Advanced search
- TITLES
- NAMES
- COLLABORATIONS
Search filters
Enter full date
to
or just enter yyyy, or yyyy-mm below
to
to
to
Exclude
Only includes titles with the selected topics
to
In minutes
to
1-6 of 6
- A groundbreaking documentary on the internationally renowned painter, designated by ARTnews Magazine one of the world's top-ten living artists. This documentary was shot over a period of four years, from 1998 through 2002, Agnes Martin's ninetieth year. Interviews with Martin are inter-cut with shots at work in her studio in Taos, New Mexico, with photographs and archival footage, and with images of her work from over five decades. It is a venue for Martin to speak about her work, her working methods, her life as an artist, and her views about the creative process. She also discusses her film, "Gabriel" and reads from her poetry and lectures. In keeping with Martin's chosen life of solitude, she alone appears in the documentary.
- The first biographical film on the famed Mexican artist, DIEGO RIVERA: I PAINT WHAT I SEE traces his life from childhood through his Cubist period, his leading role in the Mexican mural renaissance, his fame as a muralist in the USA, and his later years. The film explores Rivera's life and work, including his stormy relationship with Frida Kahlo and the destruction of his famous mural at Rockefeller Center. Shot on location in Mexico and the United States, the film includes a remarkable collection of archival film and photographs, much of which has not been seen before. The text is drawn from the writings of Rivera and Kahlo and from other historical texts. Using Rivera's own words, this richly detailed film brings to life the difficulty he faced in his transition from studio artist to public and political artist, and the conflicts that arose from that point onward.
- An hour-long documentary by Mary Lance and Ben Daitz, focusing on the libraries in the rural New Mexico communities of Abiquiu, Datil, Dixon, El Rito, Glenwood, Jemez Pueblo, and Magdalena.
- The St. Louis World's Fair of 1904.
- Focuses on the visual arts programs of the New Deal, highlighting the impact on the lives and work of American artists. When President Franklin D. Roosevelt took office in 1933 during the Great Depression, nearly 10,000 artists were out of work. Over the next decade, a series of programs known as the New Deal Art Projects was developed. Under the WPA and other programs, thousands of artists were able to earn a living while devoting themselves full-time to their art.
- Smithsonian Magazine once asked the rhetorical question, 'Can a weekly paper in rural New Mexico raise enough hell to keep its readers hungry for more, week after week?' The Rio Grande Sun, published in Espanola, New Mexico is considered one of the best weekly newspapers in the country. The Sun is known for its investigative reporting. It broke the story that its own rural community had the highest per capita heroin overdose rate in the country. It has led the fight for open records and open meetings in a county where political shenanigans are the rule. The film follows the Sun's reporters and editors as they write about the news, the sports, the art and culture of a large rural county. John Burnett, an NPR correspondent, reports on the Sun's Police Blotter--'the best in the country.' Tony Hillerman, the celebrated author and newspaper editor, speaks eloquently about the value of community newspapers. The Sun Never Sets is narrated by Bob Edwards, Peabody Award winning news anchor.