Worldwide box office June 7-9 Rank Film (distributor)3-day (world)Cume (world)3-day (int’l)3-day (int’l)Territories 1. Bad Boys: Ride Or Die (Sony) $104.6m $104.6m $48.6m $48.6m 61 2. The Garfield Movie (Sony) $25.3m $192.7m $15.3m $124.1m 62 3. Furiosa: A Mad Max Saga (Warner Bros) $17.9m $144.4m $13.7m $85.7m 79 4. If (Paramount) $14.2m $160.7m $6.2m $67.2m 66 5. Kingdom Of The Planet Of The Apes (Disney) $12.3m $359.7m $6.9m $210m 53 6. The Watchers (Warner Bros) $11.7m $11.7m $4.7m $4.7m 66 7. Be My Friend (various) $7.7m $9.8m $7.7m $9.8m 1 8. Walk The Line (various) $7.5m $10.6m $7.5 $10.6m 1 9. Crisis Negotiators (various) $5.5m $9.2m $5.5m $9.2m 2 10. A Little Something Extra...
- 6/10/2024
- ScreenDaily
Yet again, a new title has claimed the top spot of the box-office weekend as Bad Boys: Ride or Die debuted a whopping $46 million ahead of its nearest competition.
In its first weekend of release, Bad Boys: Ride or Die brought in $56.0 million for Sony Pictures Releasing, easily capturing the number one spot of the box-office weekend top ten. This was enough to relegate last weekend’s top film, The Garfield Movie, to a distant second place where it made $10.0 million for Sony Pictures Releasing, lifting its two-week total to $68.6 million. Meanwhile, Paramount Pictures saw If drop to third place where it took in $8.0 million over the weekend, giving the film a four-week total of $93.5 million. The second debut of the weekend, Warner Bros.’ The Watchers, landed in fourth place where it grossed $7.0 million for the studio. Falling a spot to finish in fifth this weekend was Kingdom of the Planet of the Apes...
In its first weekend of release, Bad Boys: Ride or Die brought in $56.0 million for Sony Pictures Releasing, easily capturing the number one spot of the box-office weekend top ten. This was enough to relegate last weekend’s top film, The Garfield Movie, to a distant second place where it made $10.0 million for Sony Pictures Releasing, lifting its two-week total to $68.6 million. Meanwhile, Paramount Pictures saw If drop to third place where it took in $8.0 million over the weekend, giving the film a four-week total of $93.5 million. The second debut of the weekend, Warner Bros.’ The Watchers, landed in fourth place where it grossed $7.0 million for the studio. Falling a spot to finish in fifth this weekend was Kingdom of the Planet of the Apes...
- 6/10/2024
- by Mike Tyrkus
- CinemaNerdz
“Bad Boys: Ride or Die” gave the box office a desperately needed jolt, but the action-comedy fourquel can’t salvage the summer season by itself.
Although the newest “Bad Boys,” reuniting Will Smith and Martin Lawrence as Miami cops, arrived on the higher end of expectations with $56 million in domestic ticket sales, the year-to-date deficit actually grew more pronounced. Heading into the weekend, ticket sales were 24% behind 2023 and now overall revenues are lagging by 26% according to Comscore.
“Bad Boys 4” isn’t to blame for the decline; analysts believe it’s the lack of enthusiasm for other titles in the marketplace. Four of the other top five releases — Sony’s animated “The Garfield Movie” ($10 million), Paramount’s fantasy comedy “If” ($8 million), the Warner Bros. supernatural thriller and fellow newcomer “The Watchers” ($7.4 million) and Disney and 20th Century’s sequel “Kingdom of the Planet of the Apes” ($5.4 million) — brought in scraps.
Although the newest “Bad Boys,” reuniting Will Smith and Martin Lawrence as Miami cops, arrived on the higher end of expectations with $56 million in domestic ticket sales, the year-to-date deficit actually grew more pronounced. Heading into the weekend, ticket sales were 24% behind 2023 and now overall revenues are lagging by 26% according to Comscore.
“Bad Boys 4” isn’t to blame for the decline; analysts believe it’s the lack of enthusiasm for other titles in the marketplace. Four of the other top five releases — Sony’s animated “The Garfield Movie” ($10 million), Paramount’s fantasy comedy “If” ($8 million), the Warner Bros. supernatural thriller and fellow newcomer “The Watchers” ($7.4 million) and Disney and 20th Century’s sequel “Kingdom of the Planet of the Apes” ($5.4 million) — brought in scraps.
- 6/9/2024
- by Rebecca Rubin
- Variety Film + TV
In his first major theatrical return since the Oscars slap of 2022, Will Smith demonstrated his enduring star power as Columbia Pictures’ Bad Boys: Ride Or Die opened top of North American box office on an estimated $56m, injecting a much-needed boost to the early summer season.
The R-rated fourth instalment in the cop buddy franchise pairing Smith and Martin Lawrence played in 3,885 locations, grossing $21.6m on Friday, $19.5m on Saturday, and a projected $14.9m on Sunday.
The debut was a significant rebound too for co-directors Adil El Arbi and Bilall Fallah, whose Batgirl was shelved by Warner Bros in 2022.
Reportedly costing $100m,...
The R-rated fourth instalment in the cop buddy franchise pairing Smith and Martin Lawrence played in 3,885 locations, grossing $21.6m on Friday, $19.5m on Saturday, and a projected $14.9m on Sunday.
The debut was a significant rebound too for co-directors Adil El Arbi and Bilall Fallah, whose Batgirl was shelved by Warner Bros in 2022.
Reportedly costing $100m,...
- 6/9/2024
- ScreenDaily
In his first major theatrical return since the Oscars slap of 2022, Will Smith demonstrated his enduring star power as Columbia Pictures’ Bad Boys: Ride Or Die opened top of North American box office on an estimated $56m, injecting a much-needed boost to the early summer season.
The R-rated fourth instalment in the cop buddy franchise pairing Smith and Martin Lawrence played in 3,885 locations, grossing $21.6m on Friday, $19.5m on Saturday, and a projected $14.9m on Sunday.
The debut was a significant rebound too for co-directors Adil El Arbi and Bilall Fallah, whose Batgirl was shelved by Warner Bros in 2022.
Reportedly costing $100m,...
The R-rated fourth instalment in the cop buddy franchise pairing Smith and Martin Lawrence played in 3,885 locations, grossing $21.6m on Friday, $19.5m on Saturday, and a projected $14.9m on Sunday.
The debut was a significant rebound too for co-directors Adil El Arbi and Bilall Fallah, whose Batgirl was shelved by Warner Bros in 2022.
Reportedly costing $100m,...
- 6/9/2024
- ScreenDaily
Theaters will live to fight another day. “Bad Boys: Ride or Die” (Sony) provided more than half of the gross this weekend, taking #1 with $56 million. That isn’t a record for the franchise (with previous films at lower ticket prices), but it is a critical victory for the industry at a time it desperately needs them.
Will Smith’s first wide release since his catastrophic Oscar behavior in 2022 represents a triumph for star power, franchise filmmaking, action titles, and titles that draw from minority audiences (over two thirds for the weekend were Black and Latino). Most of all, it was a vital sign that underperformance for highly touted summer films isn’t a given.
In the face of rising industry panic, an under-$40 million opening for “Ride or Die” (its 2020 predecessor opened to $62 million) could have ratched the doom and despair to toxic levels. Instead, it blew past tracking projections...
Will Smith’s first wide release since his catastrophic Oscar behavior in 2022 represents a triumph for star power, franchise filmmaking, action titles, and titles that draw from minority audiences (over two thirds for the weekend were Black and Latino). Most of all, it was a vital sign that underperformance for highly touted summer films isn’t a given.
In the face of rising industry panic, an under-$40 million opening for “Ride or Die” (its 2020 predecessor opened to $62 million) could have ratched the doom and despair to toxic levels. Instead, it blew past tracking projections...
- 6/9/2024
- by Tom Brueggemann
- Indiewire
The first full weekend of June brought a modicum of hope to the summer box office, as Will Smith and Martin Lawrence reunited for the fourth installment of their popular “Bad Boys” action-comedy franchise. Read on for the weekend box office report.
“Bad Boys: Ride or Die” had been planned since 2020’s “Bad Boys for Life” became the highest-grossing blockbuster that year, partially due to Covid shutting down theaters a few weeks after its release. Opening in 3,885 theaters, including IMAX and other premium screens, “Ride or Die” received mixed reviews with 64% on Rotten Tomatoes, although it was expected to be fairly review-proof with the popularity of its two stars. It ended up making $5.88 million in Thursday previews beginning at 3pm, and $21.6 million on Friday, including those previews.
Sony is estimating it to make $56 million in North America its opening weekend, which is less than the previous movie’s $62.5 million holiday opening,...
“Bad Boys: Ride or Die” had been planned since 2020’s “Bad Boys for Life” became the highest-grossing blockbuster that year, partially due to Covid shutting down theaters a few weeks after its release. Opening in 3,885 theaters, including IMAX and other premium screens, “Ride or Die” received mixed reviews with 64% on Rotten Tomatoes, although it was expected to be fairly review-proof with the popularity of its two stars. It ended up making $5.88 million in Thursday previews beginning at 3pm, and $21.6 million on Friday, including those previews.
Sony is estimating it to make $56 million in North America its opening weekend, which is less than the previous movie’s $62.5 million holiday opening,...
- 6/9/2024
- by Edward Douglas
- Gold Derby
In a summer full of movies underperforming at the box office, the old-fashioned star power of Will Smith and Martin Lawrence propelled Bad Boys: Ride or Die to a strong start this weekend with a $56 million opening. That’s at least $10 million more than even the most optimistic box office predictions (we predicted way less) and a strong rebound for Will Smith, whose box office prowess has been in question ever since the infamous Oscar slap seemingly hurt his brand.
Whatever the case, audiences seemed more than willing to embrace the star again. The Bad Boys four-quel posted the franchise’s second-biggest opening, following Bad Boys For Life, which started with $62 million in 2020. While some might view that as a bit of a comedown, let’s not forget that the business in movie theatres was much healthier in the pre-pandemic days. With not much competition for adult audiences until A...
Whatever the case, audiences seemed more than willing to embrace the star again. The Bad Boys four-quel posted the franchise’s second-biggest opening, following Bad Boys For Life, which started with $62 million in 2020. While some might view that as a bit of a comedown, let’s not forget that the business in movie theatres was much healthier in the pre-pandemic days. With not much competition for adult audiences until A...
- 6/9/2024
- by Chris Bumbray
- JoBlo.com
Updated: Sony’s Bad Boys: Ride or Die pummeled pre-weekend opening projections, coming in with a $104.6M global bow, including $48.6M from the international box office. While the overseas debut is slightly off 2020’s Bad Boys for Life which did $50.3M in like-for-like offshore markets at today’s exchange rates, that film had strong legs. Either way, Ride or Die‘s start gave some much needed oomph to summer turnstiles. Its launch is 58% bigger than Furiosa: A Mad Max Saga.
The Will Smith/Martin Lawrence reteam from directors Adil El Arbi and Bilall Fallah was driven overseas by Europe with $19.3M across the region. It set new regional records for the Bad Boys franchise in Latin America and the Middle East with $10M and $9.5M, respectively.
Of the 60 markets released this session, the UK leads with $4.9M (+ 31% over Furiosa). Mexico was next with $4.2M, followed by Germany at $3.7M (2.5x...
The Will Smith/Martin Lawrence reteam from directors Adil El Arbi and Bilall Fallah was driven overseas by Europe with $19.3M across the region. It set new regional records for the Bad Boys franchise in Latin America and the Middle East with $10M and $9.5M, respectively.
Of the 60 markets released this session, the UK leads with $4.9M (+ 31% over Furiosa). Mexico was next with $4.2M, followed by Germany at $3.7M (2.5x...
- 6/9/2024
- by Nancy Tartaglione
- Deadline Film + TV
Take a look at the Top 10 movies in 2024 and their total domestic theatrical grosses to date, with Warner Bros.”Dune: Part Two”, ranking at Number 1, earning $282,144,358:
1. “Dune: Part two” $282,144,358 Warner Bros.
2. “Godzilla x Kong: The New Empire” $196,350,016 Warner Bros.
3 “Kung Fu Panda 4” $193,590,620 Universal Pictures
4 “Kingdom of the Planet of the Apes” $145,872,773 20th Century Studios
5 “Ghostbusters: Frozen Empire” $113,020,051 Sony Pictures
6 “Bob Marley: One Love” $96,893,170 Paramount Pictures
7 “If” $87,819,788 Paramount Pictures
8 “Wonka” $85,272,410 Warner Bros.
9 “The Fall Guy” $83,231,565 Universal Pictures
10 “Migration” $73, 202, 330
Click the images to enlarge…...
1. “Dune: Part two” $282,144,358 Warner Bros.
2. “Godzilla x Kong: The New Empire” $196,350,016 Warner Bros.
3 “Kung Fu Panda 4” $193,590,620 Universal Pictures
4 “Kingdom of the Planet of the Apes” $145,872,773 20th Century Studios
5 “Ghostbusters: Frozen Empire” $113,020,051 Sony Pictures
6 “Bob Marley: One Love” $96,893,170 Paramount Pictures
7 “If” $87,819,788 Paramount Pictures
8 “Wonka” $85,272,410 Warner Bros.
9 “The Fall Guy” $83,231,565 Universal Pictures
10 “Migration” $73, 202, 330
Click the images to enlarge…...
- 6/9/2024
- by Unknown
- SneakPeek
Sony’s Bad Boys: Ride or Die jolted the battered summer box office back to life with a better-than-expected domestic opening of $56 million and $104.6 million globally.
Moreover, it puts Will Smith on the road to a career comeback two years after the infamous Oscars slap.
Ride or Die, reuniting Smith with Martin Lawrence, is the fourth outing in Sony’s long-running franchise and earned an A- CinemaScore in North America alongside generally positive reviews. Just as promising, 44 percent of the audience was between ages 18 and 34, showing Smith has a following among younger consumers. Black moviegoers made up the largest quadrant of the audience with 44 percent.
Ride or Die is arguably the first film of the summer to come in ahead of tracking, which had it opening in the $48 million to $50 million range. It’s also the second biggest domestic launch of the season behind Kingdom of the Planet of the Apes,...
Moreover, it puts Will Smith on the road to a career comeback two years after the infamous Oscars slap.
Ride or Die, reuniting Smith with Martin Lawrence, is the fourth outing in Sony’s long-running franchise and earned an A- CinemaScore in North America alongside generally positive reviews. Just as promising, 44 percent of the audience was between ages 18 and 34, showing Smith has a following among younger consumers. Black moviegoers made up the largest quadrant of the audience with 44 percent.
Ride or Die is arguably the first film of the summer to come in ahead of tracking, which had it opening in the $48 million to $50 million range. It’s also the second biggest domestic launch of the season behind Kingdom of the Planet of the Apes,...
- 6/9/2024
- by Pamela McClintock
- The Hollywood Reporter - Movie News
Turns out, Bad Boys are good for ticket sales.
Sony’s “Bad Boys: Ride or Die,” the fourth entry in the Will Smith and Martin Lawrence-led buddy cop series, started strong with $56 million from 3,885 theaters in its domestic debut. The film also opened at the international box office with $48.6 million, bringing its worldwide tally to $104.6 million.
The sequel to 1995’s “Bad Boys,” 2003’s “Bad Boys II” and 2020’s “Bad Boys for Life” is notable as Smith’s first major film to grace the big screen since he assaulted Chris Rock on stage at the 2022 Oscars. So what should Hollywood take away from “Bad Boys” in its fourth go-around? Well, audiences haven’t soured on Smith — though it helps that he returned to theaters in a time-tested and generally well-received franchise.
Although it’s not cementing any franchise records (“Bad Boys for Life” remains the biggest opening of the quartet...
Sony’s “Bad Boys: Ride or Die,” the fourth entry in the Will Smith and Martin Lawrence-led buddy cop series, started strong with $56 million from 3,885 theaters in its domestic debut. The film also opened at the international box office with $48.6 million, bringing its worldwide tally to $104.6 million.
The sequel to 1995’s “Bad Boys,” 2003’s “Bad Boys II” and 2020’s “Bad Boys for Life” is notable as Smith’s first major film to grace the big screen since he assaulted Chris Rock on stage at the 2022 Oscars. So what should Hollywood take away from “Bad Boys” in its fourth go-around? Well, audiences haven’t soured on Smith — though it helps that he returned to theaters in a time-tested and generally well-received franchise.
Although it’s not cementing any franchise records (“Bad Boys for Life” remains the biggest opening of the quartet...
- 6/9/2024
- by Rebecca Rubin
- Variety Film + TV
This post contains spoilers for "Godzilla Minus One."
When "Godzilla Minus One" hit theaters late last year, it was a fierce reminder that visual effects can actually be amazing. These days, conversations about CGI mostly gravitate towards its continual overuse, the shoddiness of some digital effects work in recent blockbusters, and the reportedly relentless workload impacting exhausted effects artists. Yet, Toho Studios' latest kaiju flick is a minor cinematic miracle, a low-budget movie that doesn't overuse CGI while still managing to show off its central beastie plenty of times. For its achievements, the movie was awarded the Oscar for Best Visual Effects, the first the "Godzilla" franchise has earned in its 70 year history.
Surprisingly, despite the accolades the film received for its visuals, "Godzilla Minus One" doesn't actually utilize that much digital art compared to most of its contemporaries. In a Variety spotlight piece earlier this year, the film's director,...
When "Godzilla Minus One" hit theaters late last year, it was a fierce reminder that visual effects can actually be amazing. These days, conversations about CGI mostly gravitate towards its continual overuse, the shoddiness of some digital effects work in recent blockbusters, and the reportedly relentless workload impacting exhausted effects artists. Yet, Toho Studios' latest kaiju flick is a minor cinematic miracle, a low-budget movie that doesn't overuse CGI while still managing to show off its central beastie plenty of times. For its achievements, the movie was awarded the Oscar for Best Visual Effects, the first the "Godzilla" franchise has earned in its 70 year history.
Surprisingly, despite the accolades the film received for its visuals, "Godzilla Minus One" doesn't actually utilize that much digital art compared to most of its contemporaries. In a Variety spotlight piece earlier this year, the film's director,...
- 6/9/2024
- by Valerie Ettenhofer
- Slash Film
Introduced in the second installment in the Planet of the Apes reboot franchise, Jason Clarke’s Malcolm served as the leading human character, who forms a close bond with Caesar and other apes. However, despite his significant presence in the film, the character was absent from its sequel, War for the Planet of the Apes.
Dawn of the Planet of the Apes (2014) | Credit: IMDb
And it was later revealed that the character was actually killed by Woody Harrelson’s Colonel J. Wesley McCullough, with the film’s novelization revealing the details surrounding the unseen death of one of the significant characters in the franchise.
Lost Scene Could Have Delivered a Chilling Opening to War for the Planet of the Apes
The official novelization of the 2017 film War for the Planet of the Apes revealed the real reason Jason Clarke’s character did not appear in the movie. According to the novelization,...
Dawn of the Planet of the Apes (2014) | Credit: IMDb
And it was later revealed that the character was actually killed by Woody Harrelson’s Colonel J. Wesley McCullough, with the film’s novelization revealing the details surrounding the unseen death of one of the significant characters in the franchise.
Lost Scene Could Have Delivered a Chilling Opening to War for the Planet of the Apes
The official novelization of the 2017 film War for the Planet of the Apes revealed the real reason Jason Clarke’s character did not appear in the movie. According to the novelization,...
- 6/9/2024
- by Laxmi Rajput
- FandomWire
The boys are back in town. Sony and Columbia’s “Bad Boys: Ride or Die” got off to a solid start at the box office with $21.6 million from 3,885 locations across Friday and preview screenings. The movie also gets a revenue boost from Imax and other premium large format auditoriums.
The action sequel, directed by Adil El Arbi and Bilall Fallah, is now looking at an opening of $53 million through the three-day frame in North America. Sony had initially projected a debut of $30 million heading into the weekend, going way below industry estimates of $45 million to $50 million. The studio seems to have made a cautious lowball, considering “The Fall Guy” and “Furiosa: A Mad Max Saga” have given the summer box office a run of high-profile titles debuting below expectations.
“Ride or Die” will likely come in short of the $62.5 million domestic debut earned by Will Smith and Martin Lawrence’s series predecessor,...
The action sequel, directed by Adil El Arbi and Bilall Fallah, is now looking at an opening of $53 million through the three-day frame in North America. Sony had initially projected a debut of $30 million heading into the weekend, going way below industry estimates of $45 million to $50 million. The studio seems to have made a cautious lowball, considering “The Fall Guy” and “Furiosa: A Mad Max Saga” have given the summer box office a run of high-profile titles debuting below expectations.
“Ride or Die” will likely come in short of the $62.5 million domestic debut earned by Will Smith and Martin Lawrence’s series predecessor,...
- 6/8/2024
- by J. Kim Murphy
- Variety Film + TV
If early weekend estimates are correct, Sony’s buddy action comedy Bad Boys: Ride or Die could help jolt the battered summer office back to life with a domestic box opening of $53 million. Moreover, it could help put Smith on the road to a career comeback after the infamous Oscars slap, which was seemingly addressed in the film.
Bad Boys 4, reuniting Smith with Martin Lawrence in the fourth outing of Sony’s long-running franchise, earned generally positive reviews and, perhaps more importantly, an A- CinemaScore. Black moviegoers made up the largest quadrant of the audience with 44 percent.
Friday’s haul of $21.6 million included $5.9 million in Thursday night previews. Ride or Die is arguably the first film of the summer to come in ahead of tracking, which had it opening to $48 million to $50 million. It’s also the second biggest behind Kingdom of the Planet of the Apes.
Ride or Die...
Bad Boys 4, reuniting Smith with Martin Lawrence in the fourth outing of Sony’s long-running franchise, earned generally positive reviews and, perhaps more importantly, an A- CinemaScore. Black moviegoers made up the largest quadrant of the audience with 44 percent.
Friday’s haul of $21.6 million included $5.9 million in Thursday night previews. Ride or Die is arguably the first film of the summer to come in ahead of tracking, which had it opening to $48 million to $50 million. It’s also the second biggest behind Kingdom of the Planet of the Apes.
Ride or Die...
- 6/8/2024
- by Pamela McClintock
- The Hollywood Reporter - Movie News
Over the last few weeks, box office pundits have debated whether Bad Boys: Ride or Die had the makings of a box office hit. The predictions have been all over the place, with some thinking it would open similarly to The Fall Guy and Furiosa with $30 million, while others thought it could hit $50 million (we predicted $40 million). According to Deadline’s early box office figures, the movie is opening above expectations with an estimated $52 million over the weekend. While that’s about $10 million shy of what Bad Boys For Life made, let’s not forget that the film opened before the pandemic, at a time when movie theatre attendance was a lot healthier than it is now. A $52 million start is a major success for Sony, with it arguably the first major money maker of the summer.
While some might point to Kingdom of the Planet of the Apes as...
While some might point to Kingdom of the Planet of the Apes as...
- 6/8/2024
- by Chris Bumbray
- JoBlo.com
Sony’s Bad Boys: Ride or Die couldn’t be a more apt title for Will Smith, for whom much is riding on the film doing decent business.
If it works, it could jump-start Smith’s movie career more than two years after he slapped Oscar host Chris Rock on live television, tarnishing a public image he’d spent decades cultivating.
In advance of Bad Boys 4 — in which he plays the sort of fun-loving role people enjoy seeing Smith in — The Hollywood Reporter has learned that his agents at CAA have been calling studio production execs for the first time since the slap. Over the past three or four weeks, they have inquired if studios have projects that are right for Smith, and have even thrown out a suggestion or two, according to multiple sources. The hope is that Smith’s next film can be announced relatively quickly, should Bad Boys 4 work.
If it works, it could jump-start Smith’s movie career more than two years after he slapped Oscar host Chris Rock on live television, tarnishing a public image he’d spent decades cultivating.
In advance of Bad Boys 4 — in which he plays the sort of fun-loving role people enjoy seeing Smith in — The Hollywood Reporter has learned that his agents at CAA have been calling studio production execs for the first time since the slap. Over the past three or four weeks, they have inquired if studios have projects that are right for Smith, and have even thrown out a suggestion or two, according to multiple sources. The hope is that Smith’s next film can be announced relatively quickly, should Bad Boys 4 work.
- 6/6/2024
- by Pamela McClintock
- The Hollywood Reporter - Movie News
After the worst May the box office has seen in 26 years, theaters are hoping that Sony/Columbia’s “Bad Boys: Ride or Die” can restart Hollywood’s momentum in June with a solid opening weekend. But not everyone is optimistic that will be the case.
Produced on a reported $100 million budget, “Bad Boys 4” is relatively less expensive than many of its peers in the summer action film space. That makes the current projections of a $45-50 million opening weekend — which was below the $62 million three-day opening of “Bad Boys For Life” on MLK weekend in 2020 — a decent start that could allow Will Smith and Martin Lawrence’s latest wild ride to turn a profit if it continues to play among male moviegoers over the age of 35.
But “Bad Boys 4” is heading into theaters with as little momentum as any summer title, especially an R-rated one, has had in recent memory.
Produced on a reported $100 million budget, “Bad Boys 4” is relatively less expensive than many of its peers in the summer action film space. That makes the current projections of a $45-50 million opening weekend — which was below the $62 million three-day opening of “Bad Boys For Life” on MLK weekend in 2020 — a decent start that could allow Will Smith and Martin Lawrence’s latest wild ride to turn a profit if it continues to play among male moviegoers over the age of 35.
But “Bad Boys 4” is heading into theaters with as little momentum as any summer title, especially an R-rated one, has had in recent memory.
- 6/5/2024
- by Jeremy Fuster
- The Wrap
Let’s get the worst of it out of the way: We estimate, at best, a $700 million total domestic gross for June, or 30 percent down from last year. We’ll close the month at least 25 percent below the first half of 2023. There’s no mystery as to why: fewer high-impact releases, with last year’s strikes still taking their toll.
June also has three potential breakouts with “Bad Boys: Ride or Die” (Sony) Friday, “Inside Out 2” (Disney) June 14, and “A Quiet Place: Day One” (Paramount) June 28. They also have high expectations which, if met, would go some way to restoring confidence. Fall short and the argument of “Well, this movie was never meant to be a blockbuster” will have run its course.
Everyone knew that 2024 would not be a great year. It was never going to equal the $9.1 billion of 2023, but $8.5 billion was the hope and $8 billion was the consensus.
June also has three potential breakouts with “Bad Boys: Ride or Die” (Sony) Friday, “Inside Out 2” (Disney) June 14, and “A Quiet Place: Day One” (Paramount) June 28. They also have high expectations which, if met, would go some way to restoring confidence. Fall short and the argument of “Well, this movie was never meant to be a blockbuster” will have run its course.
Everyone knew that 2024 would not be a great year. It was never going to equal the $9.1 billion of 2023, but $8.5 billion was the hope and $8 billion was the consensus.
- 6/5/2024
- by Tom Brueggemann
- Indiewire
Within minutes of the actors strike ending on Nov. 9, Ryan Reynolds was making plans to get back to London and the set of Deadpool & Wolverine, one of the many movies shut down in mid-July when the walkout commenced. He and director Shawn Levy were determined to make their July 26 release date, which they were able to accomplish. For other tentpoles, it was too late, and they would ultimately decamp to 2025.
One studio head says the impact of the writers’ walkout, which lasted five months until a settlement was reached on Sept. 27, also played a major role. “Think of it like this — if the actors’ strike shut down the oil refinery, then the writers’ strike shut down the oil fields.”
Toward the end of the SAG-AFTRA talks, studio chiefs were accused of being disingenuous when saying their 2024 release calendars were in danger every day the four-month strike dragged. Now the...
One studio head says the impact of the writers’ walkout, which lasted five months until a settlement was reached on Sept. 27, also played a major role. “Think of it like this — if the actors’ strike shut down the oil refinery, then the writers’ strike shut down the oil fields.”
Toward the end of the SAG-AFTRA talks, studio chiefs were accused of being disingenuous when saying their 2024 release calendars were in danger every day the four-month strike dragged. Now the...
- 6/5/2024
- by Pamela McClintock
- The Hollywood Reporter - Movie News
Kingdom of the Planet of the Apes began with a surprising and intense opening scene that left viewers grappling with mixed emotions. The franchise managed to introduce new characters effectively while setting the stage for future installments. However, it was Mae’s unexpected betrayal that truly set the tone for the film. The Complex Relationship Between Mae and Noa At the heart of this narrative is the intricate and evolving relationship between Freya Allan’s Mae and Owen Teague’s Noa. Early in the film, Proximus Caesar, the film’s central antagonist, seeks entry to an ancient vault. Proximus Caesar desiring to enter a...
- 6/5/2024
- by Steve Delikson
- TVovermind.com
Box Office – Srikanth is just a little below 50 lakhs on Tuesday(Photo Credit –T-Series/Facebook)
After bringing in 52 lakhs on Monday, Srikanth dropped around 10% on Tuesday with 47 lakhs coming in. This is regular trending, though when a film is collecting on the lower side then one would like to see the numbers being constant on each of the days.
That said, all the films did get impacted by elections results wave on Monday and Srikanth was not an exception. In fact it dropped lesser than Mr. & Mrs. Mahi which has seen a dip of around 15%. Nonethelsss, it is expected that from here on the film would be stable and stay in that 45 lakhs zone today as well as tomorrow.
Srikanth has done its job already with 46.33 crores in its kitty and 47 crores set to be crossed by end of the fourth week. Post that 50 crores will come easily as well,...
After bringing in 52 lakhs on Monday, Srikanth dropped around 10% on Tuesday with 47 lakhs coming in. This is regular trending, though when a film is collecting on the lower side then one would like to see the numbers being constant on each of the days.
That said, all the films did get impacted by elections results wave on Monday and Srikanth was not an exception. In fact it dropped lesser than Mr. & Mrs. Mahi which has seen a dip of around 15%. Nonethelsss, it is expected that from here on the film would be stable and stay in that 45 lakhs zone today as well as tomorrow.
Srikanth has done its job already with 46.33 crores in its kitty and 47 crores set to be crossed by end of the fourth week. Post that 50 crores will come easily as well,...
- 6/5/2024
- by Joginder Tuteja
- KoiMoi
Bad Boys: Ride Or Die Box Office Projection (North America): Dips Lower(Photo Credit –Sony Pictures Entertainment/YouTube)
Bad Boys: Ride or Die, the fourth installment in the Bad Boys franchise starring Will Smith and Martin Lawrence, will finally hit the theatres on Friday. The industry is predicting the movie’s opening weekend collection. Keep scrolling for more.
The first film in the franchise was released in 1995, the second one came out in 2003, and the third film was released over one and half decade in 2020. it is an American buddy cop action comedy film series where Will and Martin play two detectives in the Miami Police Department. The first two movies were directed by Michael Bay, while Adil & Bilall took over for the third film as its director, and they directed the fourth installment.
Will Smith and Martin Lawrence’s Bad Boys: Ride or Die was being put on...
Bad Boys: Ride or Die, the fourth installment in the Bad Boys franchise starring Will Smith and Martin Lawrence, will finally hit the theatres on Friday. The industry is predicting the movie’s opening weekend collection. Keep scrolling for more.
The first film in the franchise was released in 1995, the second one came out in 2003, and the third film was released over one and half decade in 2020. it is an American buddy cop action comedy film series where Will and Martin play two detectives in the Miami Police Department. The first two movies were directed by Michael Bay, while Adil & Bilall took over for the third film as its director, and they directed the fourth installment.
Will Smith and Martin Lawrence’s Bad Boys: Ride or Die was being put on...
- 6/5/2024
- by Esita Mallik
- KoiMoi
Box Office – Mr & Mrs Mahi stays stable on Tuesday(Photo Credit – Instagram)
After bringing in 2.21 crores on Monday, the need of the hour for Mr & Mrs Mahi was to stay stable at the box office for the rest of the weekdays. Though not major, but still a drop had come on Monday, which means that from here, the film was bound to follow a normal trajectory.
That said, this is also the election results week, which means a lot of focus is on current affairs, and hence, movies have taken a backseat in general. It’s also quite visible that even promotion and marketing efforts for many films have slowed down a bit, and that will stay on to be the case for the entire week, especially with the kind of election outcome that has come, which is different from the common consensus till a week before. As a result,...
After bringing in 2.21 crores on Monday, the need of the hour for Mr & Mrs Mahi was to stay stable at the box office for the rest of the weekdays. Though not major, but still a drop had come on Monday, which means that from here, the film was bound to follow a normal trajectory.
That said, this is also the election results week, which means a lot of focus is on current affairs, and hence, movies have taken a backseat in general. It’s also quite visible that even promotion and marketing efforts for many films have slowed down a bit, and that will stay on to be the case for the entire week, especially with the kind of election outcome that has come, which is different from the common consensus till a week before. As a result,...
- 6/5/2024
- by Joginder Tuteja
- KoiMoi
Deadpool & Wolverine Maker Shawn Levy Is Allegedly Being Eyed To Direct Avengers 5(Photo Credit –Shawn Levy/Instagram)
Ahead of the release of Deadpool and Wolverine, Shawn Levy is allegedly getting more good news regarding the next Avengers movie, Avengers 5. The MCU has been going through a rough phase recently, and this Ryan Reynolds and Hugh Jackman can finally bring back the lost glory of Marvel and kick off the summer box office this year. Keep scrolling for more.
Marvel is very cautious about its releases. Only one MCU movie is coming out this year, and Avengers 5 has been shrouded in controversy for a long time, especially after Jonathan Majors’ firing from Marvel. He played the role of Kang the Conqueror and was being set up as the next big baddie in the MCU. Things went down south after he got arrested and was found guilty in the domestic violence case.
Ahead of the release of Deadpool and Wolverine, Shawn Levy is allegedly getting more good news regarding the next Avengers movie, Avengers 5. The MCU has been going through a rough phase recently, and this Ryan Reynolds and Hugh Jackman can finally bring back the lost glory of Marvel and kick off the summer box office this year. Keep scrolling for more.
Marvel is very cautious about its releases. Only one MCU movie is coming out this year, and Avengers 5 has been shrouded in controversy for a long time, especially after Jonathan Majors’ firing from Marvel. He played the role of Kang the Conqueror and was being set up as the next big baddie in the MCU. Things went down south after he got arrested and was found guilty in the domestic violence case.
- 6/5/2024
- by Esita Mallik
- KoiMoi
(Photo Credit – IMDb)
Harry Potter is one of the biggest movie franchises of all time and has earned millions worldwide. This year, the third installment in the franchise, Harry Potter and the Prisoner of Azkaban, turns 20, and we are here to take a quick look at the Daniel Radcliffe, Emma Watson, and Rupert Grint starrer fantasy drama. Keep scrolling for more.
It is based on Jk Rowling’s fantasy novel. In this movie, Harry and his friends enter their teenage years, and things get grittier from then on. This third installment has a darker tone than the previous two installments. For the uninitiated, there are eight films in the Harry Potter series, and the first one was released in the theatres in 2001.
Harry Potter and the Prisoner of Azkaban was released in domestic theatres on June 4, 2004; this year, it turns 20. It is reportedly the fan-favorite installment, but unfortunately, it is the lowest-grossing Harry Potter movie.
Harry Potter is one of the biggest movie franchises of all time and has earned millions worldwide. This year, the third installment in the franchise, Harry Potter and the Prisoner of Azkaban, turns 20, and we are here to take a quick look at the Daniel Radcliffe, Emma Watson, and Rupert Grint starrer fantasy drama. Keep scrolling for more.
It is based on Jk Rowling’s fantasy novel. In this movie, Harry and his friends enter their teenage years, and things get grittier from then on. This third installment has a darker tone than the previous two installments. For the uninitiated, there are eight films in the Harry Potter series, and the first one was released in the theatres in 2001.
Harry Potter and the Prisoner of Azkaban was released in domestic theatres on June 4, 2004; this year, it turns 20. It is reportedly the fan-favorite installment, but unfortunately, it is the lowest-grossing Harry Potter movie.
- 6/4/2024
- by Esita Mallik
- KoiMoi
The father of the Dune franchise, Denis Villeneuve, has recently lamented the fact that Dune 2 is still the highest-grossing movie of the year that earned more than $711M.
However, both Villeneuve and the audience can pay attention to other worth-watching box office successes of 2024, with 7 of them being enlisted here.
1. Godzilla x Kong: The New Empire — $567 Million
Indeed, this year’s installment of the Monsterverse franchise attracted millions of viewers worldwide. The epic action roller coaster, following the next collaboration of Kong and Godzilla, is a must-watch for all kaiju movie fans.
2. Kung Fu Panda 4 — $543 Million
The animated martial arts franchise is still our favorite, and its box office success proves it. Both kids and adults will have a lot of fun observing Po’s complicated search for his successor as the new Dragon Warrior.
3. Kingdom Of The Planet Of The Apes — $338 Million
Here comes not only a commercial,...
However, both Villeneuve and the audience can pay attention to other worth-watching box office successes of 2024, with 7 of them being enlisted here.
1. Godzilla x Kong: The New Empire — $567 Million
Indeed, this year’s installment of the Monsterverse franchise attracted millions of viewers worldwide. The epic action roller coaster, following the next collaboration of Kong and Godzilla, is a must-watch for all kaiju movie fans.
2. Kung Fu Panda 4 — $543 Million
The animated martial arts franchise is still our favorite, and its box office success proves it. Both kids and adults will have a lot of fun observing Po’s complicated search for his successor as the new Dragon Warrior.
3. Kingdom Of The Planet Of The Apes — $338 Million
Here comes not only a commercial,...
- 6/4/2024
- by info@startefacts.com (Ava Raxa)
- STartefacts.com
Family fare was evidently the preferred choice during the U.K. and Ireland school half-term holidays as Paramount’s “If” bounced up the charts to the top spot.
In its third weekend, “If” collected £1.5 million ($2 million) for a total of £9.5 million ($12.2 million). In its second weekend, in second place, Sony’s “The Garfield Movie” clawed another £1.3 million and now has a total of £6.2 million.
In third place, in its fourth weekend, Disney’s “Kingdom of the Planet of the Apes” chest thumped to a further £1 million for a total of £13.2 million.
Warner Bros.’ “Furiosa: A Mad Max Saga,” which was neck-and-neck with “Garfield” in its opening weekend, earned £963,976 in its second weekend in fourth place and now has a total of £4.5 million.
Rounding off the top five was Universal’s “The Fall Guy” that took in £524,320 in its fifth weekend for a total of £11.1 million.
There were three new entries in the Top 10. Warner Bros.
In its third weekend, “If” collected £1.5 million ($2 million) for a total of £9.5 million ($12.2 million). In its second weekend, in second place, Sony’s “The Garfield Movie” clawed another £1.3 million and now has a total of £6.2 million.
In third place, in its fourth weekend, Disney’s “Kingdom of the Planet of the Apes” chest thumped to a further £1 million for a total of £13.2 million.
Warner Bros.’ “Furiosa: A Mad Max Saga,” which was neck-and-neck with “Garfield” in its opening weekend, earned £963,976 in its second weekend in fourth place and now has a total of £4.5 million.
Rounding off the top five was Universal’s “The Fall Guy” that took in £524,320 in its fifth weekend for a total of £11.1 million.
There were three new entries in the Top 10. Warner Bros.
- 6/4/2024
- by Naman Ramachandran
- Variety Film + TV
Kingdom Of The Planet Of The Apes Box Office (Worldwide): Planet Of The Apes Reboot Franchise Crosses $2 Billion. (Photo Credit – IMDb)
Kingdom of the Planet of the Apes has not only crossed a significant milestone at the worldwide box office but has also taken the Planet of the Apes reboot franchise’s collection to a new height. The franchise was rebooted in 2011 with Rise of the Planet of the Apes, starring James Franco and Andi Serkis in crucial roles. Keep scrolling for the deets.
The Planet of the Apes reboot began in 2011 with Andi, and his trilogy ended with War for the Planet of the Apes. The movie was released in 2017, and the latest release is the fourth installment in the franchise. It is reportedly the lowest-grossing franchise so far, but the contribution has enabled the film series to attain an important milestone.
According to The Numbers, the Kingdom of the Planet of the Apes...
Kingdom of the Planet of the Apes has not only crossed a significant milestone at the worldwide box office but has also taken the Planet of the Apes reboot franchise’s collection to a new height. The franchise was rebooted in 2011 with Rise of the Planet of the Apes, starring James Franco and Andi Serkis in crucial roles. Keep scrolling for the deets.
The Planet of the Apes reboot began in 2011 with Andi, and his trilogy ended with War for the Planet of the Apes. The movie was released in 2017, and the latest release is the fourth installment in the franchise. It is reportedly the lowest-grossing franchise so far, but the contribution has enabled the film series to attain an important milestone.
According to The Numbers, the Kingdom of the Planet of the Apes...
- 6/4/2024
- by Esita Mallik
- KoiMoi
Despite Hollywood's box office haul being generally disappointing this year, the "Planet of the Apes" franchise is proving to be surprisingly resilient.
Seven years after "War for the Planet of the Apes" concluded the Caesar trilogy on a critical high note as one of the most significant blockbusters of the decade, director Wes Ball's "Kingdom of the Planet of the Apes" has managed to hold strong and bring back the same audience that turned the previous films into box office success stories. To that end, the film crossed a major milestone this past weekend, sailing past the $300 million mark worldwide on what was otherwise an abysmal few days for theaters.
On its fourth weekend in theaters, "Kingdom" pulled in another $8.9 million, staying at fourth place on the charts. It landed just below John Krasinski's "If" ($10.5 million) and well above Universal's "The Fall Guy" ($4.1 million), which has already...
Seven years after "War for the Planet of the Apes" concluded the Caesar trilogy on a critical high note as one of the most significant blockbusters of the decade, director Wes Ball's "Kingdom of the Planet of the Apes" has managed to hold strong and bring back the same audience that turned the previous films into box office success stories. To that end, the film crossed a major milestone this past weekend, sailing past the $300 million mark worldwide on what was otherwise an abysmal few days for theaters.
On its fourth weekend in theaters, "Kingdom" pulled in another $8.9 million, staying at fourth place on the charts. It landed just below John Krasinski's "If" ($10.5 million) and well above Universal's "The Fall Guy" ($4.1 million), which has already...
- 6/4/2024
- by Ryan Scott
- Slash Film
Noa (played by Owen Teague) in 20th Century Studios’ Kingdom Of The Planet Of The Apes. Photo courtesy of 20th Century Studios. © 2024 20th Century Studios. All Rights Reserved. Man may have descended biologically from apes, but enough time has passed that most of our ape-like behaviors have gone the way of the dinosaurs. So, in order for the actors playing apes in the film Kingdom of the Planet of the Apes to find their new simian selves, they spent some time in “ape school.” Owen Teague, who stars in the film as Toa, a chimpanzee, spoke about what it was like to get in touch with his inner ape. (Click on the media bar below to hear Owen Teague) https://www.hollywoodoutbreak.com/wp-content/uploads/2024/06/Owen_-Teague_Kingdom_Of_-The_-Planet_-Of_-The_-Apes_.mp3 Kingdom of the Planet of the Apes is now playing in theaters.
The post In The ‘Kingdom,...
The post In The ‘Kingdom,...
- 6/3/2024
- by Hollywood Outbreak
- HollywoodOutbreak.com
Another weekend in the books, another reason to be pessimistic about the state of the box office in 2024. We are just coming off of the worst Memorial Day weekend in decades in terms of ticket sales, thanks to weak performances by both "Furiosa: A Mad Max Saga" and "The Garfield Movie." Now? With no meaningfully big movies entering the marketplace, theaters were left to suffer -- so much so that this past weekend now ranks as literally one of the worst weekends the summer box office has experienced in a quarter century.
"The Garfield Movie" held far better than "Furiosa" in its second weekend, as the animated film topped the charts with a $14 million haul. That's good for Sony, but terrible for the industry at large. When we're in the midst of the summer moviegoing season and the number one movie on a given weekend pulls in $14 million, we're in trouble.
"The Garfield Movie" held far better than "Furiosa" in its second weekend, as the animated film topped the charts with a $14 million haul. That's good for Sony, but terrible for the industry at large. When we're in the midst of the summer moviegoing season and the number one movie on a given weekend pulls in $14 million, we're in trouble.
- 6/3/2024
- by Ryan Scott
- Slash Film
Update: (Monday Pm) As noted yesterday, the margin between the 2nd and 3rd place finish for If and Furiosa: A Mad Max Saga was slim, and in the end, after final figures were reported, their positions at the weekend box office flip-flopped. According to the latest numbers via Deadline, Furiosa made $10.785 million to If‘s $10.5. While that’s only a $285k difference, it gives Furiosa a bit of a better finish, allowing it to reclaim second place, although it trails far behind The Garfield Movie‘s first-place finish with $14 million.
Original Post:
The box office outlook for George Miller’s Furiosa: A Mad Max Saga looks pretty bleak. In my box office predictions, I anticipated the film being beaten by The Garfield Movie in its second weekend, but I didn’t think John Krasinski’s If, in week 3, would manage to overtake it at the box office. But,...
Original Post:
The box office outlook for George Miller’s Furiosa: A Mad Max Saga looks pretty bleak. In my box office predictions, I anticipated the film being beaten by The Garfield Movie in its second weekend, but I didn’t think John Krasinski’s If, in week 3, would manage to overtake it at the box office. But,...
- 6/3/2024
- by Chris Bumbray
- JoBlo.com
The French box office bounced back in May after an April plunge to reach 15.6 million admissions, up 13.5% from the same month last year.
Ticket sales year on year from January through May are down by 11.6% compared to the same period in 2023 after a slow start to the year and admissions to French cinemas falling by 35.5% in what was an abysmal April.
However, the June-May total of 171 million admissions is equal to the same period year on year. More was merrier for a month when 74 new films were released compared to 63 in 2023.
The renewed May momentum was mostly due to local-language phenomenon A Little Something Extra,...
Ticket sales year on year from January through May are down by 11.6% compared to the same period in 2023 after a slow start to the year and admissions to French cinemas falling by 35.5% in what was an abysmal April.
However, the June-May total of 171 million admissions is equal to the same period year on year. More was merrier for a month when 74 new films were released compared to 63 in 2023.
The renewed May momentum was mostly due to local-language phenomenon A Little Something Extra,...
- 6/3/2024
- ScreenDaily
RankFilm (distributor)Three-day gross (May 31-June 2)Total gross to dateWeek 1. If (Paramount) £1.6m £9.6m 3 2. The Garfield Movie (Sony) £1.3m £6.3m 2 3. Kingdom Of The Planet Of The Apes (Disney) £1.1m £13.3m 4 4. Furiosa: A Mad Max Saga (Warner Bros) £963,053 £4.5m 2 5. The Fall Guy (Universal)
£523,218 £11m 5
Gbp to Usd conversion rate: 1.27
Without a hot new tentpole release, this weekend’s UK-Ireland box office has been dominated by holdovers, with Paramount’s If clinching the top spot, and The Garfield Movie overtaking Furiosa: A Mad Max Saga.
John Krasinski’s live action-animation hybrid If has finally broken out of its second place slot in its third weekend on release,...
£523,218 £11m 5
Gbp to Usd conversion rate: 1.27
Without a hot new tentpole release, this weekend’s UK-Ireland box office has been dominated by holdovers, with Paramount’s If clinching the top spot, and The Garfield Movie overtaking Furiosa: A Mad Max Saga.
John Krasinski’s live action-animation hybrid If has finally broken out of its second place slot in its third weekend on release,...
- 6/3/2024
- ScreenDaily
Quebecois filmmaker Denis Villeneuve should be running a victory lap after his sci-fi sequel “Dune: Part Two” earned over $700 million at the box office this year and after recently receiving the Academy Icon Award at the 2024 Canadian Screen Awards on May 31, but the current lack of audiences showing up to movie theaters this summer is bringing him down.
Speaking to the press after receiving the award, Villeneuve said, “I think we need movies that are theatrical experiences, that will fully embrace the power of the theater, and I’m not just talking about ‘Dune 2.’ Of course I’m talking about many movies. A movie like ‘Civil War,’ for instance, is a strong example of a movie that absolutely used the power of the theater. I was lucky that ‘Part Two’ did reach the audience, I wish it would happen more often, honestly.”
“Dune: Part Two” remains the highest grossing...
Speaking to the press after receiving the award, Villeneuve said, “I think we need movies that are theatrical experiences, that will fully embrace the power of the theater, and I’m not just talking about ‘Dune 2.’ Of course I’m talking about many movies. A movie like ‘Civil War,’ for instance, is a strong example of a movie that absolutely used the power of the theater. I was lucky that ‘Part Two’ did reach the audience, I wish it would happen more often, honestly.”
“Dune: Part Two” remains the highest grossing...
- 6/3/2024
- by Harrison Richlin
- Indiewire
Worldwide box office May 31-June 2 Rank Film (distributor) 3-day (world) Cume (world) 3-day (int’l) Cume (int’l) Territories 1. The Garfield Movie (Sony) $41m $152.1m $27m $100.6m 61 2. Furiosa: A Mad Max Saga (Warner Bros) $31.7m $114.3m $21m $64.7m 78 3. Kingdom Of The Planet Of The Apes (Disney) $24m $337m $15.2m $197.1m 52 4. If (Disney) $21.8m $138m $11m $57.6m 70 5. Doraemon The Movie: Nobita’s Earth (Toho) $12.2m $40.5m $12.2m $40.5m 1 6. Symphony Haikyu!! The Dumpster Battle (various) $9m $95m $5.5m $91.5m 44 7. A Little Something Extra (Pan Distribution) $8m $49.1m $8m $49.1m 1 8. The Fall Guy (Universal) $7.6m $157.8m $3.4m $77.6m 82 9. The Strangers: Chapter 1 (various) $5.1m...
- 6/3/2024
- ScreenDaily
Was so ein bisschen schlechtes Wetter landesweit für den Kinobesuch bedeuten kann (plus Brückentag und Ferien): Obwohl kein Neuling in den Top ten landete, ging es dramatisch bergauf mit den Zahlen – vier Filme in den Top 5 konnten teilweise deutlich zulegen. „Garfield“ ist Nummer eins und Topfilm des Sommers.
Wir sehen uns die Titel im Einzelnen an…
„Garfield – Eine extra Portion Abenteuer“: 215.000 Tickets We 4 / 1,85 Mio. Euro / gesamt 800.000 Tickets / weltweit 152 Mio. Dollar
• Sensationelles Plus an We 4: Mehr als 100 Prozent im Vergleich zu We 3 (98.000 Tickets)
• Bestes We bislang (Start-we: 150.000 Tickets)
• Aktuell gesamt meistgesehener Film des Kinosommers; erster Sommerfilm, der in Richtung eine Mio. Tickets schielt
• Erster Film der Saison mit mehr als 800.000 Tickets
• Zweiter Hit für Sony in 2024 nach „Wo die Lüge hinfällt“
„If – Imaginäre Freunde“: 145.000 Tickets We 3 / 1,2 Mio. Euro / gesamt 400.000 Tickets / weltweit 138 Mio. Dollar
• Sensationelles Plus an We 2: Mehr als 100 Prozent im Vergleich zu We 2 (64.000 Tickets)
• Bestes...
Wir sehen uns die Titel im Einzelnen an…
„Garfield – Eine extra Portion Abenteuer“: 215.000 Tickets We 4 / 1,85 Mio. Euro / gesamt 800.000 Tickets / weltweit 152 Mio. Dollar
• Sensationelles Plus an We 4: Mehr als 100 Prozent im Vergleich zu We 3 (98.000 Tickets)
• Bestes We bislang (Start-we: 150.000 Tickets)
• Aktuell gesamt meistgesehener Film des Kinosommers; erster Sommerfilm, der in Richtung eine Mio. Tickets schielt
• Erster Film der Saison mit mehr als 800.000 Tickets
• Zweiter Hit für Sony in 2024 nach „Wo die Lüge hinfällt“
„If – Imaginäre Freunde“: 145.000 Tickets We 3 / 1,2 Mio. Euro / gesamt 400.000 Tickets / weltweit 138 Mio. Dollar
• Sensationelles Plus an We 2: Mehr als 100 Prozent im Vergleich zu We 2 (64.000 Tickets)
• Bestes...
- 6/3/2024
- by Thomas Schultze
- Spot - Media & Film
Two foreign-made animation movies opened on top of the mainland China box office over the latest weekend. Japanese film, “Doraemon the Movie: Nobita’s Earth Symphony” landed in first place, ahead of “The Garfield Movie,” though the match-up was not like-for-like.
According to data from consultancy Artisan Gateway, “Doraemon” earned $12.6 million (RMB89.5 million) over the three days from its Friday release. “Garfield” was released on Saturday and earned $8.2 million or RMB58.3 million.
“Earth Symphony” is the 43rd film in the franchise and was released in Japan in March. Comscore says that it now has a global box office total of $40.5 million.
Both of the animated newcomers were comfortably ahead of “The Last Frenzy,” the comedy action film that had been on top in China for the previous two weeks. In third place, it earned $4.5 million over the latest weekend. That lifted its cumulative total to $106 million since releasing on May 1.
Chinese...
According to data from consultancy Artisan Gateway, “Doraemon” earned $12.6 million (RMB89.5 million) over the three days from its Friday release. “Garfield” was released on Saturday and earned $8.2 million or RMB58.3 million.
“Earth Symphony” is the 43rd film in the franchise and was released in Japan in March. Comscore says that it now has a global box office total of $40.5 million.
Both of the animated newcomers were comfortably ahead of “The Last Frenzy,” the comedy action film that had been on top in China for the previous two weeks. In third place, it earned $4.5 million over the latest weekend. That lifted its cumulative total to $106 million since releasing on May 1.
Chinese...
- 6/3/2024
- by Patrick Frater
- Variety Film + TV
“Furiosa: A Mad Max Saga” maintained a narrow win at the South Korea weekend box office in its second week of release. The highest new release was local crime drama “The Plot.”
Total weekend revenues in Korean cinemas were a modest $8.91 million. That figure keeps a post-covid recovery on course, but progress is slow and incomplete.
“Furiosa” earned $2.24 million between Friday and Sunday, according to data from Kobis, the tracking service operated by the Korean Film Council (Kofic). That gives it a 12-day cumulative total of $7.90 million.
With some thematic resemblance to Soi Cheang’s celebrated Hong Kong film “Accident,” the story of “The Plot” involves a gang who design murders to look like everyday occurrences. The gang takes a job to kill a prosecutor, but its leader is worried that he is being gaslighted.
The film opened on Wednesday, as is the norm for most titles in Korea, and...
Total weekend revenues in Korean cinemas were a modest $8.91 million. That figure keeps a post-covid recovery on course, but progress is slow and incomplete.
“Furiosa” earned $2.24 million between Friday and Sunday, according to data from Kobis, the tracking service operated by the Korean Film Council (Kofic). That gives it a 12-day cumulative total of $7.90 million.
With some thematic resemblance to Soi Cheang’s celebrated Hong Kong film “Accident,” the story of “The Plot” involves a gang who design murders to look like everyday occurrences. The gang takes a job to kill a prosecutor, but its leader is worried that he is being gaslighted.
The film opened on Wednesday, as is the norm for most titles in Korea, and...
- 6/3/2024
- by Patrick Frater
- Variety Film + TV
A new film sits atop the box-office weekend as The Garfield Movie managed to claim the number one slot by the margin of $3.2 million.
After finishing in second place last weekend, The Garfield Movie took over the box-office weekend top ten with $14.0 million in its second weekend of release. This gives the Sony Pictures Releasing offering a two-week tally of $51.6 million, allowing it to finish just $3.2 million ahead of second-place If. The Paramount Pictures product brought in $10.8 million during its third weekend in release, raising its overall total to $80.4 million. Meanwhile, the Warner Bros. film, Furiosa: A Mad Max Saga dropped two spots, after finishing in first place last weekend, to land in third place with $10.7, just $0.1 million behind If. Kingdom of the Planet of the Apes however, held steady in fourth place where it added $8.8 million to raise its four-week total to $140.1 million for 20th Century Studios. Also remaining...
After finishing in second place last weekend, The Garfield Movie took over the box-office weekend top ten with $14.0 million in its second weekend of release. This gives the Sony Pictures Releasing offering a two-week tally of $51.6 million, allowing it to finish just $3.2 million ahead of second-place If. The Paramount Pictures product brought in $10.8 million during its third weekend in release, raising its overall total to $80.4 million. Meanwhile, the Warner Bros. film, Furiosa: A Mad Max Saga dropped two spots, after finishing in first place last weekend, to land in third place with $10.7, just $0.1 million behind If. Kingdom of the Planet of the Apes however, held steady in fourth place where it added $8.8 million to raise its four-week total to $140.1 million for 20th Century Studios. Also remaining...
- 6/3/2024
- by Mike Tyrkus
- CinemaNerdz
Update: It may be a stretch, but we could coin a new phrase and call this the cat days of spring. To wit: Sony/Alcon’s The Garfield Movie, which began early overseas release last month, took the No. 1 spot for Hollywood on the domestic, international and global charts this frame.
The offshore session in 60 markets was $27.1M, lifting worldwide to $152.2M. The voracious kitty had paws aplenty with overseas markets down just 3% from last weekend. The international box office cume is now $100.7M.
In China, Alcon partnered with Stars Collective to distribute the film via China Film Group and Alibaba Pictures and opened to $8.2M, starting from Saturday. In two days, Garfield has surpassed the lifetimes of Puss In Boots: The Last Wish and Migration.
The tabby added such new markets this session as Poland with $2.4M, which is 45% higher than The Secret Life of Pets 2. Australia debuted...
The offshore session in 60 markets was $27.1M, lifting worldwide to $152.2M. The voracious kitty had paws aplenty with overseas markets down just 3% from last weekend. The international box office cume is now $100.7M.
In China, Alcon partnered with Stars Collective to distribute the film via China Film Group and Alibaba Pictures and opened to $8.2M, starting from Saturday. In two days, Garfield has surpassed the lifetimes of Puss In Boots: The Last Wish and Migration.
The tabby added such new markets this session as Poland with $2.4M, which is 45% higher than The Secret Life of Pets 2. Australia debuted...
- 6/2/2024
- by Nancy Tartaglione
- Deadline Film + TV
Lots of ways to describe how bad it is for theaters. Here’s one: A year ago, the #2 film “The Little Mermaid” grossed $41.4 million; this weekend, the top four films grossed $44.4 million combined.
“The Garfield Movie” (Sony) took over #1 with $14 million and a 10-day total about $2 million better than last week’s #1, “Furiosa: A Mad Max Saga.” (Warner Bros.). George Miller’s $160 million-budget prequel dropped 59 percent from a disappointing start and is in a tight battle for #2 with “If” (Paramount). The family fantasy with Ryan Reynolds tentatively stands at $50,000 ahead; to its credit, WB wasn’t aggressive in its estimate. (Tomorrow will tell the actual result).
The good news is that we have touched bottom for the summer, and it will get better from here. Both “Garfield” and “If” had strong holds: “Garfield” dropped 41 percent in its second weekend after a holiday Sunday, and “If” dropped 33 percent and now is at $80 million.
“The Garfield Movie” (Sony) took over #1 with $14 million and a 10-day total about $2 million better than last week’s #1, “Furiosa: A Mad Max Saga.” (Warner Bros.). George Miller’s $160 million-budget prequel dropped 59 percent from a disappointing start and is in a tight battle for #2 with “If” (Paramount). The family fantasy with Ryan Reynolds tentatively stands at $50,000 ahead; to its credit, WB wasn’t aggressive in its estimate. (Tomorrow will tell the actual result).
The good news is that we have touched bottom for the summer, and it will get better from here. Both “Garfield” and “If” had strong holds: “Garfield” dropped 41 percent in its second weekend after a holiday Sunday, and “If” dropped 33 percent and now is at $80 million.
- 6/2/2024
- by Tom Brueggemann
- Indiewire
In a galaxy far, far away, where apes reign supreme, director Wes Ball appears to be planning on revolutionizing the Planet of the Apes franchise by transforming it into a sprawling sci-fi saga akin to Star Wars. Going bigger and better with each film, shooting for the stars seems to be the only possibility awaiting the Kingdom of the Planet of the Apes sequel.
A still from Kingdom of the Planet of the Apes (2024) | 20th Century Studios
Although the plan hasn’t been officially confirmed, it seems the only possible outcome, considering how the concept of space and extraterrestrial happenings has been a recurring part of the Planet of the Apes franchise. Further, considering Wes Ball’s desire to steer the franchise towards the 1968 original movie, a route through the cosmos seems the only way.
While this might be a far-fetched dream, a closer look at the franchise’s trajectory...
A still from Kingdom of the Planet of the Apes (2024) | 20th Century Studios
Although the plan hasn’t been officially confirmed, it seems the only possible outcome, considering how the concept of space and extraterrestrial happenings has been a recurring part of the Planet of the Apes franchise. Further, considering Wes Ball’s desire to steer the franchise towards the 1968 original movie, a route through the cosmos seems the only way.
While this might be a far-fetched dream, a closer look at the franchise’s trajectory...
- 6/2/2024
- by Krittika Mukherjee
- FandomWire
Hollywood is a constantly evolving landscape where new titles regularly compete to outpace the other. In terms of having that power to spew out content, Disney stands as an undisputed front-runner with its several franchises and studios such as Marvel, Pixar, and Lucasfilm. However, the company also invests significantly in making independent productions, of which its latest outing stands in the form of Young Woman and the Sea starring Daisy Ridley.
Daisy Ridley in a still from Young Woman and the Sea | Walt Disney Motion Pictures
The Joachim Rønning directorial made its theatrical debut just a few days ago and is still airing in theaters. In spite of this, the entertainment juggernaut has thrown a curveball at the audience as well as at the box office. Facing stiff competition, the flick is still holding itself in terms of ratings and reviews, but the state of affairs involving its finances neither...
Daisy Ridley in a still from Young Woman and the Sea | Walt Disney Motion Pictures
The Joachim Rønning directorial made its theatrical debut just a few days ago and is still airing in theaters. In spite of this, the entertainment juggernaut has thrown a curveball at the audience as well as at the box office. Facing stiff competition, the flick is still holding itself in terms of ratings and reviews, but the state of affairs involving its finances neither...
- 6/2/2024
- by Imteshal Karim
- FandomWire
It’s a fairly rare weekend at the box office when there are five new wide releases, but it’s even rare when none of those movies even crack the top six. Read on for the weekend box office report.
After one of the worst Memorial Day weekends in decades, the transition weekend between May and June wasn’t going to be much better with none of the new releases opening in more than 2,000 theaters. That wasn’t helped by the fact that Disney, the one major studio in the mix, decided to dump their latest well-reviewed movie into a few hundred theaters with very little fanfare.
After settling for second place over Memorial Day, Sony Pictures’ animated “The Garfield Movie” moved into first place with an estimated $14 million, down just 42% from its three-day opening weekend, to bring its domestic total to $51.6 million. Overseas, the Chris Pratt-starring family film...
After one of the worst Memorial Day weekends in decades, the transition weekend between May and June wasn’t going to be much better with none of the new releases opening in more than 2,000 theaters. That wasn’t helped by the fact that Disney, the one major studio in the mix, decided to dump their latest well-reviewed movie into a few hundred theaters with very little fanfare.
After settling for second place over Memorial Day, Sony Pictures’ animated “The Garfield Movie” moved into first place with an estimated $14 million, down just 42% from its three-day opening weekend, to bring its domestic total to $51.6 million. Overseas, the Chris Pratt-starring family film...
- 6/2/2024
- by Edward Douglas
- Gold Derby
2017’s War for the Planet of the Apes brought about a resounding change in the franchise’s universe and appeared to mark an end to the saga. However, the 2022 Wes Ball directorial, Kingdom of the Planet of the Apes, has expanded the lore further ahead by as much as three centuries after the end of its previous installment, and with a new working order that has apes as the dominant species on the planet and humans reduced to a feral state.
The character of Noa in Kingdom of the Planet of the Apes | 20th Century Studios
At a time when the flick is surging ahead at the global box office with the likes of Freya Allan spearheading its cast, it also has not forgotten its roots. Eagle-eyed fans have spotted numerous connections between the current movie’s central characters and Caesar, the ape from the first 2011 movie who kick-started the lore in the first place.
The character of Noa in Kingdom of the Planet of the Apes | 20th Century Studios
At a time when the flick is surging ahead at the global box office with the likes of Freya Allan spearheading its cast, it also has not forgotten its roots. Eagle-eyed fans have spotted numerous connections between the current movie’s central characters and Caesar, the ape from the first 2011 movie who kick-started the lore in the first place.
- 6/2/2024
- by Imteshal Karim
- FandomWire
“The Garfield Movie” clawed its way to first place, overtaking last weekend’s champion “Furiosa: A Mad Max Saga” at the domestic box office.
This weekend (unlike last) wasn’t a nail-biter as “Garfield” effortlessly pulled ahead with $14 million from 4,108 theaters in its second weekend of release, while “Furiosa” trailed in third place with $10.7 million from 3,864 venues in its sophomore outing. Now, Sony’s “The Garfield Movie” has grossed $51.5 million in North America and $152 million globally to date. It’s a solid showing for the $60 million-budgeted film. “Furiosa,” the fifth entry in Warner Bros. and director George Miller’s post-apocalyptic “Mad Max” series, has generated $49.6 million domestically and $114 million worldwide. With a $168 million price tag, the R-rated tentpole has a much steeper path to profitability.
Though “Garfield” gets first-place bragging rights, it’s another terrible weekend at the box office with ticket sales a staggering 65% behind the same three-day period in 2023. As a result,...
This weekend (unlike last) wasn’t a nail-biter as “Garfield” effortlessly pulled ahead with $14 million from 4,108 theaters in its second weekend of release, while “Furiosa” trailed in third place with $10.7 million from 3,864 venues in its sophomore outing. Now, Sony’s “The Garfield Movie” has grossed $51.5 million in North America and $152 million globally to date. It’s a solid showing for the $60 million-budgeted film. “Furiosa,” the fifth entry in Warner Bros. and director George Miller’s post-apocalyptic “Mad Max” series, has generated $49.6 million domestically and $114 million worldwide. With a $168 million price tag, the R-rated tentpole has a much steeper path to profitability.
Though “Garfield” gets first-place bragging rights, it’s another terrible weekend at the box office with ticket sales a staggering 65% behind the same three-day period in 2023. As a result,...
- 6/2/2024
- by Rebecca Rubin
- Variety Film + TV
Started way back in 1968, the Planet of the Apes franchise has come a long way from its simian roots. After reboots and new iterations, the series ushered in a new direction following Rupert Wyatt’s 2011 flick, Rise of the Planet of the Apes, which introduced the character of Caesar.
Now more than a decade later in actual life and about 300 years as per the lore, the latest edition, Kingdom of the Planet of the Apes, starring Freya Allan has kick-started a new saga.
A still from Kingdom of the Planet of the Apes | 20th Century Studios
The latest turn of events finds the apes as the dominant species on the planet and humans reduced to a feral state. In the twist of proceedings, as Allan’s character gains center-piece attraction and starts becoming pivotal to the story, easter eggs can be drawn to her all the way back to the start of the franchise.
Now more than a decade later in actual life and about 300 years as per the lore, the latest edition, Kingdom of the Planet of the Apes, starring Freya Allan has kick-started a new saga.
A still from Kingdom of the Planet of the Apes | 20th Century Studios
The latest turn of events finds the apes as the dominant species on the planet and humans reduced to a feral state. In the twist of proceedings, as Allan’s character gains center-piece attraction and starts becoming pivotal to the story, easter eggs can be drawn to her all the way back to the start of the franchise.
- 6/1/2024
- by Imteshal Karim
- FandomWire
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