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1-15 of 15
- An exploration of the intimacy and vitality of a twelve-hour relationship between a man and a woman whose chance encounter on a street becomes the catalyst for an intensely personal adventure of passion, synchronicities and fears.
- Finding herself in a deindustrialized landscape not unlike Hamilton, a young woman named Lana strives to make her way among the torments of her past while dealing with the persistent Dr. Friedman.
- Passage paints a poetic portrait of 18-year-olds Gabrielle and Yoan's summer, on the eve of their inevitable departure from remote area of Temiscamingue.
- Using the reflections and analysis of many renowned intellectuals, this documentary draws a portrait of neoliberal ideology and examines the various mechanisms used to impose its dictates throughout the world.
- -One evening, after a theatrical performance, the costume designer of the play that has just ended is offered a lucrative project: to become the President of the wardrobe of a rich prince. Now, the prince in question happens to be none other than Lucifer.
- Three generations of women in a French family come to know each other better as they road trip for a photography assignment.
- Laura leaves home to start a new life with her French-Canadian crush, leaving her little sis Kate to cover for her - and deal with her own feelings of abandonment. Both are thus initiated into an adult world where happiness comes at the cost of innocence. The First Day of My Life toys with taboos while maintaining a nostalgia for sisterhood.
- Au cours d'une soirée, près d'une station de métro, Arianne vit une violente altercation avec son petit ami. Au même moment, non loin de là, un aveugle est agressé par deux voyous. Suite à ces deux événements distincts, une rencontre singulière et touchante se produit entre ces deux personnages qui ne se connaissent pas. Arianne, qui est de nature altruiste, insiste auprès de l'aveugle de l'accompagner à son appartement. Malgré de nombreux refus, l'aveugle finit par accepter. Arianne y découvre l'univers complexe et fascinant de cet aveugle photographe. La nuit qu'ils passeront ensemble affectera le destin de l'un et l'autre.
- Parc Mont-Royal attempts to show how cinema evidentiates the relationship between the observer, the observed and the gaze. Such notions as scopophilia, gaze, visual pleasure and voyeurism remained as critical issues on film scolarship. My video piece comments on how the technology of cinema has modified not only our notions about the gaze, but also the gaze in itself. As the experience of cinema is mainly constructed around framing and frame speed, our expectations revolve mainly around these two formal devices. What happen when we receive visual information through different uses of these two formal devices?.
- Ms. Sonia, a real-estate agent, is looking for her client Pierre Leduc in a black water infested house.
- Newly employed in an emergency shelter for people experiencing homelessness, Genevieve is shocked to meet again with with Camille, a young woman whom she believed to have successfully reinserted while being her social worker.
- Ronny, a dramatically self-centered and over self-indulgent yuppie, makes a stupid joke to his Cindy, a liberated XXIst executive woman type. No matter what Ronny will try for the sake of reconquering his love : the hate will now only grow stronger and stronger until the inevitable happens.
- 'Ronny and Cindy in All of Us' is a documentary on relationships and the everyday reality of romance nowadays couples lives. Frederic Eger have brought together testimonials around the same relationships challenges the characters Ronny and Cindy go through.
- Pierre Radisson: Fjord and Gulf (2017) presents the daily activity and environment of its eponymous Canadian Coast Guard Icebreaker. The CCGS Pierre Radisson works year round providing escorts for commercial shipping to ports cut-off by ice, scientific and search and rescue support, among other activities. Shot during the Pierre Radisson's work on the Saguenay Fjord and Gulf of St. Lawrence in Quebec during February 2016, the film provides a window into a portion of the invisible labour underpinning the Canadian economy. The film brings the deep winter landscapes of coastal Quebec into dialogue with intensive industrial activity of ore shipments from the mines of the Saguenay - Lac Saint-Jean. Throughout the film a 1970s naval architecture is presented alongside the activity of the crew, observed as shipboard life unfolds. The CCGS Pierre Radisson, named after a founder of the colonial enterprise the Hudson's Bay Company, plays a crucial role in the economic life of the nation yet outside the knowledge or field of view of most Canadians. As winter and summer ice in Canadian shipping channels is affected by climate change, the labour of this and other icebreakers in the Canadian fleet is shifting, parallel to broader environmental and societal changes. Shot in Super 16mm with a two-person crew of director/cinematographer Ben Donoghue and location sound recordist Noé Rodriguez the film embraces context, giving duration and breath to the images and sounds of the journey. Through a slow observational form the film brings the viewer onto the ship and into the journey instead of describing one.