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1-9 of 9
- While best known today for having composed the ending to Puccini's unfinished Turandot, Franco Alfano wrote some dozen operas, including Cyrano de Bergerac (1936) with a libretto by Henri Cain based on Edmond Rostand's drama of the same name. It is a moving tale of romantic misunderstanding, swashbuckling bravado and heartbreaking loyalty, in which the eloquent Cyrano feels unable to express his love for Roxane because of his famously protuberant nose--except on behalf of his handsome but inarticulate friend, Christian. When Domingo and Radvanovsky sang Cyrano and Roxane at New York's Metropolitan Opera, Andante magazine wrote: "Incredibly, Cyrano is his 121st role. And it suits him splendidly...Soprano Sondra Radvanovsky was luminous as Roxane, her passionate outbursts showing off her powerful upper register to good effect".
- Young conductor Omer Meir Wellber, Musical Director of Valencia's Palau de les Arts, scores a triumph with Tchaikovsky's "Eugene Onegin" in Mariusz Trelinski's timeless production. Polish filmmaker and stage directo Trelinski has created a series of dream-like, surrealist tableaux of great suggestive beauty. The clear lines of the production (premiered at Warsaw's Teatr Wielki) are finely echoed by the slender musical design of Omer Meir Wellber - "A miracle of poetry" (Frankfurter Allgemeine Zeitung). The superb young cast is headed by Artur Ruzinski as Onegin and Kristine Opolais as Tatyana.