Advanced search
- TITLES
- NAMES
- COLLABORATIONS
Search filters
Enter full date
to
or just enter yyyy, or yyyy-mm below
to
to
to
Exclude
Only includes titles with the selected topics
to
In minutes
to
1-7 of 7
- A psychological thriller in which the world's two most famous actors are kidnapped. They awake, bound and bruised, with no inkling of where they are. Unable to move they are at the mercy of those who adore them the most; their fans.
- In the year 2065, Earths natural resources have been ravaged. A small two-manned space-craft has been given the mission to gather samples on a possibly inhabitable alternative to earth; Atlas 29D. The two astronauts are left stranded in space once their communication with Earth fails. Now, Atlas 3 has been launched. They've just picked up the samples and they are on their way home, when they pick up Atlas 1's signal. Rocket Man tells the story of Scout Kepler; one of the two lost astronauts of the Atlas 1. In the words of Elton John, he's a "Rocket man, burning out his fuse up here alone". We see clips of his log footage, mainly consisting of him talking to himself and pretending to host a radio-show, ironically, to stop himself from going crazy. We begin with Scout. We are introduced to him when he is already marooned in space, strung out in heavens high, hitting an all time low, talking to himself and slowly, steadily, going off the rails. We are then introduced to the crew of the Atlas 3: Jones and Tomkins. We are initially presented with the radio communication between Ground Control and Jones as she asks permission to investigate the Atlas 1. Throughout the film, we follow Scout, on his journey through loneliness, futility and eventually a kind of nirvana. However, simultaneously we are presented with Jones and Tomkins; the crew of the Atlas 3, as they discover the Atlas 1 and finally go inside and find Scout. It is only revealed at the end of the film, that these ship logs that we have been watching, from the Atlas 1, are simply footage found by Tomkins, on the abandoned spacecraft. When Tomkins reaches Scout, he has been dead for three days.
- Reverie takes place one interview room, twenty-three years from now. Jack Woolfe has no recollection of how he got there, and as he is questioned he struggles to remember his foggy past. Flashes of memories spring to his mind; himself as a little boy in a park, playing with his sister, people speaking in French. A hallway, a bath filling with water. His violent and sexually abusive father, shouting. Disorientated, Jack is questioned. He is shown pictures of the little boy's clothes, stowed away under floorboards, and gradually it becomes more and more apparent that Jack is not the good guy in this story. Nor was he the little boy from his memory. He is told that he has already been questioned twice, his memory erased each time for the purpose of government-authorised research.
- A twisted horror film, looking into the mind and emotions of a scared, tortured individual. He will go to extreme lengths just to get the love and affection of his mother, that he craved so much as a child.
- When Lucy and Asa were children, Lucy's grandmother would tell them stories of a witch's curse that haunts the old ruin. As young adults, the two friends return to the ruin; Asa skeptical, Lucy in search of fantasy. In a bid to determine whose beliefs hold the truth they hold something of a seance, awakening the manor, and all of the creatures resting within.
- A psychological thriller with religious connotations - The White Room tells the story of Jane, a serial killer, looking back at her life from purgatory, not knowing that she is dead, or that she is a murderer until she sees it herself from her omniscient viewpoint. Purgatory is presented as a completely blank space - or White Room. However this space is also occupied by strange and horrific images conjured up by Jane's mind.
- Flutter tells a story of unrequited love from the viewpoint of a stalker. When Charlie falls in love with Roxanne he is inconsolable and all he can think about is being close to her, whatever the cost. In his despair Charlie leans that love is like a butterfly; fragile.