Advanced search
- TITLES
- NAMES
- COLLABORATIONS
Search filters
Enter full date
to
or just enter yyyy, or yyyy-mm below
to
to
to
Exclude
Only includes titles with the selected topics
to
In minutes
to
1-11 of 11
- Quality Control consists of a series of 16mm single take shots filmed in the summer of 2010,over a two day period, in a dry cleaners facility in Pritchard, Alabama, near Mobile, Quality Control exhibits the acts as well the conditions around labor and showcases, in Everson's words "the fine folks of Alabama producing a superior product." It is similar stylistically, in form and rhythm, to certain scenarios in Everson's award-winning and critically acclaimed previous films, including Erie (IFFR 2010) and in thematic concerns to several other short form works which follow the daily, quotidian tasks of workers in rest and in motion, and is an oblique sequel, ten years hence, to Everson's Creative Capital granted project A Week in the Hole (2001), which focused on an employee's adjustment to materials, time, space and personnel.
- Erie consists of a series of single take vignettes in and around communities near Lake Erie that relate to Black migration in the USA, contemporary conditions, folks concentrating on the task at hand, theater and famous art objects.
- SPICEBUSH interweaves various fragmentary narratives concerning education, luck. landscapes, gaining and losing a job, and the passage of time. The technique and style employed alternates between the documentary, the symbolic, and more conventionally scripted scenes. Filming individuals engaged in their careers conveys the documentary aspect. At a symbolic level, the fossil is a leitmotif suggesting past and present. The title of the film refers to the state butterfly of Mississippi, Spicebush Swallowtail. In the film, Mississippi is a place of origin. The Spicebush Swallowtail represents renewal or starting over. Throughout the film, a little girl appears in different guises and settings, functioning indirectly in the role of the chorus. The scripted scenes, shot in a documentary style, collaged with the other scenes begin to create the traces of a narrative structure.
- Rita Larson's Boy portrays ten actors auditioning for the role of Rollo Larson in the 1970s sitcom Sanford and Son. Rita Larson's Boy is one of three films included in the Tombigbee Chronicles Number Two. The series of films are based on famous people and objects from Columbus, Mississippi. The actor Nathaniel Taylor, raised in Columbus, portrayed Rollo Larson (Rita Larson's boy) in the television series Sanford and Son. Tombigbee is the river the runs though Columbus.
- An experimental film that lifts the veil on the world of African American drag racing.
- Telethon is about two talented acts waiting to perform in Sammy Davis Jr.'s ill-fated 1973 telethon for highway safety. Actress Esosa Edosomwan portrays singer/dancer/performer Lola Falana as she prepares for her appearance and takes her bow. Repetition, practice, routines, timing, patience, applause and keeping the balls in the air. Both backstage and on stage, where "the minutes seem like hours".
- Early Riser (2012) is based on Chester Himes' Cotton Comes to Harlem novel and screenplay. Early Riser is one of three films included in the Tombigbee Chronicles Number Two. The series of films are based on famous people and objects from Columbus, Mississippi, my parent's hometown. The cotton in the novel and film comes the region around Columbus, Mississippi. Filmed noir style, the film depicts the scene when detectives Coffin Ed and Grave Digger Jones interrogate Lo-Boy, an artist/hustler, about the event concerning the demise of his friend Early Riser.
- The Golden Age of Fiah is an experimental feature film that interweaves various fragmentary narratives concerning Cleveland, Ohio. Though a series of motifs, an African American woman geologist is the catalyst that narrates Cleveland's prehistoric, past and present landscape. The title refers to Cleveland shale from the Devonian period (417 to 354 B.C.) a time that saw the arrival of many types of new fish. The irony lies in the story's subtle plot regarding murder/suicides in Cleveland, illustrated with archival footage of crime scenes.
- Emergency Needs is an experimental work, considering the July 1968 Hough Riots and the Glenville Shootout in Cleveland, Ohio and the response to the crisis, as observed in color footage from a local press conference, by Mayor Carl B. Stokes. Stokes, the first Black mayor of a major American city, maintains calm and measured composure; his demeanor and words help diffuse an already incendiary situation. Actress Esosa Edosomwan, dressed in suit and tie, delivers Stokes' statements. The footage of Stokes and filmed performance of Edosomwan is rendered in split screen and combined with footage/reportage from the streets. The film was a commission of IFFR's Meet the Maestro homage to the films of Gus Van Sant and was a featured work in the 2008 Whitney Biennial in New York City.
- Chicken (2012) is a scene from Tennessee Williams' play Kingdom of Earth. Chicken is one of three films included in the Tombigbee Chronicles Number Two. The series of films are based on famous people and objects from Columbus, Mississippi, my parent's hometown. Tennessee William was born in Columbus. Filmed as if it were a stage play, the title character, Chicken of Kingdon, struggles with how people view him.
- Chevelle stars two General Motors automobiles--a Pink Chevelle and a Green Trans Am--meeting their fate, or transmuting into new forms. Detritus and art making, the crush and crash of the auto graveyard.