor), Dominick Certo (music editor), Tommy Holmes (music editor)

NOMINEES

LEGO DC Super Heroes: Justice League - Attack of the Legion of Doom!: Devon Bowman (supervising sound editor), Aran Tanchum (supervising foley editor), Tim Kelly (supervising music editor), Rob McIntyre (sound designer), Tara Blume (foley artist), Vincent Guisetti (foley artist), Jessey Drake (sound effects editor), Lawrence Reyes (sound effects editor), D.J. Lynch (sound effects editor)

The Magic Snowflake: Paulette Victor-Lifton (supervising sound editor, supervising dialogue editor, dialogue/adr editor), Felix Davin (sound designer), Julien Billeau (foley artist), Sal Ojeda (sound effects editor), James Gallivan (dialogue/adr editor), Paul Mason (dialogue/adr editor), Jamison Rabbe (dialogue/adr editor), Terrence Stone (dialogue/adr editor)

Marvel Super Hero Adventures: Frost Fight!: Mike Draghi (supervising sound editor), Stephen P. Robinson (supervising sound editor, sound designer), John Brengman (supervising dialogue editor), Roberto Domínguez (supervising foley editor), Maciek Malish (supervising foley editor), Marcos Abrom (sound designer), Nancy Parker (foley artist), Monique Reymond (foley artist), Michael Emter (sound effects editor), Mark Mattson (music editor)

Santa's Apprentice: Paulette Victor-Lifton (supervising sound editor, supervising dialogue editor, adr editor), Arnaud Roy (supervising adr editor), Christophe Burdet (foley artist), Sal Ojeda (sound effects editor), James Gallivan (adr editor), Jamison Rabbe (adr editor), Paul Mason (adr editor), Terrence Stone (adr editor)

The Three Robbers: Paulette Victor-Lifton (supervising sound editor, supervising dialogue editor), Carsten Richter (foley artist), Frank Kruse (sound effects editor), Sal Ojeda (sound effects editor), James Gallivan (dialogue/adr editor), Jamison Rabbe (dialogue/adr editor), Genoveva Winsen (dialogue/adr editor), Scott Brewster (dialogue/adr editor), Paul Mason (dialogue/adr editor), Terrence Stone (dialogue/adr editor), Gabriel Aronson (dialogue/adr editor), Deron Johnson (music editor)

Best Sound Editing - Computer Interactive Entertainment

WINNER

Halo 5: Guardians: Bryan O. Watkins (supervising sound editor), Mitch Osias (supervising sound editor), Christopher Cody Flick (supervising dialogue editor), Goeun Lee (supervising foley editor), Sotaro Tojima (audio director), Kyle Fraser (sound designer), Robbie Elias (sound designer), John Roesch (foley artist), Alyson Dee Moore (foley artist), Shelley Roden (foley artist), Luis Galdames (sound effects editor), Roland N. Thai (sound effects editor), Ken Kato (sound effects editor), Chase Thompson (sound effects editor), Tom Ozanich (sound effects editor)

NOMINEES

Batman: Arkham Knight: Andrew Riley (supervising sound editor, supervising dialogue editor), Andrew Quinn (supervising sound editor), Nick Arundel (audio director, supervising music editor), John Roesch (foley artist), Alyson Dee Moore (foley artist), Bryan O. Watkins (sound effects editor), Mitch Osias (sound effects editor), Luis Galdames (sound effects editor), Keith Bilderbeck (sound effects editor), Christopher Cody Flick (dialogue/adr editor), Goeun Lee (dialogue/adr editor)
Rocksteady Team (sound designers)

StarCraft II: Legacy of the Void: Paul Menichini (supervising sound editor, sound designer), Caroline Hernandez (supervising sound editor, sound effects editor), Russell Brower (audio director), Alexander Ephraim (sound designer), Darrin Mann (supervising foley editor), Andrea Toyias (supervising dialogue editor), Gregg Barbanell (foley artist), Isaac Hammons (dialogue/adr editor), Neal Acree (supervising music editor), Jaroslav Beck (music editor), John Kurlander (music editor)
"Unity" Cinematic

Call of Duty: Advanced Warfare - Exo Zombies: Adam Boyd (supervising sound editor, supervising dialogue editor), Mark Jasper (supervising sound editor, supervising dialogue editor), Trevor Bresaw (supervising foley editor, supervising music editor), Mark Kilborn (audio director), Darren Blondin (sound designer), Andy Bayless (sound designer), Dave Swanson (sound designer), Travis Naas (sound designer), Gregg Barbanell (foley artist), Patricia Nedd (foley artist), Catherine Harper (foley artist)

Star Wars: Battlefront: Charles Deenen (supervising sound editor), Csaba Wagner (supervising sound editor), Braden Parkes (supervising foley editor), Ben Minto (audio director), Philip Eriksson (sound designer), David Jegutidse (sound designer), Colin Hart (sound effects editor), Tim Gedemer (sound effects editor), Michael Schapiro (sound effects editor), Travis Prater (sound effects editor), Brent Burge (sound effects editor), Eric A. Norris (sound effects editor)

Best Sound Editing - Documentary Feature Film

WINNER

Cobain: Montage of Heck: Cameron Frankley (supervising sound editor), Dan Kenyon (sound effects editor), Jon Michaels (music editor)

NOMINEES

Best of Enemies: Pete Horner (supervising sound editor), Al Nelson (sound designer), Andre Zweers (sound effects editor)

The Wrecking Crew!: Bob Bronow (supervising sound editor, music editor)

What Happened, Miss Simone?: Tony Volante (supervising sound editor, supervising dialogue editor), Daniel Timmons (sound effects editor, music editor), Joshua L. Pearson (sound effects editor, music editor)

Winter on Fire: Ukraine's Fight for Freedom: Oleg Kulchytskyi (supervising sound editor), Maksym Skorupskyi (sound designer), Vadim Stolyar (dialogue/adr editor)

A Faster Horse: Mark P. Stoeckinger (supervising sound editor), Luke Gibleon (supervising sound editor), Will Digby (sound editor), Filippa Nilsson (sound editor), Cliff Latimer (dialogue/adr editor), Richard Ziegler (music editor)

Amy: Andy Shelley (supervising sound editor), Stephen Griffiths (supervising sound editor), Barnaby Smyth (supervising foley editor), Robin Whittaker (music editor), John Kurlander (music editor)

Racing Extinction: Tim Nielsen (supervising sound editor, sound designer), Christopher Barnett (supervising sound editor), Dennie Thorpe (foley artist), Jana Vance (foley artist), Frank Rinella (foley artist), Jonathan Borland (sound effects editor), Liz Gallacher (supervising music editor), Arthur Pingrey (music editor)

Best Sound Editing - Computer Episodic Entertainment

WINNER

Charles Deenen (supervising sound editor, sound designer, music editor), Csaba Wagner (sound designer), Braden Parkes (supervising foley editor), Colin Hart (sound editor)
Joy Ride - Prequel

NOMINEES

The Division: Agent Origins: Kevin Senzaki (supervising sound editor), Eric Marks (supervising sound editor)

What Lives Inside: Rob Marshall (supervising sound editor, sound effects editor), Scott Ganary (audio director), Nicholas Interlandi (sound designer), Eric Marks (sound effects editor), Will Ogilvie (sound effects editor)

All Hail King Julien: Devon Bowman (supervising sound editor), Aran Tanchum (supervising foley editor), Ian Nyeste (sound designer), Vincent Guisetti (foley artist), D.J. Lynch (sound effects editor), Lawrence Reyes (sound effects editor), Chris Gresham (sound effects editor), Peter Munters (sound effects editor), Andrew Ing (sound effects editor), Mishelle Fordham (dialogue editor)

The Mr. Peabody & Sherman Show: Devon Bowman (supervising sound editor), Mishelle Fordham (supervising dialogue editor), Aran Tanchum (supervising foley editor), Rob McIntyre (sound designer), Vincent Guisetti (foley artist), Tara Blume (foley artist), Evan Dockter (sound effects editor), Andrew Ing (sound effects editor, foley editor), Eric Goldman (music editor), Michael Corcoran (music editor)

Best Sound Editing - Sound Effects, Foley, Dialogue and ADR in an Animation Feature Film

WINNER

Inside Out: Shannon Mills (supervising sound editor), Ren Klyce (supervising sound editor, sound designer), Daniel Laurie (supervising dialogue editor), John Roesch (foley artist), Alyson Dee Moore (foley artist), David C. Hughes (sound effects editor), Malcolm Fife (sound effects editor), Jeremy Bowker (sound effects editor), Stephen M. Davis (supervising music editor), Thom Brennan (foley editor)

NOMINEES

Anomalisa: Aaron Glascock (supervising sound editor, sound designer), Christopher S. Aud (supervising sound editor, sound designer, supervising adr editor), Ezra Dweck (supervising foley editor), Marko A. Costanzo (foley artist)

Hotel Transylvania 2: Geoffrey G. Rubay (supervising sound editor), James Morioka (supervising foley editor), Curt Schulkey (supervising dialogue/adr editor), Sarah Monat (foley artist), Robin Harlan (foley artist), Ryan Collins (sound effects editor), John Dunn (sound effects editor), Alec Rubay (sound effects editor), Jon Wakeham (sound effects editor), Bernard Weiser (dialogue/adr editor), Andrew Dorfman (supervising music editor), Tanya Noel Hill (music editor), Lodge Worster (music editor)

The Good Dinosaur: Shannon Mills (supervising sound editor), Craig Berkey (supervising sound editor, sound designer), Daniel Laurie (supervising dialogue editor), John Roesch (foley artist), Ronni Brown (foley artist), Josh Gold (sound effects editor), J.R. Grubbs (sound effects editor), Nia Hansen (sound effects editor), Erich Stratmann (music editor)

Minions: Dennis Leonard (supervising sound editor), Christopher Scarabosio (supervising sound editor), Sean England (foley artist), Ronni Brown (foley artist), Jeremy Bowker (sound effects editor), Luke Dunn Gielmuda (sound effects editor), Josh Gold (sound effects editor), Marilyn McCoppen (adr editor), Larry Oatfield (foley editor), Brian Chumney (foley editor), Slamm Andrews (music editor)

Shaun the Sheep Movie: Antony Bayman (supervising sound editor), Adrian Rhodes (sound designer), Julien Pirrie (foley artist), Mathias Schuster (foley editor), John Warhurst (music editor), Kirsty Whalley (music editor)

The Peanuts Movie: Gwendolyn Yates Whittle (supervising sound editor), Randy Thom (supervising sound editor, sound designer), Pascal Garneau (supervising foley editor), Sean England (foley artist), Ronni Brown (foley artist), Jeremy Bowker (sound effects editor), Mac Smith (sound effects editor), Dmitri Makarov (sound effects editor), Cheryl Nardi (dialogue/adr editor), Kimberly Patrick (foley editor), Fernand Bos (supervising music editor), Ted Caplan (music editor), Terry Wilson (music editor)

Best Sound Editing - Long Form Music in Television

WINNER

Saints & Strangers: Del Spiva (supervising music editor), Nicholas Fitzgerald (music editor)
Episode: "Saints & Strangers: (#1.2)"

NOMINEES


The Book of Negroes: Joe Mancuso (supervising music editor)

Best Sound Editing - Long Form Documentary in Television

WINNER

Spymasters: CIA in the Crosshairs: Jason Schmidt (supervising sound editor), Mead Stone (supervising sound editor), Gary Winter (sound designer)

NOMINEES

30 for 30: Eric Lalicata (supervising sound editor), Marcus Pardo (supervising sound editor)
Episode: "30 for 30: Sole Man (#2.29)"

Keith Richards: Under the Influence: Brian Chumney (supervising sound editor), Al Nelson (sound designer)

Best Sound Editing - Long Form Musical in Television

WINNER

Teen Beach 2: Amber Funk (supervising music editor), Sharyn Gersh (music editor)

NOMINEES

Descendants: Amber Funk (supervising music editor), Nathaniel Hill (music editor)

Drumline: A New Beat: Avital Korin (supervising music editor), Lisa A. Arpino (music editor), Ben Zales (music editor), Sharyn Gersh (music editor)

Best Sound Editing - Short Form Music in Television

WINNER

House of Cards: Jonathon Stevens (supervising music editor), Marie Ebbing (music editor)
Episode: "House of Cards: Chapter 33 (#3.7)"

NOMINEES



Game of Thrones: David Klotz (supervising music editor)
Episode: "Game of Thrones: Hardhome (#5.8)"

Jane the Virgin: Susan Ham (supervising music editor), Sharyn Gersh (music editor)
Episode: Jane the Virgin: Chapter Twenty-Three (#2.1)"



Best Sound Editing - Short Form Sound Effects and Foley in Television

WINNER

Game of Thrones: Tim Kimmel (supervising sound editor), Paula Fairfield (sound designer), Brett Voss (supervising foley editor), Jeffrey Wilhoit (foley artist), Dylan Tuomy-Wilhoit (foley artist), Bradley C. Katona (sound effects editor), Pernell L. Salinas (foley editor)
Episode: "Game of Thrones: Hardhome (#5.8)"

NOMINEES

Fargo: Kurt Nicholas Forshager (supervising sound editor), John Elliot (foley artist), Rob Bertola (sound effects editor), Paul Shikata (sound effects editor)
Episode: "Fargo: The Castle (#2.9)"

Marco Polo: One Hundred Eyes: Dave Paterson (supervising sound editor), Rachel Chancey (supervising foley editor, foley artist), Glenfield Payne (sound effects editor)

Vikings: Jane Tattersall (supervising sound editor), Steve Medeiros (sound designer), Brennan Mercer (supervising foley editor), Goro Koyama (foley artist), Sandra Fox (foley artist)
Episode: "Vikings: To the Gates! (#3.8)"

Better Call Saul: Kurt Nicholas Forshager (supervising sound editor), Tim Chilton (foley artist), Jerry Trent (foley artist), Mark Cookson (sound effects editor), Jeffrey Cranford (foley editor)
Episode: "Better Call Saul: Five-O (#1.6)"

The Last Ship: G. Michael Graham (supervising sound editor, sound designer), Bill Bell (supervising foley editor), Tim Chilton (foley artist), Jerry Trent (foley artist), Bob Costanza (sound effects editor), Mike Dickeson (sound effects editor)
Episode: "The Last Ship: Cry Havoc (#2.12)"

True Detective: Mandell Winter (supervising sound editor), David Esparza (sound designer), Eryne Prine (supervising foley editor), Melissa Kennelly (foley artist), Vince Nicastro (foley artist), Casey Genton (sound effects editor)
Episode: "True Detective: Down Will Come (#2.4)"

TURN: Washington's Spies: George Haddad (supervising sound editor), Chad J. Hughes (sound designer), Angelo Palazzo (sound designer, sound effects editor), Darrin Mann (supervising foley editor), Gregg Baxter (foley artist), Catherine Harper (foley artist), Matthew Thomas Hall (sound effects editor)
Episode: "TURN: Gunpowder, Treason and Plot (#2.10)"

Best Sound Editing - Short Form Documentary in Television

WINNER

India's Daughter: Resul Pookutty (supervising sound editor, sound designer, supervising dialogue/adr editor), Amrit Pritam Dutta (supervising sound editor, sound designer), Vijay Kumar (supervising foley editor, sound effects editor), Karnail Singh (foley artist), Sajjan Choudhary (foley artist), Sampath Alwar (sound effects editor, dialogue/adr editor), Krsna Solo (music editor)

NOMINEES

Chef's Table: William McGuigan (supervising sound editor)

Deadliest Catch: Bob Bronow (supervising sound editor, sound designer), Joseph DiMarco (dialogue/adr editor), Larry Ellis (music editor)

Undrafted: Eric Lalicata (supervising sound editor)

Brewmore: Matt Davies (sound designer, foley artist, sound effects editor), Kevin Hill (dialogue/adr editor)

Best Sound Editing - Sound Effects, Foley, Dialogue and ADR Animation in Television

WINNER

Teenage Mutant Ninja Turtles: Jeff Shiffman (supervising sound editor, sound effects editor), Roger Pallan (supervising foley editor), Elliot Herman (supervising dialogue editor), Alex Ullrich (foley artist), Jessey Drake (sound effects editor), Anna Adams (dialogue/adr editor)
Episodes: "Teenage Mutant Ninja Turtles: Annihilation: Earth! Part 1 (#3.25)" and "Teenage Mutant Ninja Turtles: Annihilation: Earth! Part 2 (#3.26)"

NOMINEES

Gravity Falls: Heather Olsen (supervising sound editor, sound designer), Aran Tanchum (supervising foley editor), Robbi Smith (supervising dialogue/adr editor), J. Lampinen (foley artist)
Episode: "Gravity Falls: Dipper & Mabel vs. the Future (#2.17)"

Half-Shell Heroes: Blast to the Past: Jeff Shiffman (supervising sound editor), Roger Pallan (supervising foley editor), Elliot Herman (supervising dialogue editor), Alex Ullrich (foley artist), Jessey Drake (sound effects editor), Brad Meyer (sound effects editor), Eric Paulsen (sound effects editor), Anna Adams (dialogue/adr editor)

Star Wars Rebels: Matthew Wood (supervising sound editor), David Acord (supervising sound editor, sound designer), Margie O'Malley (foley artist), Bonnie Wild (sound effects editor, dialogue/adr editor), Frank Rinella (dialogue/adr editor)
Episode: "Star Wars Rebels: Wings of the Master (#2.6)"

LEGO Scooby-Doo! Knight Time Terror: Devon Bowman (supervising sound editor), Mark Keatts (supervising dialogue editor), Aran Tanchum (supervising foley editor), Rob McIntyre (sound designer), Vincent Guisetti (foley artist), Kelly Ann Foley (dialogue/adr editor), Patrick J. Foley (dialogue/adr editor), Mike Garcia (dialogue/adr editor), Christine H. Luethje (music editor), Robert Duran (sound editor)

Avengers Assemble: Mike Draghi (supervising sound editor), Stephen P. Robinson (supervising sound editor), Jesse Aruda (sound designer), Marcos Abrom (sound designer), Roberto Domínguez (supervising foley editor), Mike Garcia (supervising dialogue editor), Nancy Parker (foley artist), Michael Emter (sound effects editor), Mark Mattson (music editor)
Episode: "Avengers Assemble: The Ultron Outbreak (#2.18)"

Penn Zero: Part-Time Hero: Eric Freeman (supervising sound editor), Roy Braverman (supervising foley editor), Mark Stephan Kondracki (supervising dialogue editor), Craig Ng (foley artist), Kate Finan (sound effects editor), Jessey Drake (sound effects editor)
Episodes: "Penn Zero: Part-Time Hero: Massive Morphy Merge Mechs (#1.35) and "Penn Zero: Part-Time Hero: Ultrahyperball (#1.36)

Ultimate Spider-Man: Mike Draghi (supervising sound editor), John Brengman (supervising dialogue editor), Maciek Malish (supervising foley editor), Jesse Aruda (sound designer), Marcos Abrom (sound designer), Maciek Krakówka (foley artist), Michael Emter (sound effects editor), Dan Negovan (music editor)
Episode: "Ultimate Spider-Man: Contest of the Champions: Part 4 (#3.26)"

Best Sound Editing - Long Form Dialogue and ADR in Television

WINNER

Bessie: Damian Volpe (supervising sound editor), Tony Martinez (supervising dialogue/adr editor), Mary Ellen Porto (dialogue/adr editor), Brian Bowles (dialogue/adr editor)

NOMINEES

Sons of Liberty: Louis Bertini (supervising sound editor, supervising dialogue/adr editor), Ruy García (supervising sound editor), Nicholas Renbeck (dialogue/adr editor), Alexa Zimmerman (dialogue/adr editor)
Episode: Sons of Liberty: Independence (#1.3)"

The Book of Negroes: David Rose (supervising sound editor), David McCallum (supervising dialogue/adr editor), Martin Gwynn Jones (supervising adr editor), Sue Conley (dialogue/adr editor), Brent Pickett (dialogue/adr editor)
Episode Part 1: "The Book of Negroes: (#1.1)"

Saints & Strangers: Victor Ray Ennis (supervising sound editor), Kenneth L. Johnson (supervising sound editor), Brian Armstrong (dialogue/adr editor), David Grant (dialogue/adr editor), Scott Ferrara (dialogue editor), Lauren E Price (dialogue editor)
Episode: "Saints & Strangers: (#1.1)"

Scream Queens: Gary Megregian (supervising sound editor), Lance Wiseman (dialogue editor), Jason Krane (dialogue editor)
Episodes: "Scream Queens: Pilot (#1.1)" and "Scream Queens: Hell Week (#1.2)"

Texas Rising: John Laing (supervising sound editor), Tom Bjelic (supervising sound editor), Petra Bach (supervising adr editor), Jill Purdy (dialogue/adr editor), Mark Dejczak (dialogue/adr editor), Dale Lennon (dialogue/adr editor), Dermain Finlayson (dialogue/adr editor), Mark Gingras (dialogue/adr editor)
Episode Night 4: "Texas Rising: Vengeance Is Mine (#1.4)"

Tut: Michael J. Benavente (supervising sound editor, supervising dialogue editor), Craig Mann (supervising sound editor), Chase Keehn (dialogue/adr editor)
Episode: "Tut: Part One: Power (#1.1)"

Best Sound Editing - Short Form Dialogue and ADR in Television

WINNER

Game of Thrones: Tim Kimmel (supervising sound editor), Paul Bercovitch (supervising dialogue editor), Tim Hands (supervising adr editor)
Episode: "Game of Thrones: Hardhome (#5.8)"

NOMINEES

Blindspot: Mark Relyea (supervising sound editor, supervising adr editor), Edmund J. Lachmann (dialogue/adr editor), Julie Altus (dialogue/adr editor)
Episode: "Blindspot: Evil Handmade Instrument (#1.10)"

Homeland: Craig A. Dellinger (supervising sound editor), Jon Wakeham (supervising dialogue editor)
Episode: "Homeland: The Tradition of Hospitality (#5.2)"

Daredevil: Lauren Stephens (supervising sound editor), Christian Buenaventura (dialogue/adr editor)
Episode: "Daredevil: Into the Ring (#1.1)"

Vikings: Jane Tattersall (supervising sound editor), David McCallum (supervising dialogue editor), Dale Sheldrake (supervising adr editor)
Episode: "Vikings: Breaking Point (#3.9)"

American Horror Story: Gary Megregian (supervising sound editor), Steven Stuhr (supervising dialogue editor), Jason Krane (dialogue editor)
Episode: "American Horror Story: Checking In (#5.1)"

The 100: Norval D. Crutcher III (supervising sound editor, supervising adr editor), Benjamin Beardwood (dialogue editor)
Episode: "The 100: Survival of the Fittest (#2.10)"

The Walking Dead: Jerry Ross (supervising sound editor), Lou Thomas (supervising sound editor), Tim Farrell (dialogue editor)
Episode: "The Walking Dead: Spend (#5.14)"

Best Sound Editing - Short Form Musical in Television

WINNER

NOMINEES

Galavant: Christopher Brooks (supervising music editor), Christopher M. Foster (music editor), Dave Jewerén Moore (music editor)
Episode: "Galavant: Comedy Gold (#1.4)"


Peg+Cat: Steven Rebollido (supervising music editor), J. Walter Hawkes (music editor), Dan Mennella (music editor)
Episode: "The Scrap of Map Problem"

Best Sound Editing - Long Form Sound Effects and Foley in Television

WINNER

Texas Rising: John Laing (supervising sound editor), Tom Bjelic (supervising sound editor, sound designer), Steve Baine (supervising foley editor), Simon Meilleur (foley artist), Tyler Whitham (sound effects editor), Michael Mancuso (sound effects editor), Adam Stein (sound effects editor)
Episode Night 4: "Texas Rising: Vengeance Is Mine (#1.4)"

NOMINEES

Bessie: Damian Volpe (supervising sound editor), Kris Fenske (sound designer), Bill Sweeney (supervising foley editor), Jay Peck (foley artist), Dave Paterson (sound effects editor), Heather Gross (sound effects editor)

CSI: Immortality: Mace Matiosian (supervising sound editor), David F. Van Slyke (sound designer, sound effects editor), Joseph T. Sabella (foley artist), Joan Rowe (foley artist)

Sons of Liberty: Ruy García (supervising sound editor, sound designer), Louis Bertini (supervising sound editor), Steven Visscher (supervising foley editor), Brian Vancho (foley artist), Sean Garnhart (sound effects editor), Bill Orrico (sound effects editor)
Episode: "Sons of Liberty: A Dangerous Game (#1.1)"

True Detective: Mandell Winter (supervising sound editor), David Esparza (sound designer), Eryne Prine (supervising foley editor), Melissa Kennelly (foley artist), Vince Nicastro (foley artist), Casey Genton (sound effects editor)
Episode: "True Detective: Omega Station (#2.8)"

Tut: Michael J. Benavente (supervising sound editor), Craig Mann (supervising sound editor), Trent Richmond (supervising foley editor), John Sievert (foley artist), Stefan Fraticelli (foley artist), Bruce Tanis (sound effects editor), Daniel Pagan (sound effects editor), Nancy MacLeod (sound effects editor), Ryan Lukasik (foley editor)
Episode: "Tut: Part One: Power (#1.1)"

Verna Fields Award

WINNER

Fulfilament: Matis Rei (supervising sound editor, sound designer, foley artist), Filip Sijanec (music editor)

NOMINEES

Chhaya: Rob Szeliga (supervising sound editor, sound designer, foley artist)

Edmond: Rob Turner (supervising sound editor, sound designer, supervising foley editor, supervising dialogue/adr editor, foley artist, sound effects editor, music editor)

Hum: Jackie Zhou (supervising sound editor), Joanna Ting (supervising foley editor), Michael Lee Cullen (supervising dialogue/adr editor), Amy Vanderlip (foley artist), Andrew Guastaferro (foley artist)

No-A: Kai Paquin (supervising sound editor, sound designer, supervising foley editor), Tom Schmidt (sound effects editor), Matt Yocum (sound effects editor), Nick Lawrence (supervising music editor)

Prism: Gerry Vazquez (supervising sound editor, sound designer, supervising foley editor, supervising dialogue/adr editor, sound effects editor, supervising music editor), Jackson Miller (foley artist), Daniel Gillette (foley artist), Phil Englert (sound effects editor)

Filmmaker's Award

WINNER

Career Achievement Award

WINNER

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