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1-8 of 8
- Features Italian artist Luigi Lineri and his art "The Quest", which he has been working on for the past 60 years, a unique installation composed of tens of thousands of stones resembling primitive flint tools and symbolic sculptures.
- "Principle of everything is Àpeiron, the Undefined, where all the things find their beginning and their destruction, according to the rules of Time. " - (Anaximander [in Simplicio] fr. DK12B1)
- Jerome is a director who wants to make an important film, a film that embodies our time and the sempiternal crisis of the present-day. He wants to make a film that brings together social issues and comedy, intimism and surrealism. Jerome wants to make a film about chairs.
- After losing his house for the reconstruction of the London 2012 Olympic Park, Michael is very busy in a campaign of resistance against Olympic games, and accepts the invitation from Enrico to register the narrating voice of a documentary about the Brazilian situation. Michael, in the middle of an existential crisis, leaves to find shelter in the Brazilian culture. While Enrico tries to explain him his vision of a magnificent country invaded by giant events, Marie, his fiancee, reaches him bringing with her more commitments and responsibilities. While learning to become a narrator, Michael progressively abandons his fear of death, and prepares to resist against the Oppressor, becoming the "Ultimo Cangaceiro". Brazil, today like in 1571, is a land to conquer, a prize for a war between two society models: estate and multinational promoters on the one side, housing strength and human rights defenders on the other.
- Like filling the sea with sand, is following the process of Olympic regeneration in East London as a massive metaphor of the contemporary age. Like a kaleidoscopic blockbuster through which we are looking for a narrative discourse, hidden between a stadium, the largest mall in Europe, and a small unorthodox church in an old industrial unit. There are people living around this, living into this magma, or for it indeed. People with thoughts about austerity, temples, and luxury, about facilities and the sense of community. We've been inside the apocalypse of capitalism, hidden behind a single finger; in this Golden Temple you can lose your way.