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- Historian George L. Mosse in conversation with Horst Edler about the stereotype of the man and his model in the ancient description of the 18th century; About Winckelmann; Respectability as a yardstick; Childhood memories of Berlin after World War II; Boarding school atmosphere; how Hitler was estimated in liberal circles; Nationalism in Germany and the USA; About racism in the USA in the late 1930s; Causes of the Holocaust and the importance of the 1st World War; Politics and success of Hitler; About Heinrich Himmler; When, where and why the National Socialists accepted homosexuality and how they used them as a weapon; Men's associations and camaraderie; The Men's image of the Nazis; Why the half -naked man can be seen as a symbol of the National Socialists, but not a half -naked woman; Homosexual life in Berlin from 1929 to 1933; Magnus Hirschfeld; Longing for male stereotypes in the gay scene; about the attempt by the socialists to propagate a different image of men; About the conflict between family and men's association; Nationalism today; The continued existence of the male stereotypical.
- An animated triptych inspired by the Surrealism of the 1920s - two provocative short operas - Paul Hindemith's 'Sancta Susanna' and Bohuslav Martinu's 'Slzy Noze' (Tears of the Knife) - as well as Ondrej Adamek's contemporary orchestral work 'Sinuous Voices' were congenially brought to expressionist life: through associative collages and animations in combination with recordings shot both in a green screen studio and in RBB's Small Broadcasting Hall. Hindemith's 'Sancta Susanna' expressionistically stages the borders between erotic and religious ecstasy. The protagonist's satanic, sinful desire focuses on none other than the Saviour on the cross. In the surreal-dadaistic comedy 'Slzy Noze' by Martinu, instead, a young girl falls in love with a hanged man. In her attempts to win him over, she always ends up in the arms of Satan.