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1-6 of 6
- Meditations on what it means to be a woman who is neither a wife nor a mother in modern day Bolivia as experienced by Eugenia, a not-quite-young, not-quite-middle-aged woman endeavoring to find herself after leaving an abusive relationship.
- An aging self-proclaimed prophet who revisits his past as a spiritual guru after an eager young follower entices him to return to preaching.
- In the outskirts of Sao Paulo, the young Leandro joins as a student in a new school. In the classroom, he meets Jefferson who introduces him to his new group of friends. As the days go by, the boys hit it off and grow more intimate until they decide to be together as a couple. Their relationship is at stake when Jefferson informs Leandro that he is HIV-positive. Facing the news, Leandro must decide whether they continue in this romantic relationship or not.
- Downtown São Paulo, Brazil. An Apartment Building: 7 floors, 28 rooms, 107 residents who all have in common the addiction to crack. Over the course of several months, life in a social housing - part of a city hall "damage reduction" program about to be extinguished - is revealed. Characters on a hallucinated hunt for bonding and fighting passionately for life can be seen as the camera drifts through hallways, rooms, elevators, stairs; day and night. In this claustrophobic place, anything can happen.
- The discoveries and frustrations on accessing a memory of a father and of a time in the Brazilian history that are rarely public. The young filmmaker plunges into this unknown past of her almost unknown father. He, a Brazilian intellectual, imprisoned and tortured during the military dictatorship, is silent about this since that time. A father and a fatherland that does not like to answer any questions, that loves but rarely talks.