Golden Reel Award

Best Sound Editing: Computer Episodic Entertainment

WINNER

Aim High: Ben Whitver, Brian S.M. Wroth, Chris McGeary, Steven Avila, Peter D. Lago, Greg Mauer, Trip Brock, Alexander Pugh, Tara Blume (Monkeyland Audio (Monkeyland Audio Inc.))

NOMINEES

Warehouse 13: Of Monsters and Men: Ben Zales, Daniel Colman, Sam C. Lewis, Stefani Feldman, Jack Levy, Doug Madick, Richard Partlow

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12 Dates of Christmas (film): Lisa A. Arpino (music editor)

Best Sound Editing - Sound Effects, Foley, Music, Dialogue and ADR Animation in a Feature Film

WINNER

George Harrison: Living in the Material World: Philip Stockton (supervising Sound Editor)

Best Sound Editing - Music in a Feature Film

WINNER

Hugo: Jennifer L. Dunnington (Supervising Music Editor), Jonathan Schultz (Supervising Score Editor), Tim Starnes (Additional Editor), Robert Houston (Music Editor), Kirsty Whalley (Score Editor) (Paramount Pictures)

NOMINEES

The Girl with the Dragon Tattoo (feature film): Jonathon Stevens (music editor)

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Hop: Bryon Rickerson (Music Editor), J.J. George (Supervising Music Editor)

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The Girl with the Dragon Tattoo (feature film): Jonathon Stevens (music editor)

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The Girl with the Dragon Tattoo (feature film): Marie Ebbing (music editor)

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The Girl with the Dragon Tattoo (feature film): Marie Ebbing (music editor)

Best Sound Editing - Foreign Feature

WINNER

The Flowers of War (feature film): Xu Miao (foley artist), Yinan Tu (sound editor), Hongrui Ji (sound editor), Tian Yong (sound editor), Chris Goodes (sound editor), Steve Burgess (supervising sound editor), Yanchao Yang (foley editor), Mario Vaccaro (foley artist), Jing Tao (supervising sound editor) (sound designer), Wei Wang (foley editor), Baiyang Wang (dialogue editor/adr editor), Zheng 'Joe' Huang (sound editor), Robert Mackenzie (sound editor), James Ashton (supervising dialogue editor), Adam Connelly (foley editor) (Row 1 Entertainment (distributor))

Best Sound Editing - Computer Entertainment

NOMINEE

Diablo III (Cinematic): Paul Menichini (Supervising Sound Editor), Gregg Barbanell (Foley Artist), Chris Pena (Supervising Dialogue / ADR Editor), Russell Brower (Supervising Sound Editor), Neal Acree (Music Editor), Michael Edward Johnson (Sound Designer), Thomas C. Brewer (Sound Effects Editor), David Farmer (Sound Designer), Lucy Sustar (Supervising Foley Editor) (Blizzard Entertainment)

Best Sound Editing - Special Venue

WINNER

Rocky Mountain Express: (Stephen Low Company, The)

Best Sound Editing in Special Venue Film

NOMINEE

Tornado Alley (documentary): Michael L. McDonough (supervising sound editor), Ryan Purcell (dialogue editor), Tom Trafalski (music editor), Tamara Johnson (music editor)

Best Sound Editing: Direct to Video - Live Action

WINNER

Love: Bob Kellough (Supervising Sound Editor/Sound Designer), Steve Baine (Foley Artist), Andy Koyama (Sound Editor), Craig Henighan (Supervising Sound Editor)

Best Sound Editing: Long Form Documentary

WINNER

Gettysburg: Brent Kiser, John Maynard, J.M. Davey, Charles Maynes, Rodrigo Ortiz-Parraga, Zach Seivers (Snap Sound)

NOMINEES

Harlistas: An American Journey: Trip Brock, Alexander Pugh, Ben Whitver, Alex Menck, Peter D. Lago, Brian S.M. Wroth, Steven Avila (Monkeyland Audio (Monkeyland Audio Inc.))

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Koran by Heart: Ben Whitver, Peter D. Lago, Alexander Pugh, Tara Blume, Trip Brock, Steven Avila, Greg Mauer, Brian S.M. Wroth (Monkeyland Audio)

Best Sound Editing in Computer Entertainment

NOMINEE

Warehouse 13: Of Monsters and Men (webisode): Ben Zales (music editor), Christopher Cody Flick (assistant music editor)

Best Sound Editing - Sound Effects and Foley in a Feature Film

WINNER

War Horse: Timothy Nielsen (sound editor), Richard Hymns (supervising sound editor), Dennie Thorpe (foley artist), Luke Dunn Gielmuda (supervising foley editor), Colette Dahanne (sound editor), Jana Vance (foley artist), Teresa Eckton (sound editor), Gary Rydstrom (supervising sound editor/sound designer), Kyrsten Mate (sound editor)

NOMINEE

Transformers: Dark of the Moon (feature film): Tobias Poppe (sound effects editor), P.K. Hooker (sound effects editor), Erik Aadahl (sound designer/supervising sound editor), Willard Overstreet (foley editor), Ethan Van der Ryn (sound designer/supervising sound editor), Greg ten Bosch (sound effects editor), Ai-Ling Lee (sound effects editor), Christian Schaanning (sound effects editor), John Marquis (sound effects editor), Jonathan Klein (supervising foley editor)

Best Sound Editing - Sound Effects, Foley, Dialogue and ADR in a Foreign Feature Film

NOMINEE

Sarah's Key (feature film): Sebastien Marquilly (sound designer), Florian Fabre (foley artist), Fabien Devillers (dialogue editor), Bruno Seznec (supervising sound editor), Alexandre Fleurant (supervising sound editor) (Hugo Films (production company), Weinstein Company, The (distributor))

Best Sound Editing - Dialogue and ADR in a Feature Film

WINNER

Super 8: Steve Slanec (dialogue/adr editor), Matthew Wood (supervising sound editor), Cheryl Nardi (dialogue/adr editor), Stuart McCowan (adr editor), Gwendolyn Yates Whittle (adr editor), Richard Quinn (dialogue/adr editor), Ben Burtt (supervising sound editor), Brad Semenoff (adr editor)

NOMINEES

Rise of the Planet of the Apes: Ron Bartlett (Dialogue Re-Recording Mixer), Mildred Iatrou (Supervising ADR Editor), David Husby (Production Sound Mixer), Susan Dawes (Dialogue Editor), Chris Ward (ADR Mixer), Craig Weintraub (Assistant Dialogue Editor), Chuck Michael (Supervising Sound Editor), Helen Luttrell (Supervising Dialogue Editor), Johnny Gidcomb (Loop Group Supervisor), Smokey Cloud (Assistant ADR Editor), John A. Larsen (Supervising Sound Editor), Jim Brookshire (ADR Editor), R.J. Kizer (ADR Editor), Charleen Richards (ADR Mixer) (20th Century Fox)

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War Horse: Richard Quinn (dialogue/adr editor), Jeremy Molod (dialogue editor), Jonathan Null (supervising dialogue/adr editor), Cheryl Nardi (dialogue/adr editor), Richard Hymns (supervising sound editor)

Best Sound Editing in Feature Film - Foreign

NOMINEE

In the Land of Blood and Honey: Becky Sullivan, Glynna Grimala, Hector C. Gika, Ben Wilkins, Michael Hertlein (CSS Studios)

Best Sound Editing - Made for Computer Entertainment

WINNER

Need for Speed: The Run: Steve Robinson (SOUND EFFECT EDITORS), Ethan Van der Ryn (SOUND EFFECT EDITORS), Tim Gedemer (SOUND DESIGNERS), Frederick H. Stahly (SUPERVISING DIALOGUE/ADR EDITOR), Bryan Celano (MUSIC EDITOR), Bryan Jerden (SOUND EFFECT EDITORS), Scott Wolf (SOUND EFFECT EDITORS), Charles Deenen (SUPERVISING SOUND EDITORS), Michael Berg (SOUND EFFECT EDITORS), Scott Martin Gershin (MIXER), Csaba Wagner (SOUND EFFECT EDITORS), Richard Adrian (AUDIO DIRECTOR), Gary A. Hecker (FOLEY ARTIST), Peter Zinda (SUPERVISING SOUND EDITORS), Tim Walston (SOUND DESIGNERS)

Best Sound Editing: Direct to Video - Animation

WINNER

Megamind: The Button of Doom: John Marquis (Supervising Sound Editor) (DreamWorks Animation)

NOMINEE

Kung Fu Panda: Secrets of the Masters: John Marquis (SUpervising Sound Editor) (DreamWorks Animation)

Best Sound Editing - Direct to Video

WINNER

Dragons: Gift of the Night Fury: Colette Dahanne (Sound Effects Editor), Jana Vance (Foley Artist), Frank Clary (Sound Effects Editor), Adam Milo Smalley (Music Editor), Jonathan Null (Supervising Sound Editor), Josh Gold (Sound Effects Editor), Al Nelson (Sound Designer), Dennie Thorpe (Foley Artist), Chris Gridley (Supervising Dialogue Editor)

NOMINEE

Beethoven's Christmas Adventure: Trip Brock, Peter D. Lago, Rick Owens, Patrick Giraudi, Alexander Pugh, Michael T. Ryan, Steven Avila, John Gilbert, Lorita de la Cerna (Monkeyland Audio (Monkeyland Audio Inc.))

Best Sound Editing - Sound Effects, Foley, Dialogue and ADR in an Animation Feature Film

WINNER

The Adventures of Tintin: Jason Canovas (dialogue editor), Martin Kwok (dialogue editor), Hayden Collow (sound effects editor), Matt Stutter (sound effects editor), Frank Lipson (sound effects editor), John Simpson (foley artist), Craig Tomlinson (supervising foley editor), Justin Webster ("Snowy" effects editor), Dave Whitehead (sound designer), Morgan Samuel (ADR editor), Brent Burge (supervising sound editor), Chris Todd (dialogue editor), Justin Doyle (sound effects editor), Chris Ward (supervising sound editor) (supervising dialogue/adr editor)

NOMINEES

Rio: Malcolm Fife (sound editor), Jana Vance (foley artist), Pete Horner (sound editor), Josh Gold (sound editor), Sue Fox (supervising foley editor), Teresa Eckton (sound editor), Cheryl Nardi (sound editor), Gwendolyn Yates Whittle (supervising sound editor), Dennie Thorpe (foley artist), Luke Dunn Gielmuda (sound editor), Randy Thom (supervising sound editor/sound designer)

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Kung Fu Panda 2: John Marquis (Sound Designer) (DreamWorks Animation)

Best Sound Editing - Television Episodic - Music

NOMINEE

Revenge (series): Amber Funk (music editor)

Best Sound Editing in Television Short Form - Sound Effects & Foley

NOMINEE

House M.D.: Craig T. Rosevear (supervising foley editor), Matthew J. Mondrick (foley mixer), Alex Parker (assistant sound editor), Michael Lyle (foley artist), Joe DeAngelis (fx re-recording mixer), Harry Woolway (foley editor), Paul Stevenson (foley artist), Brad North (supervising sound editor), Kirk Herzbrun (assistant sound editor), Luis Galdames (sound effects editor) (NBC Universal (studio))

Best Sound Editing - Music for Long Form Television

NOMINEES

Avalon High (film): Lisa A. Arpino (supervising music editor), Avital Korin (music editor)

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Alphas (series): Ben Zales (music editor)

Best Sound Editing in Television Long Form - Sound Effects & Foley

WINNER

The Walking Dead: Gary D. Rogers (re-recording mixer), Stacey Michaels (foley mixer), Pamela Kahn (foley artist), Gregg Barbanell (foley artist)

NOMINEE

Red Faction: Origins: Sam C. Lewis (SUPERVISING FOLEY EDITOR), Miriam Cole (FOLEY EDITOR), Doug Madick (FOLEY ARTIST), Jeff K. Brunello (SOUND DESIGNER), Candice Baldwin (SOUND EFFECTS EDITOR), Jack Levy (SUPERVISING SOUND EDITOR), Ginger Geary (FOLEY ARTIST)

Best Sound Editing - Music for Short Form Television

WINNER

Raising Hope (series): Susan Ham (music editor), Sharyn M. Tylk (supervising music editor)

NOMINEE

Justified (series): Lisa A. Arpino (music editor)

Best Sound Editing: Short Form Musical in Television

NOMINEE

The Playboy Club (series): Michael Dittrick (supervising music editor), Christopher M. Foster (music editor), William Dotson (supervising sound editor)

Best Sound Editing - Short Form Music in Television

NOMINEE

Damages: Dan Edelstein (supervising sound editor) (DirecTV (network))

Best Sound Editing in Television Long Form - Dialogue & ADR

NOMINEE

Big Love (Where men and mountains meet): Susan Cahill, Jivan Tahmizian, Michael Hertlein (CSS Studios)

Best Sound Editing - Television Episodic - Effects & Foley

NOMINEE

Fringe: Andy Kopetzky (Foley Editor), Michael Ferdie (Sound Editor), Thomas A. Harris (Supervising Sound Editor), Jerry Edemann (Supervising Foley Editor), Shelley Roden (Foley Artist), Aleksandr Gruzdev (Sound Editor), Frederick Howard (Sound Designer), Richard Partlow (Foley Artist), Don Givens (Foley Mixer) (Warner Brothers)

Best Sound Editing - Short Form Sound Effects and Foley in Television

WINNER

Game of Thrones: Steve Fanagan (supervising foley editor), Stefan Henrix (supervising sound editor), Andy Kennedy (sound designer), Jon Stevenson (effects editor), Niall Brady (effects editor), Eoghan McDonnell (foley artist), Fiadhnait McCann (effects editor), Caoimhe Doyle (foley artist), Billy Quinn (sfx recordist)
For the Episode: "Winter is Coming"

NOMINEE

Breaking Bad (series): Gregg Barbanell (foley artist), Dana Olsefsky (assistant sound effects editor), Mark Cookson (sound editor), Dominique Decaudain (foley artist), Eric Justen (re-recording mixer), Jeffrey Cranford (supervising foley editor), Cormac Funge (sound editor), Stacey Michaels (foley mixer), Kurt Nicholas Forshager (supervising sound editor)

Best Sound Editing - Dialogue and ADR for Short Form Television

WINNER

Game of Thrones: Tim Hands (adr supervisor), Peter Blayney (supervising dialogue editor), Iain Eyre (adr editor), Stefan Henrix (supervising sound editor)
For the Episode: "Cripples, Bastards and Broken Things"

Best Sound Editing - Short Form Dialogue and ADR in Television

NOMINEE

Smallville (Dominion): Jessica Goodwin (supervising dialogue editor), Wendy Czajkowsky (adr mixer), Deron Street (assistant sound editor), Norval D. Crutcher III (dialogue editor), Eric Gotthelf (adr mixer), Dan Hiland (re-recording mixer), Sonny Pettijohn (assistant sound editor), Damon Cohoon (assistant adr editor), Edie Mirman (Loop Group Supervisor), Lisa Doyle (adr mixer), Robert Hanchar (production sound mixer), Michael E. Lawshe (supervising sound editor) (Warner Bros. Domestic Television Distribution)