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- An elegant young woman in her messy room answers the phone call from her lover. This one, who intends to leave her, tries to make her understand what he is up to without hurting her too much, hypersensitive as she is . All means are good: big words, cajolery, denial, lies. As for the woman, who senses that this is the end, she desperately tries to win him back, passing from tenderness to passion, from the threat of attempted suicide to calm, from regret to outbursts of violence.
- Gracile and light as a bird, an apparition, dressed in diaphanous white veils, appears on the rooftops of the Opéra Garnier, with a white dove as her companion. A voice calls her to the stage. Another voice, that of Violette Verdy, a dance teacher, addresses her with the admiration of the one whose expectations have been met. This is how we spectators learn that the floating creature is none other than Monique Loudières, one of the Etoile dancers of the Paris Opera, and Violette's former pupil. The ghost then takes flesh, but only to some extent such is the way Monique Loudières defies gravity. From then on she will be seen rehearsing great roles in scenes from famous ballets with partners of the stature of Patrick Dupond and Manuel Legris, either under the benevolent guidance of great elders who pass on their knowledge (Yvette Chauviré, Violette Verdy) or of international masters of contemporary choreography (Jerome Robbins, Jiri Kylian...) Attentive, concentrated, in love with perfection, we see her integrate the gestures, positions and movements they indicate only to replicate them in the moment in the inspired way that make her their ideal interpreter. In the end, the ballerina and the dove become unsubstantial again and vanish in the realm of the stars where they belong.
- Denise Duval, the great soprano, friend and muse of the composer Francis Poulenc, who in 1959 created the role of the woman whom her lover left by telephone in "La Voix humaine", who replayed the role a decade later in front of the cameras of the film-maker Dominique Delouche, accepted that the same Delouche filmed her giving a masterclass to Sophie Favier, a soprano of the rising generation, passionate about Poulenc's music.
- Everything you wanted to know about Maya Plissetskaya, the Bolshoi prima ballerina, from her green years in Moscow, to her training years at the Bolshoi school of Dance, to her brilliant international career with emphasis on her personal creative style - often imitated but never equaled, to her active retirement. At 73, Maya Plissetskaya is still full of life and filled with passion, a joy to be in the company of.
- The story of the Municipal Harmony of the town of Chauvigny in Vienne, France, through the memories of its inhabitants and told in a theatrical show imagined by Jean-Pierre Bodin, born in Chauvigny, and former harmony musician.
- Four people are about to emigrate from their country under dictatorship. Two men and a woman express their dismay through dance, while a man in a white suit soliloquizes, slumped in an armchair. But the exodus will remain internal, their cart not getting beyond the leprous walls of the shed.