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1-46 of 46
- Camille arrives at the island Ouessant where she was born, to sell the house of her parents. She finds a book of a certain Antoine and starts reading. A story of a stranger is told who came 1963 to the island. He wasn't well received and left again after 2 month.
- Dr. Irène Frachon from Brest discovers, that Mediator pills cause heart valve problems/deaths. In 2009, she starts an uphill battle against the producer and the French health authorities.
- A scientist in yellow overalls is taking samples of green algae on a beach in Brittany. Lifting his mask, he suddenly drops down dead. There's panic in the village - he's not the first person to disappear, and the municipality suspects that toxic algae are the cause. Nevertheless, it's out of the question to endanger the tourism industry or accuse intensive farming for this maleficent bloom. The mayor prefers to suspect the Parisian "bobos" who rent the Airbnb on the beach. But all it takes is one high tide for the dead to re-emerge from the seaweed carpet as zombies. From then on, of course, everything goes downhill. A hedonistic parody of Romero's gory, political zombie movies, EVIL SEAWEED takes satire and schoolboy adventure to the limit. No-one can escape the zombie violence, but neither can anything stand up to the non-conformist, anarchistic firepower of the author of LA FILLE DU 14 JULLET and YELLOW SATURDAY: neither local politics and its spinelessness, nor the ready-made ideas of Parisian thirty-somethings. Among them, Muppet stands out. The amateur laboratory technician discovers she has a superpower, a lethal weapon in her chest. Flashing zombies. A madcap idea from Antonin Peretjatko, the author and director of this jubilant Breton farce, who seems to have followed no other principle than his own pleasure. And ours -pure pleasure, provided we're willing to play the (killing) game. (Cyril Neyrat)
- Autumn 1883, the coast of Brittany. Seeking artistic inspiration, three young Finnish painters arrive. Among them is Heleena, tired of painting only shores, cliffs and landscapes. Then, far off on the beach, a young rider bathes his horse.
- The worst thing is not death, not disappearing forever - but to remain in the world of the living, surrounded by family and friends. Eric learns that he has leukemia, and abruptly, with no warning, his life is turned upside down. His work, his commitments, all must be put aside, even forgotten. With his memory disintegrating, he begins to resemble a zombie. By his side, Leïla starts down a long path where little by little she rediscovers, together with Eric, the vital sensations of desire and social commitment.
- In Brest, Mutter lives with her son Tobias. One day, Tobias meets a girl...
- The new environmentalist president wants the trees in the Senate garden to no longer be pruned.
- On July the 1st 2005, the 1867 Schneider and Co power hammer N°125 ceased operating at the former smithy of the Brest military harbour. This is the story of the machine and its workers' last working day.
- A sterile woman mothers her lover for nine months. He gets caught up in this game.
- Juliette is 23 years old, lives in Paris, and is studying law. But today, she receives a call : she is taken to go on a scientific mission to save the oceans. Ship's departure is on Tuesday. This is completely crazy, she accepts. But the night will be full of uncertainty and doubt.
- For ten years she has been waiting for the moment when, facing the sea, she will be able to be satisfied with the deliberation of the judges in the extraordinary Mediator trial. Dr. Irène Frachon, a pulmonary specialist at the hospital in Brest, is "the one who caused the scandal". She is the one who launched the alert of this harmful drug in front of the authorities to have it banned, relayed it in the media to make a case of it, then brought it to court. This documentary, which pays tribute to her fight, begins in the summer of 2010 in Brest.
- Through the short story of a daughter's visit to her father in Algeria, from a daughter to her mother in Haute-Savoie, from a sister to her siblings, the film offers an intimate approach that highlights the heartbreaks caused by the "choice" of immigration. The story is built around Mohamed, the director's father, a worker in the bar turning industry in Haute-Savoie for 40 years, who chose to return to live permanently in Algeria on his retirement in 2000; and Zinouna, his wife, who has since been going back and forth between here and there. In the next generation, that of Nadja, the director and narrator of the film, several of her brothers, who were born and raised in France, chose to marry women from their native village in Algeria. While her sisters, less torn by their origins and the weight of the family, have made different life choices.