Awards for 2013

Golden Reel Award

Best Sound Editing - Sound Effects, Foley, Dialogue, ADR and Music in a Feature Documentary

WINNER

Last Call at the Oasis: Peter Brown (supervising sound editor), Glynna Grimala (dialogue editor), Kim Roberts (music editor), Paul Aulicino (sound effects editor)

NOMINEES

Climate Refugees: Sam Londe (supervising sound editor, sound designer), Bryon Speller (dialogue editor), Steven Utt (music editor), Peter D. Lago (sound effects editor), Brian S.M. Wroth (dialogue editor), Alexander Pugh (sound effects editor), Stephen Spencer (sound effects editor), Michael Turner (sound effects editor), Steven Avila (sound designer)
Searching for Sugar Man: Malik Bendjelloul (sound editor), Per Nyström (supervising sound editor)
Bully: Pete Horner (editor), Al Nelson (sound designer), Christopher Barnett (supervising sound editor, supervising dialogue editor), Pascal Garneau (editor), Michael Furjanic (music editor), Bob Edwards (editor), Gary Rydstrom (sound designer)
Jiro Dreams of Sushi: Tim Hoogenakker (supervising dialogue editor), Darren 'Sunny' Warkentin (supervising sound editor, sound designer), Robert Weiss (sound effects editor), Anthony Vanchure (foley artist, sound effects editor), Chris Johnston (foley editor)
Marley: Danny Freemantle (sound editor), Ben Barker (sound editor), Glenn Freemantle (supervising sound editor), Nina Hartstone (sound editor)

Best Sound Editing - Music in a Feature Film

WINNER

Life of Pi: Mitch Bederman (additional music editor), Erich Stratmann (music editor)

NOMINEES

The Hobbit: An Unexpected Journey: Yann McCullough (scoring music editor), Jennifer L. Dunnington (supervising music editor), Steve Gallagher (music editor, temp music editor), Robert Houston (scoring music editor), Jonathan Schultz (scoring music editor), Kirsty Whalley (scoring music editor), James Sizemore (additional music editor), Nigel Scott (music editor), Michael Pärt (music editor), Mark Willsher (music editor)
Argo: Richard Ford (supervising music editor), David Metzner (additional music editor)
The Cabin in the Woods: Tony Lewis (music editor), Clint Bennett (supervising music editor), Julie Pearce (music editor)
Django Unchained: Robb Boyd (music editor)
Skyfall: Tony Lewis (supervising music editor), Bill Bernstein (supervising music editor)
Lincoln: Ramiro Belgardt (music editor)
The Dark Knight Rises: Alex Gibson (supervising music editor), Ryan Rubin (music editor)

Best Sound Editing - Sound Effects, Foley, Dialogue and ADR in a Feature Foreign Language Film

WINNER

Rust and Bone: Pascal Villard (sound designer), Caroline Reynaud (dialogue editor), Nikolas Javelle (sound effects editor), Philippe Penot (foley artist), David Vranken (sound effects editor)

NOMINEES

Children of Sarajevo: Peter Sandmann (foley artist), Igor Camo (sound designer), Miroslav Babic (sound editor)
Amour: Franck Tassel (foley artist), Nadine Muse (supervising sound editor), Pascal Chauvin (foley artist)
The Intouchables: Fred Mays (adr supervisor), Pascal Chauvin (foley artist), Jean Goudier (sound designer, sound and dialogue editor)

Best Sound Editing - Music in a Musical Feature Film

WINNER

Les Misérables: Alastair Sirkett (vocals editor), Robert Houston (music editor), James Bellamy (music editor), Tim Hands (vocals editor), Gerard McCann (supervising music editor), John Warhurst (co-supervising/vocals editor), Rael Jones (music editor)

NOMINEES

Joyful Noise: Curt Sobel (supervising music editor)
Pitch Perfect: Oliver Hug (additional music editor), Angie Rubin (music editor), Matt Fausak (music editor)
Rock of Ages: Sally Boldt (music editor), Lisa Jaime (music editor)

Best Sound Editing - Direct to Video - Live Action

WINNER

Fire with Fire: David Kitchens (foley artist), Sean Gray (sound designer), Gonzalo Espinoza (supervising foley/adr editor, foley artist), Ken Skoglund (sound designer), David Barber (supervising sound editor)

NOMINEES

Werewolf: The Beast Among Us: Christopher M. Foster (music editor), Lauren Hadaway (editor), Mike Chock (sound designer), Ben Wilkins (supervising foley editor), Joe Dzuban (editor), Justin Dzuban (editor), Glenn T. Morgan (supervising sound editor), Stella Valente Wilkins (foley artist)
12 Dogs of Christmas: Great Puppy Rescue: Josh Eckberg (sound designer), Jake Zuckerberg (sound effects editor), Alex Ullrich (foley artist), Andrzej Warzocha (music editor), Kurt Goodwin (sound effects editor), John Sanacore (supervising foley editor), Gregg Barbanell (foley artist), Carlos Sanches (supervising sound editor), Peter D. Lago (sound designer), Wes Kobernick (sound effects editor), Jason Oliver (supervising dialogue editor), Lesley Saucier (sound effects editor)
Osombie: Jake Zuckerberg (sound effects editor), Robert Ramirez (sound effects editor), Carlos Sanches (sound designer), Anthony Ferro (foley artist), Phillip Raves (supervising foley editor, foley editor), Jimmy Schafer (music editor), Andrea Laird (foley artist), Aaron Davies (foley artist), Cindy Raves (foley artist), Peter D. Lago (sound designer)
Cowgirls n' Angels: Eryne Prine (sound designer), Tara Blume (foley artist), Dhyana Carlton-Tims (supervising dialogue editor), Eric Lalicata (supervising sound editor), Alex Ullrich (foley artist), Sergio R. Rocha (editor)
El Gringo: Bradley C. Katona (sound effects editor), Jesse Kees (sound effects editor), Steve Papagiannis (sound designer), Jon Vogl (supervising sound editor), David Barbee (sound designer), Monique Reymond (foley artist), Peggy Blum (supervising foley editor), Matt Coby (supervising dialogue editor)
Marvel One-Shot: Item 47: Kerry Ann Carmean (supervising foley editor), Glynna Grimala (supervising adr editor), Michael Payne (sound effects editor), Tim Walston (sound designer), Andrew DeCristofaro (supervising sound editor), Gayle Wesley (sound effects editor), Gary A. Hecker (foley artist), Gary Marullo (foley artist), Ann Scibelli (sound designer), Tim Kimmel (supervising dialogue editor)

Best Sound Editing - Long Form Documentary

WINNER

Crossfire Hurricane: Cameron Frankley (supervising sound editor), Jason W. Jennings (sound designer), Jon Michaels (music editor)

NOMINEES

The Interrupters: Drew Weir (supervising sound editor), Martin Stebbing (editor)
Love Hate Love: Eric Lalicata (supervising sound editor)

Best Sound Editing - Sound Effects and Foley in a Feature Film

WINNER

Skyfall: John T. Cucci (foley artist), William R. Dean (sound effects editor), Karen Baker Landers (supervising sound editor), Craig S. Jaeger (supervising foley editor), Dan Hegeman (sound effects editor), Dan O'Connell (foley artist), Dino Dimuro (sound effects editor), Christopher Assells (sound designer), Per Hallberg (supervising sound editor), Peter Staubli (sound designer), Piero Mura (sound effects editor)

NOMINEES

Argo: P.K. Hooker (sound effects editor), Greg ten Bosch (sound effects editor), Erik Aadahl (supervising sound editor), Jonathan Klein (supervising foley editor), Ethan Van der Ryn (sound designer), John T. Cucci (foley artist), Dan O'Connell (foley artist)
The Dark Knight Rises: Michael Babcock (editor), John Roesch (foley artist), Richard King (sound designer), Bryan O. Watkins (editor), Kenneth L. Johnson (sound designer), Jeff Sawyer (editor), Alyson Dee Moore (foley artist), Randle Akerson (editor), Michael W. Mitchell (editor), Christopher Flick (supervising foley editor)
The Hobbit: An Unexpected Journey: David Farmer (sound designer), Hayden Collow (sound effects editor), Brent Burge (supervising sound editor), Chris Ward (supervising sound editor), Craig Tomlinson (supervising foley editor), Justin Webster (sound effects editor), Matthew Lambourn (foley editor)
The Avengers: Christopher Boyes (sound designer), J.R. Grubbs (editor), James Likowski (supervising foley editor, editor), Jana Vance (foley artist), David Chrastka (editor), Justin Doyle (sound designer), Kyrsten Mate (editor), Sean England (foley artist), Frank E. Eulner (supervising sound editor), Scott Guitteau (editor), Robert Shoup (editor), Steve Boeddeker (editor), Luke Dunn Gielmuda (editor), Teresa Eckton (editor)
Django Unchained: Kris Fenske (editor), Harry Cohen (sound designer), Gary Marullo (foley artist), Branden Spencer (editor), Wylie Stateman (supervising sound editor), Gary A. Hecker (foley artist), Michael D. Wilhoit (editor), Dror Mohar (editor), Hector C. Gika (editor)
Life of Pi: Frank Kern (supervising foley editor), Philip Stockton (supervising sound editor), Marko A. Costanzo (foley artist), Kam Chan (editor), Eugene Gearty (supervising sound editor, sound designer, sound effects editor), John Morris (sound effects editor), Jamie Baker (editor)
Prometheus: Harry Cohen (editor), Tim Walston (editor), Alan Rankin (sound designer), Charlie Campagna (editor), Victor Ray Ennis (supervising sound editor), Glenn T. Morgan (editor), Karen Vassar Triest (editor), John T. Cucci (foley artist), Mark P. Stoeckinger (supervising sound editor), Ann Scibelli (sound designer), Dan O'Connell (foley artist)

Best Sound Editing - Dialogue and ADR in a Feature Film

WINNER

Life of Pi: Kenton Jakub (supervising adr editor), Philip Stockton (supervising sound editor), Eugene Gearty (supervising sound editor)

NOMINEES

Silver Linings Playbook: Susan Kurtz (dialogue editor), Mike Szakmeister (dialogue editor), Christopher T. Welch (adr editor), Eliza Pollack Zebert (supervising dialogue/adr editor), Odin Benitez (supervising sound editor), Frank Smathers (dialogue editor)
Beasts of the Southern Wild: Chris Gridley (supervising dialogue/adr editor), Bob Edwards (supervising sound editor), Michael Silvers (dialogue/adr editor), Kim Foscato (dialogue/adr editor)
Lincoln: Richard Hymns (supervising sound editor), Marshall Winn (dialogue/adr editor), Jonathan Null (supervising dialogue/adr editor)
Skyfall: Chris Hogan (dialogue editor), Per Hallberg (supervising sound editor), Simon Chase (supervising dialogue editor), Chris Jargo (supervising adr editor), John C. Stuver (dialogue editor), Karen Baker Landers (supervising sound editor), Anna MacKenzie (adr editor)
Argo: Erik Aadahl (supervising sound editor), David V. Butler (dialogue/adr editor), David Bach (supervising dialogue/adr editor)
The Hobbit: An Unexpected Journey: Matt Stutter (dialogue editor), Ray Beentjes (dialogue editor), Jason Canovas (supervising dialogue editor), Chris Ward (supervising sound editor), Brent Burge (supervising sound editor), Neil Aldridge (adr editor)
Moonrise Kingdom: David Briggs (dialogue editor), Lewis Goldstein (supervising dialogue editor), Craig Henighan (supervising sound editor), Cate Montana (adr editor), Jac Rubenstein (dialogue editor)

Best Sound Editing - Direct to Video - Animation

WINNER

Justice League: Doom: Kelly Ann Foley (dialogue editor), Mark Keatts (supervising dialogue editor), Gary Marullo (foley artist), John Hegedes (foley editor), George Brooks (sound effects editor), Robert Hargreaves (sound designer), Mike Garcia (dialogue editor)

NOMINEES

Superman vs. The Elite: Gary Marullo (foley artist), Mark Keatts (supervising dialogue editor), Mike Garcia (dialogue editor), Kelly Ann Foley (dialogue editor), George Brooks (sound effects editor), John Hegedes (foley editor), Robert Hargreaves (sound designer)
Batman: The Dark Knight Returns, Part 1: John Hegedes (foley editor), Mark Keatts (supervising dialogue editor), Gary Marullo (foley artist), Mike Garcia (dialogue editor), Robert Hargreaves (sound designer), Kelly Ann Foley (dialogue editor), George Brooks (sound effects editor)

Best Sound Editing - Computer Interactive Entertainment

WINNER

Resident Evil 6: Wataru Hachisako (audio director), Chad Bedell (sound designer), James Moriana (foley artist), Yasuyuki Tsujino (sound effects editor), Eliot Connors (sound effects editor), Akihiko Narita (music editor), Patrick Ginn (sound effects editor), Arata Iwashina (audio director), Csaba Wagner (sound effects editor), Masanobu 'Tomi' Tomita (supervising sound editor), Brad Beaumont (sound designer), Kakunoshin Atsumi (supervising dialogue/adr editor), Scott Martin Gershin (supervising sound editor), Jeffrey Wilhoit (foley artist)

NOMINEES

Skylanders: Giants: Adam Primack (sound effects editor), Dan Laabs (sound effects editor), Eliot Connors (sound effects editor), Stephan Vankov (music editor), Jeffrey Wilhoit (foley artist), Matt Copeland (sound effects editor), Bryan Celano (sound designer), James Moriana (foley artist), Lorien Ferris (sound effects editor), Daniel Neil (audio director), Trevor Bresaw (music editor), Masanobu 'Tomi' Tomita (supervising sound editor), Chad Bedell (sound designer), Adam Boyd (audio director), Jason Bowers (sound effects editor), Victor Durling (supervising dialogue/adr editor)
World of WarCraft: Mists of Pandaria: Neal Acree (music editor), Darrin Mann (supervising foley editor), Paul Menichini (supervising sound designer), Chris Kowalski (sound effects editor), David Farmer (sound designer), John Kurlander (music editor), Thomas C. Brewer (sound effects editor), Chris De La Pena (supervising dialogue/adr editor), Gregg Barbanell (foley artist), Russell Brower (audio director), Stuart Provine (sound designer)
Call of Duty: Black Ops II: Chris Cowell (supervising sound editor), Collin Ayers (sound effects editor), Lee Staples (sound effects editor), Kevin Sherwood (sound effects editor), Nakia Harris (supervising dialogue/adr editor), Scott Eckert (sound effects editor), Shawn Jimmerson (sound effects editor), Brian Tuey (supervising sound editor), James McCawley (sound effects editor)
Halo 4: Dawn Fintor (foley artist), Mark Jasper (supervising sound editor), Dutch Hill (sound effects editor), Alicia Stevenson (foley artist), Sotaro Tojima (audio director), Chris Pinkston (sound designer), Kazuma Jinnouchi (music editor), Tom Hays (audio director), Noa Lothian (sound effects editor), Kyle Fraser (sound effects editor), Lydian Tone (sound designer), Anthony Roza (supervising foley editor)

Best Sound Editing - Computer Episodic Entertainment

WINNER

Halo 4: Forward Unto Dawn: Andrew Scott Duncan (supervising dialogue/adr editor), J.M. Davey (supervising sound editor), Jared Neal (sound effects editor), Rodrigo Ortiz-Parraga (supervising foley editor), Tobias Poppe (sound designer), George Pereyra (sound effects editor), Charles Maynes (sound designer), Zach Seivers (supervising sound editor)

NOMINEES

H+: Bob Kellough (supervising sound editor), Craig Henighan (supervising sound editor), Polly McKinnon (supervising dialogue/adr editor), Vincent Guisetti (foley artist), Alex Ullrich (foley artist)
Episode 26: "African Aid"
Battlestar Galactica: Blood & Chrome: Doug Madick (foley artist), Richard Partlow (foley artist), Sam C. Lewis (supervising foley editor), Michael Baber (music editor), Jack Levy (supervising sound editor), Vince Balunas (supervising dialogue/adr editor), Sara Bencivenga (adr editor), Daniel Colman (supervising sound editor, sound designer), Greg Stacy (dialogue editor)
Webisode 5
Dr0ne: Garrett Montgomery (sound effects editor), Gary Marullo (foley artist), Mark Camperell (supervising sound editor), Gary A. Hecker (foley artist), Jason Krane (dialogue/adr editor)
Cybergeddon: John Loranger (dialogue editor), Kevin Schultz (supervising foley editor), Kevin Howard (supervising sound editor), Richard Calistan (adr editor), Virginia Storey (foley artist), Rob Hegedus (supervising dialogue editor), J.R. Fountain (sound effects editor)

Best Sound Editing: Sound Effects, Foley, Dialogue, ADR and Music in a Feature Documentary

NOMINEE

Marley: Ben Barker (sound editor), Danny Freemantle (sound editor), Glenn Freemantle (supervising sound editor), Nina Hartstone (sound editor) (Cowboy Films)

Best Sound Editing - Sound Effects, Foley, Dialogue and ADR in an Animation Feature Film

WINNER

Wreck-It Ralph: Dee Selby (foley editor), David Chrastka (sound effects editor), J.R. Grubbs (sound effects editor), Dennie Thorpe (foley artist), Jana Vance (foley artist), Marshall Winn (supervising dialogue editor), E.J. Holowicki (sound effects editor), Frank E. Eulner (supervising sound editor), Gary Rydstrom (sound designer), Luke Dunn Gielmuda (supervising foley editor)

NOMINEES

Frankenweenie: Dillon Bennett (editor), Steve Browell (editor), Andie Derrick (foley artist), Bjorn Ole Schroeder (supervising dialogue editor), Peter Burgis (foley artist), Jason Swanscott (foley artist), Oliver Tarney (supervising sound editor, sound designer), Jack Stew (foley artist), Michael Fentum (sound designer)
Brave: Dee Selby (foley editor), Cheryl Nardi (dialogue editor), Gary Rydstrom (sound designer), Larry Oatfield (foley editor), Nia Hansen (sound effects editor), Sean England (foley artist), E.J. Holowicki (sound designer), Teresa Eckton (sound effects editor), Sue Fox (supervising foley editor), Stuart McCowan (dialogue editor), Josh Gold (sound effects editor), Jana Vance (foley artist), Gwendolyn Yates Whittle (supervising sound editor), Ronni Brown (foley artist), Kyrsten Mate (sound effects editor), Dennie Thorpe (foley artist)
A Cat in Paris: Loïc Burckhardt (supervising sound editor)
The Lorax: Daniel Laurie (supervising adr editor), Dennie Thorpe (foley artist), Sean England (foley artist), Jeremy Bowker (sound effects editor), Randy Thom (sound designer), Leff Lefferts (sound effects editor), Jonathan Borland (sound effects editor), Dennis Leonard (supervising sound editor), Luke Dunn Gielmuda (supervising foley editor), Sue Fox (foley editor), Jana Vance (foley artist)
ParaNorman: Dan O'Connell (foley artist), Steve Boeddeker (sound designer), Willard Overstreet (supervising foley editor), Steve Tushar (sound effects editor), Tom Myers (sound designer), John T. Cucci (foley artist), Ronald Eng (supervising sound editor), Al Nelson (editor), David A. Cohen (supervising dialogue/adr editor)
Rise of the Guardians: Christopher Flick (supervising foley editor), Jessica Gallavan (supervising dialogue editor), Alyson Dee Moore (foley artist), Paul Berolzheimer (sound effects editor), Roland N. Thai (sound effects editor), John Roesch (foley artist), Richard King (sound designer)
The Pirates! Band of Misfits: Julien Pirrie (foley editor), Will Norie (sound effects editor), Nick Adams (sound effects editor), Thomas S. Drescher (music editor), Tim Hands (dialogue editor), Antony Bayman (sound effects editor), Sue Harding (foley artist), Adrian Rhodes (supervising sound editor)

Best Sound Editing - Long Form Music in Television

WINNER

Hemingway & Gellhorn: Joanie Diener (supervising music editor)

NOMINEES

Girl Vs. Monster: Amber Funk (supervising music editor)
Damages: Robert Cotnoir (supervising music editor)
Episode: "But You Don't Do That Anymore"
Hatfields & McCoys: Darrell Hall (music editor), Kevin Banks (music editor)
Episode 2
Titanic: Kevin Banks (music editor), Michael Banton-Jones (scoring music editor)
Episode 1

Best Sound Editing in Television Long Form - Sound Effects & Foley

WINNER

Seal Team Six: The Raid on Osama Bin Laden: Greg Mauer (supervising foley editor), Kate Sheil (foley editor), Trip Brock (supervising sound editor), Alexander Pugh (sound effects editor), Steven Avila (sound effects editor), Peter D. Lago (supervising sound editor), Rick Owens (foley artist)

Best Sound Editing - Long Form Musical in Television

WINNER

Let It Shine: Amber Funk (music editor), Sherry Whitfield (music editor)

NOMINEES

Camp Rock 2: The Final Jam: Amber Funk (supervising music editor), Christopher M. Foster (music editor)
Lemonade Mouth: Amber Funk (supervising music editor)

Best Sound Editing - Short Form Music in Television

WINNER

Fringe: Paul Apelgren (supervising music editor)
Episode: "A Short Story About Love"

NOMINEES

Person of Interest: Tom Trafalski (supervising music editor)
Episode: "Fire Wall"
Game of Thrones: David Klotz (supervising music editor)
Episode: "Blackwater"
The Borgias: Yuri Gorbachow (supervising music editor)
Episode: "The Siege at Forli"
CSI: Crime Scene Investigation: Troy Hardy (music editor)
Episode: "It Was A Very Good Year"
Castle: Amber Funk (supervising music editor)
Episode: "The Blue Butterfly"

Best Sound Editing - Short Form Sound Effects and Foley in Television

WINNER

American Horror Story: Noel Vought (foley artist), Andy Dawson (supervising foley editor), Gary Megregian (supervising sound editor, sound designer), Timothy A. Cleveland (sound designer)
Episode: "Welcome to Briarcliff"

NOMINEES

Grimm: Johanna Turner (editor), Pamela Kahn (foley artist), Dean Minnerly (foley artist), Craig T. Rosevear (supervising foley editor), Susan Cahill (supervising sound editor), Tiffany S. Griffith (editor), Jason T. Edwards (sound designer), Cormac Funge (co-sound supervisor)
Episode: "The Other Side"
Game of Thrones: Jeffrey Wilhoit (foley artist), Brett Voss (foley editor), Paul Aulicino (supervising foley editor), Stephen P. Robinson (sound designer), James Moriana (foley artist), Peter Brown (supervising sound editor)
Episode: "Blackwater"
Alphas: Jack Levy (supervising sound editor), Craig Polding (sound effects editor), Jeff K. Brunello (sound designer), Sam C. Lewis (supervising foley editor), Brooke Lowrey (foley artist), Brian Straub (foley artist), Matthew Manselle (foley editor)
Episode: "Wake up Call"
Alcatraz: Alex Ullrich (foley artist), Geordy Sincavage (supervising foley editor), Eddie Rogers (sound effects editor), Brett Hinton (supervising sound editor), Vincent Guisetti (foley artist), Mark Allen (sound designer), Thomas DeGorter (supervising sound editor)
Episode: "Pilot"
The Walking Dead: Clayton Weber (supervising foley editor), Jerry Ross (supervising sound editor), Hilda Hodges (foley artist), David Lee Fein (foley artist), Tim Farrell (sound designer)
Episode: "Beside the Dying Fire"
The Borgias: Andy Malcolm (foley artist), Goro Koyama (foley artist), Martin Gwynn Jones (supervising foley editor), Jane Tattersall (supervising sound editor)
Episode: "The Siege at Forli"

Best Sound Editing - Sound Effects, Foley, Dialogue and ADR Animation in Television

WINNER

Adventure Time: Tony Orozco (sound effects editor), Krandal Crews (supervising dialogue editor), Timothy J. Borquez (supervising sound editor), Eric Freeman (sound effects editor), Thomas Syslo (supervising sound editor), Diane Greco (foley artist), Robert Serda (supervising adr editor)
Episode: "Card Wars"

NOMINEES

SpongeBob SquarePants: Nick Carr (sound effects editor), D.J. Lynch (sound effects editor), Devon Bowman (supervising sound editor), Mishelle Fordham (supervising dialogue editor), Jeff Hutchins (sound designer), Aran Tanchum (supervising foley editor), Justin Brinsfield (supervising adr editor), Vincent Guisetti (foley artist), Jessey Drake (foley editor), Danny Tchibinda (foley editor)
Episode: "Gary's New Toy"
Robot and Monster: Roy Braverman (supervising foley editor), J. Lampinen (foley artist), Heather Olsen (sound designer), Anna Adams (dialogue editor)
Episode: "Security Risk/Ogo's Birthday"
Robot Chicken: DC Comics Special: Krandal Crews (supervising adr editor), Matt Brown (supervising dialogue editor), Tony Orozco (sound effects editor), Timothy J. Borquez (supervising sound editor), Thomas Syslo (supervising sound editor), Diane Greco (foley artist), Eric Freeman (sound effects editor)
It's a SpongeBob Christmas!: Vincent Guisetti (foley artist), Monique Reymond (foley artist), Jeff Hutchins (sound designer), Edward M. Steidele (foley artist, foley editor), Wes Otis (foley editor), Mishelle Fordham (supervising adr editor, supervising dialogue editor), Paulette Victor-Lifton (supervising sound editor), Aran Tanchum (supervising foley editor), D.J. Lynch (dialogue editor), Jimmy Lifton (supervising sound editor)
Lego Star Wars: The Empire Strikes Out: Jana Vance (foley artist), Steve Slanec (supervising dialogue editor), Dennie Thorpe (foley artist), David Acord (sound designer), Frank Rinella (supervising foley editor), Jeremy Bowker (editor), Matthew Wood (supervising sound editor)
Family Guy: Patrick S. Clark (editor), Dale W. Perry (foley artist), Timothy A. Cleveland (editor), Andrew Ellerd (sound designer), Bob Newlan (supervising sound editor), Mark Eklund (editor)
Episode: "Yug Ylimaf"

Best Sound Editing - Long Form Dialogue and ADR in Television

WINNER

Game of Thrones: Vanessa Lapato (supervising dialogue editor), Kira Roessler (supervising adr editor), Peter Brown (supervising sound editor), Tim Hands (editor)
Episode: "Valar Morghulis"

NOMINEES

Coma: Bernard Weiser (supervising sound editor), Jon Wakeham (editor), David B. Cohn (supervising sound editor)
The Newsroom: Robert Guastini (dialogue editor), Ruth Adelman (adr editor), Mark Relyea (supervising sound editor, supervising adr editor)
Episode: "We Just Decided To"
Steel Magnolias: Robert Getty (supervising sound editor), Pembrooke Andrews (dialogue editor), Chato Hill (dialogue editor)
Titanic: Jane Tattersall (supervising sound editor), Tony Currie (supervising adr editor), Sue Conley (editor), David McCallum (supervising dialogue editor)
Episode 4

Best Sound Editing - Short Form Dialogue and ADR in Television

WINNER

The Newsroom: Mark Relyea (supervising sound editor, supervising adr editor), Ruth Adelman (adr editor), Robert Guastini (dialogue editor)
Episode: "Amen"

NOMINEES

True Blood: John Benson (supervising sound editor), Jason Krane (dialogue/adr editor), Christian Buenaventura (dialogue editor), Steven Stuhr (dialogue editor)
Episode: "We'll Meet Again"
The Walking Dead: Jerry Ross (supervising sound editor), Lou Thomas (supervising dialogue/adr editor)
Episode: "Better Angels"
World Without End: Dale Sheldrake (supervising adr editor), David McCallum (supervising dialogue editor), Jane Tattersall (supervising sound editor), Martin Gwynn Jones (editor)
Episode: "King"
Saving Hope: Barry Gilmore (dialogue/adr editor), Paul Germann (dialogue/adr editor), Sue Conley (supervising sound editor, supervising dialogue/adr editor)
Episode: "Pilot"
Boss: Kurt Nicholas Forshager (supervising sound editor), Tim Boggs (supervising adr editor), Kathryn Madsen (adr editor), Jane Boegel (editor)
Episode: "Backflash"
Homeland: Nello Torri (editor), Craig A. Dellinger (supervising sound editor), Devin Joseph (editor), Pembrooke Andrews (editor)
Episode: "The Smile"
Game of Thrones: Kira Roessler (supervising dialogue/adr editor), Peter Brown (supervising sound editor), Vanessa Lapato (editor), Tim Hands (editor)
Episode: "Blackwater"

Best Sound Editing - Short Form Musical in Television

WINNER

Smash: Robert Cotnoir (additional music editor), Dan Evans Farkas (supervising music editor), Annette Kudrak (additional music editor)
Episode: "Hell on Earth"

NOMINEES

Glee: David Klotz (supervising music editor)
Episode: "The New Rachel"
Smash: Joanie Diener (supervising music editor)
Episode: "Pilot"

Best Sound Editing - Long Form Sound Effects and Foley in Television

WINNER

Game of Thrones: Peter Brown (supervising sound editor), James Moriana (foley artist), Paul Aulicino (supervising foley editor), Brett Voss (foley editor), Stephen P. Robinson (sound designer), Jeffrey Wilhoit (foley artist), Jon Title (sound designer)
Episode: "Valar Morghulis"

NOMINEES

The Newsroom: Mark Relyea (supervising sound editor), James Bailey (foley artist), Damien Smith (foley artist), Kevin McCullough (foley editor), David Barbee (sound designer), Joseph T. Sabella (foley artist)
Episode: "We Just Decided To"
Coma: David B. Cohn (supervising sound editor), Mike Pipgras (foley artist), Mark Lanza (sound designer), Sarah Monat (foley artist), Angelo Palazzo (sound effects editor), Bernard Weiser (supervising sound editor), Rickley W. Dumm (sound effects editor), Robin Harlan (foley artist)
Seal Team Six: The Raid on Osama Bin Laden: Rick Owens (foley artist), Peter D. Lago (supervising sound editor), Steven Avila (sound effects editor), Trip Brock (supervising sound editor), Alexander Pugh (sound effects editor), Kate Sheil (foley editor), Greg Mauer (supervising foley editor)
Hemingway & Gellhorn: Goro Koyama (foley artist), Casey Langfelder (editor), Douglas Murray (supervising sound editor), Andy Malcolm (foley artist), Pat Jackson (editor), Andrea S. Gard (editor), Steve Boeddeker (editor), Kim Foscato (supervising foley editor), Pete Horner (sound designer)

Verna Fields Award

WINNER

Head Over Heels: Axle Kith Cheeng (sound designer)

NOMINEES

Dawn: Zachary Burke (foley artist), Max Christman (supervising dialogue editor), James Scullion (supervising sound editor), Evan M. Flory (sound editor), Michael Phipps (supervising foley editor)
My Face Is in Space: James J. Morgan (sound designer)
Elie's Overcoat: Jorge Ramirez-Martinez (sound designer), Diego Perez (sound designer)
Fragments: Brian Bibbo (supervising foley editor, foley artist), Abby Potts (sound designer, foley artist), Alexander Weiss (supervising adr editor), Zheng Jia (sound editor), Diego Perez (supervising dialogue editor)
Stumble: Reed Lovell (foley artist, sound editor), Nirana Singh (sound editor), Lourdes Cols (foley artist), Charlie Hafer (sound editor), Matt Sobel (supervising sound editor/sound designer), Dawn Lewis (sound designer)
In Aeternam: Evan M. Flory (supervising dialogue editor), Jaime Hernandez (music editor), Matt Sobel (sound designer), Alex Chabot (foley artist), Dawn Lewis (sound editor), Josh Roos (sound designer), Zachary Burke (sound editor), James Scullion (supervising sound editor)
Exedia Nation 3D: Zheng Jia (supervising adr editor), Jinhae Park (sound editor), Marcello Dubaz (sound editor), Qian Bai Hui Yang (sound designer), Abby Potts (supervising foley editor), Kimberly Patrick (foley artist)

Filmmaker's Award

WINNER

Life of Pi: Ang Lee

Career Achievement Award

WINNER

John Roesch

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