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1-9 of 9
- Spike Lee's vibrant semi-autobiographical portrait of a school teacher, her stubborn jazz musician husband and their five kids living in Brooklyn in 1973.
- This fact-based film examines the life of Sor Juana Inés de la Cruz (Assumpta Serna), a Roman Catholic nun from Mexico City who, in the midst of the Spanish Inquisition, established herself as an important New World philosopher, poet, playwright and early feminist. When Sor Juana comes under the scrutiny of a vicious archbishop (Lautaro Murúa) for her unconventional ways, she must appeal to a powerful political connection -- the Viceroy's scholarly wife.
- Antti "Zombie" Autiomaa does two things well: play the bass guitar and drink. After several months' sleeping on the streets of Istanbul, he returns to Helsinki where he's called into the army but discharged on mental health grounds after adding turpentine to the officers' soup. Zombie lives bleary-eyed in an apartment off his parents' house where his lonely, unemployed father suffers from heart disease. His girl-friend Marjo has taken up with a hairdresser but comes back to Zombie. His friend Harri hires him as a roadie for his band "Harry and the Mulefukkers" then gives him a chance as a bass player. He has his girl and he has a gig, but can Zombie put the bottle down?
- It is late in the Ceausescu era in Romania, and Cristina is having a difficult time with her boyfriend. He wants her to have sex with him before he goes off to do his obligatory stint in the army. She wants him to marry her first. She also gets involved with a slightly rebellious actor, a would-be ladies' man. He has some vague plans to defect - could those be the reason he is receiving mysterious phone calls? Or are they the work of his anonymous admirer?
- At early 16th century a priest joins the Spanish colonizers in order to bring Christianity to the indios. The expedition is murdered by the indios, only the priest is sparred. Santiago, the priest, first tries to continue christianization, but finally becomes one of them - until the Spaniards return.
- Pregnant girl in trouble teams up with a young boy to find the mother of the boy.
- Cameroonian filmmaker Bassek ba Kobhio provides a fascinating revisionist perspective on Albert Schweitzer, Noble Peace Prize winner and secular saint of the colonial era. Like FRANTZ FANON: BLACK SKIN, WHITE MASK, this film begins to rewrite the history of colonialism from the point of view of the colonized. LE GRAND BLANC DE LAMBARÉNÉ is not, however, a facile exercise in iconoclasm but rather a deeply-felt lament for a missed opportunity, for a cross-cultural encounter between Africa and Europe which never happened. The film reveals that the ultimate tragedy of colonialism may have been its refusal to see and value the colonized as autonomous, creative human beings. The film's epigraph, ironically, is a famous remark by Schweitzer himself: "All we can do is allow others to discover us, as we discover them."
- After his fiancee leaves him, Tom finds himself alone and helpless. He has to wash his clothes himself and so goes to the laundromat. There, he meets a quaint tribe and opens up to a new world and incredible horizons.